#also stream deadpool and wolverine

[honig-dachs]

Logan and Wade + the afterlife It's notable how different the roles of Jean and Vanessa are here. Wade sees Vanessa like he always does: through his eyes, kind-hearted, warm, loving, selfless. Vanessa puts him and other people first. Jean on the other hand manifested in Logan's head as all of her worst traits: controlling, manipulative, selfish and with no actual care for him or anyone else. She haunts him throughout the story, blames him for her death as if he murdered her in cold blood (which is probably what Logan feels like), tries to tempt him into giving up and die because that's the easy way out, and even as he finally lets her go, she doesn't seem to acknowledge his feelings. It's actually pretty clever because it's like he's been chasing a ghost this whole time. Logan was never for Jean what he wanted to be and he refused to see that. In this essay I will-

[spurgie-cousin]

during my spiral today my husbo asked me "what's your favorite movie/TV scene where they're doing something in Slow Motion to a Great Song" (he worded it better I just can't remember how) and he did that in an attempt to get me thinking for awhile

but jokes on him because I have that answer locked and loaded: hotel fight scene from Letterkenny, season 5 episode 1 "We Don't Fight at Weddings", just a beating the shit out of (bad) people to "Fuck the Pain Away".

edit: I did not type husbo that was an auto correct, but I'm leaving it

[acadjonne]

down to you by marianas trench is a poolverine song

i don’t have the words to explain it, it just is

[soodoonimin]

Snippet of ch 2 of my poolverine fic:

Chapter title: Punch drunk love

Please keep in mind I don’t edit these until I finish the chapter, thank you! :)

[spider-gem]

OMG THE DAREDEVIL SCENES LOOK SO GOOD!!!! and the others look interesting… BUT DAREDEVIL GUYS-

[roguskii]

what a beautiful sequence omg.

these two are literally in the most intimate position that two separate individuals could be with wade dying and then regenerating inside of logan, leading them to share a single stream of consciousness. wade was already the only one who could understand logan fully, but this was made even more apparent through them quite literally sharing one brain here. obviously i think that scares logan, but i think part of him is relieved to feel so seen and understood for once.

life feels so lonely for them both individually, and even though logan sometimes kinda really hates wade’s guts, they share such a unique, complex and undeniable love (like dawg it’s literally a soul bond).

logan is genuinely such a tragic character, but so is wade, and they truly are bound together because no one else could understand what it’s like to live the way they do. they’re polar opposites, one is adamant he hates the other, and they mix like oil and water. and imo that’s what makes moments like this between them so impactful

(…also they just want each other BAD)

read deadpool and wolverine WWIII !

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[atopfourthwall]

To Linkara: Love your videos, especially when you review good comics. Also loved the Fortnite stream you did with other ComicTubers, it's nice to see you being a part of a bigger community again after that fiasco with the other site that shall not be named.

Been meaning to ask you something for a long time, but I couldn't think of what specifically. Problem is I'm a curious person by nature and I also like to ramble. However, while rewatching your Contest of Champions video (great arc, BTW, even if it took longer than expected), a decent question finally hit me. As someone who's a fan of Doctor Who, What If tales, the original Secret Wars and Crisis on Infinite Earths, do you think Hollywood has overused the multiverse idea? I almost got into an argument with someone on YouTube about the subject where I proclaimed the idea still has merit, it's just the folks running Tinsel Town were failed to be creative with it. Heck, to me the idea is like zombies: sure, it can feel repetitive, but that's only if you don't do anything new or original with it. Movies like Spider-Verse have proven as much. Then again, that's just me. Your thoughts?

I still love multiverse stuff and things like No Way Home or Deadpool & Wolverine have shown how the multiverse can be used to give fanservice, while Spiderverse, Loki, and Multiverse of Madness have shown the story potential of meeting alternate universe versions that reflect character development for our main character... but the problem especially with the MCU is that it feels like they don't have much in the way of a PLAN for it. Sure, Kang was being set up as the next big bad and they're shifting to Doom, but even before then it feels like there wasn't much of a story beyond "There are a lot of Kangs." Sure, with Thanos we didn't know his deal beyond the Infinity Stones being powerful until we actually reached him, but you could get the idea how dangerous it was even without that. Still, I think multiverse stuff is still fun and cool as long as it's used in creative ways... and hopefully people will feel the same with the next storyline once it launches. =)

[dervampireprince]

ASMR | Marvel - Logan Howlett x Listener SFW Convincing Logan He Deserves You

[M4A] [Established friendship] [Feelings confession] [Insecure, low self worth Logan] [Main timeline X-Men Movie Logan, takes place in the mansion, implied you're a fellow mutant and X-Men member] [You call Logan 'babygirl'] [No seriously you do] [First kiss] [Also ambiguous enough that instead of yourself you could imagine some of the Logan ships of your choice eg Morph, Kurt, etc, he's being too nice to you to really imagine Wade]

I did my best okay, I am incapable of growling, I don't know why but I literally cannot growl, and without the growliness I'm not sure if Logan sounds like Logan but I tried. I'd been thinking of voicing him for weeks since I've always loved him and I've loved seeing the flurry of art and fics for him after Deadpool & Wolverine's release. But I felt too insecure about my voice and dysphoric to try and voice a big, beefy, gruff man... But a Patreon member requested it and we've talked a lot about Logan in our Discord server and I just deicded I wanted to try.

So be nice, bear in mind this is a trans guy who's not on T trying to do this voice, I am sort of scared that new people will find this audio and pick on my voice or dislike that I'm trans but we'll deal with that if it happens, hopefully it doesn't but I've had my fair share of horrible experiences with Marvel fans. Though, am loving when people headcannon/draw/write Logan as a trans man, that's been really meaningful to see. I think most characters that get headcannoned as trans men can often be shorter, slimmer, more androgynous men and it's less often we see big, beefy, stereotypically masculine characters get the trans headcannons with with both Logan and the Call of Duty boys getting those headcannons sometimes it's been really nice to see.

Anyway, this was based on a Patreon request, Mothy asked "also this is only if u want bc i know u like Wolverine, maybe comforting Logan from a nightmare ??? OR just a general confess feelings and he’s scared he wont be able to protect u but ur like “no bbg ily”"

No time to draw the thumbnail as I'm doing a lot of work in a short time as I'll be away for most of October (but you won't notice a difference as you'll still be getting 3 audios a week as usual) so no time to get this one draw, this is an image from the first X-Men film.

.

Old public spicy audios on sound gasm (link in pinned post). 2 Exclusive spicy audios on Patreon every month. I also stream on Twitch every week @ dervampireprince . [minors + ageless blogs dni. this blog is for 18+ only.] [do not repost/reupload/edit any of my content]

[racergirl-112]

Push Me Over - Chapter 8: Arms Length

Before Hugh went to set, he went back to his trailer to let off some steam. How had one minute he’d been the happiest he’d been in years to being just as heartbroken when he and his ex had decided to divorce. He knew it would be hard and he’d need to do some things, but by god, he was going to get Dani back.��

Luckily, they didn’t need Dani for many of the scenes today. She stood of to the side, watching as they filmed the scenes where Deadpool and Wolverine go to the TVA. Every movement, every line Hugh said, she felt like her heart was racing and breaking simultaneously. 

Once there was a break in a scene, Dani asked her uncle if he needed her for the rest of the day. He looked at the film sheet and saw that she was good. “No kiddo, you’re good to go home if you want.” He saw she didn’t look so good. “You ok?” 

“Fine, just tired,” she lied. She hugged him and walked off set, not knowing Hugh watched her leave, wanting to chase after her. 

She got back to her flat and took a long hot shower. The song on her phone changing to Arm’s Length by Kacey Musgraves. The lyrics flowed through her speakers as she sank down in her shower, pulling her knees to her chest, letting the tears she had held in all day fall freely. She knew she had fallen in love with Hugh, but it was complicated. He had literally just gotten divorced. Maybe it was a rebound thing, never meant to last. Did Dani want it to last? She honestly did. She wiped the tears away and got out of the shower and called the one person who was the voice of reason in her life, her mom. 

“Oh hi Dani!” her mom’s voice on the other end of the phone, a welcome bright spot in her day. 

“Hi mom,” she replied. 

“How are you? How is filming going? I know you said a few days ago you hadn’t had many scenes yet.” 

“I’m fine,” Dani lied. “I actually got to film my first few stand alone scenes and got to kiss Hugh Jackman.” 

“Oh boy, that’s huge,” her mom replied. “He’s been really good friends with your Uncle and Ryan for years. How was that?” 

“Um, it was fine.” As she figured, her mom clocked the tone in her voice and called her out. 

“Danielle Olivia, do you have a thing for your co-star?” 

“Do I have to answer your question?” Dani said through gritted teeth. 

“Yes you do,” her mom demanded. 

“Then yes mom, I do. Are you happy?” 

“Is that what's bothering you? Isn’t Hugh married?” 

“Yes and well, no,” Dani started. “Mom, I met him the night of our cast dinner and then we had a moment during a night out with the cast and crew at karaoke. It’s not like I wanted to fall for him. Also, to answer your question, one of the first days on set together, he told me he and his wife had recently gotten divorced, but it wasn’t public knowledge yet.” 

She heard her mom on the other end of the phone telling her stepdad he could talk to her in a second. 

“Dani, is that the only interaction you two have had?” Dani stayed silent, giving her mom the answer she was expecting. “So, you two slept together?” 

“Yes mom, a few times if need to know. I know he’s old enough to be my dad, but there’s something about him.” 

“Ok, well if he’s divorced and it seems you both feel the same, what’s the problem?” her mom questioned. 

“Oh mom, it’s complicated,” Dani started. 

“Dani, I’ve been through the whole complicated thing and more, what’s the deal? Are you questioning things because of the age difference and the fact he’s been married before?”

“Well, that and the fact that he’s friends with Uncle Shawn and Ryan. I feel like we have had fun, but maybe I was the rebound after the divorce. I mean I can have fun and be friends, but I for some reason want more with him.” 

“Danielle, you know what you just said right?” her mom asked. 

“No mom, that’s why I called you,” she replied. 

“You love him and from the sound of it, he might love you too, but I’m proud of you for being an adult in this situation.” 

“Thanks Mom,” tears began to stream down her face. 

“Also, just so you know your Frank and I are proud of you. I know how hard it was to put your dreams on hold, but you’ve done a phenomenal job. Your dad would have been proud of you too.” 

If she hadn’t already begun to cry before, the comment on her dad sent her over the edge. “Thanks Mom, that means a lot.” 

“Alright sweetheart. Hang in there and call me if you need anything.” 

“Will do. Love you Mom.” 

“Love you too Dani.” 

Dani set the phone down as she wiped the tears from her eyes. She always knew her mom could see through her bullshit even when she couldn’t. Even if she did love Hugh, she needed to give him the space he needed to heal and maybe if it was meant to be, they’d get together again. 

Hugh had gotten back to his flat that night as well, tired and frankly heartbroken. He wanted to talk to Dani, but she had made it very clear that she needed space, or for him to heal. What she didn’t realize as new as the divorce may be, she was the healing he had needed. He wasn’t sure what her thoughts were, but he decided to do something old school and write her a letter. 

Dani, 

I’m not sure what is going on with us right now, but I’m honoring your request of giving you the space you said you needed. With the instant connection we had not only at the dinner, but at the karaoke bar, I feel like we may be missing out on something special. I can honestly say that I haven’t been this happy in a very long time. You were the brightness who brought me out of the darkness I had slowly fallen into. You may not believe me, but it's the truth. Please know I care deeply for you and you’ve made me so happy. 

Love, 

Hugh 

The next morning he got to set early and put the piece of paper in her trailer door. As he walked to his trailer, he sent his ex a text. Hugh: Hey Deb. We need to talk. Are you available later? Need to discuss what we want to say to the press about our divorce. 

@kellyxo1

[nerdfins]

TLDR: October 22nd, subject to change.

This release date makes me nervous, as movies that get released to video this soon usually didn't do well enough in corporate's eyes. But I'm also excited to be able to see it again while cozy at home. Also, Deadpool and Wolverine got an early release, so maybe they're following that?

Either way, who else will be playing this on repeat?

[toomanyfandoms11]

Background on the Tim hiring Deathstroke thing in this https://www.tumblr.com/toomanyfandoms11/749474013724721152/toomanyfandoms

In my little universe that I like to maladaptive daydream in basically, Janet Drake, Slade Wilson, and Wade Wilson are all siblings.

Janet is the oldest child, and thefore according to family tradition the only child that cannot legally be linked to any crime (plz ask me about the Drake family lore. Also, Jack was the one killed by Captain Boomerang ).

Slade and Wade are twins, (their father had a sense of humor and their mother was too out of it to complain.) and bear the title of murder uncles.

Getting to the Joker bit: when Jason was being killed by the Joker, Tim was on a “family holiday”(training trip) to upstate New York (X-Mansion, most of the X-Men were too afraid to ask about the 10 year old that followed Deadpool around except for Wolverine, who taught him how to skin a moose, and Madelyne Pryor for some reason) and as a result did not learn about his death until about a month or so after it happened.

When Tim learned about his death he decided to wait a bit for Batman to settle down, thinking that he just needed to get the anger stage of grief out of the way and then he would go to therapy like a normal person. Tim was the sort of kid that would read the picture books about getting over grief when he was waiting in the doctors office.

Unfortunately, there were no picture books about superhero phycology. After about few months, Batman showing no signs of stopping and expressing his grief like a normal person, Nightwing finding out about Jason’s death through a newspaper tabloid and the two of them having an argument on top of the Gcpd station that was live-streamed by anyone with a phone and became headline news for a week, Tim decided to take matters into his own hands and hire his current favorite uncle (Wade had recently given him a pair of socks as a gift instead of the forensics book he wanted) and ask him politely (blackmail him with the time Slade had given him coffee while babysitting) to kill the Joker, “Pretty please Uncle Slade? I’ll make you cookies!”

Slade accepted this offer and went (with no small amount of glee/relief) to finally put a bullet through that waste of carbon’s skull. But, alas, Paul Verlaine (King of Assassins, Executive in the Port Mafia, Ex-Titans member and former boyfriend of Nightwing) got there first. After this, Tim’s story goes the route you would expect (with a twist~). After one too many times of Batman putting criminals in the ICU instead of talking to a therapist, Tim decides enough is enough and goes to Nightwings apartment in Bludhaven to ask him to arrange an intervention for Batman with the Justice League, or he will release Batman and Nightwings identity’s to the public.

Dick Grayson, after hearing this, dose not go “This seems like Bruce’s problem” and drop him off at the Batcave. He instead goes “who’s sassy lost child is this”, has the Bat-adoption gene arise for the first time, and decides that he will adopt this child who ran around Gotham alone stalking Batman and Robin, or die trying.

Janet, after talking with the man who drove her child back from Bludhaven at 4:30 am, is slightly leaning towards the second option, but she knows that A. Jack is a terrible father, and while she tries her best, she is also not winning mom of the year anytime soon and B. Shared custody is a thing.

And so, after 3 sword fights (one for each Drake-Wilson sibling), 5 panicked calls to Alfred about “Holy frick I’m turning into Bruce”, many late nights studying “how do I parent a 10 year old”, 1 realization of “holy **** I really do want to be a parent”, and a very well paid lawyer ( Matt Murdock), Dick Grayson becomes the legal parent of a one Timothy Drake, with the media explanation (that is true, but deleteing the superhero parts) being that Janet and Jack realized that they could not be the parents the Tim deserved to have, and that Dick Grayson could. (They got alternating weekends and cultural holidays (Jack is Chinese).

After a month or so, Dick takes Tim to meet Bruce (Dick did the intervention thing, it took the combined forces of Superman, Wonder Woman, Black Canary, Alfred, and Catwoman to get him to go to therapy.) and in the meeting Tim cheerfully reveals that A. He had figured out Batman and Robins secret identities when he was 9 (He went to a gala that the Wayne’s were at, and Dick did a quadruple somersault off of a chandelier that Tim remembered Nightwing doing) and B. He once hacked into Shield on accident when he was looking for a website that had a show he liked on it

[xtractors]

I want a comic following the end of Deadpool in Wolverine where it's the team from the void and they all work for TVA now ( including Wade and Wolvie).

They just go around extracting people from different multiverses where they're messing with time streams or just messing stuff up and/or rescuing innocent people from the void and random multiversal mishaps. Then obviously those people either get arrested by the TVA and sent to the void or join the team.

Which like I get it. They all probably really dislike the TVA but like also a paycheck?!?! On the regular?!?!?

And I kind of assumed their universes aren't there anymore because the reason they were taken was because they were going to fight to stop the universes being destroyed. But I'm not sure. I don't know if they ever actually clarified that? So I'm like where are they going to go? We'll just work for the TVA.

And then Deadpool finally gets his avengers-ish team (but better) and gets to be a hero and gets his boyfriend in his found family.

Anyways, all of this is just so that I have a headcanon for a team called the X-tractors. Because they're extracted from their universes and then from the void and then their whole job is to extract other people who are messing up the timeline and that it has x like the X-Men and X-Force and it makes me so happy.

All of this is literally just to say that I named my handle after that when I made this account like 3 days ago before I realized there was a book called Weapon X-traction that involved Deadpool and Wolverine 😂😂😂

[wonderfulworldofmichaelford]

The 20 Best Films of 2024 (And the 10 Worst)

I fucking love movies.

Most people following me know that on some level, but I haven’t really showcased that love in a long while. Over the past couple of years I felt really drained and unmotivated, and my review series I did all petered out. And it made me sad. I WANT to share my opinions, I WANT to talk about things I’m passionate about! So I decided about halfway through 2024 I was going to do something big to bring my blog back: Watch as many new releases from 2024 as possible so that I could make an end of year ranking of my favorite movies!

Since I decided to do this halfway through the year, it made watching the films I actually wanted to see fairly easy since everything was able to be pira—er, watched completely legally on various streaming platforms. Max and Prime were big helps, as was Netflix towards the end of the year when my wife got it for her yearly month-long binge of Christmas films. My only rule was that the film needed to have a wide release in 2024—a few films had festival screenings in previous years, but I counted them for the purposes of my list. This also, sadly, meant Better Man and Wallace & Gromit were ineligible (but they’ll likely be ion my 2025 list near the top).

I gave myself a little leeway and extended my deadline to mid January just so I could make sure I didn’t miss anything I really wanted to see, as well as so I could watch movies from other years. I managed to watch 77 newly released films, and while I didn’t get to see everything I wanted to I was incredibly happy with what I did see.

This was a really good year for queer films and horror. For the former, I watched four different movies with queer themes with three of them focusing on trans folks, and of those four three were extremely good! In fact, two of them made this list, and one that didn’t—The People’s Joker—is still a fantastic work that puts a fresh spin on well-worn characters while telling a coming-of-age story! With the latter, we just got some truly fun and inventive films that showcased what the genre can do in the hands of skilled filmmakers; even more flawed horror films like Late Night with the Devil and Alien: Romulus were still really good and fun, albeit held back by some glaring and often frustrating issues (CGI necromancy for the latter, AI generated image use and a shitty finale for the former).

Surprisingly, this was also a decent year for superhero cinematic universes, mainly because they all slowed the fuck down. Marvel released a single film—Deadpool & Wolverine—which managed to be a fun crowd-pleaser as well as releasing the wonderfully witchy Agatha All Along to Disney+. DC put out two shows this year, The Penguin for the Reeves elseworlds and Creature Commandos as the animated debut of the new main DC film universe’s continuity; the former is a fantastic crime drama full of excellent performances that gives one of the best portrayals of Batman’s most versatile villain yet seen, while the latter is a decent-but-nothing-too-special ultra violent animated series. Both studios are looking to have interesting futures, and at any rate they’re both doing way better than Sony, who not only gave us now news on Spider-Verse but also shat out the three worst films in their already abysmal cinematic universe. Honestly, I think creating a six film run in a cinematic universe where none of the movies are good is an incredible feat!

But most of all, this was a great year for women. Most of my favorite performances of the year came from immensely talented actresses giving it their all: Mikey Madison, Margaret Qualley, Kathryn Hahn, Aubrey Plaza, Anya Taylor-Joy, Cynthia Erivo, Ariana Grande, Lauren LaVera, Alisha Weir, Liza Soberano, Kathryn Newton, Naomi Scott, Willa Fitzgerald, Lupita Nyong’o, Kristen Stewart, Cristin Milioti… The Ladies were killing it this year. Three stand above all the others for me, however. The first is Zendaya who, between Dune and Challengers cemented herself as one of my favorite actresses; the second is Lily Rose-Depp, who with Nosferatu gave a performance so good it completely erased Yoga Hosers from my mind; and finally there is Demi Moore in The Substance, who gave the best performance of the whole year, hands down.

Before we get into the top 20, let me just give a brief rundown of my ten honorable mentions. If there wasn’t a 30 image limit, I probably would’ve covered these, but oh well. Lisa Frankenstein is a shockingly charming and macabre directorial debut from Zelda Williams and a welcome return to form for Diablo Cody; Blink Twice is a gripping psychological horror thriller dealing with themes like gaslighting, sexism, and wealthy tech bros abusing women (a very topical subject) and features perhaps the best performance of Channing Tatum’s career; Smile 2 is a wonderfully crushing downer of a horror film, with a fantastic lead performance from Naomi Scott; Trap is M. Night going full goofy with a black comedy about a serial killer who keeps rolling nat 20s on his persuasion checks; Rite Here Rite Now is a kickass concert film for the band Ghost with story bits interwoven, and features a Scooby-Doo homage music video for “Mary on a Cross,” finally embracing their role as goofy Scooby-Doo chase music; Juror #2 is a fantastic late-career film from Clint Eastwood that features a fantastic performance from Nicolas Hoult, though it unfortunately released in a year where the guy had even better performances; Strange Darling is a dark thriller told out of older that is incredibly stylish but maybe a bit too full of itself; Road House is an awesomely stupid remake that fully embraces the goofy spirit of the Swayze original while telling its own story, complete with cartoonish logic and fights; The Wild Robot is a great (but a bit overhyped) found family story; and Love Lies Bleeding is basically Drive for lesbians with macrophilia, fulfilling the sort of niche none of us knew existed but we should be thankful is around. I’d also like to shout out two contenders that would have been higher if not for glaring issues—Late Night with the Devil and Alien: Romulus. The former has numerous moments that break the immersion of its setup and an absolutely terrible finale, while the latter employs CGI to bring a dead actor back to life and leans far too heavily on nostalgia for much of the middle portion of the movie. Both are still really good, but their glaring issues hold them back.

Now, onto the main event! Keep in mind, this is all just my opinion and not the objective list of what's best and worst, and you're free to agree or disagree as you see fit:

20. The Fall Guy

I really loved Bullet Train and Deadpool 2 is a really solid superhero sequel that might actually be funnier than the original, so it’s safe to say David Leitch is a director I enjoy. Now, how about throwing in Ryan “Literally Me” Gosling instead of Brad “Wife Beater” Pitt as the lead and also throwing in Emily Blunt, Winston Duke, and giving Aaron Taylor-Johnson a chance to actually act? You’ve got yourself a fun, funny little stunt extravaganza. It doesn’t quite reach the highs of Bullet Train but it gets pretty close, and if nothing else it managed to convince me Kiss didn’t suck for the duration of its runtime (they play “I Was Made for Lovin’ You” about every five minutes, and it honestly rules every time).

19. I Saw the TV Glow

I sometimes worry I’m not going to be able to pick up on metaphors or allegories, no matter how obvious. I watch a lot of horror and superhero movies, y’know? Simple stuff. I worry it makes me too stupid. But I was able to fully grasp the trans allegory of this movie, and absolutely loved it and thought it enhanced the narrative. Justice Smith absolutely kills it here; the dude is great at playing mumbly autistic people uncomfortable in their own skin, and this is the peak of those roles. He absolutely sells the final, soul-crushing party scene at the end of the movie in a way few other actors could. Also Fred Durst is here, and while this seems a funny tidbit, he actually delivers a line that is so unbelievably brutal that it instantly made me hyper aware of the themes of the film. I actually passed out the first time I tried watching this film, and thought that it sucked because of it; as you can see, I’m glad I gave it a second chance.

18. Conclave

I was worried a stuffy drama about holy men vying to become the Pope would be boring, but boy am I glad to be proven wrong! This is a film that is mostly old men talking to each other, but they’re also scheming, plotting, and acting like bitchy mean girls as they try and become the next head of the Vatican. Ralph Fiennes puts in a fantastic performance here, and the film’s views on faith and religion are actually pretty relevant to me (someone who has a complicated view of religion). Throw in a jaw-dropping final twist and I can see why this film is so heavily hyped as an awards darling—though I don’t necessarily think it should win.

17. Abigail

I’m sure you all are aware of my love of vampires, especially vampires with a singular defining theme. I have created vampire OCs with gimmicks ranging from a lost cosmonaut vampire to a traumatized WWII veteran clown vampire to a former Cosa Nostra boss vampire to a vampire who’s the king of Atlantis… But let me tell you, the fact I somehow didn’t think of “Vampire ballerina” is something that will haunt me forever, especially when it was done so perfectly here. The titular vampire’s profession of choice is utilized amazingly in how she moves and kills, and it makes her one of the most unique and fun horror antagonists in recent memory. The fact the rest of the film is funny and engaging is icing on the cake, really.

16. A Different Man

I love movies that are character studies about people who are literally the fucking worst, and Sebastian Stan’s character here is a very interesting take on this. He’s a man who feels his deformity is what causes people to not like him, so he gets a procedure to make him ‘normal’… And then along comes a guy with the same issue as him (played by Adam Pearson) who is the fucking Rizz Master and who everyone loves. It turns out the whole time he just fucking sucked! Stan is absolutely great and proved to me he’s the real deal after multiple MCU projects where he bored me to tears, but Pearson is the one who steals the show here. He’s just an unbelievably charismatic figure, a real fun guy, and without him the film just absolutely wouldn’t work. How he keeps getting overlooked for awards is beyond me.

15. Megalopolis

Every single opinion you will hear about this film is correct. It’s great, it’s awful, it’s genius, it’s moronic… It has to be seen to be believed. I saw this for my birthday, expecting it to be a glorious trainwreck lovingly crafted by an aging auteur who saw this as their ultimate passion project… and that’s exactly what I got! I think every decade needs its own take on The Room, and this is that film if it had an even more insanely huge budget and a director who actually has genuine talent and some semblance of knowledge about how a film is supposed to be.

14. Terrifier 3

The Little Slasher Film That Could! A truly inspiring film, one that managed to make a massive profit despite being a grisly, gruesome splatter film the likes of which haven’t been seen since… well, since Terrifier 2 really. The plot is a bit weaker than its predecessor, but what it lacks in story strength it makes up for in buckets of blood and pitch-black comedy. David Howard Thornton gives his best turn yet as Art, cementing the demonic clown as a modern horror icon with an impressive physical performance.

13. In a Violent Nature

One of the year’s most polarizing films due to its concept: It is a slasher film that follows the killer as our POV, and that means lots of slow, methodical walks through the woods as he seeks his victims. There’s lots of lingering shots and slow pacing, feeling like a real-time hiking simulator… but there’s something so fresh and engaging about it, and when we finally get to the kills they are easily some of the best the slasher genre has seen in years. Does the ending car ride drag on maybe a bit longer than it should? Sure, but I still enjoyed it for fleshing out the film’s world a bit more while hammering home the themes. I think this might be one of the only slasher movies I could reasonably call a genuine work of art.

12. Deadpool & Wolverine

I’ll be the first to admit this is not a great movie; the story is basically nonexistent and everything that happens seems to be contrivances that exist so that Reynolds and Jackman can bounce off each other. But this isn’t a bad thing! Jackman wisely brings his A-game when he could have easily half-assed this role at this point, and Reynolds manages to squeeze out a few solid emotional moments from Wade Wilson. And while the film is a terrible sequel to the first two Deadpool movies, it is a wonderful Deadpool themed meta-commentary and tribute to the Fox Marvel films of the 2000s, movies that tended to suck ass and that most would find unworthy of respect. Not this film; it brings back characters like Johnny Storm and Elektra and uses them in fresh and funny ways that will make you feel at least a little something for that era of superhero cinema. This is a fun fanservice fest—and the perfect demonstration of why we don’t need any more after it, because they could never be as good as this.

11. Wicked

Yes, the lighting is bad and the direction isn’t exactly anything special. Let’s not give Jon M. Chu any credit for why this film is so high up. No, it is the absolutely stellar cast that carries this film, with Cynthia Erivo and Ariana Grande knocking it out of the park in their roles as Elphaba and Glinda. Their developing friendship feels sweet and genuine, and their songs all hit as hard as they should, with the “Defying Gravity” sequence easily being one of the year’s highlights despite the sun’s best efforts at ruining the moment. It’s just nice to see a fun, colorful, campy fantasy musical get this big. We need more like this.

10. Furiosa: A Mad Max Saga

It’s nice to see the world of Mad Max expanded and it’s even better to see how Furiosa became the woman she was in Fury Road, but the real star of the show here is Chris Hemsworth as Dementus. It is mind-boggling how good an actor he is when he gets to let loose, and this might genuinely be the best performance of his career. Just a damn good film, but what else can you expect from Miller? Its biggest flaw is it just isn’t as good as Fury Road—but what movie even is?

9. Transformers One

The trailers for this movie didn’t look particularly good, and the Transformers franchise had long lost any goodwill in my eyes, so this was a movie I fully expected to fly under my radar. But then along came a Twitter user who did nothing but hype this film up to the high heavens, and so I had to give it a shot… and boy am I glad I did, because this is easily the best animated movie I saw last year (I did not get a chance to see Flow or Memoirs of a Snail, which I’m sure are better movies). For the second time in the year Chris Hemsworth pulled off a shockingly great performance, but this was truly Brian Tyree Henry’s film; his performance as D-16 AKA Megatron is genuinely fucking amazing. He truly manages to sell the future Decepticon's fall from grace and make it believable while also managing to sell the friendship between him and Optimus before it all goes to shit. Easily the best film in the entire franchise so far.

8. Sonic the Hedgehog 3

Family films really didn’t get better than this one this year, a feat that is monumentally impressive when you remember this is the second sequel to a movie based off of a video game and that easily clears both of its predecessors. It is paced like its title character and isn’t quite as funny as the last two, but it’s much more tightly plotted, the action is incredible, and best of all the emotional story beats it pullls off with Shadow and his tragic backstory hit just as hard as they should. As perfect as Shadow is, the movie wouldn’t be half as good without Eggman and his interactions with Gerald Robotnik; Jim Carrey, the man who once refused to do sequels, managed to give two of the best performances of his career in one film, delivering a fantastic character arc with Ivo and his toxic yaoi with Agent Stone as well as the zaniness-masking-depravity of Gerald. An utter joy of a film, a joy only compounded when a certain song kicked in at the finale and my daughter turned to me with a big, excited grin. You can’t buy an experience like that.

7. Anora

You know all those movies about hookers with a heart of gold like Pretty Women, these live-action fairy tales where a sex worker is swept off their feet and saved from their situation by a rich guy who loves them? Well, this is the antithesis to those, a dark and realistic take on those very stories that still manages to be very funny thanks to strong performances across the board and excessive amounts of profanity. If Demi Moore wasn’t in the running, I would be throwing my full support to Mikey Madison for Best Actress, because she rules in this.

6. Heretic

I really, really love Hugh Grant. I love how he’s taken his charming leading man image and used it to play sleazy, conniving villains, weaponizing his established charisma to play the nastiest guys imaginable. And let me tell you, his performance here had me sympathizing with fucking Mormons. I think maybe the movie goes on a bit too long for its own good—there’s a point where I was thinking “Ok, I get it, can we please just wrap it up?”--but the fact this is so high on my list should tell you that I don’t think that really holds it back much.

5. Challengers

Tennis is not anything I give a shit about, but for the duration of this movie it was the actual coolest thing in the world. This is the tale of the world’s three most toxic people, and the ultimate tennis match that will decide their destiny all with the backstory of what led to that match woven in. Zendaya cemented herself as one of my favorite actors with this film, the cinematography is genuinely insane (there is a fucking tennis ball POV sequence!!!!), and Trent Reznor and Atticus Ross deliver one of their best scores yet… Why isn’t this film drowning in Oscars? How did it get snubbed this badly?

4. Nosferatu

Robert Eggers might be the greatest modern horror director. He has an impeccable sense of style, an attention to detail when it comes to historical accuracy that is genuinely insane, and the ability to always get the best cast imaginable for his films. Bill Skarsgård is unrecognizable as Orlok, a role that manages to surpass Pennywise in sheer vile wickedness, but it is in fact Lily Rose-Depp who gives the greatest performance of the film. She is truly the heart and soul of this movie, and showcases the sort of acting talent her father wishes he still possessed. This might be the first horror remake since the 80s that manages to surpass the original, though with that said there aren’t many surprises here. It knows how good the original story is, and doesn’t change too much. What it does add is crucial to the plot, though, especially showing us Orlok’s penis.

3. Dune: Part Two

I wasn’t the biggest fan of the first Dune. I liked it well enough, but it felt like a whole lot of setting up and not enough delivering. Well, guess what? This film delivered. Oh fucking boy did it deliver. Austin Butler debuts as Feyd-Rautha, one of the most badass and bloodthirsty villains ever put to film, and despite not getting the winged panties Sting had manages to steal the show and leave a lasting impression despite his brief screentime. But even better than that—but only by a little—is Timothee Chalamet’s Paul’s journey from a desperate hero trying to survive into a full-blown dark messiah who buys into his own hype and whips his followers into a frenzy. It is genuinely chilling seeing what he becomes, and it has me excited where the third and final film will take him. Also Christopher Walken is here. And worms. I really love big worms and Walken.

2. The Substance

People have tried so hard to apply deep meaning to this film and say it has complex moral themes. And sure, it does have strong morals and themes, but let’s not kid ourselves here: This is an R-rated Goosebumps episode. And that’s why it’s fucking amazing. It’s gross, it’s gory, it’s nasty, it’s ridiculous, it’s cartoonish, and it features Demi Moore and Margaret Qualley going all out with their performances. This film has one of the best third acts of the year, because while it does drag on quite a bit it continually gets crazier and crazier. This would easily take my top spot, but there’s one film that’s even better...

1. Hundreds of Beavers

I did not know what to expect when watching this. After hearing so many online reviewers like Schafrillas and YMS rave about it, I definitely was uncertain that I’d find this to be quite as good as the hype would lead me to believe. But let me tell you, to say this film surpassed my expectations is an understatement. This is the funniest film I have ever seen in my life. This is a black and white (mostly) silent film comedy that showcases such a joy and appreciation for the art of film, a movie that oozes charm from every pore. It genuinely needs to be seen to be believed. It has one of the best protagonist journeys from nobody to badass I've ever seen, and it features some of the funniest gags I've ever witnessed. My daughter walked over when she heard me laughing, started watching, and laughed her ass off at the movie too. Genuinely a masterpiece.

Go. Go watch it. It’s free on Prime Video, it’s free on Tubi, stop fucking reading this, go and watch Hundreds of Beavers, and then come back here. It’s fine, I’ll wait.

Alright, now that you’ve seen peak cinema, it’s time to talk about the dogshit.

Even with watching so many movies this year, I surprisingly enjoyed most of them. Sequels I expected to despise like Moana 2 and MaXXXine ended up being decent but heavily flawed, cartoon slop I thought would be irredeemable crap like Thelma the Unicorn and The Garfield Movie ended up being surprisingly decent and surprisingly mid respectively, and Madame Web was perhaps the funniest piece of shit Sony ever churned out. Kung Fu Panda 4 and Venom: The Last Dance are really the closest to genuine “dishonorable mentions” I have, but neither of them are that bad. Like, they definitely suck, but they have enough good points to them where I don’t want to put them on this list. The same goes for hilarious streaming garbage like Nanoshark and Cinderella’s Revenge. Sure, the former feels three hours long (it’s barely over sixty minutes) and the latter ends up squandering its fun premise and dickriding Elon Musk (I’m not kidding), but it’s hard for me to muster up anger at schlock meant to be put on as background noise.

But I still saw some fucking awful movies this year that I hate with a passion. Here are all ten of them:

10. Poolman

Poolman is the directorial debut of everyone’s favorite Chris, Chris Pine… and it is a perfect demonstration of why he needs to stick to acting. Imagine, if you will, Chinatown crossed with The Big Lebowski. Now imagine The Dude is the most annoying, insufferable moron imaginable. That’s essentially what this film is. There is some mild entertainment in some of the bizarre, rambling conversations the characters have but it never truly feels like a worthwhile experience.

9. Emelia Pérez

Is this the absolute worst film of the year? No, absolutely not; if anything nice can be said about this film, it’s that it is competently made and all the technical aspects are sound. But it is probably the most offensive film of the year, delivering some of the most problematic depictions of Mexico and the trans experience you can imagine. This is basically a Mexican minstrel show desperately trying to be some grand, operatic tale of a cartel boss who tries to right their wrongs and live as their true self. It comes off as incredibly tone deaf and cringeworthy, with the transition feeling more like a way for the title character to escape her sins than anything else, which tarnishes a story that genuinely sounds fascinating on paper. Throw in a bunch of nonsensical musical numbers that are uniformly awful and a cast that has a poor grasp on the Spanish language, and you have a movie that’s offensive to everyone from man to woman, from woman to man, from penis to vagina.

8. Nosferatu

Yeah, that’s right, two Nosferatus released in 2024! And the difference in quality couldn’t be more night and day; while the Eggers film is a stylish remake that tells the familiar story with enough of the director’s own ideas to make it a unique and engaging experience, this film is a shot-for-shot remake that looks like it has the budget of a Channel Awesome movie (with the acting talent to match). The one saving grace is that the inimitable Doug Jones portrays Orlok, but even he isn’t enough to redeem this pointless slop. There are three better versions of this story you could be watching, the original and two remakes that justify their existence. Don’t waste your time with this glorified fan film.

7. The Crow

I’m not usually one to say a role died with an actor or that some stories are just not able to be remade, but The Crow is definitely one of the exceptions. Brandon Lee owned the role of Eric Draven, and the original film is perfect 90s gothic action; it’s a story that doesn’t really need a retelling. They could have easily just done a spin-off sequel like they’d done before, but no, they decided to randomly slap the names of Eric and Shelly on two characters who end up being in name only and tossing them into a sloppy supernatural murder thriller with forgettable villains and piss-poor characterization. Bill Skarsgård is probably thanking God every night he had the role of a lifetime in Count Orlok to fall back on, because a performance as bad as his Eric is would be more than enough to tank an actor’s career in any other year. Yet, even as bad as this is, it somehow isn’t the worst comic book adaptation of the year.

6. Hellboy: The Crooked Man

With The Crow, I can see why it was remade. Sure, the end result is a pile of shit, but I at least can admit there is some level of artistic integrity there; they wanted to try and put a unique spin on a familiar story, that they failed catastrophically is another thing entirely. This movie, though? This is one of the most cynical adaptations ever created. It is so blatantly an ashcan copy—a cheap production churned out as quickly as possible to cling to the rights—that it’s genuinely painful to watch. It has the look and feel of a fan film, and not a very good one; this is the Spider-Man: Lotus of Hellboy films. Frankly, this one makes me appreciate the Harbour-led film even more. Sure, that movie was a sloppy trainwreck of a dozen plotlines, but at least it had cool gore and Ian McShane! This movie has next to nothing of value.

5. Saving Bikini Bottom: The Sandy Cheeks Movie

You’d think that giving SpongeBob’s coolest friend her own feature-length adventure where she gets to save the day would be a good thing, especially since she’s often sidelined in the theatrical releases. Well, you’d be wrong! This is easily some of the most insufferable SpongeBob content ever shat out by Nickeleodeon, with bogus and uncomfortable grossout humor, a padded plot filled with random action sequences that do nothing to advance the plot, and a bunch of poorly-acted villains with annoying gimmicks. Wanda Sykes’ Sue Nahmee in particular is just an absolute eyesore once her true nature is revealed. I absolutely love Sandy, she’s one of my favorite characters and has been since I was a kid, so when I tell you it stung to see her time in the limelight be such a dumpster fire you’d better believe it.

4. Harold and the Purple Crayon

I honestly don’t know why this film exists. I don’t even know what to say about it. The fact that no one looked at this, a film where Zachary Levi plays a manchild who represents a grown-up version of a beloved cartoon character who enters the real world to go on a stupid journey, and thought “Hey this actually fucking sucks and maybe we shouldn’t release this into theaters” is absolutely astounding. This is a film destined to pad the bottom of the bargain bin at Wal-Mart, with the copies going unsold for years and years. Hell, it wouldn’t surprise me if they released the Blu-Ray straight to the bargain bin. This is the kind of crap I’d expect to see on Netflix.

3. Kraven the Hunter

Sony really had a fucking abysmal year. Madame Web was the insane, stupid comedy gold we’ve come to expect from their Spider-Man minus Spider-Man cinematic universe, but it also showed that the novelty of a series comprised of nothing but bad movies was wearing thin. Then came Venom: The Last Dance, a meandering and mediocre finale to the beloved campy Venom trilogy that ditched the fun and queer undertones for an almost incoherent sequence of random events occasionally interjected by Knull sitting on his ass and yelling at people like he’s Steven Seagal on set of his latest movie. And then as their final gift to us, they managed to put their stupid franchise out of its misery with this brutal death blow of a film. Kraven is bad in the worst possible way: It is incredibly fucking boring. This is astounding because not only is this rated R and able to take full advantage of Kraven hunting, it also has the perfect character to delver a badass anti-villainous role. But they don’t do that; instead, they make Kraven into a pretty boy anti-hero with Aaron Taylor-Johnson giving a performance so dull it convinced me he was a bad actor until I saw The Fall Guy. It’s truly pathetic that after six films they couldn’t manage to get even one thing right. It’s the miserable end to a historically awful franchise. I truly hope Disney gets the full Spider-Man rights back soon, because I trust Sony with these characters about as much as I trust a toddler with a live grenade.

2. Borderlands

I have never played a Borderlands game in my life, but if they are even remotely like this movie I don’t think I ever want to. This movie is what everyone who hates the MCU says every Marvel movie is like; flat characters, bad action, stupid quippy “he’s right behind me isn’t he”-ass dialogue, baffling casting choices, and the world’s most annoying comic relief character all congeal together into this disastrously bad sci-fi adventure. I guess we’ve been pretty spoiled with good video game adaptations lately, so they had to release a bad one to even things out. At any rate, this is the sort of black mark a Zionist dog like Eli Roth deserves on his career. With any luck, it will keep him out of the director’s chair for a very long time.

1. Joker: Foile à Deux

As many of you may know, Tom Green’s Freddy Got Fingered is one of my all-time favorite films. It is a troll film, a film where Green is deliberately pushing the limits of gross out comedy and sanity at the expense of the studio; it’s a film that is deliberately off-putting. I’m also a fan of the John Leguizamo vehicle The Pest, a movie where the main character is made to be as deliberately annoying as possible, a film designed to be as horribly offensive to everyone as possible in the hopes it crosses the line enough times you’ll laugh. These are films I admire for their edgy, stupid, confrontational style; they will not appeal to everyone, and that’s fine, because while they are certainly laughing at your expense they’re laughing at everyone else’s expense as well.

This film is very similar, except that it’s only laughing at you. You, the viewer, are the punchline of this movie and it spends its plodding runtime hammering that in and telling you over and over how much of a stupid fucking idiot you are. The film is half the most banal courtroom drama you’ve ever seen, one where they do nothing but recap the first film, and half a terrible jukebox musical where the songs are just there to be there and are poorly sung. All of it is built around picking apart the first film and repeatedly hammering in that you’re stupid for liking Joker, the original film and the character. Now this isn’t an idea wholly devoid of merit, especially because of the wild misaimed fandom of the character, but Todd Phillips lacks the intelligence and maturity to tackle something as profound as that. He is truly a shallow filmmaker, unable to grasp these deeper ideas and so settling into surface-level style to distract you from how awful the screenplay is.

Genuinely, the worst part of all this is the incredibly tasteless moment where Joker is implied to be raped by prison guards, something that crushes his spirit and removes all his desire to be Joker (something he spent this whole film up to this point getting back to, despite the whole first film covering the same plot beats). There is so much wrong with this, so much that needs to be unpacked. Did he not realize the sort of messages this sends? Did Phillips really not think through the implications of Joker being cured of his Jokerness by being sexually assaulted? Considering his numerous crimes and the fact that he’s the fucking Joker, is this not implying in a way that perhaps the ends justified the means here? Honestly, I’m putting more thought into this than Phillips put into the whole movie. He just wanted to say “screw the audience” without finding ways to make it fun, engaging, or entertaining.

People are going to look back on this film in a few years and try and convince you it’s good. Don’t listen to them. It isn’t. This is a fucking disaster of a movie, and you are genuinely better off just watching the first film again; if you’re dead set on watching this, hit yourself on the head with a hammer while watching the first one and you’ll get just about the same basic effect. Any film that wastes Lady Gaga this badly is a crime against nature.

[leviackermanstoes]

The decline and fall of two wolverines

Logan howlett x reader

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DEADPOOL AND WOLVERINE SPOILERS!!!

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Warnings: idk yet. The brain emoji represents when a flashback is starting.

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🧠

I tried to murder Jean Grey.

I say tried because nothing can happen in the mansion without Xavier poking around in your brain.

'Are you sure that's what you want to do?'

'You know you can't turn back after this'

'Your better than this, you know that'

His voice echoed painfully through my head. I held my dagger tightly as tears streamed from my eyes.

'Come to me, child'

The pain grew deeper. Invading each cavity of my skull and destroying my senses completely. It was unbearable, and I thought I might explode within seconds if I didn't get out of here soon.

'STOP. FOR GODSAKE STOP IT!'

And this is when I learnt that I could talk back.

-----

The mission to destroy Cassandra Nova was not going to be easy. Despite Wade's excitement to, and i quote verbatim 'absolutely shred some fucking skulls' it turns out I would end up siding with Logan, who also felt strongly that this was a horrible idea.

"You are going to get killed." I put my head in my hands.

"It's worth it, we'd rather die doing this than die here like cowards" Elektra scoffed.

I glared at her and stood up. The floorboards beneath me creaked eerily as I strode toward elektra with a slit eyes.

''Are you calling me a coward?"

I watched the woman gulp. "No, I called him a coward. He's the one forcing you to stay here," she pointed at Logan, who furrowed his brows and expelled his long silver claws from both hands.

A coward?

A fucking coward?

I held up my hand, and within an instant, it began to transform into a long knife. From my wrist to the top of my head was a silver blade.

I wish I could say I had a cool name for it. But I don't. I'm just a human katana.

"I'm sure your a great person, but unless you want to start drinking through a fucking straw I suggest you apologize"

The room was silent. I felt as if i had ruined their moment, but I didn't care.

"Sorry, you're not a coward." she rolled her eyes and walked off.

I retracted my hand blade, but Logan still held his own out, the shining metal claws protruding ominously as he stood in the light of the window.

I turned around and looked at everyone.

"Motherfucker that was scary as shit. I almost cut off my own dick to stop you doing it with that fucking thing"

Even Wade's joke couldn't stop my anger. I wasn't going with them. They were all going to die anyways. I'd rather hear of it than be there to watch it.

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🧠

I'm not sure that there's anyone left on earth who understands what loss means.

Yes, it's death. Yes, it's watching life drain from a person. But it can be the loss of your life together too and the loss of their love and their voice, how their breathing sounds and how they laugh.

Hell what the fuck do I know. After all what have I truly lost?

God fucking damn it.

The years at the TVA were not as smooth going as I had initially hoped. Each day was something new, another disaster. I had even written a list of the reoccurring people, the ones that we could basically never get rid of.

Monday: always scarlet witch. Always so tattered and torn, shivering with heartbreak and anger of grief.

Tuesday: Loki's. Loki's of every kind. Ragnarok Loki's, TVA Loki's, jotun Loki's even.

Wednesday: Perhaps the most shattering of all, we would get iron man variants quite often. Sometimes, a zombie sometimes just before the blip. Most times, it was before he built the iron Man suit at all.

Thursdays: Captain America. Now, these were tough ones. Their were a fucking lot of these. Zombie ones, soldier ones, ones still frozen somehow. Pre serum ones. Ones where he works for HYDRA. Those are the scariest ones, the red skull Steve Rogers is not for the faint hearted.

Fridays: Fridays were... well Friday.

-

I sat outside the hut as the others geared up for their mission. Logan had come with me, but he didn't say much. My Logan talked way too much, so it was awkward hearing him be so silent.

"Your not going?" I spoke.

"Nah. I don't have the fucking patience for it"

A small moment of silence ensued before Logan spoke again.

"That hand thing you can do," he started. "Is it all over you?"

I scratched my neck and yawned. "To be honest, I've never thought of it"

I looked at my legs and stretched them out. "If I could have knife legs it would sure make walking interesting" I laughed

Logan beside me chuckled. God, he even laughs like him.

"I thought I was the only one who had this kind of power," he said as he brought out one of his claws.

"I thought I used to be as well. Your claws are made of adamantium aren't they? Well your entire skeleton is isn't it?"

He replied with a hum. "So what's yours then? Stainless steel?" He joked

I laughed at his words. "No. Actually, it's Vibranium"

"Vibranium, huh? What's that like a vibrating metal?"

It occurred to me then and there that this Logan doesn't know about the multiverse.

"No, it's uh, one of the earths strongest metals. like from wakanda?" I smiled nervously.

Apparently, something in him ticked off as I said that. He grew out the rest of his claws on his hand and pushed me against the tree behind me with one swift move. I was crushed between adamantium spikes and a rough tree.

He scowled at me.

"You will never be my wife." He spat

Venom laced the air around us. Encasing me in a bubble of fear.

"You might look like her and talk like her, hell you even fucking smell like her, that stupid fucking flower scent. Follows you around like a lost puppy"

The hate in his eyes grew each word. "You are not my fucking wife and I don't give a single fuck about what happened in your universe, whether you saved my life or not, I hope in every single one of them, you fucking die"

[clockwork-stars]

What a boycott huh?

[ID: screenshot of letterboxd. It is not said on the picture but it's from the Deadpool & Wolverine movie. The text reads: "Activity from friends 22 watched - 2 want to watch. End ID]

You all truly need to learn how to boycott. I know that among those people, some say they care about Palestine. I am also aware that some simply don't care.

But truly, you all need to boycott in a more effective way. The BDS called for a boycott of Disney in general. It also has called for a boycott of all Marvel productions more specifically, due to Marvel having and keeping a zionist character played by an IOF actress in their next movie (the next Captain America movie). Additionally to that, both Ryan Reynolds* and Hugh Jackman are Zionists. Same for the movie director, Shawn Levy.

(* Reynolds also had his wedding at a plantation. I think that he apologized for that but still)

Deadpool and Wolverine is ALSO to boycott. Really, if you want to watch it then you wait one month or two and you watch it on a streaming website when it will be available.

I just saw a post about it, but you don't get to only boycott the movie with a black lead. That says a lot about you if you do. You must boycott all Marvel productions, and it include the movies with your white favourite characters.

Do better. I am infuriated every time I see a mutual logs this movie.

(the Tumblr post I saw: