#also love the caged animal vibe here.. much to think about
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kxizoku-ou · 9 months ago
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Have you had any thoughts on hybrid versions of the one piece characters? I love seeing what animals people associate with the characters 😅. Also ears and tails are cute
Hybrid Au, my beloved!!! owo I tend to go heavier with the animal research/xeno than just "ears and tails", but yes, I absolutely have thoughts— here's a handful of my favorites/who comes to mind!
. . .
Kaidou — Auroch bull: The now-extinct relative of modern cattle, closely related to Spanish fighting bulls. Bull feels fitting for Kaidou, I think— they're huge, potentially dangerous animals that get screwed over in blood sports or as slaughterhouse bait, and near-universally seen as aggressive because of instincts that are based in self-preservation or protecting a herd. And of course, ending up as a bull hybrid is just what happens to my favs, by now... (@senjuushi)
Judge — Tawny eagle: His "Garuda" theme implies a bird of prey from the start, so it's an easy pick! Described as "opportunistic", with a habit of feeding on carrion (and stealing other animals' prey), yet still "a bold and active predator", tawny eagles fit well with Judge's vibe of regal, pompous, and trying way too hard. They also tend to mate for life... and male birds are known for flashy courtship habits. Reiju, Ichiji, Niji, and Yonji would be the same species for this Au.
Sanji — Mourning dove: Keeping with the bird theme of his family, but a far less bloodthirsty species. Mourning doves are fluffy, vocal birds that are known for being "prolific breeders". They can be territorial between males, but are also social pair-bonders. Sora would have been a dove too, and Sanji sharing her species is just one more sign that the modifications failed. There's also something very fitting about a "caged bird" theme for his experiences with Germa.
Spandam — Giant panda: Useless animal that would be extinct by now without human intervention. Clumsy, pathetic, and admittedly pretty cute, but not good for much other than existing under careful supervision in a zoo. Of course, Spandam's terrible personality ruins most of the cuteness effect his hybrid species might have— ultimately, he's a needy, spoiled idiot who's eternally dependent on the care of others. And personally, I think he should have a cute, sensitive little stubby tail, perfect to yank on when he's being a brat.
Katakuri — Grizzly bear: Linlin is a grizzly hybrid as well, and the shared species adds to Katakuri's reputation as her "perfect" son. He's huge, powerful, and highly threatening... but would be just as content to gorge himself on snacks and all but hibernate afterward. If it wasn't for his self-imposed standard of perfection, that is. His fucked-up mouth seems even worse on a large predator species, too, which definitely adds to his complex/self-consciousness over it.
Perospero — Red fox: I saw a fanart of him as a fox hybrid on Pixiv, and it convinced me. A smug, sneaky bastard who takes after his mother's carnivore tendencies, but with far less of an intimidation factor to back it up. Annoyingly talkative and far more socially oriented than he wants to admit, as well as capable of being an absolute nuisance when he wants to— all of that sounds very fitting for Peros, I think. And fox whining noises fit his crybaby side.
Cracker — Bushy-tailed woodrat: Prey animals that are described as "vocal and boisterous", and nuisances for "creating general noisy havoc"— seems appropriate for Cracker, an overconfident brat who's far less tough than he acts. Packrats (the overall category) are nest-builders, too, which fits with how he spends so much time hiding in his biscuit soldiers to avoid direct combat. Woodrats also apparently have a foot-thumping tendency; a good match for his clapping!
Pudding — British longhair cat: Babygirl-looking murder machine seems highly appropriate. British longhairs have the sweetest little faces and soft coats, but cats are nature's finest serial killers at their core. Pudding would be perfect as a needy, jealousy-prone kitty who's way too good at playing up the cutesy kitten act to get on people's good sides— right up until a tsundere moment kicks in. Then, she's all puffed-up, twitching tail and poorly stifled purring.
Caesar — Axolotl: Like his pet poison slime thing! Axolotls are apparently "used extensively in scientific research due to their ability to regenerate limbs, gills, and parts of their eyes and brains", which feels fitting for Caesar, as does the fact that they're tricky to take care of as pets (and keep getting put in cages by people who don't treat them well, at that). Also, those feathery external gills are cute!!
Queen — American alligator: Lethal fat fuck of a reptile, exactly how Queen should be! Alligators can be lazy and kind of goofy-looking, but they're still dangerous and very strong. The huge, thick tail is also an obvious plus (the "Brachio-Snakeus" trick haunts me). And really, can't you see him sprawled out all lazy, for gator-style sunbathing?
Drake — Rottweiler/Border Collie mix: A strong, intelligent, capable, and work-oriented animal, that would (as a dog-experienced friend put it), "tear a house down to the foundation" if left without enough to occupy it. Drake gives me "beaten dog" vibes, in general, and it feels fitting that his hybrid species could easily have been sweet, if not for the trauma and DEEP psychological issues.
Law — Shorthaired silver tabby: Law is so very catboy-coded. He's a grumpy, fussy kitty who will both claw your arm open if you try to touch him, and could just as easily be reduced to a purring puddle if his guard gets torn down enough to allow it. Cats are highly effective agents of violence (and can be total bastards, when they want to), but also absolute babies. And imagine tiny, angry catboy Law getting scruffed by Rocinante to prevent the aforementioned clawing.
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thexsanctuaryx · 1 month ago
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ʚ♡ɞ I'll Follow You Into the Dark ʚ♡ɞ
{ CHAPTER THREE }
➳ PREVIOUS CHAPTER | NEXT CHAPTER
Summary: Emma's first meeting with the doctor goes about as well as you'd think and Marc gets firsthand experience of what it feels like to be Jake. Pairing: { eventual } Original Character { Emma Harper } x Marc Spector, Emma Harper x Steven Grant, and Emma Harper x Jake Lockley Contents: mental hospitals, psychiatric hold, Emma meets the doctor, angst { I guess? I don't know what else to call it. }, hurt/comfort-esque vibes Warnings: severe mental illness { psychosis, hallucinations, depression }, main character is actively in psychosis, I've done my best to write it in the least triggering way but there are a lot of heavy themes that will take place in this series, so forewarning. Marc is a danger to himself here but it's only really alluded to in this part. mental hospitals. toxic as fuck doctor, typical misunderstanding and misinterpretation that comes with psychosis. due to the nature of Emma's psychosis, things are very unhealthily skewed in a religious context. triggering themes related to the aforementioned. Author's Note: I recently finished reading Tear Down My Reason by @my-secret-shame-but-fanfiction and it inspired me to work on an idea I've been playing with about Emma and the Boys meeting while both in a mental hospital at the same time. I wanted to write a series that would help other people with severe mental illness feel seen and heard as there really AREN'T works out there like this, especially not actually written by people with firsthand experience of things like psychosis. This series is being written with a lot of love and care so I truly hope that it can be cathartic for those who read who might also live with mental illness because you DO matter and your stories DO deserve to be told. Word Count: 1,016 Taglist: @my-secret-shame-but-fanfiction @sub-aro
She’s quiet on the way back to their wing, a soft scowl seemingly forever over her features.
Marc wants to say something, but doesn’t.
He isn’t sure what she’s hearing as they cross through the locked doors but he knows she’s more caught up in her mind than she is present in the goings on around them.
While the rest of them file into the day room to receive their meds, she’s escorted through another door.
Marc feels a spike of anxiety.
He knows she’s going to see the doctor for the first time and having been to this particular hospital more than once, he knows this doctor.
A harsh and cruel man who deals out diagnoses like poker chips and always loads everyone up on too much medication, that their usual psychiatrists then have to sort out after they’re discharged.
He finds himself pacing the hallway like a caged wild animal, tense and binding their time.
Meanwhile, Emma is taken outside to a sort of courtyard and seated at a table in front of a heartless looking man with a massive binder in front of him.
She shifts nervously on the bench across from him taking in her surroundings and reminiscing on how bright it is and how much it makes her think of the garden of Eden.
The man folds his hands on top of the open binder and gives a menacing smile. “Alright Emma, I like to make deals—do you like to make deals? If you take my medication for three days, I’ll let you go home…”
And just like that, the proverbial serpent seems to take her into a chokehold. Her throat tightens and she finds it hard to breath despite being outside in the fresh air.
She forces a swallow, unable to find her voice.
“Sign here if you agree…”
The man – who she’s now sure is the devil himself – turns a contract around and reaches out a pen with the same sickening smile.
Emma feels like she’s signing her soul away but he gives no other option other than to do so. It feels like a trap, another test that she can’t help but fail.
She doesn’t even remember how to sign her whole name in the confusion of her brain, but she scribbles a ‘signature.’
“Wonderful…” The doctor says, “you can go back inside now.”
Emma stiffly gets up from where she sits, walking back toward the door where they wait to let her back in.
When she’s led back into the wing she can see Marc at the end of the hallway near her room. As if by some latent telepathy, he looks up, locking eyes with her.
She feels trapped now more than ever, like she doesn’t know what to do. So her feet carry her toward him, his own moving to meet her in the middle.
As soon as he gets closer he can see her trembling, tears welling up in her eyes.
He doesn’t know what to do because he can’t hug her but he can tell she’s terrified.
“How’d it go?” He asks, winded and unsure.
Emma shakes her head quickly, falling into a sob that rakes through her body as the tears spill over.
‘That bloody doctor,’ Steven curses.
‘I’ll kill him myself…’ Jake adds.
Marc, on the other hand, feels like he’s never wanted to hug somebody so badly in his life—the one time he can’t.
He wishes he could take her somewhere quiet so she could calm down—but going into each other’s rooms are off limits and the day room is crowded this time of day.
“I’m so sorry…” is all he can say, giving her a soft look of empathy.
Emma, on the other hand, not knowing any better—rushes forward to wrap her arms tightly around Marc’s middle, clinging to him.
It startles him, a little surprised she’d be comfortable enough to do it in the first place.
Risking hell from the hospital staff he does what he instinctively wants to, what feels right—and hugs her back. He can’t help but keep an eye out for prying looks and of course, the staff.
Emma sobs softly against him, feeling safe for the first time in the last 24 hours, as she shakes in his arms.
He holds her as long as he can before it becomes too risky, and withdraws. He gives her a soft look fighting every urge to wipe away her tears.
“We—we’re not really…supposed to do things like that here—I don’t wanna get you in trouble.” He explains gently.
Emma nods quickly even if she misconstrues his meaning for being about what’s appropriate in this liminal space.
She wipes furiously at her eyes.
“Why don’t we sit here for a minute?” He suggests, sliding down the wall along the hallway and reaching his hand up for hers, risking reprimand again.
As if sensing a thought Marc hardly has, Jake speaks up in their headspace, ‘Let them yell at you for helping her—I’ll gladly give them a piece of my mind…’
Marc doesn’t need to see his face in a reflective surface to know the malice in his eyes, the threat that’s far from empty.
Emma takes his hand, moving to sit next to him on the floor. She instinctively rests her head against his shoulder, and he feels as though he suddenly knows exactly how Jake must feel when he protects him and Steven.
He releases a heavy sigh and conceals their clasped hands between them if only for the sake of being able to continue holding hers a little longer.
It occurs to him that the next 80 some odd hours would be crucial for her, and he’s not sure it’ll be long enough to make sure she’s okay.
“You thinking what I’m thinking, boys?” He mutters to the other two in his head. Emma doesn’t seem to mind the way he talks to them in the least, only squeezing his hand tighter.
‘Think we’re gonna need to make an appearance…’ Jake suggests darkly.
‘Most. Definitely.’ Steven agrees.
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coolsosha · 11 months ago
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ObeyMe DEMON BROTHERS, but as Will Wood's songs!
i just love will wood, ok?
LUCIFER
♪She said, "It just feels inhumane to lose this much" / 'Cause when you leave, you know you take more than your love / Just one week of cicada days, we're losing touch / And I know it just feels inhumane to lose this much♪
Jeez, finding a song for him was tough, but i guess i did my best.
Apparently, "Cicada days" is about "that even the most painful losses can teach us something, as long as we persevere" according to some website. And i think it's pretty accurate.
I guess this song works well with all that Lilith death and Celestial Realm situation. Bro literally lost everything but still standing.
MAMMON
♪Please, policeman, no heel-to-toe / Oh please, let me go / Please, policeman, is it a test? / I won't know 'til I'm under arrest / Am I being detained / Am I under arrest? (Yes, you are!) / Read me my rights, please (No!) / I want my phone call!♪
So this song is about "dealing with life difficulties and feeling like you are trapped in a cage by circumstances". I thought that it, again, works well with Celestia drama and with fact that Lucifer was the one who chose everything for them. That would also work for Levi, but pppffft.
Also his brothers are often bullying him, so "feeling like in cage" might suit this well. No one takes him seriously and think that he is stupid, sad.
And oooobviosly Mammon might be in cage because he stole something expensive and hanging out in jail!)
other ones under the cut~
LEVIATHAN
♪One night one flung light through this place / So I run for cover, over, under, left the rind out on the plate / Little heart racing and praying, "Something, keep me safe" / I think it saw my face / Okay, one hungry day / Is nothing come what may♪
Okay, i have absolutely no idea what this thing is about, but according to some people this thing is about "Wanting to have someone near you and struggling with loneliness, but then accepting everything". Which gives some Levi vibes, since he is all "lonely worthless otaku".
But it's actually about a mouse, that's trying hard to live, wishes for cheese, hated just because of it's existence and naively hope that it will get to the cheese moon. It wanted to be friends with everyone, but eventually it gets trapped and killed. That's so hella sad and I've almost cried when i saw the clip, but, also it works well with Levi i guess. Poor dude wanted to be helpful for everyone, but everyone just left him(
All those hunger and cheese themes making me think of Beel, but no, it's not his song for sure.
SATAN
♪...Is there room for me in your cage?/.../ Animals are people too, but these people are animals/.../You might seem behind bars, but friend, this cage is inside out / It's awful out here, Socrates♪
AND
♪I wanna make my murder look like a suicide / But they'll all know, they'll all know / They'll all know that the body's mine / I wanna go anonymous to identify / But they'll all know, they'll all know♪
Ok so "Willard!" is pretty obvious. The singer loves animals a lot more than humans and wishes to be animal too. And Satan is definitely that one type of people who prefer Cats over people.
And "Cotard's Solution" is kinda more complicated. Its about struggling with your identity. Actually Will Wood's "Self-Ish" album has a few other songs like that, but i felt like this one was the one. Satan's identity struggle is a big part of his character as we all know. Since he is a part of Lucifer and all that stuff. And Satan's love for knowledge is also working well, since singer is trying to understand what life is and what it even means.
I was thinking about "Hand me my shovel im going in" or "2012", but i thought this one is better.
ASMODEUS
♪Where do you get off being so God damn beautiful? / Oh lord. Don't ask me what I mean /.../ I'll never know. I'll never know. I'll never know. I'll never know what it's like / What it's like to love you♪
In this song singer talks about extremely pretty woman, who he is in love with. He is ready to sacrifice himself for her, even if he knows that it's dangerous.
Part from UNOFFICIAL meaning interpretation that i saw:
"Overall, "White Knuckle Jerk (Where Do You Get Off?)" seems to be a portrayal of the intense emotions and confusion that can come with infatuation, particularly when it is unreciprocated. The woman in the song represents a sort of unattainable ideal, something that the narrator desires but cannot fully understand or possess."
I think this song works reaaaally good with Asmo. We all know how much Asmo wants to be the prettiest so everyone would love him. He is taking dietes to keep his form, uses a lot of skincare routine and overall trying to be perfect. Lets take that the "woman" is the ideal that Asmo is trying to reach, and he is ready to go on any sacrifices to be perfect the way how he wants it. So everyone will love him!
and i really like this song.
BEELZEBUB
♪Just like my parents in due time / Imagine me, just like my parents, yeah, right / 'Cause I've made more mistakes than simple empty moments /Each one as out of character as you know I tend to be♪
AND
♪Of the two things we do on our knees / Watch me fold my hands just to crack my knuckles / Well, here is the church, here is the steeple / Open the doors, see all the people / Alright, that's enough, let's get you home♪
I could find something that would suit him more so... uhhh.. "Becoming the Lastnames". Its just some cute song about how singer wants to create family, live happy and accepting responsibility for one's life. And hoping for the best, and working to create a lasting legacy for his family.
I mean, Beel is family guy. I just couldn't find anything better, sorry.
And about Kitchen floor... Well, that song is more about childhood dreams and adult reality, but its also about accepting your past mistakes and trying to work harder in future, so i guess it's not that bad????
Sorry Beel fans, i couldn't find anything better(
BELPHEGOR
♪Hold my hands, we'll dance the twelve step on my grave / I'd kill the man I am for one more chance to be yours, babe / No, I ain't begging, I'm just saying, it's an option / Don't let the latest be the last nail in my coffin / If you need me, I'll be in my coffin♪
AND
♪I am not the sunshine, I am not the moon at night / Well, who else could I be when I can hardly see? / I am not the sunshine, I am not the moon at night / I'm no one if I'm nowhere in between /.../ And if dreams can come true, what does that say about nightmares?♪
These two are just perfect match with Belfie!
The "Vampire reference in minor key" is about feeling dead inside and wanting for someone to save you. And we all know how dead inside own Belfie is.
And "Dr. Sunshine is dead" is about world not being black and white. And the whole Moon/Sun theme along with Dreams stuff is just perfect!
And both of them suit well with attic part! There is nothing much to say about these, they are just perfect.
I also thought about "Red moon", but i couldn't properly understand what it was about sooo...
Idk, tell if you want side characters version idk?
i enjoyed making this though~
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this-is-a-dystopian-parable · 5 months ago
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Part One!
Song-by-song synopsis and review of Dave Malloy and Lucy Kirkwood's The Witches.
Preface I guess with the fact that I enjoy a more lighthearted and spectacle based show sometimes, it can work! This show I'd say is somewhere between Matilda and Willy Wonka and the Chocolate factory in tone; they definitely wanted to make it another Matilda and though it's just as dark, it doesn't lean into the introspection as often. This doesn't feel like a Malloysical, so don't expect it to, but it's a good show nonetheless.
1. A Note about Witches (The Witches)
Like Matilda, Witches opens with an exposition song taken directly from the book! The witches tell us how they've learned to hide as nice, well-mannered ladies so that no one will suspect them. And how much they hate children, there's even a trick where a child in a cage gets turned into a dog. This song takes place in front of the curtain, and there's a big screen that features animations for a couple segments. Don't worry, you won't see much of it.
Right off the bat, the ensemble is pretty big and they're killing it. There's at least a dozen witches. This song is fun and dark, plays off of the different solo lines well and feels appropriately chaotic at times.
Favorite line: "A nudge to Mr. Shakespeare / Some hints to Brothers Grimm / In Salem we made scapegoats / And you tore them limb from limb"
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2. Ready to Go (Luke, Young Company)
First real set of the show, in his house Luke argues with his parents about wanting a pet. I think the choice to include his parents in this is strange, since the book begins after they've been dead for a while and there isn't anything particularly interesting about this scene. The parents aren't really likeable so idk how to feel when they die.
Luke sings about how he's ready to grow up and be on his own and do all the stuff no one lets him do. This number is kinda fun because the ensemble are all dressed like him but with big masks representing each thing, and I like the object head vibes. But I think the additional motivation added to Luke here feels like it's trying too hard to engage the kids in the audience, or be like Matilda, and it almost never comes up again.
At the end, his parents swerve off the road and crash their car.
Favorite line: Don't have one :/
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3. How to Recognize a Witch (Gran, Young Company)
With his parents dead, his Norwegian grandmother Gran comes to take care of him. She's bonkers and we love her dearly. She shows up witch crates and crates of objects (and animals) that were once children who had been victims of witches. They sing a song about all the warning signs: wigs, gloves, and pinchy shoes.
This is the first use of children popping up from inside boxes that look too small. It's fun. The costumes are kinda cheap and simple which is strange considering the ridiculous budget of the rest of the show which I will touch more on later. But the song is really fun and Gran gets really into it.
Favorite line: I love that they kept in the girl who turned into a painting. The witch trapped her inside a landscape painting in their house, not able to move, and all the parents could do was watch her as she slowly died. Dark! This is also the second use of the screen.
4. Heartbeat Duet (Luke, Gran)
Aaaaaaaaaaaa
After Luke had a run-in with a witch, Gran comes to his rescue but she has a heart attack. She's rushed to the hospital, surrounded by doctors and nurses, for an operation, while Luke has to wait outside the room.
This is such a good song. I love the way the heartbeat monitor is the defining instrumental and the movement on stage is synced to it. While Luke says that everything is happening too fast (the one time we get reference to his opening motivation) Gran sings about her heart beating too slow. The way their two experiences overlap is really beautiful, and the relationship between a little kid and his grandmother was my favorite part of the book.
Favorite line: "I'm just ten years old" "eighty-five years old" "and my heart is beating so fast so fast so fast too fast" "too soon"
5. Magnificent (Mr Stringer, Hotel Staff)
WOOoOOooOOOO
The doctor tells Luke and Gran he booked them a seaside vacation for her recovery. Which means it's time for the hotel manager, MR STRINGER. BIG HAND FOR THE HOTEL MANAGER.
Big oom-pa number welcoming them to the hotel as the set changes behind them. This song is so FUNNY it's so FUN and there's like TWENTY ENSEMBLE in it. The hotel staff uniforms are all in magenta and baby pink we are so BACK.
The second curtain raises to reveal the full depth of the set, a lavish hotel of pink marble and fancy wallpaper with turquoise trim. Right now, a concierge deck takes up the center.
Favorite line: "At the hotel where you'll never feel alone / fill the howling void of your dark and lonely soul"
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6. Bruno Sweet Bruno (Bruno, Company)
While they're being checked in they meet Bruno!!!!! The perfect child. We love him. He sings a HUGE VEGAS NUMBER with TAP DANCING. Ans once again, so many ensemble members in yet another costume change.
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LOOK AT MY BOY GO.
Okay this is getting REALLY long and we're not even at the act break so I'm going to split it up into multiple parts. See you soon!!
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w0lfinsheepscl0thing · 5 months ago
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Rating Song Spotify Picks for 1899 Characters (1/2)
I shuffled my liked songs (the most vast playlist I have), then analyzed them to see how well the lyrics or overall vibe matches the character. Here's how it went!
Maura - Cigarette Daydreams (Cage The Elephant)
Strong start! I think this actually isn’t far off from Maura, and the theme of loss can tie back to Elliot, relating to Elliot’s condition slowly getting worse, but Muara’s struggle because of it going up alongside it. The themes of there being a physical closeness but emotional detachment make me think of Maura’s possible relationship with Daniel throughout all of it. There are definitely some takeaways, but I think I’ll give this a solid 7/10!
Daniel - House Of The Rising Sun (The Animals’ version)
Now, Daniel doesn’t waste his life away in the House of the Rising Sun which is widely understood to be a brothel, but if you really try, you can make the house out to represent the simulation. It doesn’t directly relate back to him, but you cannnnn see it as wasting time in a perfect world instead of facing the reality of 2099 (if that really is reality…). I’ll go with 4/10.
Eyk - You Get Me So High (The Neighborhood)
I can see this relating back to Sara, because I like to believe that she and Eyk deeply loved each other before she passed, regardless of Maura’s later connection. However, this song is about the high and intoxicating part of being with someone who understands you and it being taken away, I don��t think that’s exactly what they had. The latter part, though, can resemble their connection being broken when Eyk’s work gets in the way, and I think that’s worth something. 5/10.
Ángel - Please Please Please (Sabrina Carpenter)
I think out of anyone on this list, this applies to Ramiro, not Ángel. The overall tone doesn’t match (I’d be more convinced if it was the acoustic version), but the idea of ‘keep yourself together’ makes me think of Ángel having to keep his head down and Ramiro enforcing that. But this just isn’t it; I save so many songs that encapsulate Ángel, and this just doesn’t do it for me! 3/10!
Ramiro - The Killing Moon (Echo & the Bunnymen)
This is an amazing pick! While the song encapsulates the show with its core theme being the meaning of life, the verse reminds me of Ramiro with Ángel, depicting some being taking the protagonist by force. In my head, this makes me think of an early reluctance to love and Ángel cutting to the chase. I could be reading into this too much, with this song and the others, but I’ll give this a 7/10 for effort!
Ling Yi - A Different Age (Current Joys)
I’ve said it five times and I’ll say it again: I can see the vision, and I believe it can go back to Ling Yi and her mother. She wants to leave their harbor and see more things, which eventually leads her to make big mistakes. Yuk Je, and her eyes, cannot understand this like she can because she has lived a safe life as a prostitute to provide for the two of them; Yuk Je bottles herself, Ling Yi does not. But by the end of episode three, Ling Yi starts to want to change, sort of going back to “And I wish I could change, but I’ll probably just stay the same”. 6/10 for effort.
Yuk Je - Eleanor Rigby (The Beatles)
It was bound to give me a Beatles song at some point with my music taste! But I do not see the vision. You could argue that Yuk Je is one of the many lonely people, surrounded by people but only remembered by her daughter, but I believe that’s as close as the story of this song and that of hers collide. Great song, though! 3/10 because I have a Beatles bias.
Jérôme - The Bug Collector (Haley Heynderickx)
Yeah, I don’t think so. The story in this song shows someone trying to make their partner feel safe while also teaching them to enjoy the world, and nothing comes to mind relating Jérôme or others in his journey. I’ll give this a 1/10 because I can’t find anything that may relate to him.
Clémence - Advice (Alex G)
Interesting! I would say it could resemble Clémence confronting Lucien, but the narrator truly cares about the person receiving the Advice, and the rest speaks for itself. I feel like I’m missing something, but other than that, 2/10!
Lucien - Stress Relief (late night drive home)
I don’t think it’s impossible to associate this song with Lucien, but I can’t. I’ll cut to the chase: 1/10.
I think I was hoping for shocking responses, but this bunch isn’t too bad! Cigarette Daydreams rightfully earned first place for this half of my list of characters, and we’ll see what arises next shuffle!
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hermitagereheadcanons · 9 months ago
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Wanted to pop a few of my Etho headcannons in here cause I have sooooo many.
- When Etho is regressed he clings to this one stuffed animal rabbit he's had for years. It's super worn and he refuses to let anyone replace or fix it. He just carries it around everywhere as if it were actually a rabbit.
- Etho has really bad texture issues with clothes when regressed. Socks are a big problem and he gets really frustrated and upset when he can feel the seam in the socks. He also hates denim and textures like it.
- Etho is very quiet when regressed despite being loud and relatively energetic when not. Nobody knows why but he just struggles with words really badly (my personal thoughts on this one is that it's a trauma response but it can be for any amounts of reasons you want).
- Loves hanging out in Bdubs' builds when regressed. He really likes the cluttered and nature-y vibes that Bdubs always has to them. He could sit in Bdubs' bedroom twiddling his thumbs and be content for a good few hours.
- He finds questions really overwhelming, especially when it's one right after the other. Mostly because he's never really sure what he wants and it can be super super upsetting. That's why he likes Bdubs and Cleo so much when he's regressed, because they'll just talk to him and won't really ask any questions. If he wants silence he'll make it clear and vice-versa.
- Etho hates regressing. He doesn't like how he feels like a prey animal trapped in a cage. It's confusing and disorienting every single time he's going in and out of it. He also doesn't really remember all the fun and good parts of it because of amnesia so it's just miserable for him to think about.
- 🐅 (if the tiger isn't taken ?)
I'm going to have to eat your Etho headcanons. Every single one. They're just too tasty! Sorry.
I keep starting to say "I especially like..." but I'd just be listing all of them to be honest. There's a lot of things here that align with my personal Etho headcanons, and a lot of things I never thought of that will now be bouncing around in my head for the rest of the day :]
The tiger is all yours!
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moonylight28 · 1 year ago
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Might get hate but
Mk1 ships I got: Pt 1
——————
Bi-Han / Kung Lao: I think they’d match each others vibe, at the end I’ll have something wholesome :3
-
Bi-Han: your are a disgrace
Kung Lao: *you’re
-
Bi-Han: I hate you. I can’t stand you. And-
Kung Lao: -and you love me.
Bi-Han:………nOoOo
-
Kung Lao: I have to thank you for inspiring my hat
Bi-Han: take it off.
Kung Lao: what??? No.
Bi-Han: so you don’t want to kiss me?
Kung Lao:……..maybe.
-
Ok to the wholesome part! I feel like Bi-Han would try to be a big spoon and all ‘I’m the man’ like but Lao would just be better at it :D
Also believe that Bi-Han would kinda treat Lao like a mistress and try to deny having a relationship with Lao and kinda be a dick about it when it was brought up but full heartedly love Lao
Also believe that Bi-Han would always buy Lao his favorite foods and stuffed animals which is so cute 😍 and Lao would try to deny them but ultimately give up and just keep them 😍 man I’m really lonely aren’t I
Also think Lao would be very loving in public but Bi-Han would act really cold hearted, but once they were away from people Bi-Han would hug and immediately apologize for the way he acted
I also think that Bi-Han has bad anger issues and Lao try’s to help him with it, sometimes taking a few hits in the process
I think that Lao and Bi-Han would switch on who’s turn it would be to the big spoon :D
Also, man there are a lot of also that Bi-Han has been caught wearing Laos hat on occasion!
And I feel like even when Bi-Han is almost unreadable in emotions that Lao would almost always know what’s up and try to help him even when Bi-Han didn’t want it
Also I feel like when Lao got a cold Bi-Han wouldn’t know what to do because he doesn’t want to make it worse cas he has ice powers so on occasion he asks Raiden if he knows what to do for colds with Kung Lao without telling him why he needs to know, :D
When cuddling at night Bi-Han wraps his bare hands around Laos chest and Lao always groans about his hands are too cold! Like they wouldn’t be lol. But eventually Bi-Han would wear little mittens just for Lao so they could cuddle 🥰
Also think that Bi-Han is very touchy but hates being touched, unless it’s by Kung Lao or his brothers
Now for some cute dialogue :D ❤️:
Kuai Liang: oh! It’s so nice you found someone! Who is she?
Bi-Han: ……. She?
-
Bi-Han: I’m not dating that ignorant little monk!
Kuai Liang: you don’t have to get mad about it brother! I do not judge!
Smoke: we do not judge Johnny and Kenshi!
Bi-Han: shut up! Why would I want a useless, worthless monk to be the love of my life!
Johnny Cage: that’s a tad harsh.
Bi-Han: stay out of this you Adam Sandler wannabe!
Johnny: wait, you know who Adam Sandler is?
Kung Lao: Bi-Han!
Bi-Han: get out of here you! You-!
Kuai Liang: you’ve made you point Bi-Han!
Later that night…
Bi-Han hugging Lao while crying into his arms in his bed: iM sO sOrRy, yOu aRe tHe lOvE oF mY LiFe. yOu aRe nOt wOrThLeSs…… iM sO sOrRy….
-
Bi-Han: I’m not in love with a shaolin.
Tomus: denial is river in Egypt
-
Bi-Han coming back from the store, handing Lao his favorite food
Lao: you really must stop getting me these things
Bi-Han: never.
-
Bi-Han just waking up: why do I smell burning?
Kung Lao trying to put out fire in the kitchen: I was trying make you breakfast!
-
Kuai Liang: I swear to god if you break up with my brother I will cut your-
Kung Lao: Calm down scorpion!
-
Bi-Han: so what dose Kung Lao like?
Raiden: uh, chicken I guess, but he mostly likes everything food wise, why do you ask?
Bi-Han: no reason
-
Bi-Han cuddling Lao: I love you so much, you are what heats my heart, you are the light of my life and I don’t know what I would do without you
Lao: awwww
Now the best of both worlds :D I made art for these two cuties :3
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thedo0zyslider · 1 year ago
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Your Love Is Like A Wave (And It's Drowning Me Out) - 9k Words
A series of Majorwood drabbles, starting in Double Life and going through the next season, and bleeding into New Life as well
Or: 9k words of majorwood just for all of you 💖
A03 Link
Martyn is currently sitting by a cobblestone box, giggling to himself slightly. Said cobblestone box contains Jimmy, a red life, who he and the rest of his weird little quartet of yellows managed to kidnap. He doesn’t know exactly why he’s giggling though.
Well he kinda does, because this whole thing is a little funny. Jimmy still has air, and can see the sky, so for now he’s just loudly complaining and calling for his rancher to come to rescue him, all the while slinging curses at the other four. Pearl’s sitting on the edge of the box, dangling a hand in ever so often. Like the caged canary were some sort of wild animal that could bite at any moment, instead of ya know their friend? (To be fair Jimmy had tried to bite her once, but it probably wasn’t serious. Probably. )
Cleo is closer to him than Pearl is, making her own comments and jabs about the situation. And sandwiched right between them is Scott, and that man is the whole reason why Martyn isn’t sure why he’s giggling.
Making fun of Tim like this is always funny to an extent, but at some point Martyn’s brain laser focused on Scott and decided to never focus on anything else ever. Pearl and Cleo might as well not even be here, and Jimmy is only there to his brain because of his near constant back and forth with Scott. The man is close to him, very close, and taking quite a good amount of joy in teasing his former husband. All Martyn has been able to think about for the past five, maybe ten minutes is the sound of Scott’s voice and how nice his laugh sounds.
He already knew he had sort of a thing for Cleo. That was a given, they were soulmates, and Martyn was very weak for pretty people. But he wasn’t expecting Scott to be lumped in as well. It’s not like there was anything wrong with Scott, or that he wasn’t attractive or something. It’s just that their relationship has never been….positive in these games? And especially not now that Cleo hates him.
He ends up staring apparently, and maybe looking a little too taken with the man beside him at one point. Scott does catch his gaze for a moment, but that doesn’t stop Martyn from zoning out and staring. Cleo does though, her icy undead gaze seeing right through him. He looks aways, ears turning a little red, just as they hear Tango’s voice coming from over the hill.
“Ya know he’s into you, right?” Cleo says one day.
“What?” Scott mutters back, having literally no idea what they're talking about. “ He ” could literally be eleven other people on this server, most of whom claim to be in a happy relationship or something. So for their sakes Scott hopes the mysterious he does not like him, even if being a homewrecker and stealing Bdubs’s dream would be kinda funny.
“Martyn, he’s into you.” The zombie repeats herself, giving him a slightly unimpressed look. “You’ve noticed the staring, right?”
“Yeah,” Scott huffs, looking back over the ravine. “But I thought he was staring at you, because you were right next to me, or he was being…..being well Martyn. ”
“ Oh you’ve got to be kidding me!” Cleo exclaims, looking at him like he’s a ghost. “I caught him staring at you the other day and he blushed! ” They look like they’re ready to grab Scott by the shoulders and shake him for being so oblivious. He also gets the vibe that she’s trying to push them together for some reason, which is weird because the zombie absolutely despises that man right now. Scott would know, she’s told him as much on late night “our soulmates suck” rants.
He hums in response, deciding that looking anywhere else was better than meeting Cleo’s gaze at the moment. She was giving him a look, one of those I can’t believe your this stupid looks.
“Pretty sure I’m not into him, so…” Scott mutters after a moment.
“You were staring dreamily at his base when I brought that up.”
He opens his mouth to reply, but promptly closes it when no words come to him. He’s not into Martyn, wouldn’t be in a million years. Even that sounds like the words of a man in denial, and Scott has to stiffen a sigh; eyes now purposely staying very far away from where the blonde's ugly little baston lies. It is always there though, in the corner of his vision, tempting him to look over again.
Martyn sat on the edge of the island, humming absentmindedly to himself; feet dangling in the water below. He was taking a break for…whatever he’d been doing before, and was now just watching the grass slowly spread across the manmade island, pondering all the while. He wasn’t pondering anything bad, no not at all! He didn’t have anything bad to ponder about in the first place. He loved being a Mean Gill, and was very grateful that Scott had allowed him to stay. There was just a slight, erm, issue .
His little….lets call it an infatuation from the previous season had come back. It was in full force too, to make matters worse.
Martyn could feel himself blushing red at the thought, and tried very hard to stop that. How would he explain sitting there, randomly red as a tomato, to anyone who saw? Because TIES could very easily see him, and Scott was probably somewhere nearby. The awful, pretty, beautiful, absolutely horrible man that was making him like this in the first place.
The blonde kicked at the water, watching it ripple and splash. Why did emotions have to be so weird?
Ever since he’d teamed up with the man, Martyn's thoughts had become filled with nothing but Scott. He’d laid awake, bed agonizingly close to the others, and thought about how pretty his eyes were. How he could drown in them and wouldn’t even complain. He thought about his hair, how soft it looked, how he desperately wanted to play with it and run his fingers through it. He thought how not only did Scott have fish features now, which were a little hot honestly, he also had freckles; which were fucking adorable , actually? Martyn didn’t even know he had a thing for freckles or fish people before, but you learn something new everyday he supposed.
He thought about pressing kisses to each of Scott’s freckles, of holding his face and cuddling him late in the night. He thought about how he always had to keep his gaze away from Scott’s lips, how he had to ignore the impulse to kiss him out of the blue because that was weird and wrong and Scott didn’t even like him back.
Martyn kicked the water again, with more force this time. He watched the ripples and splashes again, ones that were now more forceful, and was aware that his face was probably souring a little.
It was never like this before, never like this with Ren. With ren they’d just…. been something from the start it felt like. Maybe that was because Ren’s affection was loud, something he wasn’t shy about; so Martyn hadn’t been shy either. That feeling had burned pleasantly, it had been all consuming and the light he clung onto in the darkest days.
But now Ren wasn’t here, and Martyn didn’t have that light, that comfort . Martyn didn’t have that all consuming fire anymore. He’d been a little taken by them both he thinks, in Double Life. But back then Ren was bright and familiar and well….his usual self. Scott had been hurt, had been colder, would sneer at him and Pearl after throwing them out. It was hard to admit a guy was pretty when you saw his actions drive someone closer to insanity is all. (Though Martyn had also left her, which he felt bad about in hindsight, but at the time it was never their fault to his head. It was always Scott and Cleo ; they were always the bad guys . And now he knows there were no bad guys in that situation, that yeah maybe all four of ‘em kinda sucked and treated each other like shit.)
WIthout Ren, without the complications that came with soulbonds, this feeling had creeped up on him. It had ensnared him and wouldn’t let go; it’d stuck its tendrils in him and he couldn’t pull them out. And Martyn didn’t want to let go of it either, because Scott made him feel warm and fuzzy and bright and he adored it. He adored him , even if this was the most painful unrequited slow burn he’d ever been tangled up in.
Scott’s voice called his name from somewhere behind them, presumably their shared house, and Martyn jumped. His heart skipped a few beats in his chest, and dear god the blonde could feel himself swooning and he wasn’t even within bloody eyesight of Scott yet. He took a deep breath, tried to calm his probably flushing face and stood up, wincing at how soaked his sandals were. Yeah, maybe this was more than an infatuation , and he’d be an absolute idiot to keep thinking that. Maybe he was a little down bad, if you must. Maybe he had a little crush even.
He called back to the other, slowly walking back. He briefly thought about the teasing flirts Scott gave him, and the ones that sounded a little too shy, when Scott flushed the slightest bit of pretty light pink as he spoke. Those were the ones Martyn didn’t think were his teammates normal “flirt with every man in a five mile radius” bit. He thought, desperately hoped, that they were real.
And if Scott was going to flirt so much Team TIES asked about it once, why not play into the bit a little more? Martyn normally wasn’t one to be shy with his affections like this, and just because Scott made him feel like a lovesick schoolgirl, made him feel like no one else ever would, didn’t mean he had to be.
Martyn reached their storage room with a smile and decided yeah, he'll have some fun with this. Maybe he’d get a yes or no at the end of it too.
They're standing there, talking with Jimmy when it happens. Scott’s forgotten why they were at the mansion in the first place really, just that they were there. The conversation had turned to friendly teasing at one point, as it always does with the blonde avian. The two Mean Gills admittedly aren’t very good at not taking the mick out of him.
Today the teasing is because of how Jimmy looks at them both. His gaze is shifting in between them, focusing on the way Martyn stands a little too close to Scott; close enough to be something more than friendly. Close enough where if he wanted to, Scott could easily slip a hand into Martyn’s warm ones and never let go.
The two islanders exchange a subtle little look at one point, and it’s clear both of them have come to the same conclusion. His teammate turns back to Jimmy, a devilish little smile dancing on his lips, and Scott is a little excited (and maybe nervous) to see what he does with that new information.
"What Tim?" Martyn teased lightly, a smirk forming on his face. "Ya jealous that your ex got a new partner?" And oh . That’s where Martyn’s taking this. Scott’s breath hitches slightly, and he hopes the other two don’t notice as the word partner starts to repeat over and over again in his head. The word is soon on loop, like it’s coming from a broken record player, and Scott has to tell himself it means nothing. They're not partners….like that . They’re base partners , allies , and most disappointedly just friends ; even if half the server does think otherwise.
Scott gets a grip of his reeling thoughts after a moment, replacing them with curiosity. He decides to say nothing, and let Martyn go…wherever he’s going with this still.
"No." Jimmy replies a moment later, his voice stiff and controlled. He's still looking at them, and at how close they are. He isn't fooling anyone with that, because they can both see the jealous glint in his eyes and how his wings have puffed up behind him.
"You sure about that?" Scott gave the blonde a smirk of his own, a little more light than Martyn's was. He didn’t want to actually upset Jimmy with the teasing, just to poke a little fun at him. He'd also be a massive hypocrite if he made the other man feel bad or something about being jealous, because he'd literally been jealous of Tango and Jimmy last season.
However, and a little frustratingly, Martyn seemed to be working against him. The blonde moved, and before Scott knew what was happening there were arms around his waist. He blinked, feeling heat rise to his face as Martyn hugged him from behind. The blonde rested his head on Scott's shoulder, nuzzling into his neck a little. This man was horrible actually, Scott decided, and he didn’t like him at all anymore.
Jimmy caught his surprised look, and the merfolk desperately wished he didn't blush so easily. It was clear that the blonde was surprised as well, because that was a bold move Martyn had just done. The avian glanced between them one more time, clearly gathering that this was unexpected, before speaking again. "Yep, pretty sure. Goodbye now!" He huffed.
With that Jimmy turned away, clearly not wanting to witness anymore of their PDA, and scrambled his way back to the top of Bad Boy Manor. Martyn just giggled lightly next to Scott's ear and moved away.
When they returned to their island, Martyn did it once again. Scott had been standing in their little newly built storage area, searching for a material he swore he put in that chest. It almost wasn't a surprise when his teammate took a chance to hold him again, warm arms wrapping around his waist again.
"Hey" Scott whispered, letting himself lean into the touch this time.
"Hi" Martyn responded, resting his chin on Scott's shoulder once more. He heard the triumphant smile in the blonde's voice, and presumed there was blush spreading down his neck. His face felt like it was on fire, so that wasn't too surprising either.
"Was Timmy actually jealous back there?" Martyn asked against his neck, having started to nuzzle it again. Scott was really hoping that no one decided to come over right now.
"Yeah, he was." He responded, letting out a small humorless laugh.
"Probably shouldn't have pushed him so far huh." Martyn sighed. "Especially not doing….this." He'd stopped nuzzling Scott, and just buried his head in the crook of his neck instead. Scott shivered, able to feel the others warm breath ghosting over his gills and scales.
"It's fine, I'll message him later" Scott said, finally resuming his search for that material. He’d been so wrapped up in Martyn's presence, he hadn’t even realized he'd stopped doing that.
He let silence fall for a few minutes, Martyn watching as he shuffled through a seemingly endless pile of items, and listening to Scott’s mutters about how badly he needed to organize their stuff. He felt the blonde smile against his skin, before swaying them gently. This whole interaction felt so….domestic, and Scott wondered if he was wrong for wanting more.
"This is nice, though.." Scott muttered into the silence, barely audible. His frills swiveled back in embarrassment, and he felt his face start to heat up even further. There was a sudden, barely there heat against his neck, and he was pretty sure he'd made Martyn blush as well, possibly for the first time that day. It was a small win, but he'd take it. Scott had one point so far and Martyn had like five probably. Yeah that was a good guess, and Scott wouldn't be surprised if it was more. That man was very good at flirting, he had to admit.
Martyn nuzzled him again as a response, and warmth fluttered wildly in his stomach. Okay then, never mind. Martyn six , Scott one.
"I need to move, Martyn." Scott mumbled when he was done searching, fondly glancing at the other. He would love to stay like this, but he tragically could not reach the crafting table from here.
Martyn mumbled something unintelligible and maybe a little grumpy, before starting to let go of Scott’s waist. Before he let go fully, when his hands rested nicely on the merfolks hips, he leaned down to press a small kiss to the side of Scott’s neck. He pecked the other right under where his gills lay, sending yet another shiver to course though Scott.
Scott stood there for a moment, eyes wide. Hadn’t been expecting that when he woke up that morning, that was for sure. He placed a hand on his neck, feeling around his gills absentmindedly. He felt Martyn’s sly smirk on him as the blonde turned and left the room, walking back towards the upper part of their house.
Martyn hummed, standing beside Scott idly. The latter was talking with Cleo about something or other, something Martyn wasn't interested in. He wasn’t here for chatter, he was here to protect Scott. No one had tried to come from them yet, but his teammate had the most time by far. And he'll be damned if he lets anyone take that away.
Maybe he ends up staring at Scott and zoning out, just like he did back in Double Life. But by now Scott’s used to it, because Martyn can't help himself from looking at something so beautiful. By now Scott is already prepared to tease him for it on a moment's notice, so it's not a big deal like it used to be.
It had taken a while for Martyn to notice this consciously, but he found Scott's fins adorable. He liked the way they moved, how they shone and shimmered under the sunlight. They folded in when he was embarrassed or flustered, which made Martyn want to flirt and fluster him even more. And the freckles, again. God how he wanted to press kisses into each one of those.
He was blinked out of his thoughts by Cleos mildly amused gaze, and the wonderful sound of his merfolk voice.
"Did you hear me, darling?" Scott asked. Beside them, Cleo failed to muffle a wide grin.
Martyn stood there for a minute, cogs beginning to turn in his head. Scott had called him darling. Darling . He concentrated a little too hard on his rapidly beating heart, on not losing his composure and turning red a tomato, that he entirely missed the awkward silence that stretched out after the question.
"Martyn?" Scott asked again, giving him a slightly concerned, yet amused, look. "Are you okay?"
"Y-yeah I'm fine, perfectly okay!" Martyn smiled back, voice going a little higher than intended.
"Okay!" Scott smiled, turning to resume his conversation with Cleo. The merfolks smile had been a little slow and mischievous, and Martyn wanted to shrink into himself in embarrassment. Scott now knew that he was weak for pet names, and was sure to use that against him very often from now on.
Cleo just leaned in to whisper something in Scott’s ear, something that made him flush. A little perplexed, Martyn watched as he slapped her lightly on the arm; the zombie giggling all the while.
There was water rushing all around him, blood pumping through his veins and pounding in his ears. Water splashed nearby, and Martyn turned to kick at Jimmy again. The avian, who was foolish in the water when he had wings, just coughed up a bit of blood, Martyn’s shoe having caught him in the face slightly.
Jimmy wasn't made for swimming, and the yellow wings just made it harder for him too. They started to drag him down a bit with how thoroughly soaked they were getting, which made Martyn's job just a smidge easier. He knew Jimmy kinda hated swimming, so the fact that he was in the water was a testament to how desperate everyone was for time.
"Scott? Scott!?" He called, desperately splashing in the shallows by their island. He couldn't see Scott anywhere, and panic behind to swirl violently in the blonde's stomach. Where'd he go? Did someone get him? What if he's dead, what if-
"Martyn!" Scott's answering yell came from the other side of the island, a few feet off, and Martyn wished he hadn't called out. Their others now knew where his teammate was as well. Which was fine, he could handle that, he just had to swim faster.
He reached Scott in record time, having to kick and fend Jimmy off at least two more times. The other pursuers were gaining as well, and Martyn had never been more relieved to see Scott’s living face, a sword clutched closely to his chest.
"Scott!" He gasped, swimming over till they were floating face to face. They were farther out than Martyn had initially thought, but he didn't mind at all. Deeper water just made it easier to drown people. Under the water, Scott grabbed his hand and squeezed.
"Martyn! Martyn you have to kill me please!" He exclaimed, casting a fearful look over the blonde's shoulder. They could hear splashing sounds, ones that were getting rapidly closer.
If they had the time for it, Martyn's brain would've slowed down, long enough for him to sit there and gape at Scott, horrified, for at least a few minutes. But they didn't have time, quite ironically, so he just squeezed Scott’s hand back and yelled. "Why?" He asked, voice close to breaking. "I can't do that to you Scott, I-"
The merfolk cut him off by placing a hand over his mouth. "I don't want anyone else but you to have my time!" He said, staring serious into the ocean blur of Martyn’s eyes. Scott’s tone started out harsh, but turned softer with each word.
" Please. " He begged one last time, removing the hand from the blonde's mouth. Martyn said nothing for a moment, letting Scott’s sword be shoved into his own hands. He hadn’t even used it and the weapon felt dirty to hold, as if the mere suggestion was tainting it.
Under the surface two sets of legs moved to keep their owners afloat, and a tail flicked in a wild panic. Behind them the splashing got even louder, till it was roaring in Martyn's ears again. It was then he realized he didn't have a choice, did he? And pulled Scott in closer.
Scott’s breathing hitched, from fear or something else Martyn didn’t know. His hands shook, but he managed to get a surprisingly firm grip of the sword. He was going to burn it later, and make Scott a newer, better one, one that didn't remind him of one of the worst incidents of his life.
His eyes flicked down to Scott’s lips, then thought better of it. Martyn knew he didn’t want to do it this way, so he moved to press his lips to Scott’s forehead instead.
The merfolk let out a strangled cry of pain, the sword being shoved through his ribs. As he pulled the cursed weapon out, Martyn moved closer, eyes pressed shut. He peppered more kisses to Scott’s forehead, to his hair, muttering comforts; that it wouldn’t hurt for long. He buried his nose into Scott’s soft blue locks and murmured that he was sorry, tears falling from his cheeks. He did so until Scott had despawned, and there was nothing but the murder weapon for him to hold anymore. The thirty minutes that washed over him felt disgusting and vile, and he almost couldn't wait to die and lose them.
Martyn stayed there, floating on exhausted limbs, until the splashing was gone, until the roaring in his ears stopped, and until he felt okay enough to go inside and see his teammate once more.
He broke down anyways, poorly retrained tears dampening Scott's now yellow jacket. The merfolk said nothing, just let him cling to his chest and cry.
"Martyn?" Scott asked, voice groggy with sleep. He'd been awoken by shuffling sounds from somewhere else in the house. At first, he'd assumed it was Martyn using the restroom or something else you normally did at one in the morning. But then the sounds had continued, and woken him up again less than ten minutes later. He was pretty sure it was just Martyn, but got up to check anyways, in case they were actually being robbed or trapped. He didn’t wanna wake up in the morning by being exploded after all.
“Martyn?” He asked, stifling a loud yawn. Scott now stood in the doorway, his hand gripping it as he watched the blonde prepare what seemed to be some sort of drink. "Oh sorry." Martyn said, turning to face the other man. A hot mug of coffee was held in his hands, the distinct smell of it quickly crowding Scott’s sleepy senses. "Can't sleep." He mumbled the explanation a little sheepishly, like Scott would be bothered by his teammates having one off night in a death game.
He was going to not think about how the other man made coffee in a server with limited resources, because as far as Scott knew this map did not have a jungle for cocoa beans. Though it might, in the unexplored area. He wouldn’t know though, because it was unexplored and it was also one in the morning. Scott simply waved a goodbye, stifling another yawn as he turned to tiredly shuffle back to his bed, the blonde's gaze on him all the while.
An hour later, when Martyn still hadn’t gotten any quieter, was when Scott decided to make him sleep. Or else.
"Oh shit, sorry-" The blonde said a little blearily when Scott walked into the room for a second time.
"Why can't you sleep?" Scott asked bluntly, hands resting on his hips. There was a certain bit of annoyance in his voice, he was sure of it. Scott was aware he probably looked like some sort of sleep deprived, scary mother of three, but if that was the look needed to get his question answered, then so be it.
"Nightmares…about the, ya know…" Martyn seemed to shrink into himself, and not because of his teammates' tired gaze burning holes into him. He sounded so small, voice getting smaller with every word he spoke.
"No, I don't know." Scott huffed, a little more gently this time. He removed his hands from his hips, and walked till he could sit next to Martyn. The blonde had been leaning against one of their bookshelves, back looking uncomfortably pressed into the wood. Scott sat beside him now, legs crossed and a softening look on his face.
“About yesterday.” Martyn managed to choke out after a minute, hands tightening around an untouched mug of coffee. “Everytime i close my eyes all I see is you in the water….bleeding because of me.” His eyes stayed firmly focused on the dark liquid in his mug, gaze clouded and full of self hatred; if Scott wasn’t mistaken.
He didn’t think about it, just reached over and pulled Martyn into the best side hug he could muster. The blonde stiffied under him, and the merfolk could tell he was stopping himself from returning the embrace. “It’s not your fault, I told you too.” Scott mumbled, burying his face into Martyn’s shirt best he could.
“I know….” His teammate just gave a low murmur of response, slowly setting the mug of coffee on the floor next to them. Martyn moved to give him a proper hug, and Scott clinged to him like a koala clings to a tree; hoping it conveyed what he was thinking. He thought that Martyn blaming himself was stupid , because he’d asked him to do. Scott had wanted Martyn to kill him, he wasn’t bothered by it at all. He also thought he wanted another kiss, maybe in a different place than the forehead, but that wasn’t a good thing to do right now.
The blonde didn’t pull away, just held onto him tighter, moved the merfolk into his lap and buried his face into Scott’s hair. He didn’t even bat an eye when he felt the blonde’s body wrack with quiet sobs, just tried to get even closer and offer more comfort, trying to communicate that it wasn’t Martyn’s fault, because Scott had a feeling this stupid idiot wouldn’t listen to him if he just said it. He had a feeling he needed to show that it was okay as well.
Martyn didn’t cry for long, and they ended up just sitting there, holding each other until Scott had an idea. It was one of those ideas that was either going to go horribly and ruin everything, or shift something else in their dynamic. He was really hoping it was the latter as he untangled himself from Martyn, slowly getting to his feet. The other just looked at him with undisguised curiosity.
"Come on." Scott sighed, taking Martyn’s hand in his. The blonde blinked as he laced their fingers together, and Scott basically pulled him to his feet fully a moment later. The darkness of the night did its best to hide the blush spreading across both men’s cheeks, all the while Scott led Martyn back to their shared sleeping area. The other grip on his hand was tight, squeezing, and he pretended not to notice.
He let go of Martyn’s hand, albeit a little reluctantly, to move the potted plant that separated their beds. He felt a questioning and curious gaze on the back of his neck, the blonde watching as Scott quickly put their beds together. He wasn’t sure his bed would fit both of them, so he decided it was safer to just pull a Bad Boys and push all their beds together. "Don't be weird about this. It helps with my nightmares." Scott said over his shoulder, turning his head to look at his teammate.
Martyn looked a little dumbfounded, his eyes flicking between Scott and the now double bed. If either of them were in a more awake state of mind, the merfolk was sure one of them would’ve made some sort of inappropriate joke. Not that Scott would’ve minded sharing a bed that way, just not right now when he was tired and Martyn was an emotional wreck.
He flashed Martyn a fond yet toothy smile, and patted the sheets before moving to lay down. Scott felt the blonde join him under the covers a minute later, and drifted close to the warmth almost unknowingly.
They laid awake together for a few minutes, before one of them finally gained some confidence. Martyn, probably thinking Scott was asleep, moved closer. He wrapped his arms around the merfolk slowly, eventually holding the other in his arms fully. Scott held back a content little sigh, fully melting against the blonde. He snuggled even closer, back comfortably pressed against his teammates chest.
The two woke up in a similar position in the morning, holding each other and legs tangled together. They didn’t comment on it, Martyn only muttering thanks, and that it did help his nightmares. Scott said he’d push their beds apart later.
He never quite got around to doing that in the end, but Martyn never complained.
Scott blinked in the dim light, Martyn now leaning over him slightly. Oh . He was being pressed against a wall, their underwater hideout suddenly becoming more cramped and small than it already was.
"I thought you were gonna die back there." The blonde mumbled, resting his forehead on Scotts. His eyes were firmly pressed shut, and his body seemed to relax for the first time all day, shoulders sagging. Stress lines seemed to litter his face as well, and the merfolk hated to be the cause of them. Scott’s gaze softened, pressing his own forehead against Martyns in return. I'm here. I'm alive.
"I didn't die, not yet anyways." The last part was added with a humorless chuckle. Martyn didn't find it very funny, as his face scrunched up even further.
Scott apologized by placing a delicate hand on his cheek, gently thumbing it and Martyn readily leaning into the touch. The blonde's own hands went to rest on Scott’s waist almost unconsciously, and he leaned into it with a quiet sigh.
Scott slowly titled his head to the side hesitantly, only once the blonde had opened his eyes again. It was only after Martyn himself leaned forward did Scott feel confident enough to close the gap between them, pressing their lips together softly. Martyn melted into the kiss rather quickly, which surprised Scott. It had honestly been a spur of the moment decision. He hadn’t expected Martyn to reciprocate at all, or do so readily. Martyn's lips were warm against his own, and Scott quickly realized he found it intoxicating.
One of his hands begins to tug at Martyn's hair, trying to pull his ally even closer. Martyn responded by nicking his bottom lip, and eventually slipping his tongue into Scott’s mouth, deepening the kiss. Scott happily let him, muffling a pleased little noise. Warmth fluttered in his gut, the blonde's tongue mapping out the back of his teeth, as the merfolk finally got what he'd been wanting for weeks now.
Martyn whined softly when Scott pulled away after a second, panting. Scott giggled, his frills puffing out in joy. Martyn just recaptured his lips again, Scott letting out a surprised chirp and melted into the contact even more than he had the first time.
When they parted again it was Scott's turn to whine at the loss of contact, but he understood why they'd separated so soon when he felt kisses peppering the rest of his face. The blonde kissed every part he could reach, Scott’s cheeks, his forehead, his freckles and his nose. Scott smiled, cupping Martyn's face in his hands after the other left one particularly risqué kiss on his upper neck.
They both leaned in for a third and final kiss. It was soft and chaste, and tasted sickly sweet, and everything he wanted and more. Afterwards Scott wrapped his arms around the blonde's neck, letting his weight rest on the other. Martyn just rested his head on top of the merfolks lovingly, kisses occasionally being pressed into soft blue hair.
"I love you." He said, voice slightly mumbled as he pressed his face into Martyn's shirt
"I…" The blonde seemed a little lost for words, a little choked by some emotion that Scott couldn't discern at the moment. "Yeah, me too" Martyn mumbled just as quietly, wrapping his arms around his teammate and holding him tight. Scott made a contend purring sound from the back of his throat, and allowed himself to be lost in the moment.
It was all he needed to say.
It was a nice day out, a calm day, and the Mean Gills had decided it was a good time to spend the day together. It was getting later and later into the game, and quiet days like this were becoming more rare and much more valuable. Martyn wanted Scott all to himself for as many minutes as possible that day, really he did, before the manhunts started up again and people were trying to take his partner’s from him. Time with his beloved wasn’t a thing he was willing to waste anymore, not after the first hunt for Scott and the end of it, one that still made him wake up in tears.
They stood at the side of the house together, Scott having surprised him as he went to feed their chickens. Martyn giggled, the other wrapping his arms around the blonde’s neck pulling him in for a slow kiss. He leaned into it as he always did, the pleasant feeling Scott’s lips now achingly familiar to him.
The blonde soon put the chicken feed into his inventory, sensing that the merfolk wanted to take this just a little further. And oh Martyn was so not opposed, he was the opposite of it really. Scott nipped at his bottom lip with unusually sharp teeth, and Martyn allowed the other's tongue to slip inside his mouth with ease. One of his hands went to rest in Scott’s hair, occasionally pulling it.
They parted for air after about a minute, both of them smiling and panting just a little bit. Scott looked at him lovingly, one hand beginning to play with Martyn’s ponytail idly. The ponytail was a new thing, he had figured now was a good time to try and grow his hair out, because what else did they have to do other than not die? The decision had paid off greatly, Scott saying he liked the look very much.
Martyn hummed, leaning down to place a kiss on Scott’s jawline. The merfolk giggled above him, and he took that as a sign to place even more. The kisses slowly started trailing down further, being placed under Scott’s chin, around his gills, everywhere the blonde could reach. They became gradually more open mouthed as well, until eventually a bruise was being sucked into his partner's neck. Scott, who’s knees buckled more with every kiss until he was practically leaning on Martyn, muffled a sound; one that sounded suspiciously like a whine.
"Martyn!" Soctt laughed, tugging the other away from his neck. "People can see us out here!"
"You don't wanna give them a show?" The blonde muttered against Scott’s throat, feeling the latter’s pulse begin to quicken underneath.
“No, I only want to give you one,” Scott’s response was a low and sultry murmur, one that sent shivers straight down his spine. Martyn let his face be held in gentle hands, meeting the merfolk's now half lidded gaze.
"I think I'd like a ticket to that." He mumbled in response, A hand was teasingly slipped under Scott’s jacket, and the other man let out a slight shiver. His tail began flicking around Martyn’s lower legs, the contact burning like a hot iron.
"You already have one." Scott murmured against his lips, giving Martyn another passionate kiss. The blonde made a muffled noise, moving the two of them back towards the edge of the island. His hand stayed under Scott’s shirt the whole time, roaming and exploring to his heart's content.
They had to part once they reached the water, Martyn obviously needing air to be able to hold his breath. But once they reached the cave the two were quickly on each other, Scott allowing Martyn to slam him against the stone wall. Their lips smashed together once again, the action now having a hungry air to it. Scott slipped his tongue into Martyn’s mouth, causing the other to groan. Hands went to tug at blue hair, which made the merfolk make his own sounds in response. Sharp teeth nicked at the pirates lips, and his knees damn near wobbled underneath him.
He groaned, Scott’s tongue exploring his mouth until he couldn’t breathe, lungs burning and screaming for oxygen. When they pulled away Martyn dipped his head back down, resuming his earlier work on Scott’s throat. He smirked at the low moan that came from the merfolk, and pressed another hickey into his scales.
At some point he’d picked up Scott, carrying him the short distance to the bed they kept in the secret room. He pinned the smaller to it, hands gripping his hair nicely and dagging Martyn’s head back to Scott’s neck. The blonde resumed his work, not needing to be asked twice; especially if it elicited those sounds from Scott.
Hands roamed under his shirt, ghosting over his chest before beginning the journey downwards again. All the while Martyn tried to shove Scott’s own jacket off him, moving that and his undershirt so he could have even more access. More whines came from Scott, his partner's lips now pressed to his collarbone and beginning to bite down gently. Martyn let out a groan of his own, fingers beginning to tug at his waistband.
He moved back up to Scott’s lips again, kissing him into the bed like a starving man. Scott’s hands quickly moved to grab the back of his head and keep him there, the merfolk very content to let Martyn’s tongue do whatever it pleased in his mouth. They pulled away for a final time after that, both taking in large gasps of air.
Scott cupped Martyn’s cheeks in his hands, moving the blonde’s head down until they’re foreheads touched. “We should make out more.” He stated quietly, eyes closed as he leaned into the other’s presence.
“You don’t say?” Martyn huffed, amusement leaking into his tone. Scott just hummed in response.
The pirate would’ve loved to stay and cuddle Scott more than anything, but they still had chores to do around the island. So Martyn stifled a sigh, and slowly moved off of the merfolk. Scott made a disappointed huff, and sat up on the bed.
“Gotta feed the chickens, sorry.” He mumbled. Martyn pressed a kiss to Scott’s hair, before going to exit the underwater base. The blonde heard the tell tale signs of Scott’ swimming after him a moment later, and smiled.
They reached the surface together, Martyn noticing that Scott’s shirt was still not fixed once they were on land. He flushed cherry red, wordlessly moving to fix it and hide his glorious work from the world. Scott just giggled at him, tail slapping happily against the ocean’s surface.
“Hi guys!” Skizz’s voice came from the mainland, and Martyn wanted to die right then. He wanted to be striked down by lightning right now because that was proper embarrassing and absolutely motifying .
“What were you two doing in there, huh?” Tango’s voice joined in with his teammates, just as Martyn managed to cover most of the bruises lining Scott’s fair skin. He really hadn’t realized how many he’d left, which made this interaction all the more horrible for him. Scott however, though probably a little embarrassed, was leaning into the teasing. “Wouldn’t you like to know?” He called back with a giggle. Martyn just groaned, resting his head on Scott’s chest, hands still gripping the latter’s shirt. His partner just laughed louder, pressing a fond kiss too the top of his head
Scott woke up one night with a loud yelp, loud enough for most of their neighbors to probably hear. He ripped himself free of Martyn’s grasp, breath coming out in short gasps as he did so. Tears were pricking at the corner of his vision, clouding it and making it harder to see what exactly was in front of him. In the merfolk’s panic he kicked off the covers as well, the feel of them being too overwhelming.
Martyn stirred next to him, obviously quite startled. Scott felt his partner's concerned gaze on him as he sat on his side of their beds, shaking. The blonde moved toward him slowly, and lightly placed a hand on Scott's thigh. When the merfolk didn't flinch away, his grasp became a little firmer.
"You okay?" Martyn mumbled, voice muddled with a strange mix of worry and sleep. Scott tried to open his mouth to speak, but his tongue felt as if someone had locked it in place, and now it wouldn't seem to budge. He held back a frustrated noise, and just shook his head no.
"Wanna talk about it? If you can?" Scott nodded again, and tried to get his mouth to work for the next few minutes. Martyn moved closer as he did so, bumping their shoulders together lightly. His fingers drummed on Scott's knee idly, a motion the merfolk found more comforting than he'd like to admit.
When he finally did make a sound it wasn't coherent, just a strangled sound that was supposed to be a word. Martyn smiled softly at that, and kept quietly waiting.
"….Had a nightmare." Scott muttered. "'Bout the first game."
"Third life?" Martyn clarified softly. Scott nodded.
"I saw the grave again." He continued, trying not to recall the dream too vividly, lest he start crying again. "I, ah, remembered the bunker, his death. Then it wasn't Jimmy it was…..it was you -" Scott cut himself off with a sob, the memory of the dream rattling him greatly. Martyn moved quickly, and before Scott knew it he was dampening the other’s shirt with his own tears.
He remembered how he'd lost his husband the first time, how he had been shattered into fragments with just one message. Scott didn’t even have to search his feelings for long before the grief came rushing back, crashing over him like it used to every day back then. His heart twisted painfully inside him, the moment still crystal clear in his mind.
"That's not again happen again, I promise." Martyn mumbled into his hair, gently running his fingers through it.
"How do you know that?" Scott asked, voice cracked with long ago grief. It could happen again, he could so easily lose his lover once more. It was the thing he worried about everytime Martyn tried to defend him, when Martyn shoved himself in front of a ranid army of yellows and reds to keep him safe. He always worried about having to bury Martyn, like he'd had to bury Jimmy with nothing but dirt and a lone poppy-
"Because this isn't Third Life." The blonde muttered, grip on him tightening. "There's no flower field here, and there's no banner to burn."
That made sense, Scott supposed. It made him feel better, so even if it hadn't made any sense it would still be a reasonable explanation he supposed. At that he sunk into Martyn, his teats gradually beginning to calm down. He still clung to the blonde like a lifeline though, the fear induced by the nightmare never quite leaving.
Martyn just laid them both down gently, Scott still clutched in his arms. He pulled the covers over both of them, and mumbled something about trying to get a few more hours of sleep.
Martyn respawned with a yelp, a little surprised still. He’d be killed by a random TNT minecart drop, and he was a little irritated over it. Stupid Skynet and the stupid minecarts. He was ready to go out there and shoot whoever had done it, that was an hour of his time they’d gotten away with!
“Didn’t expect you to be on top of me today.” A voice came from under him, and Martyn looked down in surprise. Under him was a very flustered looking Scott, the frills on his face pressed back in surprise. It took Martyn’s brain a few seconds to process how he’d ended up in this position, cogs turning at a painstakingly slow pace in his head.
He’d respawned in their hidden bed, naturally. It was night time. Scott was probably trying to sleep the night away. Right. Sure . That made sense, but it didn’t make either of them any less flustered. Currently Martyn was being distracted by how he was basically straddling Scott, and his partner was being pushed slightly into the white bedsheets.
“Well, I don’t think you’re minding it much.” He responded, entirely on impulse. Scott’s eyes seemed to light up with that, and he moved closer. Martyn met the merfolk’s half lidded gaze, nose bumping and breaths mingling together. The air had turned from awkward to heated very fast, and the blonde was soaking it all up like a wet sponge.
"Ya know I always had a thing for pirates…" Scott said, voice dipping lower. He ran a hand along Martyn’s chest area, where the shirt was left slightly unbuttoned, caressing his skin. The blonde shivered at the motion, his own hands running up Scott’s arms slowly.
"And I've always thought merfolk were quite sexy." He huffed in response, leaning downwards. Scott flashed him a toothy grin, going to meet the other in the middle. Their lips connected, and Scott pulled them further down onto the bed.
Martyn muffled a noise, the merfolk’s tongue slipping into his mouth for the millionth time. When Scott had said they should make out more he hadn’t been expecting this, but the pirate was so not going to complain. His fingers twisted in the other's hair, and a hand tugged on the back of Martyn’s head to keep him in place.
He pulled away first, the feeling of fire in his lungs. Scott just looked up at him with a pout, lips puffy and red. Martyn ignored the urge to lean down and ruin them some more, slowly shuffling off the bed.
“People are gonna be suspicious if I take too long respawning.” He muttered a quiet apology, watching as Scott tried to drag him back down. His partner just let out a dramatic sounding sigh. “Fine.”
“We could continue this later tonight?” Martyn offered, and Scott’s eyes lit up immediately. “Oh absolutely~” He murmured, giving the blonde one last peck on the lips. A hand thumbed over the waistband of his pants, and then Scott finally let go of him. Martyn laughed at that, ignoring the warmth fluttering inside him. “Eager aren't we?” He called as he exited the room, not waiting for the merfolk response before diving into the cool sea water.
Time was running out.
Scott stood with Impulse at spawn, discussing. They were the last three left, and they were supposedly going to have a fist fight to the death. The winner would be picked fairly, no foul play or whatever. Martyn stood beside them, oddly silent. Martyn was never silent like that. Scott wanted to reach out a hand to his partner, to hold the blonde’s own one last time. To feel Martyn’s loving embrace one last time, because this wasn’t going to end pretty.
He didn’t want to kill Martyn, and Martyn didn’t want to kill him. Unless the red life got to him, he didn’t think he could. And he didn’t want the bloodlust to get to him. He didn’t want to win again, and just standing here had already brought him far too close to that for comfort. So if it did come down to a fist fight, he would let Impulse kill him, because there was no other way to avoid it.
He didn’t reach out a hand to hold Martyn’s. Maybe because part of him knew what was going to happen, because he knew Martyn as well as a fish knew the ocean it swam in.
Impulse said something, then there was a burning in Scott's back. He screamed, feeling the unmistakable burn of lava on him, feeling the liquid splash painfully onto his tail. Impulse let out a surprised yell, and a bucket clattered to the stone ground under them. Just before the magma could finish him off, a sword sliced through his ribs, just like it had during his first death. His lover was saying something, but the merfolk couldn’t hear it over the ringing in his ears.
Martyn had killed him again, and stabbed him right in the back. Figuratively and literally. If he turned around, Scott would see a flash of pain on the blonde’s face as he did so. Scott didn’t mind though, didn’t mind dying, because third was a fine enough place to get. And probably a higher place than he deserved anyways.
My own Mean Gill. He thought, allowing the world to fade to black. And I wouldn’t have it any other way.
Martyn huffed, kicking his legs idly in the air. He was at least a good thousand feet off the ground now, which didn't make him feel too great. He made a mental note not to look down too much, and pondered on how exactly he was going to reach the ground again.
He'd just wanted to see what that weird little geyser did, not be permanently levitated! Now he was worried about going too high up and dying, and he'd only had these powers for like less than a week! Martyn huffed to himself again, trying to spin himself around in midair.
There was a flash of blue and orange nearby, and Martyn whipped his head around. He was met with nothing, with empty air. Like everything else around him. He gave the surrounding area a suspicious glance over, and again there was nothing. The blonde huffed at that, figuring it was just his eyes playing tricks on him or something. If he was gonna float into space he wanted it to be paranoia free, thank you very much.
The flash of color kept happening though, so much so that Martyn became more and more convinced it had to be another player messing with him. He also wished they would help get him down, not play an unwinnable game of peekaboo.
The person playing it also seemed to be getting bored, because the next time an orange flash appeared, there was a hand coming out of it. Martyn let out a small scream at that, and made himself float farther away. There was laughing beside him afterwards, and he once again spun to try and locate where the sound was coming from.
The flashes of light had apparently been portals of some kind, because one was soon open a few feet above him. Sticking out of it was the head of a man, similarly blue and orange hair falling in front of his face as he looked down at Martyn. The blonde blinked, watching the man laugh at his misery. The dude was quite nice looking, he had to admit, his features were slender and seemed to have a sort of elegance to him, and his eyes crinkled nicely when he smiled. His laugh rang through the air, a pleasing sound to listen to, and his hair was longer than it looked; most of his being kept up in two twin buns atop his head.
“Hi!” The stranger smiled down at him when the laughing fit calmed down, Martyn now having floated closer. His eyes were multicolored, one blue and one orange, and the blonde wasn’t even surprised by the color combo anymore. That seemed to be very on brand for this guy.
“Hi!” Martyn parroted, struggling to keep some irritation from his tone. “You mind getting me down now?”
The strange man blinked a couple of times, and for the first time seemed to realize how high up they now were. “Oh! Sorry!” He almost squeaked out the apology, before disappearing into thin air again. Martyn floated there, puzzled for a moment, before he was suddenly on the ground again. He made a noise of surprise, stumbling a bit as body readjusted to not being hundreds of feet in the air. Martyn’s vision spun a bit, and he felt a warm hand keep him steady while it did.
“You okay?” The stranger’s voice rang in his ears again, and when the blonde could see clearly he found that the other was now face to face with him. He nodded, staring back into those multi-colored eyes, the stranger’s breath brushing over his face ever so slightly. He had quite pretty eyes, this man did. Martyn could very easily see himself getting lost in them, especially if they kept meeting like this.
“Good!” At those words the other man was pulling back, another smile dancing on his lips. Martyn ignored how pretty that look was on him, deciding it was better to focus on what the guy was saying instead. “I’m Scott, bye the way!”
“Martyn.” He gave his own name, and committed the others to memory. Sometimes the blonde had trouble remembering names, but he figured this guy was the expectation. You don’t see a pretty dude who can teleport very often. Scott’s gaze flicked over him once, taking in his appearance. “Why were you even floating in the first place?” He asked, head tilted to the side curiously.
“Some stupid geyser sent me up there!” Martyn huffed, scanning the area for his new least favorite thing. “Over here!” He walked towards the damned thing as soon as he caught sight of it, wanting to warn his new acquaintance of what they looked like. He heard Scott follow after him, brown boots crunching against the light layer of snow on the ground.
“That thing!” He spat, glaring down at the small geyser, treacherous puffs of air still billowing from it. Scott stopped beside them, tail brushing against Martyn’s legs unconsciously. The blonde hadn’t even seen the tail till just now, and it only made him more curious about the guy.
“Ah, so that’s what those do!” Scott hummed, leaning forward slightly to get a better look.
“You’ve seen ‘em before?” Martyn’s now curious gaze flicked to the transporter again, and he tried not to stare at the open side of the man’s shirt.
“Yep, but I was always too scared to test them out.” Scott glanced at him, his features becoming playful “But i guess you did that for me, huh?” Martyn snorted at that, moving away from the wretched thing a little bit. Scott followed him.
“Guess I did!” He smiled, watching as the other opened a little portal in the grass next to him.
“Gotta go!” Scott explained with another pretty smile, this one dazzling and lopsided. “See you later?” He asked, and if Martyn deluded himself he could hear a bit of hope in the teleporter's voice.
“Yeah, see you later!” Martyn called, freezing himself in excitement at the thought. Scott laughed at him, before falling into his portal, tail flicking in joy. If Martyn could smile while encased in ice, he would. He wanted the ice to melt quicker, to melt right now , just so he could see Scott as soon as possible.
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bluegekk0 · 1 year ago
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Honestly, I love your style, And I enjoy the way you design the characters we rarely see with the cloak off, like grimm or the pale king. But obviously, No artist is without his flaws, and I presume you do not view yourself to be without any. For starters, While the whole "Pale king is an innocent gubblemuncher" thing is cute, depending on how it's handled, It gets stale, fast. (especially considering purely how non-gubblemuncher PK is in the lore, but whatever, we can just ignore that-) Then, I have a bit of a nit to pick at with the way the "Feral PK au" was handled. Once again, similar issue to as I listed prior, PK being innocent and chill is cute, but it gets old fast, especially when the au is based around this characterization of the pale king. (Also, I didn't like PK and WL breaking up despite WL seeming to still care about him in the game, Unless there was some insane sit-com tier argument they had after PK reincarnated that I was never told about, But ig we needed a reason to ship grimm and pk, since, as most are aware, WL hates grimm's guts, so I doubt she would be ok with sharing, so it makes sense.) And finally, I don't like the missed potential of the "feral PK au". When I first heard of that au idea, I imagined a tragic story where PK comes back, But is almost a wild animal and WL ends up caging him bc she's too attached to let him go.... Instead, It's basically an artifact title, one that only applies to the act 1, maybe even just act 0.5, Possibly act 0.25 depending on how it worked. So, I think a more accurate title would be "palegrimm crack au" /j
(Note that "Gubblemuncher" is not an expression I meant to offend, It's 11:55 AM and I needed to make up something to describe a gremlin who is adorable in their own way.)
okay so uhh. i wanted to keep this short but i have a lot of things to say, though i'll get to the point right away. i don't appreciate those kinds of comments, i'm sorry
don't get me wrong, you have every right to dislike aspects of my au. there is absolutely nothing wrong with that. i'm aware that some of my takes are perhaps a little out there. i know many of them stray far away from canon. however, i never claimed that i wanted it to stick to canon, quite the opposite in fact
this au, the whole story, is something i do for myself. it's a little comfort space for me, that i decided to share with friends and other people because they showed interest and wanted to me to talk about it. i did not make it with the intention of creating a coherent narrative, or writing something sophisticated that would have a good plot. i'm not good at those things, i won't pretend otherwise. all this is, is just a silly self-indulgent au that means so, so much to me
and so i understand if some people don't vibe with it. that's perfectly fine, it's not for everyone. what i'm not fine with is people telling me how they think i should write the characters or where they think i should take the story, treating it as if the au is meant to cater to them. that is not what you'll find here, i'm sorry. i find comments like "this is a missed potential" to be a bit rude and quite discouraging, especially since i've never done anything like this and so i'm very insecure about it
some parts of this ask come off as a bit passive-aggressive to me, but that could very well be me overthinking. and because i don't like assuming the worst in people, i want to clear some misconceptions i saw here instead
first of all, the au is not built around the idea that pk is innocent. i've stated before that i don't agree with that notion, he has done terrible things and that should not be ignored. the difference here is that i try to make him more nuanced, and i've personally always loved the theme of well-meaning people committing horrible actions in the name of good. that is where i'm going with my interpretation. he tries to do well, he is very emotional and anxious, he wants to make others happy and be loved. and yet he's still responsible for the deaths of so, so many beings that did not deserve that fate. that is not something i want to ignore, it's something that haunts him constantly, and is a huge part of his character, his struggles and his arc in the au
the reason why you rarely see that portrayed in my art is because, like i said, this is something i do for myself. while i enjoy thinking about more emotional aspects of it, i also want to find happiness and comfort in it, and so i prioritize wholesome art, as that is what i find the most comforting. perhaps it is my fault that i'm not clear enough about this, and if so, i'll try to do better
i will be more short and to the point with the next part, as i've answered many asks about this topic in the past. but no, fpk and wl did not separate because of grimm. they did not separate because of a "sitcom tier argument" either. it was a result of their vastly different approaches to dealing with their guilt and shame (among other things about their relationship), and they divorced while still on good terms. this would've happened in the au even without grimm in the picture, so no, i did not just get rid of wl to make space for the ship i like. that was never my intention, even if pale nightmare is my preferred ship
lastly, about the name of the au, i mentioned before that it wasn't a conscious decision to name it that, people simply started calling him "feral pk" and i decided to keep it. for convenience, and because i thought it had a nice ring to it. that being said, it's still accurate to his character in the au. he doesn't simply "drop the feral act" once he reunites with his family, his instincts are a part of him now. throughout the whole story of the au, he is by all accounts "feral". if you had different expectations for this, then i'm afraid that is on you. you are free to explore the idea you had yourself, it sounds interesting. but it's not something i wanted to do
like i said. i don't want to assume that your intentions were to be rude. but i wanted to respond anyway to clear possible misunderstandings, and emphasize that i don't like seeing comments like this. still, i hope you have a good day anon. if you did not mean for me to interpret it like this, then know that i don't hold it against you. we're all here to enjoy ourselves, but some boundaries need to be made, and this is where i set mine. i hope you understand
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improveordie · 6 months ago
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White dress redraw process breakdown
found an old art piece i think had a cool base idea and wanted to repaint it and see how i would interpret it today.
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to the far left is the old art,
What works: i like the all white outfit with a white animal and the contrasting red background and red accessories. ive done alot of sculptural work on the clothing and thought about how it would be constructed and got some good different textures in. love how i rendered the white frame element.
What doesnt work: the lighting is inconsistent and very flat with greys. the face doesnt seem to be lit in the same way and neither is what was a valiant attempt at an artic fox. the gold is a nice accent and i have matched it with the eyecolor of the woman but its not noticeable enough. i remember wanting the eyecolor of the fox to match as well but i thought it was cringe at the time. now i know there is no such thing. the pose is also incredibly stiff. also that eyepatch seems like a rogue storytelling element thats hard to interpret how it fits with the rest of the painting.
Brief: pale woman in white dress sits against a red backdrop interacting with some sort of animal in the same color palette.
my first attempt (middle image above) was a fun exploration of color and i figured out here i wanted her hair to be loose so as to have some dynamic lines in this very static image. however it still seemed quite stiff to me and not capturing the emotion i wanted from it. also the hand that hold the bird didnt feel right and seemed like it would be a future issue.
second attempt (far right): i wanted to go back closer to the pose in the original image, add in red hair accessories as in the original as well. the more gothic feel of this i really vibed with. with the framing elements and the bird i also wanted to see if i could get some sort of cage feeling.
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i started rendering and then remembered that i should add in lighting as early as possible and not as an after thought after, i blame me doing more line-y sketches for the slip up. also i added horns because it made me happy and looks rad.
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at this point i ended up in my "searching phase", same as with my red saint painting. in the end i decided to trust my sketch and went with none of the other options here. though snake version and big poofy sleeves version were very tempting. i ended up not making the red sash as shiny later since it drew too much attention away from the face. i did pull the "V" detail and altered collar on the dress from far right second row though.
shortly after this i also decided to make the eyes pop more with them being milky pink. because it made her look more like a vampire and i love that shit. utilized a greyscale layer to check my values alot in this as white on white is quite hard.
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continued to render and tweak the lighting and ended up with two versions of the finished piece with two different moods i personally love the nr 1 version best but nr 2 is a bit more striking and vampire-y. might go back and add some Ivy to the white framing elements but i think that might be too much of a color distraction to add in dark green. it was important to me that the woman felt like shes in control in my newest version, confident in herself. the old version struck me as looking a bit like shes holding back tears.
ive found that when painting i follow 4 distinct phases. sketch, ugly phase render, searching phase (bored make 15 different versions), render until final. hopefully ill learn to cut out the searching phase and save myself time
final image here
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rookie-critic · 2 years ago
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How to Blow Up a Pipeline (2023, dir. Daniel Goldhaber) - review by Rookie-Critic
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My full-length review this week was going to be over Renfield, but I saw this last night and felt like talking about it more (plus Renfield is very cut-and-dry: good, not great. Could have used more Nicolas Cage because his performance was awesome). Also, I felt like I was getting in the habit of only doing full-lengthers for the big blockbuster releases of the week and not giving love to the indie films.
I was very excited to see this film because it looked like a well-made eco-thriller that would show the complicated nature of fighting back against a corrupt system built to punish those trying to enact change. I will say that it is very well-made. The low-budget, sometimes handheld nature of the camerawork did wonders for the overall vibe of the film and the script, from a story standpoint, was very solid and had my anxiety high from beginning to end. The score was also something I picked up on immediately as being both really good instrumental music and really good at servicing the film's intensity. Another aspect that really works in the film's favor is a stunning and quite remarkable cast of up-and-comers, including Ariela Barer (Marvel's Runaways), Marcus Scribner (black-ish/Grown-ish), Forrest Goodluck (The Revenant), Sasha Lane (American Honey), Jayme Lawson (Till & The Woman King), Jake Weary (Animal Kingdom), Lukas Gage (Assassination Nation), and Kristine Froseth (Looking for Alaska). I just went ahead and named all of them because they all deliver such fantastic performances with what they were given. Special mention should specifically go to Goodluck, though, for making me very interested in a character the film doesn't give you a ton of information about.
The part that bugs me about Pipeline is that, despite a solid script and an ensemble cast that is both diverse and extremely talented, the film doesn't critically analyze it's morality or do much to call into question if our characters are truly doing the right thing or not. Of course, there are throwaway lines here and there about how what they're doing is an act of terrorism, and one character in particular brings up more than once the ethical grey-area of what they're doing, but she is the lone voice in a crowd of bullheaded individuals that believe what they're doing is altruistically the right thing to do. It makes a less-than-baseline attempt at holding a mirror up to the ensemble and treats them as heroes when, at best, they're anti-heroes. Well-intentioned anti-heroes, but anti-heroes all the same.
I think one of the biggest proponents of this is the film's character writing. We are given flashbacks throughout the film providing a little backstory for all of our main cast of characters, which, in and of itself, is a great device, but it is used aimlessly and doesn't provide anything close to the kind of insight into our characters' motivations that I was looking for. We seem them all from a bird's-eye-view, getting more of a template of a person than something more fully realized. We see the triggering event that pushed some of them over the edge, but we don't get the context, the build-up, the lifetime of constant reminders that their-world is dying and there is nothing truly substantial that they can do about it. In the case of some of the characters we don't even really get an inciting moment, merely just a footnote onto the film that explains how they got entangled in their current situation. It's character backstory that moves the plot forward, but doesn't necessarily move our characters forward, and that's Pipeline's biggest detriment. It cares more about sending a very black-and-white, blunt-force-trauma message to the audience through plot beats as opposed to a very thought-provoking, nuanced message about complex morality and the pitfalls of well-intentioned extremism through its characters. There are whispers of the latter, moments where the film opens itself up for you to ascribe your own biases to a character and sympathize with their logic, but it is all very surface level.
It's an expertly crafted film with a lot of great things going for it, but it takes a much less effective soap-box approach to a story that would have been way more well-suited to a humanistic one. If you take the good with the bad, all things considered, it is very entertaining. There's something to be said that there are multiple moments when the theater audibly gasped and even more moments where I was literally, physically on the edge of my seat. It was good enough to make me interested in reading the book (something I hardly ever do anymore) and watching director Daniel Goldhaber's first film, Cam. I'll be keeping an eye out for future projects from him, for sure.
Score: 7/10
Currently only in theaters.
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lavender-annd-lilac · 2 years ago
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Ok first I‘ll attempt to write a couple regular comments so u don’t have to scroll to the end to check 😂 (also, if any of this sounds sarcastic it’s not lol idk why I get that a lot but apparently I give off that vibe lmao)
This fic was a delightful read 😍. Never thought that male masturbation fantasies could be described in such a poetic way tbh.
Like, unsolicited communication from horny dudes is always unpleasant but…
NOT GONNA LIE, if I received this kind of quality writing filled with evocative imagery instead of a dick pic, I’d be like, “dang!! ok king, drop your A03 link and we’ll talk 🙂”
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Some jokes(?) under the cut 🤔
shoutout to @navybrat817 for showing me how to do it properly lol this is my first successful cut in like 800 Tumblr posts 😭
Do y’all ever think, “huh, I wonder how they came up with that?” But only want responses with wrong answers?
Well, I’m here with all the incorrect data you could possibly want bc I actually feel like a ton of stuff was accidentally invented by some dude jacking off and then later ppl had to come up with a more PR appropriate reason like, “oh, I was inspired by my kid’s crayon drawing or something” 🙄
So, inspired by this fic, here are some onion-style news headlines/blurbs about the origin of various things. 🙃
⚠️My usual disclaimer: nervous attempts at humour = my love language and the only way I know how to show appreciation for things I enjoy. 😅
he wasn’t able to make heads or tales out of why any creator might give two shits about whether or not Steve fucks his hand.
Ancient texts reveal the origin of Atheism! Recently, anthropologists were able to decipher age-old inscriptions describing how Some Dude jerked off 59 times without suffering god’s wrath, and his subsequent realization that there is no pervert in the sky. This is the earliest reference to Atheism we have been able to find in our records.
All of that unbridled testosterone crawls right up behind his eyes and his brain fizzles at the edges, agitated like an animal in a cage.
Smashing Pumpkins superfans come forth with new theory
Fans now believe the inspiration for the bands iconic song “Bullet with Butterfly Wings”, was actually the pent up desire to jerk off. Readers might recognize this song from the iconic line which spawned the following mildly successful meme:
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but sometimes he’ll spiral into a hundred other videos and he’s stayed up one (or five) too many nights doing that.
From the Archives: Local Man experiences fatigue because he stays up late watching too much porn.
Although his work performance has suffered as a result, he still received a promotion due to his status of being a white guy in 1985. Today, we celebrate the passing of the late great inventor of the 2x playback speed button.
all he’s got is about forty-five minutes before bed
Area Man complains about not having enough hours in the day to masturbate.
Daylight Savings Time is created; farmers take the blame.
Your weight, a perfect amount of pressure crawling on top of him, mapping out the expanse of his chest.
Exclusive interview with the inventor of the weighted blanket!
Confident Man explains how he longed to feel the soul crushing pressure of existence that ordinary people experience every night.
What’s he going to think about tonight?
Inside sources reveal that the tagline for a popular children’s show was created by a Horny Man.
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The long, graceful shape of your fingers exploring his torso
Self-proclaimed Artist reveals new “erotic”sculpture
Neighborhood residents complain about “creepy” and “bizzare” statue.
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His hips move in careful circles
Whose Hips Should we Trust?
Man claiming to be an “experienced masturbator” argues that Shakira “stole his moves” and plans to sue the “Hips Don’t Lie” singer in the latest wave of plagiarism lawsuits.
shattering because he’ll have gotten past your defenses,
Single Man complains that the ladies don’t appreciate his sports analogies during sex.
Feels that women should be more accepting of his fixation on college football.
Steve’s mind races through each position— every arrangement of your arms and legs
Man claiming to be the inventor of the popular party game “Twister” submits video evidence
Geriatric judge rushed to ER for cardiac surgery after footage of an orgy taking place on what appears to be a carpet with a polka dot pattern is shown in court.
him behind the wheel taking you closer to that cliff’s edge.
Science Spotlight: The Man Behind the Design
Engineer who pioneered the design for guard rails describes how the idea originated from his desire to quell homicidal fantasies about ex-wife.
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You’d cry, Steve, oh—my god—oh my god—feels so good, Steve. Fuck me harder, please. However you want—whatever you want, I promise.
More Sorrows for Shakira
Pop sensation Shakira is in the news again after disgruntled fan accuses the “Whenever, Wherever” singer of taking inspiration from his self-insert fan fiction without giving credit.
You’d shake, and shake, and shake and Steve— he falls.
Area Man arrested for indecent exposure pleads not guilty in court
Serving as his own counsel, the accused claims he was merely making a TikTok dance tutorial based on Taylor Swift’s hit single “Shake It Off”, and cites his right to freedom of expression.
Spun out, headfirst, off the steepest bluff of his inventions and crashes into open waves beneath.
Former Psychologist Loses License
Reports show that several patients complained of inappropriate groping during “visualization exercise” intended to overcome fear of heights.
your entire being an unprimed canvas waiting for his splatter.
Drunk man tries to pass off pornographic screenshots of various women as original Jackson Pollock paintings on eBay.
Pollock was an American painter known for his “drip technique” of pouring paint onto the canvas.
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hips still moving, back still arched,
Local Man Banned From 3rd Gym in the Area
This ban, as the ones before, is the result of several instances where he was caught naked, “demonstrating” the barbell glute bridge to other members of the fitness club.
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He nudges hair off his forehead with the back of his clean hand
Man claiming to be an “environmentalist” develops bad reputation on Tinder
Past hookups report that he insists on giving women “facials”, but freaks out if any bodily fluids come near his own face. In response, Man states that having to wash his hair after sex is “wasting water”.
feels like coming up for breath after a drowning-- feels beyond good.
Lifeguards Frustrated by Neighbourhood Creep
Lifeguards at the community centre express concerns about local man who uses pool to practice autoerotic asphyxiation. Sources tell us management insists they are obligated to resuscitate him each time for legal reasons.
The text post about “ your fav is fucking his fist rn thinking of you” please lord let it be for Steve ( I’m. Late I know)
a/n: heheh it is :) 1.5k words of male masturbation ayyye. also, if you have not already, go check out @heavenbarnes’ ficlet, which haunts me everyday. please stop reading if you are not 18+
brooklyn after dark masterlist
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slow hands*
Steve jerks off— a lot.
Even before the serum, when he was just any other violently hormonal, grass-fed, free-range human boy, instinct couldn’t be denied. Even after a long period of reflection during his catechism days, he wasn’t able to make heads or tales out of why any creator might give two shits about whether or not Steve fucks his hand.
Now as a whopping 200-pound slab of grade-A, laboratory-engineered, serum-enhanced super-soldier, if he doesn’t pump one out every twenty-four hours, it’s hard to focus on much else. All of that unbridled testosterone crawls right up behind his eyes and his brain fizzles at the edges, agitated like an animal in a cage.
(So, although it’s mostly pleasure, it’s also necessity.)
He knows that it’s best before bed because early mornings or while showering requires working within the constraints of a ticking clock; if he’s got a packed schedule and needs a quick rub, fine, but not his favorite.
He knows that he likes certain activities, and if he’s looking at porn, specific categories and maybe a few performers will fit a niche—but sometimes he’ll spiral into a hundred other videos and he’s stayed up one (or five) too many nights doing that.
More than anything, Steve knows nothing beats his imagination, and he knows the best lies you can tell are ones with a bit of truth attached to them.
So, he plays a little game.
He thinks about you.  
Cheeky you, who’s always teasing him about taking life too seriously. So prim and proper, Steve, you purr, always Mr. Punctual. Aren’t you tired of being nice? Loosen up—go dancing, meet a girl, have a one-night stand; fuck with the lights on for once.
Hm. Sure he’d like to, but all he’s got is about forty-five minutes before bed because he’s frankly too busy (see: stubborn, see: not interested in just any girl) for anything else.
For forty-five minutes, Steve takes a moment of truth and runs warp speed into the burning sunset with it.
The time you put your hand in his hair to fix a flyaway before a press conference—what if you gripped it hard, instead? Your candy pink lip gloss on Friday evening—what if it smudged off on his jaw, his collar, his eager cock? How you looked lifting out of the pool with rivulets of water dribbling into the hollow of your throat—what if he pressed his cheek to it, drank from it?
(The expression that might cross your face when you realize Steve would very much like to fuck you with the lights on.)
When you kissed him on that mission in Thailand, sliding into his lap to hide the both of you in a corner nook of a restaurant. The taste of sweetened coffee passed from your mouth to his, and he couldn’t help but dart his tongue out. You playfully scolded him about taking advantage of a dangerous situation (it wasn’t that dangerous), and despite all your usual attitude, it was surprisingly cute how you couldn’t make eye contact afterwards, making him want to kiss you again just to figure you out.
Last night—when you smiled, the glimmer in your eyes like a sliver of moonlit coin and if he blinked at the wrong time, he might have missed it. Your breathy laugh, your little giggle, how you raggedly pant while you spar, he thinks about those sounds mingled with his name. Your weight, a perfect amount of pressure crawling on top of him, mapping out the expanse of his chest.
He’d be happy just to watch, finally able to see you in glimpses not bordering voyeuristic like when you zip up in the hangar or concerned when you peel off Kevlar layers smudged with gunpowder. No, you’d be relaxed and tangible, full and felt—breasts, waist, belly, the sides of your hips as you straddle him, pulling his hands toward your body and letting him touch you.
Steve sighs into the darkness of his room, sweats shucked off, lube-slick hand feeling for his already aching cock. What’s he going to think about tonight? The small of your back when you lean over the pool table? The long, graceful shape of your fingers exploring his torso? Your face dazed, tipsy-tinged after a few drinks and sweet on his shoulder?
(He would like more of that. He could make you look like that if you ever asked.)
His hips move in careful circles, testing his grip, nudging at the tunnel of his fist like how your pussy would resist the first thrust until he wedges his way past it, slipping the head of his cock into your warmth. You’d be so, so warm. So soft and tight and perfectly fitted around him.
“Ah, fuck,” Steve mutters, eyes squeezed shut.  
He fucks into his fist, the sound of slick gushing out like wet slaps, like the hot clutch of noise your tight hole would make as he’d stretch it out—as he’d stretch you out.
He’s panting harder. You‘d look breathtaking on all fours, head turned around to see him rutting inside, jaw slack in disbelief that your body could keep taking him like this, like you could break any moment.  
The pretty, pretty whimpers at the harsh punctuation of every thrust. They’d tear loose from your throat and you wouldn’t be able to bite them down anymore. You could unravel because of him—shattering because he’ll have gotten past your defenses, gotten so deep you could do nothing but arch back for more, needing him further, needing him to know you how nobody else knows you.
Steve’s mind races through each position— every arrangement of your arms and legs in ways you’d give into because he would make the burn delicious, blurring discomfort into pleasure, and how you wouldn’t care if it might hurt because desire would be the drive— him behind the wheel taking you closer to that cliff’s edge.
He’s peeling off into the horizon now, moaning, bucking carelessly, blinded by the bright sun, by the white threatening to explode behind his eyes.
“Uhhhnn—” he looks down at his throbbing cock, swollen with friction and fiction, his other hand rolling the tender skin of his sac between his fingers. He squeezes a hair trigger tighter, in pulses, mimicking how you’d feel close to coming, begging for his release to fill you. Your hands gripping his hair for purchase, hard and frenzied, the scrape of your nails on his scalp. And finally, the abandoned, purely physical response of your body during orgasm, the undeniable wrecked wail of his name.
He’d be rough and gentle all at once, he’d make you taste yourself, clean up the mess you’ve made on him, and then he’d kiss it out of your mouth when he fucks you again. You’d be sore already, and sore the next day. He’d want to leave you aching, shuddering, babbling and delirious for more, for only him.
You’d cry, Steve, oh—my god—oh my god—feels so good, Steve. Fuck me harder, please. However you want—whatever you want, I promise.
You’d suck on his fingers, bite down when it became too much, too good. You’d shake, and shake, and shake and Steve— he falls.
Spun out, headfirst, off the steepest bluff of his inventions and crashes into open waves beneath. Your moaning mouth, your soaked cunt, your entire being an unprimed canvas waiting for his splatter.
And it’d be perfect.  
He comes in ropes, gasping into the reverberating echo of his own breath, hips still moving, back still arched, wet slick dripping down into his fist where he keeps going, using it as another coat of lube. Maybe you’d squirt. Maybe you’d put your face in your hands, embarrassed, or maybe you’d lose all control and he’ll have to hold you up.  
The second wave comes fast and better than the first.
The third, easy, only tinged with a prickle of rawness that makes his toes curl.  
Steve’s chest is sweat-slick and heaving, heat rising off his body as he evens out, throat murmuring the syllables of your name in yearning. He nudges hair off his forehead with the back of his clean hand, and then he checks his clock.
Back to reality, forty-five minutes on the dot tells him he’s still punctual, as you say.
He cleans up, stretching his back as he ambles to the restroom before returning to bed, satisfied. And when Steve tucks himself in for another peaceful night’s sleep, he wonders what you do in the privacy of darkness and if your ritual is anything like his own.
Do you shuck off your lounge clothes? Do you fuck yourself beneath layers of covers with your fingers? A toy? Grab your tits and put those same fingers in your mouth? Do you think about someone—do you think about him? His dick is still half-hard, half-raring for another session because the fourth and fifth time, when it hurts even worse, feels like coming up for breath after a drowning-- feels beyond good.
He’ll think about you some more tomorrow.  
(He’ll think about making you come four or five times.)
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onsunnyside · 2 years ago
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if all the guys had a choice for the reader to be anything but a bunny, what animal would they choose?
other than a fluffy bunny 🥺 I’ll try bc I love this question 🤓, let’s thot:
mini drabbles below with Lloyd, Jake Jensen, Ari, Steve, Ransom, Andy and Curtis !!
Puppy!reader 🐶
Lloyd: totally inspired by my petplay wip called puppy love - big bad Lloyd is very strict and disciplines his dumb little pup. He locks her in a cage if she's being mouthy and teaches her everything she knows bc she’s just an airhead. she's always on her best behaviour when his friends are over bc whenever she's a good pup, she gets some yummy 'treats' from her daddy's friends.
Jake: sweet nerdy bf jake would love a hyperactive puppy!reader who is always up for snuggles and treats, bothers him under his desk, begging and whining for attention. no cages here (for punishment anyway, he's too much of a soft daddy for that), but there is one that's more like a tent with fairylights that you hide in, it has all of your favourite blankets, stuffies, and some of Jake’s clothes. And lovesick jake would drop all of his work and games for a cuddle session with his favourite girl that seems to always lead to special playtime.
Cub!reader 🐻
Ari: obviously Ari needs a little cub 🫶 she’s sleepy, loves snacking and being cozy (lots of cuddles by the fireplace) and is practically his personal chef !! he eats a lot and somehow she always knows what he’s craving before he does. he tries all her new recipes and will even help sometimes if he isn’t working. for their first date, me think they made homemade pizza 😌 and to be a little cheesy, they were in the shape of hearts ❤️
Kitten!reader 🐱
Steve: inspired by this drabble - Steve’s kitten is cute and quiet, and perfect for his quaint life. she takes naps in the sun while he works, will come to him whenever he calls and is just so so sensitive !! if he doesn’t say “I love you” before he leaves for work, she’ll cry all day. return of "the puffier it is, the better it tastes" is what he says about her clit, he'll play with her while she sits on his lap, or just flip up her dress whenever he's hungry. most times, he doesn't even let her finish, bc he loves when she cries and her kitty nub gets all swollen.
Ransom: sweater daddy loves his dumb kitten who doesn’t know any better 😪 she takes everything he says as truth and kisses the ground he walks on. he tugs on her tail, pulls her ears and spanks her whenever she's being bad. poor dummy doesn't even notice her daddy is putting her up for failure with his many convoluted rules, just bc he wants an excuse to punish her and her little kitty button.
Lamb!reader 🐑
Andy: I’m getting very much lonely daddy vibes from Andy but he’s also a very important public figure (a senator ??) and can’t let the world know he bought a hybrid bc it definitely doesn’t fit his charismatic and moral persona. His baby lamb is so quiet, doesn’t even speak to him for the first few weeks, more so just follows him around silently and lingers in the doorway. Until one day, he gets home hours late bc of a flight delay. it’s storming bad and when he walks in she’s crying by the front door and tackles him the moment she sees him bc the power went out, she’s cold and alone and finally realized how much andy really means to her 🥹🫶
Fox!reader 🦊
Curtis: now ofc this is set in some cold and snowy forest, Curtis returns home after a hunt to see his home broken into. And what do you know !! there’s a little thing napping in his bed, she’s got pointy orange ears and a fluffy fluffy tail. me thinks similar to my Hunter!Curtis x bunny!reader au but with a mischievous fox!reader instead. fox!reader always causes trouble and will escape the cabin no matter how much he barricades it bc “I’m strong! I survived this long without you” but Curtis obviously knows better 🙄 “ya little dumb fox. stay inside before the wolves get you”
Bonus character—Pain Hustlers sleazy daddy: I know almost nothing about this man but he wants a kitten or a bunny. I just know it.
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beaft · 2 years ago
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recommend some horror?
aha!! i am glad you asked (no really, i am, thank you for giving me the opportunity to be loud about my favourite genre). here is a non-exhaustive list of some of my personal favourites:
books
-the ballad of black tom by victor lavalle (retelling of lovecraft's "the horror at red hook" by a black author, i could talk about this one for hours suffice to say it's Very Good)
-pet semetary by stephen king (i have a love/hate relationship with mr king but i think this is one of his better books)
-the haunting of hill house by shirley jackson (actually, just about anything by shirley jackson, my personal favourite book by her is "we have always lived in the castle")
-beloved by toni morrison (it's not exactly horror, but i have to put it here anyway because it's too good not to)
-things we say in the dark by kirsty logan
-tell me i’m worthless by alison rumfitt
-house of leaves by mark z. danielewski (i detest this book. yes it's still one of my top favourites and no i will not be taking questions at this time.)
-my heart is a chainsaw by stephen graham jones
-literally anything by robert aickman
movies
-pan’s labyrinth (historical fantasy-horror, visually stunning, one of my favourite movies of all time)
-lake mungo (australian found footage horror about ghosts and grief)
-the texas chain saw massacre (not as gory as the title might suggest)
-the wicker man (the original version, unless you’re in the mood to see nicolas cage at his nicolas cagiest)
-jacob’s ladder (beautiful, eerie, hallucinogenic, you will not know what’s going on for most of it and that’s honestly kind of the point)
-carrie (the sissy spacek version NOT the one with chloe moretz)
-the ritual (it's not a perfect movie but the creature design is WONDERFUL)
-alien (grr! i'm gonna getcha! i'm the alien! and so on)
-nosferatu (both versions are excellent, but i am particularly partial to the 1979 one with klaus kinski as the vampire)
-whistle and i’ll come to you (unsettling short film based on an m. r. james story)
-hereditary (this one's best if you go in blind, but i realise that’s probably difficult since a lot of it has been memed to hell and back)
-the thing (sci-fi thriller/body horror movie set on an isolated arctic research base)
-don't look now (based on a daphne du maurier short story; light on the horror but heavy on the uncanny)
-cabin in the woods (comedy-horror) okay this one is kind of a guilty pleasure for me but it does have some clever moments and it’s genuinely very fun to watch
-silent hill 2006 (another guilty pleasure, it is very much not a good movie but also i've seen it like 7 times, so.)
-ginger snaps (the close relationship between a pair of misfit sisters is tested when one of them starts going through puberty, and also incidentally becomes a werewolf. similar vibes to jennifer's body although i personally prefer this one)
-penda’s fen (startlingly ahead of its time – it’s basically a coming-of-age story about a gay teenager in rural england with a tasty slice of religious/folk horror)
-crimson peak (love letter to the "gothic melodrama" genre)
-us (i personally preferred it to get out, but they’re both amazing; i haven’t seen NOPE yet but i hope to soon!)
tv shows
-castlevania (based on the video game, vampires + religious horror, gorgeously animated, unexpectedly funny)
-the terror (true-ish story of a doomed voyage to the north-west passage) (the demon bear may or may not be historically factual) (we just don't know)
-twin peaks (idk if it counts as horror but i’m putting it here anyway. it’s not for everyone but it occupies a special place in my heart)
-in the flesh (again, not quite horror, but there are horror elements, and i am putting it here because it’s both a pleasingly original take on the zombie-apocalypse genre and a beautiful queer love story. it got cancelled halfway through its run and i will never stop being salty about it.)
-the enfield haunting (three-part tv drama) (much better than the james wan movie) (not that that’s hard)
podcasts
-the magnus archives (do not ask me about this show unless you're prepared to hear me yell about it for Ever and Ever and Ever)
-alice isn't dead (lesbian trucker searches for her missing wife amidst various spooky happenings)
-a scottish podcast (washed-up radio DJ decides to become a phony paranormal investigator to make some extra cash, but his scheme goes awry when he stumbles on a genuine paranormal event)
-i am in eskew (man attempts to leave city, is unsuccessful)
message me if you want trigger warnings or a more detailed description for any of these!
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jessamine-rose · 23 days ago
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Everyone, check out Anya’s fic!! (๑*ᗜ*)
My comments are under the cut, and they will be incoherent because these are live reactions + I wrote these before realizing I'd hit the tag limit. Enjoy my ramblings xD
AAHH IT'S OUT!! firstly i'm applauding anya and dragging her into bed cuz 22.2K WORDS?? ANYA PLS GET SOME REST AFTER ALL YOUR HARD WORK--
for starters ohhhh the title, kafka quote, and chapter titles!! very intriguing + contribute to the overall vibe of the story >:3
i also love the banner. the scrapbook vibes.....blade's picture....aaahhhh
I
'There are thoughts in your head. They’re dangerous ones, lingering in places that are grimy and soaked in something tarred. They should not be there.' two paragraphs in and i already found a line that i rlly like <3
kudos to the narration!! from the faceless clients to darling's repetitive, methodical way of doing her job. you can rlly see how desensitized she has become to the horrors :'>
'( Your thoughts unravel and they’re a mess in your hands like several bits of coloured petals. The scent has washed away. They almost seem to wither, bit by aching bit. )' THE PROSE!!
ahh darling's backstory...from innocent children to shady people who have experienced/ initiated violence...what a sad change in patients :'>
'The carpet was worn down by blood and heavy footfalls, over the thread work and your mother’s faded name in the bottom.' this detail is *chef kiss*
'This is yours and it's a feeling locked away in your beating heart.' shoutout to this line as well!! i am also looking at the heartline divider >:3
ohh i love how you wrote the action scenes!! it's so immersive from the adrenaline rush to darling's attempts at processing the numerous stimuli
'It paces like a starved animal, like a caged beast.' ohhh i love this detail about blade!! adds so much to his characterization....
'You think he could have been pretty.' + the kintsugi comparison for blade's sword....god i love this description
OMG DARLING HIT HIM?? i love her mental list of blade's injuries. in the wake of violence, it makes sense that she'd find comfort in the familiarity of medical terms
what a great meet-ugly >:3
II
the aftermath is so heartbreaking. from darling's self-perception to her damaged clinic :'3
the details in the 'pick up the pieces' dialogue are especially telling!! all the love and memories that have been put into this area....a medical sanctuary now converted into a place where criminals roam.....the perfect symbol of darling's decline
OH NO DARLING'S BREAKDOWN :'>
i think i've said this before but the dynamic between blade and darling is truly interesting. an unkillable man and a doctor who views him as an anomaly in her medical knowledge. a murderer and a person who is supposed to save lives....
‘You don't tell him about the death, the way deceitful monsters do.’ this line :’>
OH NO BLADE AND KAFKA ARE HERE!! one paragraph in and i already love your characterization of kafka…
‘She looks at you like you were an adorable specimen. A pet…or perhaps a bug to be stepped on. ( It’s a cruel sort of beauty that edges her face. You’d hate to admit you were staring a little longer than you should be. )’ KAFKAAAAAAAA <3
UEEEEE SADISTIC AND UNNERVING KAFKA
‘Bladie catches your wrist when you try to squirm free and you’re half dragged onto the seat between them.’ omg blade…..this would be kinda cute if you hadn’t just traumatized darling with your mere existence
HELP NOT THE BABYSITTING–
‘Would you be a lamb and do it?’ MOVE OVER BLADE I AM GOING TO BECOME A PATHETIC DOG FOR YOUR COWORKER–
‘The room is a blurred scape, a watered down stain ( ink tracked against damp paper ).’ THE PROSE!!
‘Because humanity despises the naked truths in the world.’ THIS ALSO!!
III
i am loving these insights into darling’s family >:0
she feels so alone apart from the company of aleena and the watchman……which makes her all the more vulnerable to the stellaron hunters
i love how blade is just quietly sitting there and behaving like a tamed dog. it reminds me of a tumblr post that goes ‘he’s got that previously neglected shelter dog rizz’
‘The paradoxical warmth in his body now, when for a moment there was none.’ anya keeps feeding us with great prose…..
‘Blade still stays an unwanted spectre behind you, treading in a way that is too soft to be human.’ NOMNOMNOM
‘You keep rambling, hysteria trickling down. It's a leaky tap, that anxious mess in your chest.’ !!!!!!
i rlly love the choice of ‘vermilion’ to describe blade’s eye color
‘You do not like Blade’s silence. His silence means he’d rather think about something and him thinking could involve certain death. There is a disturbed sheen glossing over his gaze. He does not look wholly there, the less he talks.’ ONCE AGAIN I LOVE HOW YOU WRITE BLADE
‘Horror stirs deep in your gut and a small sliver of morbid fascination shunting beneath the murky waters and glimmering up in those seconds of resurfacing’ i love darling’s fascination with blade’s curse >:3
‘His regeneration. Yes, his regeneration. Tissue rest and repair would be unnecessary with that, wouldn't it?’ the medical knowledge throughout this fic is such a treat <3
‘It likes to gnaw out any sense of humanity from his bones, in fact, scavenging away the bare ligaments and swallowing it whole.’ !!!!!!
NOT THE TEXT FROM KAFKA— poor darling stuck between a guy she can’t kill and a coworker who could easily ruin her……
you did such a good job at portraying darling’s helplessness
V
aww what a nice interaction between darling and her patient—aaaaand there’s blade
AW HELL NO NOT THE SUITED MAN—BLADE GET  OVER HERE I’LL EXCUSE YOUR MADNESS JUST THIS ONCE
'Blade does not leave. He never does, on that bitter note, looming over the two of you by the wall, that beast twisting in his eyes like a snake...' this part + the next few paragraphs!!
god you can rlly see how much time and consideration aine has put into analyzing blade’s character. atp hoyoverse should hire you to write for blade
omg the interaction between blade and kafka……ngl if i were darling, i’d assume i was third-wheeling on them (doesn’t know a lot about hsr and it shows. does kafka help blade with his mara??)
‘Do you like this one?’ UEEEEEEEEEEEEE
on that note, i love how you write kafka. mysterious, enchanting, equally threatening in her own way…
VI
NOOOO goodbye aleena. also ouch, the lines about love and hurt :’>
it’s cute to see blade acting awkward in civil conversations. def not his forte xD
i love the cooking scene!! very descriptive from the ingredients to the dull knife. ofc it would be the perfect opportunity for blade to prove himself to darling. the shaky beginnings of domestic ‘bliss’ and camaraderie if you will
‘Your old home smells like this, like comfort and nostalgia in the idyllic sorts of memories. They’re the ones you lock away in a box, nestling that key deep inside your ribs. Even so, that horrible weight swells up like a tumour. It could burst any minute. It’s wearing you down and frying the ends of your nerves.’ atp this reblog is just 75% of anya’s prose sksksnkdn
ohhh darling’s backstory :’>
‘It's hard to think of Blade as human in times like these, where he's either too robotic or too animalistic.’ you’re right!! in all of the blade fics i’ve read, it does sound like he struggles to find middle ground between the two
‘I'll drag you back. I will keep dragging you back till you cease this foolishness.’ ueeeeeeeeee
‘You want to scream at him till your vocal chords fray and your arytenoids collapse’ more medical terms!! <3
‘He can’t quite stop it, the rapid undergrowth, the rustling call of mara…’ yeah idk what else to say. i love love LOVE this part!! the graphic imagery, blade trying to make sense of his feelings, the earlier part about the script……..
‘Do you hate me?’ + ‘You can kill me then.’ ah yes how romantic of him </3
dw blade. give darling some more time and she’ll be killing you to your heart’s content. whether it’s out of hatred or to satisfy your masochism, we have yet to see
‘He muzzles himself as most dogs should be. His teeth are blunted, his claws filed.’ no anya you can’t do this to me THE SADIST IN ME IS SMILING NOOOOOO
VII
the scene between aleena and darling……ohhh. you did such a good job at exploring the familial love + conflict as experienced by both :’>
‘Am I not a good daughter?’ …i think something in me just broke reading this line :’>
HELP KAFKA’S VISIT?? kafka what are we T0T
‘Pity weighs in her sentence, cloying it together like resinous amber and sundew. She looks delighted.’ atp if anya were to create a writing course, i’d be the first to enroll
‘Then again, Bladie's always rough with the things he likes. I'm almost tempted to take you with us.’ give me a moment i gotta simp
‘Your fear is a feast to her, one lazy bite after the other.’ god i love how you don’t hold back on kafka’s ruthlessness whilst maintaining her charisma
THE CHEEK KISS?? atp are kafka and blade down for a polycule—
the way you write darling’s distress coupled with her rationality is so…..aaaaahhhh. it’s a perfect balance. you can rlly feel her defeat in the last part of this chapter
VIII
‘You're trapped in your own burning house, doors jammed shut and the window too high to take a jump. You'll suffocate in here, choke till your lungs collapse and your organs scream and fragment.’ ANOTHER BANGER LINE–
‘Don't you dare tell me I'm being—’ ‘that I'm being difficult.’ ohhh this line hits hard when you consider darling’s backstory with her family :’>
‘Your mind, your ribs are barren spaces.’ HUHUHUHUHU
i love your description of the guy’s death. i shall now proceed to slap blade for letting darling see that and not considering the additional trauma it would give her
THE KISS SCENE?? IT’S SO GOOD WTF—the adrenaline rush, the ongoing violence, the horror of it all + the nearby corpse, darling’s breakdown aadkdndeknndkdenkdendkendeked
i love how you subvert a couple’s bath, normally something viewed as domestic and fluffy/ spicy, into a scene of horrible numbness <3
also shoutout to the asian-style bath. nothing more romantic than pouring water over your lover’s head xD
aahhh yes what wonderful pillow talk. tsk tsk blade
IX
OH MY GOD THE SMUT??
the double cruelty that is blade’s hornii and darling’s own body betraying them…..
the confession aaahhhhhh
i’m bad at commenting on smut scenes but just know that it’s SO GOOD!! the noncon and hatred and blade getting strangled add so much flavor to it teehee
‘( There are many things you want to tell them. Many angry things, many quiet, introspective things. Many with a little more love lining your words, a little more longing. They still wait for you, even after shutting their doors. You know this too. )’ brb gonna cry—
the ending…..darling choosing to fully dissociate from the violence…..but oh no is that her family?? welp at least darling has blade now T0T
atp let’s hope kafka and blade do take darling with them bc there’s not much left of her. she can be their onboard doctor instead!! lots of wounds to treat if you get what i mean :’>
dkndkdendekndekdenk god this fic was amazing
it’s difficult for me to give an overall review but just know it was amazing. a rollercoaster of emotions
i love darling’s character and her dynamic with blade!! they are *chef kiss*
anya, your writing style + stories are fcking incredible and i’m truly blessed to be living in a world where i can read your work and interact with you
 and it pains me to say that i like blade a lot more now bc of you…..damn it >:’T
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ノㅤTHE DEVIL'S ANESTHETIC ;; blade.
syn. [ 22.2K ] you were just a doctor, at the start of it all. then came the chaos, the knife, the bits and pieces of madness and coming horror. and in the center of it all, stood him ( a gentle cruelty ).
CONTENT WARNINGS. slight yandere + dark content ahead. reader is south asian coded, blade is a little fucked up and inevitably fucks the reader up a little too. murder, corruption arcs i suppose, medical terminologies i only half know spare me i'm studying in aslp not pediatrics, breaking of medical ethics, the reader is a wet cat and is absolutely pathetic, gang violence, death, kafka being a manipulative milf, angst, acts of murder and mentioned dismemberment, suicidal ideation, SMUT ISTG SMUT, dub-con, non consensual kissing, hatefucking, blade having violent thoughts bc mara, seriously the reader is not daijobu, blade getting off on being killed.
ENTRIES. HAPPY HALLOWEEN! this work has been marked mature for containing smut & dead dove content. readers below the age of 18 / ageless blogs and antis, do not interact. PLEASE READ THE WARNINGS BEFORE PROCEEDING. ( this is my THIRD fucking repost because tumblr KeePS EATING MY TAGS )
playlist ノ author's notes ノ masterlist.
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"you can hold yourself back from the sufferings of the world, that is something you are free to do and it accords with your nature, but perhaps this very holding back is the one suffering you could avoid."
— FRANZ KAFKA.
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I. NEWLY DECEASED
“We have another one.” The receptionist echoes out from the front desk.
Another one. The words still the twitch in your muscles, the incessant cleaning and arranging and scrubbing away blood from medical chairs and forceps that should not be here. There are thoughts in your head. They’re dangerous ones, lingering in places that are grimy and soaked in something tarred. They should not be there.
Another one and that’s enough to coat your stomach with ugly, stifling coldness. You don’t reply, keep your eyes down and let the man walk in.
There were never any faces to your clients. They had hands, ringed, tattooed, scarred. Some had suits. Some stank of iron. And they all had guns, or bats, or rusty crowbars and attitudes that were knife edged and brutally coarse. This one is much like the rest. He tells you he was shot in the waist and his voice is static and white noise and discord leaking out of your ears in droves till —
“— will you get moving?! It fucking hurts.”
“Yes.” you choke out. “Yes of course.”
It comes easily to you now, after months of repeating it over and over with varying degrees of perfection and prompt. Find the shrapnel, pull it free, clean the wound, suture it. Find the shrapnel, pull it free, clean the wound, suture it. Find the shrapnel, pull it free, clean the wound, suture it. Find the —
( Your thoughts unravel and they’re a mess in your hands like several bits of coloured petals. The scent has washed away. They almost seem to wither, bit by aching bit. )
You step away. “Done.” you tell the suited man and ask for no payments. Your receptionist does not either when he strides outside and it’s smart because patience was a whim when you reeked of viscera. That brazen naivete was drilled out of her a long time ago ( and you too ) and the rules were set forth, rules that must never be broken. You’d seen too many zipped up body bags scattered in the gutters to dare to. You do not want to be one of them.
( Coward, that spiteful half of you snarls and you know it’s right. )
Only he does reach in and throw some loose notes against the counter. You shuffle up to her, nails crusted with brown and red and count fifty kaas. It’s peanuts. It will do.
You were a doctor.
Or at least you’re certain you were. You’d spent the better part of your decade rooted within a small university where standard IPC dialect was taught as a secondary language and the fans hadn’t been replaced for the last thirty years. It was torture during the summer and the hospital adjacent had patients who spoke in tongues you didn’t quite understand. But you manage. You tried, you graduated.
You were a doctor. Your license reads you specialised in paediatrics. Children were all you needed to deal with, some too loud to listen to their parents' chides for silence. Some so young they were small enough to fit in your desk drawer. Some of them liked to talk too and ask questions during checkups and vaccine appointments ( nerves, you reason and you answer the questions ). It wasn’t much. It was peaceful. It was alright. This is your clinic, something you'd built from sleepless nights and mountains of referral literature.
Then you’d see less children and more of those suited men as the streets grow with a cacophony you can’t call safe after this. The carpet was worn down by blood and heavy footfalls, over the thread work and your mother’s faded name in the bottom.
You weren’t treating children anymore.
Still, you hold it together. This is yours, all of this. This is yours and it's a feeling locked away in your beating heart.
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When the man returns — and you know it’s him because the birth mark on his hands were hauntingly similar — he brings company. The company in itself would have seemed unassuming, and they were, lingering by the doors speaking in words too fast to comprehend till the gunfire rang out and the windows shattered.
A part of you is thankful that it’s so late, where the streets are silent and the bustle is calm. The files you were rearranging fall to the floor. You duck beneath your desk and stay there, enclosed within tumult, within chaos, within something you wanted no part of ( and you grip your hands tight, quietly wondering if that persistent cat would be fed, if your father would care to know what happened to you ).
You hear glass break, fall, fall and hit the floor with a sadistic sort of tinkling.
You hear frantic footsteps thundering up by the door.
You hear the screaming.
( You hear your heartbeat. You want it to stop. )
Something crashes into the storeroom. It was large, heavy, clothed and it let out a strangled cry before iron clogs up your nose and heat and cold fizzles up and hammers into every crevice and pore and turns your chest inside out. The man tries to shift, to get up and out of the way, shoulders knocking against the shelves in panic that feels painfully palpable. He’s crying. You see that when you bundle into a corner, eyes burning.
His body jerks and is dragged to the door.
“Don’t,” he begs till the desperation chokes his reasoning and it meters into panicked threats. “You’ll be torn apart by this, I swear, you’ll be hunted down — ”
He’s pulled at again, his limp form slipping out of sight. You hear a sick sound — a squelch, the dripping of blood and viscera and the gamey crack of bones. Your teeth dig into your cold fingers. The stinging is numbed, dim and distant, while you press against the wall and try not to wail.
There is only a single set of footsteps now. It paces like a starved animal, like a caged beast. Leave, your thoughts scramble and correct themselves. Just leave. And it repeats, over and over like a maddening chant. Please leave, leave, leave. The footsteps stop at the door followed by a slow scrape against marble. A shadow falls over the doorway. That’s when you see him.
You think he could have been pretty. But there's terror beneath that veil of frozen numbness. You don’t think he’s pretty now, when he’s stalking into the room, bloodied sword in hand ( it’s mired and cracked and mended like kintsugi but twisted and terrible ). He walks like a man who’d been broken and sewn together and he reeks of death and a sickening sweetness.
His gaze meets yours for that fleeting moment.
( it felt like that throbbing helplessness. Of everything going wrong. )
One of the suited men had not died. Not yet, in some inane act of stubbornness. He’s tackled down immediately and you flinch back and finally scream, watching the writhing pile of bodies smack each other down with ease. The swordsman ends it. There’s a chilling disparity in strength with how his bare hands tear into flesh and rips his opponent’s arm off. He’s laughing, laughing like a madman and the insane hysteria sparks a primal instinct nestled in your mind.
You’re moving before you realise it, when you spot his fingers twitch for his fallen sword. Your hands close around metal. You’re surging forward, taut at the edges. That part of you screams into the void, stripping away morality, reason, the simpler parts of shame that could have stopped you then and there.
When your fractured mind pieces together and lets the spinning room rest into clinical stillness, you’re aware of the hysterical laughter that man trembles into. He slumps against your legs, weighted, boneless. He’s still laughing, like the world had whispered a funny joke into his ear and left him to rot.
The dislodged pole slips out of your hands. You watch him crumple down onto the floor, staining the tiles. A swing, a hit to the back of his head, a break to the vertebral artery, a medullary haemorrhage, a stroke, neuron death —
You spend the next hour tucked away in that storeroom, watching the man’s body convulse, then his breathing still and his body run cold.
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II. DISTENSION
Once upon a time, you told yourself that you could get by. You could get by and let yourself think you were a good person despite the ugly cracks tucked away and the bated disappointment breathing down your neck. It’s the human experience, a conditioned way of convincing yourself, a way you wish to live in the quieter corners of you.
It’s a lie. A lie. A lie.
The body does not move, as dead bodies usually do. As a frame of reference, dead bodies don’t do much to begin with. You stand back up and feel nausea coat the back of your throat, then wordlessly stumble to the man. Your fingers press against his pulse. Nothing.
A part of you wants to laugh at yourself for hoping.
The police take it all away. They don’t know what you did. Or maybe they do and care so little they swat that detail aside. Death is so natural here, so common and where is the sympathy for the damned when the damned were everywhere and your kindness wears thin?
( You’re left to pick up the pieces. The cracked photo frames, the toys and magazines salvaged, the bowl of tamarind candy tipped over. Bits and pieces gathered together and sewn back together. There was a heart in these walls. The pain was always there, but a dogged part of you loves this place. )
You answer what questions were asked and let them walk away, knowing they’ll do nothing about the situation to begin with. They never do. Most policemen were tucked up in the pockets and played dogs to gang members. Some lost themselves to apathy. Money could buy loyalty in droves. It was an open secret.
You get back home and let the hot water run into your bucket. You feed the visiting cat. You wipe the counters down and unearth some food from the previous night. You turn the water off. You bathe. You eat.
( “I’m fine.” you lie to Aleena when she calls you, frantic, scared. More frantic and scared than you present yourself to be. You don't tell her you’re a murderer.
“I don’t think you should go back tomorrow. I’m not saying this to get off of work or anything but after all that?” she falls silent.
“Maybe. But I need to keep the income coming in somehow.” )
Walking into the bedroom feels harder than it should. Lead bleeds into muscle as you patter along and try to keep yourself steady against the walls. For a moment, you stop and lean your forehead against it and tell yourself not to cry ( because cowards cry, and idiots cry and it was a pointless endeavour anyway because nothing — nothing about this would change ). Your degree falls into your line of sight, framed up against the wall.
You are a doctor. You are a doctor. You are a doctor.
That guilt knocks you in the knees. The guilt, the disgusted guilt that comes from killing a man.
( It’s engulfing, like tar and cloth pressed up against your face. The breathlessness, the storm rattling against the window, the messiness of it all. You’re screaming at the pillow. You’re clawing at it. You swipe till your arm bleeds and the cacophony dies down. )
The veneer shatters and the frame is clenched and thrown to the floor. The casing cracks. You heave, look at the mess at your feet and think to yourself :
What were those eight years for?
You killed a man.
You killed a man.
You killed a man.
A gasp tears through. It's painful, heavy and it's glass and shrapnel. The voice in your head whispers. Nothing. It's all for nothing.
Another one crackles through the muffled distortion, straining and rattling. A clear “I told you so.” grating past the chaos, disappointed, smug, knowing.
You shut your eyes and dream of jasmine and marigolds.
( You listened to Aleena when you passed the register and took a day off in the end. It’s the one kindness you let yourself have.
You did not eat for most of the day. Your gut gnaws. Your limbs feel weak. But food, as delicious as the thought seemed, invoked a visceral response. Of corpses and blood and things that you thought yourself too far removed to disgust you. A caved in skull did all this. A caved in skull made you retch and empty your stomach out into the toilet.
You think you deserve it. )
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Your watchman stops you when you head back out again a few days later for a grocery run. "Are you alright?" he asks, peering through sleep. The cat curls round his legs and he gives it a gentle pat. You can hear the content purr it lets out from where you stand, and you venture a little closer.
"A little." you reply, smiling a little. The watchman tilts his head in consideration. You'd lost count of how long he's been here. Some of the older tenants mention he'd settled in over a decade ago, when the building still had four floors instead of five and a little more space to park out back.
"You still seem scared is all." he glances over at you again. It's the worry in his furrowed brow that makes you give pause. He reminded you of your grandfather then, strong jawed, stern eyed before that softness pervades through when he'd let you scoot over next to him to sneak a look at the newspaper ( cricket scores and stock prices were all he looked at. And the Sudoku ) .
You shift in place, tugging at the hem of your jacket. "It was a little jarring. The sudden attack, that is." you admit. You don't tell him about the death, the way deceitful monsters do.
The watchman shakes his head. "Horrible thing to go through, I agree. Especially for one as young as you." The cat slinks pat his legs and under the bed. he leans forward, tire heaving at his bones and his joints. A decade. One would assume he'd retire at this point given his age. "Try not to let it wear down on you, is all."
"It's easier said then done." You mumble.
"It is." the watchman snorts. "I told my daughter about you though. She's taking medicine too…Oncology. I scraped together every Kaas I had to pay her tuition fee off." he flexes his arthritic hands. You keep listening, that sliver of curiosity winning out. "She hasn't met you…but she knows about your clinic. the children your helping…suited men aside. It gives her a bit of spark at least. So you keep going too."
You feel gutted, eyes stinging a bit. He puts too much faith in you, you realise. But there is a small touch of warmth against the rattling cold. "Thanks…" you nod. The watchman leans back.
Keep going. What a mess, really.
You return to your clinic, the day after. You decide it's the last time you'd let reckless hope bar the instinctive tearing in your gut.
There is a woman sitting on the waiting room chairs with a dangerous smile. She’s dressed well, like those elegant omen-bringers or dapper businessmen. She’s dressed like the coming consequences and it’s there, that sadistic delight, hidden behind that lazy tilt to her head.
“Good morning.” she greets, like she hadn't broken into your clinic. “Hope we’re not intruding.”
You look to her companion next to her.
The dead man ( and he was dead. He was supposed to be — you were certain ) stares right back.
“Do you have anything to drink?”
“There’s a coffee machine…”
“Hm, never mind. I was never too fond of the instant stuff. What do you think Bladie?”
'The man named ‘Bladie’ does not respond. You’d have laughed a little — if your nerves weren't frayed. You’d have laughed over a silly, inconsequential nickname slapped onto some scary looking man, then gone on your way. But the scary looking man was a murderer. And you were certain, so certain, that he was dead.
( His blood coated your hands days ago. You can’t have imagined it — not something so innately ingrained within your psyche like some sadistic firebrand.
How is he alive? How is he alive?! Why is he — )
“I could pick up some tea.” you suggest, because playing meek was the way of a coward and you were that in the end. You still had to open your clinic in another half hour. There are still parts of the storeroom that need cleaning and a window that needs replacing. The woman laughs. She looks at you like you were an adorable specimen. A pet…or perhaps a bug to be stepped on.
( It’s a cruel sort of beauty that edges her face. You’d hate to admit you were staring a little longer than you should be. )
“There’s no need for that.” she looks to the side for a moment. “Bladie was here a few days ago, you know.” you flinch, perhaps knowing the ugly scene to follow. “Got into a bit of a tussle. Of course, I wasn’t worried…he’s got a knack for seeing things through, you know…” She’s staring straight at you now. “And he’s good at not dying, one could say.”
“That’s nice.” you mumble, shifting uncomfortably. Your cheeks are cold. Don’t look at me, you try to tell the should-have-been-dead swordsman. Like that would have worked ( he keeps staring ).
The woman continues. “It's funny though. After that affair at your clinic, I had to pick Blade up at some hospital’s morgue of all places. Quite the detour if you ask me.”
You still.
She knows.
Fuck. She knows.
“I…I see.” you play into stupidity, wring your hands a bit and force a far away smile. “I wonder how that happened.”
“Yes.” she nods, solemnly flicking dust off of her velvet coat. The playful lilt to her tone is back, delicately poking and prodding away and you feel the walls close in bit by bit. You can see the man tilt his head. You want to disappear. “I’d think you know though…so how about you tell us?”
You don’t look at her. You can’t, with that horror filtering through and spotting your vision.
“Now….listen to me.” she stands, saunters up to you and you stay rooted. Your mind fogs over with cotton wool and the aftertaste of wine blooms through your mouth. There is consideration there, her pointedly dragging her eyes across your figure and taking a sick pleasure in the fear that trembles at your fingertips. A tiny part of you that still remains too torturously aware recoils. “Were you the one who killed Bladie?”
“Yes.” you reply and it isn’t you. You wouldn’t have said that. You wouldn’t have.
Her lips curl. “How did you kill him?”
“I hit him on the back of his neck.”
Her face glows. “Good girl.” she pats your cheek. “We have a favour to ask you. How about you hear us out?”
She gives your shoulders a squeeze and you’re gasping for air. “That wasn’t so hard.” she grins. The cotton wool strangles and is caught at the edges, whisping, grasping, stubbornly trying to stay. You still pull at it incessantly while you back away from her touch. It burns. What did she do to you? What did she fucking do to you —
You’re pulled closer. It’s just a tug, a simple coil of her fingers round your arm. “I’m sorry.” you blurt out. “I’m sorry. I never meant it.” There are cracks against the surface, a spiderweb and it keeps going and going and going the more you talk ( you need to shut up ).
“There there.” She coos. “How about we sit down, hm? Bladie, think you could make some space?”
You don’t want to sit down with them. You try to pull back, to run because that’s what you should have done in the first place; instead of entertaining a pair of strangers with that stupid, naive hope of safety. She pulls back. Bladie catches your wrist when you try to squirm free and you’re half dragged onto the seat between them. “Honestly. A drink would have been nice. Oh don’t worry. I could hardly blame you for that.”
The woman fixes her sleeve. “I take it you don’t know who we are?”
“No.” you admit.
“Ah. the IPC influence here isn't as deep, huh? I heard there was an overhaul a few decades ago. The revolt drove most of them out…I wouldn’t count on it staying that way.” She passes you a measured flash of her teeth. It’s all good manners and etiquette you can’t return. “But we’re not here to talk politics. I’d like you to babysit Blade for a while.”
Blade seems to be expecting it. He does not mirror your dismayed shock.
“Why — ”
“Can’t say. It’s all a part of some very important work.” She holds a finger to her lips. “Would you be a lamb and do it?”
You grip at the metal armrests hard. The room is a blurred scape, a watered down stain ( ink tracked against damp paper ). “I won’t.”
“Come now. After that stunt you pulled with him, it’s the least you could do.”
It settles hard. “I told you I didn’t mean it.” you snap. “I didn’t mean to kill him. I didn’t mean to kill you.” Your unravelling seeps into something dangerous. You try to step back. To keep it together. It tangles, knots, frays and snaps and tangles again and the foundations crumble. You cannot think despite the clarity slowly creeping and the fog metering out. You cannot think because the man you killed is alive and right next to you and dead men don’t just come back to life.
The woman forces you to turn her way. “You didn't mean it?” she repeats, inquisitive, amused. “Doctor please, any normal person would have gone for the head. You made a very calculated move there…and I'm sure that pretty little brain of yours knows the consequences that come with it.”
It’s a coveted part of you that dies there, withering, burning, clipped away and cast aside and you shake your head as you’re retrained. “Don’t touch me!” you scream. “Don’t touch me!”
Because humanity despises the naked truths in the world. They’ll deny, deny, deny what stares them in the face for those fleeting, selfish little comforts skewed in ignorance. Better the downy coverlet to the thin blanket, better the sweeter lie that bitter sincerity. You’re no different. Not really. You’re not different at all.
And that woman was not a liar.
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III. RUPTURE
Aleena doesn’t take well to a strange man lurking within the backrooms. Her eyes always flit to the doors and her shoulders stay tense as she directs a few straggling patients to the waiting room and updates their details into the salvaged computers. “I don’t like the look in his eye.” she whispers hurriedly. “Doctor. Have you seen him?”
“Yes . I have.” you reply simply. “Could you pull up the files from a month ago? We have a follow up due today.”
She hums, and you nod to the messy clattering from the keyboard. “He’s not from here, is he? His clothes aren’t local.” her voice dips. “Is he an outworlder?”
“Yes.” You flit through a case history. The ink has run a bit, the edges flicked a dirty red. Bile and acid sears the edges of your mouth. You don’t think throwing up here and now would be professional. And your receptionist has a very nice shawl on. “Have the police called?” you add, helplessly rubbing away at the browned stains.
“You know they won’t.” she clicks her tongue, wrinkling her nose to the injustice of it all. You bite back your tired humour. She might descend into an angry little ramble then curse those men in three different tongues. You were guilty of listening in ( it’s amusing, and she had plenty of anger for the two of you, and then some more for the smaller things ). “They’re too busy sipping cha at the local angadi.”
She keeps tap tapping away. “Do you want me to send a soft copy? Or will you directly look into the logs?”
You cease flipping through the files. “Just send me a PDF.” you mutter. “You still have a few cases to input from yesterday right? I won’t hold you up.” Another report is pushed your way. Two more patients, two more medical histories to pore over. The throbbing in your forehead is incessant and stubbornly clinging on.
Gang activity in your neighbourhood has stifled from its initial raucous to a cautious thrum. There were still glimpses and the ignored nods, and that delicate rope-work still standing strong despite men from their brackets dying some terrible death. They don’t suspect you. It would be stupid to ( because you could hardly hold a gun in their eyes, or fight back. Your claws are chipped and your fangs blunted. It’s not a mystery ).
It does not stop the occasional loitering goon up front as parents grow a little braver and a little more desperate to bring their sick children in.
You settle with your work email, tapping your foot against the faint buzz from the streets outside and the waiting area. There is the occasional loud call. Kids being kids, shushed by mothers and fathers with warnings of naughty ones being fed the nastiest medicines for bad behaviour. You’re not cruel enough to do so maliciously, but it quiets them down amidst the worried ogling.
A ping pulls you from sinking further into your pit of thoughts. The document pops up in your inbox and Aleena slows her typing to two finger taps. “Can I take a week off?” She pipes up, nervously picking at her fingers. “Next month, that is.”
“For the agelu?” you guess, a new sort of weariness settling. “I suppose you can.”
Aleena stifles away a relieved smile followed by a : “You're not going?” She looks a little surprised, then lets her eyes sweep across the clinic. “I mean…yeah I guess you won't, given the state things are in right now…”
You wince. Your father had sent a text in. He asks for you, in his own, distant way. Maybe he misses you. Maybe you miss him beneath the hurt and the anger. But feelings were messy, scary things and it was better to look away and stick your head into papers and books and words that could be read. “I’m not sure.” is the soft admission. “It's a little early, I think, for me to make a proper decision.”
( Going home feels like a fever dream now. You’d almost come to loathe the smell of marigold and incense smoke. )
That and you can't be certain if Kafka would pick your guest up any time soon. She never gave you a timing, or any sense of clarity and control in this mad scramble. Blade was to lurk in his little window in the backrooms with all the year-old files for as long as he should.
“Besides.” You finish with a hint of good humour. “I'll take full responsibility for any ancestral hauntings after. Maybe my great grandmother could make a nice home on my couch.”
Aleena purses her lips. It’s says enough. A little more if you squint hard.
“Okay that wasn’t very funny.” you admit.
“No. It wasn’t.” She tilts her head sympathetically, pressing the pads of her fingertips to the edge of the desk, half pushing up against hardwood and paper. “I have plenty to say…but you’re my boss and that would be unprofessional.”
You bite back that twitch to your lips. “A wise choice. Take care of yourself now…and don’t forget about the rest of the reports.”
Primal fear rear its ugly head and scrapes at the bars when you meet Blade’s gaze.
“I have two patients due in the next hour.” you manage to pull out, turning your heel immediately after. Any inch for a quick escape, really. “So don’t come out. You’ll scare them.” you add for good measure, like he’s a child himself, or a feisty dog muzzled and chained up.
( The kind of dogs who bite at anything and everything. The kind who quietly bare their teeth at cruel hands and kind. You aren’t certain of Blade’s stance here and now, if he was pleased with his arrangements — stuck in a room too small for him, with someone who clearly didn't want him here.
Because you don’t. There’s something about you and your face and the way it’s a traitor. It gives away your thoughts, your heart, the things you want to keep tucked away at the back but seep under the doors and stain the carpets. And your displeasure seeing him is on full display.
His corpse comes to mind. Still, dead, cold took the touch with the beginnings of rigour mortis settling when he was hauled over the stretcher and wheeled away. )
He says nothing back, unsurprisingly. He didn’t even bother speaking out as much when Kafka came in and dropped him off with all the unceremonious sneaking and threatening. You think he’ll carry on with his silence, letting whatever this delicate little semblance of distant amiability stay within its stagnant state. An untouched web.
You turn. Keep walking. You really don't want him here, you think miserably. The paradoxical warmth in his body now, when for a moment there was none. His gaze, unsettlingly intense. You don’t want him here at all.
Still, you turn once more. You speak. “Is there anything else you need?” be polite. Be polite.
Blade considers it. He looks at you. You fool yourself into believing the hunger simmering beneath harsh vermilion does not exist.
“No…” he finally relents. His voice is coarse, heavy, the whisper of a growl.
( You leave faster than you should have. )
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He follows you home after the day is done ( you wish he didn’t ).
Blade keeps you within his line of sight — just within reach and just close enough to feel that faint prickle of body heat against the back of his neck. It’s an uncomfortable itch. It’s unwelcome. So you turn your head back to his silent figure and test your fingers against your bicep.
“Could you walk in front of me?” you ask.
Blade seems to consider it. “No.” he finally decides with finality edging every word. “You might run.”
“I don’t think you’d let me get very far to begin with.” you mutter under your breath. His footsteps are heavy, kicking aside loose concrete you avoid. Blade still stays an unwanted spectre behind you, treading in a way that is too soft to be human.
“I won’t.” he agrees, sounding sure of himself. Bored even. There is a scuffing sound, cloth against cloth. You’re tense again, anticipatory ( and yet, you don't dare to look back, to look at him ). “It saves inconvenience. That is all.”
You decide you’d like to be an inconvenient annoyance. That should drive him back to wherever he came from.
“I still don't think you should walk behind me though.” You repeat. Your fingers curl. You wish you had a taser. Your last bottle of pepper spray was spent as is on a few other thugs the past couple months. “You look like a creep. And a stalker. You might mug me.”
“I won't.”
“How do I know that?” You keep rambling, hysteria trickling down. It's a leaky tap, that anxious mess in your chest.
Blade blinks. “Kafka told me not to.” ( like it was the most obvious thing. You might be imagining the heavy condescension oozing through ).
That does not make you feel better. Kafka seems as reliable as a tsunami, or a flood, or any natural hazard creeping into its first few stages of utter destruction. It shows on your face, that muted mix of disbelief and horror. Blade's gaze is sharp, not quite the disconnected distance it held before. Kafka was suffocating as is but blade feels like rubble bearing down, down, down. You hate it.
“And it would be pointless, trying.” He continues. “Killing you would change nothing.”
You wordlessly rub at your knuckles, at the pulled skin of your hand. You do not talk to him for the rest of the walk. You should be more polite, you tell yourself. Be more polite. You killed this man, watched him die as his brain slowly collapsed in on itself. The least you could do after those fifteen and a half dumpster fires is extend some basic human decency, right? Be polite.
A scream ringing out gives you another thing to focus on. They're normal to hear, even as it wrenches open your viscera and leaves something sick on your tongue. It continues, growing increasingly hysterical, then stops.
( You almost run for the source, You want to. You do not. )
By the time you slip into the parking lot of the apartment and head for the elevator, you’re half hurrying Blade along. There’s nothing glamorous about the place — a standard five storey tall building just like the other projects lining most lower middle class neighbourhoods. The watchman was found out back, half passed out from his shift and stinking of beedi smoke, leaving the dog that frequented the neighbour's doors to rip into any intruders.
You don't think Blade is wholly impressed as he nudges at him with his foot. The watchman jolts with a huff and a startled snore, then passes out, head lolling to the side a little. The dog does not bark, simply trotting up to accept a few pats on the head. And indignant annoyance flares up. You sharply tug at the hem of his sleeve.
Blade jolts. The vermilion of his stare burns you.
"Leave him alone." you warn, giving his sleeve another tug for good measure. Blade's lips purse, his displeasure a quiet shift on his face for the most part, burying away immediately into the corners and crevices where things were never brought up again. "I hope you like cats." you add. "I have one who visits sometimes. She's a terror and a half…"
He grunts, stepping to the side as you fiddle with your keys, pulling away the string from your key chain and getting your door open. It’s a welcome ritual, feeling the cool breeze from your apartment filter in after a while. The cat is passed out on the balcony floor, cracking open a single yellow eye in greeting when you shuffle forth to take a peek.
“Hello, pretty girl.” you coo, feeling that heavy warmth in your arms and the softness of her fur against your palms. It eases you just enough to face Blade again.
Be polite, you tell yourself because you killed him, because he could snap your neck in two, because you think that the last thing you need is pissing off a pair of seeming psychos. “You won’t mind tea, right?”
Blade leans against the wall, maybe trying to make himself as small as possible within the cloistered rooms. “It’s a waste.” he replies, ignoring everything else; the hum from the streets below, the occasional flicker from the lights, the cat settling on the couch and sleeping an arm’s length away.
“Okay.” you mumble and set down two cups anyway.
You do not like Blade’s silence. His silence means he’d rather think about something and him thinking could involve certain death. There is a disturbed sheen glossing over his gaze. He does not look wholly there, the less he talks. Most conversions your parents had with guests were about the weather, then delving headfirst into some obscure gossip about a family three kilometres away.
Another fleeting glance at Blade has you reason that he’s not one for gossip.
( You let this silence settle in. It’s still a suffocating thing, an unwanted presence and an unwelcome guest. You think of the suited men and the gangs amok in the dirty corners and you think the silence looks like them. )
“So…our first meeting wasn’t…wholly ideal.” You speak up after a while, handing him his tea. Blade looks vaguely surprised when he takes it. “I don’t think ‘ideal’ would be the right word for it…”
“You killed me.”
You swallow. “Yes.” your voice shakes. “I killed you.” Your legs are drawn a little closer to you before you talk and you lower your voice, all that shame and guilt subduing the last bits of that cocktail of fear and tumult and annoyance. “I’m sorry for killing you. Even if you’re still alive…somehow…it wasn’t the best course of action, to be fair — ”
Blade’s lips twitch. He takes a sip of his tea, letting you stew there with your fumbling, your shame. It still goes unspoken. That damning ‘how are you still alive’. You don’t bother asking it. He can’t stay dead — Kafka said so herself. The very notion feels like an existential terror moulded to the shape of a man and you want it to stay far away from it.
“Four days.” he finally utters out, inspecting the last bit of tea staining the bottom of his cup. “I was dead for four days.”
Oh. Oh that stung.
“I’m sorry.” your voice cracks and your eyelids start to prickle. Stupid. Stupid stupid, you curse at yourself, claw at the offending load inside.
Blade snaps his head towards you. There is a twitch in his hands, slow, dog-like in the way strays jolt in alarm. You do not comment on it, awkwardly pressing at the surface of your cup while the tears are quickly wiped away and smudged against your cheeks. There's no use crying over it, you scold yourself. Grow a spine.
“Spare yourself the pity. It is not an uncommon occurrence.” is his uncomfortable dismissal. The words are nonchalant and his forehead crinkles to match the perplexed hitch to his shoulders. He probably wants to say more, speak more, tear you apart. Or he was just too put off by how pathetic you are.
“You’ve been killed before?”
“Yes.”
Horror stirs deep in your gut and a small sliver of morbid fascination shunting beneath the murky waters and glimmering up in those seconds of resurfacing.
( Can he not die? He’s still here after dying from a stroke. Does he regenerate? How does he do that? Do his cells simply have a faster metabolism? That means his neurons can too despite their limited replication in most normal people. Does he — )
The tear tracks are drying. Your face feels stiff.
“I was trying to protect myself.” you even talk like a guilty person ( it does not help. It’s subdued, the way you speak. Beaten down, half hearted. You wonder if you even want to protect yourself at all ). You don’t want to look at him anymore.
“I don’t blame you.” he replies. It’s soft, missable, sympathetic and you know that can’t be the case. Blade blinks slowly, setting his cup aside. “Would you do it again?” he asks solemnly. His hands twitch again, out of its usual bent stiffness. Beneath the dim lighting, the paleness of his skin is a corpse like macabre; greyish, sallow. He seems starved. “Would you kill me?”
Your lips part. Bile and acid burn your throat. You shut it again and shake your head and the desperation, you assume, is enough. No, no never again. You don’t want that nausea. You don’t want any more of the griping aches in your stomach and the incessant pound of your capillaries.
Blade straightens up and gives you a long, thoughtful look. He steps back and returns to his stony silence without a word. The air is restive, poisonous in how it melts away the peace.
You really should pray to that nameless god, to soften that blow. You really should pray because nothing good ever comes out of this. There’s that brush of scale against your foot, the shrinking courage when faced with dour vermilion. It’s wolfish; its jaws bear down. The cat cracks open an eye again, letting out an annoyed mewl.
No, never mind that.
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IV. EXUDATION OF BLOOD
You should have prayed. The questionable existence of a god or not, maybe you'd have given yourself that tiny bit of assurance.
Even your ancestors would have done well enough. What would your grandmother say?
( Her old spirit's possibly disowned you, if she hasn’t already. She must have burned your seat in the afterlife and spat on the ashes. Bringing a man into your home, no matter the circumstance would have incited all the wrong reactions. )
You learn quick enough that Blade never sleeps. The third night after spent between lurking within the stuffy storage space and wedged next to old folders, you’d spotted him sitting upon the couch in the middle of the night. “What are you doing—” you croak out after the initial scream. He scrutinised you with clinical indifference, sweeping over your bare legs to your face. You tamp down the urge to pull your shirt down, cheeks burning.
“Thinking.” he says. There is no further elaboration to it. Blade turns to peer outside your window and the dead streets below. There is a faint echo of the strays barking trailing behind the occasional hum of a passing car. Your little town was far sleepier than the cities, where the traffic continues on, long past the morning calls and the reedy music from 24-hour bars.
“You scared me for a moment.” you purse your lips, picking at your hands. Blade blinks. “I mean, you're just standing there.” You try to justify it, fumbling a bit and coming across as far more slow than anything else. Blade tugs at his sleeve and smoothens over the damp spots.
“I'm not trying to kill you.” he reasons.
You dig your thumb down into the thicker skinned parts of your palm. It reeks of iron. He always reeks of iron. “Startled me, then. I thought you were asleep.”
Blade considers it. “I do not need sleep. Not more than what is necessary.”
Uneasiness filters in. Your throat bobs with it, unsure. “Everyone needs sleep.” you stumble out. Blade shifts, tracing along his nape with a purposeful look. His regeneration. Yes, his regeneration. Tissue rest and repair would be unnecessary with that, wouldn't it? Sleep, food perhaps, the little necessities taken for granted — peeling that away and pulling back the blinds to peer down that gaping hole, it's strange.
The grislier parts of his curse seemed to strip away those human needs. It likes to gnaw out any sense of humanity from his bones, in fact, scavenging away the bare ligaments and swallowing it whole.
“So…you’re just going to stay there then...” .
“Yes.”
Blade’s shoulders are set into its perpetual hunch. There’s something unfettered about him, roiling within deeper confines with a sense of wildness and entropy. You take your cautious step back and steel the nerves you have left ( there aren’t many to begin with — you still try ). It’s far from the moodiness he usually holds himself with and the cyclical introspection. “Could you be less…disturbing, then…?” you ask.
Silence. “Disturbing.” he echoes, tasting every breadth of the word on his tongue. You feel metal coming to rest in your mouth and dig into the insides of your cheeks. There’s a flicker from the apartment across and sterilised white shines upon the side of his face. He looks worn down, worse for wear. The darkened spots on his clothes are dyed red round his torso and dried blood crests across the rim of his fingernails. Red. Red on his clothes. Red on the floor. Red on your couch. Red —
“Did you leave this room?” it’s not a question. You’re not asking questions.
“No.”
You don't quite realise it, the scrambling and the frantically locked doors till the cold nip from your room settles against your skin and your shaky hand holds up your phone. It takes a moment for the buzzing numbness to fade to a tumultuous undercurrent and for you to dial down that emergency contact, seconds away from calling —
— a notification.
It's an unlisted contact, and a single message.
Unknown. I wouldn't do that if I were you.
A moment of pause. You don't move, balking at the sight of it.
Unknown. There's a good girl. I hope Bladie isn't giving you any trouble. If he's made a mess, just help him get cleaned up, please.
You. Is this Kafka?
Unknown. Look at you playing detective! That's cute. It is, by the way.
You. How did you get my number..
Unknown. Oh I have my ways. And I wouldn’t call the police. I can’t say I’ll stay quiet and pin the blame on you. It would be easy, hiding a few bodies in your storeroom. I like Bladie, you know. Can’t have him getting arrested and all.
It feels like you’re grasping at ice, with the way it feels cold. Cold, so cold and uncomfortably harsh against your cheeks. You want to tear into something, into your pillow, into yourself. You want to throw your phone across the room and scream till your lungs are hoarse. You want to call the police anyway and shove that into Kafka’s face. You want to cast them out into some forgettable void and be done with this fear and this painful grip in your stomach and…
…you do none of that.
Some small defeated part of you whispers its comfort. You ignore it, cast it aside, call it a fool. You’re gutless, maybe a little brainless and honestly, you half consider going back to your hometown and — no. You will not think about that. Not now. Not ever. You broke that life apart, stepped over the fragments and let your bloodied footsteps lead you here. All that hurt is not worth the quiet defeat.
The door creaks open. You peer back out at Blade. “Sorry…” you mumble. He glances up at you. “I just…i was shocked…there’s blood all over you.” You think about what you should say next. You chose your words carefully. “Did you…”
You don’t get to finish. Blade leans back and shakes his head. “I did not kill anyone.” A wry little tug twitches at his lips. “Not now at least.”
It takes a tentative step, then another for you to exit the room completely. Blade doesn’t look bothered, content in his solitude where sits. You look down at the tiled floor trying to summon forth whatever blind insanity you had. It takes a special sort for this, for this specifically where the cracks fissure into the sides and down down down to the foundations. “What happened?”
“Nothing.” A lie. There’s blood on him for crying out loud.
Still, you do not pry. “Should I…” you stop. It takes some struggle, reaching down deep and wrenching the words out into something stringed and legible. “Do you want to clean up?” you offer softly, motioning to the bathroom. “Just…a shower, I guess. I can get those washed.. Blood’s really hard to get off after all and they’re nice clothes…from my personal experience at least…”
Blade watches you, tilting his head a bit. He does look a little like a dog now, one with a wrinkled muzzle and dark, serious eyes. “Fine.” he relents after some consideration, impassively getting to his feet. He follows you to the bath, delicately sidestepping your frame to enter. You let the water heat before letting it run into the bucket, offering him a pitcher and some soap.
“You’ll have to make do with the towel…I might have some spare blankets around.” you add, because you will not have a naked man walking around your house. There’s so much your ancestors might allow at this point. This would be toeing the line from possibly being dragged into the afterlife.
He spares a grunt in response while bandages come undone. You chew against the inside of your cheek, inhaling stale metal and collecting blotched brown linen from him. He’s hesitant, letting you close, but it takes a quick turn of his wrist for you to pick out the worst of his wounds. These ones do not heal away the rawness and the sick pink of flesh. These ones still bleed.
“Can you manage?” you peep out. Blade stares at his hand, at yours grasping his.
“Yes,” he says after a while. His fingers brush against the inside of your palm as you let him go, and you take that shaky step out of the bath, leaving behind a clean roll of bandages and antiseptic at the door.
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V. PUTREFACTION
The woman beside you looks tired, worn away at the eyes and around the edges of her face. “Stay still.” she whispers hurriedly, stuffing her phone back into her purse as she gathers the skirts of her seere.
The boy on the bed does not stay still, tapping his fingers away at his lap as you shoot him a reassuring smile. There’s plenty of nervous energy stuffed away in the cracks and crevices of that tiny body of his, and it barely abates with the ticking second hand from your analog clock. “Are you nervous?” you offer, taking a knee beside him. The boy purses his lips, brown eyes focused wholly onto the floor below.
“No.” he decides to be brave and squares his shoulders up. You appreciate the effort as you press at the inside of his arm.
“That’s nice.” you nod. “But it’s okay to be scared sometimes. I know how scary needles can be.”
“I’m not scared.” he insists. He challenges you, looks at you dead in the eye with the most determination he could pluck away at his reserves and gather together. “Last week I chased a ghost away from my room. I turned the lights on and screamed at it.”
You crack a smile. “Is that so? Did it try to come inside?” you entertain the thought, poke away at his imagination till you find the faint blue of a vein. You see how his mother bows her head down, looking a little sick. The boy doesn’t seem to catch on in the way his eyes light up and he draws himself up. You don;t think she wants him to see. Sometimes there are instances where you see parents squirrelling away those bits of childish innocence like uncut diamonds; biting down at grimy hands that try to snatch it away.
You cannot fault her for wanting him to be happy. He was only four.
“Yeah. I was all GRAAAAAHHHH’!” you flinch at his spirited demonstration. He’s pleased with the audience and the invoked emotion as his mother winces and tries to pull at his ear to keep him quiet. It’s too late given his excitement, ducking down to continue his babbling. “And it went ‘AAAAAAAAAAAAHHHH’! Then it left and I went to see if amma and appa were alright. They were and I hugged them to make them feel better.”
“That is brave.” you nod. “You be careful out there, okay? Don’t stop hugging your amma and appa. I’m sure they love your hugs.”
“After this, can I have the chocolate at the desk?” he asks, batting his lashes. He flashes you a cherubic grin, and you might have caught yourself smiling a little wider. It’s a rare instance of silly happiness after the mounting strain on your shoulders and the urge to rip your eyes out bloody and raw. “The one in the big bowl.” he adds for clarity; because adults, he might be thinking, needed plenty of that.
You look over your shoulder to the door with a thoughtful little hum. “It’s not chocolate. It’s tamarind candy. The sweet kind. But it’s sour too.” You admit. “Do you still want some?”
The boy draws his lips back. “I’d still like some. I like tammy-rind.”
“Well, listen to your amma and stay still, okay?” he does, his small hand reaching out to grasp at her seere’s pallu. She holds her hand out and he takes it, tugging at her fingers, then her thumb as the nervousness slowly trickles in and scrunches away at his brow and nose. “Don’t get all stiff. Deep breath in…deep breath out. You can tell me about things you like if it helps…what games do you like playing?”
“I like football.” he offers. “My cousins say I'm a baby so I can't play with them. But I'll grow big and tall one day and I will kick their legs and show them.”
“Don’t start there.” his mother warns. “You’re not kicking anyone.”
The boy makes a face just as you give him his shot, then yelps a moment at the pin prick. His eyes squeeze shut for a second, his grip white knuckled till you finally pull the needle out and pat his cheek. “Done. That’s his DTP vaccine done with. He’ll need to get his booster next year as well so keep a reminder on for that.” His mother nods, handing in the little booklet as you scribble away the recommendations and mark away at the sheet.
The boy grumbles, poking at his arm. “Do I get the tammy-rind now?”
“Of course. The brave kids always get an extra one too.” you appease, walking them out.
“Great.” he’s mollified at least, wiping away any residual tears with a discreet turn away. “And i think you’re brave too. I saw a ghost here. In the door at the back.”
You freeze up a bit. “Did you now?” you’re feeling your voice crack a bit at the end of that question. Even the mother glances over, unsettled. You shake your head and the reassurance returns. It’s nothing, nothing at all, you try to say.
“Yes. He looked super scary. But he just looked at me and told me to go back to amma.” the boy sighs.
“I’m sure that was just one of the boys who helps the doctor.” his mother reasons, her words taking a sterner edge. She’s bustling him out, putting away at his back as she straightens her pleats and fixes her pallu. “It’s not nice saying things like that now. You’d better apologise to that man if you said that to him.”
“I didn’t say anything.” the boy insists as you pause by the door and see them off after handing him his hard earned candy, ( “thank you, doctor. Say thank you to the doctor auntie.” the mother urges. The boy echoes it drolly then slips back into his stubborn insistence, pulling at her arm ). Their voices fade into the faint music playing at the lounge and the chatter in the waiting room. Aleena turns to call for the next person, peering down at the files.
A hush filters through. One of the men stands over the row of seated people. They draw some of their children closer, muted shock and fear splayed across and you feel flayed open. “Tell the clients to leave.” you mumble. She nods and sends the word out. Some of them seemed to catch on quick and pack away their folders and gather their companions. A line of men and women mill out, leaving that sole frame standing, arms crossed in wait.
You keep your eyes down as you motion to the doors. Aleena hides away as she usually does ( you’d torn into her when she’d gotten too mouthy, too brave the last time ).
“Is something wrong? I’m sure I paid off the fee two weeks ago.” you test out.
The suited man doesn’t reply yet, sinking into the backdrop of static and the panicked thudding in your ribs. You vaguely remember Blade hiding away within the archives and hope he doesn’t wander back out again. He takes his time, dragging out the seconds as he idles past your framed degree and a few photos from your childhood home.
“A few weeks ago there was an…altercation in your clinic, correct?” he states more than he asks it, rubbing at his chin.
Oh shit.
“Yes…” you nod when you sense his wait. Your nerves wither away and you lose your sense of touch.
“Some of the men on my side died here. I was sent in to get to the bottom of it all.” His narrowed gaze settles on you. “It’s funny. We know there’s a third party involved but his body went missing from the morgue before he could be ID’d. Any footage of him? Wiped clean, and aeons forbid the police trying anything when it comes to getting witnesses to speak a consistent story.” His footsteps are an echo in the back of your mind, too loud, too distracting. Blade, dear lord, his presence here is a mistake. “Now, I'm here to ask if you had a hand in it, doctor.”
“No.” you choke out. “I don’t.”
“Were you working with that man who killed them?”
“No — ”
“Did you see him?”
You're too slow to respond and it takes him grabbing a fistful of your hair to rattle it out faster. “No I did not!” you insist, squeezing your eyes shut. You recall what you tell the boy, and the empty words about bravery. You feel like a liar steeped in bitter hypocrisy. It makes you want to rip your insides out and claw at your viscera.
Nails dig into the softer parts of your cheeks as your face is slammed into the wall. It draws out a choked, gasping wheeze from your ribs and white hot pain screaming at your skull, your muscles. The small, scared animal in you is crying, crying, crying away into bleak emptiness. It tries to run, eyes blown out and mouth hung open. It tries to make you run before you’re gutted clean through. “Are you lying?” the man asks quietly.
“No. No I didn’t.” You stutter it out, pressing your fingertips into the chipped paint. “I was hiding…I-I was hiding till t-they took the bodies.” The pressure against your head builds, builds till you yelp and struggle, terrified of him digging down hard enough to cut away at your airflow and snap your neck in two. For a moment, you wonder if he’ll do just that when he finally, thankfully, lets you go…
( Your eyes flit up, desperate, moving things and you look at him, actually look at him and the cold death in his gaze. You never assumed someone could look like that — empty and scooped clean of any humanity lingering at the edges. He’s hollow, and angry*.*
You made your mistake. )
…You’re slammed back in. The scream in muffled into your wrist. “You saw nothing?” he repeats, guttural in how he addresses and enunciates every word. It’s like reasoning with a man eater. You nod, nod because it’s all you had. “Nothing at all? No faces?” another nod and the man slips back and lets you crumple to the floor with that warning.
“You better not be lying.” he tells you, slipping to the speedy notes of your local tongue. “There will be hell to pay for that.”
You’re lucky, you think, for getting off that easily. The buzz in your mind builds and smothers you against your spot and you shift a bit when Aleena presses a hand to your shoulder. Blade is right behind her and she’s flattening her lips.
“You’re a nuisance.” you tell him, annoyance and anger and all that frustration meandering and stubbornly oozing through the cracks. Blade fixes you with a glare, drawing his mouth back to a half sneer.
“Who did this?” he asks, voice dipping to trembling danger, entropy brewing underneath all that. “Who did this to you?”
“None of your business.” you snip in turn, wobbling to your feet. Your coat is blotched red around the collar and the shoulders. You didn’t realise you were bleeding till your fingertips came away sticky and wet ( you feel like you’re careening off of the edge of a cliff, in a car you have no control of ). “You’re more trouble than you’re worth.” you add, croaking through your words and the buzz and the annoyance. “So just leave. Leave, tell her I can't babysit you if this…this is what I have to deal with.”
Blade narrows his eyes. “I cannot.” he states and leaves no room for argument as his hand grabs you at the scruff and half tugs you alongside him. You’re not spared any more dignity around him, and he treats you like a wet cat nipping and scratching at his arm. “You.” he adds, turning to your receptionist. “She needs to be tended to.”
Aleena mumbles something under her breath but seeks out the first aid kit. She swats Blade’s hands away once she approaches you again. You appreciate it. You don’t want him touching you and the crawling chilliness of his body invites an ugly sort of desperation that blocks away your throat and nudges at all the parts of you you’re less than proud of.
Blade does not leave. He never does, on that bitter note, looming over the two of you by the wall, that beast twisting in his eyes like a snake.
He unsettles you with the way he stalks the emptiness of your apartment rooms, pressing his body to the wall with shaky breaths. You watch him from the crack of your door and wonder if this is what unravelling sanity looks like. If it is the face of a man ripping open his chest and screaming through the guts until that beating heart is carved clean from the cavity.
Blade is more animal than human in how he walks. The room smells strange too. You do not know what it is, in its pungent notes and the unpleasantness of it all. It’s not rot, you’ve smelled rot before, and tasted that stench of decay lain thickly on your tongue.
This is more rancid, like regurgitated food and butter. You spot a single leaf on the floor, fan shaped and dipped in sunlit gold. Then more at his feet.
His form flickers by, rustling past your door. He’s at the balcony, then he’s not. You pad out and scan the dark streets, spotting his hunched frame nestled within the alleyways tucked at the side. There is a glimpse of purple from Kafka’s hair as she presses her lips to his cheek, whispering something to his ear.
Blade seems to melt and you watch on, half transfixed from the scandal, cheeks warming when Kafka leans to the side and waves, a playful grin curling on her face. She whispers something again and has Blade turn too, and you think you’re almost drawn in, dizzyingly close to the edge of your balcony rails till reason snaps you back and you return to your apartment.
( “Bladie…” Kafka coos at him, her gloved fingers pressing up against the seam of his lips. Blade tries to hide away the dry hunger in his stomach and his mouth. “Do you like this one?” she asks.
He thinks about it. The release of death. The warmth of your hands. The tears. He thinks of the man sawed apart on the concrete, down to tendons and bones and muscle and flesh. He thinks of the scattered limbs and the bruise and your blood.
Her hands press to his cheeks. “Listen to me. Push the mara down…we don’t want to keep upsetting her now do we?” she asks, teasing in how her teeth flash. Kafka feels like a dream lost in the haze of it all. He leans into her touch and lets the flowering roots in his chest rupture and decay.
“No.” Blade admits, surreality dragging him under. He does not spare her a reply to that question. Kafka already knows. )
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VI. DISCOLOURATION AND DESICCATION
“Tell me who did it.”
“No.”
Blade looks annoyed, scraping and haunting the walls of your apartment as he follows you through the kitchenette like a ghost. The brewing…whatever it was…from the past couple of days seemed to have cowed after that visit from Kafka, nothing more now than a placid beast ( as placid as a rabid mutt could be ). You clench fist into your knife’s handle a little harder than you should have.
She could have taken him back, her little lover boy guard dog and his strange balcony crawling ass —
Blade hovers close, so close. There’s an absence of heat beside you. He’s always cold, colder than a man, warmer than a corpse. That in-between he seemed to linger in. His limbo. “He hurt you. He will do it again. Tell me who it was.”
“Absolutely not.” You state, voice flattened against bemusement. “You'll just kill him.”
He stills, his eye letting out something of a neurotic twitch. He might just strangle you now, carve you open with that sword, eat your insides…maybe. “He suspects something. He must die.” He says it slowly, irritation budding through the dryness of his countenance. Your nose wrinkles at this.
“That's nice and all but you stink of death enough, and ‘enough’ is still far too much.” You angle your knife, pressing into the tender outer layers of the onion till you slice through it. The blade shudders against the impact and your hand strains into it. You bite back a curse.
( You're thinking about too many things.
You're thinking about Aleena turning in her resignation letter, and her apologies. A marriage, she'd said. And how could she turn down her parents’ demands after everything? They care. Despite the pain, you knew that too. It's that painful kind of love where you'd hurt and hurt and keep hurting them when the choices seemed so sparse. Better a bloodied knife, they'd try to say. Better a few cuts than being torn apart.
She only just found out, she admits. There was an uncomfortable shift in her body. She looked ready to crumple into herself and shatter into a million pieces. She's meant to meet him during the agelu. It's been arranged for.
How did you? you'd asked. You were afraid to ask. You shouldn't have asked. That meant looking ugly things in the eye through to the nauseating technicalities. Aleena swallows. She looks more distressed than she should. You let her weep a little and nurse those gaping cuts. Your bruises don’t smart anymore. You’d forgotten they were there.
She shows you a newspaper. And you stare on with an empty kind of apathy as you spot her details within the bridal adverts, down to her college degree and the colour of her eyes. )
( You were reminded that there's a kind of love fuelled by bitter hate. You were reminded of the sight of her shrinking back and fading into the walls of your clinic, like a collapsing black hole. It's how daughters and duties were here, a little better than the north but broken in a way where broken things couldn't be fixed.
You've seen it in a mirror once, hollow and void and dead in your eyes, and your mehendi stained hands tearing apart the the jasmine in your hair. )
Blade tilts his head and angles the knife just a bit before you could cleave a finger straight off. “I’m being reasonable. He won’t hurt you if you let me.” he tries to reason, playing clumsy diplomacy. But Blade still pauses between his words with that perplexed unsureness. He didn’t know what to tell you when you were sobbing on that couch. He doesn’t know what to say now, when your insides were burning away your peace.
You brush him away and viscerally visualise grinding him to a bloodied pulp with your grandmother’s mortar. The violence in your head helps a little.
Blade keeps watching you, turning his head away from the spattering chillies and the sour notes of tamarind staining your hands. The onions are still a bother. You think it can't quite get worse at this point, with stubborn tunicated bulbs and a dull blade. The over-stimulation you're half subjected to feels like claws on a chalkboard, gratingly demanding every bit of your attention.
“Give it to me.” It's not a request. He takes the knife before you could really mutter out sneering ‘no’. He slices through the onion, passes you a pointed look and keeps slicing ( why does he make it seem so easy? Why??? ).
“Give it back.” you try.
“No.”
“Please…?”
He nudges at your shoulder, towards the stove. Your shoulders sag and a frustrated lump gathers at your throat. At least he’s helping, you reason. You shouldn’t be so angry over this. A normal person wouldn’t want to throw a fuss over a stolen chore and a stubborn wraith. You light the stove and gather what you’d prepared. Blade was done with onions. It’s only been a minute.
…You decide to not question that.
( Please don’t kill me, you add in your mind for good measure. )
There’s something therapeutic in indulging with this familiarity. Your old home smells like this, like comfort and nostalgia in the idyllic sorts of memories. They’re the ones you lock away in a box, nestling that key deep inside your ribs. Even so, that horrible weight swells up like a tumour. It could burst any minute. It’s wearing you down and frying the ends of your nerves.
“Aleena is leaving.” you blurt out. Blade blinks. “My receptionist.”
“She told me.” Blade nods.
“She’s getting married.” you continue.
Blade considers this. “She is…young, yes?”
You nod. “Twenty four.” you swallow. Your throat is parched. “Some families do marry their children off at this age. Not all of them, of course…and not every arrangement is all that bad…I've seen some good ones.” He keeps listening, you know it in the way his head tilts ever so slightly to you. Your senses are clumped together, messy, messy, messy. “It’s none of my business.” you add feverishly. “I shouldn’t be getting upset.”
“...why aren’t you?” the question is sudden. You feel your confusion knock away reason. Blade tries again. “Married. Why aren’t you married?”
“That’s a very impolite thing to ask.” you reply quickly.
“I see.” he struggles, pondering over his next few words. “I will not push further.” You purse your lips, the conversation delicately fraying and fading out. You let the silence stagnate, hovering by the stove with your vessel-full of coconut milk.
Something inside you tugs.
“I was supposed to be.” you mumble. “He was a nice guy, was working for a stable job and had plans to buy a house close to the beach. The kid you’d see in movies, you know?” you laugh a little. “And maybe I was a little swept up. But then we talked and we both realised that…we had dreams of our own. Things we weren’t willing to let go of, a relationship he was serious about.”
The chicken goes next, as the gravy settles into a shade of brown-red. Blade is staring, something in his face set in an odd way. He looks off putting. Hungry, like those night spent pacing through your living room.
“We parted ways. There weren't any dramatic rejections…he seemed just as pleased with it, to be fair. I hear he’s settled nicely with his boyfriend…good for him.”
“So you came…here…” Blade works it out.
“Quite. Those choices weren’t wholly supported by my family. They kept trying to find someone and I kept pushing it away…I was scared I guess, and people got angrier and insistent and I started feeling less…human.” you take a deep breath in. “So I left one day. They never contacted me. My father only started again after my grandmother died. And I opened this clinic up…”
The room is blurred out. All you see are splotches of colour and a blemished, dark blue whee Blade stands, rimmed by the sunset.
You wipe the tears away.
“It’s all I have now.” you whisper, a painful crackle coating the peaks. “All of it. And it’s a nice place…I used my grandfather’s photo frames in the reception…my mother’s carpet too. It was a souvenir from the north. And…and some of the toys were my own. It took some digging and cleaning and repairing but they’re just as good as any other…” It’s flaking at the surface. You aren’t a strong person. It’s always been so easy to crumble with the weight ( like a paper doll ). “So please…please just leave before you make it worse.”
Blade regards you. He always is, watching, watching, watching, like there’s nothing else that could tug him away, take up his mind when he’s not snapping necks till they shatter.
“I cannot.” His brows are set, pulling together just a little.
“You can.” You insist, feeling stupid, childish. Its pointless trying to convince him otherwise anyway, Not without feeling hacked down and near helpless beneath his looming shadow. “You can leave. You and Kafka can, it's not that hard.”
“We have work to do and it must be done.” driven finality settles deep. He feels so far away, repeating words like a robot. It's hard to think of Blade as human in times like these, where he's either too robotic or too animalistic. It feels scripted, all wrong, all twisted up and chewed apart. “You wouldn't understand it. Leave it be.”
“I won't, if it's my business you're intruding on.” You set the coconut milk down, the steel vessel striking polished granite with a sharp ring. Your teeth grit together ( you hate feeling angry. You hate the cloudiness that comes with it ). “What if I run then?”
Blade's glare is cutting. “You will not run.” He asserts, scruffing you so easily, tugging you just a little closer. You fight back the urge to swat at him. At least you could think a little. At least you still had a tiny hand digging it's claws into your self control. “I'll drag you back. I will keep dragging you back till you cease this foolishness.”
( How were you being foolish? All you have are fragmented snapshots, the lingering sense of dread, the knowledge of something sinister brewing beneath the surface. You have a man in your house, a murderer. You have a man in your house you swore you killed. You have a man in this house who doesn't die.
How were you being foolish? You want to scream at him till your vocal chords fray and your arytenoids collapse. But Blade has probably never felt fear. You can't imagine his sympathy.
And you still killed him though. You stop. The guilt is back, and the anxious Turn of it, and the seething edge of your rage burning, burning, burning. )
“Did Kafka tell you to do that too?” poison burns holes into your words. You and Blade are sinking deeper and deeper beneath it, boring holes through your skin.
( You need to stop. You need to stop talking. )
“She wouldn't be as kind.” He asserts simply, rolling his eyes at the mention.
Defeat comes for you from the corners. You huff. “Let go of me.” your arm is shoved back, elbowing his ribs. Blade doesn't flinch, but his grip loosens and he dips his head down in acknowledgement. “Are you ever going to leave me alone?”
“When we collect what we need, yes.”
“...get it over with quickly then.” You mutter, stalking away from him. “Tell me when the chicken is cooked. Leave me alone till then.”
Blade takes a moment. “Alright.”
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“Bladie, you're upset.”
Is he? Blade doesn't quite see it. But there is an ache where his heart should be. It's been there since you'd locked yourself away and he’s left to stare at the curry bubbling at the edges. Kafka laughs from the other end of the line, light, airy; she's probably wiping blood away from her swords.
“You are. Has the doctor been softening you up?” She's playful, prodding, poking, stringing along her words. “Cute. Is she why you’re calling?”
“She’s asking questions.” he steadies his phone. It’s so easy, how it slips between his fingers. It’s not the firm immovability of his sword hilt and it’s slippery, almost unusable with his twitching. Blade hears Kafka hum against his ear, kneading away at the issue before her voice picks up again.
“You know you can’t give too much away, right? We need to follow the script and if she meddles too much…”
“I know.” Blade cuts in, apathy sinking deeper. The script, yes, the script. There’s that flash of familiar awareness. The script is something to be followed, right down to the bare details. If pinstripes needed to be worn, then pinstripes must be worn and if Blade must cut a hand off, that hand must go. But even he knows of the variables being difficult, breaching at destiny’s thin skin.
“And she’ll only get hurt, Bladie.” Kafka coos it out gently, placating the tenseness building in his shoulders. “It’s unfortunate how scared little things tend to bite more. Listen to me, try appeasing her a little, yeah? I’m sure a treat or two should keep her from stepping too out of line.”
“How much longer do I have to stay here?”
“You want to leave so soon?”
Blade does not. He can feel the roots tugging at his feet, fixing him down here, leeching, leeching, leeching. The fluttering ache in his stomach has grown worse. Blade fears never slipping away and that won’t do. Wolves aren’t to be leashed. That fractured memory, the writhing ocean in those eyes…there is no place for him here.
( Destiny, destiny, destiny. The unattainable, the inescapable…Kafka whispers something else. He wants to break his wrists. )
And still, Kafka knows. He can practically see the cheshire curl to her lips. “Cute.” she repeats, drawling the word out. “I’m almost done. Just a bit of the usual…we’ll have the stellaron collected in no time and we can head out. Till then, lie low and be a doll for me before I come to collect you, okay?” he can hear the faint echo of her footsteps echoing past empty hallways. She might spare a visit soon, he realises. “And again. Try not to upset the doctor too much, yeah?”
Blade dips his head down, mollified. “Alright.”
The phone cuts away. You’re still in your room, cut away from most of his conversation. The chicken looks cooked so he turns the stove off and gropes about absently till he feels a plastic handle. Then he knocks on your door.
It takes you a moment to open it for him. “Is it done?” you ask. Blade stares down at your wide, tired eyes. “Yes.” he replies, dizzy and blotted out in the centre all at once. He can’t quite stop it, the rapid undergrowth, the rustling call of mara, that need to seize you by the face and tear into the softness of your cheeks, to bite, to taste blood, to break your bones and devour you. To feel the dig of your nails against his arms, something sharper, you scooping out his chest, his ribs and his heart till it’s beat ceases and he curls into your warmth —
“Do you hate me?” he asks quietly, unwavering. Its swelling. “Do you want me gone?”
You swallow, halfway out of your room. Blade wants to grab you, taste —
“I do.” you mumble.
Appease her. Kafka’s echo fades out once more in the back of his head. Blade presses the knife to your hand, holding its edge just over his stomach, pressing till he feels its prickle numb out. It’s where the fluttering was, unfettered when he tore his intestines out upon your couch and let the blood seep into the fabric ( you hadn’t liked that, so he stopped ).
He stops, gripping you just above the beat of your pulse. It speeds up, vivacious, so alive ( Blade is used to his steady thrum, slow, so slow unlike that of a human ). “You can kill me then.” he tells you. “If it pleases you.”
There’s a shift. The handle slips away and you snatch your hand back, face twisting to what he recognises as distress. Then you look angry, slamming the door back shut. “Don’t talk to me.” You scream through, muffled by hardwood.
Blade feels empty. He collects the knife and turns back into the kitchen, temptations spilling out when he lingers a little too long and thinks of sweet oblivion.
He muzzles himself as most dogs should be. His teeth are blunted, his claws filed.
He doesn't want to scare you.
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VII. CONSUMPTION
Aleena hasn't spoken much since she'd told you about 'the arrangement' ( you make it sound like some cold business deal. A travesty. Maybe you were being far too pessimistic with this whole ordeal, putting in too many chunks of those ugly memories into that basket. You could be wrong. You could be wrong about it all ). It's an all too familiar disconnect, a silent misery that you'd watch every day after. She's letting it fill out her whittled spaces, and it worries you. Worries you in the way your heart twists and your insides turn.
( Won't you be coming, he'd asked again over a messy phone call. There's a lot of things to catch up on. We'll lay off the insisting, we'll let you choose the groom this time. That would be far better, right?
And your father's words meter out to warbled static, spilling through your ears and onto the floor. )
Maybe you should put something out in penance. Let those ghosts keep to themselves and continue their silent vigils. You're not superstitious, and rituals like these feel more a far away dream since you'd moved away.
"Aleena…"
"Yes?"
"How about we go get some cha during our break?" you offer a kind smile, tired, a little neurotic but you think it will ache a lot more if you say nothing at all. That wound up and coiled-away thing in her, pulling at the set to her jaw and the firm stoicism she displays — it slowly lapses. She looks down at her feet, back up at you and blinks a long, slow blink.
"That sounds nice." she croaks out, pushing aside a stack of papers. You check the analog clock above the two of you. A lunch break was due in another fifteen minutes and there a few checkups and medical records to fill in for school diaries. You could finish soon enough."Is it at the local place? I like the one with the cardamom."
"Sure you can."
Aleena seems to think a thousand thoughts all at once. "Thank you." she whispers when you step back, trained down to the keyboard. She's not typing, tracing the plastic frame itself . You leave her be, let her stew a while before gently gathering her up and leading her to the closest stall.
( Blade was cornered in the stores. You tell him not to stir up any trouble.
"Where?" he asks.
"None of your concern. I'd like some time alone with her, please." He reaches out, curling his hands into the sleeve of your coat. His eyes look like smelted iron. You tell yourself not to flinch, to skitter away because you will not be a rabbit. For once you will not be a rabbit. "I'm going." you repeat with more purpose. "You can't tell me otherwise."
Blade lets you go. )
It's crowded as is, and you try not to let yourself be pushed out by the squeezing throng. Not until you and Aleena leave with your tea and a packet of glucose biscuits to sit by a roadside ledge beneath the tree cover.
She takes a few bites before she starts talking again.
"Sorry about the suddenness of it all."
"The marriage?"
"Yes." She picks away at some of the crumbs.
"It's okay." You pat her hand in assurance. "I was wondering if you were doing alright
Aleena seems to ponder over it. "A little. I know him. We went to the same school…so it's not all bad." She drains the last of her tea, throwing the Styrofoam cup into a dustbin. "I'm just…angry I suppose."
"At your parents?" You guess.
"Yeah." She swallows. "They've been pestering me since my second year in college. I had to keep telling them that I wanted more stability…a job. Something. I can't just keep relying on my spouse for money and all that, you know…my parents said I could do that after. That I was being selfish for putting it off."
You purse your lips. "It's good to be stable." You agree. "Sometimes it's easy to point fingers and blame it on unnecessary worry and paranoia…but from my experience, marriages like these are a gamble. You can't be too sure, even with people you think you know." You must be rambling. Embarrassment floods into your cheeks. You have the grace to look a little sheepish.
"Right! And I told them that and…" She shakes her head. "They don't get it, I guess. I mean…I don't mind settling down, really, but they keep pushing me and rushing into it and then they just put up that advert without saying anything and..." Her wide eyed hysteria is palpable. You might want to hug her, steal her away. Familiar pains tend to do that, stinging at your soft insides.
"Am I not a good daughter?" The fragility spotting it aches, unfurling, spreading forth. You shut your eyes.
"I'm sure you are." You tell her honestly. And she is. You know she is.
Aleena's face stretches, pained. "It feels the exact opposite. I might be making it all more difficult…I should be grateful, shouldn't I? They care about me, I know that and…this…" The words are turned over, thought upon. Her hands twitch, gesturing at the air with wild frustration. Aleena is shrinking by the second, cracking at the corners. "What do I do?"
Your throat dries.
"I don't know. I ran away from mine and now my family refuses to talk to me." You tell her. "There's a lot of different ways this could go. Parents react in different ways…all I can say is…you need to trust your instincts."
"I don't want to lose them." She admits shamefully, wiping away a tear. "I'm a coward."
You purse your lips. "I think we all are." You sigh. Your tea has cooled against your fingertips. “But…but I'd say it's better than being miserable the rest of our lives. It's selfish, I agree…” you feel defeat trickle down — defeat, hopelessness, a cocktail of too-many-things-at-once.. “it could work out too. It could work out and it will be alright after that. But there's a lot more before it all as well…I'm sorry. I'm not very good with advice.”
Aleena shakes her head, rubbing at her eyes. "It's better than people telling me that I'm being a nuisance."
"You said you knew him too." You add.
She scoffs. "He might have changed. The most I remember is him pulling at my hair and calling me ugly."
"Oh. Hopefully for the better, then."
Aleena rubs at her knuckles, humming softly as a trill of birdsong echoes above the two of you. "Thanks for taking me in." She says, and it's spoken so softly you almost miss it. "I learned a lot working under you.and you were good to me. Better than some other bosses I had…hopefully I should still be able to work after…" She breaks away.
A gooey sort of warmth trembles inside. It's the sort that cracks you open. "You're welcome."
She kicks out her feet, letting her footwear flap shutter against the balls of her feet, then stands back up. "We'll head back then? I don't think I'd want to leave you with unfinished work on my last day…"
"That would be terrible." you agree, cracking a grin.
Aleena veers the subject away to the common pleasantries. She talks about the weather, the new park in the better parts of the city and the flowers there. She talks about the old lady who invites her to feed the pigeons. You listen as you do, till you slip back into the clinic and start the afternoon shift again. Clockwork, familiar clockwork. Still, you ache. It's selfish.
"Blade." you call out when you step back into the stores. You're greeted with silence. You're greeted with emptiness.
"Doctor? we have another checkup!" You straighten up, smooth away the frazzle, the jumbled nerves and the frayed ends. There is a time and place for panic. Not now. Not when you have work to do. So you work. You work till the minutes and hours bleed in and the sun spills past the concrete rises. You work till the night falls and you realise the silence in the storeroom seems to have grown past the occasional rattle from the shutters and the wind.
You heave in a breath. Aleena has left, pulling you into a final hug. You find yourself looking for him.
( Where is he? )
It's Kafka who drops by after closing. The anxiety nips at you, your face, your hands, everywhere, between Blade still not making a reappearance and now…this.
You hadn't met her face to face in a while and you've almost forgotten the weight she carries. She'd turned you around before you could walks away any further, her gloved hands snaking round your waist and her lips brushing against the shell of your ear. "Sorry for the visit, doc." she speaks out, like you're old friends. "Had some work to look into."
You hunch your shoulders, cowed of any initial annoyance. Something in you draws back, scared around her. It's the cat-like preening, the way Kafka smiles so emptily at you. "Right." you mumble.
"Bladie's been treating you well? I told him to be on his best behaviour."
"He's…he's alright. If you're here to pick him up…well he's been missing since this afternoon. I…i swear I didn't — "
Kafka shakes her head. "Oh no, I sent him on a little errand." she assures you, sitting down in the waiting room. She pulls you down next to her. "I've noticed he's been doing his best around you too…granted I'm sure some of his habits are a little…of putting." That smile is back, razor edged.
"It's fine." You try to say.
"Mhm. If you say so." Kafka crosses a leg over the other. "I've been souvenir shopping between work and all. I might pack up a larger haul after this final matter is dealt with. So many things to do…" She trails off, drumming his fingers against her chin as if deep in thought. "Have any places you recommend visiting? I've heard the silks here are to die for."
You hadn't known that either. "That's…nice." You lower your head, that far away beeping growing louder and louder against the chills clawing up your spine. You breath in, feeling the point of her nails press up against your cheek and turn you around to face her.
"Oh dear. I don't think you're very happy to see me." she coos. "Bladie hasn't been very good to you, has he?"
You open your mouth.
"You don't have to say anything." she cuts in with what seems to be kindness. You were almost fooled by it, set adrift, running straight into that tangle of webbing. Kafka feels predatory the way Blade does, and in ways that doesn't feel like him either, spinning you around and around in circles for those simple little amusements.
"He scares me." you blurt.
"Is that so?" Pity weighs in her sentence, cloying it together like resinous amber and sundew. She looks delighted.
"He does." you nod, feeling helplessness undo your seams. Kafka leans in close, close enough for the warmth from her breath to spill over your jaw. You want to push her off — you should, given who she is. But she clings so close, drinking it all in with strange euphoria. She's still holding your face, and Kafka was far stronger than she presents herself to be.
"You poor lamb. I hope he didn't bite you too hard." She smiles, caught in a trance as you sink further into magenta and pink and the smell of her perfume. "Then again, Bladie's always rough with the things he likes. I'm almost tempted to take you with us."
You shutter, blank out, flail about internally before all reasoning bears down with the impact of a comet. "I don't want to go with you though." You squeak, the words sinking in so quick and it shocks you.
Kafka considers you, tilting her head with assured grace. "Are you sure?" She asks again, thumb pressing up against the apple of your cheek. "It complicates things quite a bit for you. I'd say you'd be more miserable staying here than giving in, no? For one…" She's enjoying herself, her lazy gaze scanning the clinic again. "…you'll be loosing all of this."
You seize up. "…What — "
"This." Kafka repeats. "All of this. It'll be gone soon enough. Bladie and I have dipped into businesses that most should keep out of…I'll spare you the details, really…though you might just have more popping up in that little head of yours." She taps a nail against your temple.
"What are you talking about." You croak out, falling into a gaping bit. The vestiges of horror start taking root in your lungs. Kafka bites her bottom lip, playing coy.
"Oh dear, I've said too much. May as well let you in on it then." She croons. "The IPC don't have much of a hold here, do they? No wonder…granted it made going through this operation far easier." Kafka lets you go. You lean back, back away from her, sputtering. "To keep it simple, we were here to collect something. A very important something…and out of all the possibilities we had…your little route happened to give us the least amount of grief to deal with."
You grip at the armrests hard. "I don't…I don't understand…" You choke every syllable out with a tongue that feels like lead. "I don't understand." you repeat, the mania arching your higher notes. Your clinic, this clinic, the only thing standing between giving up and going back and…Your clinic ( You remember the money, the scraping together and the loans upon loans and that less naive part of you still folded into the walls and corners ).
Kafka shrugs. "I don't expect you to. You've been a tucked away and coddled into this peace your planet has blanketed you with. There's plenty more in this universe you can't quite comprehend; and there are plenty of big bad things out there that Bladie and I could hardly hold a candle to…" She grins. It's a vicious, predatory thing. Your fear is a feast to her, one lazy bite after the other.
"I don't want this. You're lying — "
"In another five minutes…" Kafka begins. "Bladie will come back , dragging a little friend of ours along with him. He'll have sustained a hit to his head, half healed. The hem of his coat will be ripped off." Her gaze darts to the clock. "Tick tock. I'll be busy after that so you'll need to be quick with what you have to say."
You're stunned to silence. Blade. An associate. It's a nightmare in the making. strangling every bit of air from your lungs. Kafka seems terrifyingly sure, watching the way you move, scramble, feeling disjointed and not all there or all quite present in your body.
"I don't want this." You tear up.
She kisses your cheek. "I know, sweetie." Kafka gives your shoulder a condescending squeeze. You may as well be stabbed in the stomach too, revulsion burning your throat, jerking you away from her. It makes you want to grow claws, to make her hurt somewhere, anywhere. "It's too bad, really. Maybe if you were a little braver, a little more gutsy, we might have struck you from that list." She laughs. "Honestly, I find it adorable. You're like a scared little stray…"
A sickening thunk suddenly echoes out back, soft against the tile, and moving trough whimpered struggles. Kafka's eyes narrow. "That seems to be our cue." she comments lightly. You look at the clock. Five minutes.
Your voice is stolen away, a failed note against the hand crushing your windpipe. You feel dizzy, dizzy, dizzy, almost stumbling over the chair. Kafka is drunk off of it, shoulder brushing against yours. It's just her, those footsteps, the smell of her perfume. "So…" she whispers. "What's it like?" Her touch sears at your wrist, edging higher. "Being scared?"
Blade steps between the two of you. His hand coming to grasp at your arm, smearing a brown, bloodied stain against the expanse and dwarfing your wrist ( he can break it so easily ). He stinks of iron and rot and you don't dare to face that monstrous view of him, just like that first day, feeling his pulse recede and the massacre he left behind under the fading colour of his eyes.
( And still, you feel guilty. Because Kafka is right. You are a coward. )
"Kafka." Blade utters, a warning stained against his stressed inflections. "Leave her be."
Kafka's lips pull at the corners, serene, seemingly innocent. She doesn't even try to hide the deception. "Jealous much?" she snickers, letting you go. Blade feels agitated, the beginnings of a riptide streaking beneath a still surface. He yanks at you, fingertips pressing at your cheek, the spot between your ear and the column of your neck. It's the most he's touched you.
( Has she hurt you, he wants to demand. Has she? )
"Don't touch her."
Kafka holds her hands up in surrender. "Okay." she relents, content and entertained with the way things seem to be. From the corner of your eye, you see a mass…something close to human, move. A scream is lodged in your pharynx. Your nails dig into Blade's hand, a hoarse, wheezing sound heaving from the depths of your lungs. The mass stretches, tries to move away. You see red plaster the white tiles beneath it.
Blade's gait shifts to awareness, sharp eyed, watching the man try to escape.
"You didn't break his legs?" Kafka asks.
"I did. This one is stubborn." Blade snarls. He looks dog like, wolf like, fangs borne between a drooling muzzle. Your eyes sting as you try to tug away, away from him as Kafka stands and saunters over to the body, that elusive little smile still present.
"Well, we have plenty to ask of him. He still has a few details to give away now, doesn't he?" She hums a little tune, yanking the man by the hair till his broken whimpers turn to miserable screaming. "Come on Bladie, I need help. And you…" She fixes that stare on the man. "Listen to me. You can't speak anymore, or scream, or cry. Not till I tell you to."
The man's cries fade out into open mouthed gasps, his face a bruised and bloodied mess of tears and snort. Blade was not kind in handling him, not with his torn tendons and the unearthly jut his legs were angled at. Your skin crawls at the sight. You reach for your bag, your phone, shaking past the initial terror to give a final call for help.
Blade looks at you. It's enough to completely shatter it, unwinding, undoing, pressing down harder against the fragile cracks in your walls and letting that mess slip away past the desperate grasp of your arms and down away on the floor.
You shut your eyes and tell yourself you saw nothing.
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VIII. SKELETONIZATION
You don't hear much of the man, save for Kafka's questions muffled behind the walls. The whats, whens, wheres and hows that you can't keep track off without giving too much of yourself up ( you're afraid you do, a thousand different things will split. You tell yourself there's nothing there ). You focus in the clock instead, watching minutes after minutes pass beneath the incessant sound of it ticking, ticking, ticking.
Minutes after minutes after minutes.
There's a final exchange of words. You hear a tumble, a body hitting the ground. Kafka walks out, hardly bothered in the slightest and pristine save for that dampness of her gloves. She shoots you a charming smile, taking in how you'd tucked into yourself. "Well you're a sight for sore eyes. Scared, lamb?"
You're scared of a lot of things now, of the woman in front of you and the man outback and the man whose words they stole and the impending aftermath predicted. You're trapped in your own burning house, doors jammed shut and the window too high to take a jump. You'll suffocate in here, choke till your lungs collapse and your organs scream and fragment.
Kafka cups your cheek. "Hm, a pity. Scripts have to be followed though…sorry about that doc." She draws away and you let out a wet little sob. "Don't be too sad about it." She coos, patting your cheek. "On the bright side, I'll be leaving soon. Stay close to Bladie, okay? Can't have you running off and throwing a fuss now."
Dear lord no. Not Blade. Not Blade after all this. It feels like a joke and a half, an empty attempt at drawing out any laughter from an unenthused crowd of blank eyed faces. You stay seated, wide eyed and insistent. "No." you choke for good measure. Kafka's expression glows.
"No?" she echoes, a hand resting against either side of the armrest. You try to make yourself small, edging away from her farther and farther till her knee slots between your legs and you nearly cry out and kick her off. "Come on now." She coaxes, hand tugging at your waist, sitting you up proper. "Don't be too difficult. Bladie's not half bad."
You shake your head, blanking out through her crooning as your struggle intensifies. "Stop it." you repeat, shaking your head, seized and maniacal till your nails dig in. Kafka doesn't flinch. She's still smiling. "Don't you dare tell me I'm being —" You sob. it's messy, so messy and that pain in your chest only grows, spreading across like blooming rot. " — that I'm being difficult." You spit. "After all this, I'm allowed to. You're both insane, you fucks, I — "
Kafka presses a thumb over your lips. You bite, hard.
"Listen to me." She keeps talking. She won't stop. "Stop crying."
You stop crying. Your mind is empty white and fuzzy static stretching out like elastic. You feel her laughter against you. "Good girl." She praises. "Now, go on along with Bladie, okay? He'll do a good job looking after you."
You claw at the walls, trying to protest as your body lifts, padding out back, trapped within the long winding of corridors that didn't quite look like that once. "Kafka." you hear Blade echo again, his hands resting heavy on your shoulders. It sounds exasperated? Why? You're fine. You think you're fine. You see a magenta blur flutter around you and words spatter apart and stitch back together into nonsense and noise.
Blade takes you by the arm. You're half leaning against him, the soft, shaky breaths against his ribs and his heartbeat ( it's a slow, faint sound ). He seems to linger in place, letting you be as your nose screws against the smell of blood spotting his clothes. Then, he's leading you along the less crowded roads, shuffling past the harsh blaze of streetlights. Vaguely, you remember where this route takes you and you try to join the pieces — the memories feel so far, far away.
The mass tucked under Blade's arm moves. You look the man straight in the eye and do nothing. Your mind, your ribs are barren spaces.
You smell salt, hear the sea, the waves, the wind. The man in his arms struggles ( you're not here ). You see the panic stretched across, the way he pales to what looks like ash grey ( you're not here ). You watch Blade turn your face away, annoyance sparking in his eyes ( you're not here ). You look on anyway, as his fingers claw at his throat, so easily tearing apart soft flesh and tendon and muscle till his hands are stained warm red ( you're not here ). You're lain bare to those death throes, a wheezing from a broken windpipe, the yellow of subcutaneous fat and the ruptured arteries ( you're not here ).
"You should have looked away."
Blade's voice pulls you out. You finally breathe. Take it all in again as the cotton and the fuzz and the silk web is untangled from your notches. The man falls to the sand, nothing more than dead weight at this point.
( This could be you. )
You take a good, long look at him, at that tear stricken, marred face, that distended jaw and the awful angle to his limbs. The sand is already soaking up beneath him — he was alive once. You didn't know this person, you'd never met him and…
( You let him die. You're a doctor and you let him die. )
Blade's brow furrows when you take a shaky step back, two clear words; 'do not'. You look around you, spot one clear rout of escape amidst that hopeless need to collapse, the world spinning faster and faster and fraying and burning away at the far extremities. You try to run.
He doesn't lie when he says it's easy to catch you again.
You're drawn close, your back practically colliding against his chest before you could make it too far. That rabid, scrambling beast in your snarls and you sink your teeth into his wrist, kicking wildly till your foot connects with his shin. Blade grunts, and you slip away just a little, an inch, one more. But he's bigger, bigger and stronger and it takes a moment for you to fall to the floor, swiping into the buzz and feeling his heaving chest pressed against yours.
His hold closes round your throat. "No — " You burst out,. "No, no don't — "
Blade doesn't move as much against your kicks, face drawn to stony apathy while you try to pry his fingers away, vision blurring against tears and snot. His thumb presses down against your thyroid, breaths unevenly paced to an animalistic rhythm. He doesn't seem all there with how he seems so steeped in madness and…
…fuck it, you're terrified.
Your hand gropes to the side, closing round the uneven surface of a stone. You drive it into the side of Blade's skull, a faint crack ringing out. He falters, wide eyed as one hand presses against the wound and comes away wet. You take a gasping breath in, pushing yourself up but Blade drives you down hard, down to your back till it hits something soft, and still and dead —
( No no no nono no no no NO NO. )
The vermilion of his gaze burns you ( just like all those nights ago ).
It's already started to heal, collapsed parts of his skull scraping and pushing itself back out, repairing damaged bone and muscle. And Blade looks half drunk, sunken into rapture and starvation, his hand sliding up from your throat to press at your cheeks. You freeze, ceasing your assault to his chest and stomach.
He curls over your form, shrugging and swatting away your hands to pin you down proper. There is a wet squelch against your arm pressing against that open wound. "Stop…" You whine, trying to tug him back. "Blade. Blade stop — "
He presses his lips to yours. You slam your fist into his sternum, tasting his blood in his mouth. His teeth come next, biting against your bottom lip, taking, taking, taking. It feels infecting, like a disease, like something that shouldn't be there and you squirm. Blade's fingers tangle into your hair, giving it a sharp tug. You feel your back press against the corpse's shoulder, practically crushing you against it.
He's not gentle. Blade can't be gentle with the violence that comes with him. It's too deeply embedded into the crevices of his bone and marrow and in his veins and blood. It's the oxygen he breathes in, the lead that poisons his alveoli and files away at the pliable parts of his abdomen.
His tongue peeks through, pushing past your lips to take a taste. There's that heady taste in you, disgusting, curling in your guts and just about threatening to batter out. You kick him again.
His eyes flash, dyed more red than orange. He comes away with spit and blood smeared across his lips. You heave, staring up at him, then break down, sobbing openly. Blade keeps you still, bending down to kiss you another time, just at the corner of your lips.
"Enough." You beg him, sounding small. You feel defeated, the load wearing down the bones of your shoulder till you're crushed and collapse. "Please."
Blade blinks. He sits up and sits you up with him, nestled between his legs. You look behind you, the man's larynx having come turn free from your struggle, hanging out a hairs breath and cushioned by fat and crushed muscle fibres. You croak, tipping your weight over and emptying your stomach out onto the beach; till all you are retching out is acid and bile. He pulls your hair back, halting your mess from getting caught in it.
"Done?" he asks, drawing you back close to him, his gaze lidded. You shut your eyes.
"I want to go back home." you whisper.
"Alright." Blade promises you, putting you back down on the sand. "Don't move." You don't think you can. Your limbs weight down more and more with the passing minute. Blade drags the body out into the ocean, for a moment, disappearing beneath the surface. He returns, of course. He can't drown, or die ( He's not human, never will be ). "Come." he tells you.
You allow it, him gathering you in his arms. You don't make a fuss, or shout. "Keys." he reminds you. You hand them to him, leaning your head into his shoulder. Your tears prickle beneath your eyelids.
He takes you back home.
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You don't know how he'd avoided the security guard's questioning, or the neighbours, But Blade sets you down on the little stool, pulling the bucket beneath the tap to let the hot water run. You draw your legs to your chest, thoughts collapsing into each other, fracturing and splintering as your trembling grows worse. All you can think of is gargling till the taste of blood is gone and the memory of that kiss is gone.
Blade fixes his attention on you. "You need to bathe." He says, taking a knee. You're exhausted, too exhausted to protest, trembling when he pulls away at your jacket and your pants, letting it pile up by the door.
"I can do it myself." You mumble. You question the necessity of it. He won't listen, after all.
He unhooks your bra and tugs down your underwear. "You're tired." He states. "Your attempts will not be as effective."
"Does that matter?"
Blade hums. "Kafka mentioned the need for hygiene. You could fall sick. Besides, you are a doctor." Not anymore, you nearly snap. He moves on to himself next, unbuttoning his jacket. "Detergent?" he asks when you squeeze your eyes shut and refuse to see any more. The sound of his belt buckle is next and his trousers being pulled down.
"Cabinet under the kitchen sink." you mutter. Blade steps out and you lean up against the bucket, watching the water steadily fill till it reaches your fingertips. You hear the beeping from the washing machine and Blade's returning footsteps. He settles behind you
"Turn around."
You turn. You do not look down.
He spends a moment regarding you, then empties a pitcher-full of water over your head. It's warm enough and you let your eyes slip shut as he works on scrubbing away the blood and sweat from your hair. That rotten thing curls in your belly, ringing round like a centipede crawling.
Blade's thumb wipes away the smudge on your cheek with sandalwood soap and he tips his chin up. "Don't fall asleep yet."
"Okay." you passively reply, opening your eyes. he hums and continues to wash you, treating your body with clinical indifference. You don't know what's worse, the hunger or the distance. The act of being viewed as anything but human leaves a sour taste in your mouth. "What about you?" You ask, filling the empty space. You don't want to think about tonight. You don't want to think at all.
Blade hums. "You can help." He shrugs right after. "We will be done sooner at least."
"Okay." You echo, reaching for the soap. You come to realise that he does need the help. Pulling the bandages off of him was a hard enough task. They were messily strewn on, almost cutting away his blood flow and he sweeps it aside. His wrists and his forearms are next. You don't undo the one on his thigh, furiously washing the dried fluids off of him.
What are you doing?
A part of you laughs at the obscene humour. A few hours ago, you'd have dropped dead at the very idea of doing this, if the hopelessness wasn't torn away from you the reins and left you on the backseat of a crashing car.
"You can…turn around."
Blade grunts and turns. you spurt too much shampoo into your hands. Some of it spills over. "You're scared." He says.
"I am."
He bends down a bit. It's easier to reach his head this way. "You should be. You should have killed me." He states, severity weighing his words.
Your shoulders slump, fatigued. "Please. Just stop." Your voice dips into a whisper. "Just stop. I want to rest, alright?" Blade falls silent, knitting his brow together. He nods wordlessly as you rake your fingers through his hair, undoing some of the knot building up against the shampoo suds.
( Blade thinks you're still too gentle with him, in how you trace one of his scars. But he feels the shudder, the roiling beat under your skin, the fear. He sees how easy it is to bring the tears out again and turn that mind of yours off.
He turns a little, pressing his fingertips to the softness of your thigh, just in case you try to run again. )
When you're both done, he has you swaddled in your blankets and deposited on your bed, clothes in tow. It's horrible, this tenderness. You don't think he's used to it either, in how he shuffles and cautiously pads at your arm like you're a fragile little thing, like he wasn't the one who took the mallet to it in the first place.
"Will you hurt me?" You ask, dead eyed.
Blade's lips part ( sometimes he does, when the mara blooms forth florets in his chest and stomach and he wants to break something that breathes beneath his hands ). "Will you run?" he asks.
"If I do, will you hurt me?"
"Yes." he replies bluntly, his hand resting on your calves. You know what that means. You squeeze your eyes shut and nod, laying down on the bed and curling up into yourself.
"You're a monster." you tell him with a shaky, illegible slur. All this for a preordained destiny, for convenience, because you're a coward. All this and you'll be left with nothing tomorrow. You think of your clinic and what you'd salvaged before opening it. It's foundations and the grey walls of the empty rooms it once had. Your heart poured into it all. "Both you and her."
Blade lowers his head. "We know."
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IX. DISJOINTING
You did not sleep at all, last night. Blade still stalks the hallways at the unearthly hours you wake at ( five thirty on the dot ). A man is dead, a man you barely know, whose body now below the ocean's surface. Maybe the sharks ate him. And your clinic…you curse it all, and you curse that compulsion that has you reaching for your phone.
It doesn't take long to find it after browsing the local news network. A few live footage of the collapsed interior and the busted furniture. Years of work torn apart ( At least Aleena quit. At least she doesn't have to see this ).
"Do you know why they did this?" you ask, your voice scratchy when Blade comes to linger by your door frame. He'd washed his clothes last night, having pulled his trousers back on with a loose fitted tank top. Kafka must have dropped by.
Blade looks away.
"You know." You spit out, fury bubbling up, clouding your eyes, painting it all red. "You know, don't you? Look me in the eye and tell me you do, you little — "
"The man." Blade cuts in. "The man who hurt you."
You grip the sheets. "What did you do?" you whisper, numbness taking foot and taking away more and more reasoning.
"I killed him." he passes you a sharp look. "Letting him live would have put both of us at risk."
You let out a mirthless laugh. "So it's your fault then. You…you come in and just assume I would be fine with you just…" You laugh. You laugh and laugh and laugh till your ribs hurt and your sides ache because it was so unnecessary, all of this. He must be sick in the head, him and Kafka, to twist apart your livelihood and step all over it. Monsters, the lot of them. Monsters.
"Oh god you're a fucking riot. Now what should I do? I have no job…should I go back? Maybe you could get a kick out of me being sold off again, right?" You flash him a bright little smile, mania at it's finest, and anger. So, so much anger it boils your body alive.
He narrows his eyes. "You will not be leaving. They'll come after you next."
You giggle. "Of course they would." You whisper. "Of-fucking course they would. Then I'll just die. Let my father douse my ashes, if there's even a body to cremate because that just seems the best way to go." You lay back down, tugging at your hair with frustration. The mattress dips as he lays next to you, lips drawn against your nape.
It's possessive, demanding of every little thing and every little part you had to offer.
"I won't be leaving." You snarl, feeling all that spite gather. "I can't because of you. remember?"
"I know."
You press your cheek against your pillow. You're tired again. You want to sleep. "You may as well just kill me at this point." You state flatly. "There isn't much use keeping me alive. I've served my purpose right? What was it, some glorified shield?"
His grip on you constricts. You're pulled closer to his chest. "You will not die." He tells you, his nose pressing up against your neck. Blade inhales, tangling his fingers into your hair. "And I won't kill you."
You bare your teeth at him. Then you stop, and press your face to the pillow again. "Enough." you tell him, feeling angry and tired and empty and more. You try to push Blade off of you, the small of your back brushing against him. Blade lets out a hiss, nails digging into your forearm and you freeze.
He's pressed up, half hard against you.
You throw yourself away from him.
Your eye sockets burn as you flinch and struggle. "Stop." He rasps his order, pressing you stomach down against the mattress as you curl over the edge, letting out a panicked whimper, a migraine searing through your forehead. It turns into an ugly sob, into cries that bleed into the sheets, tracking saliva down as you're dragged back.
His weight bears down hard on your back, his mane curtaining your line of sight. You try to elbow him off and he wrestles your hands down, pinning them behind you. He's panting, letting out a stray growl every now and then. The edge of his nails dig a little deeper into your wrists, just as the other hand fixes itself firmly against your thigh.
You shake. You don't try to hide the glassy eyed look. You only shake.
Blade's annoyances seem to mount, his forehead pressing against your temple. ( Appease her, Kafka's voice whispers to his ear. Blade feels too much of you beneath his palm, and it stokes a selfish hunger that comes down violently ).
He trails his hand upwards. You lay slack, surrendering to it with a tense form. It tugs your nightwear down, spreads your legs a little more. You cry a little, then give up on it, his fingers exploring the softness of your thighs and slipping to the inside. He lets your hands go and you come to grasp at the pillows, nipping down at your bottom lip.
"Blade…?" You whisper, unsure.
He traces the seam of your cunt, dipping a finger inside to toy at your clit and you squeak, grabbing his arm. "H-hold on that's — "
Blade turns you over, draping your legs on either side of his hips. You look at him, pupils shrunken down at the sight of him surveying you, his lips pressing over the curve of your knee, then further down. You squirm beneath him, movements stilled by a firm hand on your belly. Blade bites hard, tearing into the skin of your thigh, breaking capillaries and drawing blood.
He pulls away to witness the bruising and the wet wail you shudder out, soothing you with his tongue brushing over the wound like a dog. You slam your foot against his shoulder. Blade simply grabs it and hoists it above his shoulder.
"Let me…" he mumbles, groaning up against your skin, spacing your thighs apart some more. You're squirming, and he roughly pulls you closer. "Stay still."
You can't, you want to say. You can't when he's touching you like that and —
He stills. "You haven't done this before, have you?" he guesses. You want to sink, sink down into a place that was far away from here. Blade's eyes are unnaturally bright, burning like coals against the dim lighting.
"Shut up and get this over with." You rasp. There's nothing here, nothing between the two of you. Maybe a few sick feelings from his side. You want it to be done with and let the maggots eat away at your body after ( if that makes it easier for him in the end ). Blade huffs, vague amusement flitting past his expression. His cheek is smushed against your thigh.
"Your first…" he mumbles, a vague story playing out in his eyes. Your legs are pushed back, and he sits himself down before you, teeth grazing through soft flesh till he latches his mouth to your cunt and presses the expanse of his tongue over your bundle of nerves. You mewl into it, jolting under his touch as his hands come to massage circles at your hips.
You stay steadfastly quiet after that, as the assault continues and he licks a strip up your slit while gauging every little shift and twitch on your face. You could have fooled anyone else with the forced apathy, fooled Blade with you looking at anything but him. He suckles at your clit, rolling it over the tip of his tongue and you twitch, bucking your hips into the grind.
Blade demands. He demands and keeps demanding, eating you out half starved and at a pace you couldn't keep up with; feeling that appendage slip into you at some point of it all. You moan ( this doesn't feel goo. It shouldn't. How fucking pathetic are you?! ) trembling at all the new feelings blurring out your mind.
You tell yourself to take it. Take it and let him leave you be after that taste of satisfaction. Blade nuzzles into your cunt, smearing your building slick against your outer lips till smelted orange meets the fatigue in yours.
"You're being stubborn." he comments, pulling away for a moment. You grit your teeth, open your mouth to snap back. Blade dips down then, a finger slipping into you, massaging your insides and pacing himself with more gentleness than you'd expected. Gasping and grasping at the sheets, your narrowed gaze fixates on his, fuming, fuming.
You push his face away when he leans in close and he persists, teeth latching over your neck, licking a delicate strip up the column of it. His chest seems to vibrate — it's not a purr. It rattles at you, it's unnatural.
"Make it quick then!" you sob. "Please."
His finger curls inside you and you curl your toes into the sheets, keening into his hair. You hate this. You hate this. There is a warmth in your insides that stirs and seeps through the cracks. Blade seems to notice and takes it in with a hunger that terrifies you. He presses his pads against that sweet spot, a thumb returning to your clit. You whine, shake your head.
"Good?" he asks. It feels like a taunt.
"Shut up." you grimace, rocking your hips in pace with him. It's little jolts of that buttery feeling that has your mind sink further and farther away. Blade kisses your neck, grinding up against your ass through it all. It's awful. It's all wrong, this facade of gentleness.
You mumble, grinding at his hand as another finger is added and he stretches you out a little, testing your limits with rapture. That heat grows, grows, grows bit by bit, tuned to the way his finger curls into that spot. A moan spills out, then another and you spa a hand over your mouthy, shaking your head. You want it to stop. You want this to stop now and —
Blade's digits nudge against your cervix and he bears down on your clit hard.
It snaps, that warmth. You tighten round his gingers, clenching, sucking him in deeper and his lips part as he watches you fall apart with a jumble of words and begging. You fall back into the sheets as he pulls his hand away, laving at your mess while he undoes the buttons of your shirt. It spares a peak of the sweet of your breasts, the soft expanse of your stomach. He's seen it before. There's nothing new to it.
He bites again, not as deep this time as he pulls his pants down. You spare a glance, snapping out of the afterglow when you catch sight of him. "That won't fit." You whisper.
Blade shudders, his cock resting at your stomach. It's hot, an angry res that makes you feel uneasy. You half expect pain when he slides down to breach you entrance, you expect tears and you expect it with hunched shoulders. Blade is slow instead, thoughtful, almost. He keeps his progress slow, watching you wince against the stretch before he thrusts in deeper, finally nudging his tip to your cervix and staying there a moment.
Somewhere between all that, his hand finds yours, pressing down at your palm in awkward assurance.
You can't take it.
"What are you doing?!" you demand, whining against how full you felt. It's strange, so strange and you think you see the mad ramblings from friends and gossip over how good sex felt sometimes. But this is Blade. Blade, with his violence and his slashed wrists and the way he stank of death.
Blade pushes some of his weight on you. "It's your first time." he replies.
Your first time. A rare consideration. An emotion that bud out too late for your tastes. "Why should you care then?!" You snap, grabbing his tank top. "For fucks sake, stop treating me like I'm your lover! I'm not! You're not doing this to me because you have feelings do you?!"
The question was wholly rhetorical. It's a harsh accusation, mounted by everything else he'd done wrong. Blade falls silent, eyes wide. You leer up at him, then chortle with disbelief. "Oh god, you are." You choke out, feeling violated in a way. Feeling more violated than you were already. Blade keeps staring at you as you cover your face, cackling. "Oh god, oh god this is just unbelievable! You like me? Me?!"
You feel venom drip into your words. You feel that ache, the urge to tear his eyes out then and there. Boys will be boys. The words keep echoing through and it makes you physically ill to think of it.
"You're pathetic. You're absolutely fucking pathetic!" you cut through, grabbing his hair and pulling at it. Blade grunts, annoyed. You don't care, ripping at his face, his neck, his shoulders. "Fuck! Fuck you! After all this bullshit, fuck you!" Blade hisses, trying to shift a bit, move some more but you kick out at his thigh.
"Do not." he grits out, his voice low and angry. "Your anger is an inconsequential thing. I've seen far worse."
"You think I want your guilt, you ass?!" you demand. "You think I want you begging and grovelling for forgiveness?!" Blade thrusts. You dig down, fight against it and the sweet burn it brings. You feel that storm brew in your chest and you spit at him, jarring Blade enough with wide eyed shock ( it's a satisfying thing to see ) to slam your weight into him and roll the two of you over, your hands grabbing at his throat.
He nudges deeper into you and you cry out, feeling his tip coax into your g-spot. Still, you hold on.
Blade still watches, gauging the sudden shift, waiting to see you move. When you take a moment to gain your bearings, he grasps at your hips, guiding you down his cock and you almost falter, feeling his free hand tweak your nipples. sputtering a little, you persist, your thumbs coming to press against his Adam's apple.
Blade lets out a gasp, snapping his hips up again, drawing himself out then back into you. You feel him grind against those sensitive spaces he'd gauged out earlier and a few flustered cries sputter out before your grip tightens round your neck.
He sets his speed, increasing that pace to a faster rhythm, grasping at what parts he could, letting you take from him for a moment. You double over, teeth tearing into his cheek. "I despise you." You tell him. "I hate you for taking everything away from me. I hate you for ruining my life." You pour it all in, all the vitriol and the fury. Blade's eyes shut.
"I know." he grunts, feeling you clench down on his cock.
"I wish you'd stayed dead." You add, feeling it all pile up into a raw mass that eats you alive. "Do you hear me?"
"I know." He repeats.
"I hate you." You sob out, your tears splattering against his jaw. Your thumb presses down harder. Blade moans, his tempo increasing and catching you in it's midst, hitting your sweet spot over and over till it tumbles through to make a mess between the two of you, the baggage and the tucked away harshness. "You're pathetic. Absolutely fucking pathetic."
It feels so fuzzy, the heat, the faint warmth from Blade, blocking out his airflow. His movements grow frantic, almost, his grip on you bruising your hips till finally, you find you release again, legs weakening below you. Still, you hold fast, dragging yourself over the expanse of his body as he keeps up with thrusting faster and faster to a brink of near over-stimulation, all of it animalistic grunts and grows and teeth nudging at your chest.
You press down hard enough and Blade finally cums, his release coming in spurts inside of you. The cartilages in his larynx give out and you feel tissue collapse into itself ( just like that man on the beach with his throat torn out, poetic in a gruesome sense ). You watch him struggle to breath and you push down harder, hysteria bursting as you bare your teeth and drive him closer to another death.
Blade goes still below you. He's cold as a corpse.
You sway a bit, lifting yourself off of his cock, falling into a haze of cotton wool and sick satisfaction, tipping into the space next to him. He's dead. He's dead.
You shut your eyes, and you feel nothing.
You have better to do now, the unsaid and the undone. The empty buzz of pleasure slowly recedes and you grasp your phone between your hands, tapping at the message app. You let out a soft cry, shoulders shaking. There was a life once that felt far too distant. Where you'd been tugged away and folded into silk and gold till you were shackled down and told to stay quiet. 
( There are many things you want to tell them. Many angry things, many quiet, introspective things. Many with a little more love lining your words, a little more longing. They still wait for you, even after shutting their doors. You know this too. )
So, you start to type.
Dear Appa…
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Blade wakes when the sunlight filters in, and his arm winds round you in the silence, listening to the rustle down below and the coming commotion. Then, he rises, buttoning his pants up proper and drawing the blanket over your head. "Stay here." he tells you.
You listen to the angry voices and the encroaching footsteps from the staircase outside. Blade summons his sword, stalking out of the room, dog-like, wolf-like, his violence returned to him after briefly being cowed by your venom. 
The doorbell rings and you draw into yourself.
You are not here. You tell yourself. You close your eyes and think of the garden in front of your childhood home.
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