#also just as a side note

[oorangesoda]

#1 Elliot Fan, Beau 😌

Beau belongs to @fuerrziah and when I tell you I was so intimidated to draw him let alone his leather jacket and pants?? I wasn’t sure if I was gonna make it… but I had SO much fun!!! Genuinely LOVE this stinker :’) he’s probably thinkin about Elliot…

[jq37]

Please let us know if you solve this mystery!

OK! It’s the end of the year so let me compile everything I was able to come up with (with the help of everyone I dragged into this–you know who you are and thank you and I’m sorry). 

To anyone who’s just seeing this and doesn’t have context, in November, right before the movie Wish came out, I made a longish post questioning who Allison Moore was (which, incidentally, is the first post that comes up when you Google “Allison Moore Disney”).

The reason I was curious about who this random writer is is because she’s credited as one of the co-writers of Wish, Disney’s 100th Anniversary Feature Film BUT she has no obvious experience writing for animation, children, or fantasy when everyone else on the main team has credits on stuff like Frozen and Encanto. I thought it was bizarre that there would be someone so green on a project so big so I went digging. 

Here’s what I learned:

(1) Moore wasn’t originally announced as being attached to the project. Chris Buck, Jennifer Lee, and Fawn Veersunthorn were all mentioned when the project was officially announced in Sept 2022 (for example). Moore was not. And you’d think they’d mention the *co-writer*, right? You don’t start to see her name until a year later in Sept 2023 when the trailer dropped (for example). So it seems like she was brought onto the project later. Of course, this could just be a normal quirk of the industry or something I’m misinterpreting, but I think it’s worth mentioning. 

(2) Moore seems to have a lot more credits in stage writing than she does in screenwriting. I wasn’t able to 100% confirm it until recently (I’ll get to that in a second) but she’s written a bunch of plays and it seems like this is where she has most of her bona fides. 

“Allison is the recipient of two Jerome Fellowships, two McKnight Advancement Grants and the Bush Artist Fellowship.”

That sounds fancy. But it still doesn’t say “Top Choice for Disney Anniversary Movie” to me. That’s not a statement on writing quality. I haven’t read/seen any of her plays. It’s about the subject matter. Look at some of these synopses:

None of that really screams Disney. Which isn’t to say people can’t have range. George Miller wrote all the Mad Maxes but also Babe and both Happy Feet. But if I was hiring someone for a really big project, I wouldn’t want that project to be their first attempt at expanding into that genre. 

(3) This isn’t actually inherently important but she was on an episode of Nailed it. That’s where this picture comes from:

She won the first round and the game ended in a three way tie for the first time in the show’s history. 

The only reason this is noteworthy in the larger scale of things is that, until very recently, this was one of only two places online you could see Allison Moore talking. The other is this very short interview on the red carpet during the premiere. 

There’s nothing in that interview that explains anything. It’s mainly her talking about how it was fun working on the movie and how good the movie is. 

Honestly, good for her for not being Extremely Online, but it really felt like I could get a bit of a handle on everyone else who’d worked on this project in a high profile way but not her. Which is part of why I started down this rabbit hole to begin with. There was nothing to show where she might have had a connection or an interest or anything that would connect the dots. 

For reference, Fawn (who was one of the Directors and story writers) has the kind of resume that I was expecting Moore to have when I initially Googled her:

Smaller jobs on other kids/animated movies (Hop, The Lorax, Despicable Me 2), some storyboard or art work on other Disney stuff (Frozen, Moana, Zootopia, Ralph), and then a big break (Raya and Wish). Based on my understanding of the industry (and I know a fair bit because it’s one I’m interested in professionally) that’s a very typical track to get to the writing side of animation.  

A couple of people speculated that Moore got onto the project in a mentorship capacity. Now, I’m a Black woman who writes fiction professionally when I’m not on this hellsite (affectionate) with the rest of y’all. That means I have firsthand experience with what mentorship looks like in writing–both official Diversity and Inclusion type mentorship and more organic “Let me take you under my wing” type mentorship. I have *never* seen anyone get a job this high profile at the jump just due to mentorship alone. Going from zero to Disney’s 100th anniversary is kinda insane. This wasn’t some B project or something. It was a Big Deal Project. And this is Disney so they could have hired basically anyone they wanted. So you have to assume this was an active decision someone made and not just a thing that happened for lack of options. But in all my searching, Moore wasn’t mentioned except to just say she wrote the screenplay with Jennifer Lee. It was just the baking show and the Youtube clip.

Until today.

(4) I’m going to preface this by saying this doesn’t actually answer the question in a big AHA! way, but it is the only interview I’ve seen about Wish from Moore besides the red carpet clip.

On December 15th, Moore gave this interview with the San Antonio Current.

I stumbled across it while searching for a different piece of information and eagerly clicked to see what she had to say after three weeks of silence after the movie dropped on November 22.

Here are some highlights:

-In high school she was a theater kid and thought she wanted to pursue acting. 

-I college she did playwriting and eventually she got her MFA from Iowa (which has a weirdly great MFA program btw, and also, this interview is how I confirmed she was the playwright Allison).

-When she started on the theater track at her college, she told them she was a playwright so she could study that too even though she’d never written a play before. So it sounds like Wish isn’t the first time she’s just jumped into a new thing without experience. You have to respect the hustle.

But this is the most important line in the interview because it’s like, an answer and a non-answer all in one. She’s asked, “How did you go from writing plays to writing for TV and film?”

And her answer is, “I had a whole career writing for theater, and then when my son was born, I realized I needed to make more money, so I started pitching for TV. I worked in television for about a decade. In the midst of working in TV, I continued playwriting. That's how I got on the radar at Disney.”

Which kind of sidesteps the most intriguing part of the question? Like, first of all, it’s not 100% clear if she means her playwriting or her TV writing caught Disney’s attention. I’m guessing playwriting, but I could be wrong. Secondly, who is “Disney” in this situation? A Disney recruiter? A Disney director? Did Jennifer Lee see a production of Slasher: A Horrifying comedy while passing through Texas and think, “Her. I want her to be my co-writer on this children’s film.” And what did she do to impress them so much that they right away put her on the the *Anniversary Project*? Like, I know I keep harping on this but I can’t stress enough how big of a deal this is. It’s hard enough to write for just your average sitcom or little movie. To just jump on something this big is baffling. I obviously don’t expect Disney to be justifying their every hiring decision publicly but, usually, when someone is doing something like this, it’s very obvious why they were chosen and, even with this sliver of explanation, it’s still frustratingly opaque. And with the strange post hoc timing of the interview (seriously, doesn’t promotion usually happen PRE movie release?) It almost reads like an interview that exists because someone realized the lack of any online presence was weird. 

(5) When she was a kid, Allison Moore had a crush on Fox Robin Hood. That’s not at all important to the mystery, that’s just information she volunteered during the interview and that I’m now sharing with you. So when you search her name now, the top results are me wondering who she is, her IMDB, and her talking about how she liked Fox Robin Hood's little hat. Which isn't a LOT of information, but it’s more than we had before and that’s something.  

[hinamie]

I don't want to regret the way I lived

[riddlerosehearts]

listening to a podcast about the emperor's new groove/school and the host said that the height requirement to play kuzco at the parks is like 5'4" apparently. this is so funny to me like why is he so tiny

(<- is shorter than 5'4")

[dillyt]

Great news for uninsured adults in the USA who want a COVID-19 booster! It now appears that ALL CVS locations are now active participants in the Bridge Access Program. The Bridge Access Program gives out free Covid-19 vaccinations to 18+ adults who otherwise can't afford one, so if you have a CVS near you, please go get one! For others who don't have a CVS near them, please go to vaccines.gov, click on "Find Covid-19 vaccines", fill out which vaccines you prefer (you can mix different vaccines if you have to so i reccomend just marking all of them for the age groups you need), and when the next page loads mark the "Bridge Access Program Participant" option to see only locations that are Bridge Access Program participants. Hopefully, other places that aren't CVS will start participating soon, so just check back every so often to see if there are any updates. The CDC Bridge Access Program website also has more details on what locations will be participating, but only CVS is appearing as an active participant on the vaccines.gov location finder at the moment.

[queerdraws]

Fanart for a snippet of my most favorite heartbreaking moment from swordsmans's fic bone-breaker ospreys mate for life (rated E)

[xkaru-karux]

“i could be the light and pearl could be the darkness” - mythical j. sausage

[turtletoria]

one downside to digital mediums of art is that you cant see the tear stains (they just slide down the screen)

[aesthetic-uni]

Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT

[lazylittledragon]

did somebody say dadkarios

[jojaxcola]

post-wipeout patch up on a tuesday afternoon (embarrassing) [electric guitar]

[asshatproductions]

I personally don’t understand how people are getting “phone bad” from the new Doctor Who episode when privileged socialites created a colony to preserve their status and race, and technology to keep them constantly connected to each other and separated from anything else outside of them just so they can preserve prejudiced values…

[waffliesinyoface]

a fun thing in the naruto universe is how names work

because like, in japan, the polite thing to do is call people by their LAST names, with given names being like. a friends/family thing?

except, in the naruto universe, they had the clan wars, which went on for GENERATIONS before the hidden villages were formed. And clan tensions were so tight that if you introduced yourself by your last name, someone might just try to kill you because your clan is allied with a clan thats allied with another clan who is an enemy of the person you're talking to.

obviously, this was a hassle.

so, there was like, an unspoken rule of only giving your first name, as seen with Hashirama and Madara. Because if you didn't know for a fact that someone was a senju or an uchiha, you could just treat them as another ninja and mutually decide not to kill each other. Things like the sharingan or any notable techniques would be a dead giveaway, but as long as you're not fighting, everyone can just. Politely not ask questions.

but also, because clans are important, they still want to have something which ties the clan together, if last names are omitted from conversation with outsiders.

This is less important in the modern era, but it's still present - everyone in naruto's academy class, even students who aren't friends, exclusively use their classmates first names. Even the teacher isn't immune, he's called Iruka-sensei, not Umino-sensei.

Which is why most clans have first names with common, repeated elements, especially where the main line comes in.

Ino/Shika/Chou is the obvious one, but you also have things like the Hyuuga having a history of the first-born having their name start with Hi (Hizashi, Hiashi, Hinata, Himawari, etc.) or the senju having -rama (Hashirama, Tobirama, Kawarama), the Inuzuka being named after animal body parts (Tsume - claw, Kiba - fang, Hana - nose), all sorts of stuff like that.

It works both in universe (clan loyalties and traditions) and out of universe (group similar characters together)!! its really neat!!!

kishimoto did a lot of dumb things with the Lore and consistently forgot details he'd written about earlier on, but when he DOES have a consistent worldbuilding thing it's super cool to think about.

[numbuh424]

AU where Light never picks up the notebook and goes on to join the NPA, eventually following in his father's footsteps as chief.

The first L has retired (which is a nice way of saying he's disappeared and no one can track him down), forcing his successor Near to take up the mantle.

Years later, the chief of the NPA is summoned by L to help track down a serial killer.

[fluffyartbl0g]

Holy crap this is like world record breaking pace guys

Speedrun/Time Travel AU masterlist

[padfootastic]

you know, what gets me about OoTP is that sirius decided to do the whole ‘don’t you have questions harry. shame.’ routine in PUBLIC. in front of everyone. he could’ve very, very easily done it in private, just taken harry aside for a minute and info-dumped but he didn’t.

and that’s honestly such an important part, i think.

like, for one, he sincerely thinks harry should be getting this information at the same time as everyone else, in the same method. it’s not something that’s meant to be hidden and whispered. he is essentially establishing that harry has a right to this knowledge. that’s something no else has done. even when dumbledore tells harry something, he doesn’t do it because harry should know, he does it bc harry needs to know, at that time.

i also think, another part is bc sirius realises that the kids are involved in this together. he saw the golden trio dynamics upfront in the shack, he knows these kids have his kid’s back and they will either find out from harry and/or they’re in as much danger (virtue of identity, proximity, and curiosity) and therefore must know as well. he can’t force the weasley parents to tell their kids, but he can put them in a position where they might just have to. (low level rebellion incitement lessgooo)