you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!"
that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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Every year Kate holds her own Kane Family Events™️ on the same nights as Bruce has his, a cousin rivalry that's been going on as long as either of them can remember.
Dick occasionally joined the Kane's to spite Bruce the first few years, but eventually settled into his Richy Wayne persona.
Jason attended the first few Wayne galas, and immediately decided he wasn't fond of all the formality. He made a deal with Dick, he'll go to the Kane events and bring back leftovers if Dick does the same at Wayne events.
He ends up having a lot of fun! He's pretty much immediately hoisted over to the kid table, which would be more offensive if 18 year old Bette Kane weren't also there. Eventually someone else joins their little gossip duo, a blonde boy named Joey whose around Dick's age. Apparently his mom is Kate's aunt or something and she runs the New York branch of Kane Corp. He's pretty cool, Jason was a little surprised he couldn't talk but he knows ASL so it wasn't an issue and they have a lot in common!
Flash forward a few months later. There's a new Titan team, and Jason gets to visit them today. He's heard of them all at least, Wally, Kori, and Donna are regular fixtures at the manor, and he's met Roy a few times too. He's NOT expecting to see Cousin Joey lounging on the couch.
"-and this is Jericho, or Joey." Dick introduces, oblivious to Jason's inner turmoil.
"Nice to meet you." He says on autopilot. He opens his mouth to- to? He's not actually sure what he could say but he doesn't get the opportunity either way.
Joey waves back, curt and polite as would be expected of two perfect strangers. There's a secretive little smile quirking his lips, the one he gets after he drops a particularly juicy piece of gossip.
Jason's lips thin, keeping the questions trapped behind his teeth. He nods subtly, and the introductions move on.
It's only at the next gathering, with Bette off at the buffet, the two of them sequestered in the corner, that he makes a realization. "Oh my God auntie Addie is a meta!" He gasps, interrupting the conversation. He'd barely thought it through. He saw Adeline deeply engaged with the annual drinking contest out of the corner of his eye and it fell from his mouth before he could stop it. If Joey is a meta that was born with his powers, he had to get them from somewhere. He's not exactly surprised that Addie is a metahuman, he just hadn't realized.
Joey gives him a weird look, part amused and confused before he seems to follow Jason's train of thought. He shakes his head with a grin, signing father. Like that gives him any context.
Joey doesn't talk about his dad. Whoever he is has never shown up to one of these events as far as Jason could tell. His only clue is the last name Wilson, not one that Joey uses himself, but the one entered in the system at the tower.
He turns that information around in his head, utilizing all of those detective skills to piece the clues together before Joey interrupts him with a gentle nudge.
He's picking me up tonight if you want to meet him, Joey offers, a spark of mischief in his eyes that makes Jason suspicious.
Jason chokes on his own spit as he watches Deathstroke emerge from a Benz, dressed down in jeans and a T-shirt. The man gives Jason a look over, recognizes him, and then ignores him completely. Ushering Joey into the car talking about tickets to some events or other that may or may not be a mission.
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In your post about the Darkling where you listed your opinions of him (first impression, impression now, favorite vs least favorite thing, etc) you said how if you had to choose a least favorite quality it would be his grumpiness (especially in RoW). Since I refuse to touch that cursed duology if it’s okay, may you explain what you mean? I know we get some of the Darkling’s POV but that’s pretty much all I know. Could this entire trait of his be a product of Bardugo’s retconning habit or is it something more?
Aha. I see you're practicing self-care too, dear anon. 😌
Here are some examples:
From his POVs we can see that Aleksander is very pragmatic but also bad-tempered and bitter but that's completely understandable.
He has just been resurrected and:
1) Encountered a Saint that he detests.
2) Found his country to be in the worst state possible. Flanked by enemies and ready to attack.
3) Oh and let's not forget that devastating blight! ☝️
4) His captors have treated him like shit and put him under inhuman conditions.
5) Saw the woman he loved live a life that she doesn't deserve, being a shell of her former self and married to a man that he hates and considers worthless.
6) He's all alone. No Baghra, no Alina, no allies, no soldiers. He has to start from all over and has found himself surrounded by idiots (but even so he feels the need to protect them).
The fact that I find his grumpiness kinda annoying is because I as a person have been surrounded by grumpy people all my life so I can't help but find it unattractive and bothersome.
But then again, Aleksander has a really valid reason for being this way. It's very possible that he took this sarcastic attitude from his mother. After all, they had spent so many years together that Aleksander really adopted most of her traits, unwillingly or not. But I also believe he's that way because he has lived for too long.
He's immortal. He has done everything and seen everything, has seen people being kind and cruel, predictable or unpredictable. His experiences have only made him more bitter but that's also because he hasn't seen any positive changes or results from his constant battle against the persecution or how Ravka and the Grisha have no regard for him or don't notice his efforts at all.
Anyway, he's bitter about many things. In RoW he's that way for the reasons I explained in the beginning but, as a whole, he's resentful for a bunch of reasons that include his immortality and its consequences, the loss of people he loved, his strive to be seen and appreciated and the horrors he has witnessed.
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