#also he just gets bored

[forecast0ctopus]

enterprise diplomacy event

[shanklin]

Sentient Mystery Shack, who is really biased towards Stan, so when Ford tells Stan he has to give it back after the summer it’s on sight.

Ford keeps tripping over nothing, nothing is where it's supposed to be and somehow he keeps running into closets when he tries to go outside.

But the worst part, the WORST part is that Ford's lightbulb just won't. Work. No matter what he does it keeps flickering and exploding.

Ford is spiraling. 

There is no reason why it shoudln’t work. All his trial runs work perfectly. He’s already checked the Shacks wiring three times and relearned this dimensions science from the ground up. 

Nothing works.

The Rift? Bill? The impending apocalypse? Eating? Sleep? Who cares about that. 

WHY. WONT. THE. LIGHTBULB. WORK???

It doesn’t help that Stan keeps laughing at him.

“Then you do it!” Ford eventually snaps at Stan.

Stan shrugs and with a little song under his breath screws his own lightbulb in. It works perfectly.

Stanford screams.

[lilislegacy]

One thing I’ve always found interesting is that Rick never really showed us the bridge between Percabeth being just friends to being in a serious relationship. A few little moments in The Staff of Hermes were the closest we got. Like, we see them say “I love you” to each other a few times throughout Heroes of Olympus, but it’s never implied that those were the first times they said it. Which means before TLH even starts, the two of them have gotten to that point. But In Staff of Hermes (which takes place a month into their relationship), they’re still in that slightly awkward phase of their relationship—you know, where they’re super into each other and obviously enjoying the perks of being a couple (aka making out), but haven’t quite settled into that groove of mature, comfortable romance yet. But by the time Percy gets kidnapped (just three months later), they clearly have found that groove, which is evident the second they reunite in MoA, because they’re totally at ease with each other, affectionate, and intimate in a way that supports the implication that those “I love you’s” I mentioned have already been exchanged. So it just makes me wonder when that shift happened? At what point in those three short months did they go from “I’m just happy we’re still together, honestly” to “I'm in love with you, and this is forever"?

Ugh, what I would give to see how they were right before Percy got kidnapped. Still holding on to a bit of that teenage casualness that disappeared during their 6 month separation, but also hopelessly in love and finally open and comfortable with it. URRGGGHHH!!!!

I love them.

[lena-thinks-too-much]

It is so, so important to me that people understand that Tim didn't figure out the bats because Dick was a "Show off". Like yes, Dick Grayson is the most flamboyant, dramatic ass man you will ever meet.

But the quadruple somersault? There's no way that was because dick was just showing off. Because you're telling me Bruce Wayne, who's so committed to hiding his identity that he literally acts like a completely different person out of the mask in public just to ward suspicion, would miss the fact that Robin regularly uses the flying Grayson's trademark move? There's literally no way.

In the comics we see Tim explain his deductive process to Dick and Alfred and they're both surprised impressed whatever. We don't see him explain it to Bruce. I think Bruce would be surprised and shocked that a 9 year old was able to put the pieces together but I don't think he'd be surprised that the quadruple somersault gave it away.

So if Bruce was possibly aware of such an obvious give away, why let it continue?

I'll tell you why.

It really comes down to the physics

So Dick was 9 when he started out right? That means the most he'd have likely weighed was 43kgs or roughly 95lbs in freedom units.

But Dick and both of his parents are gymnasts who tend to be smaller. So he was likely less than that.

In physics, rotating objects build up angular momentum (this is how bikes stay up right for example). The more rotation, the more momentum. And objects with less mass build up that momentum much faster than those that are heavier.

Robin constantly has to fight people who are nearly 3 times his size. I teach 8 year olds, they're tiny. A quadruple somersault for a small boy that weighs less than a hundred pounds is a brutal weapon. Especially if you add in the acceleration from gravity as he drops in from above.

And I can guarantee you this logic tracks because Dick literally utilizes this idea, without the somersault, in the 2009 teen titans cartoon.

Yeah, that's right. We're talking about the infamous knee drop.

Like it is borderline savage. Add in a quadruple somersault and the resulting force is nearly fatal. It's likely the main reason Batman would ever allow him to do it with the cape on.

Also, Dick landing feet first on the penguin in the first image probably gave the guy severe back issues

[sheerakk]

[keferon]

May I ask what were the best transformers media you ever saw/read?

Well Transformers Prime, Transformers 1986 and IDW comics are having the first place that’s for sure

And then the second place is kind of shared by Fall of Cybertron, Exodus, Prime wars trilogy, Robots in disguise(2001) and Transformers One.

The third place goes to G1, Animated, Earthspark, Armada, War for Cybertron Netflix series, Aligned Robots in disguise, Bumblebee, Rise of the Beasts and Cyberverse because I only liked some little parts of them.

And then I also saw some of the Bay movies, Victory and Headmasters and didn’t like them at all.

Separate first place for J-Decker. It is not exactly Transformers but it is a show about giant robots and I loved it

[sgtpeppers]

That was... wonderful... to just hear it done for real, after... what? Four years of thinking about it? Wondering whether it would work, wondering if I'd written bits too fast, or too slow, or... to actually sort of... hear it done by real, professional people and the singers. It's... there isn't a word for it, actually.

Standing Stone, by Paul McCartney

Royal Albert Hall Performance (x)

Making Of Documentary (x)

Standing Stone is a 74 minute long classical piece of music, which Paul worked on for four years. It premiered at the Royal Albert Hall on 14 October 1997 with the London Symphony Orchestra and London Symphony Chorus, conducted by Lawrence Foster.

After his success with his first classical piece, The Liverpool Oratorio, Paul was commissioned to create some music to celebrate EMI's centenary. He came up with the idea of exploring "the way a Celtic man might have wondered about the origins of life and the mystery of human existence" and tied this in the with standing stones which to him symbolised something mystical and long lasting.

Photos by Linda McCartney, included on the album.

Paul wrote a poem to assist in getting the story he was trying to convey straight in his head, and it was printed in the booklet of the album. However, Paul wanted the music to work without the listener necessarily knowing the story, for the music to speak for itself, and so wanted to create a piece that "relies entirely on colours and effects drawn from orchestral and choral forces".

He also created two paintings to go alongside it:

I really recommend watching the documentary, Paul is absolutely delightful throughout the whole thing. It's the first time he'd used a computer and software to help him compose and he seems so excited to talk about it (and he has a Wallace & Gromit mouse mat!).

What's also interesting is how the rest of the team spoke about him. They all make a point that this was Paul's creation, and although David Matthews, John Harle, and Richard Rodney Bennet were brought in to assist with the composition, they all talk about Paul's talent, hard work, and the freshness of approach he brought. (The words 'benevolent dictator' may get used at some point, but they also speak of his kindness and generosity.)

It amazes me that someone with no formal music training could make a leap for pop/rock to classical. Composing for an entire 80 piece orchestra and 120 member choir is a completely different skillset to writing a song for the radio (and I'm not saying that's a lesser thing to be able to do, just different). The fact Paul was not only willing to take on the challenge and push himself, but created something so magical speaks to the sheer creative force that he is.

[kitkabam]

It came to me in a vision.

[mxmarsbars]

who up imping they dubs ?!

[sublimati0ns]

daily koss #7 … 2025.02.24 … bsky

they’re there for the free energon 🤦

[gallners]

JARED PADALECKI as CAMDEN CASEY FIRE COUNTRY, 3.07 "False Alarm"

[redbean-nom]

A handful of "Boba Fetts" (none of them know what his armor actually looks like)

[cookiedough77]

at first i was afraid people would be upset im only making adrien centeric fics even if he isnt the pov but then i remembered im writing it and i can do whatever i want and nobody can stop me so no im not apologizing im having fun

[itsybitsybatsyspider]

(this had to have happened at least once)

Commissions open

[starry-bi-sky]

yall ever think Shen Yuan went through like, internet withdrawal after being transmigrated into Shen Qingqiu? Like, he's canonically a NEET shut-in who did nothing but spend his time online, you can't tell me that for the first week or first few weeks of being SQQ he wasn't twitchy.

Like, reaching instinctively to his pockets for a phone that wasn't there, having an obsessive itch in the back of his mind that he should check and see if X or Y novel or webcomic has updated -- only to realize he can't anymore and being irritated by it. Wanting to go and see if there's new posts about this or that, but again realizing that he can't.

When he's bored or uncomfortable or just feels like wanting to escape he tries to go for his phone to distract himself, but oops! Not there anymore, and now he has to find a new and different way to distract himself from his feelings. And going through system notifications, quests, etc only does so much.

And there's that Tetris Effect too. SQQ makes a mistake while writing and instinctively goes to backspace on it except hey-ho that's not a keyboard and now he just dipped his pinkie into a bottle of ink or on a still-drying letter.

With him scrambling to fix his reputation and learn how to be a peak lord, I think his abrupt cold-turkey from all things internet would just be another straw on the camel's back that he promptly Ignores until it goes away on its own after he acclimates to his new surroundings.

[shanklin]

I just have to ask whether my guess is right: is it the OTP with tax agent?

Thank you for taking my bait asking!

You are absolutely correct! 

Stan/his IRS Agent

The most tragic or funny or tragically funny ship. My star crossed lovers!

The agent is the one person in Stan's life who never gave up on him. Who stood over Stan's grave and told him that it’s not over yet! They won't accept it.

Maybe it's because they have a job to finish OR MAYBE because they care. They care far more than they thought they would.

Just imagine Caryn crying over the son she's lost, while his twin is standing in the back seemingly emotionless. He told her that Stanley deserved to die for all the wrong he's done and it’s breaking her heart.

Her little free spirit all alone for ten long years and even in death no one but her cared enough to say goodbye.

And then the agent arrives and through her tears she thanks them for coming and asks if they were close to Stan.

After a long pause they reply.

“Yes, he was…very important to me.”

Caryn hugs them tightly.

“Thank you.” She says and sees something in the agent's expression. She takes their hands in hers and smiles through her tears.

“Thank you for loving him.”

Stan is watching the whole scene, arms crossed and frowning.

“Could you tell me about my boy? I haven’t seen him in so long.” She sobs. “And now I never will.”

The agent squeezes her hands and forces a smile.

“Of course.”

Caryn leaves to get her things and Stan confronts the agent.

“Why are you lying to my mother?”

“Who says I’m lying?” The agent replies, refusing to turn around and look at Stan.

“Because you’re just here to close your case. He was nothing but a worthless criminal undeserving of love.” Stan says coldly and gets swiftly knocked down by a punch to the face, his glasses falling off.

“You have no right! Not after you abandoned him. Yes, he was a criminal. He lied and stole and he cheated on his taxes. He was irritating, reckless and annoying, but more than any of that Stanley Pines was a good person. He deserved so much better.”

The agent moves to take another swing and Stan looks up at them.

The agent lowers their hard.

“Shit. Why do you have to look so much like him.” They walk away to find Caryn and leave Stan alone to lick his wounds, never looking back.

***

10 years later a certain IRS agent, who never got over…the one that got away, takes a look at Stanford Pines and starts crying.

The taxes are filed beautifully. Not an error in sight but something about them is highly suspicious, almost mockingly so.

The agent would recognise these tax filings anywhere.

He’s alive. Stanley Pines is alive.

Time to make an arrest.