#also can we get someone writing comics who actually LIKES the characters

[greenglowinspooks]

Honest to god I think it’s a fake out or bait or something but the Batman #148 leaks,,

Hasn’t he suffered enough man. Can we stop using this guy as the de facto batfam punching bag for everyone else’s mental turmoil.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[phagodyke]

ohhhhh my god girl i don't careeeee

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[thankskenpenders]

After a recent interview where Iizuka said it was possible for IDW characters to show up in the games, I've seen some discussion about how the characters need to be introduced "the right way" for people who don't read the comics. And, like, this is obviously true to some extent. You want to convey why people unfamiliar with them should care about these characters, instead of just assuming everyone already knows who they are and their whole backstories and everything. (Anyone who's watched Disney+ Star Wars already has some easy examples of times where they were like "you guys already know this character from the cartoons, right?" and casual fans were completely lost.) But I think people are overestimating how much work this would actually take, especially people who argue that the characters need full-blown reintroductions in the games that depict their backstories all over again and treat them as characters Sonic doesn't already know

I think it's easy to forget that not everyone who plays Sonic games has played every Sonic game. Kids especially. Every single major recurring character in the games debuted before today's generation of Sonic kids was born, and as such every new game is someone's introduction to those characters. The games with the introductions for the Chaotix, Blaze, Silver, Omega, Cream, the Babylon Rogues, Fang, Mighty, Ray, etc. are straight up not available at all on modern hardware without resorting to emulation. To many people picking up Team Sonic Racing or Mania or whatever, those characters are already some random characters Sonic apparently already knows from some previous story. These are not things that every single person who picks up a new Sonic game is intimately familiar with. And yet the games don't feel the need to stop and recount their entire backstories every time they appear.

Also, like, even if you have played every single game, Sonic already has a long history of introducing new characters with little to no fanfare, often treating them as characters Sonic has already met. Core characters like Tails, Amy, and Metal Sonic were really just dropped into Genesis era sequels with no explanation for people who didn't read the manual (i.e.: most players). Sonic has a kid sidekick and a girl who has a crush on him and a robot duplicate now, just roll with it. The modern era would continue to do this with characters like the reimagined Team Chaotix, or Orbot and Cubot, who just appeared in the games one day with no setup. We got along just fine.

(This is to say nothing of the nature of the creative medium the IDW characters originate from, where every new comic arc is treated as somebody's first and supporting characters are periodically given reintroductions to get newer readers up to speed. We've been over Whisper's backstory multiple times now.)

Again, obviously I do want characters like Tangle, Whisper, and Surge to show up in the games with compelling introductions that do the characters justice, but I think people are overthinking how much effort that actually takes. You do not need a whole elaborate adaptation of Whisper and Surge's backstories in the games just for them to have a cameo. You can have Sonic already know them, and if the details are even relevant you can convey that stuff in other ways - brief exposition in the dialogue, context clues, in-game character bios, new stories that showcase their important character traits without 1:1 recreating the stories that have already been told, out-of-game promotional videos and animated shorts like the ones they did to get people up to speed on who the hell Fang is, etc. This is pretty basic stuff when writing for a long-running multimedia franchise.

[bug-bites]

batfam beach episode?? real not clickbait no glue no borax??

cw: nothing! pure vacation beach fluff (p≧w≦q) also barely proofread,,,

pairing: gn!reader x batfam (NOT ALL AT ONCE.)

characters: dick grayson, jason babygirl todd, cassandra cain, tim drake, damian wayne (all intended to be interpreted as either romantic or platonic unless its damian. ik in some comic runs he's like an adult but hes like permanently 12 in my head and i dont fw that :/)

a/n: im back with a new dc obsession tee hee (soz to everyone who wanted more abt the cod guys or spiderverse im comicsmaxxing and redhoodpilled) will probably make a part 2 w/ bruce, babs, steph, and duke eventually :3c

Dick Grayson haha dick

oh he loves the beach so much

the sand beneath his feet make him feel nostalgic from when he would practice tumbling with his parents in the circus ring i think there's sand in circus rings right? I dunno someone fact check me on that one

the victim of being buried in the sand, always asks for a mermaid tail but ends up with something like massive sand tits (courtesy of either tim or jason), he laughs it off anyways

somehow gets the worst tan lines. He wore a swim shirt one time and never again because the tan lines looked SO BAD which is a total shame because he tans gorgeously

will beg to do play shoulder wars i have no clue if this is the right name, again fact check me for this thing where you get a piggyback ride from someone and you try to knock someone whos also getting a piggyback ride over in the water

you’re on his shoulders since bro is strong asf and you square up against tim and damian

obviously you lose because hello that's damian wayne we are talking about but at least its fun!!

cass and jason are forever the undefeated champions of shoulder wars though, that goes without saying

Cassandra Cain

shes always seen beach episodes in animes that damian practically dragged her into watching so when she gets to actually go to a beach she is so excited peak sibling bonding is dragging your siblings into your interests

loves building sandcastles and writing things in the sand, watching it get washed away, and then do it all over again

hold her hand and jump over waves together on the shore and she will be the giggliest and happiest human being alive on planet earth

but out of all the beach activities she loves beach volleyball

shes actually scarily good at beach volleyball for someone who has never played volleyball before

dick thought it would be fun to teach her and have a friendly match between him and bruce vs you and cass

yeah bruce and dick were COOKED. huffing and puffing like they have a vendetta against the three little pigs at the end of it while cass is like “this is so fun, lets go again!”

ends the day with a little sunset stroll along the shore i need her so bad you do not understand please bbyg ill treat u soooo well

Jason Todd

beaches are fun on paper for him, in person not so much

PERSONAL HC INCOMING! He gets migraines after the lazarus pit so he can only have so much fun before needing to lie face down with his head covered with a beach towel to make everything less overwhelming or he wears sunglasses the entire time

he brings a book to read at the beach and stays in the shade the entire time yes he is that bitch

usually at home in the comfort of his little library he likes to read things that have an impact on him or just stuff that makes him want to analyze deeper. think books like frankenstein, lord of the flies, all quiet on the western front, just generally heavier stuff

but his vacation books? totally different. usually something super light, maybe a shitty romance book that you find in walmart which are clearly just results of book packaging, or a some booktok recommendation he got for shits and giggles because it just was so laughably bad, maybe even a childhood feel-good book like percy jackson or the little prince (mostly just books he would not grieve over if sand permanently got in between the pages)

he tried reading a colleen hoover book once and honest to God wanted to toss it into the ocean HE WOULD HATE HER BOOKS AND I WILL DIE ON THIS HILL

but out of everything he likes watching you enjoy yourself, his book wasnt that important anyways. show him that funky sand dollar you found or that really cool piece of seaglass, he’s probably gonna bring it home with him. a little keepsake along with the millions of grains of sand that never seem to go away

Tim Drake

Burns so easily

At first its kinda cute, like hes asking you to help him get that spot on his back he just cant seem to reach and its just a little sweet moment between you two as you rub the sunscreen into his sore muscles

But then it happens again. And again. And again to the point when he goes up to you, you automatically reach for the tube of SPF 100+ 

I just know his vitamin d deficiency goes crazy

Leaves the beach looking like a lobster, sunburnt, a crazy bump on his head from getting hit with a volleyball, and some god awful sunglasses tan lines

Overall, beach activities are not really his thing bros job is NAWT beach

Enjoys the boardwalk a lot more than the beach itself, likes the touristy stuff but still goes to the beach because dick loves it and he loves his older brother :(

Damian Wayne

i feel like he wouldn’t care too much for typical beach stuff. like at every beach that has sand and decently clean water you can do most beach activities

one thing that is never 100% consistent at all beaches is what lives on the beaches. this boy will spend hours staring into tidepools 

bruce was lowk concerned because his son did not gaf about normal beach activities that kids do but eventually he reached a point where he was like "i mean at least hes having fun and being safe"

i feel like talia would always show him books of sea creatures when he was little but he never ended up being able to see them in their natural habitat someone take this boy to an aquarium now

tells you fun facts about each creature you come across

will scold you if you take a shell from the beach, definitely says some shit like “how would you feel if someone ran into your house and just took your bed?”  based though, leave shells at the beach yall! taking them is like bad for the ecosystem

brings his notebook around and has little sketches of the sea creatures

even though typical beach activities arent his favourite, he doesnt hate it. he likes that he can catch a break from all the vigilante stuff and spend time with his family as a family and not just as a team

loves scuba diving. idk it just somehow makes sense and i think he would look really stupid in a wet suit

also i feel like he would never mention it but in his mind hes fully thinking "this is just like a beach episode" but he would rather die than say it out loud FUCKING NERDDD

[glitter-stained]

A fun, happy dc story for a change

Look I can be very critical of Winick's writing because I'm so ambivalent about it but damn if it isn't, on a meta level, a really satisfying spite story.

At the core of this story, there is Jim Starlin. Now Starlin's writing has many flaws, not least of all the blatant racism and sexism. And if there's one thing Jim hates, it's Robin. He wants to kill that little boy so bad, oh how he hates that bright coloured child in tights that's just holding Batman back from reaching his true potential as an absolute badass... And hey, good news! Dc, in trying to bring a second Robin after the first got a new identity, has dropped the ball, and the new boy is unpopular amongst the fans who miss the previous iteration! This is his opportunity to kill Robin, definitely!

But how? People may not have voted him dead yet, but Jim is already planning, setting up plots and trying his damndest to get him killed. And the thing about Jim- the thing that makes him a good writer, you see, the thing that separates him from those losers who fail to see Batman's true potential, is that his writing is gritty. He's not afraid to write a true dark knight facing the grimdark horrors of a town laden with crime, to shy away from the real dark, gritty topic that are mature and dark like rape. And uh, sexual violence against women. And uh, serial raping and killing women. (I'm kidding, of course, I didn't forget the native american cult leader who bathes in blood to prolongate his life. Or about the kgb agent Batman straight-up kills after he tries to kill Reagan. Or about the suicides, god I haven't forgotten about that. Don't worry.) But anyway, sexual abuse in general is a big theme for Jim. It shows how serious and dark and gritty he can be. So he has an idea: why not make Robin a child sexual abuse victim and give him AIDS? That way that's a justification to write Robin unlikeable (by making him emotional when exposed to situations of sexual abuse, unable to restrain his anger when defending a prostitute...) and at the same time it's the perfect way to kill Robin! DC has been considering giving a character AIDS, it's perfect! It will show everyone how dark and gritty Jim's writing is, he can make Robin even more unlikeable on top of how people are upset about the transition between Robins, and then he can finally kill Robin! It's perfect! Jim is a genius!!!

Now, of course, we know that plan failed: first because dc rejected Starlin's idea for Jason to die of AIDS, and second because as soon as Jason (as a character, which is what DC apparently had a problem with) died, they fired Starlin as a Batman writer and introduced a new Robin, making Starlin's vehement campaign against a fictional fifteen years old completely vain.

So that's it, right? Crisis avoided, we almost had some even worst writing that what already was, everyone sigh in relief and go home?

Enter Judd Winick stage left.

Now, remember how DC wanted to give a character AIDS? In 2003, Green Arrow #43 reveals that Mia Dearden, Oliver Queen's ward and a csa survivor of underage prostitution, is HIV positive, and in #45, she takes on the mantle of the second Speedy, becoming, according to Wikipedia, the most prominent HIV-positive superhero to star in an ongoing comic book. (And also one of my favourite comics characters, but that's unrelated.) An important thing about Winick, who wrote those issues, is that he is personally invested in education about AIDS, continuing his friend Pedro Zamora's educational work after his death of AIDS-related progressive multifocal leukoencephalopathy. (He also wrote a graphic novel about it, called Pedro and Me: Friendship, Loss and What I've Learned). So kudos! We finally got someone who has done research and actually holds respect for HIV+ people writing HIV+ characters. And Mia is so cool, man- but not only is she a really interesting character, she is, first and foremost, a survivor. That's how she characterizes herself, sees what happened to her: she did what she had to do to survive, and now she's a fucking superhero and she's here to help others and you know what she's not gonna do? Die "of AIDS."

Yeah, I haven't forgotten Starlin's terrible writing. And, if Winick's writing is any identification, it seems like he hasn't either. The idea of making the second Speedy a parallel with the second Robin isn't groundbreaking, but it's cool that it's there (and also, incidentally, a reminder that parallels are interesting and fun and backstories are not a finite resource characters can run out of or steal from eachother.) Anyway, this includes Winick altering Mia's backstory and making her a street kid to make it more similar to Jason's, as well as Mia's on-screen murder offering a nice parallel to Jason's ambiguous murder in Starlin's Diplomat Son (a parallel I can't help but regard with vindicative snark, because that's how you handle a teenager who has just caused, directly or not, a man's death out of hopelessness in a situation that felt impossible. A little snark of See? Now this is how it's done. Yeah, Starlin's Bruce isn't winning any parenting against Winick's Ollie, that's for sure.) So there it is! Our fun spite story, Winick taking on Starlin's terrible ideas, a teen vigilante and survivor taking on a hero identity to mirror a teen vigilant's loss and death, a good old fashioned schooling. Cool? Cool!

And then, in 2005, Winick buries Starlin's last remaining impact on DC by bringing back Jason Todd, in a move so audacious in the back-then landscape it would be kinda akin to bringing Ben Parker back to life in Spiderman's life as a villain (please don't tell me this happens in the comics I don't read Marvel and if someone wrote that I would honestly prefer not to know). Now, of course, the impact of Jason's death on the narrative can't and shouldn't be undone by that move, but that's not important, because that's not what Starlin wanted when killing Jason - he wanted to kill Jason/Robin, not give everyone grief-induced hallucinations where Jason/Robin had an incredibly salient place in the narrative, so he didn't get what he wanted anyway.

Personally, my view on Winick's writing of Jason is contrasted (and the fact that there are some elements of Starlin's characterization of Jason that I prefer to Winick's deeply amazes me, incredibly ironic situation. Which only serves to point that even Starlin' goal of making us hate his version of robin failed drastically, as me and my jaybin fan mutuals can attest. Sucks to suck!). But as much as some of the decisions frustrate me, do you understand how much of a power move it is to take this child, this victim who has been victim-blamed for years, and bring him back to life with a vengeance and a demand that his life mattered, that his death was a bad thing that shouldn't be tolerated? Do you know how good that story feels, especially to victims when reading it and see that indignation validated, that rebellion against the status quo and victim-blaming, how good it feels to see a "bad victim" that refuses to stay down ? And in the context of Starlin's intent to write Jason a CSA victim, Winick writing Mia, the HIV+ plot for them both- do you understand the genuine and violent glee I feel, that it's Winick that wrote Jason coming back to life and hunting down the narrative with a machine gun?

So yeah. This is the context in which I talk about acknowledging the csa subtext in Green Arrow: Seeing Red, but this post isn't about lecturing you to accept it as canon or imply that you're bad for not sharing that interpretation. It's about spite -towards Jim Starlin specifically. And it's about that interpretation, but the context in which it was written in general, is not just a victory against Starlin, that guy lost long ago, but the narrative equivalent of that Green Arrow meme about taking a funny selfie over a gravestone. In Seeing Red (specifically in the line that's discussed when questioning the csa headcanon), Jason tells Mia they are similar because of what they had to do to survive, framing the sexual trauma on Mia's part (and thus allegedly also on Jason's) again firmly on the side of survival rather than victimhood. Whether it's by becoming a villain or a hero, there's this rebellion against being an object to the violence, which is at the core of Starlin's treatment of sexual violence. This is fun. We're having fun. I'm repeating myself, but do you understand how satisfying, electrifying it is? I'm filled with unreasonable amounts of glee. You don't always need the context in which a story was written to enjoy it but in this case, doesn't this make it so much more enjoyable? (And on top of that, kudos to Winick for killing Captain Nazi, I hope it was as satisfying to write as it looked.) Anyway, Mia Dearden and Jason Todd, the characters that you are. I love them so much.

[ponett]

Do you have any advice for people making OCs/sonas? Yours are really well rounded and unique and I'd greatly appreciate the insight of someone who got a passion project off the ground!

So this is a very broad topic, and it varies a lot based on your own creative goals, what kind of characters you're creating, and where you want to use them. Creating an OC to be used in furry pinups is a little different than creating one for a dramatic story. But I'll try to give some general advice on how I do things for the types of characters and stories I tend to work with

Heads up: this will be kinda long lol

The germ of an idea

For me, I'll generally be inspired to create a character starting with a small number of core traits. These could be anything. A color scheme, a body type, a job, a hobby, a personality archetype, an outfit, a visual motif, a functional role in a story I'm working on, a noteworthy facial feature, a weapon, a relationship of some sort to an existing character, a single scene or joke I want to use them for. For furries and fantasy characters, species is usually one of the first things I'll have an idea for, which tends to get the ball rolling fairly easily since we have all sorts of cultural associations with different animals and fantasy creatures.

Any standout character trait like this that you find compelling can serve as that initial spark. The inspiration can come from anywhere, but it's often just a matter of knowing yourself and your own tastes. What do you like? What are the people in your life like? What really speaks to you in a character? What's an existing fictional character that you'd like to rewrite and take in a different direction? What's an aspect of yourself that you would like to see represented more often in fiction? It doesn't have to be something super deep or fleshed out right from the start, though. You can start with something as simple as "I want a black cat character" or "I want a character who dresses like an arcade carpet" or "I want a character who looks scary but is actually nice." Whatever it is, it's something that differentiates the new character from the ones I already have, because otherwise I'd just be using them.

Contrast

From there, you can start brainstorming other traits that might go with those core traits. Some of those may be traits that naturally complement each other. Continuing with the black cat example, maybe you wanna play into the common cultural perception of black cats and say that this character brings bad luck, or is associated with witchcraft. However, I often like to give characters contrasting or even seemingly contradictory traits, which can help elevate a character beyond a stock archetype. Real people tend to be a walking ball of contradictions, after all.

I've talked a lot about how I did this with the main cast of SLARPG. Melody is a fox, traditionally a crafty and untrustworthy predator, but she's extremely introverted and gentle. Allison is a bunny, but instead of being a meek and cuddly little prey animal she's an outgoing fighter who loves a challenge, and she has a muscular build. I think this kind of thing gives characters some fun flavor, and can be really effective for both comedy and drama. For an example from something I didn't write, take Senshi from Dungeon Meshi. He's a dwarf, and he embodies certain stereotypical aspects of dwarves - he's a short, buff man with a big bushy beard, he lives underground, he's stubborn and doesn't like elven magic - but he also goes against some of them. Instead of being an expert on mining and blacksmithing, Senshi is a culinary expert who has a deep appreciation for the natural ecosystem of the dungeon. He's a weirdo among dwarves for not caring about the wellbeing of his axe and for using his super awesome shield primarily as a giant wok. And that's what makes Senshi fun and interesting.

So going back to our example, instead of going with the stereotype, we could make a black cat character who has comically good luck, or who's superstitious and afraid of witchcraft, or who's an extremely rational person who always believes in science over superstition. Or maybe you roll with the bad luck angle, but instead make the black cat be the victim of their own bad luck in some interesting way. Maybe this black cat has terrible luck with love and can't hold down a relationship. Maybe this black cat is an aspiring speedrunner who consistently gets the absolute worst RNG possible in every video game due to their own bad luck. Maybe this black cat has accrued a horrendous gambling debt after a long losing streak and has loan sharks coming after them.

These are all just hypothetical examples, of course. I don't exclusively make characters with ironic contradictions like this. The idea is just to build on those core traits you started with in interesting ways, and that's one of my favorite ways to do so. But honestly, a lot of the time execution is more important than the sheer originality of an idea, and sometimes really putting your all into playing a trope you love straight is the right move.

Specificity

Regardless of what direction I take a character in past that initial seed of an idea, the key ingredient tends to be specificity. To give them specific details beyond the most stock possible version of that core idea you started with.

This is something I internalized from Tim Schafer, via a blog post in the behind-the-scenes backer material for Broken Age. Sadly I'm not sure if that stuff is still available, but I did save this particular post about creating characters since it really helped me, so I'll directly quote a chunk of that post here:

No two characters would approach a problem or react to events in the same way. At least, not if you’ve designed the characters well. If you’ve left them too vague or superficial, if they are merely functional elements in your story instead of individuals, then they might react in the same way. And that’s a problem. So to avoid that, I’m going to talk about one the most important parts of character development: specificity. Making sure your character is a specific individual, not a stereotype. A unique character, different from anyone else in the world. It doesn’t mean that they have to have wacky gimmicks, eyepatches and crazy accents. It just means they have to be specific. For example, let's create a new character. Let's say your story has a scene where your main character gets in trouble in school. So you’re probably going to need a school teacher. Imagine a school teacher for a bit. Do you see her in a little red schoolhouse? Maybe a bun in her hair? An apple on her desk? Thick black glasses? Let’s put a ruler in her hand for good measure. Done! We have our teacher character. She’s ready to be in the scene where our hero goes to school and the teacher sends her to the principal’s office for passing notes. Right? I mean, this character doesn’t have too many lines, so why develop her character any more? The problem is that this teacher is a very shallow stereotype of a teacher. She has no specific attributes that make her memorable. She’s the teacher you would get in a set of free clip art. She might not have many lines, but if all your supporting characters are this way, your story will be more bland than it should be. Even if this teacher is only onscreen for a minute, she should be unique and different from any other teacher in the world. Luckily, it's not actually that hard to make her so. You just have to ask some very basic, specific questions.

Tim goes on to explain how simple exercises like filling out character sheets with basic questions about your character (there are a million of these online) can help push a character beyond a stock archetype, even if it's a minor supporting character. Questions about where they're from, their likes and dislikes, their beliefs, their goals in life, that sort of thing. For minor characters especially, a lot of these details may never actually come up in a story, but just asking even a few of these questions and giving them specific answers helps you see them less like an archetype and more like a real person in your head. Maybe you never bring up your character's backstory or their favorite sport or what kind of music they listen to, but just having a specific answer for questions like that might help color the way you depict that character in subtle ways. It makes it feel like they aren't defined by just that one core trait you started with, and helps make the characters and world feel more alive, like there's stuff going on with them beyond the bounds of the story or the drawing.

It's a careful balancing act, though. It's easy for a character to feel like they're a collection of too many unrelated gimmicks and quirks. Again, like Tim said, these specifics don't have to make for the craziest, most original character ever, there just has to be something there.

Let's go back to SLARPG as an example, where I combined broad character archetypes I liked with more specific personal elements that I felt like I wasn't seeing enough in the fiction I liked. Melody is riffing on the common idea of the reserved healer character in the RPG or MMO party and the shy girl archetype, but she's the main hero instead of a supporting player in another person's story, and she's also a fat bisexual trans woman who draws a lot of little details from my own life. Her interests, her relationships, her opinions on things, her personal hangups and dreams, these all set Melody apart from other fantasy healer characters and define her as Melody Amaranth. Specificity!

But it doesn't always have to be super deep, especially if you just want some characters to draw for fun and aren't planning on writing a story with them. Take my fursona. I've always loved dogs, so I made my fursona a dog. I chose a Samoyed in particular because I think Samoyeds are the cutest, and I hadn't seen hardly any anthro Samoyed OCs at the time. I leaned into the breed's signature fluffiness to help my fursona stand out from other canine OCs. She has simple identifying traits like being fat like me, wearing glasses like mine, and having a hairstyle kinda like mine (when I tied my hair up in a bun, at least). And there you go. Fursona achieved. She's not a wildly high concept character, but she doesn't need to be

Anyway I realize that this is mostly about the writing aspect, so here's a few quick bullet points about designing a character's appearance:

Face and body type variety are good, but personally I would say lack of body type variety is worse than same face syndrome

Knowing some stuff about shape language is good, but you don't have to be completely beholden to the "circles are friendly, squares are sturdy, triangles are scary" shit. I'm generally more interested in using repeated shaping in different parts of a character's design as sort of a shape motif. Melody's body, hair, and tail are all made of round, swooping shapes, for example. (This is more applicable if you're designing cartoonier characters as opposed to realistic humans, obviously.)

Knowing some basics of color theory is also good. I like using complementary and contiguous color schemes on characters and generally try not to use too many distinct colors on one design. Black and white and grey and various browns are good as neutral colors to balance out the colors of the rainbow, and gold can be a nice accent color

A small handful of identifying accessories can be fun, but don't rely on those to make a design stand out. Ideally your character should still be identifiable even when not wearing their default outfit, or even in silhouette

Aaaaaand I'm gonna call it a wrap there! This is a huge topic, so hopefully this helps with at least some of the basics! At the end of the day, though, don't beat yourself up if you can't sit down and force yourself to come up with the most crazy awesome OC ever. Just have fun and be yourself!

[gaywineauntsstuff]

Dick Grayson ships in order of how toxic you should write them as adults in an established relationship imo (no batcest and we can discuss the harem at a later time)

Least

Dick X Wally: this is the quintessential friends to lovers story it’s adorable. Naturally a lil bit of toxicity bc nightwing is not a healthy person but still the ratio is 99% cute and 1% angst as adults. Feel free to angst away with the Robin/KF thing

Worlds where this is cute: young justice, earth prime pre Wally meeting Linda.

Dick X Kori: listen to me, if you ignore all the shitty writing (yes the babs wedding thing) they r perfect <3. The only person who I believe can be the lights light ya know. The broke up because they both took hits they couldn’t recover from but they still love each other and they’re my favorite canon pairing they should get back together and have a kid and be a cute lil family.

Worlds where this is cute: TT, Earth prime, DCAU, injustice, titans tomorrow, Lego Batman (every single earth actually)

Dick X Zatanna: cute, childhood crush turned sweethearts turned friends nothing to say here I just don’t think it would be toxic

Worlds where this is cute: young justice

Worlds where this should never happen: all the rest (she dated his dad)

Dick X Joey: I love them so I’m biased their relationship is on par with Dick and Wally taking field trips in the 80s. Also this is joeys most popular ship and that makes me laugh. BUT ANYWAY they’re just very homoerotic and I feel like they respect each other enough the toxicity would be on the lower side.

Worlds where this is cute: literally anytime before he possesses his dad’s body.

Times this is concerning: post possessing nightwings body (anyone remember that happening I just ignore it now, cuz I hate the whole evil Joey thing but if you wanna take this ship from 30% toxic to 140% write it post possession with the dude who had autonomy issues)

Dick x Kara: I just feel like the hero worship would get in the way a little bit

Worlds where this is cute: worlds finest

Worlds where this isn’t: the rest

Dick x Roy: I love them sm ur honor (despite how low I’m putting this, it’s one one my top ships) listen Dick and Roy adore each other and would die for each other, but the baggage?? The years of expectations?? The fights??? The fact that Dick gets more and more closed off when he’s mad usually but him and Roy in the same room and fists fly?? But the only people who can talk to Dick when he’s spiraling are Roy and Donna. Like ROY HARPER is one of Dick people!! You don’t understand how much I love how they can hurt each other while loving each other so so so much. They cause me pain. I don’t believe they’d ever mellow out Dick and Wally tho bc they’re whole relationship is heated they have never had a chill emotion about each other in their history of being characters that exist in the same space.

Worlds where this is cute: literally any world where the titans exist/have existed with speedy and Robin as core members

Worlds where no?: new 52 (I hate new 52 and ignore it tho so no universe sucks bc new 52 isn’t real and can’t hurt me)

Dick X Harley Quinn: see I hated this ship and I hate it in canon but I once read a fic that was good enough I now ship it on the dl and think it would be good for Harley to be with someone who can be a safety net. But like this is AU rare pair type shit and it’s low bc I literally cannot picture a canon universe where this isn’t the most toxic thing ever.

Worlds where yes: DCAU (AU) not even the canon one like the AU of the AU that is the DCAU (take a shot Everytime I say AU)

Dick X Shawn Tsang: I’m sorry yall Shawn was such a boring character I forgot she existed but I remember that she broke up with him after he lost his memory cuz she thought he was ghosting her and like not only does it feel like she just existed to give dick a love interest. Also this comic featured the character death wing and so it’s so low not bc the ship sucks except it does bc why dick?? Are you dating someone who hates heroes?? Why r u like this??? Stopppp but also bc imo the ship has a white bread type of content that is toxic to me personally and that’s more important.

Dick x Bea Bennet: I loved them sm in the beginning, best part of the Ric Grayson arc and then they added the spyral ties and made her a pirate and tbh that ruined it for me. Dick and Bea only work as a cute relationship if Bea is a way out or a window into the outside world like something to ground the man who is always trying to get his feet off the ground. It would be interesting. But now she’s just another another relationship where he didn’t know who he was dating and tbh I don’t think he’d be down for that post literally everything that’s ever happened to him romantically after the age of 16

Dick Babs: yes it’s this low, no I will not change it. It should be lower but I used to ship this so it’s only my fond memories keeping it this high. Babs slept with his father after dating him in at least 2 universes. Dick left Gotham for freedom and she quite literally drags him back Everytime they’re together it feels like about 30 years of Dicks character development is erased. And let’s not talk about Barbara used to be a congress woman Gordon. They deaged her to make her a decent love interest for someone who was a kid when she was running for congress. And because of the fact their characters don’t naturally balance out the way some of his other canon ships do (Bea, Shawn, KORI(the best canon ship imo), hell even Helena) it leads to the characters becoming flanderizations of themselves. Dick is a loveable himbo whose only defining characteristic is his ass and I hate to say it Barbara Gordon literally just turns into female Bruce and I hate it so much but genuinely read though some of their older stuff it’s like..ugh. Anyway I hate this ship I think it’s bad for both of them and while I’m not babs biggest fan I still like her and she and Dick should be best friends who get drunk on weekends and shit talk the bats and their respective teams (titans, birds of pray)

Dick X Helena bertinelli: yall wtf is this ship, if this is your main ship? Why? Tell me? Like what?? Helena??? Esp prime earth Helena?? He has more chemistry with midnighter than her (but we are not discussing the harem so I will remain silent)

Now the most toxic ship that isn’t incestuous is so obvious bc no one has ever pictured this ship with a modicum of health in it except its creator (derogatory) I’m 99% sure every single fic tagged this also has the domestic violence tag

Dick X Catalina Flores. Yeah no a billion times no this shit is so toxic the jack Napier fell into it and became the joker. This shit so toxic it only serves as a trauma boat for another person to swoop in and get him out I hate this so much.

Now dick is an old character so he has about a billion other relationships. But these are either the recent ones (Shawn, Bea) or the ones that have a lot of ao3 clout (birdflash) or something that makes my heart soft (dick and Joey) plus his most iconic 2 pairing I will not be getting into characters like Daphne, Clancy or Betty or anything else or the creepy ones like the fact he’s had shit with both catwoman and taila.

Thank you for coming to my ted talk

[fixyourwritinghabits]

Listen, I know we all have stuff to do and summer is coming up and aaaaaaaargh, but in the name of Optimus Prime I'm begging y'all to shed the habit of using descriptors like 'the shorter one' or 'the blond one' instead of using proper names.

This is a very common trope in fanfiction, and I get it, it gets so boring to write the character names over and over again. I also know it will be so hard to unlearn, don't ask me about the pain and suffering I have endured. But you have to break yourself out of this habit, because all it's doing is making your stories harder to follow and losing your readers.

Let's say you're writing an Avengers fanfic, and you've got Captain America, Iron Man, and Thor in the room together. The following scene might go a little something like this:

"We must stop Unicron," the blond one said, flexing his muscles.

"Indeed," the dark-haired one replied. "If only he weren't so handsome for a metal monster."

"Thou is speaking nonsense," the bearded man said, subtly flexing his biceps harder. "Also, who is speaking right now?"

(Yes, I did write Unicron instead of Ultron like I'm pretending not to be a nerd, shut up.)

The actual dialogue tag indicators above are nonsense, pure gibberish, and those exaggerated for effect, wouldn't it just be easier to follow if you just used names? Also, sometimes Tony's goatee is more beard-like so it's even less helpful in figuring out who's talking. Depends on what era of comics you're reading.

ANYWAY, Who is doing what is one of the most important things you need to convey. In a busy dialogue scene, in a high action scene, especially in a romance scene between two people of the same gender, clarity is key. It feels boring to write, I know. It will be a better scene in the end.

So when should you use character descriptors in your writing?

When you need to reiterate an important character feature that is either relevant to how the main character views them or how they view themselves. Example: Her brother, the soldier, the Hobbit, etc.

When you need to reiterate an important character feature to the plot. Example: The god of thunder, the stowaway, the white witch, etc.

When you have a minor character who is better defined by their job or role than there name. Example: The second mate, the boatswain, the cook, etc.

When appropriate to the scene. This one is harder to define, but if you have a quiet moment where the main character reflects on the scoundrel he has a crush on, long paragraphs of just using the name Alex might be better peppered descriptors of his personality or notable features, or - depending on your character - 'that cocky asshole.'

When shouldn't you use character descriptors? When they are boring, unhelpful, and not distinctive. Referring constantly to someone as "the taller man" or "the blonde" will come back to haunt your ass years down the road, believe me. Break free from this prison before you snap awake at 3am, haunted by the one stupid scene you can never unwrite.

[suzukiblu]

You know I have come to the realization that this is a thing on which I would like to be clear, as a reasonably prolific writer of fanfic with a range of readers who all have very different levels of familiarity with the various canons I have dabbled in: I love a lot of things about [ insert canon here ] and I definitely DO have certain personal pet peeves in regards to "yeah this person definitely didn't read/watch/even-briefly-skim anything outside of fandom" interpretations that I find particularly slanderous or are just Not My Vibe or things like that which I personally just can't get into or enjoy. Like, things that are just not to my taste, you know?

But also, fuck it, canon is a suggestion and fandom's only actual "rules" are "try not to be an entitled prick or actively hateful", as far as I'm concerned. No, no one has to do the homework just to write/draw/meta/post about something they're getting something out of. I personally am too dang old to do any more of the homework than I want to and I am sure as heck not gonna hold anyone else to that standard either.

Imo there is just no reason whatsoever to ever be upset about MORE people getting involved in the fun thing and enjoying themselves with it, especially when we can all zero-effort back-button out of anything we don’t like. I don't care if they're wrong about [ insert character here ]!! I mean, I do, I very much do, it makes my 'tisms personally insane, but unless someone's wrong in like a hateful/sexist/racist/bigoted way, that's their business, not anybody else's! Let 'em cook, people! We don't get better content in our fandoms by getting publicly judgy about and way too publicly INVESTED in how other people in it have fun. Actually, all we get that way is LESS content. Like so, so much less.

Look, it's a process, I'm personally still working on it myself. There's def stuff that bothers or pet-peeves me, and stuff I just gotta skate past without engaging. I just think keeping a little more perspective helps, in these situations.

Also, not telling people things like "hey if you don't read literal DECADES' worth of MULTIPLE monthly-release comics and all the relevant crossovers and events/watch every single episode and movie released since the seventies/listen to all the bonus episodes of this already-over-one-hundred-hours podcast, you don't belong here" helps. Also that. Definitely that.

[thr0wnawayy]

Useless Heroes and Hori's spinelessness with setup.

Salutations! I remembered my password.

(Jk, I've been busy)

It's no secret that Japan's heroes in MHA are extremely incompetent, I've pointed out their general disregard towards human life and surrounding infrastructure.

However what some of you might not know is that a majority of heroes in MHA are completely and utterly useless.

And I'm not just talking from a Doylist perspective either, Heroes in MHA are more of an obstacle than the villains they fight.

Take this panel for example:

Originally I was going to crop this to only include (ugh) Birdman, however on a second read I realized how asinine every single hero (not counting All Might) is.

First off the "clean up". I shouldn't need to explain what's wrong with this. The crowd posing a security risk, the minimal security. The fucking plastic bags!?

I mean really, what the hell can Backdraft achieve here, or Kanami or Mount Lady. The list goes on.

(That also ignores how these 4 imbeciles are getting paid for what a clean up crew or police force could do easily. Not to mention this whole incident veing their fault)

Anywho... We then see Death Arms and another "hero" yelling at Midoriya, who was also a victim of the Sludge Villain and actually bought All Might time. Whereas Bakugo failed like a panicked animal and worsened the situation.

It is here we see the first plot point: Heroes are hypocritical and biased towards those with flashy quirks.

They automatically downplay Midoriya while also neglecting to get him checked on by a paramedic.

Even Bakugo doesn't benefit as these so called Heroes swarm him like a vulture. Just so they can use him to boost their own popularity.

(and if I'm honestly speaking, if Birdman were somehow a high ranker. Bakugo would have fallen for it hook, line and sinker)

This subtly introduces a second idea: that Heroes are not as pure as they seem. Perhaps they can even be corrupt.

These two ideas, plotpoints, call them what you will. Do a good job at showing us the cracks in the mirage. Cracks that seemed to be widening come the Sports Festival.

So what happend?

I'm sure we're all familiar with the utter disappointment/disaster that was MHA's epilogue.

Regardless if you believe the initial final chapter to be canonical or the more recent 'improvement'. We can all agree that it bombed in regards to doing the above any justice.

The simple answer is that Hori (in my opinion) is a spineless hack, who can draw really good but for the love of god. Keep him out of the Writers room.

Hori seems to whine about how dissatisfied he is with MHA's direction towards darker themes or even complaining about characters he wrote into the story himself (see Tetsutesu x2.)

Hori lacks any guts when it comes to his own writing, preferring to laze-about in what's comfortable. The problem is he didn't write a comfortable story.

Corruption, Eugenics, Peer Abuse, Negligence and Human Trafficking. These are all things that MHA brings up but Hori refuses to touch on. Despite having wrote them into the world (and plot) himself.

Someone once commented under a post of mine that my W.I.P worked as a story because the events fit, rather than simply existing for shock value.

Now I cannot confirm whether or not the above were added to drive up stakes. However with how MHA ended up, I wouldn't be surprised if it was like the Big Three all over again. Hori adding something, nor knowing what to do with it and then desperately trying to smother it while introducing the "next big thing".

Ultimately, I find it humorous that someone so inspired by comic books and Star wars, is such a coward when it comes to pushing boundaries. Instead choosing to fall in line with what's trending, what the polls say, chasing after something that could never be obtained in the first place.

But hey look at the bright side, at least we have fan-works.

[crazymuffin1]

this post is for people who wonder what the hell is going on with the venom movies/fandom because they havent watched it

if youre seeing it on your dash and dont want to scroll very long press J. if youre on mobile. cope.

venom the last dance is the third movie in the venom series and people who haven't watched the movies are probably wondering whats going on. whoever you're following has probably posted or reblogged some sort of eddie brock x venom thing. yes of course. mlm ships are popular and theyre the main characters. of course theyre gonna get shipped. just like stucky or other hot main male characters. nothing really special about these guys. right?

wrong! because as opposed to the other ones being non-canon ships where we just look at everything and say "thats gay" or look at it through shipping tinted glasses, symbrock is a bit special.

to start off with! the source material! the comics! im not gonna make this part long, just a bunch of images with short descriptions and you can interpret it however you want (click for full image)

panels ofter referred to as "the ones where they have sex"

no comment

even spider-man knows

aaaaaand the comic writers/artists also know

theres more (like how they have a kid and eddie experienced morning sickness...) but this is about the movie! not the comics!

first movie moments. im skipping smaller moments and i'll try to not write out the whole plot.

eddie and venom go through a whole car chase scene on a motorbike, and the moment eddie calls him cool, they get his by a car. often interpreted as venom losing focus from the praise

-omg why would that lead to venom losing focus?? because venom, on its planet, is a loser. bottom of the barrel. an outcast. and someone called it cool. venom sees that eddie is also a bit of a loser on his planet. theyre two losers together. Eddie asks why he doesnt just kill him and hop to another host, but venom says that hes a good match (other bodies reject the symbiote, and die from organ failure/eaten from the inside) and venom is "starting to like him" venom also gets a bit stuck on the moment that eddie says we instead of i. its both of them. together.

later eddie finds out his organs were failing (venom was starving and was working on fixing it) and when they get seperated the way he acts is kind of framed like a bad breakup. its not "im free from this parasite! yippie!" its "i trusted you and you hurt me. we're done" sort of breakup. venom tries to say he was trying to fix it but eddie ignores it (not the exact words but if you look at it you'll get it)

eddie gets taken away by the bad guys and venom hops on eddies ex and they reunite. and its not just reunite.

its this

thumbnail shows human face but it does not start off with that.

fun fact! theres a sort of deleted scene where eddie asks "who was i kissing just then?" and she says "mostly me" and then we hear venoms voice saying "well actually it was mostly me!" ALSO at the end of the movie, she says it was venoms idea. this was venom and eddie making out. not eddie and his ex. they do not get back together. she has a new boyfriend and they've moved in together so its serious.

venoms original purpose as to why the symbiotes are on earth was as a scouting party for an invasion force. venom changes his mind on being on the invasion part. eddie asks what REALLY made him change his mind "you did eddie."

also after the movie was in theaters they made an additional romcom trailer to promo the dvd/blueray release. the movie. framed as a romcom. im not kidding. on sonys official youtube. for both movies.

speaking of both movies, the second one has them breaking up! full on divorce after fighting and arguing!! very sad. and then venom goes to a rave (october, there are costumes, hes fully transformed) and says "i am out! of the eddie closet!" HES COMING OUT OF THE CLOSET. one person at the rave has a mask on that says "kiss me" and venom says "sorry no, not my type" THEN WHAT IS YOUR TYPE HUH??? MEN?? SWEATY LOSER GUYS??? his hosts keep failing because theyre not as compatible as eddie. and after having fun venom is sad and wishes eddie could've seen him. they of course, get back together* after some apologizes and because they need to fight a serial killer who also has a symbiote (carnage) because previously, they went to interview him, he insulted eddie, venom got mad on eddies behalf and grabbed him, resulting in getting bit, and that spawned a new symbiote from the blood. also the serial killer, (cletus kassidy) went to bust out his girlfriend who upon seeing his tentacles breaking her glass cage, called it hot.

*when they get reunited (anne helps out again) theres no kiss this time, and annes fiancee, after seeing them fight, says "those two need some serious couples counseling"

after a big climactic fight and mutual reassuring that theyre a perfect match for one another, they flee to some random place in mexico where they sort of have a love confession. theres an extended deleted version of it but i think many of us think they cut it down to save it for the third movie. also they get transported to the mcu in the post-credit and then re-appear in the post-credit of spider-man where theyre just sitting at a bar asking the bartender about the blip and thanos. venom decides to go skinny dip but they get transported back to their universe. net zero gain.

THE THIRD MOVIE

hasnt come out yet. but the promotional things. the trailer. my god the tiktoks and twitter clips?? WHY IS THE TIKTOK VIDEO CAPTION VENOM X EDDIE 4EVER??? HUH???? WHAT DO YOU WANT WITH ME!?!?! IF I GET QUEERBAITED IM GONNA EXPLODE WHY IS ONE OF THEM FRAMED LIKE A COUPLES COUNSELING HELP GUIDE.

i cant post this one on tumblr but this tiktok is a slideshow, one image of venom and eddie from each movie, and the background song is "I've loved you three summer Lover - Taylor swift" with the caption "it's a love love relationship"

WE JUST WANT THEM TO KISS AGAIN AND HAVE A MUTUAL, EXPLICIT, LOVE CONFESSION. AND HAVE 4 HOURS TENTACLESEX SCENE. (not necessarily in that order)

and the first trailer that came out for venom3 has the line"eddie, my home [long pause] has found us" like girrrrrllll for a full 3 seconds i thought he was saying that eddie is his home.

[trexiejan]

Some Toxic Dickbabs moments that happened in canon. (LONG POST)

so i saw a dickbabs shipper talking crap about dickkory saying they're the most toxic nightwing ship? and they also claim dickbabs is the most healthiest ? it's ironic considering I've seen many dickbabs comic panels where dickbabs is being toxic towards each other plenty of times in the canon comics. Looks like Tom Taylor wants to brainwash people and make them believe that Dickbabs is such a perfect healthy loving couple since day 1, when that hasn't been true at all before he was put in charge of the nightwing comics to write dickbabs wattpad fanfiction in the book every single issue, this ship has done nothing but damage both characters even in tom taylor's run Dick is turned into a happy go lucky himbo who is incapable of accomplishing anything on his own without being monitored and babysat by barbara 24/7.

Anyways let's proceed with dickbabs history of being a toxic couple.

Remember those times where Barbara physically and verbally assaulted him when he was only trying to be nice and polite. She yelled at him, called him stupid, a crybaby and beat him up.

Also they keep calling Kory a victim blamer for something that happened once in over 30 years ago but ignore the fact that Babs has victim blamed him and slutshamed him multiple times in the modern comics when he was sexually assaulted and raped by Tarantula and when he got shot in the head by the Joker.

Dick just got raped by Tarantula and was traumatized by what happened but instead of comforting Dick, she has the nerve to mockingly say Dick likes his rapist. her jealousy always clouds her judgement.

I'm sorry But Barbara is canonically a victim blamer and a slutshamer. Don't forget how she also insults and slutshames other women like Helena when she gets jealous of the other women in Dick's life. She called dickhelena a cheap one nightstand even though Dick clearly told Helena he doesn't do casual sex and and she mocked Kory and refused to help her on a mission when her people were dying.

so yeah let's get back to her history with victim blaming Dick. She victim blamed him again after he got shot in the head and had an amnesia and when his memories was restored, she lashed out at him for forgetting about her when he had an amnesia.

And remember that time when Bludhaven was burned down and Dick lost his apartment, he came to Barbara to ask if he can stay at her place but she kicked him out of her apartment the next day. She's totally fine with him being homeless but dickbabs shippers claim babs has always been very loving and supportive towards him while calling Kory a slut.

Even in elseworld stuff she treats him like garbage. Aside from cheating on Dick with Batman and getting pregnant with Batman's baby in the BTAS universe, she's also very emotionally abusive to him in comics where dickbabs shippers brag about them having a kid in it like in whiteknight.

Barbara was always out there acting like a toxic judgemental domineering bitch in the modern canon comics, Barbara behaved like this consistently for more than 30 years but Kory is the one we should crucify over something that she did only once from 30 years ago 🙄 Did they crucify Barbara too when she was ableist to Cass and called her stupid because she can't read.

And they call Kory a sexual assaulter? Because she kissed him when they first met. Did they forgot that Kory was an alien, she was clueless about Earth laws when she first came to earth, she didn't know that you're actually not supposed to kiss someone without their consent, she had no clue that it was considered inappropriate and she kissed him not to sexually assault him but for her to learn english. Her people can learn other languages through kissing and Kory didn't learn anything about Human law until she officially joined the teen titans, so you can actually excuse her for her behavior what's not excusable is Barbara who is a human being who studied law for years, but still has the nerve to commit a sexual crime. As always, She violated Dick's personal privacy, she put a spy camera on his apartment so she can enjoy watching him naked without his consent. Look it up on google the crime is called voyeurism. Barbara would be considered a creepy criminal by human law. I'm not surprised considering I always think of her as a type of gf who has no respect for her partner's personal space especially when she's Oracle, She never respected Dick's privacy even in tom taylor's run, she keeps monitoring his every move in her computer, she always invades his personal space. Dick is trapped in this relationship. It's not a good relationship if you constantly watch your partner's every move and if you keep following your partner around like a dog wherever he goes.

Many people think Dickbabs is such a healthy couple because of Tom Taylor's run. I think for someone who is a huge dickbabs shipper like tom taylor it's expected he's gonna try to convince people to believe that to sell his favorite ship but in reality even in Tom Taylor's run Dickbabs relationship is pretty toxic and forced. It's toxic when your partner doesn't respect your privacy, when your partner constantly stalks and keeps an eye on you on every single thing that you do, when you wanna talk to other people but she's there lurking in her computer listening to your conversations with other people, when she puts a camera on your mask so she can always see what you see and hear what you hear, as if you're not a real human being who needs your own privacy, and constantly follows you around like a dog, like Barbara does to him every single issue. It really is a sign of an abusive relationship when there is no respect. How is Tom Taylor's Nightwing good when the book keeps destroying Dick's independece by having Barbara stuck to him like a leech 24/7 . The book is called Nightwing but Tom Taylor turned it into a Nightwing and Batgirl fanfiction series where 90% of the time Dick hasn't done anything on his own and where his IQ is chopped off in half to prop up Barbara as the smarter woman in their relationship. Dick can't even handle his own missions without constantly being babysat by Barbara in her computer like a sidekick who needs to be watched 24/7.

Poor Dick he became Nightwing to stop being Batman's sidekick and be independent only for Barbara to take away his independence and treat him like a sidekick again. Dickbabs has always been a toxic ship in any kind of form.

and don't forget Tom Taylor himself is a toxic misogynist slutshamer. He keeps throwing shade on Kory on twitter by liking comments that slutshame her on twitter

You know what would be the best way to fix dickbabs? is by letting them move on from each other! Let them grow tf up and move forward in life outside this relationship.

Babs is an anchor that brings him down whenever she's too involved in his life and same with Babs because do dickbabs shippers even care about Barbara. I haven't seen any barbara fan complain about barbara not doing anything on her own other than chasing dick around like a dog in his comicbook every single issue.

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[relaxxattack]

you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.

ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh

according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?

the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.

nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.

^ nepeta is in fact NOT a good representation of olivebloods.

which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.

luckily, there ARE other olivebloods in the series!

first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.

and so who does that bring us to? the final canonical oliveblood.

that's right.

troll will smith.

troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.

the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.

so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?

olive trolls are lower class, but they're capable of working up through their connections

likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp

they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)

it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.

so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!