#almost like. the end of his life is super fucking tragic because he loses all his friends. sick and twisted.

[wwillywonka]

☆GET TO KNOW ME♡: [10/?] Favorite Characters

SPOCK - Star Trek Franchise (1966-2013)

I am what I am, Leila. If there are self-made purgatories, then we all have to live in them. Mine can be no worse than someone else's.

[cynthiav06]

So let's finally talk about it. There's very few things that can actually make me mad on PJO fandom. Calling Percy dumb is the first one. It makes me seethe in rage. And among the other ones is calling Jason Grace boring.

What do you think is worse than trauma? You guessed it. Childhood trauma. Jason Grace is one of the most tragic PJO characters ever. You could almost say the quest with the Seven was one of the better things that happened to him.

Let's recap his life real quick.

Absolutely terrible mother who dumped him near Lupas territory when he was literally 2 years old. And the fact that he would be better off with Lupa than with Beryl Grace is just a testament to how shit of a mother and person she was.

Then he had to win Lupa's approval while she trained him when he was a literal toddler. If you think that's the end of it, it's not even close. Then he was sent to the camp. It was pleasant, as pleasant as a child-soldier factory can be. Which is not at all.

Being the son of Jupiter, he had insane expectations and prejudices forced upon him, along with a certain caged way of living. Fight a certain way, behave a certain way, think a certain way, and repeat. A monotonous, cyclic existence with no escape and no way for self thinking. After all, the Romans are about as creative as a marble is sharp. Imagine it, a child being raised in the legion, by the legion, molded to be the perfect soldier and Praetor who should have only the Legions benefit in mind with no opinions of his own.

Anyone, anyone would go insane and lose their mind because this is torture, complete, and utter torture. But do you know what's worse, that Jason didn't know how the world was supposed to be. Whatever he was used to living, he believed to be the normal thing. He had no idea the things that happened to him were wrong for a long time. In fact, he strived to be even more perfect, all for what? The approval of a god that was his father? A god he had never seen or heard from? That in itself is the tragedy of most Roman demigods or just demigods in general. But at least the Greek ones get to see them every once in a while.

I think Reyna was the first to see his as his own person and to give his individual opinions actual importance. Because she knew what it felt like to live a life of servitude and imprisonment. Under Circe and the pirates. I like to think that's how they bonded. By making each other's lives a bit happier than their former bleak prospects. And I bet they were super close. You can't convince me otherwise. Which is why I will never forgive Rick for ruining their relationship over Piper of all people.

4.

Then, of course, he was demigod too on top of that, so his life was obviously and decidedly terrible. Being sent on fatal missions? Having the responsibility of not only his own life but his comrades life thrust upon him? CAN YOU IMAGINE LIVING LIKE THAT?? THE ABJECT HORROR OF A LIFE LIKE THAT?

5.

If that's not enough his even more repulsive and terrible godly father fucking offers him to Hera to appease her rage like he is some sort of bloody object. An object to be sold. A fuckinhg APOLOGY GIFT. And then what does Hera do to him? She wipes his memories, sends him to a foreign land which was previously considered enemy territory by the Camp he grew up in, forces fake memories upon him of fake friends, and sent him on another death quest. But at least Leo was one of the nicer things about that whole situation. I won't be touching the wreck that is Jiper with a ten foot pole.

And on, of course, he also gets nearly killed by the same goddess he was offered to as an apology gift. If that was enough, he would find out about the existence of his sister who had grown up and gone her own way, thinking he was dead and now was basically a stranger to him? Yeah wow.

And then everything else from the series happens like dear God, him and Percy are practically drowning in trauma. With Hazel, Nico and then Leo after them.

But at least Percy had Sally (even though the reason he put up with Gabe and his mental and physical abuse was Sally) and even though he felt like Sally was always sending him away and no longer wanted him which was fair of him to think but a grave misunderstanding. Sally was still the best thing in his life. Percy had someone to live for something to live forward to even though he was practically almost dying every year, which kept adding to his trauma. And Poseidon, he cared, acknowledged, and helped Percy. The bare minimum and Poseidon actually did even more.

We can assume Jason also had similar experiences with neither a mother's unconditional love nor a god's genuine care and love.

I am not going to say the Camp point because being the son of Jupiter, Jason had certain assurances, but Percy was practically ostracized or badly treated till book 3.

The only good thing that happened in Jason's life was meeting Reyna, the other Seven, and being friends with them, Nico and his sister, and also not falling in Tartarus, so yeah man's living his best life.

So no Jason Grace isn't boring, he is the most in depth character who had his autonomy and childhood stolen, his interests and opinions razed and his entire life molded and shaped for him, turning his mind and body into a tool to serve so called greater interests of Gods and Camp Jupiter. It's like ridiculing a blind man for not being able to see.

Next time, think twice before making that absolutely thoughtless, mindless, wildly inaccurate and cruel comment ever again.

There's no need to blindly hate Jason cause you love Percy or on Percy cause you love Jason. Hell, Percy is my absolute favorite, 90% of my posts are about him, but Percy is awesome and arguably the best all by himself. This is also true for Jason's character. (I am probably the only one who thinks Jason is stronger than Nico just due to greater experience and stamina.) We don't need to be like Rick or ship stans who demean Percy to prop up Annabeth or other characters. They are both iconic and great friends despite whatever rivalry Rick was trying to project.

[live-from-flaturn]

Chay, Hope, and “The New Hunger”

An unnecessary metatextual analysis by an excited English MA queer.

So it all started with this shot from Episode 7 of KinnPorsche:

I zoomed in on the novel next to Chay’s desk out of curiosity and discovered that it was The New Hunger by Isaac Marion. Not a super old book by any means, and definitely one that Chay would realistically be reading.

Also a brief cameo that lets this single comedic shot FORESHADOW SO MUCH OF CHAY’S TRAGIC PLOTLINE without likely intending to do that at all.

Because The New Hunger, published in 2013, is a functional prequel to Marion’s 2010 novel Warm Bodies.

Warm Bodies is by far one of the most beautifully written and engaging re-interpretations of Shakespeare’s “Romeo and Juliet” probably ever written (and I spent 3 summers at Shakespeare camp, so this approval is not coming from a casual fan perspective). There are zombies, apocalyptic drama, Daddy issues, and a LOT of stuff about not losing hope in the face of annihilation, loss, and loneliness. 

R spends most of the novel talking TO HIMSELF and coping with HOW TO BE ALONE. He is doing exactly what Chay is forced to do for survival: Create his own joy and entertainment. He’s abandoned by the world around him and must fight at every turn to maintain a sense of agency, all while desperately clinging to the idea that hope is everywhere. Here are some of my favorite Warm Bodies quotes for perspective:

“It frustrates and fascinates me that we'll never know for sure, that despite the best efforts of historians and scientists and poets, there are some things we'll just never know. What the first song sounded like. How it felt to see the first photograph. Who kissed the first kiss, and if it was any good.”

“What wonderful thing didn’t start out scary?”

“You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.”

“’What's wrong with people?’ she says, almost too quiet for me to hear. ‘Were they born with parts missing or did it [love] fall out somewhere along the way?’“

“The sky is blue. The grass is green. The sun is warm on our skin. We smile, because this is how we save the world. We will not let Earth become a tomb, a mass grave spinning through space. We will exhume ourselves. We will fight the curse and break it.”

“Deep under our feet the Earth holds its molten breath, while the bones of countless generations watch us and wait.”

BUT THEN YOU HAVE THE NEW HUNGER.

“Nothing is permanent. Not even the end of the world.”

“Enough white lies can scorch the earth black.”

“What happened? How did I get here? How could I have known that my choices mattered?”

“Crying. Expelling grief from the body in the form of salt water. What's its purpose? How did it evolve, and why are humans the only creatures on Earth that do it?”

He has not reached the point of exhumation yet. 

Porchay must first be burned down. He must experience the hopelessness, loss, and devastation of betrayal first. 

Like yeah, sure, this is a throwaway shot and someone on the set probably grabbed a handful of random books to use but HOLY FUCK they really could not have made a better (potentially) accidental choice!

Like... Jesus Christ in Heat do I love these books more than life itself. Warm Bodies is my second favorite book of all time and again, I read books for a living. You should go check them out if you like romance, comedy, zombies, or really just feeling good about the end of a novel. Isaac Marion will fundamentally change your life and the way you look at the world and it’s a wonderful experience.

But also the accidental foreshadowing of Porchay’s world being burnt up... of his memories being tainted and blackened by Kim’s lying and Porsche’s secrecy... Ugh it hurts. I am having some feelings in this Chili’s tonight. 

[winterandwords]

In the shower this morning it occurred to me I don't know anything about Brett or Noah's parents. This is unacceptable. Help me.

AHAHAHAHA!! This is entirely intentional (so far *nudge nudge wink wink*). The short version is that their parents aren't involved in their lives. The longer version is why. Strap in and prepare for The Lore.

(Also prepare for whatever I write here to make less and less sense as it goes on because my brain is currently shifting from excessive caffeine to strong night meds)

Brett grew up in generic suburbia with generic suburban parents. Think aggressively upper-middle-class boomers, all about keeping up appearances, sit down, shut up, be normal etc. They were deeply disapproving of his bisexuality and judged the shit out of him when he came out to them as a teenager. He hated everything about his life, got out as soon as he could, and never looked back.

THIS KIND OF COMES UP IN SPIN CYLINDER, albeit in a very low-key way. Let me drop a couple of snippets with a torturous lack of context...

A warm glow soaks through my brain when I remember the look I got from the manager of the shop, old enough to be my father but infinitely more interesting.

and

I think of the three places I’ve ever lived. The bland suburban hell I grew up in, the city where I went to university before getting sucked into Allegra Technologies for a decade and a half, and the nowhere stretch of coast we escaped to.

Noah's canon parental story is less interesting. His folks were on the much older side when he was born, like the "oh shit, how the fuck did this pregnancy even happen?" older side, so they're both dead by the time November Breaks starts.

He never felt particularly close to them and wasn't exactly gutted when they bit the dust. Not because he hated them or anything. Just because he lacked any serious emotional connection (because, outside of Brett, he lacks emotional connection in general).

But also. Also. And only inside my head and in a short story I wrote ages ago that's totally at odds with the genre of November Breaks and Spin Cylinder...Noah is the personification of death. In this non-canon lore, he loses his shit after being present at one too many suicides and quits his job, giving up his memories to have a human life. He can't fully leave his purpose behind though, which is why he ends up being a serial killer.

In Spin Cylinder, he describes murder as being "about purpose. Satisfaction, but not as emotional" and he says similar things in November Breaks. In the books, Brett sees Noah's true identity but doesn't realise that's what's happening, because genre conflicts. "You were Hades once in my drunk imagination, although maybe Thanatos would have been closer."

I might rework that short story at some point because I do love it. It's about Death and Time as tragic lovers. In that universe, I imagine Brett as the personification of chaos. Also also also, they both talk a weird amount about time in the books, almost as if time is someone they know. Or knew.

OK that got super fucking long and diverged wildly from the point. Night meds have fully taken over so I'm going to shut up. But thank you for reminding me about that story, about Death and Time and Chaos, and making me think about how maybe I'll write that properly one day.

[newtonsheffield]

What is this I hear about a fight they had before moving in??

Ahhh Bless them.

So I think after about five months of seeing one just a few times a month in person, despite the fact that they talk every day, they facetime, Anthony pretty much just has a headphone in all day with Kate on the other side, they're a bit frustrated. Because they both want more, but Anthony's afraid to ask for it, and Kate's afraid to offer it because Anthony hasn't asked for it.

Anthony wasn't really sure why he did it, why it rankled through him on this particular day, that he hadn't heard from Kate yet, well into the night he hadn't heard from her.

But he'd seen her. Oh he'd seen her on instagram, sitting in a cafe with Edwina, seen her on TikTok laughing at something without him and it had burned. It had been getting harder and harder to pretend he didn't want to live with her, but how would that even work?

Despite what his Mum said, it was too much work to run the Castle and raise the hellions better known as Gregory and Hyacinth, and what was he supposed to say Kate, I know you want to have a successful music career, but come and live in the middle of fucking nowhere with me! No. Probably not.

So instead, when he finally heard is phone ring, he acted like a complete fucking arsehole.

"Hey mousey, how was your day?"

The nickname stung at him, her soft voice cutting at him, placating, and it normal would have made his entire body relax, but apparently not tonight, “Fine.”

They both heard the curt tone, cold and hard, monosyllabic, and he could almost hear her thinking on the other end. “O…Kay? What did you do?”

“I took Gregory to his trombone lesson. It was amazing.” Deadpan, something warring away at his chest, painful and desperate and tragic.

Kate paused for a Long moment clearly waiting for something, he stared straight ahead at the ceiling of his bedroom, trying to imagine he could still feel the warmth of her beside him, though it had been weeks and weeks since her last visit, her shows picking up, his schedule ramping up as well, his last trip to London cancelled when the caretaker they’d hired to help his mum had gotten unwell. He’d heard the disappointment in her voice when she’d said No I get it, Ant. It’s completely fine. But he’d felt it all the same: failure.

“Well I had a super productive day.” Kate hummed, clearly done waiting for him to ask, “I had lunch with Eddie, who’s finally breaking up with Erica tomorrow, and then I did some writing. I wrote a cool little hook, no idea what the words are yet, but I like it.”

Anthony didn’t have anything to say, the fact that her life seemed just fine without him digging into his chest. She wouldn’t want to move in with you anyway she has a life and she doesn’t need you.

“Cool.”

Silence stretched over the phone, he could see the look on her face in his mind. Affronted. Normally he would have been desperate for her to play it for him, to hear it, to cheer her on. But not today, and he knew it wasn’t fair.

“Sorry, did I do something?” Her confused voice ached in his chest.

“No.” It was a good thing it was just a voice call.

“Okay, well you’re kind of being a dickhead, and I don’t think that’s fair.”

The blunt way she said it, the truth of the words stung at him, like a blow to the chest. And what he wanted to say was You’re right, I’m sorry. I love you. But instead what came out was “Great, so I’m a dickhead.”

“I didn’t say you were a dickhead Anthony, I said you were fucking acting like one.” He could tell she was getting frustrated, losing her already short temper, just like he could feel irritation flickering in his own chest.frustrated at himself, at the situation.

“I’m just tired of this, Kate.”

Silence rang over the phone, through all the miles between them, stretching out between them, “Tired of what, Anthony?” Her voice was cold, frozen, he could hear Edwina murmuring behind her, low and angry but not what she was saying, “Tired of me? Tired of us?”

God no, not that. Never that. “I’m tired of being a fucking disappointment to everyone!” He’d lost control spiralling down quicker than he could catch himself, his pulse pounding in his ears. “If I’m here, then I’m not with you, and if I’m with you I’m not with my family. So it really fucking sucks.”

Kate let out a frustrated sigh, her voice wavering. “Well what do you want me to do Anthony?! What do you want?!” It was nearly a shout now, frustration stinging at them both. “Do you want me to move to Kent? Do you want to move here? I don’t understand what we’re fucking arguing about?!”

He could hardly breathe, “We’re arguing about the fact we should just call it quits now! I’m fed up Kate, I’m fed up of you being so fucking disappointed in me all the time. I can’t take it, it’s killing me! So let’s just finish this here. ”

He heard her sharp intake of breath, Edwina’s voice Let me talk to that fucker! Clear as day across the line. “Right, well, that fucking sucks. Because I still love you.”

He felt it, against his chest, just the same as when she whispered it against his chest, light kisses left there, and he felt the guilt swirling in his stomach, failed once again.

“I’m just- I’m gonna go. I don’t want to do this with you right now.” Why are you such a fucking coward?

He could hear the tears choking her, “you started this.” A simple fact he knew it, and he couldn’t make himself say anything, “Right. Bye Anthony.”

And she was gone. Tears stinging his eyes, guilt and shame burning in his chest, and when he fell asleep that night, his throat was raw.

“How long are you going to let this go on for?” His mother hummed three days later.

He’d been in a foul mood ever since, snapping at Gregory, Hyacinth, glaring at his mother when she mentioned that she hadn’t heard him talking to Kate in days.

“Yep well, I maybe broke up with her.”

“You… maybe broke up with her?” His mother had sounded shocked, confused, “I thought things were going really well?”

He’d stormed away before she could ask anything else, but apparently she wasn’t done with him.

“Let what go on, Mum?”

She sighed, “Anthony, I know you think you have to protect everyone, all the time, from you most of all, but you don’t, and trying only hurst everyone more.”

Anthony couldn’t even look at her, shame stinging at him. “I really fucked this up, I just… I want more, I want to take the next step but I can’t ask her for that, and I don’t… I don’t know what to do.”

His mother’s hands were warm on his back, her voice gentle, “Just talk to her, Darling, there’s nothing else to do. There’s a train in 30 minutes, I’ve booked you a seat, and I hope you’ll go.”

Anthony had sprinted upstairs, his mind racing, heart pounding, words tingling on the tip of his tongue, I’m so sorry, I’m so sorry, please. I love you I love you I love you, and I’m not good enough but I’ll try. His hands throwing things into a bag at random, sprinting downstairs, he threw the front door open and-

Kate was standing there, three suitcases around her, a guitar case in her hands, the most serious look he’d ever seen on her beautiful face, his Tshirt on her chest,

“Clear out your wardrobe, Anthony. I live here now.”

And he’d be thankful for her for the rest of his life as he dropped his bag beside hers and swept her into his arms.

[orionshounds]

I’ve been knee deep in dsmp lore streams and I just want to ramble about it

Dream smp lore is so good, it’s so good!!! Not only is the story itself just fascinating, but how it’s presented so uniquely through the medium of minecraft of all things is just so cool. One of my favorite parts of the lore is seeing how everyone on the smp has their own “style” they present it in, and watching them find the way they find the most enjoyment in is so cool. Literally no two streamer’s lore stream quite like each others and it’s just incredible! It just speaks to the flexibility of roleplay as an artistic medium and really shows everyone’s individual personalities. 

Wilbur was dramatic as hell and wrote eloquent speeches. He started a drug operation under the guise as a country, and it lead to a revolution in which he was able to explore the spiral of a man who loses control of everything he had built. And after his arc and he wanted a break from the server? He created ghostbur, an amnesic comic relief with just enough touch of tragedy that he is still able to make heartbreaking monologues when he wants to.

Tommy is able to run around with his friends and cause as much chaos to his heart’s extent, but there is so much more than meets the eye. He is incredibly social and isn’t afraid to start conflict with a lot of people, bringing them into the roleplay. He doesn’t back down from storytelling either. His character goes through terrible situations and he fully explores the trauma that comes from those experiences. His character goes against the “stereotypical” trauma I see alot in media; instead of being shy or scared he’s reactionary, he’s angry, he’s violent, he’s depressed. I’m actually really impressed with the heavy subject matter this 17 year old teen has managed to portray (I’ve connected with it quite personally at certain points), while still being able to keep the light hearted fun that’s so intrinsic to his personality. 

Tubbo isn’t really interested in serious lore as much. Even in dire moments he tells jokes and just has fun. So, in his recent lore, he just streams as normal while putting mysterious writing on screen that he doesn’t acknowledge or have to explain, which I think is just a genius work around for him to participate in lore. He still has his dedicated lore streams sometimes, and when he is in the acting zone he has some of the most powerful moments out of everyone on the server.

Ranboo, while having stake in the greater smp lore, is much more character focused. He presents his lore through long monologues and fucking heart-wrenching voice acting. He loves working in themes of horror and causing a specific feeling in the viewer. So he chooses specific music as a themes for events/characters and creates visual queues in his overlays to draw out that desired reaction. He also values improve a LOT, if something unexpected comes up he just runs with it and he has made huge changes to his lore as early as 30 min before a stream.

Technoblade, while arguably one of the most powerful people on the server, prefers a more light-hearted yet dramatic approach to lore. When Dream was at his house looking for Tommy, Techno had no problem joking around and making fun of him for being homeless. He tore down an entire nation on the server and had so much fun doing it! He’s more of an antagonist than a true villain in my opinion. And lets not forget how dedicated he is to the game, he’s cracked at the craft. He spends hours grinding and creating farms on the smp, for amazing pay offs (his several vault reveals, the withers, etc), most of which weren’t even on stream!

Karl Jacobs is extremely social, so he created Tales from the smp as a way to involve TONS of people in lore while exploring the past and future of the server (it was also a way for viewers who weren’t that well versed in dsmp lore to join and not have to worry about it!). And through this premise, he took the opportunity to develop his own character on the smp; making an incredibly tragic story of a time traveler trying to save his home while slowly loosing his memories. Not to mention the beautifully shot cutscenes of the Inbetween and the Other Side. He includes so many people behind the scenes as well, collabing with other members on lore, hiring building teams and people to make intros and credit scenes, and promoting fanart and fansongs from the community!

Quackity explores his lore through heavily scripted events and amazingly shot cut scenes. While the way he expresses his lore comes at the cost of improv, the payoff of the visuals and story is well worth it! The shots he makes of the smp is downright gorgeous, no to mention he’s the first person to include irl footage in his lore (not counting facecams)! He’s not afraid of thoroughly examining his own character, being one of the only people I can think of that shows us “past events” leading up to something that has already happened.

Badboyhalo, Antfrost, Ponk, Skeppy, Captain Puffy, Punz, Awesamdude, Hannahxxrose all work together on shared lore and the payoff is amazing! By introducing the Egg, a constant antagonistic force that constantly pulls on character’s relationships with each other, everyone is able to stream together to battle for or against the egg! There’s also plenty of room for people to do individual lore that's more intimate to their respective character. They spend hours changing vines, putting up posters, slowly shaping the smp in a way that makes it exciting to watch streams to see just what has changed everyday. Because there’s so many people necessary to tell the egg’s story, it does comes at the cost of time (the egg has been around FOREVER). However, they all work together super hard and I just admire their commitment to the story they’re trying to tell!

And Sam! He has several different “Modes” his character is in (and an entirely separate character, Sam Nook) that he gets to explore lore with. He’s a terrifying warden, he’s a money motivated businessman, he’s a conflicted lover, he’s a traumatized victim of the egg, and just so much more. Through having so many different “roles” in the rp he gets to explore relationships and plotlines with a whole array of people. Not to mention he’s absolutely cracked at redstone and has some of the most impressive builds on the server.

And Puffy! So much of her lore is calling into question the morality of the server and really makes you step back and think critically about the characters. Her character also has, in my opinion, one of the most interesting relationships with Dream, the main antagonist of the entire server, which is just fascinating to watch unfold. Not to mention she’s one of the first people to start exploring the backstory of her character!

George doesn’t exactly do lore. In fact he’s slept through so much of it it’s become a meme. And you know what? That mad man took that and ran with it. He explains his absence in the story by having his character literally being asleep through it, creating mystery where there used to just be an absence. He’s able to goof off with his friends and have borderline nonsensical streams, then at the end sucker punch the audience emotionally by “waking up” and have the viewers question just what was real and what wasn’t?

The smp has the freedom for people who want more independent lore to be able to explore their character’s that way as well!

Hbomb, Connereatspants, and Purpled don’t have a lot of lore on the smp, generally only coming on to have fun with everyone, but when they do have their moments it unfolds in very interesting ways!

Sapnap, Eret, and Schlatt maybe aren’t as active as some other people, but when they are on they actively participate in lore and have lasting impacts on the story (Ex: Eret’s betrayal, Sapnap’s visit to dream in the prison, Schlatt becoming president).

Philza mostly does his own thing, improving the server or making some bomb ass builds. He has incredibly devastating roles in lore (killing wilbur, blowing up L’manberg for the final time, starting the syndicate with Techno), but he also has quieter moments that speak to the depth his character has, such as fishing with fundy or reminiscing about his dead son and how it went so wrong. Like Techno, he doesn’t like to take lore completely seriously, often laughing no matter what’s happening or teasing chat after something big goes down, but his character is solid with a lot of potential for future lore.

Foolish has only started on his character and its already super interesting. The hints at his dark past as a “god of death” and his current conflict with the egg are intriguing as fuck. Not to mention the MASSIVE builds he does for everyone, helping to progress their lore as well.

Fundy has a lot of freedom with his character to participate however much he wants in lore. While generally he’s a trickster who loves to prank people he has enough tragedy build into his backstory he’s able to break the viewer’s heart with a flip of a switch. Not to mention his recent, almost surreal, stream that explored his character’s disturbing dreams that may or may not predict the future.

Niki is very character driven, exploring her character's grief of losing her best friend and her anger of being ignored in the very country she helped create. She has incredibly emotional moments, and even though she’s on her own building an underground city she still participates in other lore via teaming with jack manifold or the syndicate.

Jack Manifold’s lore is VERY character focused, and while he’s described his story as a “B plot that occasionally intersects with the main plot”, the story he tells is still fascinating. Being pushed aside not taken seriously his whole life, his character develops into a fun cartoony-esque villain who begs to be taken seriously, that has the depth of a truly conflicted person who is torn between wanting revenge on everyone who’s done him wrong and just wanting a friend.

Last but not least, the man himself, Dream. The most fascinating thing about his lore is that absolutely none of it is from his pov. All we know about his character is only from what we see from everyone else’s povs, and in his case it leads to a very intimidating villain! Not to mention, mans owns the damn server and yet has made himself the main antagonist! He is the only character I consider a “true villain” on the smp. His voice acting and writing is downright sinister. I could write a fucking essay on how his character’s obsession with power has led him to the point he thinks himself an unstoppable god

Everyone on this server is stunning and I love all of them!!!!!

[heylittleriotact]

The only reason Emmrich isn’t a puddle of grief on the Lighthouse floor the way he should be in his non-lich resolution is because he cheated death - this time. He has a legacy in Manfred and makes peace with the fact that with training, Manfred will be able to care for himself when he eventually dies, but he only got here in the first place by fucking around with the natural order.

The playing field is still even in this outcome between he and Rook: they’re both mortal, and they will both inevitably die, but they may choose a life together that could be prosperous and joyful and all the other sentimental shit Emmrich has yearned for.

If he “accepts” Manfred’s death and becomes a lich, he does actually mourn him. There’s the banter where Davrin remarks that he heard crying coming from Emmrich’s room, which implies that he’s privately confronting those feelings of loss. Some people read this as regret, but I honestly think it’s grief presenting itself in a complicated manner for Emmrich.

Emmrich’s grief in this case is complicated because not only is he dealing with the emotional complexity of grieving a child who isn’t *technically* his child, but we’re adding survivor’s guilt on top of that, and the fact that Manfred’s sacrifice was ultimately his ticket to immortality.

That’s a-fucking-lot to unpack.

Is it any surprise that he’s weeping alone in his room when he thinks no one is around? How could ANYONE understand? WHY would anyone understand? So he hides it away and doesn’t even talk about it to Rook, his partner, and man… that is a slippery ass slope to some wildly unhealthy coping behaviours.

In real life you might see someone stuck in complicated grief become depressed, socially withdrawn, emotionally erratic, fall into substance abuse, self-harm, self-destructive behaviour, or suicide. Complicated grief is a bitch. Because remember - grief is vital: it is personal, but it is also communal, and Emmrich starts out his journey into lichdom by slipping into complex, isolated grief over Manfred’s passing.

So now instead of a regular person, you’ve got an immortal super-mage who can never die dealing with death TERRIBLY. This forms the foundation for his approach to death for eternity. Of COURSE he’s going to be insufferable to Rook. Of COURSE he’s going to take a holier-than-thou “be more careful please” stance without any thought to the staggering power imbalance that exists between them now.

It’s the most tragic, self-destructive ending for Emmrich, framed in a way that’s almost poetically cruel. He’s fucked himself, and he can’t un-fuck himself, and he has to live with that forever. He might be in denial about it for a month, a year… a century - but he’ll get there eventually.

You finally found the love of your life that you yearned for desperately for decades? You will smother them. Burden them. Shackle them unwittingly with your own shitty, shitty insecurity because even though you’re immortal you refuse to accept the natural order.

Regardless of which outcome you go with, Emmrich is in dire need of therapy. Luckily, as a human and not an immortal undead lich, he can do a lot less damage to himself and those he claims to love. But he really does need to work through his issues around his fear of death, his denial of mortality, and his insecurities in relationships, and I think if he stays mortal it’s more likely that in time once the world is saved and he and Rook settle down, he would be open to addressing those things - or hell he might even identify and work on them himself because he’s got the support of his partner - his EQUAL - who will stand by him and help him navigate things however they can.

Lich Emmrich though? He doesn’t feel like he *needs* to. Rook is no longer an equal, they are someone to be cherished and protected like an exceedingly old and rare edition of a book. They lose their personhood in EmmLich’s eyes and eventually become a possession, which should disgust him and he’d deny it vehemently but it’s true.

This is very rambling and badly worded and I’m just spewing random disjointed thoughts without any real point, @aldisobey I really loved this and how insidiously sweet it was. It’s just perfect. Thank you for writing it 🤍

Fuel to Fire

AO3 Link - Fuel to Fire

A gift on this eve! Finally got it to a point where I don't mind sharing. Emmlich content, come get some Emmlich and Rook angst. It's got comfort and warmth and I've been with it too long just take it before I start hating it again. Tagging @emmg you asked for it! (oh yeah and the title is just the song I listened to the most, it's how I'm naming things because eugh naming things how). Technically part two in a series, check out Nascent Blight if you need more.

Word Count: ~3k

Relationship: Rook Thorne x Emmlich, M/M

Full story below because why not

Emmrich paced the room, green flickers of his skull mixing light with the soothing glow of the water’s reflection on the ground. Rook sprawled out on the divan, head back on the armrest, eyes closed, and rubbed at his temples. Peeked a moment at the towering necromancer gleaming soft in the muted room.

“Rook.” Emmrich’s stern tone made him squeeze his eyes shut. The lich ceased pacing and stood near the small table at the center. Hands folded behind him he faced the waters. “That was reckless.”

The Warden was still coated in lingering blight from the Wetlands. He’d meant to clean up and go celebrate the Eruption’s destruction on return to the Lighthouse, but it was all he could do to drag himself here. He could still feel the echo of it. Too close, too much.

He gripped his head, pressed hard as he dared to drive away the thrumming recollection of whispers. Thank whatever luck graced him it hadn’t…his hands dropped. One to the ground, the other his chest. Their pressures had provided no relief. It would fade, always had, should have stopped when they burned the thing, but something of it’s nature let that damnable echo persist. That or a head injury, he’d taken some hits.

He sighed. Slowly opened his eyes and turned his head to glance at Emmrich’s back facing him.

“Had to be done.” Equally stern in a quiet way, exhaustion clear.

“You might have left the matter to Davrin.” A resounding voice. The folded hands clenched, then released, flicked to the side as Emmrich turned round to fix Rook with his hollow stare, “Or Evka and Antoine, or any number of other Wardens in Lavendell.”

“Emmrich,” Rook responded more softly, slowly, but kept firm, “I had my reasons.”

“And?” The skull tilted, frustration snipping, “Were those reasons worth it?” Emmrich gestured towards Rook, everything said in that tone and movement. Today had not been easy for the rogue. Taash had to half carry him back.

“Yes.” Grumbling, he swung his legs off the divan, sat up properly to face Emmrich’s accusations. “They were.” He straightened his back and squared off his shoulders, suppressed the pulse built on his forehead with a heavy blink. “Look. I brought Taash because they can burn whatever comes their way. And I brought you because you’re undead.”

Emmrich twitched, almost imperceptibly, at that. Rook might’ve missed it had his attention on the lich been less than absolute, but the movement sent his stomach falling. He bit at his tongue and rushed on.

“We got the job done alright? Lavendell can thrive. Everyone safe.” He rushed the words. Kept them short. Folded his arms. He might’ve looked petulant, but the wear of the day was too loud. Holes in the sleeves, tears on the sides, slash on the leg, all red stained, all healed flesh below, but memories of wounds. Everywhere.

“Darling. What about you?” Emmrich’s voice shook, seeing more than the evident physical. Undead eyes exposed a roiling of lingering red pain whispers, swirling confusion, exhaustion like a leaded blanket.

“Hmm? I’m already blighted, it was no concern.” Rook shrugged, doing his best to appear at ease. Brush off the worry, confirm the wellness of the situation. They were here, they were whole, they…

“Enough.” A snarl of exasperation, Emmrich stepped closer, seeming ever taller as he approached, “Davrin would have joined us had it been no concern. You brought Taash.” There was finality in the words, a stillness as the simmering anger evened and burned with purpose, “I was there, Rook. Your Warden friends were quite clear on the danger that Eruption posed to you.”

Rook grimaced, rubbed his hands, felt over callus, cut, and bruise. It hurt. He added pressure, focused the pain there.

Emmrich was right of course. The lingering pounding in his head was testament to that. What if the Eruption had sparked something? It felt safer for Taash to be there with their fire. Why put more than one Warden at risk? How many was it if not him? If not Davrin? Thoughts roiling he shrank below that green gaze burrowing into him feet away. Rook realized then he’d gone slack jawed, unable to think of an acceptable excuse. But no. He had made the right call.

He snapped his mouth shut.

“Fine!” Rook growled and stood using the armrest with a stifled groan. Patience worn thin after all the drumming in his skull he put his hands to his hips when he reached his full height and glared up at Emmrich.

He didn’t shout, but matched the steaming frustration, “I knew it was dangerous for me. Alright? But I had to do it.” The words came out through grit teeth, biting back the desire to escalate.

Emmrich drew back. Not a step, but into himself. “Dearest...”

“No, don't dearest me.” It came out like a hiss, and Rook leaned the smallest degree forward, “The Grey Wardens need every last person after all this.” His hands flailed out, gesturing vaguely to the world at large, “After Weisshaupt…” A breath found him. The fury caught on his tongue. This shouldn’t be so hard.

He cleared his throat, kept strong, “My jobs done once we’ve killed those gods.” His hands returned to his temples for a moment to steady himself, applied pressure to calm the beat. The blood flushing to his face couldn’t be helping.

Rook gave his head a shake and looked askance, maker how did a skull appear sad, he pinched the bridge of his nose. Unable to face Emmrich in that hunched posture before him. Bent, mourning, pathetic…no, Rook swallowed. Not that. The necromancer didn’t stand alone. The lean was enclosing him, protective. He dared a glance forward.

The lich stood draping the Warden in shadow like some gilded ribbed vaulting. And Rook, an insignificant supplicant come, with soft flesh aching, stinking of blight. Before a cathedral.

“Davrin’s got a book in the works!” He sputtered before he forgot all of the pieces reinforcing his decision. “Antoine makes such things?” Because it had been the right decision, “Can you imagine things if left to Evka’s hands?” They would all flourish after he did his part.

“You think I’d risk a single one of them?” Voice a hushed whisper of desperation. He couldn’t bear it.

No. The gods died next. No one else.

Tomorrow. His mind kept at a furious pace. A last check on Lavendell. Then Treviso, the Crows had word. He could feel cold sweat on his neck, they might have a location. Almost there. Not much longer now, almost safe, and all at once his legs went weak. Rook sank, barely controlled, back down to the divan. He settled with elbows on his knees, hands holding his head, and stared down at the floor. Could feel welling in his eyes, blinked it away.

“Rook,” Emmrich’s voice was slow, the gentle echo of a creek; water over stones as it traveled through him, “I’m sorry.”

Sincerity. Rook could feel it. Feel his nerves still at the serene appeal, “You carry the weight of every decision. Don’t you?” Not a question, a declaration, and in hearing it, so firmly spoken, Rook quaked.

“You were exemplary today.” Finally. A shuddering breath, a tiny lift, that voice of praise, a warming balm.

“My love,” The words sank deep past the skin, something in the tone kneading them firmly within the chest, past bone and into heart where a soul might sit, “let me help you.” Rook sniffed, didn’t trust his voice, dipped a nod once. Emmrich extended his hand, gestured towards Rook’s head.

Movements small, close, Rook leaned in, but then gave start, bit his lip, froze, “..wait.” He still needed to scour, make sure every speck of blight was gone, that could take awhile for hair.

“That’s of no concern.” Emmrich smirked.

Rook looked up as that comforting palm settled soft on his head. Peered past the linen, memories flashing of that arched brow, those lidded eyes, and met a crowned skull, flickering flame. He’d heard it in the tone.

His eyes went wide, tight pain gripped his chest. That was the cost wasn’t it? But then, he felt his heart beat. There was that…the desire...ever since…

'Rook’s Necromancer. An excellent subject to test how long one could go back and forth between life and death.'

Rook blinked at the perfect, beautiful, loving undead skull staring back at him, the whisper of hope escaping from dreams and solidifying here and now.

“You’re safe.” Rook choked out the words.

Then collapsed. Gone so limp he would have fallen from couch to floor had Emmrich not anticipated the movement and dropped to his knees to catch him in his arms.

They dropped together a moment, Emmrich’s arms a cushioning guide. And once stable, once still, he lifted, held the trembling man close, and carefully settled down on the divan with him. The Warden, for his part, was all snot and tears, clinging to the lich’s robes. His arms wrapped tight around the ribcage as he pressed close as he could.

"Emmrich, it can't…” His voice and body shook, words closing off in the shudder of relief.

Emmrich cradled Rook as tight as he dared, a soft hush drifting from him as he brought calm in his firm embrace. There was no measured breathing to guide the man hiccupping into his cloak, so Emmrich purposefully rubbed Rook’s back in the rhythm of a breath, and with a few extra movements green sprites darted from his fingers. All at once sound was still and calm around Rook’s hearing, and then began the sigh of trees, wind through leaves, in measured cadence to help level the rogue’s racing heart.

Rook almost felt a cool breeze on his skin same as he heard it, and the glow of water and flame mixed like light through the leaves to his eyes. He sighed, then lifted his head, buried it beneath the lich’s chin, felt his final quivers fade as a hum traveled in waves through the bones embracing him, back and forth, kissing skin where it touched, a fleeting doting touch. The beginnings of a smile and easy breath came to him at last.

Emmrich’s voice sounded quiet around…in…where his head lay. The traveling hum returned deep and pleasant, warming the skin where it passed. “My love. To think…you worried over me, to such...” Disbelief mixed with adoration, Emmrich’s voice eased its way into Rook’s waiting ears, pure love. The lost words saying more than any uttered.

Rook was steady now, melting instead of shivering, he clung to that genuine smile dawning on his lips, he could have this at least. They couldn’t take this. Rook tilted his head up to whisper to the air where Emmrich’s throat might’ve been.

“I love you.”

He put his head back down as he felt both of Emmrich’s hands move up to massage his scalp. The room was incandescent with green, the necromancer’s palms the epicenter of the glow. Focused. He plied at the Warden’s head. His movements were rhythmic, the magic alive with a pulse and rippling at his direction.

Rook could feel the echos become sated, the answering ebb of the necrotic channeling a path of release, carrying the riptide tight and rebounding in his skull back out to sea. Ease and push, gentle waves of magic and fingers worked the movements with Fade and physical, gently towing that ache out from the Warden’s skull.

Rook yawned, almost a thrum while in Emmrich's care, “Of course I was worried.” And he stretched in small movements, “You immortal fool.” His voice was low, pining, enraptured by the fool he entrusted with his care. Emmrich didn’t reply, his voice occupied in the ending incantations. Otherwise they kept in silence, the soft green glow encasing Rook’s scalp continuing to pulse, dancing with the shimmering from the tank.

“Darling,” when Emmrich's voice finally graced Rook again it sent warmth flashing through him, “I’m safe.” A rolling delight, the aches and pains losing hold, Rook groaned, toes curled as every muscle seemed to tighten, and hold. Then release.

The magic dimmed. Rook breathed heavy, then slow, then measured, calm. Almost asleep.

Emmrich sighed, his voice an echo that resounded through the room. He took a long laborious moment to take off his crown, and with utmost care placed it on the table behind them. Then, barefaced as possible, spoke gentle, the deep echo private now, tumbling only to the Warden’s ears, “But, Sir Thorne.” He looked down at Rook, tilted the man’s face to look up from where it lay on his sternum, kept his tracing fingers there, touch yearning. “You are most unsafe.”

Rook felt his eyes go hot at the words, if only because Emmrich’s couldn’t, and he could hear the despondent tears held in the lich’s tone. He tried to look away, but that meant leaving that soft touch on his chin, he pressed down into the palm instead.

“I’m sorry.” he twisted his head deeper into the hand, whispered the mumbled words into Emmrich’s thumb. The thumb traced Rook’s lips a moment, but seemed distant, moving further away.

“Those are words, Rook.” Emmrich’s hand withdrew, Rook looked up, sensing the gravity in the next words had been stressed by absent touch. “Please. If only out of love for me. Take more thought and action towards your safety?”

Rook gave the barest of nods, mind rebelling against the gross hope of self preservation. He nestled back down and away from the skull’s sight. Emmrich’s voice grumbled in old exasperation, his hands moving to cradle the Warden’s skull and massage along his neck. “If you remain so determined to put your life at risk I’ll have no choice but to drag you to the deepest tombs of the Necropolis. Seal you there until you develop a modicum of sense.”

“That a promise?” Rook’s voice surprised them both, and had Emmrich been able to feel heat his hands might have burned from where they held Rook. So quick and fierce was the flush on the man, so immediate the reply, it came without thought, driven by something deeper.

He could feel the lich’s fingers dig hard into his skin. Maker he really did want...The skull was staring up and away from him now. But Rook could hear the words resound in his own chest, “Don’t tempt me.” A low rolling warning, like thunder from a storm still away. But Rook could sense the ache, felt his heart quicken at what some choice words might lead to, felt the barest tremor in the hands holding him, but then they were gone. The storm gave way to trickling laughter at the thought.

Emmrich moved to extricate himself from the divan, took extra care to settle Rook comfortably in place. Hummed away the lighthearted mirth as he stood free and took off his cloak, gently draped it over the fading Warden, “Seriously, dearest, you mustn't jest.”

Rook held tight to the lich’s cloak and burrowed into it, buried his face deep in the lapel as he muttered half asleep already, “Don’t tease, you started it”.

He yawned. Felt warm, eased his mind to think of falling quiet, but the shiver of dreams crept up at him. The Fade always awaited, didn't it. Rook bit at his cheek, blinked an eye open to peek out from beneath the cloak. Emmrich was still there, though his back was turned to him now, he had taken to quiet pacing again, fish in the tank following as he glittered in the pale light.

“Emmrich.” Rook whispered.

“Hmm?” Emmrich paused midstep, fish paused midswim.

Rook stifled a chuckle, overcome at that moment with overwhelming adoration. He could ask this, a beaming smile hidden beneath the cloak, eye twinkling from beneath the fabric he muttered, “You once comforted me by saying the lich lords were, ‘Unlikely to visit your slumber’.”

Rook mused, calling back to that first time, that first terror. Emmrich had been so excited to share, so animated when explaining, the first time Rook heard the word ‘Lich’. Ice had taken Rook’s veins then. Fresh terror, new fear, but what emotion did he know better? And what a blessing it could be? His blood ran cold. Something deep in his gut warned him, but he ignored it. Looked long at the lich before him, fish following Emmrich’s concerned sway, and let the prickling sensation thaw, there could be warmth here, “Is that…something…you could do?” He finally asked.

“Oh.” The lich seemed to stand taller, an edge of excitement to his tone. “I hadn’t the time to consider it.” He started towards Rook, came to kneel at his side, put a hand on the cloak where the man’s shoulder lay, head tilting in question, “Would that interest you?”

Rook poked more of his head out so that his lips could be read, voice a hush, “Maybe…if you can, just uh check in?” He swallowed, “That song, it's in dreams…it’s worse…” Emmrich’s hushing tones cut off Rook. One hand going so far as to pull the cloak back up to cover the Warden's mouth and tuck him in.

“My love, speak no further. Sleep. Nothing will dare trouble your dreams.”

“Thank you…you know you can troub…”

“Another time darling. Please. Rest.”

Eyes closed Rook could hear the smirk again, felt a heaviness settle in his limbs, swore he was already dreaming when he heard the warmth in the immortal’s voice holding him, was that a lullaby? And sleep took him.

[tossawary]

Because my brain does NOT stop even when I’m grounded, today my brain told me, “Hey, I figured out how to make a Hobbit Fusion AU work.” And I was like, “Great! We’re working, though.” And my brain was like, “I’ve figured out how to make it a Pre-Canon Canon Divergence AU for Moshang.”

And I was like, “...I’m listening.”

The Hobbit is another one of my Comfort Media and it got brought up when I was asking about that, but I was feeling kind of “eh” about mixing Tolkien mythology with SVSSS. I mean, the mental picture of Dwarf Mobei-Jun is extremely funny and Shang Qinghua would make a great hobbit! But that interpretation felt a little too direct for my AU tastes.

So, hm, now I have another potential Big Bang contender. My love for The Hobbit is very, VERY strong and looking at my current outline, I have to be like, “Yeah, this could be 50,000 words, no problem.”

It’s a very good outline!

-

After saving Mobei-Jun, Shang Qinghua bailed A.S.A.P. because he honestly thought Mobei-Jun was going to kill him. He psyched himself out of sticking around before Mobei-Jun woke up. Mobei-Jun didn’t get enough information to track Shang Qinghua down.

Shang Qinghua (who isn’t SQH because he isn’t the Peak Lord) decides that he can’t fucking take it anymore and bails from Cang Qiong Mountain Sect too. The System objects, but also falls into line when Airplane shrieks at it. Airplane is going to go become a humble merchant and inventor and there’s nothing anyone can do to stop him!

It turns out that Shang Qinghua’s presence or help was actually crucial to stop some Emperor of the Abyss from taking over the Ice Palace and the Northern Desert. Airplane is like, “Oh, yeah, I remember… offhandedly writing something about that happening in the past off-screen?” It was one of those things that he just threw in there because it sounded really cool, and it gave Mobei-Jun another reason to “owe” Shang Qinghua and not kill him immediately, but he never got to elaborate on it because he was too busy writing stallion novel bullshit.

So, borrowing the lore from my “Horns” one-shot, an extremely powerful Emperor of the Abyss escaped the Eternal Abyss. This is some devouring horror being from the depths of the abyss, which ate everything in its vicinity in the abyss itself and crawled into the Demon Realm to eat more things. The Emperor of the Abyss was attracted to Mobei-Jun’s father. They fought. Mobei-Jun’s father should have won, but didn’t, because he was too fucked up (thanks to his own hedonism or something) to fight properly. What an asshole.

Mobei-Jun’s father was killed and devoured by the Emperor of the Abyss, which has made it… exponentially powerful. It’s now… basically a calamity. The desolation that it leaves in its wake across the Northern Desert is unspeakable. Mobei-Jun and his family, their allied clans, and pretty much all demons in the Northern Desert have had to flee.

Mobei-Jun is currently essentially a “guest” of the Sha Clan. He’s homeless. He’s lost the power of his ancestors. He’s a “king” without a kingdom. It’s humiliating. He needs to kill the abyssal creature to retrieve: his title, his ancestors’ power, and his kingdom.

While working for other demon clans to support his family and people, Mobei-Jun crosses paths with Airplane. Airplane has become a relatively successful merchant and inventor, and he calls himself Shang Houhua. He lives a very comfortable life and does his best to ignore anything resembling the plot. He’s pretty successful at ignoring the plot.

Mobei-Jun is never in a good mood these days, but he’s especially pissed off to see that human who abandoned him all those years ago. Airplane tries to argue that Mobei-Jun told him to fuck off, but Mobei-Jun is too angry. Airplane makes lots of offers in an effort to get Mobei-Jun to spare his life, one of which ends up being a claim that he can help Mobei-Jun kill the Emperor of the Abyss and make him a king again. Mobei-Jun pauses, now even more pissed off than before, and Airplane just starts babbling desperately to save his own skin.

Mobei-Jun was already forming a company to take on a Quest for the Northern Desert - in the hopes of slaying the Emperor of the Abyss and retaking his homeland. Part of the issue has been that forming the company is difficult. Mobei-Jun wants people who are loyal to HIM and ONLY to him. He won’t owe anyone else anything or promise them pieces of his homeland.

(Airplane is like, “Bro, I don’t know if you can afford to be so picky, but okay.”)

So Mobei-Jun is like… “I still want to kill you, but fine, you can come on our quest and help us.”

So Airplane ends up on the Quest for the Northern Desert, led by his very angry future murderer the “king without a kingdom” Mobei-Jun, to fight the calamitous Emperor of the Abyss who killed Mobei-Jun’s father. Fuck.

Some details beyond this opening premise:

Airplane and Mobei-Jun fall in love over the course of the quest, obviously. They have their own hijinks like each chapter of The Hobbit (equivalents to the trolls, to Rivendell, to Goblintown, to Beorn, to Mirkwood, and to Laketown, etc.). 

Oh, damn, I just realized that making a pre-fall Tianlang-Jun and Zhuzhi-Lang the Beorn equivalents would be so fucking funny.

The Emperor of the Abyss is a horrifying Smaug equivalent. It can totally talk because Airplane having a conversation with a draconian horror sounds incredible. I would love to have Airplane outwit the Emperor of the Abyss in some fashion.

Mobei-Jun and Airplane somehow manage to successfully kill the Emperor of the Abyss together. Like, together. Probably using some plot device whipped up or some clever plan devised by Airplane on his feet. Mobei-Jun trusts Airplane at a crucial moment and it all works out. Airplane actually gets Mobei-Jun his kingdom back.

I’m tempted to just skip over the Ring and not having a Ring equivalent. BUT if I made this into a longfic instead of a one-shot, I would have a Ring equivalent (if it was a one-shot, I would ditch the Ring equivalent). I think I would make Xin Mo the One Ring equivalent. During the Goblintown equivalent event, Airplane falls either into the Eternal Abyss or into Bing-Ge’s dimension, where he proceeds to successfully take up Xin Mo because he knows the trick and portal himself out of the Eternal Abyss, or he proceeds to outwit Bing-Ge in some fashion and uses the Xin Mo sword to portal himself back to the right dimension.

So then Airplane is stuck with this super powerful sword that he doesn’t want to use again because he KNOWS that it will fuck him up. He KNOWS that it will FUCK HIM UP. So Airplane has to go through the rest of the quest ignoring the temptation of the Xin Mo sword that he is absolutely not supposed to have and can’t possibly let anyone else have.

(Oh, man, imagining the influence of Xin Mo giving Airplane extra horny thoughts about Mobei-Jun on the rest of the quest is very funny. Like, Airplane was already hot for Mobei-Jun, but now it’s worse and he might never have a normal thought ever again.)

Bagginshield Movie Hug when Airplane turns up again, for sure. Mobei-Jun thought he was dead. Mobei-Jun smiles and everything, until he remembers to frown again.

I’m feeling like I don’t want Airplane to use Xin Mo to help defeat the Emperor of the Abyss, but it makes sense if he does. Him not using it doesn’t make much sense. I do like the idea of Airplane dealing the killing blow and Mobei-Jun’s pride being hurt by Airplane being the one to kill it. I also like the idea of Mobei-Jun being a little smitten by Airplane just… loyally handing him his kingdom and restoring the power of his ancestors. I also really like the idea of Airplane just… not having some super powerful plot device up his sleeve on the quest.

Like, instead of Airplane’s Author God knowledge totally setting him up to deal with this thing no problem, Airplane had NO FUCKING PLAN when he set out with Mobei-Jun. He was talking completely out of his ass when he said he knew how to help Mobei-Jun. That this all worked out at all is almost completely due to luck and improvisation.

That feels MUCH more true to both Shang Qinghua and to Bilbo Baggins. Lucky lads of fast-talking, complaining, lying, not knowing what the fuck is really going on, thirsting after kings with tragic backstories, and somehow not dying despite winging it all the time.

Instead of goldsickness, Mobei-Jun is forced to deal with some side-effects of consuming the Emperor of the Abyss to regain the power of his ancestors. (Demon cannibalism rituals. Yeah.) He starts acting really scary and out-of-character and forceful, until Airplane loses his nerve and runs away. Maybe under the influence of the late Emperor of the Abyss, Mobei-Jun actually tries to kill him? I could see Mobei-Jun trying to kill Airplane for the Xin Mo sword which dealt the finishing blow on the Emperor of the Abyss.

(I need a better name for this thing. If I can’t come up with something that actually sounds good, I might just call it “The Calamity”, but that’s giving me BOTW vibes so I don’t like it. Maybe I’d call it “The Desolation” or something? Ehhhh, I don’t really like that either.)

I want to have a Battle of the Five Armies equivalent, if only so Tianlang-Jun and Zhuzhi-Lang can swoop in as benevolent helpers as the Beorn equivalents. Currently, I’m seeing three options. 1) The orc army equivalent are neighboring demon lords who want to strike while the new Mobei-Jun is getting established. 2) The orc army equivalent is Linguang-Jun trying to kill his nephew and take power at the last minute. 3) The orc army equivalent is Bing-Ge here with an army and he’s pissed off and wants his sword back.

On one hand, 1 and 2 would be SO MUCH EASIER to pull off. I could be really lazy about the whole thing. On the other hand, 3 would be much fresher (more surprising and links back to the Xin Mo element), more challenging and the idea of pre-fall Tianlang-Jun facing off with Bing-Ge delights me. Kick his ass, Tianlang-Jun!

(Su Xiyan gets involved? My brain says YES. Kick his ass, Su Xiyan!)

Also, I was sad about there being no Fili and Kili equivalents, because Mobei-Jun has no friends, and I’ll have to make up a company pretty much from scratch. (Sha Hualing is too young and Luo Binghe hasn’t been born yet.) BUT then I was like, “Where’s Linguang-Jun in all this?” And I would absolutely have Linguang-Jun be a part of Mobei-Jun’s Company. Instead of nephews, Mobei-Jun has a sketchy uncle who might be trying to kill him. Keeping Linguang-Jun out of it might be easier, but actually doing some character-building with him sounds fun and challenging, and I’d rather limit the number of OCs if possible.

Mobei-Jun manages to shake off the goldsickness equivalent somehow, probably through “the power of love” (and/or straight-up “dual cultivation” with Airplane?). Moshang makes up while Mobei-Jun is apparently mortally wounded from fighting Bing-Ge and Airplane thinks this is all his fault. But Mobei-Jun doesn’t die! It’s all good!  

It’d be pretty funny if there was a “Returning to the Shire” equivalent where Airplane leaves because he thinks Mobei-Jun hates him now and never wants to see him again. So then Mobei-Jun has to track his man down like, “Get back here and marry me. (Also I am so sorry for trying to kill you. Please forgive me. I hate myself so much for that.)”

And they all live happily ever after!

Holy shit, this wasn’t in Proud Immortal Demon Way.

[pallasperilous]

Boneless Wings

 {AO3 version}

So, blah blah blah, it’s their standard-issue disaster: pack of dumbass witches (always with the dumbass witches. Where do they find the time for this shit? Somebody get these women signed up for a Peloton subscription or a macramé class or a vibrator of the month club, seriously, whatever it takes—), ancient curse, Castiel being the actual angel of stepping in it, nobody cares. 

The point is, two hundred and forty-one hours of binge-worthy drama later, Dean and Cas are living in a semi-detached just a short thirty-minute commute to somewhere equally lame, Castiel has two literal-ass wings, and yes, Susan, they kiss now. 

The neighbors are weirdly cool with it. 

For those of you perving along at home, Dean could absolutely provide a list of the hundred or so ways that having a boyfriend* with giant fucking actual wings is super hot and/or awesome.

This is not that list.

(*you can just shut right the fuck up , Sam, because it’s either this or Dean will start saying lover. And nobody needs that. Nobody wants that.)

1.  Bird mites. Holy shit. 

 2.  Sharing a bathroom. The shower curtain rod, and consequently the security deposit, are early casualties. The medicine cabinet follows swiftly behind. Shower hijinks are not even an option.

 3.  Dean comes home one day from a gig and there is a giant plastic green turtle in the backyard. A closer inspection reveals that the turtle is actually a mule for about half a truck bed of industrial dust ‘n grit. It is, in fact, a kiddie sandbox. Dean points out that they do not, in fact, have a small child (FINGERS CROSSED), so...?

Cas then earnestly shows him an entire playlist of exotic birdy dust bath videos on Youtube. 

Dean then earnestly shows him the garden hose. 

4.  The down just gets, like...everywhere. EVERYWHERE. How many times have Sam and Dean practically sold their kidneys for a single angel feather for some dumb spell to solve some pointless Occult McProblem? And now Dean is picking them out of his damn teeth every morning. (No, gross, not because of... Jesus, no, that is not a thing.)

On the upside of this one, Dean finally has an excuse to buy a Dyson, which he’s secretly always thought looked awesome. It is. 

 5.  When Dean is scraping out the umpteenth canister of fluff he jokingly suggests they use some of it to supplement the tragically flaccid down comforter currently shaming their bed, and Castiel pitches an existential fucking sulk. Dean wants to experience happiness again, so he does not point out that it get ass-bitingly cold here this time of year, and decent bedding is not exactly inexpensive, and the Dyson kind of maxed them out on household purchases.

But whatever.

 6.  Castiel is indulging in what Dean thinks of as a sky pout when he flies right into a head-on with li’l Timmy NextDoor’s new Christmas surveillance drone. It dings the shit out of one of Cas’s left primary feathers (the scientific term is “those big motherfuckers”), which apparently hurts like a bitch. Cas is grounded for a few weeks after that and is cutely pathetic about it and at first Dean is absolutely down to kiss it better. By the end, Dean is almost ready to strangle Cas with his own necktie, but he has learned a lot of surprisingly interesting stuff about ancient Mesopotamia, like that it was super horny.

 7.  After the snow melts, Dean starts finding shit on the front step with the morning paper. It’s not even a good newspaper; Cas signed them up for the local fish-wrapper (or maybe it was Sam, before he fled for the hills— he occasionally breaks out in a  “support local journalism” rash). The crossword puzzle is insulting, but the paper does at least syndicate Carolyn Hax, whom Dean secretly suspects of being an absolute wildcat in the sack, so he grudgingly expends the calories to bring it in every morning. 

Anyway, at first the stuff he discovers crapping up the welcome mat is just shiny bits of trash — couple granola wrappers, some MGD pull-tabs, a few field-stripped twisty-ties. Probably just windblown, and he tosses it in the garbage can. 

Then a couple weeks in, things start getting...grisly? It escalates real slowly, from a variety platter of mouse bits to squirrel à la power line and then half of a dry-aged raccoon and an opossum that has recently graduated from playing dead to professional dead-being. The neighborhood crows obviously love that their front step is now a roadkill café; Dean has to bat increasing numbers of them away with the kitchen broom in order to relocate their horrible snack to the edge of the nearest storm drain.

Then one morning there are like twenty crows and they’re in just the cutest little football huddle-up around what turns out to be a human fucking finger with a retro-fun mood ring still on the knuckle (it’s feeling: Sad) and Dean fully loses his shit. 

Cas hears him freaking out and comes whomping out of the garage ready to, whatever, flap somebody to death maybe, but as soon as he establishes that Dean doesn’t need anything more than a fresh pair of boxers, he de-poofs a bit and assesses the whole human finger/crows situation in his usual infuriatingly unrushed way. The crows had mostly bounced up to the cable line over the house, safely out of brooming range, but one by one they start to drop down and hippity-hop back towards the world’s tiniest crime scene.

If Dean were five percent less freaked he’d be tempted to go inside and find out how much of a dent he can make in a six-pack before Castiel finally dings and spits out his results, but he isn’t, so he just stands there in silence clutching the broom like it’s a shotgun.

Eventually Cas says “hm,” and then he looks at the crows and makes some noises that sound like a spoon caught in a garbage disposal, and the crows make some scrawps and chuks back, and then one of them delicately noodges the tip of dead finger with its beak and then hippity hops back a foot or two, bows, and then they all fly away over the shitty little beige duplex across the street like they’re running ten minutes late to an important bird appointment.

Castiel stands up (Dean reflexively backs up into the doorway, as this involves Cas bomfing out his wings a bit for ballast and Dean has caught a blow to the nuts on more than one occasion), dusts off his goddamn slacks, pulls a plastic evidence baggie out of thin goddamn air or maybe his socks, and casually bags the finger like they’re doing a standard FBI wheeze. “So what,” Dean says, as Cas diligently zips the baggie, “the fuck?”

“Oh,” Cas says, blinking in surprise that Dean is still there and interested, “they think I’m their god.”

Dean kind of stares back at him, the six feet of dude and like sixteen feet of bird, and thinks sure, okay, but his face must still be stuck on “Tippi Hedren attic scene” because Cas puts a reassuring hand on Dean’s shoulder and adds “Don’t worry. I’ve told them I don’t require further offerings, and I reassured them that you’re my consort and were simply jealous of other potential mates.”

It takes Dean two weeks to come up with a response to that, but by then it’s become evident that no bird is ever going to shit on the Impala again, so he decides to just chalk it up in the win column and move on.

You know. The family business.

8.  No matter how tightly he folds them, Cas can’t fit his wings through the definitely-not-up-to-code doorway of the wood-paneled family rec room in the basement, so Dean claims it as his man cave and dubs it the “No Fly Zone.” 

Castiel doesn’t find this funny, but Dean really only uses it to fold laundry. 

 9.  Transpo is an obvious issue. Cas can almost stuff himself into the Impala if he sort of reverse-cowgirls the back seat, but then the wingtips smoosh up against the windshield and Dean’s visibility is approximately zip. And, sure, Cas could fly himself anywhere they really needed to go, he’s basically a Chevy Of The Air, but sometimes it’s raining, and the seraph Castiel — Shield of God, Heavenly Soldier of the Lord, multidimensional wavelength of celestial intent, will smell like a wet fucking chicken for days afterward. Febreze does not help.

Dean spends a few nauseating weeks contemplating the purchase of — and here he learns that the human gag reflex can be conditioned, but never truly eradicated — a convertible. Once Cas brings up the possibility of a minivan or perhaps a station wagon (he’s taken to studying family motor vehicles with all the intensity of a birder with a life list) and Dean makes him sleep on the couch.

Dean gets his own living room rotation after he shows Cas a Craigslist posting for a very reasonably priced horse trailer. Castiel points out that it’s used and Dean notes that neither of them is exactly mint in original packaging either. Castiel points out that he’s not a horse, and after a few necessary but admittedly unoriginal jokes, Dean pulls up a website with an exhaustive photographic tutorial on how to convert a horse trailer “for the safe and sanitary transport of ostriches, emus, and/or cassowaries.” Cas points out that he’s not an ostrich, emu, and/or cassowary, and Dean counters that he clearly isn’t, because an emu would probably show a little more gratitude, and that’s how Dean learns that the couch has a broken spring under the left cushion. The transpo issue remains unresolved.

 10.  Dean keeps a pair of shop-grade safety goggles by his side of the bed. It’s not the sexiest look, but it turns out feathers are stabby as hell when encountered at a particular angle. Cas can do the healy thing, of course, but they learn the hard way that cornea perforation is not really a mood enhancer. On the bright side, Castiel accidentally corrects Dean’s incipient presbyopia, which means Dean doesn’t have to hold the newspaper at arm’s length anymore when he’s idly speculating what Carolyn Hax looks like below the neck. The Lord giveth and the Lord taketh away.

 11.  You’d think that, when you’re coming down from a time-limited but incurable curse that makes you feel like every cell of your body has its own cute little individual headcold — because you missed a hex bag due to the fact that you were preparing your legal response to Sam turning up to the hunt wearing a goddamn hair scrunchy, as if he were fresh off the set of a very special episode of Clarissa Explains It All — anyway, you’d think that being wrapped in the warm embrace of an angel’s wings would be nice. 

But you would be wrong, because apparently your boyfriend has been out communing with the bees again, and those feathers pick up ragweed pollen like it’s their goddamn job, and guess what else angels can’t cure? Dean will take Motherfucking Seasonal Allergies for 600, Alex. 

12a.  One of the neighbors has that homesteading hippie brain disease that drives an otherwise normal-seeming person to brew their own beer and raise a bunch of chickens despite living within five hundred yards of a fully functioning Hy-Vee. There’s a week where one of the wee little velociraptors seems to be processing some kind of trauma because it starts yelling at dawn and keeps going until well past the hour that swearing is allowed on network TV. 

When Dean finally hammers on the front door the next afternoon the neighbor apologizes with some extremely nasty home-brew (HIPPIES) and some absolutely devastating weed (HIPPIES!) and explains that “Ginger is going through a rough molt” and then he kind of nods his head towards Dean’s side of the fence where Cas is futzing around in the squash plants and stage whispers (this is a direct quote) “You know how they get.”

Dean is about to rip the dude a new one for comparing his immortal space-kaiju lover to a fucking Australorp yard pullet when Castiel pops his head up over the white pickets and breezily contributes “Bad molt, yes, those are terrible, Dean can tell you all about how insufferable I am those weeks,” and sometimes Dean just doesn’t know why he even tries.

 12b.  The less said about angel molt, the better. 

Seriously, the freakin’ eyes-on-his-hands naked mole rat dude from, whatsit, Pan’s Labyrinth of Subtitles, would run screaming from this shit. 

 13.  There’s a 4th of July BBQ Potluck Block Party and Dean’s inability to stand idly by while good meat is abused ( shut up Sam ) means he winds up manning the grill and dismissing the pretenders to set some strictly inedible things on fire. Cas hangs out next to him and uses his flappers to kinda whupf the smoke away from Dean’s eyes now and then, which rules. It’s actually a pretty chill event until Sharon and Don From Number 4267, The Green House With The White Trim, turn up with a giant Pyrex full of naked, still-marinating teriyaki wings. 

Sharon And Don look down at their wings and then up at Castiel and then down at the wings and then up at Castiel and they are clearly teetering on the edge of a Midwestern politeness failure-based nervous breakdown. But then Cas, smooth as a margarine commercial, gently takes the dish from Sharon’s frozen hands, examines the contents for a silent moment, and says “it’s alright. They weren’t personal friends.”

He gets an extra burger for that one.

 14.  Cas keeps absent-mindedly trying to groom Dean — who, in case it still needs to be said at this point, possesses zero-point-zero feathers of his own — so he goes after Dean’s hair, instead. Dean has to stop him after his second hour of trying to straighten out a cowlick. “I don’t understand how you can steer properly with this deformity,” Cas says, as if it’s a genuine miracle that Dean isn’t constantly careening over ottomans like Dick Van Dyke. He’s even more horrified by Dean’s (frankly minimal) use of hair gel. “Jesus, Cas, it’s not like I’m drinking it,” he says, but then one time they have an epic make-out session shortly after Dean performs his masculine beauty rituals and there’s some smearage of various types of Product (tm) on the flappy areas. 

And, sonuvabitch, for the next six hours Cas is spirographing around the house like he has a heavenly inner ear infection, and he only stops veering into the doorframes after Dean wipes down every. Single. Feather. With mineral oil and about eighteen clean shop cloths. Dean switches to something called hair wax, which costs thirty zillion times more per ounce and makes him smell vaguely like church, but is a lot less gloppy. The things we do for love.

 15.  Seating inside the house is a bit of a conundrum, too. Cas can kind of flop his wings out to the sides if he sits in the middle of the couch, but then Dean’s stuck on the recliner, which is basically in the next county. Bar stools are disastrously tippy, Dean’s lower back and hips have not endured mumble-mumble years of hunting just to be subjected to a damn beanbag chair, and, after a brief flurry of optimistic excitement, Dean determines that they’d have to take the front door off to get a massage chair in. He finds a swing online that if, he can get the hardware properly installed in the crossbeam, is rated for up to 500 pounds, so he texts Cas the URL so he can check out the specs. After half an hour he writes back —

CASTIEL: Dean

CASTIEL: I believe this swing is intended for sexual congress.

DEAN: ...

CASTIEL: I can infer from the ellipsis that you have spent several minutes attempting to draft a response.

DEAN: ...

CASTIEL: Dean

DEAN: it’s multipurpose

  16 . On the plus side, though, big-ass wings make for a pretty good drying rack. He can get every sock in the house laid out on those suckers in a single round and, one episode of Dr. Sexy later, they’re perfectly dry and toasty warm, without any of the pair-busting casualties Dean has learned to expect from the apparently socknivorous dryer in the basement. 

Dean assumes it’s just the product of good air circulation and body heat until he realizes that he hasn’t had to toss a pair for being too worn out in...maybe six months? So he asks Cas “Are your wings... healing the socks” and after an entire Abbott and Costello routine centering around heal versus heel, Dean determines that the answer is: yes, his boyfriend’s wings are channeling the almighty power of Heaven to magically repair the socks Dean buys at Target in twelve-pack bags. On sale.

This is actually kind of sexy, if Dean is being perfectly honest, so, you know what? It doesn’t belong on this list.

 16.  So nobody really freaks out or bursts into tears or calls the news or the FBI or anything when Cas goes out in public with him, which Dean is secretly a little disappointed about, because come on. (Maybe giant wings just reads as a gay thing? Was there an episode of Will and Grace about this that Dean missed back when he was ass deep in wendigos or something?)

But no. Dudes tend to just glance at them across the Home Depot parking lot, throw them the Mutual Dude Acknowledgement Nod, and say some shit like “Comic-con,” or “nice anime” in a knowing tone. Then they go back to rolling their carts full of gaskets or hammers or whatever back to their mom’s station wagon. 

Little girls tend to go googly-eyed — Castiel seems to fall into the same category as a Disney princess, despite the stubble and the drabcore wardrobe, and Dean can’t count the number of times some mom has approached Dean at the grocery store (like he’s Castiel’s manager?? Which, okay...yeah, actually) and asked if they do birthday parties. The money would actually be pretty tempting if Dean weren’t five thousand percent sure that Cas would get them both arrested by launching into an anatomy lesson about duck sex or how God is a loser who favors relaxed fit jeans and Wild Turkey.

The worst is white ladies of a Certain Age, and it always seems to happen in the pudding aisle, for some reason. They either go cross-eyed with horniness and become indiscriminately handsy (Dean can’t blame them for the impulse, but also back off, Karen), or ask Cas for prayers for their cat’s chronic asshole problems (which Castiel WILL take seriously). 

Worst of all is when some hippie spinster clocks them. This woman inevitably reaches right for the feathers and asks in a willowy voice if they’d ever consider turning some of them into dreamcatchers to sell at her studio, which is literally always named The Faerie’s Glen. Then Cas gets confused about why, exactly, a sixty year-old WASP in a peasant skirt would need to call on the infant-protection powers of an Ojibwe spider goddess, while Dean just wants to bite the lady’s fingers off. 

Either way, it’s always a bad scene, and many fully loaded grocery carts have been lost to the fallout.

17.  For some metaphysical reason Dean is too dumb to suss out but also too smart to question, lugging a pair of Cessna-sized flappers around this mortal dimension actually seems to tucker Cas out. He doesn’t need to zonk out every night, but he semi-regularly throws in the towel and actually crawls in with Dean for the duration. 

This would be swell in theory, but the guy absolutely cannot settle the fuck down in less than three (3) human hours, which is the exact amount of sleep Dean requires to maintain his famously sunny demeanor. It’s not just ye olde tossing and turning — Dean can handle that, sharing a bed with Sam is like sleeping next to a kangaroo with restless leg syndrome — no, it’s a nonstop parade of little flippy-flappies and shiffle-shuffles and spontaneous outbursts of preening. 

So Dean makes him a Baby Sleep Sack. 

This is something Dean knows about due solely to one super dumb hunt involving a banishing sigil that had to be drawn in — he still feels like this had to be a misprint — human breastmilk, and that was obviously not happening. But the monster of the week wasn’t going to banish itself, so they wound up at the nearest Walmart, at 4am, picking up what turned about to be an unnecessarily generous supply of baby formula, along with a fresh box of shotgun shells because God bless America*. It doesn’t work, although “lots of stabbing” turns out to be a solid fallback plan, but the point is that while Sam was debating between Digestion Support or Neurological Development, Dean acquired an unprecedented familiarity with some of the products currently available to the sleep-deprived parent. So Dean finds some DIY Baby Sleep Sack knockoff patterns online and determines he can replicate and scale up the concept with some beach towels and duct tape, and the next morning he presents the lumpy but totally functional prototype to Castiel. 

Initially Cas thinks it’s a sex thing (reasonable, it probably is), but once they clear up that misunderstanding, he’s obviously a little peeved by the concept of being swaddled as if he were a gassy baby instead of a deathless sky monster in a sexy dude-shaped can. But Dean must be giving off some serious man on the edge vibes because Cas grudgingly agrees to let Dean tape him up the next time he’s feeling dozy. 

It’s real awkward and takes forever to get Cas bundled up right, and then he’s just kind of lying there on top of the sheets, like an enormous, grumpy baked potato. 

“I could easily break out of these restraints,” he says in a pissy tone after Dean has crawled in and turned off the light, and Dean rolls over to tell him “no shit”, but then he has to stop himself because the guy is already asleep.

Eventually they upgrade to a version made out of some of those trendy weighted blanket things, a few yards of parachute silk, and a whole lot of velcro. The dude looks so damn peaceful that Dean is honestly a little jealous.

*he doesn’t, actually. 

 18.  There’s a sunny afternoon that isn’t the usual Kansas is trying to murder you level of humid so Dean rolls the Impala out into the street for a wash. Cas helps him out a bit initially, although tragically not in a way that involves removing any unnecessary articles of clothing, but Deans sends him to grab a new tub of wax from the shed and he never comes back. After half an hour Dean needs a beer break and goes looking for him, expecting to find Cas lost in thought over whether Turtle Wax is made of actual turtles, or is made to put on actual turtles. Instead he finds Cas crouched on the shimmering pavement at the back of the driveway, sun beating down on him like it has a personal vendetta, and he’s got both wings stretched out real low above the ground. Dean kind of flips out because it’s the type of pose that just screams “stabbed in gut by angel blade” or “migraine from Hell, literally.”

Then Cas looks up, which pulls his wings up a smidge too, which in turn reveals that fully half a dozen neighborhood cats are lounging in the shady patch beneath his wings, spread out on the concrete like blobs of furry peanut butter. No, it’s actually eight cats. There are eight cats.

“Ling-Ling was feeling a little overheated,” Cas says, as if this explains everything. 

And, you know what, at this point, it does.

 19.  Dean has faith that eventually Sam or Cas or the third demon from the left in the second row will turn up a solution for the whole business. Castiel will get to tuck those bad boys back into the secret wing-closet dimension and he won’t have to worry about getting stuck in stairwells anymore, or being reported to the FAA (again). Then they can finally pack up the house, plaster over the more egregious spots of drywall damage, and go back to killing things outside of the tri-county area. The whole thing has been a pretty embarrassing interlude for a couple of dudes who’ve kicked Satan’s ass multiple times — Sam is probably telling other hunters that they’ve been deep undercover to take out a nest of suburban vampires, or a pack of ghouls with mortgages, instead of vacuuming angel down out of the AC unit and considering a Costco membership. 

And sure, there have been some...serious pluses to the situation (see: the other list), but, in his weaker moments, Dean has to admit that he’s kind of going to miss some of the goofy, irritating shit, too — like finding a six-inch feather in the veggie crisper (how? why?), or watching Cas fwap his wings out just in time to accidentally clothesline a jogger, or even the strangely compelling, sorta cheesy smell that starts to float around the house if Cas goes a little too long between hosedowns. 

He has actually grown fond of this shit. Which is 100% the least sexy thing on earth, it’s some genuinely, seriously pathetic goo goo crap, and that’s why nobody will ever hear a fucking word about it. People will ask “so what’s it like, with the wings” and Dean will waggle his eyebrows suggestively and review the highlight reel over an inadvisable amount of rail whiskey. His secret’s safe with, well. Him.

 20.  Seriously though, the bird mites. 

Gross.

[swanhookheart]

Angry Grishaverse book review time!

After watching and LOVING s1 of Shadow and Bone, I read the trilogy! I was not impressed. 

Spoilers incoming for Grishaverse stuff, so if you don’t want those, don’t read on!

Watching Shadow and Bone this past weekend, I was hooked : Darklina, the lore behind the amplifiers, the Aleksander backstory… I was really impressed and hoped that this was it--that at last, I’d found a fantasy series that was going somewhere big, something I could really, thoroughly sink my teeth into. 

*Sigh* 

Then I read the books.

The reader / viewer enters the Grishaverse associating darkness with pure evil. The Fold, described early on, is shown to be this bleak, awful, ruinous place where people go to be eaten alive by volcra and hope goes to die. We therefore, naturally, associate the Darkling--who possesses the power of shadow--with that evil from the off. I’m speaking as someone who only got into the Grishaverse last Saturday. My initial thoughts were, “oh, he’s being set up to be viewed as dark and scary; this is the expectation Bardugo wants us to have so that we’ll be blown away by some great twist later. Count me in!”

But that twist never came. He was set up as evil, and he stayed evil. Surprise, he’s the Black Heretic! Surprise, he’s an abomination effectively created by Morezova’s greed! Surprise, he’s ruthless and horrible and does cruel things! Except none of those things are actually surprising, given he was SET UP from the beginning to be viewed that way. He did bad things, walked a bad walk, and talked a bad talk. I kept thinking “ah, so he’s gonna get a sweeeet redemption arc,” and then he just never did. That element of the story was predictable to a nauseating degree, and that predictability made the entire universe feel a bit flat. If the reader saw more of his backstory, had more real, logical, sound justification for why he does the things he does (like in the show, where they at least tried to paint his actions as borne of some misplaced sense of servitude / protection for the Grisha or where we saw him actively struggling at points to grapple with the darkness inside him), then maybe the trilogy wouldn’t have been such a letdown. And yes, I know about his sacrifice or whatever later on. It’s not enough.

In villains, I and probably plenty of others like to see humanity. We want to empathize with our villains to a certain extent--to understand them just a little bit--so we can fully commit to hating them when they violate our trust. The Darkling didn’t have that human, redeeming quality, though--at least, not in the books. In the books, he was just a power-hungry jackass who simultaneously didn’t want to be alone and kept trying to kill his only opportunity not to be alone. His single-mindedness, his lack of human empathy, the simplicity with which he pursued this made him seem almost stupid to me as a reader. For someone who’s lived hundreds of years, he’s kind of an idiot when it comes to other people--which, itself, almost seems incongruous with his having lived for so long. If he’d maybe had more backstory or more in his story to justify his actions, maybe he’d feel like a better villain. But atm, all I’m doing is rolling my eyes with him. I couldn’t love him because he didn’t put in any work toward being a better person. Even in the end, he doesn’t actually do the work or repent. But I also can’t hate him because the source material hasn’t given me enough actual human qualities to hate or to feel betrayed. His character just… missed the mark for me. 

As did Mal’s. Fucking MAL, oh my GOD! This dude’s literal only personality trait was loving Alina. Cool, he could track--for Alina, mostly. He could fight--for Alina. “I am become a blade”? Sir, you got a whole-ass tattoo announcing that you’re an object in this woman’s service? No WAP is worth that, and I’m speaking as a very bisexual woman. My dude, it’s weird, it’s extra, it’s just too much. I’ll go back to the Darkling for two seconds to say that, ofc, his actions were painted as problematic and misogynistic and gross. But, like, the possessiveness Mal displays with Alina kinda feels on that same level? Why are we pretending he’s better when he actively tries to keep her low, keep her powerless, and keep her his? Again, dude got a tattoo of her sigil. He was fully prepared to be the leader of her guard even if she married Nikolai just for the opportunity for some sexytimes. I know that YA is about really intense emotion, the fire of teenage hormones and stuff, but that all just felt a bit toxic. The way that his entire life revolved around her while she tried to balance the role of saint, hero, orphan, and all the things she was just felt goofy and like a wildly unhealthy dynamic. 

Their whole relationship also felt really obvious, as I guess the Darkling being revealed as the trilogy’s big bad did. It was predictable, set up to be that way from the start. There were no surprises. It was Mal, and then it was still Mal, and in the end, it was also Mal. We weren’t really shown any of what made them so drawn to each other, we were just kind of told and expected to be fine with the intensity of it. But it read as being way too much for me, and god, it kept getting worse. Again, this one felt like low-hanging fruit--low effort, lazy writing. Nothing about it actually read to me as romantic, just as too much. They didn’t so much as fall in love as just start out that way, and reading that was somewhere between boring and uncomfortable. At least with the Darkling or hell--even Nikolai--we saw some of that chemistry unfold on the page. We were shown some of what made them work the way they did. There was something underpinning their relationship, and not just “oh, they’re supposed to be together”. I mean, after all JKR’s bullshit, I feel totally fine saying fuck authorial intent. If you can’t even be bothered to actually put your shit on the page, don’t ask me to blindly accept your version canon as gospel truth. 

We could have had Deckerstar vibes, Beauty and the Beast vibes, seen light and dark come together and surprise us by actually working well together. But no, we saw a special girl lose everything that made her special and settle for some mediocre fuckboy from her hometown. We get characters that actually have the potential to be dynamic and make for a good story, but she still ends up with this bland, vanilla, trick-ass bitch? It’s a major letdown when you’ve actually been exposed to decent fictional couples, tbh.

OOF! And the ending? Oh jesus fuck, that ending. Darkling just… dies. Just like that. I read three whole books for that? I know he comes back and dies again and all, but the whole trilogy felt like it was building up to something more, something deeper and greater and more profound. He was horrible for the things he did, sure, and he deserved defeat as long as he refused to waver from his power-hungry, destructive path. But his death brought about no closure. He and Alina never actually had the fight they needed to or reached an understanding with each other. Everything is left undone, unsaid, unexplored. The ending just felt super anticlimactic on the page, and so, the trilogy as a whole fell completely short of any mark I hoped it might hit.

Did I hope Darklina would be endgame? Sure. But I’d also have been A-okay with a tragic ending if it had been done right. Did I think it would have been a lot more interesting to see a redemption arc for Darkling than just… more of the same? Or maybe Mal develop a personality outside of Alina? Absolutely. There was so much potential, and it really feels like Bardugo squandered all of it. And for what? This was nearly as disappointing as the eighth season of Game of Thrones. I probably won’t be watching future seasons if they follow the books, but I guess I’m glad for the day or so of fleeting pleasure I got when I still had hope for a properly told story. 

[dorkshadows]

Nezha Reborn (2021)

@earl-of-221b Finally watched New Gods: Nezha Reborn! Honestly? It’s a lot better than I expected it to be lol. A solid 3.5/5 from me. I do think some story elements could have been tighter and it’s not as solid a script as Nezha 2019, but it works as its own thing so it’s worth a watch for anyone already interested in fengshen lore. Plus a jttw cameo!

This is going to be a super incoherent “review” lol but I’ll just run through my thoughts. Firstly, I loved Li Yunxiang’s character. He could easily have been an emo bad boy with a heart of gold or whatever, but he wasn’t! He was just this temperamental young man trying his best. A little cocky sometimes, but always has his heart in the right place, always willing to do the right thing. Not like, super unique as a character, but someone we root for. He’s flawed, he’s handsome, he’s compassionate 10/10 character arc

Especially love how he came to understand Nezha, and how they became one in the end. This version of Nezha is legit so tragic. A misunderstood child who had to wait 3000 years until his own reincarnation looked at him and went, ‘I get it. I am you. We’re better than this. We can do it.” The flashbacks were so sad omg, but somehow that made Li Yunxiang’s reconciliation with him more moving.

FUCK Ao bing. I knew he’d be evil but wow, WOW. That kitten was so cute. That kitten was my favorite character. And Ao Bing killed it!? FUCK HIM. Thinking about that kitten makes me want to pull his spine out for the third time. That said, Ao Bing’s character as an evil hotshot asshole works and is pretty in-line with how he’s usually depicted lol. Also a pretty balanced blend of cockiness and insecurity. Like, I loved to hate him lmao

Evil CEO Ao Guang is a silver fox dilf and I have no regrets saying that. Man has no redeeming qualities besides being the oldest piece of eye candy this entire film has. But the gangster suit, hat, grey hair combo awakened something inside me. That said, his character was kinda one-note. Like, just statically evil without much explanation. And like earl said, it was very jarring to see him treat Ao Bing so badly while also justifying killing Nezha for Ao Bing, and then not cared when Nezha killed Ao Bing. Like what was going on here

Six Eared Macaque had me screaming though. He was so bouncy and was probably the only character whose face matched his voice idk LOL Probably the best animated character, and one of the best characters in general. Had stronger characterization than Ao Guang and all the side characters combined. 

I was so SHOCKED when it turned out he was SUN WUKONG disguising himself as Six Ear. What kind of next level inception asdfasdf spent a whole minute losing it over Wukong committing identity theft by stealing the identity of the monkey that stole HIS identity 3000+ years ago. It’s such a funny thing to do, like he could have been anyone but he chose Six Ear LMAO I’m convinced it was out of pettyness and dark humor (because this Wukong seems to have had a hard life).

Anyway, once the Six Ear disguise came off, I was pretty impressed by how “mature” and world weary they made Wukong without losing any of the monkey energy.

What else? Oh right, the BODY COUNT. There was a death and/or attempted murder every 5 minutes. One of Li Yunxiang’s friends or family was always in the hospital from some critical injury in every scene omg. Kasha straightup losing her leg was a shocker. so was that dude trying to suffocate Six (hello??). Then the brother almost died and lived. So OLD LI died. And of course that’s when he reconciles with his son lmao. Like, our boy cannot catch a break in this.

Lastly, the post credits scene with Erlang Shen in the 1930s tuxedo also awakened something in me. Because I’m positive he has a 3rd eye under that hat. But also, the outfit, the dog and ball, Yang Jian shows up for 0.2 seconds and he’s all I can think about again adfasdf I paused the movie just to stare at him to make sure this was a thing that was happening.

Legit criticisms: Sometimes I felt like I was watching a video game instead of a movie. Namely when some of the more realistic looking people started talking or moving- it was just weirdly stiff and uncanny? And the voices didn’t quite match the mouths. Also wasn’t fond of how all the female characters looked like barbie doll waifus lol but that’s about it. 

[deberiaestarescribiendo]

The Lost Children #Writer Wednesday Din Djarin Modern Day Bounty Hunter x f!reader

For #Writer Wednesday created by the amazing @autumnleaves1991-blog and tagging @clydesducktape (thanks a lot for the hard work of compiling everything each week)

Summary: This a part 2 of a fic I wrote a few months another Wednesday, read it here. After you scape with Din and your child, you try to find a life again even if that means he has to leave you.

Warnings: Language, talking about neglecting children or abandoned kids, guns. This is fluff with angst and Din being a softie but a dumbass expressing feelings

A/N: I'm super tired, so be ready to find many grammar and mispellings I didn't have the time to really read it through.

The lost children

For a bit, that’s what he said, what he promised until you’re safe and settled.

“So you can keep your little kid in the babycare with the rest of the kids while you’re working. One of the cabins to the right of the front office we’ll be entirely yours. We only ask that you keep clean and in a good state”

“Of course” you’re shining, happy and excited

“You heard that Greg, we’ll have a place on our own” your arms hold the baby tightly, rocking him softly until he giggles. When you turn to Din, he can see your eyes glowing, kissing little Greg’s head, you whisper thank you

Thanking him? what for? He just pointed out that small, almost entirely ripped from the wall, announcement of a local hotel in the middle of the woods that looked for personnel willing to work and live in the resort when they were stopping at a gas station.

It is a perfect place to hide and live a peaceful life and let a baby grow up in the middle of nature. Greg and you could be happy. So why is he thinking that he should make up some excuse so you don't stay, so you don’t leave him. He should be selfish and grab your hand and run away again like you’ve been doing for weeks now, but that’s not life for a baby, and you deserve it, leave the past behind. And him, even if he doesn’t want to admit, it’s part of your past of that runaway woman that commited many mistakes.

But Din’s a bounty hunter, his life on the road, from one job to the next would only make you unhappy, and at the end, you would hate him; and that’s it’s not an option.

Nothing has made Din happier than seeing you smile at him, the little comments here and there you tell him praising him and thanking him one, twice, a thousand times for helping you, the way the baby caresses his face with his small hand and those big eyes looking at him intently until he smiles with only those two little teeth. The way you look perfect, almost like a Madonna from the Renaissance, when the street lights hit your face while he’s driving and you hold your baby against your chest, both of you sleeping in the car.

Would you think he’s a creep for staring? There’s a warmth that grows inside him when he stares at you and baby Greg. A warmth he doesn’t want to let go. He cannot offer you a good life and Din doesn’t want to force you to live like he does, just because he’s so selfish to let you go.

“So what do you think?”

The manager leaves them to think about the offert. And Din balances his big body from one of his legs to the other, hands on his hips, he sighs

“I think”

I think you should be with me

I think I should protect you

I think I should protect Greg

I think I want to be with you, the both of you, forever

I think I love you

But he doesn’t say it

“I think you should take it. It is a good place for a kid”

You frown, even baby Greg looks at him puzzled from the crook of his mother’s neck

“Yes, it seems great, quiet...And I like that Greg could be with other kids. But what about you?”

Your eyes look big, pleading, there’s a question, a petion in them but you don’t say it with words so maybe Din is imagining it, he wants so bad that you will stay with him that maybe he’s making that up

“I will go and…”

And miss you

And miss Greg

And be alone again

“Start the business again somewhere else” he shrugs, and he sees the light flicking in your eyes, the idea in your head being shattered, you’ll never ask the question and he will never answer.

“But you can stay a few days, right? Rest, eat properly for once and repair the car”

“I don’t know…”

What would hurt more? leaving already or prolonging it?

“I don’t want to be this direct, Clint...” he likes that you keep using that nickname you gave him when you’re in public. You only use his real name when you’re alone. Making it even more special, it’s intimate, more anything he has ever felt.

“but you need a shower. And I do too and this stinky baby” you bury your nose on little Gregs neck and it makes him laugh out loud that angelic and sweet giggle hits him hard and before he even knows it, Din is nodding

“A few days won’t hurt”

It’s surprising how they fall easily in a routine. How they seem to find a perfect way around each other, a perfect model like the stars and planets always circling around each other and never colliding. You, dancing softly in the kitchen humming while you stir the soup, baby Greg chasing his little frog while Din holds his back so he doesn’t lose his balance

“Hey, you want this?” Din smiles fondly to the baby and with his long arm places the soft toy far away from him “C’mon like before “ his big hands on his side while the babe excitedly starts crawling towards his frog

“Hey! look! he’s getting faster!”

You smile at them, that big and serious man has the proudest smile, so bright and pure watching your baby grow before his eyes.

It’s been almost a week and he’s still repairing the car, or so he says. The manager hasn’t asked any questions and just assumed they are a family. And you must accept that you do look like one, a broken and weird one, but more than anything you have ever experienced.

And you wish he stayed forever that he could be a father to Greg, he certainly acts the part.

“Dinner is ready.”

The scent of the pines, the bugs chirping and the soft crackle of the fire is the perfect lullaby. Your baby has taken the habit of falling asleep against Din’s wide shoulder while the three of them enjoy the small porch outside the cabin.

“I think the car is ready”

The words you fear the most float in the air and you’re almost tempted to ignore them

“Hmm” you don’t face him yet, just look at the trees and try to swallow the pain “And where will you go?”

“Don’t know yet”

“How will I contact you?”

“I…”

“Do I have to search on Craigslist? Some old codewords in the newspaper? How do you even find a bounty hunter?” you’re laughing, but it really doesn’t hide the pain in your tone

“I have a phone” Din rolls his eyes at you but he’s amused, surprisingly he’s smiling more since you met him, he’s not that stern or cold as you pictured him when he caught you

“That would have come in handy when we were lost in the desert”

“I mean a fixed one”

“You have a house then?” you turn to him, lowering your voice midsentence as you see your son sleeping peacefully on Din’s arms

“Sort of”

“I will need you to expand that a little bit more Din”

Din in the quiet of the night, the moon, the stars and the fire illuminating your face he admires you pronounce it: The tip of your tongue showing softly between your teeth and he wishes to see you repeat it one, twice a thousand times.

“My family, my...it’s difficult to explain, anyway, it’s my safeplace, where I go to rest, I get the information for my next jobs, etc”

“Oh...okay, so I call you there?”

“Yeah you could, and write if you want” he offers with pleasing eyes

“Penpals, great” you answer and it sounds more sarcastic that you intended

“You could send me pictures of Greg”

Din lowers his eyes to the soft crown of the baby, that soft place on his head where he smells so sweet and tender. He can believe that he’s going and there will be no nights like this.

“I will do”

Your eyes get teary watching him softly kiss you babe, carrying to his crib whispering sweet words so he doesn’t wake up.

“So I’ve packed many water bottles, and those protein bars in case you get yourself lost in the desert again, cowboy. Sadly you won’t have my unparalleled company” you joke tapping him on his arm

“No, I won’t” Din forces a smile “I...Take care” he awkwardly squeezes your forearm

“You too-Shit!” you scream slapping your forehead “The sandwiches! I knew I forgot something. I made you something for lunch. I’ll be right back”

You press little Greg to Din’s arms before running away leaving them with wide eyes and a confused look

“Take care of you mother, kid, sometimes she can be a lot to handle”

“Hi, Ken” you say breathly as you storm inside the reception and get inside the staff meeting room.

“Hi! Has your boyfriend left already?” He asks while writing something on his agenda

“Not yet” you say looking for the lunch bag you had prepared inside the fridge. You hand stops midway when you heard her voice

It is horrible, we have not consolation, our baby has been kidnapped and we have no information

Her fake cries fill the room, some national tv is making a report on the kidnapping of little Greg. The tragic zoom at her face fades away when they show a picture of your baby.

“Fuck…” you mutter

I need him back. He’s my baby

“He’s not your baby, you bitch” you spat under your breath

“What did you say, hun, you need something” Ken raises his eyes to you, one eyebrow arched, he follows your eyes to the TV

“That baby looks exactly…” and then you know

You grab your sandwich bag and strom out as you did before. Din is holding Greg on his hip while he finishes loading the trunk with his bags

“We’re out of here”

You cry when you reach to him, pushing him away, you close the trunk door

“Wait what happened?”

“No time, let’s go”

How has this man trusted you so much as to run away with you? For all he knows you could actually be a kidnapper, that story about leaving your son with someone you trusted and that eventually you discovered that they were assholes could be fake. But he doesn’t. He runs away, drives and drives without asking a question.

“She had the guts to say it was his son, he isn’t. She barely had it for a few months until I could settle my life. And then she asked me for a crazy amount of money because children are expensive you know I fucking payed for a a new pool in her stupid house, while my son was always dressed in old clothes, too big or too small. They didn’t care for him”

And on top of trusting you, he lets you rant away all you anger

“There’s no way I’m giving him back. I rather die!”

He stops the car, the road again is silent, dressed in the colors of the sunset

“Calm down, you’re scaring him” Greg looks at you with trembling lips not knowing why he should be scared or angry, he just knows that his mama is upset “He will stay with you, I promise”

“The police must be searching for us” your warm tears cloud your eyes

“They won’t find us where we are going”

He ditches the car somewhere and you see him burning it. He carries the big bag on his back and hands you water and snacks from time to time.

“Just a few miles more”

The red stone looks like some ethereal cathedral around you, a palace in the middle of nowhere almost like another world, magical and eerie. If there’re marks or signs you don’t see them, but Din walks among the rock so sure of his steps searching among the labyrinth of rocks. And suddenly…

You hear the soft clicks of many guns' trigger locks going off at the same time. But Din softly whistles some tune and from all over: up the rocks, between them, children come out. Kids, all different from one another, some really young, others tall and weirdly looking teenagers in that mixed age where they are not a child nor an adult and others already grown to be young adults.

“Din” a curly haired girl dressed with camouflage clothes runs towards him with open arms, she has a crooked smile as she has lost some of her front teeth

“Hey, gumball!” Din bents down when she hugs him, her sweet face pressed against his belly

“Who are they?” a boy, holding a shotgun to his side, his face full of red dots, frowns at you

“They’re friends who need help” Din explains raising one of his arms trying to calm down the group

“Are they lost too?” Gumball asks

“Yes” Din nods

“But she’s a mum” some kid screams from above

“Mums can be lost too. C’mon, we’ve been walking for hours, can we go home?” he answers

“Of course, let’s go. Boba will be happy to see you” Gumball grabs Din’s hand and smile widely jumping happily through the stone corridors

“Wait, Din, what the fuck? who the fuck is Boba? What are these kids doing here?”

Gumball fires a concerned look at you

“She said two bad words”

“Gonna let it pass, Gum, she’s a bit scared and tired” Din smirks your way and you question in silent muttering the fuck again and again

“I see you pronouncing it, you know?” Gumball rolls her eyes “No bad words or you pay the price”

“Yes, understood, sorry” you close your lips hard trying not to ask more questions until you arrive home or whatever that is.

After a few minutes of turning left right, left right, right left you’re completely lost until the stone towers open up a way to a plain and on it, a ranch.

Some horses roam around nibbling on the pale green grass that grows on the land. A house on the centre is painted white but the paint looks old and chipped.

Now in the clear you count the children that surround you, ten, ten kids in the middle of nowhere.

“Welcome to the Watch” Din smiles at you, he almost look shy and earning a upset look from Gumball, he releases her hand and holds you with his big palm on your back

“What is this place, Din?”

“Home” he simply answers

The kids run through the porch screaming and opening without a care the door to the house

“Yeah, I heard you, little heathens” a masculine voice screams from the interior

His hard steps clack on the ground and you hear the spurs before you see him arriving with his leather boots, his used jeans and a low cowboy hat covering him from the sun

“I thought something must have happened to you” he says, evaluating Din. His tanned face is covered by a long and twisted scar from his lip to his forehead, he has dark eyes like Din but colder in a way, very deep and when they fall into you, you hug your baby tightly without thinking it

“I see” he says “C’mon on in, that baby can’t stay too long in the sun”

The house is nice, surprisingly tidy given the fact that there are ten kids living in it. The furniture looks like the exhibit of an old auction house, each one of them completely different of style, color or age from the other.

The man that everyone call Boba gives some orders to the group and they efficiently start doing what he asks

“Prepare a room for our guests”

“Bring water and food”

“Prepare some fresh fruit for the baby”

You sit, little Greg with eyes wide open. As any baby he’s absorbed by all the children around him, and he reaches with his little hands trying to grab them

“Little fella wants to play, you can leave him on the rug if he wants to”

“He’s fine here, thanks” you say holding him although Greg is already removing your hands from him wanting to explore

“Boba, we have nowhere to go” Din explains sipping on his cold water

“I guess, you have never brought anybody here” He reclines himself on his rocking chair watching Din intenly

“We need to protect them for a while, until we can find a solution”

“You’ll be safe here, you know that, you can stay as long as you want, just respect the house rules” and he points to a wood board, engraved in them are a few rules

Be respectful of yourself and others

I finish my tasks as promised, ask for help if I can’t

I will not curse

Be clean of yourself and your environment

Protect your family and your house above all

“They seem...pretty logical, won’t be a problem to follow them” you smile uncomfortably

“Well, somebody said you have a potty mouth, young lady. So watch it, but for the moment, you may rest, we will see for the rest tomorrow” He sighs when he gets up and taps on Din’s shoulder before he goes to the kitchen

“Let’s make dinner” you hear him scream, before the rumbling of pans and chopping and children screaming start

“Din…” you say after a moment

“I know you have a million questions”

“Duh!” you laugh nervously

“This is my family, we’re not related by blood but by circumstances. Lost kids, abandoned, neglected; we have a safe place here and in time we go out in the world and make our own life but we always have the Watch over us. A place where we’re watched over, taken care of, listened…” his caramel eyes glow and you see his strong and stern facade crumble before your eyes, in this place he can relax. He feels safe so you can too, right?

“We’ll be fine here” He reaches for you hand, the one that holds little Greg caressing him with your thumb, and covers both of you squeezing softly

We, it’s the second time he has referred to you as a group, you and me and Greg, We.

“We’ll be fine” You smile back, lowering your face, you kiss his knuckles, leaving a warmth there Din will be holding for hours.

You don’t notice, but the whole time during dinner he passes his thumb over that small place of his skin where you kissed him.

(Hey! remember when you read that fic in May? I continued it...so sorry that it took so long, I've taken the liberty of tagging you since you were interested in a follow up from the first one @fangirlalexia @childrenofthewatch )

[stop-breaking-my-heart-telltale]

One quick question, why do you hate Before the Storm? I actually really liked it. It could be because I'm a hopeless romantic, but I just want to see your opinions on it

Oh boy, where to even begin...? I cannot stand bts... it actually hurts my insides to think about how much I hate this game haha.

[note: yeah hi uhhh... this is long because of course it is, it's coming from me but listen, my feelings for this game are not nice and I have a lot to say so.... my bad]

One of the bigger reasons, though not the biggest, is Chloe... I'm not exactly a big fan of Chloe. At all. Not in the first game, nope. I understand that so many people love her and they have their reasons for that, that's fine, she's just a character who doesn't appeal to me. If anything, she pisses me off because I can see the foundation for such a compelling character, but it all gets thrown away for the sake of bullshit.

So then they plop bts in front of us with Chloe as the playable protagonist in a prequel story about her and Rachel Amber. This is an opportunity to expand on her character, to tie into the first season and make me feel more positive feelings about her character, to do what the first game failed to do..... and to be fair, they DO have a few of them sprinkled in... but then they're overshadowed by the garbage.

It's just... the ideas are there, and they're ideas that I like but they're executed so poorly. I want to like Chloe Price, I can see that there's something good here.

Like okay.... lemme do a thing:

Chloe Price. She's going through some serious shit after her dad dies. He died unexpectedly in a car accident, something Chloe had zero control over, it's not fair, and even though it's not like the universe singled her out and said "fuck you," it feels that way to her.

On top of that, her best friend who she adores? She moves away. Not something that's in either of their control, they're kids at this point. However, Max stops contacting her and that hurts Chloe. Chloe tries to stay in contact, but eventually Max stops responding.

Then you have her mother, who's also grieving after losing her husband and dealing with her daughter pushing her away and on the wrong path. She meets a man and falls for him after realizing she still has a long life ahead of her and that's too long to be miserable over her husband's death, William wouldn't want that, and David is a source of comfort for her... something she's not getting from her daughter. The problem is that David and Chloe don't get along in the slightest... which leads to Chloe feeling like her mom is trying to replace her father by moving on, not understanding why Joyce's timeline of grief isn't the same as hers, y'know?

Oh, and can't forget that Chloe has fallen onto a not so great path of drugs, booze, bad grades, lying, staying out late without letting her mom know where she is, pickin' fights, making friends with drug dealers, stealing money and other items, all that. She's bitter, angry, unable to understand most of her own complex emotions and that only makes her even more upset. She's unable to express them in a healthy way, she doesn't ask for help, and denies it whenever offered.

So... Chloe's starts out as an extremely entitled, rude, obnoxious character. She insults the bouncer in the cringiest way possible because these adult men writing her don't know how teen girls talk, she steals money and a t-shirt from a dude who works for the band because $20? how dare? even though bands don't make a lot of money and a lot of profit comes from their merch but who cares about supporting artists you like, right? Chloe sure doesn't. She probably buys some weed from Frank because yeah, she's got a dependence on the stuff now. She gets into a fight with a couple of dudes after spilling beer on them.... but what's this?

Oh look, it's Rachel Amber. Y'know, the pretty, popular, talented, smart, perfect, charismatic girl from Chloe's school?? yeah, she's at the concert and saves Chloe from the dicks who attacked her, and the two girls spend the rest of the concert together.

Now, for some reason, Chloe isn't sure but Rachel has taken a special interest in her. Rachel is flirty, she wants to know who Chloe is, she asks her to skip school with her, and the two take a ride on a train to a park and... honestly? pretty romantic, and it plays into that escapism fantasy thing of having the pretty girl who everyone likes single you out, making you feel special.

Over time, the girls grow close. Rachel has some family problems and seeks comfort in Chloe. They spend nights walking together down empty streets at night, holding hands. They hang out and talk about the stars, they discuss Shakespeare and what it's like to actually be your true self, if there's actually such a thing. They get tattoos together, and Rachel helps Chloe color her hair. They have a special hideout they decorated together in the junkyard. Rachel spends the night at Chloe's enough that she ends up leaving a lot of clothes there. They daydream about running away together, long road trips and living big in LA.

Chloe starts to see Rachel as her angel because for the first time since Max, she feels like she has someone she can be open and honest with. Rachel almost seems too perfect to be true, y'know?

And hey, over time Chloe actually starts to kinda get her life on the right track, if not in an unconventional way. Sure, she's still dealing with losing her father. that's not something she'll just get over... but she does start making an effort with her mom, and yes, even David after he told her about his time in the army and gave her that photo. They both know they'll never be friends, and they'll still have arguments, but they'll at least keep the peace for Joyce's sake.

It's not all perfect, though. Chloe's still smoking and Rachel isn't always the best influence. They get into trouble here and there, but nothing super serious.

She dropped out of Blackwell so that her mom didn't have to keep paying her tuition and because she's fixated on this fantasy of running away with Rachel. Chloe's feeling good about herself, about her future, for the first time since her dad died.

Until Rachel disappears.

And everything goes to shit pretty quick after that. Rachel's gone, she's not answering calls or texts, and everyone keeps saying that she probably ran away, but Chloe knows better. She knows Rachel wouldn't leave without her, so something must've happened. She makes posters and puts them everywhere, but things only get worse.

Money is tight. Joyce isn't making as much as she needs at the diner, David isn't making enough as a security guard, and hey... they might lose the house... the house that was once Williams, that's a piece of him he left behind. Not only that, but where will they go?

Chloe doesn't want them to lose the house, or for her mom to be this stressed out over food and bills. Chloe borrowed money from Frank in hopes of using it to run away with Rachel, but with her missing... Chloe decides to give it to her mom in order to save the house. Joyce is alarmed that she has this much, but Chloe manages to lie her way out of it to give her mom some peace of mind.

Except now she has another problem- she can't pay Frank back and he's getting more aggressive about it as the weeks go on. Rachel's still missing, Frank's breathing down her neck with threats toward her mom, money is still an issue at home, and she's not in a good place. Chloe's desperate enough to steal... so when she makes it into a bar that doesn't card her and she sees rich boy Nathan Prescott drunk off his ass and flashing bills, she thinks it'll be an easy score. It's wrong to do this, it's dangerous, but Chloe justifies it to herself. She needs that money.

She didn't expect Nathan to drug her drink, and she wakes up to him taking pictures of her. She manages to get the hell outta there, but she still has no idea what the hell happened to her. Like.... that reeeally fucks with her, it doesn't even feel real. She can't tell anyone, she can't tell her mom, and the police won't do anything since they're under the Prescott thumb.... and well, she decides to blackmail him.

And we all know how that goes.

So... we have the highs and lows of Chloe Price. She's flawed, even starting out as unbearable, but over time she becomes more nuanced and you're invested in what happens to her. You want to see her better herself, you want her to work through her grief and get help, you understand why she hates David but when you see him and Joyce happy together and him make an effort to be better, you want to see them make amends. You know David doesn't want to replace William, hell HE knows no one ever could.

You want Chloe to keep going, to find purpose in her life and realize her own potential. You saw her at the beginning when she was broken, when she was lost and didn't see a future for herself, and it's satisfying to see her come this far to where she knows she has a future... something that becomes all the more tragic when you remember her fate in the first game.

You're invested in Chloe and Rachel's romance, you get giddy watching them flirt and do dumb, romantic, cliche things, and you're just as compelled by Rachel as everyone else. No, she's not perfect, she's not a stereotype, she's much more layered than that and it only breaks your heart when you realize that she's killed later on, that of course she's going to go missing... you already know that! So you're watching Chloe, who has gotten pieces of her life back together and is genuinely happy.... fall back down the pit, fall back into the habits she had at the beginning, and you know it will lead to her downfall.

.....TOO BAD BEFORE THE STORM DID FUCK ALL WITH THAT RIGHT?

Nope, you don't get any of that. Well, except Chloe being cringy. You get a lot of that.

No, no, we got edgelord, flanderized Chloe who thinks her wit is much greater than it actually is, whose terrible moments outweigh the good, and who doesn't grow or change no matter what influence you try to have over her.

Rachel could be replaced with a literal barbie doll and little would change. She has no charm, she's nothing like what she was described in the first game, and she's just so fucking unlikable. When she finds out that her mom isn't actually her birth mom, she claims that her whole life is a lie and her parents aren't real and she wants to meet her druggie mom who chose drugs over her for 15 years because she's the one who actually squeezed her out.

Which, by the way, WHY is this the goddamn plot?? Why did they feel like they had to shove in this "oh hey Rachel's dad is the bad guy, oh wait now this drug guy is the bad guy because he stabby Rachel, no wait now her dad is the super bad guy because he put a hit out on Rachel's REAL mom, oh no wait it's fine because Frank murdered drug man off screen" WHY YOU DO THIS??

You have three episodes. THREE. And in those three episodes, you have the opportunity to explore Chloe as a character, and her relationships with Rachel, Joyce, and David. But instead of dedicating the story to that, something you could've created a compelling narrative out of, you threw in this dumb mom plot and fire-

HOW THE HELL DID I FORGET THE FIRE????

What- why did- does she have- Rachel just- RACHEL SETS THE FOREST ON FIRE??? WHY THOUGH???

I get it, "Rachel is the fire" yeah yeah and it's dumb.

Oh and because we didn't have enough going on, here's a side mission where you gotta deal with getting money from this other kid who's running drugs for big bad drug man because he wants to help his dad who lost his job.

But WAIT, there's more- In a series where several girls were drugged by Nathan and Jefferson, forced to pose for pictures, and some even killed or driven to try and take their own life? something taken so seriously...? Victoria gets drugged and it's treated like a joke. Even worse, there is a path that has Rachel drugging her, and no one cares.

ALSO.... Rachel cheated on Chloe with two adult men, remember? One of which fucking murders her?? and we're just... we're just not gonna do anything with that??? Nothing??? Maybe a little stinger at the end but that's it????

I just..... I hate this game so much.

It had so much potential. Not only that, but it had the first game to look at and learn from. Learn from the mistakes that game made and improve upon.... but instead, they fucked up even worse. It's just a game of fanservice that has way too much going on, is trying to do too much, and loses focus on the most important things.

Three episodes could've been enough to explore different points of Chloe's character before the events of the first game. They could've crafted a story that gave more insight into her life that make sense of the choices she made, that turn her into the Chloe we see in the first game. You don't need a forest fire, you don't need evil lawyers. I know the first game had the storm and time travel and big dumb Jefferson, but you wanted to tell a story that's grounded without shit like that... y'know, before the storm.

I could probably go on and on if someone doesn't stop me, so I'll stop myself here... I hate bts because it's potential was there, I could see it in a few key moments, and it was wasted.

The romantic ideas fall flat because being pretty and gay isn't enough for me, I need more than that. I don't care if they kiss because I don't care about their relationship, and frankly, they've done very little to make me care about them as individuals.

UGH

.......does that answer your quick question? haha sorry for the not so quick answer, but like I said, this game makes my brain mad and once I get going, it's hard to stop.

[dismyblog]

remarried empress could have just made rashta a noblewoman who got abandoned by viscount lotesshu's son when his father disapproved of the relationship.

i'm going to try and put this under a "read more" but im on mobile so idk if it will work

remarried empress is a very good story. yes the protagonist is an empress of a european inspired country and fuck noble system but in this case its a historical fantasy stand in for what its really about:

navier, a highly competent woman from a family with a history of highly competent women, working her ass of from childhood training to become the amazing and skilled leader she is and then getting cast aside by her husband and removed from her position because she wasn't like his mistress: cheerful, always smiling, adoring, beautiful, submissive, delicate, INFANTILE, and doing nothing but pouring praise and gratitude upon her man.

since its a romance story, navier is not hurting for love interests that actually value her skills and regal and offer her a way out as her husband and his mistress mistreat and humiliate her over and over but she remains by the emperor's side and shows a united front not for his sake but for the sake of her people and kingdom and because she knows the role of empress is what she wants and what fulfills her in a way no man ever could.

she only makes moves against rasta when she realizes that someone is blackmailing her, which could effect the emperor, which could, more importantly, effect her kingdom.

she only makes moves to take one of her love interest's offers and leave her husband when she finds out he's going to divorce her and take the job she worked so hard at her entire life.

it wasn't because she loved king henry, it was because he offered her the chance to remain a ruler first. if grand duke kaufman had come back to see her first she would have gone with him instead. being a leader is what fulfills her.

this is what makes navier the enjoyable protagonist she is. her goals in life come first and all she's looking for in a partner is someone who will help her reach them.

it wouldn't matter if she HAD turned out to be infertile. her skill at her job and the self worth it gave her far outweighed the fact that she was 30 and hadn't provided an heir yet. the eastern kingdom was only ass powerful as it was because she was such a great empress and partner to emperor sovieshu.

but all this is undermined by one thing: rashta is a slave.

and this isn't just some tasteless worldbuilding detail, its part of her backstory and her drive as a character. we SEE the horrors of slavery in the eastern kingdom.

and navier is the ruler of that kingdom. she's pure blooded nobility, descend from the upper class of nobles who have maintained and profited from slavery for generations.

there's not even an attempt to show navier is against slavery or doing anything to get rid of it. she just accepts that its the way things are and that a slave would never be able or worthy of taking her place.

she's the empress of this country. she complicit in this system. she the embodiment of "lawful good".

how am i supposed to simply see rashta as the greedy and power hungry mistress out to steal everything from navier with this? that's what the story wants me to think of her. that's how she's portrayed. a greedy woman that's desperate to be adored by everyone around her and the power that comes with it.

it doesn't work, the nobility of this country took everything from rashta down to her very freedom and rights as a person. all for their own gain. if she caught the eye of the emperor she deserves to take EVERYTHING she can from it and get all the comfort, luxury, and security she's never had. if she wants the throne she should take it. if she wants to secure herself by passing off the child she pregnant with as sovieshu's she should. if she wants to take the seat of empress for herself she should.

by not making rashta another noblewoman more equal to navier and instead making her a slave you turned rashta into a victim and navier into an indifferent ruler rashta has every right to hate.

it's taken us out of the story where "empress" and "concubine" was a historical fantasy stand in for "competent woman loses her job and husband because she "doesn't smile enough" and "seems cold" while her husband's mistress is "charming", "refreshing", and "adorably childlike" because she fits the ideal of the submissive infantile woman.

instead it makes them to much like their real life counterparts. it turns a great character like navier and makes her no different then any real world european queen. yeah "girlboss". great. still complicit in the horrors of slavery.

and rashta become someone who deserves not of the bad things that are going happen to her. her ending up scarred and locked in the tower awful not karma. her taking her own life is tragic.

i'm fully capable of seeing what the story wants me to see and appreciating the great character navier is so close to being. but then the story shoots itself in the foot.

and before anyone says anything. i know its a korean novel thats tackling the "historical european fantasy" genre. my points still stand. i really enjoy remarried empress but it's super imperialistic and the story and fandom does almost nothing to address it as they glorify navier and trash talk rashta.

[dragontamer-nia-2]

Olivier [Beyblade theories on crack]

Welcome to my random rants about random beyblade things. I have a lot of things to say about the Euro Team and how tragically underestimated and undervalued they are, as characters, but also as very smart plot devices, so in these posts I'm gonna pick a fight with the writers and yell at clouds while probably drunk. If you want a trip, and you think you don't like the Euro team, then jump on.

This guy. 

I love this guy.

This guy is great and I swear to god they knew what they were doing when they decided when and how to introduce him.

So, from the encounter at the top of the Eiffel Tower in ep 33 we know that this guy is mysterious and that he blades; he randomly starts roasting the Bladebreakers unprovoked, which is always fun, but fucks off before anything interesting can happen. What the writers decided to do in the next episode was split up the team, and have them find out more about Olivier separately: since everywhere they go they meet someone that has at least heard of him, we can't help but feel that this guy is kind of a big deal. From Max we learn that he's bloody rich, from Rei we learn that he's a great cook, from them both (when two guys conveniently share the information right in front of them… anime logic) we learn that he's the best blader in France, and from Takao and Kyouju we learn that he likes art, and… prepare your tinfoil hats, guys, because we're going deep.

The thing is, we know this guy is manipulative, and we know it because he offers Takao lunch in his own super expensive restaurant to distract him from the fact that he just ruined hundreds of people's day. Kyouju even points out that something's wrong when he sees Takao go into the Louvre absolutely furious at Olivier, and then sees them come out like buddies. We also know it because… come on guys, have you seen his face? Have you seen his evil smirk? He's a walking troll face. It's like the animators want us to not trust him. And yet, every background character seemingly adores him, even though we don't really get a specific reason why.

I mean… this is a kids show, I know. And the writing is messy most of the times. But this guy. This guy is shady as fuck. You can take him at face value and assume he's a well-meaning asshole, completely oblivious to normal interpersonal relationships, living in rich people's world where he can just do whatever the fuck he wants. Or. He could be one bad day away from being a chaotic-evil type of supervillain, because it's almost like he's doing everything he possibly can to lure and provoke Takao into battle while holding the façade of smiles and politeness. And the funny thing is that Takao doesn't even notice his intimidation attempts (while Kyouju falls for them at every step)

But, exactly, how manipulative is he? And, more importantly, is he even aware of it? Let's assume the worst about him for a second, that everything he did and said had the purpose to push buttons and provoke a reaction. Then just in episode 34 we have the following:

- He reserves the whole Louvre knowing that the Bladebreakers were going around famous tourists attractions

- He immediately interrupts Takao and makes him waste time on honorifics before letting him speak

- He invites Takao and Kyouju, two guys clearly not dressed for the occasion and who probably don't know proper etiquette, to his high class, really expensive restaurant, serves them delicious food he cooked himself, and even implies that he could kick everyone else out if he wanted to

- He namedrops that one guy from Team Who, in a conversation that really wasn't going in that direction, and then uses the bait to imply that he's much stronger than those guys, knowing fully well that Takao was having a hard time the previous day against them

- He basically corners Takao into battling in the middle of a fucking public park, knowing that there are a lot of people around and everyone wants to see the French champion battle

Now. The thing is, I can't prove he's the Machiavellian mastermind I suspect him to be, and the only way this whole thing works is that, in this episode, Olivier somehow got Takao and Kyouju alone and the rest of the team (Kai in particular) is not there to call Olivier out on his bullshit.

On the Eiffel Tower, at the very end of ep 33, Olivier did mention, among other things, that he has unresolved business with Team Who, and it's Kai that questions him to get more information. And what does Olivier do? He immediately cuts him off with "none of your business" and basically flees. We even get a reaction shot of Kai. Afterwards, Kai goes around trying to find out more information about Olivier on his own, and spies on the battle unseen. What's going on here? Well, Kai is not like his teammates, he's not naive, he knows what manipulation looks like and I think Olivier realizes it. That's why Olivier doesn't even try to play dumb with him like he does with basically everyone else, and that's why Kai circumvents the problem by playing bully with random kids instead of trying to confront him directly.

And I know all of this may be "chemicals are making the frogs gay" level tinfoil, but come on, just look at Olivier's reaction when Takao barges into the Louvre and somehow finds him. What does he looks like he's thinking?

At the end, it doesn't really matter, because Olivier doesn't win like he expects. Granted, at this point he can't lose - because the arc has just begun and Takao needs to work harder, and because Olivier already shit-talked Team Who in two different occasions while the writers want them to be a legit threat for the Bladebreakers. But Olivier can't win either, because we're already at the end of episode 34, we have three teams to juggle, and Takao can't keep losing and having to fight against the same people the whole arc. So they tie… and Olivier is shook. He miscalculated. For some reason this guy, this clueless, impulsive idiot, didn't lose immediately and neatly like he expected. And since Olivier does have honor, and respects people stronger than him, he immediately changes his tone, shuts down the peasants that don't understand these kind of things, and he starts treating Takao like an actual person (kinda).

Option A) Oh, what's this guy doing here while the Louvre should be closed?

Option B) How lucky, I caught him alone

One thing that stands out, though, is that he is the one member of the Euro Team who never loses. They had reasons to make his fight with Takao a tie, but why did they make him tie with Rei? Although I do have my own little theory about this, I noticed that he's the only member of the Euro Team that actually has other things going on in his life other than beyblade. The guy is rich, he is very interested in art, he works as a chef and wins culinary competitions. The fact that he's probably a bored psychopath is balanced by the fact that he seems to have his personal life together, he doesn't put his whole worth into spinning tops clashing against each other, and he has the self-confidence to admit when he was wrong. Which is… more than we say about the other European guys.

So, I'm thinking, because this is called Beyblade theories on crack after all, and there's too much reasonable stuff in this post so far… maybe the writers wanted to use the Euro Team to make a point about not winning, and being ok with it, and they really couldn't make it with the Bladebreakers because they are the protagonists. They can't lose - not permanently. Olivier doesn't win, twice, and… he's shook that he miscalculated, he seems to be honestly confused, his whole drive is not winning, but understand what's going on. That's why he sends the Bladebreakers to Giancarlo, that's why he convinces him to bring them to Ralf, he does want to study Takao, and… is he using the rest of the Euro Team as guinea pigs? Or did he notice something that's missing in them, and subconsciously wants to fix it?

Here's my hot take, and the conclusion to this dumb post. Olivier is not aware of his own machinations. He's a natural manipulator and he has a talent to read people or get info out of them, and he mainly does this by playing dumb and wait until people scream at him who they are and what they want. He reads the Euro Team, he reads the Bladebreakers, and realizes one thing: they could help each other. He baits Takao with the prospect of more beybattles and then follows him to see what happens. If it's chaos, good, if it's some life lesson, better. He manages to get Giancarlo on board and the both of them, combined with Takao, eventually get to Ralf. But what Olivier doesn't realize is that the very thing that he is subconsciously asking Giancarlo, Johnny, and Ralf to fix, is their inability to lean on other people, their skeptical and wary natures, their need to be perfect, without weaknesses, in the eyes of the world; and if Olivier was aware of his own machinations he would have realized sooner that, all this time, all he wanted was to have friends. And if I’m right about anything about this, then the writers will have done a good job with at least one member of the Euro Team, because it’s not only a fucking genius way to introduce the arc, the team, and the theme, but he’s also a damn good character.

I love this guy.

[flying-elliska]

Shadow and Bone Season 1 Review

Ok so I got distracted by a need to watch all of Ben Barnes' filmography (lmao) but here is my review : It was really fun to watch and it was clearly made with love which is already the main thing with YA fantasy, which is often turned into a soulless moneygrab when put on screen. The actors were GREAT. I did think that the Crows suffered from being mashed up with the Shadow and Bone story, but they were still a highlight. I also think it was a bit rushed, esp. when it came to Alina's training. The costumes were beautiful, I want a kefta now. Plus the crossover fanfic interactions btw the SaB characters and the Crows were just pure joy. Also Milo, obviously <3 I'm in hyperfixation mode so here, have an essay :

The "Shadow and Bone" Characters :

- Jessie Mei Li !!!!!! She really made me like Alina so much more than in the books, she absolutely is the 'human embodiment of literal sunshine' and she was a joy to watch. Her character's arc is cliché but her acting is so expressive and endearing, I really felt for her all the way through. (maybe I'm biased bc Jessie talking about her ADHD and seeing her thrive at the same time is like!!! i love them they deserve all the best.) I like that they made Alina more proactive - even though she does make some stupid decisions... but I just don't understand people who put that down as bad writing, like ??? have you ever met a real person who only makes wise, good decisions ?? a character like that would either be at the end of their story or just in the background because that makes them static. The things with the maps in the beginning does a good job of illustrating how she is just this one girl making rash, erratic decisions out of fear and loyalty and doesn't have a sense of the bigger picture, caught in the tide of bigger events. It works for her character. When it comes to the choice of making her half-Shu, I do think it really makes sense re: her character feeling like an outsider but I do understand the criticisms that the microaggressions felt too relentless and one-note. I am really looking forward to them introducing Tamar and Tolya and hopefully connecting to them over her heritage in a more positive way.

- Mal in the books was one of the most annoying YA characters I've ever come across, so I really liked that they made him much more of a loyal, devoted friend. I found his relationship with Alina cute, it really gives us the sense that these are two orphans who found a home in each other, childhood best friends (and potential sweethearts) separated by war, two army grunts and ordinary people caught up in the wheels of power and war that usually crushes people like them, it's a great way to introduce the dynamics of their world and it's a trope that always makes me emo. It felt a bit too one note to me, though, and too heavily on the nose, like Mal's only personality was his attachment to Alina (and his resentment towards the Grisha) and too much of her emotional arc also relied on him. Them hitting us over the head with the meadow scenes felt like pure telling instead of showing and it ended up being super repetitive and kind of annoying. I am willing to like this pairing, but I wanted more scenes of them just having conversations about things and really understanding why they like each other beyond the whole childhood friends bond that we're asked to accept exists at the beginning. So I hope there's more depth there in next seasons.

- Ben Barnes!!!! Just jksdfhgkdjghdf. I'm not a big villain stan usually and I hated the Darkling in the books but DAMN his performance is just amazing. They managed to make him more sympathetic and human while at the same time making clear the stuff he does is deeply horrible. There's the Magneto-aspect of 'well clearly his methods are fucked up but he's addressing a terrible injustice nobody is doing anything about' that makes it very tempting to root for him ; and again, well, like, Ben Barnes is so hot and charismatic it feels uncomfortable (which I guess is part of the point lol). His loss of humanity is, up to a point, understandable, brought about by despair, loneliness, grief and a sense of powerlessness - living so long he starts to see other people as disposable, losing so many people he stops caring, seeing over and over how hate never seems to stop, etc. It's a logical explanation for going insane.

But the hunger for power is also very much present as a motivation and this ambiguity is there constantly. Does he maybe come to genuinely care for Alina or is it totally bullshit ? I think he does, he's just so fucked up that it comes out as possessiveness and a need to control her. He wants Alina to be his equal but he's incapable of treating her that way. It's tragic, in a sense, but the show doesn't excuse his actions either. Like his monstrosity is a product of this world full of injustice, yes, and that warrants some compassion, monsters are always a symptom of their environment in some ways and dehumanizing them completely is an excuse ; but at the same time, he sabotaged his own cause anyway the moment he started to treat other people like things, as he does with Alina, because that just perpetuates the cycle of violence and hate. At some point he started feeling like he was the only solution and he was owed power for his sacrifices, and he's using his cause as an excuse. When Alina came to him, there was a possibility for redemption, taking down the Fold, and it's a test because there is finally someone on his level of power. But instead of seeking to remedy the power imbalance between them, he made it worse, by lying to her, manipulating her, etc, and the antler collar is the ultimate sign of this.

I love those scenes towards the end (the antler-based body horror has big Hannibal vibes, so messed up). I like Alina telling him they could have had this, that she had compassion for him and his cause, that they could have worked together, and he's the one responsible for screwing it up and this time his claim that he's the misunderstood victim ("Make me your villain") appears delusional and self-serving instead of somewhat justified. The almost-lovers to enemies vibes, the sense of lost potential, and the angst of the whole 'oh you could finally have been loved by people, too bad you fucked it up !', very juicy. There is this fundamental idea that power/respect/love is not something you are owed no matter how good your intentions are or because you're strong or you have suffered or you're willing to commit horrible drastic actions, you have to keep proving you deserve it, and trying to claim power without responsibility of care turns you into a monster. The thing with the stag was an excellent metaphor of the fact that there's things you can't take, they have to be given to you, and the wonderful power there is in understanding that is what allows Alina to harness the stag amplifier's power. This is really when she escapes his grim utilitarian outlook and a different way forward and owns her own power fully on her own terms.

Anyway I hope Alina gets to beat the shit out of him at some point that would be very sexy but I'm also looking forward to see how their arcs parallel and diverge from each other as Alina starts to grapple more with the implications of her power and the harsh dilemmas of war and her own dark side. I want to see him become scared of her, and I feel it will be more visible than in the books where he just has this cold aggressive facade all the time. This one feels a lot more openly emotional which is just a lot more interesting.

- As for the other characters ; Zoya mostly made me sad. The actress has the perfect vibes but I'm not sure I love their take on her character so far, it does make sense in terms of the later books - that she has internalized prejudice regarding her mixed-race heritage, that she is jealous of Alina because of how hard she's fought to get where she is and Alina kind of takes it away from her, etc. But I would have liked to see a bit more of her being badass and sharp-tongued in a clever (even if mean) way instead of spending most of her time being rejected by men and being racist towards Alina. I did like the ending though, of her actually seeing the monstrosity of the Darkling in action and the mention of her aunt. And her brief bonding with Inej was great, just because it was badass but also maybe because it could be a part of Zoya learning to accept her Suli heritage in turn, maybe not right away but in time, when thinking of that part of herself, she won't only think of her parents' ruined marriage and all the pain it caused, but also of that badass and brave acrobat girl who went toe to toe with these really scary monsters without even having any powers and !!!!!

- Also Leigh's cameo was so cute and as an aspiring writer this is just such wish fulfillment

- I honestly think that having the Crows there actually made the S&B story better ? Not only in terms of the much needed levity breaks but also in terms of themes. For instance, Matthias and Nina's story gave us a really raw and visceral view of how the Grisha are hunted. And Inej's relationship to Alina really gave us a sense of what Alina actually means to people who believe in the Saints in a way that doesn't feel just like 'ugh those superstitious people' because we know that Inej's faith is part of what makes her who she is and a person with morals, and something that saw her through the worst moments of her life. It feels so special that she got to meet Alina and given a sign that maybe the world is not completely shitty. And Alina's kindness towards Inej really gives you a sense that she might be, or become worthy of that belief in time, or at least that she wants to, that she's figuring out her power to really touch people's lives might be a good thing, and that she's starting to accept this responsibility more fully. And her arming Inej is a nice parallel to that. I'm very emotional about this scene, because one of the first things we see of young Alina is her taking out a knife to defend Mal from the bullies, because she's protective and brave, but she's also aware the world is a shitty place, and so her giving that knife to Inej is a sort of spiritual transmission and recognition of sorts, that she trusts Inej with that fighting power, that she'll use this knife to defend herself and her loved ones and not abuse it. It's so interesting. And a counter point to the Darkling's fucked up relationship to power that Alina might at some point get afraid she'll replicate. That you could see Alina trying to gather followers and using people's admiration for her like he did but instead she sets them free and empowers them. It's great. And I feel that when Inej takes to the seas, she'll think about Alina. (I do hope somebody tells her Alina's not dead at some point though god). Girls giving each other knives is my spirituality, honestly.

- And I also noticed an interesting parallel between Kaz and the Darkling in terms of being two emo dudes who like to wear black, are prone to violence and have a thing for two very powerful women they think are special and want to have at their side, but of course, they go about it in very different ways. The Darkling comes at it from a place of power while Kaz comes from a place of utter powerlessness, first of all, and he understands why it's important to set Inej free. Him spending the entire season trying to earn enough money to pay off Inej's indenture is the opposite to the Darkling putting that collar on Alina and while I do have issues with how the show portrays him, I do love that. Love is about setting the person you love free !!!! And that confrontation scene was so powerful, when Kaz tells the Darkling Alina was tired of being a captive ! Drag him !

- As for Genya, I liked the actress and her chemistry with Alina, but I'm not sure they did a great job of making her arc very clear, for instance what it means for her to get that red kefta, her relationship with the other Grisha, etc. Her and David are already very cute though. Also very much looking forward to see where that goes.

So yeah I think they did a great job with this bit actually, I enjoyed a lot more than I think I would and even though it is a very tropey story, there's plenty of depth there too.

The Crows :

- I'm a bit more nitpicky about this because I care about these characters so much. I think overall the problem is that the SaB story in the books happens on this massive scale with enormous stakes, and that next to that the Crows' issues feel less important ; it's like their impact is distorted by the gravity of the much larger story. Like for instance, Kaz in the books is very much at the center of everything, this larger than life trickster figure who knows and controls almost everything by sheer cleverness, and he has this sense of allure and mystique that can't happen here, and so his aura just shrinks. On top of that they're not on their home turf. Being introduced to these characters before they've reached their full levels of badass is weird - there is a reason why prequels generally happen after the main stuff, because they count on the love you have for these characters at their full potential to make you interested in their story when they were less badass and interesting. So I had several moments where I was like 'oh this feels wrong'. Tbh the idea that they would even volunteer to kidnap Alina in the first place, what with Inej's backstory, feels kind of wrong, esp since they had no idea of what would happen to her if they succeeded.

- But I still enjoyed a lot of it though, especially the fact that they were this force of chaos in the midst of this bigger narrative that's a lot more self-serious. The bits with the train, or the circus acts were very clever. A lot of the best moments in the show happen when they come to disturb the other plot in unexpected ways. I'm still dead over the whole 'Alina jumps into their carriage' scene, that was fucking gold. The team up at the end !!!! Alina and Kaz making a deal ! Inej stabbing the Darkling !!!! Them stealing the Darkling's carriage !!! They don't give a shit that the story is supposed to be super dramatic it's great.

- Jesper is the one character they completely nailed from start to finish and he's probably my favorite part of the whole show. He's very funny without being reduced to the role of comic relief ; he's just so! damn! cool!!!!!!! I honestly feel this is a thing they actually did even better than in the books, or at least Six of Crows where I felt Jasper kind of disappeared behind Kaz and they insist a lot on his flaws and issues. So before we dig more into those problems I love that they gave him time to be this ultra badass who saves the day several times ; while at the same time, hinting at further developments like his powers or his gambling issues. Kit Young is just perfect, confident without being arrogant, a bit cold when it comes to crime while at the same time being so obviously caring with Inej - I loved their friendship, that was so sweet. My main criticism is that they should have made it clearer he was bi because there are already people calling him gay and that's very annoying. I know some people had a problem with his hookup and like...I can see it's a bit of a cliché...the charming badass bisexual adventurer....it's a trope I kind of love though lmao and the scene itself felt kind of cute and fun. He's not the only person who is shown to have an active sexuality and he's also not the only queer person around and we know he's going to have a more substantial romantic arc later so eh. On a larger note I loved the little casual hints of completely normalized queerness - Nadia thirsting over Zoya, Fedyor and Ivan, Poppy, etc. Having grown up with fantasy where queerness was either completely erased or very tormented and problematic, this was refreshing as hell.

- Inej and Kaz...my faves... They have a kind of relationship which feels so rare and unique in terms of what exists on TV and while I don't feel they entirely replicated it, the core is still there - the mutual respect and building of trust, the longing, the repression, the trauma, etc. One thing I really like is their arc around faith - in the books, Kaz is dismissive of Inej's faith in ways that often feel really shitty and I like that he learns to be more respectful of it. It's very much linked to hope/survival ; Inej keeps this token from her parents and she hopes to find them again ; Kaz tells her it's no use and she'll survive better if she gives up. He believes Alina is a fake, while Inej wants to believe that myths can come true and there is hope for good things in the world. Kaz comes to accept that Alina is the real deal and, out of respect for Inej's faith, to stop pursuing her. I loved the bit about Inej struggling to kill as well - it's the dilemma of what her survival and that of the people she really cares about are worth in such a shitty world - her compassion is a good part of her but so is her survival instinct, and that's the part Kaz represents - that even after she's been through hell, broken in unfathomable ways, even if she gave up all hope and faith in the world, even she becomes dangerous and ruthless to survive, she will still deserve dignity, and to be treated better. And meanwhile she is willing to break her principles, which she holds so dearly, to save him, when he's never had anyone who cared for him like that - enough to keep him alive. That bit in the church !!!!! God !!!!!! Bye !!!!!!! And then him basically calling her his own version of a Saint, that he doesn't believe in miracles but he does believe in her !!! It's very emblematic of their whole arc ; he empowers her to survive in a ruthless world and loves her at her most dangerous ; but he loves her laugh too, he finds her a ship and her parents, he honors her capacity for love and hope even when he can't share it. And she sees that he's capable of doing better, that he's worth caring for. This whole thing kills me honestly and I can't wait to see where they take this next. I'm not mad they're a bit more soft and obvious than in the books, Kaz would just have come across as an an asshole otherwise.

- That said, there are bits of how they introduced their backstories I don't like. I get that making it so Inej was still tied to the Menagerie gave them a very powerful reason to want to kidnap Alina beyond greed so that they wouldn't look like very shitty people. But in the books Inej is terrified by the idea of simply seeing Heleen or the Menagerie and the way they have her interact with her feels weirdly casual and dismissive of her trauma. Also, in the books, the fact that Kaz had to convince Per Haskell to buy Inej's contract through a lot of effort, that he wasn't the one holding that above her head either, made the power dynamics more palatable. I especially disliked the scene where Kaz says he won't free other girls because just Inej is special, it makes him look like he has the power but he's just too much of a callous asshole to do it, and that he just freed Inej because he liked her which is absolutely not what their relationship is about at the start, it's a lot more about seeing Inej's dangerous side behind a facade of powerlessness and relating to her, in a sense, and this scene made it all feel cheap.

- Also, what was that about Inej having a brother ? Not a fan of that either. I'm afraid they're going to make her story all about finding what happened to him, and that's 1) too on the nose similar to Kaz's story and 2) it kind of cheapens her own arc, a female character realizing that what was done to her was wrong, reclaiming her own power and dignity and then making sure it doesn't happen to anybody else, harnessing her personal experience to save strangers, that's so powerful - making it about a family member at first, especially if it's about revenge, it's so much more simplistic and unoriginal and the perspective really annoys me.

- Also not a fan of Per Haskell not being there because he's a very important part of Kaz's evolution, so I hope he shows up eventually - and the way they introduced Pekka Rollins was kind of like...weird and out of place. I just found the Crows' introduction scenes stilted and not as cool as they should have been - well, Jesper and Inej were very cool, but we needed to see Kaz in action first, we needed to see why he's such a menace before we see him flounder later, and I just...I don't know exactly but it didn't work for me. Also this is a very petty thing but I wasn't crazy about the Ketterdam sets, I know this is probably a budget thing but in my head it looked like this incredible mix of Amsterdam and Venice - specific locations in the book directly remind me of parts of Amsterdam I know very well - and instead what we got felt like this very generic London-ish fantasy setting....so boring. Also a lot of scenes that felt to exposition-y. I don't mind that Kaz was a bit softer than in the books, like many people have said some things work in books and don't work on a screen, and you need to make the character's inner dynamics more explicit. But I do agree that, at the same time, he should have been more ruthless towards people outside of his group. Loved that scene where he faces the Inferni though, and how well they illustrated his disability and aversion to touch.

- I don't have that much to say about Nina and Matthias ; I'm still not super sold on the whole 'haha misogyny!' thing and I dislike that so much of Matthias' change of heart relies on the fact that he finds Nina hot. But I did think that the actors had enough chemistry to make their scenes together interesting and cute ; I loved the waffle scene. Even though it's disappointing that they didn't find an actress who was more clearly plus size for Nina, I still think Danielle does a good job bringing her bold, unapologetic energy. I'm really looking forward to seeing the Crows as a whole team.

So yeah, even though the season didn't feel like a perfect, coherent whole, it was just a lot of fun and I really hope they get renewed. In particular I feel like tying the first trilogy to the Crows' story could create such interesting parallels in terms of themes, about power, the cost of survival, hope, trauma, etc etc