#again it's also a very Fandom thing to do

[silvermoon424]

This is your daily reminder to archive your favorite fandom stuff!!!

I've been a voracious archivist/data hoarder ever since I first got access to a computer, and it's paid off more times than I can count. Just the other day I came across a PDF copy of an analysis post for one of my fandoms. The post was made on an old forum and is the most detailed and interesting analysis of a particular story element I've ever seen. Back in like 2012 I saved the post as a PDF, because even then I saved everything I liked.

Anyway, flash forward to 2025 and I decided to see if the URL included in the document was still live. I wasn't very surprised to see that the forum is long dead. However, even the Wayback Machine had no record of this thread. If I hadn't saved a copy of it way back when, I would have never, ever been able to read this analysis again!

The Internet Archive is sadly not infallible, especially when it comes to things like forum threads. You can do your part by manually saving things to the Wayback Machine, but I also recommend keeping your own archives. Aside from just saving pages as PDFs, I highly recommend a browser extension called SingleFile that lets you archive pages as HTML files.

[signanothername]

Hi Anó! Do you have any advice for writing characters like killer? How do you achive that nuance? I love your comics and would love to learn about your artistic process a bit!

Hi Gal!! A delight to see you in my inbox! <3

Omg thank you sm hcchhcchch (have you seen your own comics???? *shakes you* /pos)

Ok but I say this genuinely, I think your ideas and comics are such a beautiful and refreshing take on these blorbos, you’re doing such an amazing job both writing and art wise (your 2 Killers idea is so fucking good eeeeee) <3333

Ok to the question xgzggxzg

Killer is definitely.. complicated to write, I struggle with him sometimes ngl shshhdh

I honestly went and reread his entire comics, lore and answered asks to get a deeper look into him to be able to write him

But when it comes to writing him, I generally try to keep 6 things in mind at all times

1-trauma: how does the resets, working for Chara, having his code get manipulated and killing over and over again till what was new became something old affect him? (the whole idea of Killer killing people started as an offer of trying something new, so he kept killing till he got bored and killing became something stagnant)

This can easily be portrayed in Killer’s canon inability to till what’s real or not, as well as his hallucinations and the guilt he’s ridden with, always running from his past yet never outrunning it, as it always catches up to him

2- conditioning: his conditioning started from the days of Chara, then continued into his days with Nightmare, how does his conditioning affect him in his daily life?

How was he conditioned specifically? And how does that contribute to Killer’s perception of self, autonomy, self worth, and life in general? How does it change his body and mind?

Does it make him believe he’s just a machine meant to please others even when it hurts him, does it make Killer perceive vulnerability as a death sentence

How does he feel about his masters? Does he hate them down to every bone, or does he not care?

3-personality: Killer’s personality always change depending on the stage, but what are the main traits that you know Killer will always have regardless of the stage? Being quiet is one thing, he keeps to himself (as much as the fandom loves to portray him as extremely hyperactive, he’s not at all the loud, talkative, hyperactive skelle the fandom makes him out to be)

He’s also extremely secretive, seems to have knowledge that others don’t, and seems to always be up for a social interaction regardless of who’s with him

He’s also actually extremely patient (another thing the fandom stripped away from Killer’s character), and is very docile (isn’t aggressive unless pushed and never is an attack on sight kinda person) yet holds a grudge big time

He seems to see himself as superior over others, he’s extremely fucking intelligent it’s actually scary

These traits are something I try to keep consistent within my writing for Killer

4- relationships: what are his relationships with other characters like, and why?

Taking the 3 points before into consideration, how does Killer’s trauma, conditioning, and personality make him perceive others and others perceive him?

Are his relationships healthy? Toxic? Are they one sided or mutual? Does he care about the person in his vicinity or are they just another nobody? If he cares why? If he doesn’t what would he do to them?

Would he take advantage of his relationship with someone or is it a relationship he wishes for it to vanish?

5-stages: I think this is truly what makes Killer extremely complicated, cause see all of the 4 points above? how does each stage differ from each other?

How does stage 1 deal with his guilt/truama and conditioning? How does stage 2, 3, and 4 deal with them?

Depending on each stage Killer’s outward perception, personality, attitude, thoughts, and actions change

But how do they change exactly?

This is something that you need to understand each stage for to be able to integrate into writing

Stage 1 is the stage where he’s most sans like, yet never sans enough, stage 2 is when he’s apathetic to everyone and everything and perceives killing as “fun” because he’s painfully understimulated , stage 3 is when he’d attack whoever is in front of him, and stage 4 is when killer is no longer present mentally

How does each stage deal with his environment, with the people around him, how does he deal with the dissociation and how does he perceive himself in each stage?

6-environments: how does the environment Killer lives in affect him?

Killer starts in an environment of time loops, how does that affect his perception of time and reality? He then becomes Nightmare’s subordinate, a dangerous environment with constant threats to his life from every angle, how does Killer feel about it? How does he deal with it?

Will he get to try his luck and escape, or has he given up on himself and the idea of freedom? Does he even believe he has a chance for a better life in a safer environment? Will he go for a safer environment or will he cling to the comfort of what he knows?

When he does finally go to a safer environment, how would that affect him? Both positively and negatively? Would he feel like something is missing? Would his mind constantly tell him that this safe environment isn’t really safe?

Then of course, beyond these main 6 things, there’s the in between, what are Killer’s likes? His dislikes? How does he feel about sleep, food?

Generally when writing characters, it’s important to keep in mind interpersonal factors, intrapersonal factors and environmental factors that ends up affecting the character’s behavior, or in this specific situation, Killer’s behavior (god I’m realizing how much my uni major affects my writing of characters rn chchc)

But I say the biggest life saving advice I have that helps with writing characters in general (and especially complicated ones like Killer) is having the question “why” as your closest friend

When you make a statement about a character, in this instance Killer, always attach the question “why” at the end till you can’t attach it anymore, until you reach a point where asking “why” becomes unnecessary and annoying

For example:

“Killer loves golden flower tea”

Why?

It reminds him of the bed of golden flowers he passed out on

Why does that matter?

Because it was the point of no return from a change that will always dictate who he is

Why is it a point of no return?

Because his soul had deformed beyond recognition and it can never be brought back to how it used to be

Why would it dictate who he is? Why can’t he just choose to be someone else?

Because he was conditioned to be this killer by a higher power out of his control

At this point, there are no more “why”s that would make something as simple as a golden flower tea statement more nuanced than it already is, so when you ask why again, you find that you’re unable to continue giving an answer, that’s the point of where you stop

In fact, allow me to test you by giving you a quick question about your own interpretation of the characters, why does your Nightmare admire Error? What is in Error that Nightmare admires specifically?

Of course, you don’t really need to answer me, but I’m just giving you an example of how asking “why” can help you make so many simple things more nuanced

Ok but what if you know there should be an answer to a “why” but you don’t know it yet? Then you keep it in mind for later, you won’t always have the answers to everything on the get go, sometimes, you need a bit of time to figure things out and write characters the way you feel satisfy you, until then, you can work on other things about the characters

*Cough* anyway, this is honestly everything I can think of off the top of my head? Hopefully I didn’t miss anything ydfhgchchchc

Do let me know if you’d like any more help or need clarification on anything, I’d be happy to help where I can <33333

Now have a sketch of your 2 Killers cause I love them dearly, they have a special place in my heart (genuinely adore how you write Killer already btw)

[olderthannetfic]

Hi OTNF and everyone,

I am finding that it's harder and harder and harder to get into anything - book, show, movie... most things seem, you know, to just not be doing it for me, be it fanfic or original stuff.

In part, I think, it's a general restlessness and that it's become harder to give anything enough time to get into the stories, the characters, the settings, the narrative voices... I guess you can call it attention deficit on my part, just a need for stories to deliver those sweet, sweet hits quickly, but they're not.

I'm not currently ficcing but I did for years (might again in the future, who knows), and it's made reading, specifically, harder. It's like I've become more aware of what goes on behind the scene, I guess? I feel like I can see the writer giving up on a sentence, skipping a scene because fuck this, trying hard to not repeat a word although it's the only one that fits, etc.

Or maybe it's just the *everything* around us in the world that is weighing on me too much? I could say it's adult life, but then again I have more free time than most (and boy do I need hours of doing nothing to survive the other hours), and no family/partner (all that would put even more pressure on me): what is wrong, to make everything so UGHHH?

I feel like I'm stuck in a rut with a brain moaning feed me, feeeed me, and whatever I try to give it, it spits everything out. (Yes, I've tried hobbies, and nothing sticks there either. I've never really found rewards or satisfaction there, so...)

Decades ago as a kid, I was a voracious reader, although studying literature took the pleasure of it away from me. It took time and discovering fanfic that brought me back to reading, but at the time the internet was starting to be a thing, too, and it can't have helped the attention thing. AFAIK I'm not ADHD but then again, I couldn't get a proper diagnosis (the therapists I saw were either dismissive or just about The Talking, which was pointless for me).

I just wonder how it all disappeared, you know? Sometimes I find something that catches my attention for a while - a book (but I read quite quickly when motivated), a fandom... but it's been a while now, and it's just so frustrating! When is it going to come back? Will it ever? *gulp*

I know that books were escapism when I was a child, and then fandom was escapism, but at the moment I find myself grabbing at air and my empty hands are mocking me. Give me my escapism baaaaack!

So, uh. Anyone here with me?

--

Yes.

I felt like that during part of lockdown. Anhedonia is common in those kinds of circumstances.

Getting your mojo back is certainly possible, but you may need to go see a professional about depression and have some chemical assistance (yes, even if you don't feel sad per se), or you may need to change your lifestyle to one that doesn't have the thing causing you to need eleventy billion hours of downtime.

Aside from serious interventions like that, you can consider a social media detox. Remove every source of doomscrolling and time wasting of that type. When the attention span is zero and nothing brings joy, the tiny and useless hits from finishing a game of solitaire or seeing one more instagram post become very attractive. This is a trap. It will suck what little energy and joy you have and make your muscles flabby for the work of getting into an in-depth book/hobby/experience.

I know the feeling of being able to see how the sausage is made, but... well... first, being in a better mental state will make that matter less, and second, reading prose that is more competent will make that less of an issue. A lot of mainstream tradpub genre fiction is not, in my opinion, very well written these days. Obviously, people are still enjoying it, and that's fine, but if you're noticing writers fumbling around, it might be time to check out some literary fiction or some other category known more for prose quality than anything else.

It's also important to have some structure and some things to look forward to. Even if you feel tired, overwhelmed, and busy, sometimes, the answer is to do more... But it must be things that are distinct and significant and that get you off of the couch, like going to one museum every weekend.

I saw some advice once about this kind of thing that phrased it as "One big adventure; one small adventure."

Every week, you should have those two things to look forward to that matter. Check out a new coffee shop. That could be the small one. Go to an event: a gallery opening, a concert, whatever.

Physical exercise and doing some things that aren't as verbal and conscious thought-involving is important too. Painting is a better hobby for zoning out than writing is. Taking long walks in nature is good for most people.

--

The kind of intense, obsessive love I had for reading as a child and that I sometimes have for fandom requires a lot of attention and some time. It's escapist, but that masks how much work it actually was. It didn't feel like work only because we were in training.

If you've filled your brain and your day up with a thousand petty annoyances or minor and useless attempts to feel something, you won't have the capacity for those deeper things.

Because you are already at a point that's equivalent to a bad sprained ankle, trying to get back to running right now won't work. You have to stay off of the ankle for a bit, then build your strength and stamina back up.

[zolo-san]

I know I just rambled in the tag, but if you took the time to read all that, might I direct you to this post & my ramblings there as well~

Something about Zoro being one of the most misunderstood and mischaracterized characters in One Piece is funny (not haha funny, funny sad) to me because?? That’s literally how his introduction starts?? With people misunderstanding him and thinking he’s some big, monstrous demon who kills with cause and cannot be trusted or tamed.

Meanwhile the actual Zoro is a driven guy who is often both literally and figuratively directionless in life and found his goals in life through good people (first Kuina and then Luffy). He's tied up in the Marine base not due to those actual crimes he commuted (well not inherently anyway) but because he ‘disrespected’ a Captain's son and stood up for a little girl. He accepts the challenge they present to him and because Zoro himself is a guy that puts his money where his mouth is he assumes the Marines will uphold their end of the deal and let him go (note the actual shock when Koby tells him the truth)

He joins Luffy's crew but also outright says he’s not gonna let his goal take second place to Luffy or anyone else's for that matter, he bears the weight of two people's dreams, his heart isn’t going to be swayed by some pirate.

Speaking of Kuina, her impact and influence on Zoro's life isn’t talked about enough for my liking. She was Zoro's first friend, his first rival, his first goal. He looked up to her so much and his reaction to her passing cracks my heart in half every time because you can seem him just..go numb. Kuina, dead? Kuina, the strongest person he knows, gone? Kuina, who swore to him just yesterday they’d race to the top of the world together, doesn’t exist anymore. His blank face only cracking within the privacy of his sensei before he begs. He begs on his knees, tears streaming down his face please please please let me take Kuina's sword with me. Let me take our dream to a high neither of us could imagine. I won’t let her name die here.

On top of gaining the Wado Ichimonji that day Zoro also gained…fear. Not of death, well at the very least not his own, he gained his fear of not being enough. Kuina kicked his ass every way a person could and still died, what could someone like him do? So he trains…and trains…and trains some more. Overly, obsessively, constantly telling himself he’s not enough, he’s weak, he can’t protect anyone like this and everyone's death would be on him.

As for Zoro being cold and stoic that’s just…not completely true? He’s not stone, he can be excited or sad or angry just as much as most characters he just sucks at showing it canonically (Kuina thinks he hates her before their final fight after all). Sure he’s not as forthcoming about it as some of the other Strawhats but Zoro's more of an action guy anyway, he'll show his love with his protection and unwavering faith.

In conclusion, Zoro is a ridiculously stubborn, incredibly loyal, mildly emotionally constipated, do what you say/say what you mean kinda guy.

(Also that whole ‘Zoro would kill the whole crew if Luffy asked him to’ thing? Top ten stupidest things I’ve ever heard from the fandom and that’s saying a lot. He’s loyal not brainless and heartless guys if Luffy asked him to do that, he would never but I digress, Zoro would square the fuck up with him so fast. DPMO.)

[whereispearlescentmoon]

Listen I love Martyn’s watcher lore and his narratives as much as the next guy but there’s two instances of his lore straight up failing that I find extremely funny, and that you would would only really know if you’ve watched these two povs. Again, cannot emphasize enough, I love Martyn’s lore and he can do whatever he wants and it’s fun when other creators play into it (Jimmy being the best example) but it’s also very funny when they just don’t.

The first example is when he created that little story that actually Tilly was evil and corrupting Pearl into becoming Scarlet/Red/5 AM Pearl. This of course failed because he had no way of knowing that Tilly had already died when he went to fight Pearl in the finale, as only the owner of a wolf sees their death message. Also, the fandom at large rejected it because from Pearl’s POV, Tilly is her soulmate and her best friend, and is absolutely not evil.

The second is that Gem has her own Life Series lore, which again is only in her POV, that goes directly against his. Gem’s lore, which exists through her Empires and Hermitcraft series as well, is that she remembers literally everything and is willingly traveling across worlds to do things. So the whole “people are made to play the games and also don’t have emotions tied to the previous ones” doesn’t apply to her because she is just willingly participating and still feels exactly the same. Hence her intense beef with Pearl in Wild Life because she remembers Secret Life and the emotions connected to it. You could try to fit this into Martyn’s lore by making her a watcher or a listener, but it’s funnier to me if she’s just a special exception.

Honorable mention to ZombieCleo, Smajor, and Pearl who have also disproven the whole “no emotional ties to previous games” thing multiple times by being deeply emotional towards each other and towards other players about things that have happened in previous games. Cleo literally still felt bitter at Impulse for 3rd Life at the beginning of Wild Life and that’s beautiful.

[laurellala-comics]

I've been having so much fun with my Ace Attorney comics lately but I've been feeling the pull to do original stuff again. So to ease into the transition, here is my (very first!) comedy zine. You may spot some familiar faces B)

Thanks for reading my goofiness! I'm including some nerd thoughts about zines under the cut

Zines are sooo cool and I assume most people have heard of them since this is tumblr BUT if you haven't! Zine is short for magazine (pronounced "zeen" it does not rhyme with vine). It usually refers to handmade pamphlets that can be created by folding and cutting a single sheet of paper, which is what I did, but it can be used for any sort of self made publication. The goal is to make something that can be reprinted and shared so mine is technically not in the spirit of that because of all my little interactive details but shh that's fine. Zines have been used in sooo many ways (Was Martin Luther's 95 theses not in a way the first zine (this is a joke)) but they are especially recognized as part of the punk movement as a way of fighting back against mainstream media and of sharing information around! It was a way to get around censorship and spread the word about social movements and political messages buuuut it has also always been used to share fun things, like music recommendations OR FAMOUSLY. STAR TREK SPOCK KIRK FAN FICTION (this is real and there are academic papers about this). Some of the earliest m/m fanfic was passed along through zines because they did not have ao3 back then! All they had was a typewriter and a dream! It's actually sooo silly, but I took a class in college that heavily emphasized these zines as leading to the fandom culture we had today, so they really did shape the world we live in today. Tumblr posts are like our own little zines that we share, with our own messages and thoughts and yes even hand drawn gay people...

Anyway, like I mentioned, in these fandom spaces you had queer zines that were about explicitly romantic and sexual relationships between fictional men. At the time, slash shipping was not the most common way to engage with fandom, but today it has become very mainstream and widely accepted amongst the fandom. But you know what queer behaviors are still not mainstream within fandom spaces, even within queer fandom spaces? Aro ace rep babyyyy. With that in mind, I feel like what is considered radical and abnormal these days in queer fandom spaces is to engage with fictional men (or any characters) from an aromantic or asexual lens. And so I am here to hold your hand and walk you through the wonderful radical world of imagining non-romantic scenarios with fictional guys. You can have so much fun with it and I think more people should do it. What if you stood in line at the bank and your favorite anime man was in front of you. What if you had to go in for jury duty and the guy from five nights at freddy's was there. What if you went to the library and spock and kirk were both there researching the history of zines. In a world that expects us to prioritize one normative romantic and sexual relationship as the big thing that will bring you happiness and fulfillment, it is radical to say "actually, i could probably still be really happy and fulfilled if i had some cool friends to hang out with and do mundane things with. And also what if those friends were fictional lawyers."

Anyway. Thank you to all the spirk shippers who worked hard to get us here, I will pick up your mantle and continue to push against societal norms but with fewer sex scenes this time around. Not that you aren't valid for that, this is just personal preference. The end. Go make a zine everybody.

[a-memory-a-distant-echo]

there's something very uncomfortable about being in a fandom where all three of the main characters spend a substantial chunk of their lives disabled or chronically ill or both, and the show itself handles this far better than i would have expected, and the fandom handles it way fucking worse.

the frequency with which fics and meta reach for ableist rhetoric that the show itself avoids is absolutely mindblowing to me.

someone being disabled doesn't mean that the ending is unhappy. li lianhua, alive and happy but an ordinary person without powers isn't a bad ending. alive and happy and not in pain, without powers, and disabled in other ways isn't a bad ending.

also, though, an ending where he's dead isn't necessarily a bad ending, either. dying on your own terms isn't nothing. it is, in fact, more than many people get.

the other thing is that people who are disabled or chronically ill or mentally ill still deserve bodily autonomy. even if the people around them don't like the choices they're making; even if their choices cause the people around them pain.

taking away that autonomy and forcing someone to accept a treatment, even a possible cure, that they don't want is a pretty fundamental violation of their personhood. it's striking to me how often narratives in this fandom are like, 'we forcibly cured you against your explicitly stated wishes! be happy and normal again. ok, they lived happily ever after.'

i'm primarily an ot3 person. i am deeply invested in li lianhua being found on this beach by his ridiculous boyfriends and the three of them heading off into the sunset to have some kind of a life about it.

that life looks real different if li lianhua doesn't have agency of his own body. it looks sort of less like a life together, and more like captivity. and maybe you want that! maybe you feel like that's what has to happen! but if that's what you write, you should do so knowing that it's a betrayal and a violation, and that whatever harm li lianhua has inflicted—which is admittedly a lot—di feisheng and fang duobing are inflicting just as much in return.

disabled and chronically ill people still deserve bodily autonomy.

[iminyourwallsbabe]

Hey I'm back with more arcane thoughts and they're sad! Because god forbid we catch a break in this fandom, right? Anyway (spoilers ahead)

MEL DOESN'T HAVE FRIENDS :(

I know that's gonna sound crazy. You're probably saying, "oh but she's so cool and lovely" and I agree but I really need y'all to think about this. Who does she talk to for any reason except political intrigue? Nobody but Jayce and Viktor. You could make an argument for Lest but she was also spying for her, so we don't know the nature of that relationship. It may very well have been another political thing.

Now I just wanna say upfront that I don't think any of this is really her fault, I mean you've seen how the council is and she probably doesn't know anybody else in Piltover. I mean think about it, she's a whole princess, her life IS politics. Her existence is political. Anyone she knew before her exile is probably a noble of some kind and it's very hard to remove politics from those relationships. That's probably how she ended up on the council to begin with. Jayce and Viktor are the only people who aren't nobility that she talks to. Jayce is a part of a family that was only just starting to gain significant wealth and respect, he's new money. Viktor is from the undercity. All of his money is coming from whoever's paying for him to be there. They're the only people who exist outside of the politics of the council. They're also dead now.

So let me summarize and put it in perspective. Mel lost her brother, was exiled from her home and whatever relationships she had there (which was probably with a whole bunch of nobles), went to Piltover and became a politician, thus becoming surrounded by nobles once again, she then had to kill her mom, and the only people who didn't want anything from her and didn't pressure her are now space dust. Let it sink in.

It makes this scene right here just that much sadder. She's really doing it all on her own now. Once again, her whole life will revolve around politics and there's nobody to give her a break. Nobody she can trust enough to be vulnerable around. She has more power than ever before but I don't think that's ever what she wanted. She knew she'd get it, I don't think this was a surprise, she knew she didn't have a choice.

I'm also thinking about how she didn't even have time to process her grief. They just cleaned up the aftermath of the war, which took a few weeks if not a month. They're probably still wondering what happened to Jayce and Viktor, did they figure it out yet? Can they even figure it out? She's probably still waiting on that news here. She probably already assumed they were gone in some capacity. That must be hurting her like you wouldn't believe, especially considering that she and Jayce never officially ended their relationship. They got separated, argued a little bit but made up, and then just went to war. There was no time to break up even if they wanted to, and honestly I'm not sure that they did and I'm saying this as a Jayvik truther. And don't even get me started on the guilt she probably feels about her mother. That could be a whole other post in itself.

Anyway, point is, Mel needs a hug so so badly oh my GOD

[tizeline]

I really enjoy how despite being a separated au (especially one where 25% of the turtles are chronically lonely and the other 75% are genocidal) it's way more silly than it is angsty. I really enjoy how you capture the spirit and essence of Rise itself.

That being said, is there a part of the au that you find particularly angsty, or is it all shenanigans and fluff in your mind?

LMAO yeah as much as I like angst, I usually tend to default to making things silly goofy, I dunno why but I find it way easier to do when it comes to my storystelling.

That being said, I've been saving up most of the angst for the movie events. I'm not sure how dark I'll make it, compared to some stories I've seen in this fandom it'll be far from the angstiest stuff. Actually it might have a similar tone to the actual movie lol. The moment where Donnie shields Mikey from the Krang's attack is angstier mostly becuase I decided to make it more graphic than in canon........ Also uh ya'll remember that anon that brought up the possibility of that being the scene where Donnie loses his arm? Initially I didn't plan using that concept but like... man I haven't been able to stop thinking about that I honestly might implement it in the story 😭 Both Donnie and Mikey are absolutely going through it during the invasion, Mikey being trapped in the Prison Dimension is obviously not gonna be very silly happy times either. If I ever get around to showing the events of the bad future timeline then that's also gonna be angstier.

Aside from that though, it's still gonna stay mostly lighthearted. Again, I love angst but I always feel kinda kinda awkward creating more serious and darker stories myself? I do also very much enjoy creating more comedic stories, which is also a big reason why I'm doing it for the AU.

[xia0mi-c0m]

The proshipping problem in the twst fandom | A rant.

Very obvious trigger warning for things normal for proshippers like p3dophilia, incest, etc.

Though I do know proshippers will be in every single fandom, it's getting especially worse in the twst fandom, specifically the Japanese side of the fandom (with some discussions about some in the English side too).

Before any proshippers come into the comment section: Proshipping is NOT a healthy coping mechanism. If your therapist recommended it, they should be fired.

This post is not to dehumanize and degrade underage proshippers as they have been obviously groomed into believing that it was okay to ship this sort of stuff.

The actual elephant in the room we WILL be shunning is the adult proshippers who actively encourage children (either actually or under law) to proship.

Before getting fully deep in this subject, I would like to admit something that I've talked about before.

I was a proshipper when I was younger than what I am now. This was because, not getting into too much detail, I was groomed by a man online to the point that i thought it was okay.

Not only was I a proshipper but I was also a darkshipper, problematic comshipper, and also supported the things present in Dead Dove fanfics.

In fact, I had an account on some sort of forum page with other proshippers and I shared my nasty ships there. I believed it was a good way of desensitizing myself to my trauma that fucked me up heavily, but it wasn't and it was making me relive the same trauma which in return, made it worse.

This is why I say that I do not want anyone to shun underage proshippers, they were groomed into it half of the time.

Now that I'm 18 (About to turn 19 on February 14th), I finally understand that proshipping is an unhealthy way of approaching your trauma and pain.

It may feel like it does something, but it really doesn't. And I want to reassure you that you're not alone in your pain, please, find other ways to cope and process what has happened to you that doesn't include glorifying very nasty things.

Now with that out the way, I would like to say what the title says.

Proshippers in the twst fandom has sadly grown overtime, but my niece made a very good point; stating that since twst does have a slightly dark story, that people with dark and nasty thoughts and ideas will be attracted to it, much like a moth to a flame that damages it's already fragile body.

There have been adults in the twst proshipper area, and I think they're the main cause of fueling minors in the fandom to do the same thing. Maybe with or without knowing the eventual psychological consequences.

The adults who are aware sadly lure and prey on the gullible underage individuals of the fandom, and though that might seem like an overexaggeration; it sadly is true.

I am Japanese, well, half-Japanese. But even then, due to that fact, I'm more prevalent in the Japanese fandom than the English fandom though I am trying to balance out both.

Since I am more present in the Japanese side of the fandom than I am with the English side (because I'm basically like an absent dad that went off to get the milk and never came back until years), I have seen a lot of shit in here and it's very scary even to this day.

Though the English side of the fandom is as equally bad, the Japanese side is worse with the whole l0li and sh0ta thing. Sadly I have seen English twst accounts do those things too.

The most popular proshipper you may know is Ugigi or however the fuck you spell her name, whether one likes to admit it or not, her selfships were very much proshipping. This is mainly due to how her OC could've been her actual age which was in her 20s if I'm remembering correctly.

But let's say the OC wasn't, it would still be problematic (but not in the proship way) since the characters she drew NSFW of were mainly the minors (again, if I remember correctly). If her OC was her actual age then she would be a proshipper.

However, watever the age of the OC she always drew, it's obvious that it was still leaning more on proshipping because that indicates that she's attracted to the characters despite knowing they're minors (and not even aging them up by the way).

So, very nasty, I was thinking of putting her In the TWs 😭

All jokes aside, proshipping is disgusting.

In fact, must I bring up any other thing?

LEECHCEST.

WHAT.

Well, you heard that right, people ship Floyd and Jade. Seriously, what is wrong with you guys. And I think I know why this ship is so popular in the Japanese fandom; The fact incest is not necessarily illegal in Japan in a way.

Yeah. You heard me correctly. I'm horrified and scarred for life <3

"Surely there isn't anymore I shall talk about, right? Right?? RIGHT?!?" I exclaim, not expecting anything else to come from the sky and hit me.

Then boom..

SHROUDCEST.

OH FUCK NOT AGAIN.

So, apparently people ship a dead robotic little boy with his big brother.. yeah... FNAF fandom called, they're telling you not to steal their bit much like how Deejus is trying to tell Johnny RaZeR not to steal his "YOUTUBEEE" outro bit that.. he also stole.

It can't get any worse than this, right? This is definitely the last tier of the iceberg, surely? Perhaps??-

KINGSCHOLARCEST.

Okay, now we're pushing it, this bit is getting old but whatever.

Kingscholarcest can refer to three (disgusting) "ships": A nasty ship of Cheka x Leona, a nasty ship of Falena x Leona, or a nasty ship of Falena x Leona x Cheka.

Sweet home Alabama all around but more extreme..

I think we all know why these ships are not okay and are disgusting (ESPECIALLY CHEKA X LEONA SINCE CHEKA IS A GOO GOO GA GA BABY.)

Finally.. It's over.. I can go back to ranting!-

FELLOW X GIDEL.

JESUS CHRIST STOP.

This madness needs to stop because if not I'm going to pull my fucking hair out!-

LILMAL, SILVER X LILIA, S-

OKAY STOP IT RIGHT HERE,, THE BIT IS OLD NOW.

So, I think you get my point.

Borderline incestuous ships, the drake specialty, and straight up sweet home right to Alabama.

Now, let's put aside the jokes and get serious again.

With all the things I have stated, you can definitely see the absolute horror of some parts of the fandom.

There's accounts that are VERY hypocritical, saying "P3dos DNI" when they are a sh0ta/l0licon. This is the literal definition of hypocrisy at it's finest.

There are mfs who have unironically said that Cheka was hot and romantically cute.. HE'S 7 YEARS OLD. OR MAYBE YOUNGER. I DON'T EVEN REMEMBER BUT I DO KNOW HE IS A CHILD.

I have said this MANY times before and I'll say it again; if that characters looks like a child, THEY ARE A CHILD.

Even if you age up characters like Ortho, Cheka, etc. You are still self-reporting that you're attracted to a literal child.

Fiction DOES affect reality no matter if you try to plug your mickey mouse ears with your fingers (or paws, I don't know) to gaslight yourself into believing it doesn't truly affect it.

In fact, there have been cases where people have been arrested for having l0li/sh0ta on their devices, though, sadly, its not a long sentence despite how it should be lifelong.

But even without the lifelong sentence, the law still considers l0li/sh0ta CSAM. (I hate calling it CP now since that implies that kids can do that in their own will.)

A grown adult proshipper even told me when I criticized Kanna from dragon maid for being a little girl the author sexualizes to no end all because I said that she doesn't have a listed age that I was being "contradicting" and I think this proves that.. proshippers DON'T know what contradictions ACTUALLY are because they've gaslit so much into believing this disgusting behavior is normal and okay to do.

And don't get me started on Dead Dove cai, chai, etc. bots and fanfics.

Dead Dove, proshipping, problematic comshipping, darkshipping, doveshipping, etc. doesn't give out awareness to the horrors of such depraved acts.

Another very nasty thing I've seen in the TWST fandom is people shipping the staff with the students, mainly Crewel with Deuce.

Teacher x Student is disgusting no matter what. Teachers are always more grown than the students, so yeah, teachers aren't the anime boy or girl of your dreams or something, he or she's going to be old and otherwise not "attractive" and young.

The training to become a teacher and any profession in fact will take years, which means you'll grow and turn old.

I understand many say "Well, it's just fiction!" but these people seem to forget that young individuals, especially young girls, can see these teacher x student fiction and will probably, in the worst case scenario, get the wrong impression from it, ESPECIALLY if the media glamorizes and romanticize it, and sadly become a victim.

Crewel, If I'm not wrong, is 31 meanwhile Deuce and the other first years that [Crewel] mainly gets shipped with are 16 years old.

This is not only a disgusting, vomit-inducing age gap but huge maturity gap whether one likes to admit so or not.

Yanderes especially in the twst fandom get romanticized, and people seem to forget the reality of the abuse that yanderes put their "love interest(s)" through.

And I think this is why fandoms (not just twst) should stop romanticizing yanderes and student x teacher, and vice versa.

Besides, these two tropes are grooming even if the victim is not a minor, adults and the elderly alike can also be groomed especially if they're gullible and need to depend on someone (for either a disability or something).

People will probably invalidate my point but I don't budge from what I said.

Sorry if this posts looks rushed and/or maybe even incoherent to some, I just wanted to get this off my chest and stuff.

I should start ranting more, I like yapping so yeah, expect more whenever I'm bored :3

Anyways, BAIIII!!

YOUTUBEEEEEE flies away into the void to the right

[sgiandubh]

Hola, hola! Pregunta de novata asombrada: De veras se casó con ese señor? Habláis de certificado de matrimonio que alguien se molestó en buscar? OMG...

Dear Novata Asombrada Anon,

En cuanto a todos mis anónimos hispanos, espero que no te importe que te contestaré en inglés, como muestra de cortesía hacia la gran mayoría de mis lectores. Gracias y aquí vamos con la traducción de tu pregunta. Y, para que no se me olvide, ¡bienvenida!

Hello, hello! Question from a shocked newbie: Did she really marry that man? Are you talking about a marriage certificate that someone bothered to look for? OMG…

Good morning and thank you for asking - you are not the only one today, it would seem. This question is making the rounds again (why?) and let's call this a (fortunate?) coincidence. The Marriage Certificate (MC) was the equivalent of the Great Christian Schism between Rome and Byzantium, in this fandom, mind you. Depending on your own take on the S&C Saga, it has been dreaded, expected, announced with great confidence and actively researched by fans, who simply took advantage of a very relaxed and transparent UK legislation, allowing for basically everyone to order a certified copy by email or snail mail, for a small fee.

The first fan aggressively trumpeting it online was (correct me if I am wrong) an ex-shipper who now goes by the handle of @brian-in-finance, also known as BIF, also known as Kidneystone. In her pedantic and arrogant little voice, she made a point of honor in dissecting absolutely every single detail of that dutifully certified piece of paper issued by the British General Register Office (GRO). A second, short-lived account, @hurleyburly, ordered the same paper and posted it on Tumblr, this time pudically hiding some details under a makeshift post-it. The usual fandom fortunetellers thought the handwriting on that 'post-it' was eerily similar to S's own, but we'll leave it at this. Although, I have to immediately add, I would not discount this possibility. A third prominent shipper account, @boyneriver-fraser, ordered it and made pathetic public amends over her previous shipping stance. Some others imitated them and received the exact same paper, followed by a seemingly endless trail of wrath, confusion and wailings.

People were understandably shocked, hurt and in definite anger over this. Many disembarked the ship, considering they had been either blind/idiot or cynically fooled by our Dynamic Duo, eager to sell the show. Speculation went rife. Some even tried to go the extra mile and believe they found out even more inconsistencies. I shall not speak on their behalf, simply because I was not here at the time and had no idea These Two will become such an (often invading) point of interest in my own life.

But irrespective of any inconsistencies, this paper legally exists. As such, it has legal effects that cannot and should not be discounted. I have always maintained it, as a professional. Likewise, I have consistently explained the Ibiza episode might be anything you could think of, from a romantic (?) picnic on a parking lot with a bird featuring a strange toupee (as per C's tweeted chirp), to a non legally binding handfasting ceremony (remember, LOL, 'some things are just for' Them). I have explained very early after my arrival why I do not think a Spanish marriage was in the cards. This is my final word about that #CarparkIbiza fanfic:

[Link: https://www.tumblr.com/sgiandubh/723029524897529856/i-have-asked-a-few-very-popular-bloggers-this?source=share - July 16, 2023]

More clearly put, national Spanish legislation requires the two foreign citizens to be residents in Spain, if they want to get married there. British consulates do not perform marriage ceremonies, either. And cross-border marriage rules in Europe, at the time applicable to a not yet Brexited UK, would have mandatorily required a transcription of the marriage papers in Britain. This is not the USA, where you can just go to Vegas, have your knot tied by an Elvis lookalike and divorce the next (hungover) morning. Or go to Tijuana and do what Sophia Loren and Carlo Ponti did in 1957, to great (bigamous) scandal. Rules are different. Rules exist, as stupid and cold as they might look. And one more time - they have tangible consequences.

At this point in time, you might logically ask yourself why I am still here. Is it because of the feeling of power and self-importance, as some nasty Anons remind me every single day? Is it because of the formidable people I have met in here? Yes, it is also because of them, but not only because of them, of course. And as far as any feeling of power and self-importance go, let's just say it's ridiculous to think so.

The reason I am still here is both simple and complicated to understand: a paper, even certified, does not a marriage make. Mark me, Anon: there is nothing (I repeat: nothing) normal about this one. There are secrets and lies and inconsistencies and gaslighting galore. The shippers know it. The Antis/Mordor know it. The Fencers know it. And every single one of these broad factions apparently has ample supplies of popcorn. And, as far as we go, champagne bottles stashed, plus a firm decision to have a Global Lollapalooza on the Internet the day this awkward situation would come to an end.

I have tried to answer your very legitimate question the best I could. I do not believe in sugarcoating or hiding anything. What I do believe in, is the power of critical thinking and the ability to coldly analyze facts, even if they do not encourage fantasy. You would be surprised of the things that do not click, in that official Narrative. Important things, not speculation. My blog primarily deals in this kind of stuff: things that do not click and paint a very different story than the one officially being peddled around.

And now, dear Shocked Newbie Anon, you are free to disembark, if you think I am still lying to you (what for, may I ask? just to receive every single day violent garbage into my Inbox?). But if you choose to stay with us, the tea is always brewing, somewhere. And mind you, it's often the finest Oolong you could find, because I honestly believe that we have the most formidable and unexpected assortment of witty minds and strong characters, in here.

[sailor-crusader]

Imagine. You do a full watch through of a huge franchise of multiple shows. 600+ episodes in total. In the very first episode, you latch on to one specific character. She is your favorite. She's a minor character, only truly relevant to about 12 episodes. Even then, she's not super important. Still, you love her design, her personality, her mannerisms, and she still periodically appears in short bursts. It's like a little gift. She even returns near the very end of the original series. It's like a lovely goodbye gift.

Then, in the next series, she isn't there at all. Gone. Figures, a lot of characters were dropped in favor of new ones. It's understandable that this quaint character would be dropped when the series was getting more bombastic than ever.

Then, the next series, she's back! As this is a long time after the first one, she's old now. A geriatric grandma. But, she's just as good as before! Everything you love about her is still there, plus what's not to love about elderly women? She's still not very present and makes her last appearance about halfway through, but it was still very nice to see her again after so long.

Then the next series. She's back! Your favorite character is back and with more screen time than ever! Perhaps even more than the original! This is amazing!

Or so you'd think.

The last series was retconnned and made not canon. Your precious blorbo is no longer an old timer. No. She's young. Very, very young. Through some sort of twisted OFF SCREEN shenanigans, she has been magically transformed into a goddamn toddler. A baby. She was always silly. That was one of the reasons you loved her so much. But now she's a 5 year old whose character consists of wanting ice cream.

She was once a character who would point a gun at a child but then sleep with a teddy bear. A charming dichotomy. Now she's an abomination. A sick dysfigurment. Your blorbo matters so little. She's a joke. She goes on cocomelon baby adventures now.

But it's ok. The plot has just entered a time travel storyline, the protagonists are going to an alternate future, and what is there? Your beloved! Finally, an adult again! Surely you'll get your sweet blorbo back again, right? She'll return to her former glory, right?

No.

She doesn't point guns at children. She doesn't sleep with a teddy bear. She doesn't eat ice cream or do baby adventures either. Shes nothing.

Your blorbo is. Nothing. She is nothing. She has no personality traits. Every single thing she has ever had up to this point is just. Gone. She's not villainous, she's not funny, she's not even annoying. This is not the character you love. This is some random person.

Whatever, you'll just look for fandom stuff for her. Sure she's not very popular or important but the fandom is still huge. There will certainly be atleast a few fics and fan art. You'll just take what little you can get.

No.

Your blorbo has a new boyfriend. And this guy? He's popular. Really. Really popular. One of the most popular. Your favorite girl is a very minor character. And she's dating one of the most popular characters in the whole franchise. You know what that means?

Every fanfic. Her and him. Every fan art. Her and him. Every tumblr, Twitter, and reddit post. Her and him. 90% of all talk about your beloved girl is just a trashy ship between a worse version of her and some guy you also don't care for.

All is lost. No one gives a crap about her unless it's to ship her. No one gets her appeal. You are the only person in the world who chooses her as your favorite. You are alone. All you have is the sweet memory of that girl you loved.

That is the story of Mai from Dragon Ball.

[stormyoceans]

MONICA'S INCREDIBLY BIASED TOP 5 GL SHOWS OF 2024

1. the loyal pin. a period piece QL with a (believable) happy ending and a fairytale-like quality to it that was able to charm me from the very first episode. while the pace of the story can definitely be slow at times, i was personally just too absorbed in the world that this show created to mind it. the display of traditions, customs, and food from thai culture, along with the beautiful cinematography and the colorful cast of characters, all helped to achieve this fully immersive experience, giving the perfect frame for anin and pin’s romance. becky as anin was also a revelation.

2. ayaka-chan wa hiroko-senpai ni koishiteru. I ADORE THIS LITTLE SHOW WITH ALL MY HEART AND SOUL. i admit that, as a bisexual woman myself, i found the bisexual erasure pretty maddening at first, however i am willing to forgive it in the face of how bright, lively, sweet, and at the same time deep and full of emotion this series is. it’s an age difference office romance that actually addresses the generational gap between the leads by exploring how society’s view on queerness changed throughout the years, and it does so by being funny, delicate, and unapologetically lesbian.

3. reverse 4 you. this is where my bias comes through, because while this show is far from perfect, i have the biggest soft spot for it. in general i tend to really enjoy stories that feature any kind of time related powers, but compared to others the true strength of this series is the familial bond between wa and vi, which shines as much (if not more) than the romantic relationship between wa and four. i do feel like the story needed at least one more episode to wrap up the loose ends more neatly, as some things kinda left me baffled and pretty confused, but my love for this little family of three makes me willing to overlook everything else.

4. pluto. if my meter of judgement to make this list had only consisted in chemistry and performance, then this show would have definitely landed in the first three spots, as namtan and film are incredible in it (the bridge scene in episode 11 is one of the most memorable of the year for me), however some of the plot points don’t sit quite right with me, and the execution of others was a bit lacking, so i unfortunately had to detract a few points. still, i enjoyed the show a lot: it presented a unique story in an interesting way, there was never a dull moment, and not once i skipped the intro because the OST is just amazing.

5. the secret of us. this show being so low in the list doesn't sit quite right with me, but at the same time it doesn't have the originality or the effectiveness in storytelling that other ones have. what it has, however, are ling and orm showcasing fantastic chemistry and very natural acting, which elevated a plot that im not usually particularly fond of (exes meeting again years later) and gave a lot of personality to their characters. the happy ending also feels earned, and some of the side characters are very memorable.

+ honorable mention (because once again, im a cheater)

23.5. i wanted to do a quick shout-out to this show because i feel like the fandom tends to give it a way harsher judgement than it deserves. while the second half did have a few things that bothered me, i still find this show a very accurate representation of teenage emotions, and the way it depicts young queer love healed the part of me that didn't have this kind of series growing up. all in all, it brought me a lot of comfort, and im incredibly grateful for that.

[thewalrusespublicist]

"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"

OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.

I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.

Hi anon! And the other anons!

Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)

From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.

A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also I’m trying my best to answer a lot of asks in one post so please forgive if I don’t fully answer your specific ask about this!

Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like there’s this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that he’s sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own ‘place’ in life as John's just-some-guy placeholder best friend. I’ve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anyway…

This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.

So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?

John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.

So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:

How long can one go on writing and writing like you. I now don’t really know who I’m writing to or why it’s quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I don’t care really what happens because when I think about it, it’s so bloody unimportant – but what is important who has the right to say that this letter is not important and this is a something any way – anyway – anyway – yeah! I wonder what it would be like to be a cretin or something. I bet it’s gear. & how are you keepin Stuart old chap are you as ok – is life as good – bad shite, great – wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu don’t write out of – er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I don’t know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I can’t remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no

Extract from a letter to Stuart Sutcliffe from John Lennon, 1961

By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:

"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."

The Beatles: The Authorised Biography (Hunter Davies)

In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:

"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."

The Gospel According To Lennon by Alan Clayson

Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.

Despite being John's best friend, Stu was teased and bullied:

"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."

The Beatles: The Authorised Biography (Hunter Davies)

Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasn’t straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)

(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)

Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but I’ve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.

John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stu’s. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:

Stu was recalled in In My Life

Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"—with its lines about "friends I still can recall/some are dead and some are living"—he revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyone—least of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."

Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time

Pete Shotton, Nicholas Schaffner, John Lennon: In My Life

In 1965 John drew Stu on a postcard

He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.

The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'

He also appears on the cover of Sgt Pepper

As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.

I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.

Stuarts presence is still felt throughout the seventies:

“He told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knew…. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasn’t a time in John’s life when he didn’t think about Stuart. He spoke always of his love and respect for Stuart.”

Yoko discussing Stu in When They Were Boys: The True Story of the Beatles’ Rise to the Top by Larry Kane

Coming to grips with his death is also present in Skywriting

SEAN O’HAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. We’ll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.

Skywriting by Word of Mouth, John Lennon

This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.

But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?

No.

How do we know? Because John told us so:

" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."

John Lennon to an interviewer, 1971

But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).

But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)

At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldn’t shut up about, the man whom he’d conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.

As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 he’s pretty clear that Paul and Yoko are their own category.

"I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice!!"

John Lennon interview with DJ Dave Sholin, 1980

There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.

Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.

Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.

[snailsgoingdowntown]

Help, I Reincarnated as the Female Lead’s Sister-in-Law!

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Chapter 9

‘Slight’ Yandere! Dion Agriche x Fem! Reader

Arranged marriage AU

Warnings: thoughts about self-harm (biting thumb again), accidental self-injury(? + biting inside of lip which causes it to bleed), thoughts about implied murder, near panic attack, implied depression, slight blood, small/slight themes of obsession and possessiveness, slight themes of misogyny/some toxic behavior from Reader's family, please tell me if I missed any.

Nsfw warnings: OKAY, I honestly think Maria, if she becomes fond of a daughter-in-law, would absolutely push for grandchildren and take things into her own hands unless someone (Sierra) tries really hard to convince her otherwise. I’m really sorry for writing her as a creep but this will be the last time (either completely or for a very long time) I’ll write her like this. Anyway: suggestive, throwback to their 1st night, gifting of lingerie and aphrodisiac by Maria (again will not write her like this either completely or a long time, I tried rewriting this chapter so fucking much but this is what I settled on because it felt the most natural to me.) pushing for grandchildren, Maria somehow got the Reader’s measurements, please tell me if I missed any.

DISCLAIMER: I DO NOT CONDONE ANY OF THE HARMFUL AND/OR DANGEROUS/TOXIC ACTIONS AND/OR BEHAVIORS THAT TAKE PLACE IN THIS PIECE OF FICTION. THESE ACTIONS/BEHAVIORS SHOULD NOT BE NORMALIZED NOR ROMANTICIZED AS THEY ARE BOTH EXTREMELY TOXIC AND DANGEROUS.

MINORS/BLANK BLOGS/BLOGS THAT DO NOT INTERACT OR REBLOG ANYTHING FANDOM RELATED (FICS, ART, ETC.) DNI.

===

‘Dear father and mother, 

I am doing well so far. The food is nice and the clothes comfortable. I haven’t personally spoken to my father-in-law yet, but I’m going to meet him for dinner tomorrow at the time of writing this. My husband, Dion is different from what I expected. Too nice. He’s not as brutal as others described him. It was surprising. But he’s a pervert and I almost hit him out of frustration and rejected his sexual advances like any sane person would. I know that you’ll say I should have let it happen, mother, but it hurt so bad I don’t think he’ll ever fit. Speaking of those vulgar activities, you lied he wasn’t flustered in the slightest until I started crying. Can you believe that? He’s a creep! But hopefully he doesn’t kill or torture me he’ll continue to treat me nicely.

Of course, as his wife I’ll do my best to support him in fear of him or Lant killing me otherwise in every field to the best of my abilities. Just how you forced taught me.

I have talked to a few in-laws, including my mother-in-law. I heard that you drank with her, mother. She's very  lively and has a sadistic unique personality. She’s very sweet to me. I have also met the fourth wife, Sierra. She’s lovely, I think you’ll also get along with her, mother. 

I hope that the two of you are faring well. The same goes for Zac and Elena, of course. Speaking of them, how has Zac’s studies been? He’s not skipping them again, is he or planning something dangerous like that stupid but well-meant plan he informed you, father, about? Yes, I overheard everything?

Is Elena doing well in her pregnancy? I know she moved out before me, but I’m still concerned about her and the baby. And Albert, he’s taking care of her, right? 

I’m not sure what else to write, so I’ll just leave it here. Please take care of yourselves. The same goes for my brother and sister.

Your daughter, (Name)’

“... I ended up writing what I really think… I need to rewrite this… again.” You sigh, leaning back in your chair as you crumble the letter. This was your fifth try, and while each one became less hostile and more casual, you weren't satisfied with any of the rough drafts to turn into a final draft. 

If you weren’t married to Dion, into this family, would writing to them be easier? You shake your head. No point in having these useless thoughts. Especially as Hana comes in with a knock and your permission, rolling in your lunch. 

In the end, you ended up going with Hana’s suggestion - basically saying that your husband fucked you too hard and rough last night and you needed to recover. Thanks to that, you didn’t have to change into the scarlet dress she picked out either - it was decided to be saved for the dinner you’ll have with both your husband and father-in-law tomorrow. 

You already asked Hana for indigestion medicine for tomorrow. 

“Thank you, Hana,” you put your stationary away and picked up the crumbled balls of paper that were failed attempts. She eyes you curiously but doesn’t comment on it. Instead she readies your lunch, placing the plates onto the table. 

The thought of eating makes you sick. You could barely hold down breakfast - could you hold down lunch? Or would your body give up immediately and reject the food? 

Warily looking at it, you notice two prettily wrapped up boxes - one pink with light red polka dots, the bow purple in color. The second box, a flatter one, had red wrapping paper with a tiny black hearts pattern, with the bow also black. Your heart speeds up as your gut twists painfully. If they were meant for you, they contain nothing well meant nor innocent.

“Oh, right,” Hana starts before handing both ‘presents’ to your unwelcoming arms, “Lady Maria sent these to you. I don’t know what they are, unfortunately.” With a grave look on your face you shakily thank her, a pained and forced smile stretching your lips. 

Maria sent these… oh boy, I sure do wonder what they are… 

“Later today, please help me pick out a gift for her. It’s only right that I repay the favor, especially since she’s my mother-in-law.” Placing them down next to your feet, you ignore the urge to kick them far, far away from you. It’s hard to keep your eyes off of the boxes. It’s hard to focus on your food, picking up your fork and knife as you cut into the grilled fish. 

It’s hard to chew, accidentally biting your lip hard enough to taste blood. It’s hard to drink the water as it threatens to choke you. It’s hard to not wince at the sharp sounds of cutlery against the plate as you imagine your head being chopped off like nothing. 

It’s hard to breathe. 

How much longer until you go crazy?

By the time you finish your meal, you’re sweating buckets. You hate it here. You want to go home -

“My Lady, are you alright?” Hana’s voice drags you out from your thoughts, flicking your eyes to meet hers. She’s picking up the silverware and placing it back onto the tray, but quickly takes a clean napkin from it and hands it to you. You take it with shaky hands, doing your best not to drop it. Thankfully your brain didn’t lag for too long for you to realize it was for your sweat.

You pat down your temples with the white cloth.

“T-thank you… v-very much, Ha-Hana.” Why is your voice so shaky? Why are you stuttering? Hell, why are you sweating?

You already had one panic attack - you don’t need another one. Your right thumb throbs at the memory and your teeth want to clamp down on it. The bandages suddenly feel too tight around the digit and you want to rip it off so you could dig your teeth into it. You bite your lip, only worsening the newly formed wound. The taste of your own blood spreads throughout your mouth again. 

You need to stop. 

Your attention switches to Hana, the woman staring at you uncertainly. It wasn’t necessarily out of concern but rather confusion - just how was she supposed to comfort her master? …you’re probably putting her in a rough spot. 

…right. I just need to accept my new reality… but today is not going to be that day.

Taking in a deep breath, you force your nerves to settle down - positive thoughts, positive thoughts. The sun is warm, the birds are lively, the bed is comfortable, your husband is gone - 

This isn’t the first time, and clearly it won’t be the last. 

“...thank you for bringing the food, Hana.” You’re not fully composed, not fully right of mind, but as the saying goes: fake it until you make it. You did it once, you managed to do it throughout the duration of the engagement, during the wedding despite feeling horrible, you did it while consummating your marriage despite being ripped open by Dion, you did it while at the tea party with Maria and Sierra, you did it last night when you told him off.

You did it back then, too. 

Force yourself to smile now. Tilt your head innocently. Act happy. Act happy. 

“I enjoyed it. Please give my thanks to the chief.” Your smile isn’t bright as the sun and slightly wavers. Your eyes aren’t shining brightly like stars, instead seeing past her. Your mind isn’t calm as you recall the brutality of this family that was shown and described in the story. 

Fake it until you make it. 

Yes, you think. Maybe you will have a conversation with Roxana. 

- - -

Hana left an hour ago yet you haven’t moved from your spot. No, instead you’re staring intensely at the presents in front of you on the table. They’re pretty, a bit childish. But knowing Maria… 

“...is it a trap…?” Carefully, you pick up the stereo typical present box and lightly shake it; it rattles. “Sounds a bit heavy… like a box within a box.” Curiosity gets the better of you and you gingerly untie the purple bow before ripping the wrapping paper. Despite the damn thing nearly sending you into another panic episode, it was satisfying to unwrap. 

A slightly smaller box is what you see once you manage to open the outer one. It was black and had a fancy red bow. Still a good size not to be something small. Unless it was a perfume. Breathing in deeply, you undo the ribbon and take off the lid. 

You’re met with a glass container roughly the size of your hand. Your heart drops at the yellow liquid inside. 

It looks exactly like the aphrodisiac your mother-in-law gave Roxana in the manhwa. 

“...what in the actual fuck… she’s basically telling, no, begging me to fuck her son… haha!” Your head rolls back as laughter overtakes you and shoulders violently shake. “I knew she was crazy, but fuck, how morally corrupt is this woman?” 

Instead of throwing it across the room like you should, you place it down on the table. You would have slammed it down if there wasn’t a chance that just smelling it could cause your body to heat up and become needy for a thing - a person - you don’t even want. 

“I’m scared to open up the other ‘present’...” in spite of that you pull at the black bow and unwrap it. You shake it - sounds like something soft. Like clothes. 

Oh. 

Oh no, no, no, no, no no -

“She didn’t. No fucking way… maybe it’s a sweater. Or a shawl. Gloves?” 

Trembling fingers take the lid off, a pink ribbon undone easily. This time, you throw the box to the floor after seeing what it held. 

A sheer black babydoll lingerie set. 

“Maria Agriche… you fucking creep…,” without another thought you shut the lid on it and shoved it into one of your drawers on your side of the dresser. Away from sight, out of mind you chant in your head, slamming the drawer shut. Your cheeks feel warm as both embarrassment and disgust fill your head and chest. 

… even if you wanted to sleep with him… or if you were in a healthy marriage with someone you love…

“...I could never wear that… it’s too revealing, too embarrassing.” Even in your old world you never wore such things. Not because you viewed them as dirty or slutty, but because they don’t suit you. Besides, putting in so much effort just for it to be taken off…?

‘I’m only going to ask once - would you rather keep your clothes on or off?’ 

“MMMMFFFF!!” throwing yourself onto the bed at the memory, scream muffled by the pillow, you mentally curse both son and mother. The son because he made your first time so horrible you’re mentally scarred and the mother because she’s a creep. More so than her own fucking son. 

A few minutes later you manage to collect yourself somewhat. Dreadfully you go to the dresser to pull out the offending clothing. You don’t plan on putting it on or to hold it over your clothes to get a vague idea of it either. Just to get a better look at it. 

Opening it and picking up the article of clothing, you examine it; pretty lace details on the him and breast cups, a flower pattern. It was soft as silk - clearly made from expensive materials. The straps were thin but they didn't feel too rough or stiff. Probably comfortable on the shoulders. 

Not like you would know - you never tried anything like this on. 

Curiosity killing the cat, you decide to see where it ends by holding it over your clothes; it barely brushes past mid thigh. 

When you go to put it back you notice an envelope and panties in the box. First, you pick up the lacy underwear, frowning as you realize that somehow, someway Maria had gotten your fucking measurements. Did your mother also tell the crazed woman your three sizes… “No, she wouldn’t. Even if she was drunk, she wouldn’t tell anyone such private details.” 

Carelessly dropping it into the box you grab the letter, opening it after a moment of hesitation. It takes even longer to unfold the letter. And even longer to actually read it, only for horror to come across your face and enter your heart. 

‘Sierra told me it may come across as inappropriate to send such things to you… but I’m just so excited for grandchildren! Oh, but don’t feel pressured into wearing or drinking those things tonight. The aphrodisiac lasts a rather long time. Besides, considering it’s Dion, I thought you might need some help to get in the mood whenever you decide to lay with him.

- Maria’ 

“No. Never.” 

Shoving everything back in, you shut the drawer close, making sure to hide the items underneath some layers of your… underwear…

You give up. 

“Ahh, why and how did I stumbled into the scene…” You turn around only to notice the yellow liquid contained in the glass bottle. Right. You forgot about that. “Maybe I should just pour it out…”

Not once did you realize nor notice how all the fear and fright left your body and mind, instead leaving caution and annoyance in its wake. 

- - -

Your husband returned at midnight, small amounts of blood splattered on his left cheek. When you look up from your book to greet him you notice that in the candlelight his eye bags seem darker. Deeper. 

“...welcome…back.” Your body starts to quiver and your heart beats loud enough you could hear and feel it once you meet his eyes. Quickly scanning his person you notice he’s wearing the standard male servant uniform: 

black shirt with red rimmed shoulder pads that have the Agriche crest on top, the shirt long enough to reach below his knees and splits at the hips, tied together with a brown belt at the waist. If he were to turn around you would see the family crest proudly engraved into the fabric. Blank pants that disappear into nearly knee-height boots with long, tied laces. 

The last time you’ve seen him in that uniform was the first time you met him, bored expression plastered on his face as Lant introduced him with a smug smile on that disgusting face of his. All he did was shake your hand as you stood still with prayers to a God who held no love for you. With your father glancing your way every minute as you were left in some corner with your then fiance to hold a conversation that never happened. When he didn’t spare so much as a glance at you, instead staring off into space as you couldn’t take your eyes off your lap. 

Wait. 

No. 

Maybe back then, you were too deep in your thoughts to notice that unnerving stare. 

The same one he has now - looking at you as though you were his prey, scarlet eyes glowing in the candlelight, like you belonged to him and he would never change that fact. That he would never let you change it, either. 

“Wife.” 

The word mixed with his sleepy voice sounds like nails on a chalkboard - it makes your ears bleed and eye twitch as you hold back the grimace of how he addresses you. He only wants you because you’re a normal person.

The moment you become insane he’ll let you go. 

That’s the only explanation. It has to be. That’s the only explanation your brain could come up with and accept. 

You’re too scared to bring up the night before yesterday. Beads of sweat slowly roll down your temples and breathing shallow as Dion walks towards the bed, heavy boots echoing. Time stops as your heart drops once he reaches the bed, reaches you and without a single word, he grabs your right wrist and - 

“What happened here?”

Oh. You forgot about your bandaged thumb.  

[lurkingshan]

2024 Recap: ✨A Summary✨

Post your most popular and/or favourite edit/gifset/analysis for each month (it’s okay to skip months!)

@troubled-mind and @my-rose-tinted-glasses brought this back, so here is mine! I can't believe some of this stuff happened this year, it feels like it's been 84 years.

January:

most popular - Deep character analysis of Phaya from The Sign

favorites - The birth of Japanese QL Corner, Breakdown of the Last Twilight finale (siiiigh), love for I Became the Main Role in a BL Drama and Gyeongseong Creature, and this list of some of my fav non-BL jdramas

I was a busy little bee in January! Not surprising, as I tend to hermit at home in the deep winter and do nothing but watch dramas and post too much. JQL Corner became my big project of the year, and I can't believe there wasn't a single week that I didn't have Japanese QL to talk about. I Became the Main and Gyeongseong were both surprise delights that ended up among my favs of the year. I’m still holding my LT grudge, in case anyone had any doubt.

February:

most popular - Praise for Dead Friend Forever's mystery arc

favorites - Appreciation for Love for Love's Sake's ending, every single LITBC book club post that I either wrote or read, my final review of Cooking Crush

The original run for the LITBC book club that @bengiyo and I led! What a great time reading a fantastic book, chatting with besties, and making new friends. I also stand by that praise for DFF's mystery arc--that was the strongest part of the show; the things I took issue with were elsewhere in the story. I have just been thinking I need to rewatch LFLS and this post reminds me why (I remember when it first ended me and @wen-kexing-apologist were like, we're going to watch it again immediately! And then realized we were in no way emotionally prepared for that LMAO). Cooking Crush remains a fav and I may or may not be rewatching right now.

March:

most popular and favorite- An actual love letter to TsukuTabe, my beloved

other favorites - Analysis of Unknown ep 6 aka The Turning Point and big love for Cherry Magic Thailand after the finale

Wow, three of my very favorite shows of the year all happening at once. What a blessed month this was. Also, this is not a specific post, but this is the month when I read Da Ge and then spent weeks with people coming into my DMs to get their own copy of the translation, which was a top fandom experience for me because I met a bunch of new people, some of whom stuck around to talk about Unknown, and it made me feel like an illicit dealer which was very fun.

April:

most popular - The boopening

favorites- A breakdown of the pseudo-incest trope and this list of my favorite friends to lovers dramas

The boopening was a once in a lifetime whimsical tumblr event, and I am so glad I was able to participate fully. I also really like these other two because I feel strongly that all tropes have their place and can be enjoyed when executed well and I love talking about that.

May:

most popular - Love for Oyei and Cher from Wandee Goodday

favorites - Trans Allegory in Cupid's Last Wish, co-authored with @wen-kexing-apologist and @so-much-yet-to-learn and this cdrama rec list.

I spent much of May watching and posting about shows I did not end up liking much in the end, but that is also the month I finally watched CLW with my friends and enjoyed it more than expected, in part because WKA had us watch it through the lens of trans allegory, which totally worked.

June:

most popular - Class disparity themes in Love Sea

favorites - 10 Things I Love About Triage, celebrating Thai marriage equality with @my-rose-tinted-glasses, praise for Marahuyo Project

What a fun Pride month with the start of Love Sea, Knock Knock Boys, Marahuyo Project, The Trainee, and me finally watching Triage.

July:

most popular - Teaching the youths about face fucking and power dynamics in Love Sea

favorites - 10 Things I Love About Oppan and The Miracle of Teddy Bear Saved the Gays with @twig-tea

More great shows. I'm so glad me and Twig ignored the rumors and watched Teddy Bear because it's one of my favorite Thai dramas of all time.

August:

most popular - Cheering on the defeat of noble idiocy in Love Sea

favorites - Praise for Knock Knock Boys and this spicy JBL rec list and this other quality JBL rec list and calling out weird fandom attitudes about JBL

Another good month, and the busiest by far for QL Corner. There were so many JQLs airing this summer! What a time to be alive.

September:

most popular - Documenting Wang's behavior in The On1y One

favorites - 10 Things I Love About Mr. Mitsuya's Planned Feeding, clocking Doku Koi as a fav early, this high school bl rec list and this BL romance rec list

I'm filled with so much bitterness reading that Wang/Tian post. I'll be taking this grudge to the grave!

October:

most popular - Moar boops

favorites - Analyzing Dohoe in Let Free the Curse of Taekwondo and celebrating the first two episodes of Love in the Big City and the creation of the LITBC Drama Book Club Round Up

Two moody Korean shows with complicated gay leads dropped in my birthday month, the book club band was back together, and I got to do Halloween themed boops. I WAS THRIVING IN OCTOBER.

November:

most popular - On fandom as a life saving force

favorites - This list of some of my trash favs for @happypotato48 and getting my feelings out on Young and Gyuho and Hirukawa and Minase and final thoughts on the LITBC drama

I was having a lot of feelings in November.

December:

most popular - Democracy in Squid Game 2

favourite - QL superlatives and grievances, this round up of my fav dramas of the year and being so very normal about Hirukawa

This write up really helped me appreciate that I had good stuff to watch and write about every month this year. There were some disappointments, but also a lot of shows I really loved and it was fun to remember some of the things I wrote. Also, i got to make so many fun rec lists! If you were tagged here, or if you just see this and want to join in, consider yourself invited to do your own!

You can go here to find your top 10 posts of each month.