#again it's also a very Fandom thing to do

[azaharinflames]

I still don´t get what they thought they would achieve with Brad but it seems to never have crossed their minds that people would actually NOT care for the character. It is wild how much screentime he got, in a mid-season finale no less, and this public ass kissing of cast and the official account after he left is so weird. Nobody piled hate on the character or the actor they just were not interested, so why the need for this outpouring of support all of the sudden?

When the next character making eyes at either Buck or Eddie comes around and this lot decides to stay silent again we will all have our answer without a shadow of a doubt. That they hang the LI out to dry because they are scared shitless of Buddie backlash, but will jump into action for the next bit part player who just wasn´t as popular as they thought he would be.

I really started to dislike them, not gonna lie. I like Tommy, I like bucktommy but I will cheer on who ever comes next for Buck or Eddie just out of spite now. Because whoever plays them will be treated like shit by the fandom and will get no help from the mean girls clique that is the 911 production

Hi, Nonnie! Thanks for the ask. I see what you're saying, and overall I have to agree.

Here is my take. I try to play devil's advocate and give grace as much as possible. But earlier today I went on Twitter, and I saw a hate tweet (disclaimer: I've blocked hundreds of BD accounts by now, and I have blocked many, many words to not find a new one, but a BT account I follow had quoted it, so I saw it). In it, they were essentially laughing and having a party at the goodbye comments Callum had received, because that 'confirms' for them that the cast hates Lou. That they knew before, but now it's confirmed.

And the thing is... I've said it before, Lou is not a defenseless little boy. He's a grown man that, in my opinion, has a great head on his shoulders and knows very well what he's doing. And he's a busy man. So I honestly don't think he gives two craps about some losers on Twitter claiming his co-workers hate him - he knows better (he knows what happened), and he's the one with a career in acting and loving fans, so. Does he deserve the harassment? Hell, no. But I don't think he cares if some loser claims the cast hates him.

However. This behavior is only enabling hate. Not addressing the hate the LIs go through and the harassment the actors receive isn't just 'ignoring the hate so it goes away'. Ignoring that behavior and then showing support for other guest stars tells the deranged fans that they are good to go. That their bullying and hate is allowed, justified.

Is that the truth? Well, no. But it is what has happened. Because all the people being this hateful and sending harassment or death threats fully believe the show has their backs because nothing has told them otherwise.

Is it the intention of the show? No.

Is it still what they're accomplishing by their lack of response? Yes.

I don't overall dislike the cast as people because I don't know them. But the representation of themselves they're giving right now,? Not exactly a fan of that.

Also, as for Brad... I just have to laugh. They fully thought the Facebook moms would fall deep in love with him, and didn't take into account their hearts were already taken by Tommy, and that they'd be heartbroken enough for Tommy to not care for a character that doesn't have nearly the same charisma or depth.

Anyway. Thanks for letting me rant, lmao.

My inbox is always open for venting, ranting, and to discuss any topics <3

Take care!

[fairy-writes]

SIREN SONG

Reblogs and Comments are greatly appreciated!!

__________________________________________________________________________

Fandom(s): Kaiju No. 8

Pairing(s): Hoshina Soshiro x Reader

Word Count: 1.9k

Genre(s)/Tag(s): Female!Reader, Siren!Reader, Kind of a Pirate AU? I reference the Trojan War if that helps define this

Notes: EPIC: THE MUSICAL HAS ME BY THE THROAT THAT’S ALL I’M SAYING

(Also, this is based on the Greek mythological sirens, not mermaids)

I decided to cut this off where I did and hope to do a part two in the future. Lmk if you guys want to see a second part!

JUST IN TIME FOR HOSHINA’S B-DAY, LET’S GOOOO

__________________________________________________________________________

He found you in the water. 

At first, Soshiro thought you were a clump of seaweed. But then he noticed that it was a person floating in the water, not plants. And that there were feathers sprouting from your back before realizing just what was going on. 

You were a siren. 

So he did the only logical thing in his mind. 

And brought you aboard. 

It took three days for you to wake up. 

You were kept down in the brig behind iron bars. Your hands were bound with cast iron shackles, though Soshiro had a sneaking suspicion that you were too weak to do anything. He could see your ribs through the baggy and loose dress you wore about your person. Your hands, though scaly and bird-like, were thin and bony. 

Captain Ashiro stationed Soshiro to watch you, seeing as he found you in the first place and brought you aboard without consulting her. But Soshiro didn’t mind. It just gave him a chance to catch up on reading. 

At least… Until you opened your eyes. 

Soshiro is roused from his reading stupor by an ungodly screech and clang. He jolts, looking up from his book to see you clinging to the bars, your pretty face twisted in a surprisingly ugly snarl. Your scaly hands tug ferociously at the hardened iron, your chains rattling against the bars. 

He just smiles, 

“So you’re awake then? That’s good. How are you feeling?” He says conversationally, and your snarl twists. You open your mouth and let out a screech that rattled his eardrums and made him flinch involuntarily. 

Damn, you had some pipes. 

But that doesn’t deter him from attempting to talk to you again. 

“Can you understand me? Do you speak our language?” That just earned him another screech. In fact, any attempt at speaking to you had you caterwauling in such a way he was sure those on deck could hear him. 

It was then that Captain Ashiro came downstairs, hands over her ears.

“What is that infernal—Oh…” She trailed off when she spotted you, and you let out another godforsaken wail. Your clawed hands rattle the bars of your cage, but it does little good. You haven’t eaten in three days, had no water in just as long, and were weak to begin with. 

Soshiro didn’t get to give you more than a once-over, but he knew that you were injured. Burns disintegrated the feathers along your back. You had deep gouges that were half-healed and sick with infection. Scars crisscrossed your throat. 

Almost as if someone had tried to rip it out.

 It took an additional three days before things changed. 

In that time, Soshiro spent most of it down in the brig, talking to you. You still wouldn’t let him touch you without restraints, so he enlisted two crew members, Hibino Kafka, and Kaguragi Aoi, to help hold you in place. 

Because he very well couldn’t help you by himself with you trying to bite his fingers off. 

It took some convincing to get Kafka and Aoi to step inside the brig to help you. But it helped that Captain Ashiro was just as interested in you as he was. So an order it became, and they nervously stepped behind the iron bars. Soshiro almost felt bad to see you crouched in the corner, teeth bared, and wings spread as far as the injuries would let them. 

However, it was almost stupidly easy to get ahold of you. You couldn’t fly—there wasn’t enough room, and there were also your injuries to account for—and you couldn’t muscle your way past the two biggest members of the crew. So you were quickly detained, and he set to work attempting to help you. 

Keyword being attempted. 

Because you kept snapping at anyone who came close. And while you didn’t have a beak like a bird, you did have wickedly sharp teeth that would likely cause all sorts of infections if they broke the skin. 

Eventually, after about an hour of trying to get close, he thought of something. 

“Captain? Could you do me a favor and retrieve some food from the cook?” He asked as he crouched before you. The two men holding your taloned hands and pinned your wings shifted uncomfortably. “Uhh… Quartermaster Hoshina? Why are we feeding the… siren?” Hibino Kafka asked, clearly unsure about this plan. He whispered the last word, “siren,” as if he wasn’t sure he was even allowed to speak the word aloud. 

Soshiro shrugged, 

“We don’t want a dead siren on the boat. It’s best to keep her alive until we find out what to do with her.” He said. Aoi didn’t say anything, but Soshiro could tell he was uncomfortable. Kafka swallowed hard as he looked back to where you were snarling up at him from your place, pinned on the floor. 

For someone so large, he sure was a scaredy cat. 

It was then that Captain Ashiro returned with a bowl of what looked like porridge. Were they really that low on food? Well… They had just spent the last ten years fighting in the Trojan War… It made sense that they were at least a little low on food. 

“The cook wasn’t able to make much. But I hope this will work.” Captain Ashiro said, and Soshiro just hummed as he took the bowl and entered the prison cell. 

“Let her up. Just don’t let her do anything.” He ordered, and the two men holding your arms did so slowly. They kept your arms twisted behind you, your wings pinned to your back with their free hands. 

You thrashed and flailed as best you could, snapping at anything that came close with those wickedly sharp teeth of yours. But Soshiro could see you panting and heaving, and your skin had a sickly sweat on it. An idiot could tell you weren’t feeling too hot. 

So, Soshiro crouched down to your eye level and held out the spoon with a heaping spoonful of the porridge. He could see the wheels turning in your head. 

Should you take the food? 

Should you try and attack?

He could hear your stomach rumbling and offered a friendly smile. 

“It’s all yours.” He says, and you freeze, which doesn’t go unnoticed. 

So you could understand him. 

However, he didn’t make a big deal of it and instead hovered the spoon closer to your mouth. He could practically see you salivating and pushed the spoon until it was almost touching your lips. 

That was the final straw, and you opened your mouth, not even blowing on the food before devouring the spoonful. You must’ve been starving. Soshiro quickly offered another spoonful, and it was the same as before. You all but inhaled the food, and before he knew it, the bowl was empty. 

You sighed almost dreamily at what must’ve been a full belly and sagged forward against Kafka and Aoi’s grip. Captain Ashiro handed Soshiro a waterskin, and he poured some—not too much, though—into your waiting mouth. You swallowed the water greedily and gasped for air as soon as the waterskin was empty. 

“I brought some herbs to treat her wounds.” Captain Ashiro said, and immediately, you stiffened. 

Why? 

Soshiro took the herbs and poultices from his captain and scooted closer. 

“I’m going to clean your injuries. Is that okay?” He asked, and it was just like before. You opened your maw and let out an ear-splitting screech. Spittle splattered his face, but he wasn’t phased. It wasn’t like you could do anything. 

Instead, he sighed and stood up. 

“Let’s deal with her wounds later. We don’t want to stress her out too much.” He said brightly, and Kafka and Aoi were more than happy to let you go and scramble from the cell. Soshiro couldn’t get closer after that. So, he left you alone. 

The clang of the cell door was deafening. 

The next day, Soshiro went down to the cell and found you collapsed on the floor, still as a corpse. He wasn’t even sure if you were breathing. 

Were you dead?

Soshiro couldn’t get the cell door open fast enough, key fumbling in his hand as he tried to fit it into the damn lock. 

Only to realize that was his mistake. 

The second the cell door was open, you were on him, snarling and snapping as you tried to claw his eyes out. His hands were on your forearms, leaning his head to the side to avoid your snapping jaws. 

The two of you wrestled—you were surprisingly strong for being starving—and thrashed and fought until he managed to come out on top. Your wings were bunched awkwardly beneath you, your face twisted in anger and pain and agony as he heard the delicate bones in your wings crunch and break. 

That caused him to get off, albeit a bit slowly. Shallow scratches littered his arms, but he was much more concerned about the state of your wings. 

“Now, now,” He soothed, holding his hands up, but you were all but gone by then. Scrambling up the stairs and onto the ship’s deck. Crew members scattered and shrieked as you stretched your broken wings and lashed out with your splintered taloned fingers. 

“Don’t hurt her!” Soshiro bellowed as he reached the top of the stairs, taking in your appearance. The scabs of your infected burns and gashes had cracked along your back. Blood and pus oozed down your back and sides, soaking your linen dress. 

Crew members had drawn their swords and surrounded you. Captain Ashiro cried out for them to drop their weapons, and slowly, hesitantly, they did so. You were trying in vain to fly away, but your wings could no longer carry your weight. 

He had hurt you. Possibly permanently. 

Would you ever fly again?

And that thought that he had maimed such a beautiful creature cracked his chest wide open, baring his heart for the world to see. 

You were eventually wrestled back into the brig in the belly of the ship. The ship’s doctor had managed to splint your wings and clean your wounds while Kafka and Aoi held you down again. 

All the while, Soshiro stayed in his quarters, pacing back and forth, feeling annoyed with himself. He should’ve known your wings would break so easily! He should’ve known that you would try and escape. Anyone with a brain would’ve tried to escape that awful prison cell. 

A rap on his door roused him from his trance, and he paused in his pacing. 

“Come in.” He called, and Captain Ashiro entered the room. She looked exhausted. 

“She’s asleep right now. The medic gave her a dose of sleeping herbs to help her rest. He isn’t sure she’ll ever fly again, though.” She said solemnly, and he pinched the bridge of his nose but didn’t say anything. 

Captain Ashiro sighed, 

“Why did you bring her aboard?” She eventually asked, exasperated. Soshiro shrugged, 

“We are set to sail through the land of sirens. I thought she could be used to barter safe passage.” He said quietly, and Captain Ashiro’s eyebrows shot up. 

“That’s… Actually, a good idea.” She said though wariness colored her voice. Soshiro shrugged,

“I have good ideas sometimes. However, it’ll involve gaining the siren’s trust.” He said, and she deflated before an idea struck her. 

“I’ll let that job fall to you.” She said, and he opened his mouth to protest before she held up a hand, “You brought her aboard. She’s your problem now.” She said before leaving before he could say anything else. 

Soshiro went down to the brig where you were kept. 

You watched him with untrusting eyes, and he sat across from your cell. 

Gaining your trust…

How hard could it be?

[goreybaby]

this is the fandom i was referring to in my previous post lmao. but yeah. this. literally this.

jimmy did awful things, but there's no reason for people to literally shun him from their vocabulary, etc. it's immature, it's stupid. you can hate a character, hate the things they did, but when artists are too scared to draw him, write his name or discuss him in any way that is not direct hate, then you suck lol. you're censoring this fandom and pretty much belittling mouthwashing's masterful intent along with its various messages.

the main villain in mouthwashing is pony express. they hired a woman who was not qualified to do her job to assess real people who exhibit symptoms of debilitating mental illness, all because they do not care enough about their staff to do things correctly and safely. they are neglectful to their workers.

throughout the game, the player is constantly bombarded with posters alluding to the repercussions the crew members will face if they go against some very trivial rules.

evidently, jimmy is suffering from some kind of severe mental illness. he has hallucinations, acts in brash, violent ways, and is very detached from all the other crew members. in his psych eval, he claims he has a sexual attraction to cartoon horses — a completely inappropriate and unusual claim, something no sane person would even entertain saying.

jimmy was not given the psychological help he needed to improve. the devs even stated that the ship purposely has little to no windows to enhance the claustrophobic feel — no doubt would this affect someone suffering from whatever illness it is he is forced to endure, where hallucinations are prevalent.

while, of course, what he did to anya was vile and deplorable, if pony express was able to tend to jimmy's mental distress and actually hire someone who knows what they're doing, there is a chance this might not have happened.

now onto curly: people who claim he is at fault for not telling anyone about jimmy, or that he did not act soon enough.

for one, the time between curly finding out about anya's assault and the crashing of the ship was 24 hours. 24 hours of hearing that one of your crewmates has just been violently assaulted by your best friend. it is jarring, he needs time to process, and anya is clearly not someone who can handle high-tension situations well. so, him approaching jimmy and demanding he take responsibility would not only cause her more distress, but may also entice her abuser to react violently towards her. and ultimately, it did: he tried to find the gun after finding out about the pregnancy, and when that was not doable, he decided to crash the ship instead.

curly had to handle this situation with care. he needed time. more time. but he didn't have enough.

on the poster "Polle says lend a hand!" the small print reads: HR complaints about poor team synergy may result in collective punishment.

had curly established an even bigger problem by confronting jimmy, everyone, including anya, would have suffered the consequences. he needed to think about the best way to go about this for everyone, and especially for her, but again, he had no time.

think... pony express, the ultimate villain of the game, would have been willing to punish the victim for coming out about her assault.

look at the bigger picture. stop looking at characters as one dimensional, or as their faults. the entire crew has so much depth, they aren't meant to be taken at face value.

and seriously!! you're allowed to admire characters for their writing and still hate their actions; you can still pity a character who did something immoral.

alright, friends, i might say something you don't like but i think it's important. not just to defend a character, but because i think this is literally making people's experience and relationship with this game worse.

give jimmy like two seconds to exist.

by hating jimmy so much you refuse to even say his name, and judge real, living people for liking him, you are cheapening your experience by boiling down the main character to the most ~yuckiest~ moments. and, by not making a seperate space for hating on him, you are drowning out the voices of people who actually have nuanced things to say about his character. you know, the skilled writers and artists that feed the fandom? limitation is what kills fandoms, you have to know that.

is jimmy a good person? no. is he a good captain/companion/worker? Absolutely Not! he crumbles like dust under any pressure and he immediately shifts blame off of himself, he is an actively harmful individual and it's right to be upset by his actions. i literally had to stop myself from saying "man FUCK jimmy." multiple times because i didn't want to spoil how terrible he got to my friends when i showed the game to them.

but you have to understand; people are more than their actions. thats part of the entire point of the game. thats why its so abstract. you are meant to think about the nuances of their situation.

we can agree that anya was way more as a woman than what happened to her and what she did as a result of it, right? that despite her best efforts, she was a victim of circumstance, and she deserves to be understood and analyzed fully?

then why, seeing a fictional man who has done immoral things, are you so disgusted you won't even draw, write or discuss him outside of hate? what is that doing for you, to ignore literally the main character of the game because of his actions?

now, this is not to say people can't hate jimmy. i understand it! as someone who has been a victim of s/a and abuse, i understand if you hate him and are even triggered by him to the point of avoiding mention of him. (but...why are you in this fandom? ((not aggressive im genuinely asking)))

you can feel however you want about any character, my goal is not to control people. but i thought it was common knowledge to not hatepost about someone in their tag? over actual insight into his character and, you know, the main themes of the game?

jimmy is a man who has struggled his whole life. both him and curly confirm that in the game. he's unable to control his emotional outbursts, and he likely had no idea what to expect from being in fucking SPACE for over a year with people he probably didn't even know before that trip. and pony express and their corporate safety corner cutting certainly didnt help, did it?

for one reason or another, he most likely was never actually taught how to manage his emotions. that's just how it is sometimes, growing up as a man. and it would make sense if he was forced to deal with everything himself, no? he always complains, but he still says he'll handle it. because that's what he's always had to do. and this is just the start of what i could say about what made him the way that he is.

he's a victim too, not only of his own actions.

surprise surprise, people who do awful things can also be victims.

honestly, this entire situation baffles me. how are you going to avoid one of the main characters of the game, let alone the one you play as ninety percent of the time? mind you, curly is also guilty, and i am happy to see at least some people giving him space for nuance. because he is also a victim!!! why is it so impossible to see jimmy as nuanced, when literally every other character also has incredible depth to them??

you're tarnishing and spitting on the beautiful writing of this game just because one character is too icky for you to feel comfortable thinking about for too long. it's horror, you absolute morons. it's supposed to make you uncomfortable.

if you hate jimmy, i dont blame you. but please, please, make your own space for it. be kind to people who want to explore jimmy and the darker themes, and like him for what his character represents. this is a video game fandom, not a witch hunt. and please, learn some fandom etiquette while you're at it, okay? okay. thank you

also just say his name. its not a slur youre not gonna go to hell if you say jimmy. like this isn't as important but still it just feels like a microcosm of this whole thing.

[megismyname]

I've been curious why you haven't been doing your 'lives' lately, and really kinda wanting them. The few that you had, brought me a sense of comfort. But tonight, I ventured onto another person's live, and saw that they were having to constantly dodge comments from trolls.

I don't know if everyone feels this way, but I feel we are in a good place right now. We have been given beautiful, chess playing, crumbs recently from Nicola and her 'Team'. Even with the minor setbacks, everything is still good.

So just want to say that I get why you haven't been doing your lives, is because you don't want to let the negative spoil the positive message we've been given.

Hi there!

Short answer: I've been having a phase of being "over" Tiktok.

Longer answer: I am not a person who holds their tongue very well. I speak my mind and I tell people what I think about them when they are in the wrong. There are quite a few "larger" creators in this fandom who were taking it upon themselves to "educate" the fandom and become the moral police. Now to be fair, I am now blocked by most of them so my life is pretty blissful but it doesn't mean their toxic ramifications do not trickle down.

I find it very important to let you know that I am not afraid of trolls or toxic people and I will not cower to them. These are insecure people on the internet who are typically hiding behind the face of a celebrity - around here that's usually Nic - and that empowers them to speak the way they do. I guarantee if you met them on the street, they wouldn't say 75% of the stuff to your face.

Now I also need to say that I needed a break from TT lives because the fandom was exhausting me. This is not aimed at you Anon as I don't even know who you are. I am not a spiral-er because frankly there is nothing to spiral about. In the end, none of this affects my life personally. And as for those background characters, I don't give two craps about them. But there are a lot of you out there who just can't stop yourselves and my inbox was OVERFLOWING with people who needed their hands held and reassurance. After multiple N&J sightings in October, I just couldn't do it anymore. It is not my job to hold everyone's hand through this or tell you what to think and feel and I'm sorry if that offends anyone. We are all adults and we all need to find a way to manage our emotions and if you're going to break down over every little thing then you might need to step back and take a break.

That being said, I do plan on doing a live again one day soon as I know there are alot people who just want to be on there and laugh at silly shit and I'm always down for that. I just needed the fandom to break through a lot of this bullshit first.

[taylorklosscomeout138]

Where does swiftgron fit in your timeline? I thought kaylor was from 2012-13

I used to believe all love songs on Red had to be about Swiftgron because based on the Kaylor officially met in 2013 false narrative, it was impossible for songs to be about Karlie

But then I discovered the video where Taylor confirms she met Karlie at the 2008 Young Hollywood Awards so pretty much they lied about the entire tl to cover their tracks

(This is going to be a long wild ride but it's worth the read so please bare with me)

That led me to discover the 10000% proof that Begin Again is about Karlie because her full name and birth year is hidden on a car license plate in the MV. (That also led to me finding out many Red songs are about Karlie)

Taylor started officially dating Karlie in 2011, Kaylor began before Swiftgron. But by Summer of 2012 Kaylor and Swiftgron overlap. And thus we get the Folklore love triangle. "Chase 2 girls lose the 1" and she swears to Betty it was "just a summer thing"

(Which I need to fact check this for clarity, Betty August Rebekah are all Karlie. August is not a seperate person that was a bait and switch. Dianna Agron is Inez. The person Betty heard the rumours that James cheated from... how did Inez know if it was a secret? Because she was the other party in the affair. Inez derives from the Latin name AGnes)

Okay so back to "just a summer thing", well the actual confirmed Swiftgron timeline literally is called "The Swiftgron Summer" of 2012. So this makes it very obvious that the "summer thing" is when she started seeing Dianna despite being with Karlie. It is explained in Folklore that this ended their relationship initially

So now the timeline makes sm sense when you know How You Get The Girl was written about Taylor losing Karlie for 6 months due to this. And showing up to her doorstep to make it up to her after officially leaving Dianna in the Fall.

The 6 months would span the beginning of Summer, to November of 2012. I believe this is also why Red TV was released in Nov 2021. It is quite literally the same date, just rearranged.

So let's reflect back, because if Swiftgron really was only official in Summer of 2012 (which is also made apparent by Dianna and Lea Michele's timeline) and Red came out in Oct of 2012, then makes it impossible that Red songs could actually be about Dianna Agron besides the potential of a couple last minute love songs, but even then, albums are turned in months prior to the release.

Therefore, Red is likely only Liz Huett and Karlie Kloss. I was not apart of the fandom during Swiftgron, I joined way later, so I honestly do not understand how anyone ever concluded Red is about Swiftgron and didn't question that when even the masterpost makes it clear Swiftgron was mainly just a summer thing in 2012 and Dianna was with Lea Michele still in 2011. I can understand thinking Red was about her though based on just not having any other fitting muse due to the lie narrative about Kaylor.

But my friend even fact checked the one lyric on Red everyone thought to 100% be about Dianna from Holy Ground "I left a note on the door with a joke we made"

But the evidence comes from Dianna's birthday party at the end of April 2012. Whereas Taylor factually wrote Holy Ground in Feb 2012, 2 months prior to that.... which I also have no idea how that never got fact checked and was ran with.

I even believed it up until my friend told me about it a few weeks ago but that's because I've never looked into facts about the Swiftgron timeline much until finding out that the entire timeline as we knew it was a false public narrative timeline used to cover up Kaylor history of the past. So needless to say.... very shocking. And it changes everything

This basically means that Swiftgron doesn't even officially get a song until 1989- and even then it's half Karlie half Dianna as confirmed by Kimby Kloss in her messy era when she liked a post of someone saying YAIL is the Kaylor anthem and Wonderland is the Swiftgron anthem.

So there you have it. Honestly this isn't even beginning to scratch the surface because there is so many things about the timeline that have been misunderstood for so long.

Including that Enchanted off of Speak Now was the first ever song written about Karlie. It was just a fantasy song at the time, but the reason we all believed it to be about Emma Stone was because that's what she was going for. Why? Because when Taylor met Karlie for the first time in 2008 it was at the same time she met Emma Stone. The guy who introduced them said he brought Karlie and Emma over her to her at the same time. Hence why on Speak Now TV she coded Karlie as Emma with "When Emma Falls In Love".

I can definitely get into the breakdown of Red as to what songs are about Liz Huett and what songs are about Karlie if that's something you or anyone else would like! Me and my discord have already reassessed the whole album through this lens awhile ago

[musashi]

Hiiii, so this is a call for some help with a video I have in the works right now.

I am looking for a Latinx volunteer to... I guess sensitivity read and/or help me fine-tune a very specific part of a youtube video script. Preferably someone in the Ace Attorney fandom, but you do not need to be by any means--if there are any plot details you need me to explain to you to make my points clearer, my autistic ass will jump at the opportunity.

It's a misconception debunking video with a little 'character assassination' bit at the end where I plan on talking about unfortunate boxes, flanderizations, and stereotypes that some of the characters in my favourite visual novel often get lumped into. One of these characters is Diego Armando, a Latino (dark skinned Japanese in the original) man who is constantly held to higher scrutiny by the fandom than his lightskinned peers. He is frequently demonized, painted as a misogynistic scumbag, held in much worse faith than other culprits for his very understandable and sympathetic wrongdoing, and overall just treated incredibly harsh for things that other comparable characters get away with on account of them 'looking' white and having more anglicized names.

Since I am white myself I do not plan on speaking excessively about the experience when it is not my own but I think it is a huge fucking disservice to not focus on the fact that this fandom treatment all just stems from racism. It's the one part of my video where I don't plan on even entertaining "the other side" or explaining where the misinterpretation "comes from" I want to just. Make the point. That it's racism, with no rhyme or reason.

But I obviously don't feel qualified to just do that on my own so this is just me putting out feelers to ask if anyone would like to read over this part of my script for me, offer concrit (scalding concrit if you must, please, I want it to be as tight as possible) and basically just make sure my own white privilege doesn't gloss over, misrepresent, or miss anything. Basically just asking for help not fucking it up.

Again you do not have to be into AA to help me with this, I can tell you all about the character and what he does and doesn't do, his place in the story, and the things I hear about him in fandom and how they don't hold up on other comparable characters. Just know I will have to spoil the whole final game for you if you ever plan on getting into it haha. And, once again, please only volunteer if you are Latinx yourself.

I will, of course, give you full credit and thanks in my video and in the description, and link my viewers to any and all platforms if you'd like. Since I make no money off youtube and am horrendously broke myself, if you have any donation links posted anywhere I will boost the hell out of those too. That's about all I can offer for compensation OTL

Please contact me via ask if this is something you're interested in. You can also reply on this post and I can open DMs for you or get in touch with you via email or discord. I really, really, really want to include this in the video but I want to do it right.

Even if you're not someone who qualifies, if you are an AA blog or have lots of AA blogs following you, I'd appreciate a reblog to boost this! Thank you :3

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[raven-at-the-writing-desk]

Well if given how the anime will adapt the Manga, it makes me wonder about the savanaclaw adaptation given how many delays due to the artist's personal life that octavinelle Manga came around and is now have overblot Chapter before Savanaclaw does. I wonder if the author will have time to finish it and given how heartslabyul will release in October 2025, it might take awhile to animate savanaclaw.

[Referencing this news!]

Decided to put these together because the topics were similar enough and I have similar advice for both asks. To briefly clarify the second ask, I believe the Anon made a typo and meant to say "Yana Toboso was NOT involved in the anime's production". This is because Yana made a tweet recently stating that she and her team were surprised and honored that they were making an anime adaptation based on the manga.

Now, about the first ask: we are not aware of what the manga and anime creation process looks like for Twst. Yes, the Savanaclaw manga has had a number of delays, but we cannot be sure if this impacts the anime at all. For example, we don't know how much of the Episode of Savanaclaw anime is even done yet. We don't know if the anime team is going to be in talks with the mangaka to coordinate things. We don't know when the Episode of Savanaclaw will air (and for all we know, it could give the mangaka ample time to finish up). There are many things we do not know, so it would be VERY hasty to conclude anything now.

Regarding the second ask: Yes, it does seem like Yana had no involvement in the anime. This, however, should NOT be taken as an immediate sign that the anime will be poor quality or that the anime will deviate from the main story in large (and bad) ways. Nothing of the news we've heard so far would indicate any sweeping changes. This is equating a past occurrence with something that has yet to even happen without even knowing if the production circumstances are even the same between them. The only thing we know that is linking the animes of early Black Butler and Twst is Yana's lack of involvement. This doesn't account for ANY other factors in production, and it's also assuming that Yana's mere presence makes a product good--and, conversely, her absence automatically makes a product bad. I don't think this is the way to go, as it's jumping to conclusions based on minimal evidence and it's putting way too much weight on Yana's shoulders to carry the quality of the Twst anime.

And that brings me to the thread linking together not just these two asks, but a lot of the anime-related posts and asks that I've been seeing as of late: fearmongering and doomposting. Lots of it.

As I’ve said multiple times now, it's fine to be hesitant about the anime. I'm hesitant of it myself! However, let’s not draw preemptive conclusions or fret over what are ultimately hypotheticals. It’s so far off, and we have zero of the actual final product to look at and judge the quality of. I'm seeing so many people make mountains out of molehills, working themselves up over nothing, assuming the worst-case scenarios... 💦 and again, all of this based on little to no information. I can't help but that time and energy could be better spent on other fandom efforts or things we actively enjoy. It's valid to be anxious about the anime and how it presents something we care so much about, but putting those feelings in a public space paints the fandom in a bad light. It gives the impression that we'll jump the gun and claim something is bad before letting the product speak for itself. If you're a current Twst fan that is excited for the anime, it may not feel so good seeing others theorizing about how bad it will be. If you're a potential new Twst fan seeing this stuff, you'd feel very unwelcome or unwanted. I worry this will fester and create divides in the community... unintentionally creating an environment that isn't fun to be in, and that's the antithesis of what I think fandom should be. I guess I'll end on this note: There is a difference between being healthily skeptical and assuming the worst of a production. Please take a moment to reexamine your concerns about the anime and ask yourself "Is this a reasonable fear?", "What am I basing this off of?", and, "How, if at all, will this affect my own enjoyment of Twst?" If it gets to be too much for you, then please, please step away from social media (where a lot of these fears are being touted) and take a break. Do something you like, take a walk, whatever. I just beg of you, don't allow yourself to be consumed by feelings that will bleed the fun of fandom out of you 💦

[alpaca-clouds]

I hate the fact that my brain put out a plot idea for a Veilguard longfic. (Obviously centering around Lucanis and Spite.)

Ironically it is based on the kinda conflict within the fandom/meta that results from how "clean" and "heroic" the Crows come across in comparison to past depictions of them. I mean, I said it myself: In Veilguard they feel a lot like Assassin's Creed. Like: "Sure, we are assassins and we kill for a living, but we only kill the really bad people! Pinky swear!" While in older material they were definitely also killing good people and also very much participating in human trafficking (especially of kids that would then get trained to be assassins).

I mean, heck, from Lucanis' stuff in The Wigmaker Job (the short story) we also know that he and Illario were abused by Caterina. He very much rationalized it as "But she only did it so we could survive", but it was still abuse.

However, something we definitely know also from that same short story about Lucanis is, that indeed, he does have somewhat higher moral standards than your average assassin. And we know that he specialized on killing mages.

Now, from what I now understand about the worldbuilding is the following: In most of the cultures outside of Tevinter, mages are not only very much controlled, but also met with a lot of distrust. Making it quite likely that a lot of mages who have a lot of political influence are Tevinter mages, which will probably also mean that most mages he ever got hired to kill were from Tevinter, and he killed probably a percentually higher amount of Venatori than the average Crow. (Correct me, if I am wrong in this regard, DA-nerds. This is how I am starting to understand the world.)

However, if you consider the end of his companion quest... (more under break, because spoilers.)

He becomes First Talon, which means that he will have to deal a lot more with Crow politics and what kind of contracts the Crows at large will take.

Here is the thing: Everyone is the hero of their own story. And given all we know, I have a good feeling of the general narratives that Lucanis lives by. He is the good guy, because he mainly kills the really bad mages, because he protects Treviso, and really, those that end up dead had it coming.

But again, in past stuff we absolutely know that the Crows took down good people, before they were paid for it.

My first reaction to the end of the game was: "Oh, I can make them worse, hehehe."

And I mainly just would like to explore with Lucanis having to deal with the... uhm... business model of a professional groups of assassins being pretty much: "We gonna kill anyone we get paid to kill."

And I generally like the idea of a character having to adjust their personal narratives bit by bit, because it is one of the hardest things for humans to do.

But also... I have a long list of longfics I wanna write - and I would need to do so much research.

[elrielffs]

the way people downplay azriel and try to up lucien is so funny to me. this fandom babies lucien so much, i literally cannot. why are we acting like lucien is innocent? he isnt.

I have no idea. I think Eluciens or Lucien fans really cling to that first book version of Lucien and yah, he was interesting in that book, flaws and trying to send Feyre into a trap to kill her and all and had some great scenes UTM.

But imo he becomes such a non-character and plot device afterwards. SJM does not give him any major scenes and packs him off out of the plot--no chemistry scenes with Elain (him figuring out she's a Seer etc would have been a BIG moment for them, especially after Madja stating a mate would know what's wrong, but that's given to Azriel), no major scenes with Feyre that is not a means to move the plot forward, not a major player in the Meeting with the High Lords, the only thing he gets to do is go look for Vassa and I've seen Eluciens and stans opine that his big moment of returning with ships and an army was taken by Archeron Papa in ACOWAR.

And yeah, that's very telling that the culmination of his contribution to the story is given a grand entrance/reveal to another character. And SJM didn't just forget about him in that moment.

After that, Lucien is packed up and sent away again out of the narrative. Even though we don't see a majority of characters or Elain in ACOSF it would still mean something if we knew Lucien was actually there but he isn't. It's like SJM really can't be bothered with him atm.

This is my personal opinion but SJM writes Lucien post-ACOTAR with no flavor. Idk if she lost interest or just transferred that to Eris but like...

And as for Lucien beating Azriel in a Blood Duel? Absolutely not. Azriel trains if not every day, then weekly. Azriel uses his skills frequently. Lucien has sat in the Spring Court and gets winded going on a hike. Even with his supposed powers as a High Lord's son...Azriel was able to topple Eris so that's a no go as well. There's no version where Lucien beats Azriel on Azriel's worst day and Lucien's best. Rhysand even states that Azriel is almost as powerful as him and Rhysand is the most powerful High Lord ever.

Also...Azriel would never had sat by and let Jurian make a rape joke about Elain, mate or not. For all people go on how "gentlemanly" and "good" Lucien is...

And despite all what I typed, I don't hate Lucien. I'm just firmly neutral on him as SJM hasn't done anything with him truly after ACOTAR. People say Elain is boring but Lucien is truly, truly the most boring character in the series for me and the sad thing is, there are things to work with there, there are things SJM could have done but she didn't. (Jesminda, the Autumn Court, how he's supposedly a sly fox, his Human Land travels, his Jerry Springer daddy trouble)

If Lucien was a spice, he would be flour.

[wishesofeternity]

I have a lot of mixed feelings about Arcane Season 2, especially after Act 1.

I enjoyed the season and there was a great deal I loved about it. The animation, in particular, was spectacular. But I had a lot of issues about its pacing, characterization and key narrative choices.

(Spoilers)

Why does the finale of a show that's supposed to be about two sisters revolve around two men? Why were all of its other female characters also sidelined to focus on them? Why was Sky fridged yet again?

Vi had no proper arc or goal across this season and was very inconsistently written. Jinx had comparatively more consistency but still had major issues. Their relationship, as mentioned above, was also not handled properly or given adequate attention.

Vi and Caitlyn's relationship was a mess in almost every way, I'm sorry.

Mel and Ekko were both almost entirely sidelined after Act 1 (and the Firelights barely played any role at all?)

The way they handled Viktor's terminal illness, specifically how Jayce spoke about it, was fucked up

The socio-political conflict between Piltover and Zaun was almost completely swept under the rug by bringing in a new Big Bad and common enemy for them to "unite" against. Piltover's oppression of Zaun was also massively minimized after Act 1 and ignored altogether; after defeating Noxus, there is no reason not to believe that they would go back to the status quo of inequality and martial law. Sevika getting a seat on the council (still Piltover's council) is mere lip service with no discussion on what that actually entailed, or what they planned to do in the future. Zaun is still not free. I've seen people try to justify this by claiming that "that was the point, it's meant to show that things are imperfect" but the fact of the matter is that there is no indication that the show wanted to make this point at all (and if they did, it was very badly done). They should have addressed the oppression of Zaun directly, which they never did. What they instead did was actively downplay it on far too many occasions.

There were some plot points I personally disagreed with, like their decision to bring Vander back, but those are personal grievances that I could have made peace with if they were written well. Unfortunately, they weren't.

A lot of these problems stem from pacing, tbh. The show also introduced far too many plot threads last minute without resolving anything properly. If they had three seasons, or even a longer second season, maybe they could have committed to addressing what they had previously set up. But it doesn't seem to have been their priority in the first place, so 🤷🏻‍♀️

Also, the way the fandom is relentlessly attacking anyone who dares to critique/criticize this season is pathetic and needs to stop.

[sun-archeron]

Vi can't handle change

In arc 1 she complains that everyone around her changed, and asks Cait not to, and then not even 15 minutes later Cait changes, and Vi finds it very upsetting. But not only that, she also seems perturbed when Isha comes into the scene and Jinx's whole demeanor changes, her bravado giving way to fear for the kid. In season one, when she finds Sevika she angrily calls her a traitor, and after her operation with Jayce kills a kid and Jayce backs out, Vi gets angry at him. When she reunites with Ekko she's confrontational till the point when she can tell he still has the same morals she knew him to have, and that compensates for the change in personality. When she meets Warwick she's immediately hostile, even though she knows it's Vander, and she only stops because Jinx is sounding more like the Powder she knew. And the whole fandom noticed how she was at her happiest in the whole show when she got her family back.

I used to find Vi the most uninteresting character on the show, and only now realised it's because she haven't changed. From episode one of season one, to episode 6 of season 2, she's still the same person. Everybody talks about how Jinx's trauma stunted her mental growth, but the same goes for Vi. She was taken out of society at a young age, and although she probably went through horrible things in prison, all of it only confirmed the world views that she already had. As bad as they are, days in prison are all the same, even if the rotation of prisoners and guards changes, their behaviors stay predictable, and routines there never change. Vi remained static for over a decade, and not only was everything different when she got out but she also got out at a time of various intense changes; she barely had time to absorb what to her was the new status quo and it immediately changed again. She expected to get out and go back to her life as it was, like a movie that was paused and all she had to do was hit the play button and pick up from where she left off.

Meanwhile, everyone else changed. The how and why don't matter because it is inevitable. Even if nothing bad ever happened, all these characters would still change, because that's just how life is. We grow and we see the world, and our opinions and tastes and habits all change, and things and people around us change as well, so we react to that by changing again. Vi didn't learn that because she grew up in the one place that stays the same while the world moves on.

If Arcane were a more optimistic show i'd say it would end showing Vi as our one true hero, who through all the trials and tribulations remained true to her character and beliefs, the whole hero's journey thing. But I don't think it's going there. She is definetly going to have a significant change; whether it's for the better or for the worse I don't know. (Going off of LoL lore, she loses her memory and becomes an enforcer, but Arcane already changed so much lore, and that feels like such a disappointing note to finish her character arc on, I doubt they're gonna do it exactly like that

[rosecochonnetduprintemps]

Dating Sanji would include...

Surprise for my talented and great friend @all-alone-he-turns-to-stone! Love you!

Fandom/Character: Live Action One Piece - Sanji

Contains: fem!reader, fluff, Sanji being Sanji, nsfw content under the read more as always so 18+ ONLY please or get blocked! <3

You think dogs are loyals and loves you? You haven't seen him just yet.

If you asked him to run a marathon while wearing a neon pink jumpsuit with an apple hat... He totally would do it. And Zoro would mock him for it.

That's just how much he loves you. He's ready to do anything for you, to makes you happy and makes you smile because when you smile, to him it's the most beautiful sight.

LOTS OF FRENCH PETNAMES!! Mon amour, mon ange, ma déesse, ma chérie, ma princesse, ma colombe, mon rayon de soleil... He just can't resist himself.

Call him your prince (or even your knight in shining armor) and he would be melting in your hands. His smile when you called him your prince the first time was absolutely adorable and precious.

Trust me, he totally cook and bake you your favourites meals and desserts. It makes you smile and seeing you smile makes him so happy.

After all, why pay for an expensive meal when you have your own French cook that makes you the most delicious meals and know all your preferences on the tips of his fingers?

Plus, you know what it means? The romantic dinners are a m a z i n g. But of course, if you want to go to a restaurant with him to have a good time, he would be happy to oblige. He might judge the food but that's okay, as long as you are both having a good time together.

Everytime you notice him look at you, his eyes are just filled up with love as he look at him. He can't believe how lucky he is to have you.

NSFW

You think he loved to please you outside the bedroom? Oh dear, wait until you see him in the bedroom.

He loves when you get on top of him, wether you ride his cock or his face, he doesn't care as long as you are on him.

You are the greatest and most delicious thing he ever ate.

Plus, you are his goddess so of course his face is your throne.

So please, don't be shy, and take a seat.

Get pussydrunk easily and just looooves to lap at your juices and keep his face buried in your cunt, even after you've already came before. Your taste and scent makes his head dizzy with all the love and desire he has for you.

Yes, he will cum by just eating you out, but don't worry, he will get hard again.

He really love blowjobs, he loves seeing your pretty lips wrapped around his cock but because even during sex he is a gentleman, he doesn't want you on your knees. He would rather be laying on his back in the bed with you laid between his legs. Sanji also totally run his fingers through your locks.

He loves worshipping you and being worshipped. It makes him very blush when you leave kisses over his chest while jerking him off, he just melt in your hand.

He doesn't care if it's "too vanilla", he love the missionary position. Being able to see your pleasure on your face, the way you look at him, being able to kiss you, his hands moving over your body and holding yours... It's just perfect to him. But he would never say no to anything you would want to test with him...

----------------------------------

Main Masterlist: here!

[farenmaddox]

@wormieapple I don't want to reblog all your tags, but I do want to respond a little bit because you made some great points!

You kind of summarized it as "free will is ugly, has consequences, and is constantly in competition with the free will of others." I think that's true, but only up to the certain point of the original run of the show. I would tentatively say that I think this point has been eroding ever since season 6.

In the beginning, it was just about Sam and Dean having autonomy for their own bodies and souls and being allowed to make their own choices about who they can share those things with and/or give them away to. They spend a lot of seasons 4 and 5 finding out that a lot of their lives were "predestined" and they are left questioning how much of it was really up to them. But the story is about them fighting back against this idea, and Castiel comes in to provide this additional perspective that it's not just because they're the Winchesters and they're special, that this type of freedom should belong to anyone. At the end of season 5, they have thrown off the preselected narrative and saved the world. It did have consequences and it did hurt and not everybody survived, but the message is still that free will is a good thing and the world is better for it.

Everything from that point on has been very "free will's consequences are devastating, actually." They get so many people killed, and they have no victories that are not pyrrhic and directly leading to even worse problems. Every attempt they made to have a personality outside of their assigned role was brutally punished.

In my original post I was talking about Cas embodies this a lot, and how specifically every time he tries to grapple with or defend free will, it goes wrong. He wants so much for angels to have this, to make heaven a better place, but all it ever does is get them killed in droves. It literally never works even a little bit. Introducing free will to angels was unequivocally bad and this is never rectified or redeemed. The ending message is that angels can't handle free will and it's bad for them and for the world. But I'm also thinking about how they will never ever let Sam process his trauma meaningfully. Thinking about that scene in the apocalypse world (season 13, I think???) where they killed him and had Lucifer be the one to bring him back and hold him hostage to get to Jack. Sam is yet again helpless against Lucifer's wishes, as if nothing has changed in the last 10 years, directly contradicting what they wanted to say when they had him say "no" to Lucifer in season 11. When he wanted to use his trauma to display how resilient it had made him at the beginning of season 12, he wasn't allowed to have that either, they just drugged him and took what they wanted anyway. Sam is never allowed to be anything but a victim, EVER. All this before season 15 even happened.

Season 15 was where they should have drawn those threads back together and found a way to say, actually, you CAN escape these narrow definitions and things CAN change and your choices DO matter and the world IS a better place for having you and the way that you care in it. But they either didn't want to leave us with that message, or they fumbled the ball so badly that we're still talking about it on fandom ESPN these four years later. Like, I'm not arguing with what you were saying about season 15 being terrible and spitting in the face of the story they were trying to tell before. But my main point is that I think the warning signs were there much earlier than season 15 and they were undermining themselves well before then.

... is it just me, or was Supernatural's ultimate thesis statement on the character of Cas that angels cannot and never will be any good at independent thinking and all efforts at expressing free will shall have unexpected and terrible consequences? He thought he was digging a tunnel out and he was proud of himself but actually all he dug was his own grave. The message being that you actually cannot escape the role you are assigned no matter what?

This is the message of Cas, as a way of underscoring the arc of the actual main two characters, in which the thesis statement is that you cannot escape the trap of toxic masculinity and patriarchal hegemony, you will never deal with your trauma in a way that matters, and you will die and spend eternity caught in its endless cycle. The maze has no exit.

the son becomes the father and becomes absent. this happens to all four members of TFW 2.0 in one way or another. god is dead, long live god. long live broken promises.

[maddiem4]

Well, I wanna be working on a novel right now, but apparently it's time to make a certain kind of post again, as is periodically necessary, because young queer folk keep trying to reinvent the Hayes Code for a variety of misguided reasons. So you know what? Let me lead with the TLDR, and then give my reasoning. If you DNI stuff like incest, I am not just going to unfollow you, I am going to block you.

Now, if you're the type to make assumptions, you might be surprised to hear that I'm not into incest. Sorry to disappoint. Well, unless you count selfcest, but people don't usually lump those together except by technicality. But incest is really not my thing.

That said, I have mutuals who are into it, and harmless about it. Whether it's fictional, RP, or consensual, it's not my business and it hurts nobody. Get used to those words, they're gonna be a mantra here. Further, I've seen how Hayes Queers (hey, I needed a term for them) talk about harmless members of their own community who give them The Ick. The post I'm writing here is a direct reaction to seeing a Hayes Queer post from someone I followed! Reading that, and the comments on it. And lemme tell you: y'all are very quick to throw your peers under the bus with the exact same logic (respectability politics, personal disgust, "making a bad name for us as a larger group", lurking threat to our moral purity) that the conservatives are using to argue for the mass extermination of queer folk. You are bringing pitchforks and tiki torches to the party. So no, I am not going to give you access to my vulnerable mutuals. That's the heart of it. You are a danger to your community, and I'm going to limit the scope of harm you can do. The broader queer/kink communities have worked hard to define harm more carefully than "well I just personally think it's gross." Scat and piss are gross to me, but my mutuals who are into those things do still deserve love and safety, not to be sacrificed on an altar of conservative family values for imaginary "one of the good ones" points. I have a responsibility to look out for my people. So do you, FYI.

So here's the recipe for living online with people whose kinks aren't your business and hurt nobody: learn to scroll past those posts or block those tags, or even block that person. Be an adult. The world does not exist to be personally palatable to you. You are not being harmed, you're being inconvenienced. If you can't handle that, you're the one bringing real-world (rather than imagined) danger to your community. Fuck's sake.

This also finally convinced me to look up what "proshipper" means after seeing it in discourse for years, these dreaded dangerous devils who apparently must be purged from the internet, and... holy fuck, how is this contentious? It literally just means you can disagree about fandom pairings without harassing people? That's just mature behavior in a shared space. That's what the argument is about? Oh my god. If you're arguing about this in 2024, your Aunt Maddie is fully ashamed of you for real.

The dumbest part is that people get doxxed for saying the stuff I'm saying, and maybe it'll happen to me. Guess I'll roll the dice. Which comes full circle: if you're looking at this post and trying to decide how to punish me for it IRL, you are literally being the danger. Stop and think for 30 milliseconds. Maybe I have a point that you are a bigger threat than two trans girls who like to pretend to be sisters for sex reasons. And I don't wanna hear no trauma excuses from any of you little monkeys, fetishes come from trauma a decent percentage of the time, so a lot of the people you're persecuting are victims of the same kind of assault as you.

This is more words than I ever should have to write about a self-evident topic. I know if you're young enough and still figuring out a lot of life stuff from scratch, it may not be self-evident to you. But hopefully it is now before you fucking hurt somebody. Thanks.

[catbountry]

Look, I know the Deltarune fandom has collectively decided that pre-Big Shot era Spamton is called "Addispam," but for interpersonal characterization reasons, I write the Addisons calling Spamton "Spamison." By putting the "Spam" in his name right up front as a prefix, it serves to further alienate Spamton from them. They want to remind him that he is not like them; he is a short, janky prototype, an old guy using tactics from a pre-commercial Internet that are much slower and easier to get around than banner ads and pop-ups. He is an inferior version of themselves and they make sure that he isn't allowed to forget it. His tactics are so disliked by internet users that his unsolicited emails are labeled "spam" by a bunch of nerdy users that think quoting Monty Python is peak humor (this was very common in nerd circles in the 90's and early 2000's; trust me, I was there and I was doing it). Perhaps "Spamison" suggests that he be called "Addispam" just to feel a little bit more included, to feel like he could be one of the Addisons, only for the Addisons to ignore this suggestion unless they want favors from him.

Spamton hoarding money to make Pipis nests or just straight-up eating it comes from him having experienced a time where, for years, he did his job and making money wasn't a thing he even thought about until he was forced to flee from a decommissioned ARPANET to NSFNET, which was still a government program but with more private interests involved, and then flee AGAIN to the increasingly commercialized World Wide Web. Having money means that his home won't be abandoned or destroyed. It means he won't go hungry or sleep out in the cold alone. He was never cut out to be a salesman. He actually really sucks at it, no matter how much he tries, and has to resort to outright, blatant scams, preying on the most gullible users out there and barely scraping by as spam filters become more and more common for email clients. Being a Big Shot provided stability, safety, and having so much money meant that he could indulge in its excesses and the power it brought, going completely go to his head and giving him a massive ego because now he is important and famous and people want to be around him. And then when the phone calls stopped, he was rudderless, unable to pick up on anything useful to keep from going bankrupt almost immediately. Money allowed him to thrive, and he needs money in order to barely survive.

There's definitely a lot more of this I'd like to properly explore that I haven't even mentioned. But the idea of him having had to uproot his entire existence, twice, just to be able to find a home that wouldn't be destroyed, is something I haven't seen anybody else expand upon. He's in his 40's and didn't have an actual childhood, instead just being created fully formed as The Email Guy, and going from that, to Spamison, to Big Shot Spamton, to the glitchy, dumpster-dwelling Spamton G. Spamton we've all come to know and love.

Also I like the idea of him always having been short to really give him that short man syndrome that later goes into a full-blown Napoleon complex and serves as yet another reason for him to resent the Addisons. They treat him like a young, exploitable intern despite the fact that Spamton is nearly two decades their senior based on the fact that he's so much shorter than them, he has eight fingers instead of ten, and he's inexperienced in sales, the thing that the Addisons were created for. Indignity upon indignity.

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