#accurate engineering designs

[smithstructure]

Smith Structures (India) Pvt. Ltd. | Vision, Mission & Policy

Smith Structures is dedicated to top-quality steel construction, aiming to lead the industry with eco-friendly solutions and ISO 9001:2015-certified policies.

[bruhstation]

updated casa tidmouth designs as of june 2023!!! yahooo!!! (claws the wall and rips out the drying paint pieces)

individual characters below the cut:

[t3chborb]

I don't consider Ramattra difficult to draw, just very time consuming due to all the details.

... Excluding his ELBOWS, of all things.

Try extending your own arm and twisting your wrist and then entire arm. How in God's name do those kinds of motions (or in my case, poses) translate to a robot arm without a ball joint at the elbow???? I swear whenever I pose my arms to get a better idea on where the elbow itself points, which side of the hand has the the thumb, etc etc, then translate the information onto him, 99% of the time he ends up with dislocated elbows...

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao

[bobcat-pie]

i wish there were ways to say "this character is in STEM" in character design other than giving them a pair of goggles. Goggles DO INDEED fuck, but there has to be other options

[nnctales]

Exploring the Diverse Landscape of Surveys: Unveiling Different Types

Introduction Civil engineering, as a discipline, relies heavily on accurate and comprehensive data to design, plan, and construct various infrastructure projects. Surveys play a crucial role in gathering this essential information, providing engineers with the data needed to make informed decisions. There are several types of surveys in civil engineering, each serving a unique purpose. In this…

[madison-tourmaline]

I've been obsessed with translating asmr vibes into music for a decade and so far I've managed to think of three main principles and they are compression, phase alignment, and frequency modulation.

Compression is more about time than it is about loudness. You can apply compression as an effect to a sound and it will change the attack/onset and decay of the sound. It can change whether a sound feels close or far, light or heavy, in ways that constant volume can't. Compression can be a way to get that very tingly and satisfying tap or thwap or tonk or squish to a transient in a mix.

Phase alignment is hard to hear, but you can always feel it when it changes. I don't understand the whole thing, but it describes the period of a sound waveform when it crosses the centerpoint of its amplitude and how that relates to other waveforms in the same medium. Phase changes when a sound source gets closer or further from the listener (exhale into your hand while bringing it closer to and farther from your face and you'll hear it too). If a couple of similar waveforms line up with each other in that time domain, particularly when comparing stereo panned audio, they're considered to be coherent, and if they don't line up exactly or if they contradict each other then they're incoherent. Abstractly speaking when more than one waveform containing stereo right and left info are more coherent they sound more monophonic and centered and when they're more incoherent they sound wider and less centered. This can make sounds feel boring or annoying in isolation but the tingly parts of my brain love when this changes rapidly through a song and a rhythm.

Frequency is a massive part of making music tingly, or making it anything else, since it has a lot to do with what our ears and brains do and don't like to hear. On the surface it's the simplest part to explain, even though it's intimately connected with phase interference in practice — basically the volume of certain frequencies can completely change the perceived distance, direction, timbre and loudness of a sound. It can also suggest what the medium is that it's being heard through. It makes things underwater sound like they're underwater, it makes thin air sound thin and humid air sound humid, and of course it makes lofi lofi. Our ears are most tuned in to frequencies above 100Hz and below 7000Hz, with the sweet spots imo being around 220, 500, 800, 2400 and 6000, so focusing on that makes a good place for very satisfying asmr sounds. Adding frequencies below our above the ones in the middle of our range can bring more weight and more detail to it as well. Emphasizing different frequencies for the coherent sounds and the incoherent sounds can bring even more dimensionality to the feel of it. And finally, changing the frequency over time, like with a filter, can make that sound move even more.

So then the tingly music recipe seems to be using all three of these things together. Time effects like delays and reverbs help too. Keeping things right on the line between boring and distracting. There's a huge range of styles and sounds this can apply to. I will continue to experiment with this

[foone]

Robot girl, finally back online after a year and a half, looking at the newly outfitted soldering station. There's a lot more tools on it than there were when she last closed her eyes: Inspection microscopes, hot air reflow, EEPROM programmers, logic analyzers, thermal cameras and regulated power supplies. She starts to tear up when she sees the video history of her partner (and repairperson): months and months of electronic tutorials, starting simple ("what is a circuit?") and towards the end there's PCB design classes and CCC videos about reverse engineering secure processor firmware.

"You did all this, for me?" she asks, her voice sounding different from how she remembers it, lacking the stutterglitch and 8-bit audio harshness. Her partner smiles. "I thought I'd lost you... I couldn't live with that. I had to!"

She hugs them in a pile of spare parts, servos moving smoothly for the first time in decades, pressure sensors finally accurate enough to hold them without risk of crushing them.

Sometimes, love is stored in the soldering iron.

[ecrivainsolitaire]

A summary of the Chinese AI situation, for the uninitiated.

These are scores on different tests that are designed to see how accurate a Large Language Model is in different areas of knowledge. As you know, OpenAI is partners with Microsoft, so these are the scores for ChatGPT and Copilot. DeepSeek is the Chinese model that got released a week ago. The rest are open source models, which means everyone is free to use them as they please, including the average Tumblr user. You can run them from the servers of the companies that made them for a subscription, or you can download them to install locally on your own computer. However, the computer requirements so far are so high that only a few people currently have the machines at home required to run it.

Yes, this is why AI uses so much electricity. As with any technology, the early models are highly inefficient. Think how a Ford T needed a long chimney to get rid of a ton of black smoke, which was unused petrol. Over the next hundred years combustion engines have become much more efficient, but they still waste a lot of energy, which is why we need to move towards renewable electricity and sustainable battery technology. But that's a topic for another day.

As you can see from the scores, are around the same accuracy. These tests are in constant evolution as well: as soon as they start becoming obsolete, new ones are released to adjust for a more complicated benchmark. The new models are trained using different machine learning techniques, and in theory, the goal is to make them faster and more efficient so they can operate with less power, much like modern cars use way less energy and produce far less pollution than the Ford T.

However, computing power requirements kept scaling up, so you're either tied to the subscription or forced to pay for a latest gen PC, which is why NVIDIA, AMD, Intel and all the other chip companies were investing hard on much more powerful GPUs and NPUs. For now all we need to know about those is that they're expensive, use a lot of electricity, and are required to operate the bots at superhuman speed (literally, all those clickbait posts about how AI was secretly 150 Indian men in a trenchcoat were nonsense).

Because the chip companies have been working hard on making big, bulky, powerful chips with massive fans that are up to the task, their stock value was skyrocketing, and because of that, everyone started to use AI as a marketing trend. See, marketing people are not smart, and they don't understand computers. Furthermore, marketing people think you're stupid, and because of their biased frame of reference, they think you're two snores short of brain-dead. The entire point of their existence is to turn tall tales into capital. So they don't know or care about what AI is or what it's useful for. They just saw Number Go Up for the AI companies and decided "AI is a magic cow we can milk forever". Sometimes it's not even AI, they just use old software and rebrand it, much like convection ovens became air fryers.

Well, now we're up to date. So what did DepSeek release that did a 9/11 on NVIDIA stock prices and popped the AI bubble?

Oh, I would not want to be an OpenAI investor right now either. A token is basically one Unicode character (it's more complicated than that but you can google that on your own time). That cost means you could input the entire works of Stephen King for under a dollar. Yes, including electricity costs. DeepSeek has jumped from a Ford T to a Subaru in terms of pollution and water use.

The issue here is not only input cost, though; all that data needs to be available live, in the RAM; this is why you need powerful, expensive chips in order to-

Holy shit.

I'm not going to detail all the numbers but I'm going to focus on the chip required: an RTX 3090. This is a gaming GPU that came out as the top of the line, the stuff South Korean LoL players buy…

Or they did, in September 2020. We're currently two generations ahead, on the RTX 5090.

What this is telling all those people who just sold their high-end gaming rig to be able to afford a machine that can run the latest ChatGPT locally, is that the person who bought it from them can run something basically just as powerful on their old one.

Which means that all those GPUs and NPUs that are being made, and all those deals Microsoft signed to have control of the AI market, have just lost a lot of their pulling power.

Well, I mean, the ChatGPT subscription is 20 bucks a month, surely the Chinese are charging a fortune for-

Oh. So it's free for everyone and you can use it or modify it however you want, no subscription, no unpayable electric bill, no handing Microsoft all of your private data, you can just run it on a relatively inexpensive PC. You could probably even run it on a phone in a couple years.

Oh, if only China had massive phone manufacturers that have a foot in the market everywhere except the US because the president had a tantrum eight years ago.

So… yeah, China just destabilised the global economy with a torrent file.

[mewy101]

The king in yellowwww

Less lore-accurate design and just going with a vibe i like :3 he's kinda funny in a way that i reverse engineered him by designing john and yellow (kiy w/o john) first

[smithstructure]

Smith Structure | Vision, Mission, & Policy for Excellence

Explore Smith Structure's vision, mission & policy for excellence in construction driven by values that ensure exceptional results & exceed client expectations

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

[joelmillerisapunk]

unbelievable

mechanic!Joel x f!reader

masterlist

wordcount: 4,489

summary: the 'It's not just your car that needs fixing, is it?' Trope

warnings: 18+, unprotected p in v, lots of fingering, there's a joint, lots of 'sweetheart', some aftercare but like a bit different (I don't wanna spoil it) mentions of anxiety (bc I'm an anxious bltch and this would happen to me) fluffy smut?

notes: hiii 🥰 I hope you like mechanicJoel because I fell in love with him so fast, he has no right being so hot 🙃 The title is unbelievable by diamond rio, it felt pretty accurate to my inner Joel dialogue. a big thank you to @saradika-graphics & @firefly-graphics for the dividers (graphic designers deserve the world honestly)

You've always had a thing for rugged men, and Joel Miller is the epitome of a handsome, rough-around-the-edges mechanic. His strong hands, grease-stained clothes, and confident demeanor make your heart race every time you see him, which has been a lot recently since your old car has been having its fair share of problems.

It's a hot summer day, and you decide to visit the garage where Joel works, hoping to catch a glimpse of him. As you walk in, the smell of oil and gasoline fills your nostrils, making you feel a little lightheaded. But then, you see him. He's hunched over a car engine, his muscular arms covered in sweat and grime. Your heart skips a beat as you take in the sight of him.

You approach Joel, trying to act cool and collected, even though your insides are turning to jelly. "Hey, Joel," you say, trying to keep your voice steady. "I was wondering if you could help me with my car again. It's been making a weird noise, and I don't know what to do."

Joel looks up at you, his beautiful brown eyes meeting yours. He wipes his forehead with the back of his hand, leaving a streak of grease on his face. "Sure thing, sweetheart," he says with an almost knowing grin. You've been coming to see him every couple of weeks for the past few months. "Let me take a look for you, darlin."

As Joel inspects your car, you can't help but steal glances at his muscular physique. You imagine what it would be like to run your hands over his firm chest and his stomach, to feel his stubble scratch against your skin as he kisses you. The thought makes you wet, and you squirm, trying to hide your arousal.

But Joel notices. He looks up at you, his gaze intense and seductive. "You seem a little flustered, sweetheart," he says, his voice low and husky. "Is there something on your mind?"

You swallow hard, trying to gather your nerves. The heat in the garage is making you feel more and more flustered, and the idea of Joel noticing your arousal only adds to your embarrassment. "Uh, yeah, I guess so," you manage to reply.

Joel's eyes rake over your body, taking in the way your shirt clings to your body and the way your nipples are hardening under the hot conditions. "I can tell you've been coming to see me for a while now. It's not just your car that needs fixing, is it?"

Your heart is pounding in your chest, and you can feel the heat rising to your face. "I-I don't know what you're talking about," you stammer, trying to deny the truth even to yourself.

But Joel isn't backing down. He steps closer to you, his body towering over yours. "I can help you with your car, sweetheart," he says, his voice a low growl. "But if you're looking for something else, something a little more personal, I can do that too."

Your mind is racing as you try to figure out what to do. On one hand, you've always had a thing for rough-and-tumble men like Joel, and the idea of being with him is almost too much to bear. On the other hand, you're not sure if you're ready for something like that with someone you're not even dating. As you stand there, frozen in indecision, Joel reaches out and gently takes your hand in his. "It's okay, darlin," he says, his voice soft and reassuring. "You don't have to decide right now. But if you change your mind, you know where to find me."

Joel continues working on your car, he takes his time, making sure to do everything a little slower. He runs his hand over the engine, and with every turn of the wrench and every adjustment of parts, you can't help but feel your heart race, your skin tingle, and your body heat up. He's wearing a pair of tight jeans that hug his thighs, and every time he bends over the car, you catch a glimpse of the outline of his bulge. You wonder what it would feel like to touch him there, to feel him hard and ready against your skin. Your mind races with fantasies of him taking you, claiming you, making you his in ways that go far beyond the mechanical fixings of a car.

Joel takes a bit of a break from your car, and you think he's about to tell you what was wrong with it. "You know, sweetheart, I could fix more than just your car," he repeats himself again, " I could fix all your problems, make you feel good in ways you've never felt before."

You swallow hard, trying to find your voice. "What do you mean?"

Joel grins, a knowing look in his eyes. "I mean, I could show you the kind of fixings that only a man like me can provide," he says, his voice low and seductive. "Make you mine, take you right here. I promise you, it's something you'd never forget.”

“Oh, uh I, uhm I need to -” You pause, looking at your phone, “I have a thing soon. So I should uh go when you're done.” You can barely keep yourself together as you fumble through your sentence.

Joel smirks, "Of course, sweetheart," he says, his voice reassuring. "When you're ready, I'll be here.”

As you exit the garage, you feel a mix of excitement and anxiety coursing through your veins. Joel's words have left you feeling both turned on and terrified at the same time.

You spend the next few hours trying to shake off the encounter, but your mind keeps wandering back to Joel's words and the way his body made you feel. You can't stop thinking about the way his muscles bulged under his tight jeans, or the way his hair curled, his strong jawline, or the way those lips would part everytime he would focus on your car. You want to touch him, taste him, feel him- anything. And you're desperate to hear him speak that sexy accent of his once again.

When you finally arrive home, you let yourself into your apartment and immediately head straight for your bedroom. You shed your clothes as fast as possible, trying to rid your entire day from your skin. After your shower, you pull on a pair of shorts, your favorite oversized t shirt before padding barefoot across the carpeted floor of your room.

Just as you're opening your bedroom door to get a snack, your phone rings. You glance at your screen - a number with no name showing up - before answering the call, your heart pounding in anticipation. “Hello?”

You can hear a woman's voice in the background, "I told you not to come in my office. You can't just call random clients." Then you hear a muffled males voice and the woman again. "Yes... I understand she hasnt paid, but we don't contact clients until the end of the month."

You sit there unsure of what to do, should you say something? Should you hang up? Should you ignore her? Suddenly, you hear yelling. "Out - now!" she exclaims before apologizing for the misunderstanding and hanging up the phone on you. As you hang up the phone, you can't help but feel a sense of confusion and disappointment wash over you. You had been hoping that it was Joel on the other end of the line and that he was calling to follow up on his earlier proposition. But instead, it seems like you were caught in the middle of a heated exchange between a man and a woman, and you can't help but wonder what it all means.

You shake your head, trying to clear your thoughts. You know that you can't let yourself get too caught up in the idea of Joel. You need to focus on yourself and your own needs rather than getting swept up in the allure of a man you barely know. You've got plenty of people who love you, and it's better to prioritize your relationships than get carried away with a man like Joel. You know you wouldn't be able to handle it.

But then suddenly here you are. You take a deep breath and steel yourself as you walk back into the garage, hoping to catch Joel before he leaves for the day. The receptionist gives you a disapproving look as you enter, but you ignore her and make your way towards Joel, who has just finished up with a customer. As you approach, Joel looks up and sees you, a small smile spreading across his face. "Hey there, sweetheart," he says, wiping his hands on a nearby towel. "I didn't expect to see you again so soon."

You swallow hard, trying to find the right words. "I, uh, I had some questions about my car," you say, trying to sound casual. "I figured I'd come down and ask you in person."

Joel raises an eyebrow but doesn't say anything. Instead, he nods towards the back of the garage, inviting you to follow him. As you walk, you can't help but notice the way his muscles ripple under his shirt or the way his jeans hug his hips. You feel a heat creeping up your neck, and you hope he doesn't notice.

Once you're in the back, Joel crosses his arms over his chest and looks at you with a serious expression. "Listen, sweetheart," he says, his voice low and intense. "I know what you're doing, and I want you to know that it's not going to work."

You furrow your brow, confused. "What do you mean?" you ask, your voice shaking slightly.

Joel takes a step closer to you, his eyes never leaving yours. "I mean that I know you're trying to avoid what's going on between us," he says, his voice softening. "And I get it. I know I'm not the easiest person to be around." You open your mouth to protest, but Joel holds up a hand to stop you. "But I also know that there's something between us, something real and intense," he continues. "And I don't want to ignore it anymore."

You swallow hard, your heart pounding in your chest. "What are you saying?" you ask, your voice barely above a whisper.

Joel takes another step closer to you, his body almost touching yours. "I'm saying that I want you, sweetheart," he says, his voice low and seductive. "I want to make you feel good, to show you things you've never experienced before."

Your mind is racing as you try to process what Joel is saying. On one hand, you're terrified of the intensity of your feelings for him so soon, of the way he makes your heart race and your skin tingle. On the other hand, you can't deny the attraction you feel towards him, the way your body responds to his voice alone.

As you stand there, frozen, Joel reaches out and gently takes your hand in his. "It's okay, darlin," he says, his voice soft and reassuring.

You know that you have a choice to make, a decision to make about what you want and what you're ready for. And as you stand there, looking into Joel's beautiful brown eyes, you know that you're ready. Without saying a word, you lean in and press your lips to Joel's, feeling the heat and passion of his kiss. Joel responds eagerly, his arms wrapping around your waist as he pulls you closer. You can feel the strength and power of his body. As Joel deepens the kiss, he reaches down and gently lifts you up, wrapping your legs around his waist as he carries you over to a nearby workbench. He sets you down gently, cupping your face in his hands, "Be right back, sweetheart, don't go anywhere.”

Just as Joel turns to lock up, the receptionist calls out, "Joel, she can't stay here. She's not an employee."

Joel turns to her, his expression stern. "I'll take care of it, Linda," he says. "Just go home."

Linda looks taken aback, but she doesn't argue. She grabs her things and leaves the garage, shooting you a disapproving look as she goes.

Once she's gone and the doors are locked,Joel walks back over to you, a mischievous glint in his eye. He pulls a small joint out of his pocket and holds it up for you to see. "Ever tried this before, sweetheart?" he asks, his voice low and seductive.

You shake your head, feeling a mix of excitement and nervousness. "No, I haven't," you admit.

Joel grins, lighting the joint and taking a deep drag. He holds it out to you, his eyes locked on yours. "Here, let me show you," he says.

You lean in, taking a tentative puff on the joint. The smoke is harsh and unfamiliar, but the sensation of Joel's hand on your back, guiding you, is intoxicating. You feel a warm, tingly sensation spreading through your body. He pulls back, his eyes shining with desire as he takes another drag. "You like that, sweetheart?" he asks, his voice low and husky.

You nod, unable to speak. You've never smoked weed before, but with Joel, it feels right. It feels intimate and exciting, like you're sharing a secret that only the two of you know. For a while, the two of you just stand there, wrapped up in each other, the world outside fading away, like you're the only two people in the entire world, and it's a feeling you never want to let go of.

But eventually, the joint burns down to nothing, and the two of you are forced to come back to reality. Joel grins, leaning in to kiss you again. This time, his lips are soft and gentle, his tongue exploring your mouth as he deepens the kiss. You can feel the warmth of the weed spreading through your body, making you feel relaxed and happy.

As you kiss, Joel's hands roam over your body, his fingers tracing the curves of your waist and the swell of your breasts. You moan softly, your body responding to his touch. You can feel the heat building between your legs, your clit throbbing with desire.

Joel breaks the kiss, his eyes dark with desire. "I want you, sweetheart," he says, his voice low and intense. "I want to make you feel good.” You nod, your body trembling with anticipation. You want him too, more than anything. You want to feel his hands on your body, his lips on your skin. You want to feel him inside you, filling you up and making you his.

Joel's fingers find the hem of your shirt, lifting it up over your head. He tosses it aside, his eyes raking over your body. You're wearing a lacy bra, the color of pale pink. Joel's fingers trace the lines of your bra, his touch gentle and teasing. You can feel your nipples hardening under the lace, your body begging for more.

"You're so beautiful, sweetheart," Joel says, his voice low and husky. "I can't wait to taste you." With a quick motion, he removes your bra, throwing it to the floor.

He leans in, his mouth closing over one of your nipples. His tongue flicks at the hard peak, making you gasp with pleasure. Joel's hands roam over your body. He reaches down, his fingers finding the waistband of your shorts. He tugs them down, his fingers tracing the lines of your lacy panties. You can feel his breath against your skin, hot and heavy. Joel's fingers find the edge of your panties, tugging them aside. His fingers trace the outer lips of your pussy, his touch gentle and teasing.

Joel's fingers find your entrance, sliding inside you with ease. You gasp with pleasure, your body responding to his touch. He starts to move his fingers inside you, faster, his touch more urgent. You can feel the orgasm building inside you.

"Fuck, sweetheart, so fuckin' tight," Joel growls.

You can feel yourself teetering on the edge, your breath coming in short, sharp gasps. Joel's fingers continue to work their magic.

And then, suddenly, you're there.

You cry out as you come, your orgasm ripping through you like wildfire. Joel's fingers continue, drawing out your pleasure until you're left weak and trembling in his arms. “S'okay baby, s'okay, you did so so good for me sweetheart.”

As your orgasm subsides, Joel pulls his fingers out of you, his eyes dark with desire. He licks his fingers clean, his tongue tracing the lines of your juices. You watch him, your mouth parted like you just watched him lick the tastiest ice cream cone.

Joel reaches down, his fingers finding the button of his jeans. He undoes it, tugging his jeans down over his hips. He's not wearing any underwear, and his cock springs free, hard and ready.

You can't help but stare, your eyes wide with desire. Joel's cock is long and thick, the head dark and swollen. You can see a drop of pre-cum glistening on the tip, and you can't wait to taste it. Joel steps closer to you, his cock brushing against your thigh. You can feel the heat of it, the hardness. You reach out, your fingers wrapping around the shaft. Joel groans, his head falling back as you start to stroke him. You can feel his body trembling, his cock twitching in your hand. You stroke him faster, your hand moving up and down the shaft. Joel's hands roam over your body. He reaches down, tugging your panties off in one swift motion.

You're completely exposed now, your pussy on full display. Joel's eyes darken as he takes in the sight of you, his cock throbbing in your hand.

"Fuck, you look so hot," Joel growls.

You've never felt so exposed, so vulnerable. But with Joel, it feels right. It feels exciting and thrilling, he reaches down, his fingers finding your clit. He starts to rub, his touch gentle and teasing.

"Do you like that, sweetheart?" Joel asks, his voice low and husky. You nod, unable to speak. "You're so fucking hot,," Joel growls. "I can't wait to taste you."

He drops to his knees in front of you, his eyes locked on yours. He reaches up, his fingers tracing your inner thighs. You can feel his breath against your skin, hot and heavy. Joel's tongue finds your clit, gentle and teasing. You gasp with pleasure, your body responding to his touch. Joel's tongue moves lower, tracing the outer lips of your pussy. His tongue finds your entrance, pushing inside you. You can feel him exploring his tongue, tracing your walls. Joel's fingers find your clit again, rubbing in time with his tongue.

"Fuck, Joel, m’gonna come," you cry out grabbing onto his hair.

Joel doesn't stop, his tongue and fingers continuing, his eyes don't leave yours, it makes him almost painfully hard watching you come. You cry out as you come. Joel's tongue continues to lick at your pussy, drawing out your pleasure.

"You taste so fucking good, sweetheart," Joel growls, standing up.

He steps closer to you, his cock brushing against your entrance. Joel's hands find your hips, his fingers digging into your skin. "You ready for me sweetheart?

"Yes, please, Joel." He pushes inside you, his cock filling you up completely. You gasp with pleasure, your body responding to his touch. Joel starts to move, his hips thrusting against you. His cock hits that sweet spot inside of you with every stroke. Joel reaches down, his fingers finding your. You can feel your body trembling, your pleasure building higher and higher.

"Fuck, Joel, I'm gonna come again," you cry out, your voice hoarse with pleasure.

Joel's thrusts become more urgent, his fingers moving faster. You can feel your orgasm building, your body tensing with pleasure until you come again. Joel's thrusts become erratic, his body tensing as he reaches his own release. He groans, his cock twitching inside of you as he fills you with his seed.

The two of you lie there, panting and sated, your bodies still tangled together. Joel's forehead is pressed against yours, his eyes shining with desire and affection. You can feel the warmth of his breath against your skin, the beating of his heart against your chest.

"You're so fucking perfect, sweetheart," Joel murmurs, his voice low and husky.

You smile, feeling a sense of contentment. But even as those thoughts run through your mind, you also know that you can't let yourself get carried away. You barely know Joel, and there are things about him that you don't know. Important things.

You take a deep breath, steeling yourself for what you know you have to do. "Joel, I... I need to go," you say, your voice soft but firm.

Joel's expression changes, a hint of sadness and disappointment flashing in his eyes. "Hey, what's wrong?" he asks, his voice soft.

You take a deep breath, trying to steady yourself. Suddenly, the walls feel like they're closing in on you, and you can't catch your breath. "I-I can't breathe," you manage to say, your voice shaking.

Joel's face falls, and he pulls you into a tight embrace. "It's okay, sweetheart," he murmurs, his voice soothing. "Just breathe with me, in and out. You're safe, I've got you."

You focus on Joel's voice, trying to match your breathing to his. Slowly, the panic begins to recede, and you can feel your heart rate returning to normal. "I'm so sorry," you say, your voice still shaking. "I don't know what came over me."

Joel shushes you, his hand tracing circles on your back. "It's okay," he says. "You don't have to apologize. You've been through a lot today. It's okay to feel overwhelmed."

You nod, feeling a sense of shame wash over you. You wanted to be strong, to be brave, but instead, you fell apart.

Joel must sense your embarrassment because he pulls back and looks at you with a serious expression. "Hey, listen to me," he says, his voice firm. "You have nothing to be ashamed of. You're allowed to feel however you feel, and I'm here, no matter what. Okay?"

You nod, feeling a sense of gratitude towards Joel. He's been so kind and understanding, even for someone who knows nothing about you and you can't help but feel drawn to him.

"Come on, sweetheart," Joel says, standing up and pulling you to your feet. "Let's get you out of here and into some fresh air. How about we go to my place and spend the night? I promise, no funny business."

You know it sounds crazy but a sense of relief washes over you as you agree. You don't want to be alone right now, and the thought of spending the night with Joel is weirdly comforting. As much as you know, you should probably just go home. Joel helps you get dressed, his hands gentle and reassuring. Once you're both dressed, he leads you outside and into his truck. He drives you to his house, his hand resting on yours the entire time. When you arrive, Joel leads you inside and shows you to his bedroom. He pulls back the covers and helps you climb into bed, tucking you in like a child. "Just rest, sweetheart," he says, his voice soft. "I'll be right back."

You nod, feeling a sense of exhaustion wash over you. Joel returns a few minutes later with a glass of water. He helps you sit up and take a sip of water, then lays down next to you, pulling you into a tight embrace.

You rest your head on his chest, listening to the steady rhythm of his heartbeat. It's soothing, and you can feel yourself drifting off to sleep.

"Thank you, Joel," you murmur, your voice sleepy.

Joel kisses the top of your head, his arms tightening around you. "Anytime, sweetheart," he says. "I'm always here for you."

As you drift off to sleep, you can't help but feel a sense of gratitude towards Joel. He's been so kind and understanding. For the first time in a long time, you feel safe, and you know that everything is going to be okay.

As you sleep, Joel watches over you, his eyes full of affection and concern. He's fallen for you, hard.

As the night wears on, Joel holds you close, his arms wrapped around you. He knows that you're not ready for anything serious, and he's okay with that. For now, he's just happy to be with you, to be there for you, to comfort you, and to make you happy.

[bigcollections]

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[jaythes1mp]

Cat reader idea: which one is your favorite. Like Damian would be nice but he’s always on you for improper diet (you ate fruit and not the horrid wet food he leaves out for you)

Dick has no sense of personal space and he wants to squeeze your adorable little toe beans despite your protests.

Jason would be okay but he practically steals you at night for cuddles and for your own safety. Nothing safer than sleeping with a knife under your pillow.

Tim is iffy, he just likes your company, but the moment you sneeze he’s sending you to the vet- even worse when you get out, using your chip to locate you.

Bruce and alfred just adore you, but only get to see you now and then due to their busy schedules, mainly petting you when they walk by or doing your training.

:3 hope this is accurate lmao

Okay, this is beautiful and a perfect way to incorporate some things into the fic.

More on cat shifter reader.

01

Damian is 100% on your ass, meticulously keeping track of your dietary habits, setting up charts to keep track of your meal times, ensuring that the family knows exactly what you've consumed and what not to give you. This way, he can ensure that you're sticking to the food plan he's designed, with zero room for deviation. He even resorts to constantly reminding Alfred and Dick not to give you anything, no matter how hard your adorable little eyes plead up at them. Determined to make sure you stick to his meal plan. It’s even worse when you’re in your human form, despite his repeated warnings. — and don’t get him started on Jason. The man is the most difficult of them all to control when it comes to your diet. He completely ignores Damian's instructions and will immediately scoop you up and secure you in the cat carrier attached to his motorcycle if you even hint at being hungry. Then, he'll spirit you away to his apartment without a second thought, offering you an array of forbidden human foods in exchange for your sweet meows.

Don’t think about attempting to escape through him however, that would only lead to being futile. He's engineered his bike with a series of safety precautions, meaning that if you even displayed the slightest indication of trying to jump out or escape, the restraints would immediately tighten, making it virtually impossible for you to break out. Let alone breathe comfortably.

Moving back to your diet; Damian has completely altered the Wayne Manor’s kitchen to cater exclusively to your feline dietary needs. He’s even managed to ensure that the rest of the family has adapted their own diets to match yours, to prevent any accidents regarding food you’re not supposed to eat. Despite your attempts to reason with him, Damian refuses to acknowledge that as a human, you can safely consume foods like chocolate without getting sick. You’re a kitten after all.

Though, if by some chance you do manage to infiltrate the kitchen, an assortment of only the finest fruits are packed at the ready for you. Small bits of cut up mango, fresh unpackaged pineapple, blueberries, melon, bananas, apricots, apples and watermelon at the ready. The fridge always stocked full of cooked meats, fluffy cooked rice, boiled eggs, and vegetables.

Damian might not be overjoyed when you venture from the specific meats and hundreds of lavish wet food brands that he's tasked Pennyworth to prepare, he still begrudgingly accepts it as a form of compromise. As long as you’re eating things that fall within his carefully controlled parameters, he can justify allowing it. He’s aware that you need some form of autonomy and independence to survive in the manor, unlike many of his brothers.

He treats you the most reasonably.

02

Dick is definitely one of the people who gets loads of little cat clothes to dress you up in and needs to have you in his little cat bag so he can take you around everywhere.

Who cares about the numerous concerned remarks regarding your drowsy appearance? Dick simply laughs off their concerns. His kitten is just tired, he promises! After all, it’d be quite a hassle to have to explain to every person who stops for a photo that it's nothing more than the effects of the medication he's given you to ensure you remain placidly content and docile during cuddle sessions and neighbourhood walks.

Once Dick starts on your adorable little toe beans, there's no stopping him. He gushes incessantly about the cute contrast of pink and black on your little paws and how they're just perfect for the miniature cat-themed socks that Alfred has patiently taught him to make. He gleefully coos over your small digits, marveling at how perfectly they fit into the little socks. Aren’t you happy your big brother made them for you? Can’t you just purr this once, please? He won’t even get mad if you kick them off or tear them to shreds again!

He’s definitely the type to have an entire wardrobe filled with little outfits for you. A nice red bow tie to get you to look nice and handsome or a warm purple sweater for you to look pretty.

Dick's affection for you remains steadfast, even when you shift to your human form. However, in his mind, you'll always be his precious little kitten, and no amount of whining, hitting, or swearing can convince him otherwise. He's stubbornly determined to shower you with love and care, undeterred by any resistance you may offer. The world’s just too big for you, and he needs to protect you from it. So come sit on his lap and stop whining, the movie’s starting.

03

In stark contrast to Dick, Jason has a clear preference for your feline form, showing little interest in you when you appear as a human. He often ignores you entirely, showering you with love and attention only in your feline body.

It's a double-edged sword, this dynamic with Jason. On the one hand, you've discovered a way to make him leave you alone – simply appear in your human form, and he'll instantly lose interest. He'll glare, shake his head in distaste, and then storm out of the room, grumbling incoherently under his breath as he goes. Unfortunately, when Jason realises your tactic to avoid him, he'll barge into Tim's room unannounced, no matter the time of day or night. Tim, due to his habit of staying up late, will inevitably be awake, and Jason will insist that he make you transform back. Following his forceful tactic of making you transform back, Jason will quickly switch gears and act as though nothing untoward has happened. He'll enfold you in a tight hug and bury his face in your soft fur, nuzzling against you affectionately, completely unbothered by his previous behavior.

Given your penchant for exploring the outdoors, Jason often takes advantage of the darkness of the night to whisk you away. He's aware that you need to experience life beyond the confines of the Wayne estate's gardens, and he prefers to do it when the rest of the family is less likely to notice your absence. Or rather, more occupied with their nightly duties so they’re unable to stop him from taking you.

You’re still under complete lock and key, but at least you get to experience the night air every once in a while.

04

If I had to pick my favourite out of the ones you’ve written I’d go with Tim’s. It’s the one I agree with the most.

Tim likes to keep you sedated. Having you laid out nice and docile on his lap, desk, or of the many cat trees that litter the place, while he works away on the batcomputer.

He’s the most precocious, being particularly meticulous when it comes to your well-being, even the slightest sneeze prompting him to arrange a visit to the vet. Monthly veterinary checkups are non-negotiable, and he ensures that your health is consistently monitored. Saying that, he’ll never take you to a hospital with doctors that specialise in anything other than animals.

A sleek, high-tech collar encircles your neck, constantly transmitting your vital signs in real-time to Tim's phone. Additionally, a microchip planted in your body and trackers strategically installed on various parts of your anatomy ensure that they can monitor your location at all times ensuring that under no circumstances are able to escape.

Tim is the one who suggested and ultimately confirmed your declawing, dismissing your protests and tears as mere tantrums. Despite your pleas and emotional outburst, stating that it would render you disabled — equivalent to cutting off your fingers down to the knuckle — he remains cold and uncompromising. Your objections are disregarded, treating your fears as if you were a pet throwing a tantrum, denying you any agency in the matter. If you didn’t want this to happen, you wouldn’t have scratched them in the first place. It’s easier this way, really. They get to look after you in human form and there’ll be no more scratching up their arms or the furniture.

Initially, Dick supported your side, recognising your profound distress and desperation. However, after a conversation about how you would be completely reliant on him while in your human form, he changed his stance. He stopped giving the issue a moment's consideration, fully accepting Tim’s conclusion.

When it came to the decision, Jason and Bruce were in favor from the beginning. For Jason, it meant his new couch would remain unscathed, and prevented you from clawing at Bruce during business meetings while he held you snugly in his lap.

The sole member of the family fiercely opposed to the idea of declawing you was Damian.

Nevertheless, to Damian's dismay and your own, you'll be made to undergo the declawing against your will anyway. Despite his disagreement, he'll still be there to gently bandage up the raw nubs where your former fingers once were, and he'll lovingly pet away your tears and sobs. You were still his kitten, he’d coo. Just a slightly less fierce one.

05

I’d have to disagree with you here.

Bruce will undoubtedly make time for you, despite any disagreements you may have. You're a top priority in his life, and he'll ensure that you receive the attention and care you deserve.

The eldest Wayne will go to great lengths to accommodate you in his busy schedule. He'll happily reschedule meetings and carve out special time just for you. If there's a vital meeting he can't avoid, he'll bring you along, insisting on having you by his side.

You’re theirs, through and through.

Thanks for the ideas! Any and all asks are encouraged and appreciated.

Previous cat asks: 1 2

Link to Masterlist.

Link to offical chapter

[whirligig-girl]

NWR No.1 and SLYM No.11513 at a dual gauge interchange just outside of the city center.

SLYM No.11513 is an Advanced Steam Locomotive native to Gymnome--a coal-burning steam engine operating at high pressure, with technological improvements to allow it to rival the efficiency and ease of use of a diesel locomotive, such as electronic controls, compound expansion of steam, a gas producer combustion system firebox, dual exhaust, and automatic firing and oiling. 11513 was built some time in the 2340s, and survives to 2381 as a museum piece.

NWR No.1 is a much older locomotive and from another planet altogether, built 1915 for the LBSC railway as a one-off prototype for a six-coupled shunter to replace the aging Terriers and to supplement the much larger E2-tanks. NWR No.1 made it to the North Western Railway not long after it was built, having been allocated there for the war effort. It is not clear how a locomotive built 465 years in the past on planet Earth made it intact to Gymnome, nor how its gauge perfectly matched Goo'iw Broad Gauge, at least not without invoking some kind of universe-spanning magic railroad, or perhaps the notion that this is all a simulation being run in some kind of virtual reality in some alien starship.

(no this isn't canon.)

Artist's notes:

Earlier today I doodled this in my sketchbook.

And when I got home i decided, hey, I have my Thomas 3D model, and I have the game model of the Advanced Steam Tank Engine... why not actually stage them together and draw them to-scale. The size difference is greater than I expected--partly I think this is because the Thomas gauge-1 prop was not designed with scale in mind, so it's bigger than British Railways loading gauge. Granted, they are at different gauges (standard gauge versus roughly meter-ish gauge), but the loading gauge on the advanced steam engine is very wide.

My first attempt at the drawing was from a very different angle:

But I quickly realized that you can't actually see the Advanced Steam Engine's wheels, and that's a major design aspect.

So i chose a different angle.

I constructed the dual gauge track before anything else.

And before long (the better part of 2 hours) I had the line art finished.

The Advanced Steam Engine ended up being a hybrid between the original illustration I did of it months ago, and the game model--with most of the geometry accurate to the game model, but with the subtler detailing of the illustrated version.

Thomas was meant to be a sort of hybrid of the Gauge 1 Prop from the TV series and a realistic loco. I prioritized the geometry and simplicity of the gauge 1 prop in most respects, but added details below the running board, in particular brake rigging, sanding gear, and these blade-like protrusions of the frames which i'm pretty sure are some kind of debris deflector, a british version of a cowcatcher. There's also snifters on the cylinder saddle, and the whistle is made of two different lengths to justify Thomas' multi-tone whistle.

The original background was going to be this marshland with (electricity-generating) windmills in the background, a callback to that first shot in the Thomas & Friends opening credits, but I hated how it felt like the middle of nowhere, so I introduced the retaining wall and an alien city scene.

British steam engines are generally given very shiny liveries which reflect the environment in interesting ways, so I made sure to do that justice, using a GWR 14xx autotank as reference.

By contrast, the Advanced Steam Tank Engine is kept in a more workwormlike condition, with a somewhat faded matte paint work and a fair amount of grime.

The original illustration of the advanced steam engine, for comparison.

Finally, a version with faces.