#account presentation

[enbyfallenfromthedeadstars]

@enbyfallenfromthedeadstars's map <3

| digital footprint - i have things to say - important links |

digital footprint

#deadstars reblog ; #deadstars answer anon

#deadstars autistic ; #deadstars bipolar

#deadstars transgender ; #deadstars aroace

#deadstars do memes ; #deadstars make art

some thoughtful reflections & analysis are grouped under those tags (especially the autistic one) so i didn't bother adding them in the following section - feel free to search

i have things to say

offering my help to writers in the marauders fandom translating in French

talking about the glamourisation and normalisation of murderers in fiction (with Barty and Evan from Marauders fandom as support)

why i hate "name-me-three-songs" type of guys

over-analyzing doesn't exist

talking about an eye-opening vegan post i saw

your favorite character isn't perfect and that's what make them interesting

almost all are under under the #ted talks, easy to find on my account with the research option

important links

🍉 instagram account sharing a different fundraiser for palestinians each week (from a friend)

🍉 website grouping Palestinian GoFundMe (not mine)

🍉 post with some unfinished Palestinian GoFundMe 1 (not mine)

🍉 post with some unfinished Palestinian GoFundMe 2 (not mine)

🍉 post with some unfinished Palestinian GoFundMe 3 (not mine)

🍉 tumblr account grouping vetted fundraisers (@gaza-evacuation-funds)

🍉 Operation Olive Branch's fundraisers sheet

🎨 multiple ressources for artists (not mine)

🖌️ differences between trope, theme, cliché, motif & archetypes (not mine)

🏳️‍⚧️ misgendering and malgendering (not mine)

♾️ list of things you can do to feel better as an autistic person (not mine)

💙 multiple links to help in dark moments (not mine)

💙 sweet message you need to read when you're sad (not mine)

💙 suicide hotlines numbers (not mine)

~~~~ i totally stole this idea from @fixing-bad-posts, you should go to see what they're doing it's fabulous

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[dontforgetukraine]

Kharkiv's Faktor-Druk printing house has resumed operation after being severely damaged by a Russian missile strike on May 23. The facility is only partially restored, and they have shifted focus to printing essential educational materials such as textbooks for the new school year.

According to Tatiana Hryniuk, the general director, damages from the Russian missile strike exceed €10 million, with losses still being calculated. The attack claimed seven lives and destroyed almost 100,000 books.

Source: Kharkiv’s Faktor-Druk printing house resumes operations after Russian missile strike

[slutforpringles]

via: Daniel Ricciardo, Fabio Quartararo and the selfie that sparked an unlikely friendship | Fox Sports Australia

[laurasimonsdaughter]

Guarding your name from the fae in folklore

The idea of fae stealing names is quite recent (I’m a big fan of new, modern folklore, x, y), but the idea that you have to guard your name so no one could (supernaturally) us it against you, is definitely a widespread folk belief. However, I’ve never encountered an actual folktale that says the fae or fairies in particular could have power over you if they knew your name. I’ve been looking for one for a long time (and if you know one please let me know!) but so far I’ve only come up with one example. So let's take a look:

The power of names

Like I said, the power of names is an old belief that shows up all over the world. Sometimes it’s linked with naming ceremonies like baptism. Sometimes hiding the name from others (witches, djinns, etc.) is what will protect you, sometimes the name itself will protect you (like being named after a saint or in reverence of a deity or spirit). Edward Clodd published a huge essay in 1898 investigating how widespread this name guarding practice is and how it links to folklore. Which, while obvioulsy dated, certainly gives an impression of how deep this belief goes (Tom Tit Tot; an essay on savage philosophy in folk-tale, Clodd, E., 1898).

Not all folk beliefs show up in folktales though and protagonists who refuse to tell their name are not a staple of European folklore, whether it concerns fae or other entities. In “The Soul Cages”, collected by T. Crofton Croker it’s even quite the opposite, as the protagonist and a firendly merrow deliberately call each other by their full names (Jack Dogherty and Coomara). And for ages I wasn't able to find a story that actually incorporated the belief of guarding your name against fae, until I read that huge essay.

Hiding your name from the fairies

In his book, Clodd mentions a single folktale in which it is mentioned that the fae are trying to learn someone’s real name. Sadly he does not tell it in full, but since it is the only real example of this concept I’ve able to find so far, I will give the full quote:

While these sheets are passing through the press, my friend Mr. W. B. Yeats hands me a letter from an Irish correspondent, who tells of a fairyhaunted old woman living in King's County. Her tormentors, whom she calls the "Fairy Band of Shinrone," come from Tipperary. They pelt her with invisible missiles, hurl abuse at her, and rail against her family, both the dead and the living, until she is driven well-nigh mad. And all this spite is manifested because they cannot find out her name, for if they could learn that, she would be in their power. Sometimes sarcasm or chaff is employed, and a nickname is given her to entrap her into telling her real name, — all which she freely talks about, often with fits of laughter. But the fairies trouble her most at night, coming in through the wall over her bed-head, which is no laughing matter; and then, being a good Protestant, she recites chapters and verses from the Bible to charm them away. And although she has been thus plagued for years, she still holds her own against the "band of Shinrone." (Clodd, 1889, p. 83-84).

This story fits the concept of keeping your name away from malicious fairies so you cannot truly fall under their power perfectly. Sadly I haven’t been able to find this story in Yeats’ own folklore collection, but it fulfills my criteria even so.

What I have been able to find many examples of, however, is the reverse trope. Namely that knowing a fairy’s name will give you power over them. I thought this only showed up in Rumplestiltskin-type stories, but it seems a little more widespread than that. Which is very exciting to me, and merits its own post. So stay tuned.

[noliaert]

so there was this template on twitter and I kinda really wanted to do it for loumand sooo-

[dykedvonte]

Of all the themes in Mouthwashing, I think the themes of punishment and virtue are the most subtle.

It’s so odd because it’s a subversion where all the characters are punished for their virtues more than their flaws except Jimmy. Curly sees the best and people and tries to do right by all parties whether deserving or not. He is then forced to see everyone fall to their worst states while he can’t do anything. Daisuke is optimistic and hopeful, playful to a fault and a big morale. He dies in agony the one time he is forced to act in a serious event. Anya is kind and capable, knowledgeable in her field. Yet, she is treated like a dunce and does being treated like a dead weight.

The only characters who aren’t punished per se are those without direct virtues. Swansea is ornery and rude the moment we meet him, Jimmy is self explanatory. Yet, Swansea is still punished with Daisuke’s death, while Jimmy escapes in a way. Not having to face the final aftermath or even acknowledging how he could never really fix it. He suffers and is tormented, but he doesn’t really care because in his mind he didn’t fail in his head of proving something to Curly.

This is rambling y really but it really is the theme of no good deed but to the extreme. Good people punished for their attempts at virtue while the bad person victimizes themself over their suffering.

[itspileofgoodthings]

one big thing I’ve learned by 29 is that the Plan, the God’s Plan of it all I mean, is bigger than me and not just bigger than me but also bigger than my understanding of narrative threads and their limitations. And it’s bigger even than just a simple paradox, turning-on-their-head thing way of being bigger. It’s just so vast. And there is so much room for surprise and possibility and hope in that reality.

[thepeacefulgarden]

[seagrass-obsessions]

Some sketches I did of the silly commentator guy(s)

[lesquatrechevrons]

I will work on the work presentation

I will work on the work presentation

I will work on the work presentation

I will—

[thekidsarentalright]

meredith (andy’s wife) addressed the situation with gabe and it seems she had no idea he was a zionist. obviously she isn’t speaking for fob too, but hopefully this indicates they didn’t either and they can all become better educated now with people raising their concerns.

[habken]

Looking at your fem Bakudeku stuff, I have made a head cannon: Bakugo either doesn’t care about her hair or does. Either way, she wears it her own way and doesn’t like people messing with it.

Except Izuku. Izuku wears her hair in little pig tails and always asks to put Katsukis hair up like that. She puts little All Might clips in.

YEAHH !! Good headcanons ! I have so many thoughts about their hair to be honest, if I share them all it's just gonna be word vomit on a page lmao, but hair is super important to me! Here are some other sketches I did :) !!

I like the idea of Deku having long-ish hair up to junior high, and cutting it before UA! (I had a mini comic planned with her getting gum stuck in her hair right before the first day of school ohshc style and bakugou helping her cut it out, but I don't think I'll ever get around to actually making it)

I also imagine she's got a bunch of fun hair accessories! (like you said, she's definitely got all might hair clips, probably a whole stash lmao) The clips I drew Bakugou in on this post were a gift from Deku :') and I really like the idea of Deku putting her hair in a half-up/half-down style similar to her mom !

In my mind Bakugou wouldn't care too much about the way her hair looks, but also she really does actually cause she hates the "wow you look just like your mom!" comments lmao. I can see her doing her best to style it differently or keep it longer/shorter, just to stop some of the comparisons.

Aside from that, I think she'd also probably want to keep it out of her face, putting it into ponytails or pinning it back, especially when the class is training or she's out on a work study. Nothing worse than blasting off and getting a mouthful of hair </3

And yeah, I just really love the idea of them playing with each other's hair! Braiding it, brushing it, chatting about their day as they use a million goofy hair clips, I need it so bad

[transmonstera]

the way to a man's heart is through his ass with your fist actually

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[commsroom]

there's an interesting statement being made about identity if you accept all of the wolf 359 characters are equally themselves as of the finale: eiffel is form without memory; hera is memory without form; lovelace is both, but without continuity of experience; minkowski is both with continuity - and she's still not the same person that goddard recruited. if we're never the same people we were, but we're always ourselves, then the only way the self can be defined is through its own assertion - and maybe it can be argued that "my name is-" (and later, being able to say "my name is hera" reintroducing herself to pryce) and "i am captain isabel lovelace. no matter how hard you try, you are not taking that away from me" and "without me, who are you?" / "renée minkowski, and that is more than enough to kick your ass" are all the set up for (and part of the answer to) "am i still doug eiffel?"