#absolutely wild sequence of events

[kadextra]

I just watched back the bit where bad leaves dapper to stay with etoiles & disconnects then comes back a minute later and I’m dying laughing please watch it yourself all the way through

[popopretty]

[Translation] Asagiri Kafka's afterwords for The Day I Picked up Dazai novel

Normally, afterwords would be the last thing I read in a novel, but as there are not many changes to the published novel this time compared to the movie bonus version, I was able to skim through the text quickly and get to this. And to be honest, despite not being a writer myself, I was so moved by Asagiri's views about writing and his characters that he shared in the afterwords, that I had to sit down and translate it right away.

This is just my crappy translation, as usual, but I hope it gave you a short, interesting look into the author and the characters. And please do not forget to buy the novel if you have the chance.

The translation is under the cut, thank you!

It has been a while. This is Asagiri Kafka.

Have you been enjoying Bungou Stray Dogs?

This novel, “The Day I Picked up Dazai”, is a compilation of the first week’s bonus novel “The Day I Picked up Dazai – Side A” and the second week’s bonus novel “The Day I Picked up Dazai – Side B” for the screening of “Bungou Stray Dogs BEAST” movie (hereinafter referred to as “BEAST”).

Normally, it is difficult to publish a bonus like this, but since "BEAST” and “Fifteen” that were published earlier by BEANS Bunko were originally bonus novels too, "The Day I Picked up Dazai” was also published in the same way, thanks to the efforts of all parties involved in the Bungou Stray Dogs series.

It is the story of Dazai and Odasaku’s first meeting, where Dazai who wants to die, collapsed in front of Odasaku’s place, who is neither a mafioso nor a hit man.

Why are there two different stores, Side A and Sode B? Regarding this question, please read the novel and see for yourself. If you keep in mind that this is the bonus for the BEAST movie, I think you will be able to understand it better.

Let me reminisce a little bit here.

This story was actually suggested to me by Igarashi Takuya, Director of the Bungou Stray Dogs anime.

Shortly before BEAST movie premiered, I was struggling. It was because I was asked to write a bonus novel for movie-goers again. I said “again” because, as I mentioned earlier, BEAST itself was a bonus novel for the Bungou Stray Dogs DEAD APPLE movie. I remembered having a hard time writing it, because I let myself run wild and wrote a total of 190 pages instead of 50 pages as requested.

But I had learnt my lesson after the last rampage. I can’t just write whatever I want anymore. I have to wrap the story in a reasonable length, like a pro should do.

A proper, professional story.

Huh?

My pen stopped right there. I stopped, looked around, feeling lost.

What is a proper story?

The act of writing novel is quite different in character compared to other types of media such as writing manga, anime scripts, or game scenarios. You can say it is almost a different thing. Writing novels, rather than narrating an event, is more like putting the flow of emotions into specific sentences. You use the sequence of letters to create rhythms, create flows, and create emotions. If anything, it might be closer to composing a song than writing a story.

Therefore, you have to decide “what kind of emotion will be put in this novel” from the very beginning, or you can’t start writing. That is the only and absolute rule.

Now, however, that is where the condition of a “proper story” hung over me.

A proper novel, of a proper volume, with a proper content for a bonus.

In other words, a proper emotion.

I searched through the drawers inside my head. For a proper emotion that is waiting to be brought out.

There was nothing but emptiness there.

A professional story teller is one with the skill to move the readers’ emotions. When people find the chance to move their own emotions, they will happily be paying for it. Human-being is that kind of creature.

And writers are ones who create and sell those kinds of emotions: the fear, the excitement, the heart throb etc., those that make you think. It is that kind of job.

It is supposed to be that kind of job.

Yet I became unable to move forward.

A good story is a story that moves people. I know that. Then what kind of emotion I should put in the story to make it "proper"?

How do I find that emotion?

I mean, how did I even write novels until now?

I stood still. My legs stiffened, my knees froze, unable to take even a step forward.

I then tried to at least pretend that I was moving forward, by listening to music, by taking a walk around the neighborhood at night. But as good as the night breeze felt, I didn’t manage to reach a single story that I needed to write.

What if I stayed like this forever, what would I do?

I felt a chill plunging into my back.

Then I realized, that stories, or probably emotions too, are not things you can search for or come up with. You have no choice but to patiently wait for it to come your way. You have no choice but to humbly and earnestly sit and wait for the story’s visit.

I got that, but the "proper 50-page story” still refused to come.

It was not long before one week passed. Then two weeks.

I was doing other work, while keeping my heart’s door open, waiting for the story to come to me.

At that time, I had an online meeting with the anime staff. I casually asked Director Igarashi, “Do you have any story you want to see?”

The Director gave it a little thought then told me, "I want to see the story of Dazai and Oda’s encounter”.

At that very moment, the story rushed in through my door, like a bang. I could hear that sound very clearly.

Two stories. Odasaku, and the two Dazais. A story where they met, and a story where they couldn’t meet. A story of gain and a story of loss. If I can portray the gain and loss side by side, the amplitude of the heart will be doubled and rise up in front of us.

That was a momentary event. Rather than pushing my way forward, I felt as if something was pulling my hand. Before I noticed, I have already finished the stories.

I came to realize.

It is not the writer who searches for the story. It is the story that chooses its writer, and at some point it will come our way. A professional writer is no more than someone with the ability to catch that call.

Also, this is the most important thing: there is no such thing as a “proper emotion”. Because after all, the feelings of other people belong to them only. That is why there is no guarantee that a novel can move others “properly”. However, you can move your own emotions. You know what kind of novel can and how it will move you. If you do, you can write just that. That’s the only way. That is the truly professional attitude. That’s what I thought.

Well then.

It is a little bit off topic, but as we are talking about “stories that come our way”, let’s talk about Odasaku’s first-person narrative.

Odasaku is a special character. For me, he is exclusively a novel character, and I have never portrayed him in the manga.

He first appeared as the narrator in “Dazai Osamu and The Dark Era”, then “BEAST” and now this “The Day I Picked up Dazai”. All are novels. That’s why for me, Odasaku doesn’t live inside the pictures, he lives inside the first-person narrative passages.

He is an eccentric guy. Even if you prepare the place and tell him to speak, he won’t speak to you that easily. His way of thinking is rather unique, that if I write his narrative after writing other characters’ first-person narrative, I would stumble for sure. Odasaku doesn’t speak. He just sits there in silence, while I can do nothing but sitting in front of my blank manuscript paper, trying to talk to him, like “What’s up?”, “Here, here”. However, he is a guy who won’t speak when it is not necessary. Sometimes it goes days or even weeks without him saying a word. Why did such a character come to me...?

During such time, there is only one thing I can do. That is, of course, to stay with him, sit patiently, and simply wait.

Finally he will start speaking. In his unique rhythm, word by word. His words have the power to cut through the world from a certain angle. That special cross-section is full of things I have never seen before and it never fails to surprise me.

And then when he finishes telling his story, he will swiftly disappear. To a dark and quiet place somewhere – probably, I can only imagine, somewhere like a bar. He will sit there calmly and keep his own time to himself. After that, it will be hard to call him again. It is a backbreaking task to me, but in the end, that is the type of guy Odasaku is, and if I am allowed to sound self-conscious, that is Odasaku's charm.

This story was written in such a way. There is a chance that he will come back again. And when he does, I will patiently listen to his voice again.

This story was completed and published thanks to the help of many people: in the Bungou Stray Dogs BEAST movie’s Production Committee, the anime staff, Young Ace’s Editorial Department, BEANS Bunko’s Editorial Department, and the many people who were involved in the publication of the book. Thank you very much. It is all thanks to you that the book was published without any problem this time as well.

Well then, see you in the next story.

Asagiri Kafka.

[feroluce]

Oh my gosh the way the Pop-Up Shop event ended and what it hinted at that's going on rn, and what it might imply about what's in store for the next time we see Sampo, I'm so excited AAAAAAA

Because it seems it really IS our Sampo, and whereas before I was absolutely delighted by the thought that he was possibly getting fucked with by some outside influence, and that was why he was saying such strange things... There's nothing quite like that going on here. There's no memetic virus messing with his head. There's no imposter, no possession, no nothing.

Just Sampo, and the ominous, all-consuming dread that hangs over his head like a guillotine, as he willingly walks right into what he is sure is a trap. ♡

Because this event was weird right off the bat, yeah? Sampo invites us in on a business deal that won't make him any money? The hell???

And I was just waiting on pins and needles for it to make sense, and oh, I was not disappointed at all. Because I've got a nice meta post about it over here, but Sampo actually DOESN'T make a lot of money most of the time- but he does always get something out of his dealings. He works for favors and good will and networking, but never for nothing. And it was the same here!

Sampo didn't make any money with this little business venture because that wasn't what he needed from it. That was never his goal to begin with. He just needed something entertaining.

Sampo has the key to get into the tavern's basement where Sparkle has been keeping his mask for him, but he still needs to be let into the front door of the tavern itself. The fun stories he got from this event were his entry fee. He leaves at the end because he's probably already on his way to Epsilon, where the World's End Tavern should be.

So that explains part of what was so strange this event. It's the rest of his ooc tendencies that have me like foaming at the mouth though because AAAAAAAAAA

There's long been hints of...some? kind of strain between Sampo and the rest of the Masked Fools. Like it starts all the way back in Belobog's main quest with the big infamous fourth-wall breaking sequence, where Sampo talks some shit.

And it continues in the Aetherium Wars event, where we finally get the confirmation that Sampo is a Masked Fool and even get to see him interact with Giovanni, one of his brethren! And where Sampo talks more shit. He also leaves the trailblazer a warning against Sparkle, who they hadn't met yet, and probably the Masked Fools in general.

And for some strange reason, it seems to be popular fanon that Sampo like. Talks a lot of shit? Or is rude in general? Like I feel like I see a lot of jokes about if Hook says a cuss word, it was probably his fault. But Sampo is actually pretty polite with everyone. I think the only time we really see him be harsh is when he has to set some hard boundaries in the museum event. Otherwise, he conducts himself like a model friendly businessman. Like he IS super shady and slimy, but he's still polite about it. I'm pretty sure the only time he actually talks any shit, and so bluntly, is about the Masked Fools or Epsilon as a whole. He really seems to have some sort of beef with them.

There's also his hilarious relationship with Sparkle, which I'm including for consideration because we don't know how common people like her are in the Masked Fools, so she might represent how Sampo interacts with a lot of them. ...But I'm pretty sure Sampo's grudge with her runs deeper than that anyway jdksajfdkljas

She's so funny I hope she fucks with him more FJDKSJAKD

Anyway, the point is, Sampo doesn't seem to see eye-to-eye with a lot of the rest of Aha's followers. And it was never hinted at before the pop-up shop event, but now I'm wondering if it might be like. An actual dangerous sort of situation.

Because during those brief packaging sequences, you get some. Pretty wild text dropped on you. There was actually a really cool explanation for it by another user already! But basically, all of the phrases are more fourth-wall breakage. They're mostly in-game achievements...except for one.

"This must be a trap create"

We never get to see the rest of the phrase. Just "This must be a trap create."

That is the only one we don't have an explanation for yet, at least as far as I know.

AN EDIT: Thank you to @/kittaykattz for this one, because it looks like someone DID find the source of this line. Unfortunately, it only came up in my search after I looked for the full phrase. I couldn't find it on the wiki before orz And yet this somehow does NOT make it any less ominous ajfdklsjkl The full phrase is "This must be a trap created by a Masked Fool!" and it comes from another in-game achievement, "Boxes and Ladders." Which is really cool, because I had figured the last line must be something from Penacony, since it was the only area not represented so far. So in that way, it fits perfectly with the rest of the text. Now we have one achievement from every area of the game, which fits with the theme that Sampo has been following the Astral Express, the trailblazer specifically. It's the way that it doesn't fit that's the weird part though. Because the rest of the lines that come from in-game achievements are all titles; that's why they were so much easier to find. For some reason, Hoyo saw fit to single this one out. They didn't use a title. They specifically chose the line about falling into a trap set by a Masked Fool, a trap with seemingly no way out, where one's only choice is to take a leap of faith and pray to make it out ok in the end.

Love that. Absolutely love that. That's so fucking tasty, I will be daydreaming for days on end now about Sampo finding himself in a horrible situation with no way out where all he can do is make a desperate attempt and pray to whatever might listen (probably not Aha fjaksljdk) that he'll survive it WHEEEEEE

Because Sampo talks so strangely throughout the whole event, but it gets worse day by day, morose and morbid and dreading and sometimes even almost like he's warning the trailblazer against something about to happen.

I've already lovingly discussed it in an analysis about Sampo's name (alias included) but like. There certainly are some fun connections there. The Sampo of myth was smashed and lost to the sea. Poisson was flooded. Brueghel died suddenly and left a final painting of a storm at sea unfinished.

The Masked Fools are referred to with imagery of water and the sea. And frequently so.

And so I do wonder what Sampo knows, and what he's expecting to happen when he gets to that tavern at the end of the world. If maybe he thinks he's walking right into a trap, and is doing it willingly, doing it anyway, because, well.

Belobog is on the line.

And Sampo has already proven he seems so ready to do whatever it takes to protect it.

[into-the-feniverse]

Finished reading Trigun/TriMax a couple days ago and have been feverishly trying to piece together a timeline, so here’s the result of that ✨

EDIT: as of 3/13/24 this has been UPDATED

For a more detailed timeline (with vol/ch marks): google sheet

Full res of the graphic (& other resources): bit.l/trigunresources

Notes & rest of the timeline under the cut!

Edits as of 3/13/24

The detailed spreadsheet is organized and color coded! If you'd like a more concise breakdown of events/see some of my reasoning behind certain time stamps feel free to skim through that

Changed where in the timeline the Maylene and Wolfwood events happened (originally where I had placed them would have made Maylene like 6 when she and Wolfwood reunited which is NOT correct)

moved where in the timeline Knives started collecting the GungHo Guns (at latest he started in 0090 (20 years before 0110) since it's noted that Monev has been training in a cellar for the past 20 years

Moved where Knives initially tracked down Conrad (felt like it needed to happen at least a decade before July)

Changed up some of the months (personally, I don't think the Ark launched in December, since that'd put Milly and Meryl's arrival to the colony in July, which wouldn't make sense. So I placed the ark launch in October which of course offset some of the other month stand ins)

Added an earth year for when Knives and Vash are born. The explanation is I think at minimum there was at least a 2 year period between them and Tesla (since Rem was around for that whole process). I do think it was more than that, but that’s the earliest possible year I think it could have happened. Personally I’m more in the camp of 5-10 years, but def not 50 like in tristamp

Old Notes:

If you see any typos or phrase inconsistencies: no you don’t 💕 (😭)

Blue text can be completely ignored, that’s just kinda my personal preference/wild guesstimating of when “exactly” those events happened

Blue lines can also be ignored, they’re also just rough guesstimates on where exactly in the timeline these could have happened

The distance of the lines from one another doesn’t really mean anything, I started trying to follow a system to notate when things happened really close together but it was//// not consistently done ngl

Fun fact: by the time Wolfwood leaves the orphanage Meryl is 18! And she was 14 at the time of July’s destruction

Additional fun fact: Brad is 17 when he and sensei meet up with Vash in the Factioned city (which I think is absolutely RIDICULOUS), and we know this because he was 4 the one/last time he had met Vash and it’s been 13 years since

It was noted by Karen, one of Meryl’s coworkers, that she and Milly had been on assignment with Vash for about 4 months. (Might be that they were out searching for him during that time as well, but I’m choosing to interpret it as they were actually with him for that amount of time)

I’m also working on a 98 timeline for comparison (but more like just sequence of events cause I don’t think I have the patience to sift through the lore quite as much… mainly making it just to clarify how the anime delineates from the manga)

I am//::: feeling v unhinged after this and feel like it could be improved/i need to do a more thorough read, but I’m calling it quits for now before I actually go insane (but hopefully some people will find it somewhat helpful!)

Also: if anybody has any notes to add or clarifications/corrections I would be more than happy to hear them 👂

[kaythefloppa]

Wild Kratts - Chimpanzee and Me - Thoughts

The last of this week's new episode premiere, released online today alongside Salamander Streaming and Bumblezzzz. Will air on TV this coming Wednesday so as always, spoilers ahead!

K, so huge confession but Zooboomafo was the only other show by the Kratt Brothers I distinctively remember watching. I watched a few clips of Kratts' Creatures, but mistook them for WK as a kid. This is most definitely a callback to some Chimpanzee adventure episode in KC that I did not happen to pick up. So it's totally lost on me.

That being said, my prediction of references to previous Kratt Brothers' works reigns supreme (and for those who view all four Kratt Brother shows in one hollistic "canon" here's some ammo for your fan-theories).

Look at those delicious yummy grapes... wonder if they're being saved for later.

I will still never forget when the synopsis for this episode came out about Chris spraining his ankle, as well as when a synopsis for the clip came of him tripping on grapes. The constant memes and reactions omfg /silly

But seriously this man is in PAIN. This season for what it's worth, does a lot of angst and in ways you'd never expect.

I've never sprained or broken a limb, so I'm probably in no place to talk, but from the looks of that frame, Chris bent his ankle pretty damn good. He's definitely gonna be on hiatus for the next few weeks (which could ironically be taken metacontextually since after this episode we'll be on another hiatus until next year when the live show comes)

Ok let's talk about the villain's plan here. He wants to replace his Zachbots with a Chimpanzee he can roboticize to do his work. Here are my many thoughts and takeaways from this, some of which, definitely are just me reaching.

A step up from his dumbass plan in the last episode. Not threatening, but motivations that are actually sensible (but still evil though).

More than once have I seen the theory floating aound where Zach programmed his bots to be smart enough to obey his commands, but dumb enough to where they won't turn against him. I assumed that this episode was going to end with the cliche of Zach's creations turning on him as laser guided karma (hint it doesn't) so it really puts things into perspective.

Considering how we are getting two Zach-related episodes in a row, coming just off the heels of Our Blue and Green World, I like to headcanon that Zach's overall character in this batch of episodes is some form of response or byproduct of the events of that special. Because between Paisley's sudden betrayal, Donita's callous threat of physical violence in the previous episode, and his henchmen's limited intellect, he realizes how much he is fundamentally losing control, both in the villain team, and in his own endeavors as a villain. He's slowly, yet consistently and constantly being knocked down from the pedestal that he views himself on, and by trying to change the status quo with a new animal assistant, he thinks he can keep himself up at the top where he thinks he belongs, completely oblivious to how he's his own worst enemy. Yes, I'm overanalyzing all 3 episodes and I love it.

This is another moment where I HAVE to use my one-video-only-free-card to convey the point across because a certain scene is that good. This is only a 34 second action sequence where the chimpanzees are running from the Zachbots, but holy hell the background music. I had to isolate the background noises just to share it with y'all so you can see my point as to how the music absolutely carries this scene. Pure West has always gone so hard with the scores in this show, but they were absolutely on fire for this brief chase scene. I actually tensed up seeing the Chimp's mother getting torn away from her baby as the music swole up. Yet another reason why PBS should release an official soundtrack for the series, it's so fucking good.

Ok so Chris doesn't activate Chimpanzee Powers, nor does he invent the disc but goddamnit! This entire plot is so cute, and dare I say, the episode actually works better with Chris not being the one to activate the suit.

Now I can use my allotted time to point out how much I love this scene and why it makes this episode very well-liked for most people, myself included. This isn't the first PBS Kids show to educate viewers on non-verbal communication such as facial expressions and sign language, and it's definitely far from the last, but it's a really sweet and sincere moment that's both educational, and really good rep for people who use sign language. It gets its point across efficiently and could very well reach out to any children at home who use ASL. It's magnificent.

Also, Leah is fun, I hope we see her more in future eps.

THE CHIMPANZEE POWER SUIT

Ok I take it back: This is definitely the best designed Creature Power Suit of S7. I remember dreading it because of how alike Chimpanzees and Humans are physically, but oh my god I am so glad to be wrong. It's giving full Season 1 vibes (looks a lot like the Orangutan Suit, total sense), and I am all FOR IT.

And again, I feel like I would/should be angry or disappointed that Chris didn't activate the suit, but again, the plot actually works better without him using the suit, and the design of the Chimpanzee Suit itself is so good, everything just comes together neatly.

Bro is in his peak.

I mean, still peak.

Joss pointed this out better than I could, but there are a lot of varied facial expressions for Zach in this episode. As mentioned earlier, during the hiatus in between Season 6 and 7, new builders and riggers were hired on the animation team for Wild Kratts, many of them likely fans of the show themselves. And again, seeing as there's a 2 year gap between S6 and S7 in terms of development, there's bound to be some slight differences in rigs or models. Which is definitely why we get a lot of moments like this in the episode.

My two cents. I can definitely see why people would be caught off guard, and yeah, at such a high frequency it can get off-putting and requires some getting used to. But at the same time, I kinda dig it, just for the camp factor. It also somewhat reminds me of some of the facial expressions used in the pilot episode, (which has the stronger excuse of different animation + art-style to back it up), but yeah, definitely something that catches the eye.

Zach's hair is defnitely giving Kovu from Lion King 2 and I mean this in the worst. Possible. Way.

This entire scene can be seen as an allegory for two different types of parenting. Zach takes harsh, demanding approaches, speaking without listening for the sake of control, all out of a place of emotional unintelligence and immaturity, which alienates + drives away the child; Whilst Chris takes a more constructive, compassionate, understanding, yet still direct approach to get through to the child/chimp, allowing for a proper solution to the issue at hand. Yes, I'm pointlessly over analyzing even more but in an episode where communication is the main focus & moral of the episode as well as the resolution to the climax, I have to wonder if someone, whether it'd be the writers, animators, or even network execs did it on purpose. Because once again, you could takeaway a really good lesson for kids, and even adults with this interpretation in mind.

Oh yeah, once we get past that stuff, the climax of this episode is like, really fucking hilarious. And Zach getting mind-controlled by his own helmet is still a good dose of laser guided karma.

CONCLUSION:

Cons:

A few of the facial expressions can be a bit jarring. Again, Joss pointed it out perfectly how this episode could've been earlier in S7's development so these adjusted rigs probably can and will get better. I wouldn't even say it as a con, it's just some little thing of the episode that doesn't really lower my overall opinions.

This is a personal nitpick of mine; Not a critique. I think we could've seen more of the chimpanzees in action. I'm talking about face-offs with gorillas (which I think we might get an episode on that in the future, idk), hunting monkeys, leopard attacks! But I do get why it wasn't in the episode, it would've just bogged down time. Frankly, the only reason why I'm putting the cons first is because there is so much I have to say otherwise.

Pros:

The animation overall

The backgrounds

The Chimpanzee Power Suit

The Chimpanzees themselves.

The Background Music

Chris angst!!!!!!

The A plot and B plot perfectly complementing each other, which makes certain writing decisions that could've fallen short, work so much better as a result in execution!

Zach not being a dumb POS like he was in the last epiosde!

The chimpanzee designs!!!!

The very well-handled representation and depiction of sign-language and lessons of communications to its young audiences!

Final Ranking: 9.2/10. Our Blue and Green World and No Name Dream subverted expectations (mainly through Paisley's redemption and the S1 callbacks + the return of the Draco Power Suit). This is the first episode of Season 7 that exceeded my expectations. It is far better than how I thought it would be, and the experimental writing that this season has been hinged upon thus far hit the mark entirely when it came to this episode. So much so that it actually raised the already-high expectations I had for the new season. It is that. Fucking. Good. I'd easily call it a contender for one of the best episodes of the season, but again, we'll have to wait and see.

[riewritten]

in my head nothing absolutely bad happens in monster anime and they’re actually triplets in a family sitcom somewhere

more headcanons under the cut ✂️

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

༘⋆ FOR CONTEXT

no child experiments. no kinderheim 511. their birth sequence would be Johan first, Anna second, and Nina the youngest. it doesn't actually materialize that much in their dynamics (given they're triplets) except that these two oldest are oooooover overprotective of nina. mama vera was forced to labor the three of them prematurely out of stress upon receiving the news of her husband's death. her brother-in-law, klaus poppe, who had helped vera with the kids after the hubby's death, tried to pursue her not long after. and not only that, klaus also tried to lure anna into this silly lil experiment about children which he claimed was for 'work' at the red rose mansion all the while their mother was out. vera almost killed the man when baby johan exposed him while crying. this event led vera to cut ties with the poppe family and valiantly raised her triplets on her own. vera wasn't able to squeeze any info out of anna (on what poppe had done to her specifically while she was out). worried that she might be traumatized, vera got her into therapy. in the end, only johan and anna knew of it, and whatever happened sure left wounds deep inside anna's heart.

SO, that said!

-ˋˏ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ ANNA

would be sooooo villanelle-coded (minus the psychopathy of course). like she is the Gaslight, Gatekeep, Girlboss but at the same time she could also be the Female Rage™️. i am absolutely whipped at the thought that she'd have a complicated relationship with johan despite being inseparable during childhood because she's astute enough to know the real him, without filter whatsoever, and she could notice things the naive nina couldn't. no, johan didn't have to be a murderer in this universe for anna to hate him, he just got The Attitude that anna despises. it's jus the typical sibling fight though no worries. it's like there's this modern family-esque interview segments of them talking shit about each other every episode (little do they know, if a war ever breaks, they would absolutely sacrifice themselves to save each other — of course after ensuring their youngest sister's safety first and foremost).

in @suusoh 's head which i claim to be the same as mine because susu is rie and rie is susu, anna is as queer as she could be. and, in my silly lil daydreams, she actually labeled herself queer for clout bc she wanna rebel against societal standards only for it to end up the truest thing she had ever said about herself years later. on top of that, she actually envies her twin brother for having a dick like oh my god girl what the hell is wrong with you. ironically, she tends to be an absolute man-hater sometimes (depends on her mood). she could be a little impulsive, too, especially when she reached the rebellious age. boyfriends here, girlfriends there, and out of curiosity she even tried polygamy that's absolutely not her thing but she did anyway to annoy her conservative christian stepfather.

there's this only moment anna had accepted johan's attitude, remorsefully so, and thats when some girl tried to maul nina at uni (thank god she's good at judo) after mistaking her as anna ㅜㅜ this stranger apparently had her boyfriend stolen by anna during one of her impulsive moments (jesus christ). nina assured them it was all good after anna cried. but johan was absolutely pissed, and anna had a hard time forgiving herself for putting her loveliest babiest angel of a sister in danger bc of her shenanigans.

-ˋˏ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ JOHAN

who is he, indeed, if red rose mansion wasn't that traumatic and kinderheim 511 never existed ? it's also hard to imagine for me, tbh, it's just that i think he'd be a chill lil guy who lives in his own head. nina has a hard time managing countless of confessions from different people in the campus—you see, anna is too wild to approach, johan is too absent-minded to care, and nina is the most amicable of them three. when nina opens her locker she'd expect a bunch of love letters addressed to three people: anna, johan, and then herself. majority of them is addressed to johan, tho.

if anna takes pride in her beauty and charisma while nina takes pride in her congeniality and physical prowess, johan keeps up with his brains. he is constantly the school's top one. he gets sent to other campuses for academic competitions. and back in highschool, a faculty even offered vera to have him accelerated due to his intelligence. johan denied the opportunity because he likes the fact that he's on the same grade level as his twin sisters. they have this sort of bonding where they do homeworks together as soon as they reach home. how would he do that if he's accelerated to a higher grade level? who would help nina manage anna's wild tendencies at school? who would help anna keep up with her acads if nina's too busy with her extracurricular activities?

vera is quite concerned johan is having a hard time connecting with people, but little does she know, her lil boy just doesn't want to. socializing is a chore the same way studying is. unless he has an ulterior motive, he chooses to stay at the corner with his books (boo. bummer. a nerd.)

-ˋˏ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ NINA

is their cute lil baby! she's everyone's favorite. i think her personality in canon monster (before her 20th bday) is pretty much the same in this one, except that it's more chaotic in her house because she has two sibs trying to kill each other here and there. if not for her extracurricular activities and side jobs (which johan and anna tirelessly demanded her to quit so she could have a rest, only to no avail because nina is the angel who wants to help), i think her academic excellence would be in par with johan's. she also has a lot of friends—that's the reason why johan and anna are protective of her. she could indeed defend herself physically, but she's too kind and naive for her own good it annoys the two. if someone makes her cry, they doubt nina would even put them in their place physically or emotionally because she is just that kind—that's when johan and anna enters behind her back. they could be sneaky little vengeful devils if need be for nina. maybe they got it from uncle klaus.

-ˋˏ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ ☆ ༘⋆

cutting this before it gets longer lol. thank u for reading! i hope you enjoyed this as much as i did lmao. i had sooo much fan imagining and drawing them this way 🤭

[alice-apparently]

I watched about half of the wild life episode 3 povs now and I gotta say, I think Scar’s might be my favourite. First of the editing is great (snail noises & the snail pov) but also bc of the sequence of events it reveals?

- the quest of trying to get Jimmy a kill, experimenting with tnt and all, also Scar 100% causing BDubsnail to kill him

- Jimmy almost killing Scar with a TNT Minecart trying to kill Mumbo

- Jimmy killing Skizz in the EXACT same spot while AGAIN aiming for Mumbo

- ALSO it wasn’t actually Scar but Jimmy that killed Skizz with a TNT Minecart?! I went through about half the povs without realising that; genuinely made it seem like Scar in more than one pov

- that whole business being the reason Grian died to his snail is so funny to me & his scream in the distance

- Scar drowning was genuinely him drowning and not the snail

- that whole chase of Skizz and Scar is absolutely great, and the worst is that Skizz killed him … because he thought Scar blew him up earlier. Which had actually been Jimmy. And there was no opportunity to even clarify, Skizz was so focused on killing Scar he didn’t notice Jimmy even telling him

- Scar’s pov of being killed by the invisible eSCARgo

- Martyn actually told Scar about his plan of trying to make a snail invisible earlier in the episode and Scar even told him he needed golden carrots when Martyn didn’t know the recipe

[lunarreverb]

Just finished the silliest BG3 run that was.... not really a speedrun, but a mess-around solo run to see what happens if you effectively skip Act 1 and 2 (to the extent possible) and recruit nobody. Here's Bunnie the gnome; she's quick like a bunny!

Some of the most interesting things I found under the cut!

If you immediately jog over from the Nautiloid to the mountain pass area, Shadowheart will catch up to you and try to party up.

You can reject her company, of course; if you do, the artefact just appears in your inventory later after this brief cutscene saying ''you got the plot device.' The Emperor never addresses this at all but I have to assume it just looked at the both of you liked your main character energy better.

(For her part, Shadowheart will hang out indefinitely in front of the path to the mountain pass, insisting that you need her to come with you. She never seems to realize that the artefact ditched her, but seems to have the 'shielded' effect on her for as long as you can still go back to that area to check on her, so idk. I assume she dies/ceremorphosizes at some point after you leave the shadow cursed lands.)

If you leave for the mountain pass without encountering Raphael, he just shows up in your camp, and you do NOT have a choice to go to bed without speaking to him, lol.

What happens to Lae'zel is SUPER interesting. If you don't encounter her in the cage outside of the grove, the game gives you a second chance by setting her outside of the monastery, wandering around.

If you don't join her there, either, you will find her at the entrance of the Shadow-Cursed lands, extremely dead. I imagine this is just the game's way of making sure you see she's dead, but I would have assumed for sure that without player intervention she would've died in the zaith'isk? I wonder what sequence of events is implied by this? Maybe she broke out of the zaith'isk on her own, escaped the creche, but had nobody to warn her that she needed a torch in the Shadow-Cursed lands? Maybe the gith sent her on an errand before they let her have a turn in the cleansing machine? Unclear!

Your dream guardian comments that it's impressed by your efficiency by skipping over the grove entirely:

This is different from what it says if you actively durge the grove, where it insinuates that you did what you did to infiltrate the cult and asks whether or not you have regrets about that.

If you don't go to Last Light Inn at all, you can meet Jaheira for the first time at the bridge to Moonrise tower. She does NOT react well if you answer her question by saying "I'm busy, get out of the way"; this will aggro the Harpers (understandably). I ultimately decided to sneak around the back and I didn't canonically meet her for the first time until after defeating Ketheric. She will automatically join your camp for the one night on the way to Baldur's Gate, but she will leave forever (leaving you a letter saying "bye") once you get to the Lower City if you tell her at Moonrise you don't want her in your party.

She does not survive the events of the game if you do not let her join your party, it seems. (I did not pursue the Minsc storyline and I do not know if it's possible to prevent this outcome that way.)

This next bit is REALLY wild; in all of my other playthroughs, I don't think I ever tried defeating Gortash before I disabled the Steel Watch. You can defeat Gortash at his inauguration, and the Absolute will immediately be your bestie about it and will helpfully murder any of the witnesses (including Ulder Ravengard, I think; I took care not to kill him but he vanished anyway.)

The next thing that happens doesn't actually make sense but is interesting nevertheless. Once Gortash is dead, the Steel Foundry is automatically blown up, and the Absolute speaks encouragingly to the player through the Steel Watchers:

I'm actually stumped about how the Absolute can control the Steel Watchers without the corresponding tadpoled brains in the Foundry (which I have to assume got crushed in the rubble?) Oh well. In any case, the Steel Watchers are friendly and will even be allied with you if you get into any scuffles with the Fist, until you kill Orin. After you kill Orin, every Steel Watcher is immediately hostile AND will sic the Fist on you, too.

(Funny story, I actually managed to down one of the Watchers next to the Steel Watch fan group on the north end of Wyrm's Crossing and uh. The Watcher blew up one of the fanboys. Oops. RIP Trinigan Gazotts.)

I kinda want to write a whole post about just this, but Shadowheart's parents are still put up on display in the House of Grief basement in spite of the fact that she is almost certainly (?!) dead and/or a mindflayer by this point:

You can talk to them but you cannot help them in any way. I'm aware that this is just a tease for Shadowheart's plot, but I want to nitpick this so bad. The Sharrans have regular prison cells in the building; what is the point of hanging up these two on the Spencer's Gifts lights indefinitely? Whatever bummer vibes Shar is getting off of them can not be enough to pay for their magical upkeep. Do the Sharrans have to take them down at mealtimes, or are they fed with sandwiches on sticks, or...?

The love test at the circus is NOT interesting; the dryad assumes that you are in love even if you are forever alone and gives her usual sales pitch about bringing the one you love to her.

If you didn't save Wulbren or Barcus, the entrance to the Ironhand Gnomes' cave is just blocked off.

Astarion's unfortunate end if you don't recruit him has been covered in great detail by other posts, but I will remark that it is funny to kill Cazador yourself as a gnome because you have to hop up to stab him. It's also very, very funny to see Cazador explain his whole evil plot to you, random gnome woman who just showed up, if Astarion isn't around. This man is desperate for somebody to think he's cool, so I guess he'll settle for attention from the cattle if he's gotta.

Volo still shows up tied to that trolley cart by the foundry, but there's no angry mob around him.

If you haven't encountered the inquisitor at the creche, or the avatar of Vlaakith in the shadow cursed land, they both show up in the Elfsong's basement

There is no hag plot if you did not encounter Ethel. The captain at the Blushing Mermaid is just as she seems, there's no hag lair, and Vanra and her mother want nothing to do with you. There's no hag support group; that house has a group of random hostile thugs in it instead (with a tenuous tie-in to Ninefinger's Guild).

In Act 3, Raphael will totally say "listen here you little shit" if you hassled him outside of the mausoleum in Act 2 by, oh, I don't know, casting Silence on him? (after which he does NOT give you the Yurgir quest, he just leaves).

Bluurg and Omeluum do not show up at the Society of Brilliance's lodge if you did not meet them in the underdark in Act One, but there is a letter indicating that they will show up later. I checked, and Omeluum is also not in the Iron Throne.

Nothing funny or new happened with Orin. I threw her in a pit. BUT worth mentioning? You can skip the entire Bhaalist powerword kill trial if you just send one invisible party member through the area and just find the warppoint near the temple afterward. You're welcome.

If you get to the epilogue alone, Milil will comment that he expected more guests, but Withers will speak as if multiple people are there no matter what

Also, if you are a lonely little mindflayer, this has no effect on the refreshments offered at the epilogue party. Mindflayers can drink alcohol, apparently, but obviously nobody is here to eat all the food Withers put out. WTF, pee paw.

And I think that's mostly all the was interesting or different in this run. It was a fun challenge!

[jetra4ivor]

Have we as a community ever talked about how INSANE the first episode of Minecraft Story Mode actually is? Like, as a preview of what TellTale can do with Minecraft it’s absolutely buck wild!

Think about it… most TellTale games tend to focus each episode on a specific scenario or location for the majority of it. Like in the Walking Dead you’ve got the farm episode, the pharmacy store episode, the train episode, the hotel episode, etc. There might be a couple locations in one episode, but it’s usually pretty succinct and limited.

Now look at what we got in MCSM episode 1:

We have the treehouse and the building competition.

The night time search for Ruben and the cave and bridge jump with Petra

We’ve got Endercon which in and of itself is a MASSIVE part of the first episode.

We’ve got Ivor’s basement

we’ve got the Wither Storm attack and chase sequence.

We’ve got the friggin NETHER and a minecart chase sequence.

We have a night spent in the wilderness.

We have the ruined Order of the Stone Temple, which in and of itself contains several puzzles and a hallway trap.

And then we end on the big choice that affects how the next episode plays out.

There so much in the first episode alone! Just the events of Endercon alone would’ve been about for a single episode of a TellTale game. The fact that there’s still the Nether and the Ruins afterwards is crazy!

[lexa-griffins]

I think we need milf Lexa smut for wanheda's dagger week. What if milf Lexa sleeps with her kid's hot young babysitter Clarke

Lexa has some wild three, five and seven year olds that despite working from home, she cannot keep up with so she decides to hire a nanny from these nanny type services that focus on all day childcare.

She is home and she can help whenever needed but she can also have so quiet to work as the nanny watches the kids.

Clarke is great. She is a med student wanting to be a pediatrician so she is wonderful with the kids. She's good at arts and is always pishing for the kids to bring out their inner artist and always has activities to keep them entertained. Lexa really enjoys having her around

Clarke is, unfortunately, also extremely hot. Lexa has managed to distract herself from this mostly until the weather turned, and the sun was constantly out. With a pool and a nanny certified in first aid Lexa had no issue letting Clarke be outside with the kids in the water, up until the bikini top that although conservative still cannot hide her chest fully and the tight swimming shorts give away a little to much about what's between Clarke's legs.

And Lexa shouldn't. She is early 20s med student, funny and sweet and deliciously sarcastic in a way that makes her somehow hotter but Lexa is still almost 20 years her senior and her employer.

Still, Lexa finds herself putting herself together just to stay at home more often. So much so her oldest comments on how pretty she looks every morning, the sweet smile with two missing teeth the absolutely cutest thing to Lexa.

It is on one of those hot days. The kids have tired themselves out and have all gone for a nap. In the meantime Clarke entertains herself with cleaning up the toys from outside, still in her swimming outfit.

That is when Lexa, unware of Clarke's outside cleaning up, steps outside after clocking out early, the weather too hot for her too focus. Her old bikini, much too small in some areas, was the first thing she put on as she steps outside only to be greeted with Clarke bending over, her chest nesrly spilling out of her bikini as she empties the water toys.

"Oh sorry, Miss Woods, I didn't see you there. I was just clearing out the kids toys." She sounds out of breath the moment her eyes fall on Lexa.

"Its alright. I was just going to sunbathe for a bit. Care to join me?"

It is the offer that dooms her.

Because not ten minutes late the bottom of Lexa's bikini dangles from her ankle, her leg throw over Clarke's shoulder as the younger girl thrusts her dick inside of her with abandoned, fingers pulling at her nipple as she fucks her hard. Lexa has no idea what sequence of event got her here, but she'd do them over and over again.

A loud moan escapes her. One that Clarke muffles with her hand, hushing her sweetly.

"Shhh, quiet baby."

There is nothing between them when Clarke fills her with her cum. Lexa doesn't find it in herself to care.

By the time the kids wake up an hour later, Lexa is in the kitchen making pancakes as Clarke cuts up some fruit, both having finished and cleaned up, still a tension between them.

Nothing more happens for a week. Until another horribly hot day forces the kids on to the pool and a nap that immediately knocks them all out. Lexa had the day off and decided to enjoy it by the pool with the kids and Clarke, doozing oof before Clarke puts the kids down for their nap.

When she feels her sun vanishing Lexa opens her eyes, gasping the moment her eyes land on Clarke's hard cock above her face. She hears her chuckle at her expression, tapping the tip of her dick on Lexa's lips.

Lexa shouldn't. But she still did.

[queer-ragnelle]

What are some of the weirdest stories/books/movies etc you've encountered in your Arthuriana journey? Whatever weird might mean to you (good/bad/unsettling/unexpected/surreal/goofy)

Hi anon!

This is honestly a tough thing to answer because what even constitutes a weird Arthurian retelling? They're all pretty weird haha! But I definitely have a few that come to mind

The French film Perceval (1978) is super weird in a great way! It's shot on a stage with painted backgrounds and metallic trees and structures for the set. Real horses are brought on. A troupe of bards provide diegetic music, playing instruments and singing a narration of events on screen while also acting as characters in their own right (such as the jester Kay throws into the fire). Perceval and Gauvain narrate their own stories in third person at times too. It's surreal! It's as if Perceval's world is "fake," since his mother has kept him isolated for so long, it's a distorted view of reality. This is the closest adaptation of Chrétien de Troyes's Story of the Grail I can think of, it's nearly word-for-word, BUT! They removed the racism and antisemitism. Two thumbs up! The ending is bananas. There's no describing it, you just have to watch. You can download this movie from my MEGA drive or it can be watched for free on Tubi! (Content warning for nudity and some gore.)

The film Unidentified Flying Oddball (1979) is my favorite adaptation of Mark Twain's A Connecticut Yankee in King Arthur's Court. The main character Tom works for NASA developing an android named Hermes. Through a comedy of errors, both Tom and Hermes end up launched into space at the speed of light, traveling through time, and crash land in Camelot, 508AD. Mordred mistakes Tom for a monster (due to his space suit and orb-shaped helmet) but Tom quickly wins Arthur's trust and allowed to hang out. He meets Sandy, a girl who thinks her dad has been transformed into a goose, and together with her and a page named Clarance, works to return home. It's exceedingly silly. I much prefer the character Tom (and Hermes, who is identical in appearance to Tom and jousts for him) to Sir Boss in the Connecticut Yankee film from 1949 with Bing Crosby. Tom's gun is funnier than the original as it's more like a science-fiction laser that blows things up. He also has a magnet ray he uses to draw armored knights where he wants. Not a good film, but goofy and fun. You can download this movie from my MEGA drive! (No content warnings, it's a family movie!)

The film Excalibur (1981) obviously has to make this list. Coincidentally, it's mostly for Percival again. The Grail Quest segment accounts for just 20 minutes of the entire film, but it feels like eons. And it's So Weird. It's safe to call it horror. Percival meets struggle after struggle, encountering many dead comrades along the way, raving mad townspeople struggling to survive, Morgan and Mordred attempting to steer him wrong. He's eventually hung from a tree and has a vision of God's voice. (Hallucination or real?) The dead knight dangling above him sways and his spurs cut Percival free. From there he runs into Uriens and holds him as he dies, struck down by miscreant knights. Percival eventually achieves the grail, obviously, but it's not until he's pushed the absolute limits. It's probably one of my favorite sequences in film ever. 11/10. You can download this from my MEGA drive! (Content warning for nudity, rape, gore, and incest.)

As for books, I recommend The Modern Arthur Trilogy by Peter David. The first one is Arthur running for mayor of NYC, the second one is President of the United States, and the third one he sort of becomes a god. It's wild. Other characters include Guinevere, Lancelot, Morgan le Fay, Mordred, Percival, Merlin, and of course the Lake of the Lake. The sequels randomly add Gilgamesh and Enkidu (and later Noah, like the guy with an ark in the Bible??) and it's all very strange indeed. The first book is definitely the best but Gilgamesh/Enkidu were pretty freaky (affectionate) so I did enjoy that, although the whole premise of book two is...meh. I listened to the graphic audio books which were awesome, the sound effect of Arthur falling down the subway stairs in full armor is worth every penny. (Content warning for incest, murder, cannibalism, racism, and terrorism)

[red-moon-at-night]

The Trojan Horse/La guerra di Troia (1961)

Ignore the complete mischaracterisation of Helen and the inaccuracy of events, you need to see this sequence of how Paris dies. It's absolutely WILD.

[velvetjune]

Everything about “this road” by Poe, the song at the end of each Alan chapter in Alan Wake 2, makes me go absolutely wild. The way it changes every time to fit what Alan is going through and Alice’s own perspective on his destruction over these years. The last time it appears is an entire 9 minute long segment that slowly distorts until it becomes clear “it’s a spiral.” The whispers of “I’ll find you…”

Even the sequence of events that created this song is unbelievable. Like what do you mean this is one of the first new songs by Poe in almost 2 decades? That Poe and Sam Lake worked on and recorded it in the same place that House of Leaves was edited?? House of Leaves, the book that was one of the major inspirations for Control and Alan Wake, and is written by the brother of Poe??? The looping of it all,,,,

[aethon-recs]

January 2023 Tomarrymort One-Shots

I wasn't planning to do a month-by-month rec list, but my god did January deliver on one-shots — so many showstopping works were published this month that these 10 fics deserve their own post. And what a variety too(!), with fics ranging from A/B/O to love potion mishaps to fem!Harry, and even canon-compliant(-ish) Harrymort.

Criteria for this list: one-shot, complete, published in January 2023 (yes, in the last month alone!)

Why one-shots?, you may ask. The majority of what I read is chaptered works and longfics, but I think one-shots can be a bit overlooked and underrated — they don't have ongoing updates on AO3, and the first rec lists in this ship that I encountered were dominated by longfics. So I wanted to celebrate and highlight the amazing work that the writers in this fandom are doing in short-form writing. Also, one-shots tell a full story arc in one go — and isn't that wonderful to get plot resolution and closure in a single sitting?

(Thank you also for dropping recs into my ask box! Please keep them coming!!)

*

Tomarrymort Recs (January 2023)

a dream is a wish by @funkyatheart (E, 5k)

This was such a delight to read from beginning to end. Cleverly weaved in between the canon events of book 5 are SUPER HOT dream-sharing sequences that show the escalation of Harry's increasing fascination with Voldemort. And we're gifted with hemipenes and consciousness-sharing through their mental link — what more can I can ask for from a Harrymort smut scene??

A Special Day by @vdoshu (E, 3.5k)

My jaw was ON. THE. FLOOR. for this whole fic. Grumpy old man Voldemort with all his old man habits was such a delight to read about — I don't think I've ever seen this concept done before. And when Harry shows up, the narrative tension is so good and kept me on the edge of my seat. I can't say much more without giving things away, but I definitely recommend this as one of the most unique and twisted concepts I've ever read in Harrymort.

Banish Me to the Garden of Eden by @contrarywiseizybel (M, 7k)

Rich, sumptuous descriptions run through this entire fic and bring to life — very vividly — the entire story arc of Harry locked up in a tower as Voldemort's captive and how he gradually comes to make the best of his fate. The author's writing is so poetic and lyrical and makes really good use of repetition, which gives the whole fic a very fairy-tale-like quality (including the happily-ever-after ending!)

Bruises Like Violets by @noumena-writes (E, 3k)

A forbidden romance between Tom and Harry who are on opposite sides of the war makes their last tryst VERY high-tension and fraught with danger. As always, noumena's writing is full of so many gorgeous and richly detailed phrases, like "The raging fire that burnt through every angry spell was slowly eating away at Harry, leaving a battle-weary shadow in his place." Absolute 🔥 writing.

Cherish by @amors-mordre (G, 1k)

This fic gave me the absolute chills in just 800 words. Voldemort is at his manipulative best here, as well as absolute peak possessiveness. The dynamic between Voldemort and captive Harry is delightfully creepy and leaves you craving more.

his lady in crimson (who reaches through time) by @ellorypurebloodculture (M, 5k)

This was such a cool non-traditional time-travel story! All the descriptions of fem!Harry and her outfits are absolutely gorgeous — I don't think I've come across this level of detail to costuming in very many other fics before; it was one of those really nice details that you can tell the author put a lot of work into and that really made the fic very memorable for me. And oh god, I felt every moment of Harry's heartful yearning and desperation and urgency in reaching out across time to Tom, and how much she loved him already — an absolutely beautiful love story.

never a victimless crime by @duplicitywrites (E, 7.5k)

Someone doses Tom with a lust potion keyed to Harry — and an absolutely wild, chaotic, wet, filthy hot mess of a shower-scene PWP ensues, featuring Tom who's been drugged out of his mind and Harry who's trying to do the right thing but is similarly incapacitated by a mild concussion. This had so much sexy chaotic energy, and is definitely one of the best things I've read on AO3.

Serendipity by @lissiamoonstone (E, 6.5k)

SO MANY LAYERS OF DUBCON. SO MANY LAYERS. And combined with super possessive Alpha Tom and Harry being in heat and somnophilia as the icing on top!? This was such a delicious mind-fuck — I reread it a few times and kept finding new things to notice, and I know I'll come back to reread it many more times.

They, of Riddle Manor by riddlereading (M, 16k)

I think this is one of the most unique Voldemort-wins story arcs I've read in Tomarry. Just one thing goes differently when Tom goes to Riddle Manor for the first time, and he doesn't end up killing his muggle relatives, which then sets off a sequence of events that result in Lily not dying and Harry growing up (with a happy childhood) in Riddle Manor. It's absolutely adorable from start to finish, and I had a huge smile on my face when I finished.

Tom Riddle’s Guide to Repeatedly Failing to Get Laid in the Restricted Section by TheOnceandFutureQueenofTarts (M, 3k)

I jumped to open this fic when I saw some of the tags here — dubcon, amnesia, mind manipulation(!!) This was such a fun and snappy read, featuring one of my favorite things — Tom repeatedly fucking with Harry's head to get what he wants (in this case, getting laid). He is absolutely undeterred and plays dirty, and we would expect nothing less of our favorite babygirl dark lord in training 💕

*

[lakemojave]

I feel so bad that I didn't actually play resident evil 6 for my project last year. I based a lot of my opinions about it based off how wild its narrative content was and secondhand accounts about its gameplay. It's very easy to say "it's bad" just by looking at it, but playing the game itself reveals much deeper, more fundamental flaws that you don't get just watching a video essay or let's play.

Resident Evil 6 is attempting to be so many kinds of games at once, so it's actually so many kinds of bad at once. The first ten or fifteen minutes of the game are a slow crawl through dark corridors and university ballrooms; there are no enemies, just a series of tutorializing sections and thin attempts at building a tense atmosphere. It's extremely slow and dreadfully boring, which is crazy because all of this happens within seconds after shooting your best friend, the zombified president of the united states like a rabid dog.

It moves to a city in the midst of the first wave of a zombie outbreak, then a cathedral filled with traps, then a secret lab, then like three layers of medieval dungeon. The tone and genre intention of this section varies wildly, but it seems to be a repeat of the spare parts of Residents Evil one through four: first the abandoned opulent structure, then the burning city, then the gothic architecture complete with spike traps. The city section is actually really good because at this point there had been no reimagining of the Raccoon City destruction in a modern console, so the level of chaos and manic destruction at play with the return of more classic zombies to the series is extremely refreshing and fun. Then the cathedral happens and, after a pretty boring cemetery maze, there's a really good sequence of co op puzzles that harkens back to classic Resident Evil design. It's a good series of levels--the problem is that it's derivative.

It's not just derivative of it's own series, actually. For all the references to past games, Resident Evil 6 is assembled mostly from the spare parts of other popular action games from the 2010s. There's lots more mobility mechanics, way less ammo scarcity, absolute heaps of weak zombies, cover mechanics, swimming sections, and quick time event after quick time event. Combined with the artificial widescreen black bars, it's riffing off of Uncharted, Gears of War, and David Cage style design so closely. So many of the dungeon props and layouts look almost exactly like levels from Dark Souls or Skyrim, and when we get to Chris' campaign the tone is almost indistinguishable from Call of Duty: Modern Warfare. Is there an aspect of game design that was popular in the 2010s, or even just happened to appear in games that were popular in the 2010s? That mechanic is absolutely in Resident Evil 6.

When RE6 has an original idea, it is so patently ridiculous and unhinged that my immersion is immediately shattered and I can't possibly take the game seriously. When RE6 is borrowing an idea, it is so bland and anonymous that my immersion isn't given the respect it needs to form whatsoever. RE6 fluctuates between these two moods so repeatedly and with so little warning that experiencing the game first hand is like going to a haunted house and, instead of actually getting the proper experience, a guy in a room just beats the shit out of you. Is it scary? Technically it is, but not in the way I wanted, not in the way I enjoyed, and the experience was so painful that I could barely process what was happening.

Like all bad horror movies, if you're gonna experience Resident Evil 6 at all, I insist you do it with a friend. That is the only way to salvage the experience--to suffer with someone else.

[ineedlelittlespace]

for the ask game: ratthi murderbotdiaries?

Send Me a Character

Oh, Ratthi, my beloved...🥰

First impression

Like a lot of us, I only had eyes for Murderbot the first time I read ASR---the human team absolutely got shoved to my mental backburner while I was busy relating to MB. In the five seconds I did spend thinking about Ratthi, it was mostly in a "oh, so this is going to be the problem child, huh?" way when he almost walked outside into the worm's mouth.

Impression now

I love him, your honor.

But also, he is an all-around delightful human being. There's a kindness and an earnestness to his character that is just so endearing you can't help but like him, especially when you layer in the fact that he's excellent at his job, great at adapting to high-pressure situations on the fly, and has the people skills to successfully navigate the absolutely wild interpersonal interactions that the series keeps throwing at him.

Favorite moment

That whole sequence in Fugitive Telemetry where he and Gurathin drop everything to help Murderbot do some light breaking and entering. It feels like the equivalent of an errand hang-out, but if your bestie spends its spare time solving murders rather than picking up dry cleaning and going to Target. I love the implication that this is just what they do now, once Murderbot has settled into the group. Friends help friends with projects, right? So, obviously, Ratthi is going to help in whatever way he can.

Idea for a story

I kind of want to do more of his PoV for various scenes throughout the series. He's present for so many of the juiciest scenes---there's a lot to work with!

Also, it might be fun to do something with his friendship with Arada and Overse, perhaps with some backstory on their first meetings and how they moved from colleagues to besties.

Unpopular opinion

In all honesty, I don't feel like there's too much pressure re: popular vs. unpopular opinions in the Murderbot corner of the internet. The only thing that comes to mind with Ratthi is that I think we tend to...soften him a little too much sometimes. There's a tendency to focus mostly on his skill as a people person or a friendly face, not necessarily on the fact that if he wasn't so good at his actual job, he probably wouldn't be on Mensah's team. We see him tackle gory jobs like cleaning up the battle aftermath on ART in Network Effect, we see him jump into helping with medical emergencies, and in Fugitive Telemetry, he immediately identifies that "someone was dead here" when they come upon the scene of the murder because the physical signs are obvious to a biologist. As far as the humans of the series go, Ratthi is very capable!

Favorite relationship

Aside from the obvious friendship with Murderbot itself, I really do love that he's best friends with Arada and Overse. I love that these three stuck together for the next survey to follow the disastrous events of ASR. I love that their friendship is so obvious and loud that even Book One Murderbot could immediately point it out. I just really like seeing healthy platonic friendships (especially ones that coexist with and do not compete against healthy romantic ones involving some of the same characters), okay?

Favorite headcanon

The infamous "Who's this?" line from ASR was a full-on my-brain-is-short-circuiting-and-my-mouth-got-ahead-of-my-mind moment, not necessarily an ah-yes-a-stranger-to-be-introduced moment.