#abe’s actual words

[bbygirl-aemond]

it makes me so insane that rhaenyra is doing to jace exactly what viserys did to her. while obviously rhaenyra cannot acknowledge her children's parentage publicly, this episode makes it clear that she has refused to acknowledge it to said children, even in private, ever. even though said children have been forced to live through stares and bullying and derision their entire lives because of it. and she continues to do things that undermine jace's claim, such that he is set up to face a potential civil war of his own when he tries to ascend to the throne. she is content to leave the consequences of her actions in having bastards for jace to deal with once she is dead, just as viserys was content to leave the consequences of his actions in making rhaenyra heir for rhaenyra to deal with once he was dead.

[ominous-horse-noises]

main takeaway from certain fan reactions to the finale is this:

the final scene with ankarna was so meaningful to the bad kids' arcs and how they made peace with being wronged by people they loved, and if all you can focus on is that the rat grinders didn't get much screentime, then you don't love dimension20 and you don't love this world: you want to be playing your own hs themed dnd campaign and you're mad the oc versions of the rat grinders you made up in your head acted ooc. these are not your characters and this is not their story.

[night-triumphantt]

I,,,, have @infamous-if brain rot so I threw another blorbo in there

Edit: here have some close ups bc tumblr destroyed the quality tf

[blighted-lights]

so i've been thinking about these panels specifically a bit more lately and i actually kind of like this scene a bit more than i did before. megatron is offering ravage an out here. and thinking about it, this is likely the first time in a long, long time that anyone has actually cared what ravage wanted when it comes to the decepticons and his place among them. this isn't to say of course that others simply don't care what ravage thinks, but there is no one in ravage's life who would even think to ask him if he wants to be part of the cause anymore. he is ravage; his devotion to the cause is always assumed to be strong simply because of who he is. or at the very least his devotion to soundwave is always assumed. and of course megatron had to be the one to do it, because megatron is one of the few who has said yes to the very same question he's given to ravage.

the other notable example is, of course, when deadlock decided to leave the decepticons and become drift again. ravage's choice to remain seperate from the decepticons isn't as dramatic or complete as drift's or megatron's, but the fact that he chose to remain with megatron on a ship full of autobots rather than to rejoin soundwave's efforts to rebuild the decepticons on earth with galvatron even when it becomes clear that his mission is over... idk. i think it means something. and im not saying "ravage was considering joining the autbots like drift and megs" because you'd honestly have to kill him before he ever did that and he still clearly sees himself as being seperate from the autobots, but idk. im not as against this scene as i was before now that i'm really thinking about it. we're never given a solid reason why ravage decides to stay and it's never expanded upon in later issues, but him using this as an opportunity to "get out" when he's never really been given the chance before to leave (either due to his own obligation/affection towards soundwave, belief in the cause, inability to leave due to the sheer danger leaving the cons would bring him, ect) is Important to Me™️

and he could always claim he was lingering with the lost light to continue keeping an eye on megatron, even though megatron has said he isn't willing to return to the cons and seems pretty damn convinced of it. i still wish we got to see him talk more about the cons in general because of just how intense his intro is:

buuut ravage using this as an opportunity seperate from the cons while using the excuse that he is still watching megatron is a thought that's been fun to chew on for the past little while, so i thought i'd share it.

[oh-no-its-bird]

I kind of ended up w a small pile of Hatake ocs and lore to fill the early konoha timeline void, and a big thing is like. They all die to preserve the narrative. A lot of them very young bc again, made to fill the time line, so logically, there had to be some Hatake kids/teenagers who met an unfortunate end.

So I'm kinda sitting here considering a 4 part fic where each chapter revolves around a specific Hatake and their inevitable death, w maybe a bonus chapter at the end being about Sakumo

"Death of the Wolves," the unfortunate end of the Hatake's, told in 4 parts

The Hatake's helped set the Konoha standard rule of "a team can only be made up of so many % of one clan" (with special exceptions) after a large chunk of them got sent on a mission together bc of their specializations and all wound up dead, wiping out a solid 90% of the clan in one night.

Actually, expanding on that bc the tragedy is so good -> I already established that in my time line, the Hatake head, Haruka (Sakumo's mother, Tobirama and Hashirama's aunt) died under a week after Tobirama's death, and she would have lead that failed mission. Does that mean one of Hiruzen's first acts as war time Hokage resulted in the accidental slaughter of his beloved dead Sensei's mother's clan? That's amazing actually, so much drama there. I bet him Danzo and Kagami argued like crazy after that monumental fuck up, probably went on to define how he feels ab being Hokage / what that entails. Fun times!

Anyways, I'd also be very interested in exploring early konoha politics n stuff. Especially from the multiple views of not the people in charge of making the village but the ones who are living in it. The view from the ground up, instead of looking down from the tower. The younger generations being brought to this new village, going from their isolated clan lands to suddenly being surrounded by others their age from different clans, possible for the first time ever depending on their age and their clans level of secrecy.

Also, I really wanna poke at the outsider pov of Madara and other founders— but mostly Madara bc I find his downfall very fun to think about, especially from the POV of someone not in his clan.

I'm so in love w the take of the Hatake's being fond of Madara bc "he'd make a very good Hatake." Something about the two tropes of the Uchiha being a clan that loves love and the Hatake being a clan w similar values when it comes to family and loyalty just meshes so well.

Comedy moment where Haruka is weirdly insistent on Madara potentially marrying into the clan, not even for the politics or anything but specifically bc she NEEDS a cute squishy Hatake baby with his massive hair. She NEEDS IT, MADARA.

Anyways also just the early konoha inter clan drama but like. From the eyes of the clan kids. The Uchiha kids seem to be having some sort of terf war with the Senju— but it was interrupted by the Hyuuga, and now the Senju and Uchiha kids are somehow banding together against the Hyuuga? But oh no now the Nara kids are teaming up w the Hyuuga, and the Hatake kid (singular bc there's literally only like 1) seems to have an actual blood feud going on with the Hyuuga clan heir— but the older Hatake teenagers are fond of the Hyuuga's baby clan heir so it's just a mess. All the clan drama but with none of the tragedy bc everyone involved is a child.

Meanwhile the older clan members are somehow bonding over their children's fights bc they're all struggling to pull them away, or going "what the fuck do you mean you teamed up with the SENJU??" Then sharing a disbelieving Look(tm) w the opposing Senju's parents before realizing what they just did and having a crisis of faith ab it

Meanwhile the teenagers are having a wonderful time, especially those from smaller more isolated clans like the Hatake. There's so much romantic drama, there's probably a whole shinobi soap opera happening in that direction. Hormonal shinobi teenagers from opposing clans just got dropped into the same dating pool it's gonna be a MESSSS.

Even funnier if you take crumbs from my senju weed empire au and like. Some of these clans regularly smoke n stuff. Meanwhile other clans have never touched a psychedelic in their life. Some are especially vulnerable to drugs due to heightened senses (Orochi, Inuzuka, Hatake) while others have been smoking since they were younger and have an insane tolerance and very much distorted views of a reasonable amount of weed to smoke (Senju, Nara, Shiranui) There is no way in hell that goes well. Someone is going to get fucked up in a MAJOR way.

Well-intentioned Nara accidentally gets a bunch of dog wired guys and one snake high out of their fucking minds, the high lasts a full week for some of them and one sometimes wonders if they ever really came down from it

Anyways I got a bit off track but yeah! Early Konoha fic that revolves around the daily lives of differently aged Hatake ocs, taking a look from different angles of Konoha and all the silly clan drama and daily lives of an early Konoha shinobi— each chapter being different degrees of generally lighthearted, but ending in the Hatake's death. The fact that each Hatake is in with a different crowd and is a different age would make it even more fun and easier to explore the different layers Konoha has to offer! It's for sure on my list of things I wanna write

(Also I'd really love to have it just so I can point to it as a good introduction for my Hatake ocs. I love tricking people into learning ab my ocs it's great)

[johnslittlespoon]

all the actor/celebrity au posts lately combined with troye bringing ross on stage last night for one of your girls has got me thinking...

a musician x musician au where gale is a troye sivan–esque ultra–famous queer pop star, and john's the singer of a well known indie rock band, and he gets asked by gale's team to star in a music video similar to one of your girls...

to everyone who doesn't know him personally, gale feels like this untouchable pop star. he's been in the industry for years, one of those classic 'i used to make music in my bedroom in my small town' stories, working his ass off before finally a song of his blows up and gets traction and then it's such a fast rise to stardom that he doesn't have time to wrap his head around it.

he never gets used to it, but he doesn't get an ego from it; he still hangs out with the same group of friends he's had since high school, and his team does most of his social media posting for him, because it freaks him out having all that attention, as grateful as he is. he's not shy by any means, not like he was when he started out, but he's not the biggest fan of all the fanfare and interviews and being put on a pedestal and all that. he keeps himself pretty distant online, and that coupled with the diva/superstar energy in his music/projects gives him this air of being on another level– a rare type of star all around.

john has a similar story, the whole growing up on the internet thing, making music in his basement in high school with the friends he's now in a pretty popular indie rock band with, working tirelessly to make a name for him and his friends. but that's kinda where their similarities end.

because john is known for being an absolute shit–poster, a little fiend online, a running joke in his fandom that 'john doesn't know that he's famous', 'should someone remind him this isn't a finsta?' type of vibe. he feels so accessible and down to earth, and while he's just as level headed and humble about his celebrity status as gale is, he displays it by being more present and trying to show the human side of it all, vs gale trying to create distance between gale cleven and the gale persona the world knows.

the band is first and foremost john's thing, but as he's grown in popularity, he's of course gotten offers for other avenues here and there, and at the insistence of his manager he decides to agree to try out a modelling shoot one day. he's not naive; he's more than aware of all the comments going on about his looks, stumbles across more tiktok thirst trap edits of him sweaty and shirtless on stage than he can count, isn't all too sfw in some of his band's songs, either.

he finds it all funny, but he also is someone who will always jump on new opportunities/experiences, and he ends up having a good time modelling, and picks up more gigs as time goes on. this is how gale becomes aware of him, somewhat because gale does occasional modelling too, but mostly because he's worked with a lot of big fashion names for tours and videos, so his and john's circles occasionally crossover, though they never actually meet in person.

so then comes this music video shoot, one that gale's been agonizing over for months, planning every little detail and making sure everything is perfect. it's something that drives his manager (marge? <3 gotta include the angel in every au obvs) insane because gale's got so much on his plate as is, but he likes to be so hands on with his projects, and she knows by now there's no talking him out of that. and everything is going great, until the person who's meant to be starring opposite gale has to pull out last minute due to a scheduling conflict or personal emergency or something.

and the usually very collected and put together gale is freaking out. it's the day before the shoot, everyone involved has already travelled to be on location, choreography is set in stone– this is his nightmare scenario, never doing well in situations where he has a lack of control. it's half of what scares him so much about being as famous as he is, is that he doesn't have a lot of autonomy or control over his own image or how he's perceived in the public eye (and digging deeper into backstory, probably stems from wanting to take back control after a childhood filled with being controlled by family.)

but it's situations like these where he's reminded why marge is his manager and he isn't, because she leaps into action the moment they find out about the cancellation, calming gale down so they can put their heads together to find a replacement. they reach out to a few of the names they have connections to, but it's too short notice for all of them, so maybe marge even just resorts to going through the people gale follows on instagram, and stumbles across john's page. he's got a good rep in industry and has worked on less 'conventional' projects before, so marge shuts down gale's fretting over "would he be comfortable with something like this?" by telling him there's only one way to find out, and contacting john's manager.

john agrees before he even hears the full pitch, and he's just as keen afterwards (albeit a bit nervous because by no means is he a professional dancer), knowing it'll be good publicity, and curious to explore a more artsy/out there gig, but also curious about the illusive gale, who he'd been surprised to receive a follow from a few weeks back.

john is flown out that night to the city of the shoot location, barely having a few minutes to change and head to the rehearsal space, where he meets a very frazzled but very thankful gale for the first time.

maybe they both have some preconceived notions about each other, despite having mutual respect and no actual interactions; john probably expects gale to be a bit stand–offish or conceited given his high celebrity status, but finds gale's actually bashful and quiet and easygoing when the cameras are off (when they're on, it's like he flips a switch, slipping into this persona, exuding confidence and sexuality and it honestly blows john's mind to witness in person).

gale probably expects to john to be loud and abrasive based off his well known social media posts, maybe even a little uncomfortable around gale, who is openly queer, whereas john isn't– maybe john hasn't ever stated his sexuality, has never given much thought to it, it doesn't matter much to him. instead he finds john's actually a little shy, much less bravado than he'd anticipated, but very enthusiastic and eager to learn and get the choreo and everything else right, assuring gale repeatedly that he's down to do whatever is needed.

so the two of them rehearse till the early hours of the morning, john taking it as seriously as though it's his own project he's invested months into, and gale gains such admiration for his commitment and willingness to stick his neck out for a borderline stranger (even though he's obviously aware this is a big boost for john's career). john gains a newfound appreciation for gale's work ethic and how much effort goes into every little thing for a huge artist like him.

and inevitably... there is sexual tension during the rehearsals. they're both overtired and sweaty and it's such a strange situation to meet for like five minutes and then jump right into dancing together so intimately, having to shed any inhibitions and self consciousness, but it's a blessing in the sense that they have to get comfortable around each other so quickly. there's no room for modesty or shyness, and john is genuinely speechless at how gale puts business first, and after double checking that john isn't uncomfortable, how he has no qualms about physically directing john, moving him how he wants him.

it's hot to john, the way gale knows exactly what he wants and is so passionate about his vision, and he'd be lying if he said the combination of being starstruck and being lowkey manhandled isn't getting to his head a bit. which is a whole other thing to unpack, because aside from vague acknowledgement of some men being attractive/beautiful, he's never actually found himself flustered by one like this, and it catches him off guard. he stays professional, but he still can't help but let his naturally flirtatious/joking personality slip out as the night drags on; he's like that with everyone he works with or hangs out with, and he thinks it would be weirder if he wasn't like that with gale, like everyone else would somehow notice.

meanwhile gale is fighting his own demons because he's got a very sought–after, very hot, very straight man dropping everything for him and letting him puppeteer him, on top of being so stubborn that even though gale can tell he's exhausted, john's refusing to call it a night until gale does, and THEN as if all that's not enough, john's effortlessly witty and complimentary and flirty. and gale's not one to mix business and pleasure, so he's not even entertaining these emotions, but he can't help but feel flattered by it all, while also reminding himself that john probably doesn't swing that way.

basically they both are discovering they have competence kinks lmao, like objectively they both find the other attractive, but it's not like they aren't constantly surrounded by beautiful humans in their lines of work, so it's more so the emotional side/work ethic that gets them both flustered, coupled with the inherent sexuality of dancing with very little clothing, hands on sweaty skin and toned muscles. but neither of them act on it, too tired by the time they call it a night even if they'd wanted to, and then it's back to their respective hotels to get a few hours of sleep before the shoot.

john isn't called to be on location until mid afternoon, and when he wakes up to his phone ringing and glances at the time, he freaks out, thinking he's slept through the shoot or something because he'd expected to be called early in the morning. he's told that he didn't sleep through it, but he's disoriented until he shows up, when he's told that gale had moved things around, filming as many scenes as he could without him before john was needed for his part, so that john could get more rest. (john swoons. just a little.)

he gets swept up in the capable hands of hair and makeup and wardrobe in his own trailer, and he doesn't see gale until it's time to film, and when he does, he almost doesn't believe it's gale. the glam makeup, the long blonde wig, the form–fitting sheer black dress and heels– gale's pretty as is, but with his features accentuated like that, john doesn't even know what to do with himself, feels like he's going through a midlife crisis at the ripe age of 25. he'd known gale would be in some sort of getup for their choreo, but nothing could've prepared him for this.

it makes it even more endearing that gale seems so awkward about it when he greets john, clearly out of his comfort zone in the ensemble, but john knows there's no way gale doesn't know how stunning he is, it's not a lack of confidence that's making him awkward. john keeps it together, reminds himself to be professional. tells gale it was really sweet that he let him sleep in, that he didn't have to do that, to which gale waves him off like it's no big deal. and he compliments gale too as they walk onto set, tells him, "you look great, wow," tame as he can be, and gale tells him "could say the same for you," and john snorts, gesturing to his simple jeans and boots and lack of shirt, says "feeling a bit underdressed, actually," and it gets a laugh out of gale.

when the cameras are rolling, any of that visible discomfort or awkwardness in gale disappears like someone's snapped their fingers and rid him of it, movements fluid like water, not an ounce of anything other than confidence and power and sensuality seeping through as he commands the camera with his energy. despite his aching body, john's grateful they ran the routine into the ground last night to the point that it's nearly muscle memory, because it's hard to concentrate when gale's looking down at him through long faux–lashes and gloss–plumped lips, caressing his jaw, playing with his hair, the sway of his hips and roll of his waist beneath john's hands so mesmerizing, john's half convinced he's being serenaded by a siren.

the tension would be insane, but equally confusing because neither of them would be able to discern what's an act and what's not, or if it's all just an act, pushing and pulling at an invisible line but never quite stepping over it even once the shoot wraps, both for the sake of professionalism but also for fear of rejection.

maybe after it all, john's on his flight back home and realizes in the whirlwind of everything, he never got gale's number (has a moment of 'why would i need it? this was just a gig' lol okay yearner). john's not even sure at that point what/how he's feeling about gale, the conflicting emotions of feeling attraction to him while in borderline drag doing nothing to help the confusion, especially because he can't excuse the attraction as just that when he was feeling things during rehearsal in casual clothes too.

he knows he could easily ask his manager to reach out to gale's manager for his number, but then he gets in his head convincing himself that if gale had wanted to talk further, surely he would've asked for john's number, since gale has way more reason to be selective with his own with his status.

he doesn't realize that on the other end of things, gale's realizing he also never got john's number, only he's talking himself out of reaching out because he doesn't want to read into john's friendliness as something flirtatious when as far as he knows, john is straight, and this was likely just a job for john, as well as they seemed to get along.

cue miscommunication when one of them actually works up the courage to dm the other on instagram since they're mutuals– either john dms gale something simple, a 'thanks again for the opportunity', and because gale is never on his socials and gale's team doesn't check messages much, it's weeks before anyone clocks john's message, during which john becomes sure he's nothing more than a coworker to gale, which he understands but is sad about. or, gale dms john, but from a private account with an innocuous username that he has just for friends and family, and john never even opens it because the lack of profile picture and generic user blends in with all the other message requests he gets a day.

they only end up reconnecting when the music video actually drops, because obviously it breaks the internet, and john happens to be doing promo interviews and radio shows at the time for his band's new album and tour, so an interviewer of course asks him what the experience was like working on a set like that and working with gale. john gives a glowing review, goes out of his way to praise gale– "the nicest guy you'll ever meet, and the craziest work ethic i've ever witnessed firsthand in hollywood."

when the interviewer asks if john would ever consider working with him again, y'know, the classic question an interviewer has to ask so they can drum up clicks with a 'john egan hints at possible future project with gale cleven!' title, john lays it on thick the way he always does with a wink at the camera and a "he can call me up anytime," but then adds a serious "no, really, i would love to work with him again, he was great."

predictably, the people who are already losing their shit over the music video and making edits and fan theories about the two of them go even crazier, spam–tagging gale and his team in the comments of this interview post, which leads to it eventually making its way to gale, and gale then realizes that john hasn't been uninterested; he must've just not seen his message since surely he would've replied if he had (marge looks at him with so much disappointment when gale mentions his attempt to reach out– "gale, no one with that kind of following is going through dm requests from faceless, private instagram pages, you of all people should know this").

gale hasn't told marge about his possible feelings, but marge isn't dumb; she didn't stand on set for nearly 24 hours with her eagle–eyes and not notice the way gale had been looking at john. to anyone else, it might've just seemed like he was leaning into his persona, but marge has known gale for a long time, and she could tell it wasn't all him playing it up for the cameras.

so marge puts her manager–brain and best friend–brain together and decides that with all the hype surrounding the new song and video, the two of them being seen together in public and making a few posts together would be a great boost for both of them. but she knows gale will never go for it if she voices this to him, because he'd see it as using john for popularity; she reasons that if he doesn't know, it can't be using. so she reaches out to john's manager and figures out when they'll both be back in the same city, and relays her plan as if it's just business, asking for john's manager to let john know that gale will be in town the next week if he wants to set something up, and she gives the manager gale's number for john to contact.

when gale wakes up one morning to a 'hi, this is john! my manager passed on your number to me, hope that's okay. i was told you're in town next week? :)' and then 'egan. btw. lots of johns out there.' and then 'the music video guy.' (john, absolutely panicking on his end, worrying that gale might not even remember his name, not knowing gale's been stalking his socials and confusion–pining just as much as john has been doing the same.)

and then more miscommunication after they arrange to hang out, because john assumes this is just for publicity based on what his manager told him, and he understands, as much as he wishes they're hanging out properly. but gale assumes this is a genuine hangout, because john never says otherwise, until the end of the evening, when gale has to leave for a dinner event and john says "we better take those pics for the 'gram before we say goodbye, or the big guns'll have a fit."

and either gale masks his surprise and then disappointment and goes along with it, thinking maybe he missed a memo or misread things, and this conflict and miscommunication is dragged out even longer, or gale doesn't hide his confusion in time, and john is then equally confused, says "your manager didn't...?" and gale says "sorry, i didn't know; i guess i misread your texts," feeling stupid that he's been thinking the hangout is anything other than a pr stunt. and then there's the awkward "no! no– well, yeah, i was told that this was to promote the video, so i thought– i mean, i would've liked to hang anyway, i just didn't think you wanted to?" from john.

gale is slowly connecting the dots in his head and he's so embarrassed, but also relieved that he hasn't misread things and made a fool of himself. john looks on the verge jumping out of his skin as gale sits quietly, so gale puts him out of his misery, smiles and pushes his irritation about the incident down and says "i do want to, john. i think marge– it doesn't matter. it was a miscommunication, i guess." and all the tension evaporates out of john's body, and he lets out a laugh, and a "oh, thank god. fuck. i was about to walk into the street," and gale lets himself relax too, scoffing at john.

so they decide to have a redo the next week, since they both do feel obligated to take their stupid pictures now to please their teams (and the internet), and thus a tentative friendship is born, the two of them dancing around each other and around feelings because everything is confusing as is, let alone with the way their careers affect every aspect of their lives. so much slowburn, lots of john trying to figure his attraction out and gale keeping his walls up because the thought of literally becoming the person he's singing about in his music video is laughable, he doesn't wanna be strung around or used as an experiment for john.

and john respects this unspoken boundary and also appreciates that they can get to know each other as friends while he tries to stop freaking out every time he pictures him and gale doing less than platonic things. probably a whole lot of chaos on john's end with the absolute tornado that he is, ie: '4am 'am i gay' quizzes taken in the dark of his bunk on a tour bus, asking an openly queer friend from his band if his feelings toward gale are normal, rumours started by a fan that they saw john in a gay club after a show, etc.

because john doesn't do anything halfway– he's ready to literally go out and kiss men and explore his newfound feelings, not just to prove himself to gale, but to figure himself out, because he's terrified of hurting gale since john doesn't have the best track record with relationships. overthinks the shit out of everything and doesn't realize it's not that deep, that liking gale doesn't mean he's suddenly attracted to all men, that all gale wants is for john to be confident in himself and his feelings for him before pursuing anything.

there's a lot of back and forth and messiness and emotions stacked on top of their already crazy hectic schedules and lives, the theorizing and prying from fans and paparazzi, caution from management, but when they eventually have their point of no return moment and cross that line from friends to more, the chemistry is so intense that both of them feel stupid for dragging things out for so long.

when the initial new relationship shyness wears off, the sex is also insane, all the exploration and playfulness (and inevitability of the whole feminization thing coming back into play since that's what starts everything in the first place lol). they're barely able to keep their hands off each other, almost always spending the night at each other's places, stealing as much time as they can to make up for the time apart when there are tours or other events separating them.

they try to keep things private for a while, but with how active john is online, he slips up a good few times– tiktoks where a hat or something of gale's is accidentally left in the background, story posts where john's wearing one of gale's hoodies unthinkingly, mirror selfies where there's a mystery hand or leg in the background. the internet is torn, some convinced it's coincidence, some certain it's all a pr stunt to get people talking, some adamant that they're in a secret relationship. gale's never upset about it; they both just know how much things will change if they go public.

months are spent sneaking around, rarely going on public dates, the odd paparazzi shots still leaking out until it finally gets to the point that there's no point hiding things anymore, it's obvious that they're not just friends. they never actually announce it or make some relationship launch post; they just stop caring, and it's freeing and neither of them expect to be so affected by being able to publicly show affection for each other, but it's such a sweet thing and makes things feel so much more real.

john goes to gale's sold out arena shows and stares up at him in awe and can't believe that gale chooses him every day, and gale goes to john's band's high energy festival sets and watches his golden boy light up with joy every time he glances at him side stage and can't believe john chooses him too.

:-)

lol this post was meant to just be the two lines above the cut but then i got to thinking about origin stories and whoops new au drabble because i'm a master at getting carried away!!

[yakultii]

What's the favourite photo you've taken? - they're all so nice!! 💕

awww thank you sm !! <33 tbh I don’t really find any one photo too significant as of yet, not to say they aren’t nice to have but real life moments are nicer :)

these aren’t necessarily my fav photos but could argue might be my favourite “vibes”

this one was taken with a digital point and shoot — while it may be argued objectively shitty and I’m completely aware a toddler could replicate it, I think this is why I love it. the fact that it just is what it is. the untouched scene naturally tells its own story, rather than needing to curate one yourself. I personally find it’s more than just something to look at. this stripped back style evokes more emotion for me than others and I love how the darker lighting does not dull its life. I mean this is all subjective. I personally don’t think this style is the best for every photo (or maybe it could be) but I really like when it works out. as someone who feels disconnected from my own existence a lot of the time, I like that I can live through it a little, as I believe it to be as close to a reflection of my interpretation of the society we live in as possible. while it wouldn’t really matter if this particular photo got deleted. never to be seen again, I’d never know the feeling of this particular moment, until I felt it in real life again. obviously I didn’t quite know all this when randomly taking it while bored on the train but I think that’s the only reason it turned out this way which is even more warming.

but of course, maybe more so than anything, I love my trusty film <3 point and shoot ofc — these photos alongside the header of this blog, again very little effort but somewhat significant of a story. I guess what I’m trying to say is that I like when I’m able to capture a simple image that tells a story/evokes emotion (again, whether or not it portrays a story may be subjective). Especially with minimal effort, cause in my opinion if it’s perfect as is, then surely it’s worth taking a photo of. Film is more reliable to me at this point of my life, while I’m not very experienced (in any kind of photography really) I think it’s hard to fail, in fact I feel as though it almost exceeds my expectations. As someone who has never been any good at technical aspects of any form of art (or the patience to pursue them), I find film enables me to curate something to a standard of which I couldn’t ask for anything better of myself. Not to mention the process of developing etc. meaning I really have to stop and envision my image more so than with digital, which is basically an act of mindfulness (something I’m also usually very bad at). I’m pretty sure the Coca Cola photo was the first photo I ever took on film in 2020 lockdown (besides a barbie disposal I got for xmas as a kid that my parents were mad at me for quickly “wasting” and never to be developed). what I love about all these photos is that I believe I was able to zoom in on (no pun intended, because actually I didn’t) seemingly insignificant moments in life happening all around me so that they could later be recognised as something more. again, in my mind, my life feels very fragile at the best of times so I like that I can hold onto things a little longer when I’m alone. I’m so so glad film has stuck around and I hope I one day fix my favourite film camera and can take more photos like these!

again, hella subjective and have found most people I know to have very different preferences in what photos they think look and feel best, but as of right now these are mine :)

[chaotic-toby]

When I obsess over a character, I unconsciously start acting like them. This can consist of me copying their mannerisms, habits, or personality I guess.

Well, right now, I am obsessing over Abed from Community, so I've been copying his mannerisms such like his head and eye movements (like when he tilts his head in thought, which is something I already do but now I'm doing it in a more similar way), and I find this funny because he also acts like characters from his favourite shows/movies.

Just two autistic folks pretending to be fictional characters

[huellitaa]

"im so ocd" "im getting ocd" babe you saw a pen in the wrong spot and put it back to its original position. ocd is not perfectionism

[1960z]

back in the day™ I’d see a crowd of people who’d say they found klavier a boring rival character bc right off the bat he’s nice and generally likes apollo whereas prosecutors before him were much more adversarial which created tension. and while I understand that sentiment I ultimately disagree with it.

huge thematic through-line in the game so far is not realising the people closest to you, the people you thought you knew could be capable of horrific things. this was literally exemplified in kristoph who was kind, personable and caring up until he wasn’t, revealing someone who was actually extremely cold and calculating. and then you run into klavier, literally kristoph’s brother, and we also learn he was the prosecutor on the case that got phoenix disbarred.

with of that and that kristoph’s literally in prison bc of apollo, honestly klavier has every reason at this point to dislike him. and yet, he’s also kind, personable and caring. which I think could lead a first time player, esp someone who’s already played the original trilogy and knows how prosecutor characters are “supposed” to be, to question why. is he really just this inexplicably nice, or is there a darker reason behind it? is he just like his brother? the last two cases were both about how sweet appearing people can use that to deceive you, so why should you trust the disposition of this too good to be true “nice” prosecutor? it’s a different kind of intrigue than the type that came with previous prosecutors, but still intrigue for sure.

[rogdona]

i rly rly rly like connie, hope i did Her joustice 🚒📐🔮☀️

U ABSOLUTELY DIDDDDDD I LOVE ITTTTTTTTT🌹♥️🌹♥️🌹♥️♥️🌹🌹🌹♥️♥️🌹♥️♥️🌹♥️🌹♥️ RLLY LOVE THE FACE U GAVE HERRRRR🌺♥️🌺♥️🌺♥️🌺🌺♥️🌺🌺♥️ AND THE WAY U DREW THE FLUFF ON HER EARS AND TOP OF HER HEADDDD🌹♥️🌹♥️♥️🌹🌹♥️🌹♥️🌹♥️🌹♥️ SHE LOOKS SO PRETTY IN UR STYLEEEEEE💕♥️💕♥️💕♥️💕♥️💕💕♥️💕♥️💕♥️ I LOVE IT SMMMM THANK UUUUUUUU💗♥️💗♥️💗♥️♥️💗♥️💗♥️💗♥️💗♥️💗♥️💗

[gabs-magical-abs]

Sharing creative works that you've actually put your heart and soul into is the most terrifying thing

[quill-is-brainstorming]

All in all my long-winded Thunderbolts rant about how the series got folded and fucked over actually got me five followers.

I should make another one.

I do have half an idea about the inherit loneliness that must come from villains having experienced the trust that comes with being part of a superhero group with the full knowledge they'll absolutely never have it that good ever again.

...actually that sounds more like one-shot material, doesn't it?

Do I go for it? It might delay my bigger fanfic a little but it sounds like a nice warm-up. Plus I haven't really shown you guys much of my writing, so you know, it could be an appetizer of sorts :P

[channelslam]