#a big fuck-you to the little guy

[silveragelovechild]

THE KILLER (spoilers galore)

I watched “The Killer” on Netflix. It’s directed by David Fincher and stars Michael Fassbender in the title role.

It was good seen Fassbender again. He’s an actor I enjoy. His last movie credit was in 2019 for “Dark Phoenix”. I believe he took time off to focus on his private life (marrying actress Alicia Vikander and having a child with her.) He also participated in race car driving.

But back to “The Killer”. The first 20 minutes focused on Fassbender as his unnamed assassin prepares to kill someone who will be staying in a hotel room across the street. As he he assembles his weapons, naps, and does yoga, Fassbender narrates his mantra, and the precise method of his kills. He also explains his indifference about why he does what he does. We’re led to believe he is an expert assassin who never misses… until minute 21 - when he missed his intended target, and shoots a dominatrix instead. (WTF - so much for building our expectations then blowing them!)

Rather take another shot to kill his true target, he bails, collecting his paraphernalia and wiping up his finger prints, then leaves.

For the next 10 minutes or so, we follow Fassbender as he makes his way from Paris to the Dominican Republic (flying through the UK & US). Several times he stops to wash and shave, wiping down the sinks and spraying them (I assume to defeat possible DNA tests).

In one scene, an airline agents comments on how many frequent flyer miles he has accumulated. (HUH? He is so fastidious about not leaving a trail yet he doesn’t want to miss out on frequent flyer miles?!?)

When he finally arrives at his secret compound in the Dominican Republic he notices something suspicious and realizes someone cased the place to kill him. You see, this second assassin left distinct footprints and a bunch of cigarette butts at the gate. (If you’re going to hire an assassin to kill another assassin, he should be as good or better than the intended victim!)

Fassbender learns his girlfriend has been tortured and rushes to the hospital to see her. If I was an assassin hired to kill another assassin I’d stake out the hospital to see if the target shows up… nope! Instead Fassbender has touching reunion with his girlfriend and plots his own revenge. (BTW, why did the second assassins let the girlfriend live? It would have been much more clean to kill her.)

Fassbender discovers the thugs who tortured his girlfriend arrived at the compound by taxi. He decides to get revenge on the taxi driver. The poor driver had delivered the thugs to the compound and had to wait while they entered the house, 30 minute later, he drove them back to the airport. Technically this taxi drive was a witness - why did the thugs let him live. But they didn’t have to worry, because Fassbender kills the poor guy!

Next Fassbender heads to New Orleans to see his handler, to learn who were the thugs who tortured his girlfriend. The handler refuses so Fassbender kills him with a nail gun. He about to kill Dolores, the secretary, but she makes a bargain. She will tell him the names of the thugs, if he will make her death look like an accident (she has children and wants them to have closure). They both honor their ends of the bargain. (Kerry O'Malley who plays Dolores is very good in a small role.)

Next he heads to Florida to kill one of the hired thugs. But Fassbender isn’t as stealthy as he thinks he is. The thug is ready for him and the two have a knock down drag out fight. Thank Gawd Fassbender has experience in superhero movies because even tho the thug out weigh him by 100 pounds, Fassbender survives dozens of punches and at least a half dozen body blows. (In addition to magnetic powers he must be invulnerable.)

For those of you interested in this kind of thing, Fassbender has a full body nude scene at minute 81. Unfortunately it’s obscured by a steamed up shower glass.

Next Fassbender heads to New York to to kill the second assassin responsible for torturing his girlfriend. This second hired killer is played by Tilda Swinton (who is only refereed to as Q-Tip because of her white hair). Apparently she’s not as good at her job because even tho Fassbender is pretty obvious following her in a car, she doesn’t notice.

Fassbender confronts Swinton in a posh restaurant. She seems to accept her fate and delivers an interesting speech… one assassin to another. Except she included an anal sex joke - weird.

BTW - what was the Handler’s purpose of sending the second killer and the thug to Fassbender’s secret compound? They tried to get the girlfriend to reveal a secret, but according to her, she didn’t talk. Then they returned to their respective homes in Florida and New York having failed. Apparently this Handler has a very incompetent team of hired assasins.

I think the Killer’s kill-count is now 6 which would have been unnecessary if he hadn’t missed his target at the beginning.

If you’re curious, Fassbender took 8 flights to kill 6 people, so he earned approximately 11,090 more frequently flyer miles.

Next stop Chicago. Fassbender tracks down the billionaire who paid for the original kill job (you know, the one that Fassbender missed). The billionaire doesn’t know who Fassbender is, and says he didn’t ask that Fassbender is punished (killed) for missing his target. And in the biggest WTF of the movie - Fassbender believes him and lets him live, then leaves.

So in the fucked up Topsy-Turvy world of The Killer - the billionaire gets to live while the innocent poor taxi driver is killed. That’s a big fuck-you to the little guy.

In the end, Fassbender returns to his girlfriend back in the Dominican Republic, where they relax in the sun. (Remember how easy was the first time the thugs found his girlfriend?!?)

The Killer is based on a French graphic novel series with 14 volumes, so undoubtably there will be sequels.

VICTIMS:

ALIASES:

Throughout the movie Fassbender’s unnamed assassin has access to dozens of passports and credit cards, each with a different alias. We learn nine of them… all characters from old sitcoms from the 1960s to early 1990s. Were these in-jokes by Fincher and Andrew Kevin Walker, the screenwriter (both children of the 1970s).

Felix Unger - on his flight to Miami

Archie Bunker - on his flight to the Dominican Republic

Oscar Madison - was when he ships a package via FedEx

Howard Cunningham - on his flight to New Orleans

Reuben Kincard - car rental in Florida

Lou Grant - flight to New York

Sam Malone - car rental in New York

George Jefferson - at bank

Robert Hartley - gym membership

[shima-draws]

Just got back from seeing Sonic 3 and HOOOOOOLY SHIT y’all. Oh my fucking god. OH my god. Ohhhh my g o d

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[benevolenterrancy]

Swords pining for each other's cultivator is my new favorite type of pining. Love your NieYao content! <3

I don't suppose we could get Baxia or Hensheng throwing a tantrum while Jin Guangyao / Nie Mingjue are away, leaving their owners to deal with the embarrassing aftermath?

Also, do you have any recs you'd recommend with these two?

this is the exact moment Nie Huaisang realised he was going to have to start meddling in his big brother's love life (con't: 1, 2, 3, 4, 5)

Hensheng, on the other hand, doesn't throw tantrums but WILL sulk...

[hajihiko]

At least let the man walk around

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[spacebubblehomebase]

I LOVE YOUR AU SO MUCH GIVES ME HAPPY TINGLES AND I'VE BEEN HYPERFIXATING ON IT FOREVEER YOU ARE ONE AMAZING AU WRITER!! (me when author creates another amazing masterpiece) (you)!

THANK YOU! TvT I know I mostly post art, but writing is also one of my passions!!! So it's nice to know you're enjoying the story so far. 🥹🙏 Even though we just got past the introduction stage. But if you already like what we have for now, let me just say none of y'all are READY for when we reach the turning point of my AU! "The Dreamers" is the goal at the moment. That's all I'm gonna say. 😉✨ So as we wait, have this lil' doodle I made up just cause I remembered I can!

Till then! =D

-Bubbly💙

[whenthelightisrunninglow]

remembered @hehe-hoho-ohno's misfits au it's sooooo good and i love it. CHEERS AND APPLAUSE. YAY

[controversialcoven]

Text from image:

PONYBOY: Soda… I like someone but I’m scared you won’t like it

SODAPOP: Pony, as long as you’re happy and healthy I don’t care who you love

PONYBOY: Ok, I’m dating curly

CURLY: wassup

PONYBOY: …Soda?

SODAPOP, UNDER HIS BREATH: be happy for him be happy for him be h

[moeblob]

Impulsively shoving a guy's hand in your mouth after having the thought "oh just like when my little sister used to prick herself on a rose thorn" and then immediately being treated like a pet who ate something they shouldn't have? Wonderful. Thank you, Thane.

(also not pictured is Thane apparently trying to scrape your tongue with his hand BEFORE pouring the holy water down your throat because NO. BAD.)

[marc--chilton]

house finding wilson ""interesting"" amongst a literal crowd of thousands is one thing but then to be proven right later when wilson flips his lid at a bar. theyre literally fanfiction but real but not

[oceanwithouthermoon]

i need to compile a list of scenes that wouldnt make sense if saiki wasnt telepathically speaking in them because people directly respond to what he "thinks", because its actually starting to piss me off how many people insist that he doesnt talk to his friends at all

[methoughtsphantom]

halfas are the found family trope foster child

they all adopt each other. it’s the reason Vlad wanted so badly to have Danny as his son and the reason Danny immediately went with sure you’re my cousin now with Dani. it’s a survival mechanism from being so very few of their species. Sooo, halfa!Jason except he sorta isn’t yet cause Jason’s core is extremely ruptured from the lack of ectoplasm involved in his forceful resurrection. So when Danny finds Jason in his catatonic state he can’t quite tell the dude’s been dead and remains some, just that the guy for some reason seems very friend-shaped. Danny doesn’t mind his friend is braindead, and is also a john doe, he gives familiar vibes and that’s apparently enough for Danny to constantly find himself in the hospital doing his engineering homework on the room with the guy, and talking for hours about the updates on the absolute clusterfuck of the city and how he was from a freaking ghost town and he can almost even draw comparisons. he blabbers about how he’s not homesick enough times to even corner himself to talk about a ghost lore many times and how he’s just finding himself a little more prone to violence and in constant pain since none of the people he has adopted as his family are here with him and he can’t consider a place a lair if there’s isn’t someone of his in it.

But Danny could never drag someone with him just because of some it, after all it was Danny’s choice to come to Gotham to collage and not stay where at least his parents (good parents Jack and Maddie) were in Amity.

Ironically, Danny essentially can’t feel that his core has been spoon feeding ectoplasm to Jason. As months go on, the little ball of energy builds in anticipation practically vibrating in the waiting pulse of something (Danny doesn’t know but more often than not has he found himself laughing in happy confusion. it weirds him out in a good way) It’s really that he’s feeling the slow healing process of his friend (brother brother brother) ‘s core.Imagine it’s just about to properly, correctly heal when canon strikes back and Jason gets snatched by League assassins. Danny is left feeling like his core got torned out. His core had spend months helping another’s only to feel the other’s imprint and to not be able to protect it in return is— forget it being an obsession; thats like having your newborn baby being ripped out of your arms. An all assuaging feeling of helplessness that is devastating. Danny just beginning to feel like home lair when out of nowhere the rug is swept under him. Danny suddenly struggling to not flunk all his classes and beat every single liminal that he can feel crossing paths with him to the ground. Danny suddenly having his chronic pain (that hadn’t been so bad lately) dialed up to the point that there are just bearable and bad days.

The worse thing is he doesn’t know why.

Jason had only been a guy.

…

It’s only a three weeks before Jazz tells him she accepted a job offer in Gotham.

(and the guilt only makes him feel worse when he can feel himself feel better because of it)

…

now

whimsical time skip ✨

Danny is now on his feet again and friends with a Wayne of your choice (or maybe they were friends a little before Jay dissapeared and it was badTM cause Waynes? liminal 🥲) Danny definitely didn’t enjoy snapping off to his friend like that. anyways it’s been a year since that and he and his friend are having a grand time playing civvies, uhh let’s say dick because I want them to meet while ice skating, Also Dick because he definitely turns a blind eye when Danny goes airborne for a second there yep. He’s just having too much fun.

anyways as alwaysTM Danny doesn’t clock celebrities and like why would he, Dick is just the random guy who’s was fast to turn Danny’s slow day in the ice ring into a competition one day and brighten when Danny matched up his puns. So he totally doesn’t get why the guy’s so gloomy one day, anyways as you can figure, it’s Jason’s deathday and Dick is a deprecating bean, Danny tries to cheer him up by having him remember his brother instead and Dick attempts to, but even skipping through some photos in his phone make his eyes burn.

It is because of that that he doesn’t notice Danny absolutely freeze up at the photo of his friend Jay (Jay because he’s a John Doe, but that’s just too impersonal and so the first letter is J *wink wink*)

Danny absolutely doesn’t know what to do with this information, barely catches himself from asking Dick how did his brother die. Most importantly when because Danny just saw Jay—Jason less than a year ago, and this somehow doesn’t feel too recent.

Annd that how we find Danny digging into the Wayne second son tragedy. Staring at the date of death while the knowledge that they met almost six months after burns his forefront of his mind. Danny spends a day going over all the questions running through his mind over how the fuck he couldn’t sense Jay was a ghost—err was… in past tense?? what the fuck?? Danny would really like a refund on his ghost sense.

Anyways Danny goes check out the grave (now that he knows there is one) and boom although intangible he somehow triggers those shitty ass sensors/alarms that somehow didn’t go off when jason was literally digging himself out.

Obviously the bats get in the case immediately. And boy are they absolutely enraged that someone would steal Jason’s body.

[horrorknife]

it’s so funny that anya and daisuke are always drawn together n ppl act like they’re close cuz thru the course of the game almost every time there’s any Group Discourse jimmy is the one who sides with anya against swansea and daisuke. anya and daisuke’s relationship is mostly nonexistent but we do see her and jimmy being mostly very cordial with each other. idk. i’ve been thinking abt it a lot cuz i’ve just been replaying and rewatching and trying to pin things down for myself. it’s a little disheartening tbh that all of these characters are constantly mischaracterized by the loudest people in the fandom cuz it’s creating this whole society of people who played a different mouthwashing than the one i did. and whats REALLY so fuckin funny abt all this is that more ppl are shipping jimcurly and apparently THAT’S where all of the “media literacy” problems are coming from. like, no, i understood all the beats of the game just fine and i love all of it. i just also wanna see two guys who suck for each other fuck about it

[rottingraisins]

UM. 19 gdam page old men yaoi comic ive been drawing in my sketchbook over the last few moths in between working on other things... mmmostly fuelled by thoughts about The King Is Dead but also some other stuff thumbs up

THE REST IS UNDER THE CUT ↓

[hooked-on-elvis]

Those are absolutely two of my favorite pictures of Elvis. Of course I like the details and all the info I can get on the pictures. One thing I have to say is that in that moment Elvis was in his 7th season at the International Hotel in Las Vegas (August 4th - September 4th 1972), and it was the first time he brought Linda Thompson to accompany him during the concerts (prior to that she had only accompanied Elvis during rehearsals in July). You can imagine how jealous I am of her because, well, just look at Elvis! 🫠🥲 Anyway, here's a little story about the fans with Elvis in those pictures:

Las Vegas, NV. Monday, August 28, 1972. Elvis with two Italian fans. The woman is Nicla Crippa and the man was the President of the Italian fan club, his name is Livio Monari. Livio Monari started the Italian FC in 1962. Together with Nicla Crippa, a personal friend and member of his Fan Club, they met Elvis just after the Midnight show on 26th August 1972. Photos taken that day didn't come out, so they asked to see Elvis again... to have new ones taken on the 28th August (2nd meeting) which are the ones shown above. They had just attended the Dinner & Midnight shows on the 28th Aug: when a waiter approached them - that Elvis was waiting for them.

Nicla said the following about the meeting:

1972 was a special year for me, I picked up all my saving of a year and together with Livio Monari at that time president of the E.P.F.C. of Italy, I flew to Las Vegas in August to see Elvis performing. When we arrived we were so excited that we started immediately to ask anybody of Elvis entourage if we could meet Elvis, crook Col. Parker was at a gambling table with his cigar and he said very rude "NO, you cannot met Elvis", then Joe Esposito who said No too, and when I told him "Hey Joe you are Italian like us" he answered "I'm not Italian, I was born in Chicago" very rude too... until I saw the name of Emilio Muscelli on an office door, I knocked and entered and I said with all my 18 years old enthusiasm (in fact I was not yet 18, I would have turned 18 on December 30) "Hi Emilio, we are Italians and we are here to see Elvis concerts and meet him"... well he took it good to his heart and from that point on he treated me like his daughter - he was 50 years old. We saw 14 concerts in 7 days and we met Elvis TWICE, the first time on August 26 but the pictures Joe Esposito took with Livio's camera did not come out as Livio due the emotion charged an already used film in the camera... the second time on August 28, this time we called a professional photographer to take the 2 pictures to be sure. When I saw Elvis the first time coming out of his dressing room I ran towards him and I almost jumped on him, I hugged and kissed him and he returned the hugs and kisses to me and he asked me "Hey baby how old are you" I answered "18" and he said "And you came all the way from Italy just to see me?" "Yes Elvis" and he "Oh baby..." and he hugged me again very tight. We stayed with him for 15 minutes, we gave him a trophy we brought from Italy unfortunately we have no picture of Elvis with our trophy but I saw it at Graceland Trophy Room in 1987. He wrote a dedication to me, and one to Livio, on 2 LPs we brought with us, he gave us a yellow scarf each, but especially I held his right hand in my hands for a long time, and he did not withdraw it, on the contrary he caressed my hands. He was such a gentle, sweet and tender person, he made us feel at ease and he slowed down speaking English as at that time I could not speak English well. We asked "when will you come to Europe?" he said looking at Joe "I definitely wanna go, after a project I have for January 1973 (Aloha from Hawaii) I'll ask Parker to organize a tour to Europe". The night after Emilio gave us seats in the first row, Elvis saw me from stage and he stooped down and he put a red scarf around my neck... and on August 28 we met him again same place backstage and he said "Hey you are still here, good", he had such a sense of humour. Those 2 meetings with Elvis still are the best moments of my life!

Credits: elvis-collectors.com