oh no not again sighh
welcome back to another case of I REMEMBERED HOW MUCH I LOVE BILL CIPHER AND GRAVITY FALLS
im already swamped with things in my brain and i feel like unproductive shit bc i havent spoken to anyone in hours but! thats okay ig i dont n e e d human interaction right.. haha??
bill cipher though. he has a canon human design (which i assume is mostly a joke but HUH) which is crazy and nightmarish and disgusting (creativity be damned, its horrific, love that for him)
and like ive been desperately waiting for the book of bill for several months now
AND AND topic change!!! i really love writing dipper bc hes a nerd and im a nerd and i genuinely adore his character (sorry mabel likers /j) so i want to write more BUT ITS PROBABLY CRINGE IF I ADD ANYTHING “flavorful” TO IT 💀💀 but uh i think i might just self indulge in a dip & dan just randomly meeting thing i came up with in a comic forever ago mmm
anyway, it goes like this;
Dipper, tired of the repetitiveness of his days working in the Mystery Shack, decides to take a short walk. Just for..”some air”, as he told Mabel, but deep down he knows that isn’t true. He has this yearn for adventure that he wants to fulfill, but he wants to do it alone- a bit unusual for him, he thinks. Alas, he leaves the Shack, determined to find something of interest. He takes with him his very own journal, formatted just like Ford’s, tucked safely under one of his arms.
Walking through the familiar forest around the Mystery Shack, Dipper takes his time to look around. The tall, thick oak trees, the weeds growing from all around the worn, dirt path he’s walking down..it’s very beautiful, but as it grows dark, it feels much more mystical. He takes a small, stable breath as he chooses to stray from the path, the sun lowering in the sky, leaving the moonlight to guide him. This is when Dipper realizes..he forgot to bring a flashlight.
With a slightly-frustrated sigh, he turns to head back home to the Shack, but finds himself a bit lost. Giving up quickly, for the sake of his unparalleled desire to explore, he pushes onwards into the woods. It isn’t long before he wishes he had gone back. The darker it gets, the harder it is for Dipper to keep himself calm. He’s always been fairly paranoid, but in a forest as enchanting and mysterious as this, especially due to the dark, he’s finding it hard not to worry.
As his anxiety builds, fear flowing through his veins as the sky continues to darken above him, the trees towering over him growing thicker as he continues to walk deeper into the woods, only making it harder to see..he finds a light. A soft, calming glow, almost calling out to him. It’s a peaceful green, a bit bewildering, but it does wonders for his anxiety in the moment, before he realizes that something is clearly in the forest with him.
However, despite his earlier fear, he can’t seem to feel nearly as scared, the soft light almost comforting him. Taking a second to think, though not nearly enough to make a rational decision, he heads towards the light. Slowly and carefully, he walks towards it, watching as he starts to make out a figure, the supposed source of the glow.
As he continues his slow approach, he stops every few seconds to hide, not wanting to alert the being to his presence. At least he is wary enough to know he could be in danger, though Dipper somewhat laments his lack of thought earlier.
Once he’s close enough to really get a good look, Dipper feels his heartbeat speed up with both excitement and terror. The being looks so human, and yet it all feels so fascinating, as he knows it truly can’t be just that. They appear to be a boy not much older than him, with white hair and..glowing green eyes! Now knowing the source of the light, Dipper feels rather accomplished. He decides that, once he gets home, he’ll postpone everything just to write a bit about this in his journal.
In his excitement, however, Dipper hears a twig crack beneath his feet as he takes a step forward. Without a moment’s hesitation, the boy’s head turns to face his direction; though, luckily, Dipper had already hidden himself behind some close-growing trees, and therefore hasn’t yet been spotted. The boy slowly moves towards Dipper, his feet making no sound, the crunching of the grass and crackling of twigs that would normally come with walking through such a forest..surprisingly not present.
Dipper bursts into a run, panic setting in. He wasn’t thinking for just a second, and now he’s alerted the person to his presence.. he can’t think, he can’t stop, his brain is just telling him to move, his fight or flight kicking in, leading him to run and run with no end in sight.
After a long while, with a bit of tripping and getting caught on branches, he finds himself at the edge of the treeline, back at the Mystery Shack. It doesn’t look like the boy followed him. With a long, shaky sigh, Dipper cracks a smile. He did ask for an adventure, and that was just what he got. Entering the Mystery Shack, he immediately heads up the stairs and to his room, eagerly flipping open to a fresh page of his journal, not hesitating to write things down.
Not sparing a detail, he describes the mystery person; a boy of white hair, green eyes, pale skin, and with an eerie, ghastly glow, who makes not a sound when he walks through such an undergrowth-heavy forest.. It intrigues Dipper to no end. He can’t help but want to learn more..
Next time, he thinks, he won’t forget to bring a flashlight.
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About Genshin Impact and the technology of Teyvat
We get a kamera at the start of the game from Xu for the “Snapshot” world quest. In it Xu remarks that the kamera is a new invention from Fontaine.
Xu shows surprise at the Traveler knowing what it is, this supports the idea of the kamera being a new invention meaning it’s pricey and rare to have at this point. Later on, on the Traveler’s journey, we get quests to take pictures of things. This could mean that the kamera is becoming more widespread a time goes on, or just the knowledge of it.
During the 4.3 Fontinalia Festival the focus was placed of films. This was an attempt by the Fontaine Film Association to introduce films to the populace, making the main point of the festival the films produced for it.
This would give idea to films still being a new invention, as they aren’t widespread, just like how the kamera was at the start of the game which was about 3 years ago. And based off of Furina’s Character Demo “Furina: All the World’s a Stage” we can assume that the films recorded were black and white in quality. Unless, we assume that the mini-games during the 4.3 “Roses and Muskets” event were canonical in the way they showed the film quality. No noise was shown in either, but one was in color the other not.
This gives us an estimate of where — technological advancement vice — Teyvat is compared to our world. Films started becoming a thing at the end of the 1800s and start of the 1900s. Colored film started showing up around the 1930s, but became more accessible and profitable later on. Films started getting sound added to them around the mid-to-late 1920s. This gives us an estimate of around the start of the 1900s placement vice.
Now I’d like to bring up Khaenri'ah. It was heralded as “the pride of humanity” as said by Dainslief. Khaenri'ah has more than one notable scientific aspect linked to it, one of these being the “Field Tillers” aka Ruin Machines. Ruin Machines vary from “simple” Ruin Guards to a Ruin Serpent(s).
Ruin Machines seem to have been around for a while, since the Archon War even given the Ruin Hunter stored by Guizhong in a domain. This means that the technology may have been around for 1000s of years, likely being used as a defense method during the war and preserved thereafter. The knowledge of this technology didn’t spread much beyond Khaenri'ah, this showing through how the people of Teyvat started calling the Ruin Machines “Ruin Machines” after they spread globally after the Cataclysm.
Around Sumeru there exist three giant Ruin Machines called “Ruin Golems”. These were giant mecha style machines were piloted by a crew of people, and — get this — include a colored screen. By screen I mean the type of screen you’re viewing this through, footage from outside the Ruin Golem being broadcasted to the screen to allow the people piloting to see where they’re going or what they’re doing.
During the “Vimana Agama” world quest that was apart of the Aranyaka quest line we can go into the Ruin Golem in Devantaka Mountain by Port Ormos. There we can use the actual screen and see through it. This being a machine that has sat unused for hundreds of years. And its screen is still in working condition.
So, simply put. Khaenri'ah was very mechanically advanced.
BUT!
I have yet to mention the Terminal Viewfinders in Fontaine. You know, those eye ball machines you use to transfer energy to terminals in puzzles in the Fontaine Research Institute area. You know, the machines with working colored screens. Mind you this isn’t technology you’re able to find all through out Fontaine, only in certain areas usually accompanied by a researcher from the Institute. So it would be more comparable to machines found in laboratories and not accessible to common people.
But still. At the very least Fontaine is near the mechanical advancements of Khaenri'ah either a few hundred to thousands of years ago.
And I have yet to mention everything going on in King Deshret’s places in the Sumeru desert. And I’m not going to go into more than this mention because that is a headache I have yet to even get around to in game.
TL;DR Khaenri'ah was very technologically advanced to the point of hundreds of years later working colored screen technology. Fontaine is around that point with the Research Institute while normal day to day people are around silent movies in advancement, while I have no idea what’s going on with the Sumeru Desert.
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Pride Poems Day #18
Theme: Agender
This poem is dedicated towards @leafgorge, a wonderful Agender Fellow and my sister in crime for this project
Broken Dawn
Fractured sun rising over a kaleidoscope sky
A broken dawn over a patchwork world
Made of stolen memories,
This isn’t our place
blue, pink,
yellow, red
broken machines
broken things
Fragments of a metal world
Dot the landscape
I’m grey,
I’m not broken
I don’t have their affliction
blue, pink,
yellow, red
broken machines
broken things
A reminder of what could’ve been
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i think part of what makes so many people just flock to dungeon meshi as well is that it's also a story involving an autistic main character, who actually IS the main character
Because many stories will have an autistic character in them and then the story is more about how all the neurotypical people AROUND the autistic character deal with the characters autism, and the autistic character ends up as a side-character in a story that's supposed to be ABOUT them.
But in dungeon meshi, Laios especially is so much the main character!
And i know he's not the only one, and not the only autistic character obv, and i know the story isn't about just him alone OR his autism...
But we get Laios' perspective. On just about everything.
The story is, in the roughest terms, about the party venturing into the dungeon in order to save Falin, who got eaten by the red dragon. They're on a time constraint and have no money or equipment except what they literally have on their backs. That's the story.
Another author, a worse author, probably wouldn't have made Laios the party leader. A worse author would've relegated Laios to the "weird, awkward newbie who's excited about monsters but doesn't have the slightest clue or experience with them" who's job would've been to cite fun facts about whatever monster they encounter from some book he carries around, and the main interactions between him and the party would've been them yelling at him or calling him weird, to the point where you're wondering what this characters purpose even is in the story beyond comic relief.
And I'm so glad we didn't get this.
Instead of a story that emphasizes how "weird and unlikable" this weird character is, we get Laios being the partys leader, who, yes, is weird, but also competent and knowledgable and skilled and also is still a full character, with thoughts and feelings of his own, who actually speaks his mind and interacts with others on equal footing, who defends himself when he KNOWS he isn't in the wrong.
Laios and Shuros confrontation is both shocking, and also a huge breath of fresh air.
(Also, i know that "Shuro" isn't his real name but i can't remember his real name and I can't be bothered to look it up rn)
Shuro tells Laios to learn to read the room. A worse author would've had Laios apologize to Shuro for his own incompetence, but instead of meekly accepting that accusation, Laios throws it back in Shuros own face. That Shuro should've just been direct and honest with Laios when he KNEW that Laios wasn't getting it, instead of just playing along and letting that resentment fester.
And Laios is not only shouting it out, speaking his mind, and refusing to be treated as lesser than anyone else just because he can't "read the room", but he's also portrayed as RIGHT!
Shuro would've have had to put up with Laios, whom he didn't like, but whom he let believe that they were friends, if he had just TOLD Laios he didn't like him DIRECTLY.
and look, i know that there's some hints or pages or whatever you wanna call them, that Shuro is also autistic, but comes with a different background, which basically just makes him and Laios incompatible in a certain sense.
But even with all that, Shuro still had no right to fault Laios for his shortcomings, when his own shortcomings played just as much of a role in their eventual confrontation.
And the difference? Shuro KNEW how he himself AND Laios felt, but Laios only knew how he himself felt. Shuro was at an advantage in their situation, and he still faulted Laios and made him out to be this villain, who was purposely trying to make Shuro miserable, when Shuro himself NEVER opened his mouth to correct Laios!
And the thing is, Shuro isn't in the wrong for not liking Laios. Shuro is in the wrong for blowing up at Laios without EVER even giving him the chance to correct his behaviour!
And Laios KNOWS this, and he REFUSES to just apologize for something that wasn't even his fault! How could he possibly have known Shuro didn't like him, when Shuro never gave him any kind of indication of that fact?
And that's just it, isn't it?
Because I know I've experienced this kind of situation, even if exact memories don't come to mind, and I know other autistic or otherwise neurodivergent people have experienced this kind of thing. Of someone whom they were just having a normal conversation with or whom they considered a friend, just randomly blowing up at them for no conceivable reason.
From our perspective, the other person just randomly decided they didn't like us anymore, didn't care about us anymore and wanted to be rid of us, or decided we were suddenly just evil, and they got mad at us, yelled at us, called us names, and then just left.
And we're left confused and sad and, having no other information to go off of, because none was given to us, are bound to come to the conclusion that there's something wrong with us. We're just not likeable and any kindness from other people coming our way is just them being too polite to say anything until they've decided they had enough of us and abandon us. Because they never liked us. They were just too polite to say anything until they couldn't take us anymore.
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