#When really it's anything but that

[saints-who-never-existed]

"You use the wind to carry you here. You use the forest to hide inside."

"You use all this and you don’t even want to be here."

"You don’t want to live."

-

Like, fuck yes, that's exactly it!

How can you lament that a place wants you dead when don't even want to live in the first place?

[eydilily]

would you bite the hand that feeds you?

[stil-lindigo]

an ex-zionist jewish man recently went a bit viral on tiktok for sharing exactly how he sees zionism tie israel to the jewish identity and his personal experience with breaking away from it - I think it’s a really great watch.

He also made a follow up talking specifically about how he learned to humanise Palestinians, and a really integral part of it was his school, which would often bring in Palestinian speakers who’d share their perspective (here’s a link to it).

[shanklin]

Sentient Mystery Shack, who is really biased towards Stan, so when Ford tells Stan he has to give it back after the summer it’s on sight.

Ford keeps tripping over nothing, nothing is where it's supposed to be and somehow he keeps running into closets when he tries to go outside.

But the worst part, the WORST part is that Ford's lightbulb just won't. Work. No matter what he does it keeps flickering and exploding.

Ford is spiraling. 

There is no reason why it shoudln’t work. All his trial runs work perfectly. He’s already checked the Shacks wiring three times and relearned this dimensions science from the ground up. 

Nothing works.

The Rift? Bill? The impending apocalypse? Eating? Sleep? Who cares about that. 

WHY. WONT. THE. LIGHTBULB. WORK???

It doesn’t help that Stan keeps laughing at him.

“Then you do it!” Ford eventually snaps at Stan.

Stan shrugs and with a little song under his breath screws his own lightbulb in. It works perfectly.

Stanford screams.

[juney-blues]

when you're part of a group with structural power over another goup, you really do gotta just learn to say "i am not exempt from 'fuck 'em' when relevant" whenever someone expresses frustration with you or people like you.

[egophiliac]

trying to finish up some older stuff before the new year (and also subject everyone to more endless Meleanor forever)

have a good one, guys! ❄️

[batshaped]

the continued adventures of an internet user who was frozen in 2004 and defrosted in 2021: some things are just the way you left them

previous 2004 internet user comics are here: one, two, three, four, five; or just in my 2004 tag

[remxedmoon]

so all you need to do right now is disappear.

HHHHAPPY ISATVERSARY EVERYONE. here’s redraws for every single battle cg in the game. 36 drawings this time around, with 11 of those being custom (though admittedly a good portion of those are edits). combined with the portrait redraws i made back in september, i’ve made 114 redraws for this project! jesus christ! just like those redraws, these are completely free to use!! as long as i’m credited and it’s not for commercial purposes, go wild!! do whatever you want!!!

no i didn’t make these for isat’s 1 year anniversary this is just wildly good timing.

i genuinely can’t fit all of these cgs in one post even with the 30 image limit on browser, but i’ll still try to fit Most of them below the cut (without making this post horrifically long), along with some notes that might be important 👍

okay! once again, i labeled all of the custom art as such in the drive(UPDATE. NNOT TRUE ANYMORE. reformatted file names to be easier to mod in auau. apologies!), but if you want a full list, the customs are hatless siffrin jackpot, bonnie jackpot, bonnie special attack, bigfrin attack, and a bunch of alts which are definitely not related to any projects i’ve been thinking about don’t worry about it. and out of those customs, only like. 3 of them are actually completely from scratch.

while i did my absolute best to keep the aspect ratios completely the same as the originals, there’s 3 exceptions that i just couldn’t get to work.

isabeau’s hair in his special attack cg wouldn’t fit in frame if i kept things completely accurate to the og, so i moved his cg down a bit. it shouldn’t cause any issues with modding or anything, it’ll just appear slightly lower than it does in game. alas…

isabeau’s sleeve and mirabelle’s hair made their jackpot sprites a little larger than the originals? i’m hoping this doesn’t have too much of an effect (since the jackpot sprites have inconsistent sizes) but i can’t test this myself unfortunately. aaa feel free to let me know on discord if any problems arise!!

i managed to fix these, so they aren’t going to cause problems now, but my original drawings for mirabelle and siffrin in the final attack scene were a pain in the ass to fix. mirabelle’s sprite was slightly too talk to fit in frame and siffrin’s hat whacked bonnie in the face while i was editing everyone together. i’m only mentioning this because it took like an hour and a half to fix them and finish the scene.

all that aside, these were a fucking BLAST to work on. apparently this ended up taking 57 hours over exactly 10 days. which is a little worrying if you do the math on that but somehow i have not burnt myself out. i will be doing enemies at some point!!! but probably not for a little bit. i think my friends will actually kill me if i don’t take a break.

once again, happy birthday isat. you’ve ruined my life and i wouldn’t have it any other way (silly).

also, on an actual serious note, this little timeloop game has genuinely changed my life for the better? you guys are probably sick of hearing it at this point (or maybe not, i don’t talk about myself That Much. i hope), but i was practically a ghost for about 2 years before joining this fandom. it’s a little surreal to suddenly have friends (plural!!!) and people who Care about me, or even know i exist, honestly. it’s weird!! in a good way!!!

i don’t think i would’ve ever come back to social media if this community wasn’t so welcoming. i’ve met a lot of really great people through this game!!! so, uh, thank you isat, i guess. here’s to another year.

[cj-the-random-artist]

I have made. Another comic. I took a very, very long time, as usual lmao. I originally got inspired to make this after watching through Arcane cuz. Nicely done media makes me want to make things and all that. And, at that time, I'd sent Narinder out on a mission trip in my new save and he came home full of existential dread (I have terrible luck with Narinder on missions therefore so does QPR AU Lambert I guess lol), and it had occurred to me that that would make an interesting premise for a comic maybe?? Turns out it did.

I think I'm happy with this?? The perfectionist in me is not, and to be honest I think I could've drawn a lot of things better and also I think this would read better if it felt a little slower... but also it's 13 pages long so I can't fault myself all that much. I do wish I had spent more time on some of these interactions, particularly between Lambert and the Goat and also between Narinder and his siblings, I have a lot of thoughts about the Bishops post their joining the cult but I haven't had a ton of time to really like... flesh out those ideas as much as I would like to. Maybe someday?? Idk.

Semi-related, while this comic gave me a lot of thoughts about the Bishops it also gave me a lot of thoughts about like, the exact like, I guess boundaries and terms of Narinder and Lambert's QPR, and also about what exactly happened to Narinder while he was out, and he's not lying a lot did happen but that's a little too long to just throw in the description here so maybe future me will describe it somewhere or something. This comic also got me thinking about Webber a fair bit, and once day I will expand upon those thoughts but not today, I have outside activities today lol

Anyways. This comic, like all my art, is not perfect, but it was fun to make and I spent too long on it for nobody to see it, so... enjoy!!

[zorangezest]

thanks for listening

[electrikorg]

always have many thoughts about pre-gorillaz stuart, the most average british lad there is. (2D with eyes jumpscare)

[imissthembutitwasntadisaster]

Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick

[biggest-gaudiest-patronuses]

probably will be FORCED by Pomp And Circumstance to go to the CLOWN HOSPITAL, for a CLOWN INJURY (may or may not be An ALLEGEDLY Fractured Foot...a MOURNFUL MALADY incurred in the most PATHETIC and LAPSIDAISICAL Fashion of TRAGICALLY UNFASHIONABLY Events......

Anyway. Forgot what I was saying. Buy me 1/25th of an x-ray or whatnot I guess

[halogalopaghost]

TIL that you can assign an AO3 next of kin to control your account in case of your death???

[poorly-drawn-mdzs]

Out of sight, out of - wait.

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[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.