#WANT TO DO RESEARCH IN THE FUTURE

[yellowistheraddest]

one more day of overtime in a row and im actually gonna commit a crime

[foxprints]

Still messing around with design concepts for a physical representation of ART in the feed.

Essentially, the more split its focus is (or the more distant) the smaller and less defined its shape and the more it tends "trail data." The more present or focused it is, the larger its presence and the more Shaped it becomes. Next I'll be coming up with a suitable Intimidation Mode™ for it and I may attempt a more realistic version of both it and Murderbot if I'm feeling ambitious....

Thanks to @soundwavereporting and @scificrows for the enabling, brainstorming, and encouragement!! <3

Inspiration from: angelic TrueForms, Studio Ghibli spirits, Glyph and EDI from Mass Effect, Owlbears (so Shaped lol) and Venom (subconsciously apparently lol)

[arsenicflame]

stede is 'oh this place has something related to my interest i must go in immediately' autistic and izzy is 'if we deviate one inch from my plan for today i will murder someone' autistic

[thegreatyin]

this nemesis ambition started out a little slow but I am getting closer to finding that bastard who killed my wife, and I’ll not rest a minute now that im far closer to on his trail

sorry got in character for a second

Anyways fun ambition so far very fucked up though

congratulations on joining the murder club anon!!!! depending on who you ask the name refers to either people who have murdered or people who have witnessed murder. usually both. actually extremely often both. it's a swell time you'll feel right at home (don't mind our collective skyglass knife collection in the back)

[fictionadventurer]

Me: Is this Farmer Boy sequel written in 2012 really going to be able to feel like a legitimate follow-up to the style and atmosphere of the original, or is it just another modern cash-grab?

Heather Williams, on page 2: Best of all, he knew that fall meant crispy spareribs and sweet cider and hot roasted potatoes with melting butter and all the pumpkin pie he could eat.

Me: ....it looks like I can trust you. Carry on.

[darkfinch]

there needs to be,,,,,a typewriter, but not a hassle to acquire & fix and use and maintain. modern typewriter. simple maybe digital typewriter that doesn't have internet access or other features it's just for typing words and that's it. big storage. maybe it's an e-ink screen so it doesn't hurt ur eyes. maybe it doesnt cost 700 dollars. this is my dream i am gazing dreamily into the night sky dreaming abt it. modern typewriter

[sualne]

Question why does law have uh skin discoloration....? In the modern au?

it's permanent scarring from Amber Lead Syndrome! in the au i want to explore stuff like disability and chronic illness, he's got nerve damage in the discolorated skin, his hair also got white patches but he dyes it to make it less obvious he's got ALS because of the everything with flevance.

[rainphee-art]

Thank you for drawing Trans Eragon, this made my whole week! I'm so in love with her aaaaa

oh my god, i got this ask like, literal years ago, and i completely forgot about it!! i'm so sorry and thank you so much!!

here she is again in return for your kind words <3

[cinnamonsly]

Do you like birds?

oh my gosh yes. i love birds. they r such neat little critters!!!! been wanting to get more into birdwatching, but haven’t rly had the time to do that yet. but they’re still very fun to observe whenever i see them when i’m out and about

[fennthetalkingdog]

You know, when I was first researching neurodivergence (and autism and ADHD in particular) and wondering if I was, in fact, neurodivergent, I brought my conclusions to my mom and she said:

"I mean, you're gifted, right? So you already are neurodivergent???"

So here's to her (kinda) and her words. Giftedness is a neurodivergence, in my opinion. From what I've seen, a lot of the traits overlap with common autistic and/or ADHD traits too, especially regarding overexcitabilities, and a lot of researchers talking about the topic describe giftedness with the same kind of "your brain is just made differently" and "you're just wired differently" language as they use for other neurodivergent conditions. But I also say this because I've seen some gifted people who, while struggling with some "autistic/ADHD traits," don't have all the traits necessary for an autism or ADHD diagnosis. Giftedness is a label for them that encompasses the struggles they have without saying that they don't struggle enough or forcing them to try to fit into a mold that isn't them. And I get that; when I was first questioning, I didn't think I had enough autistic traits to count for a diagnosis either, so I took comfort in a "gifted" label. (Not to say that all gifted people are just autistic people and/or people with ADHD that don't realize, or that all gifted people are just people who don't have enough traits for a diagnosis! That was just the case for me and the folks I've been around, but I've also heard the case of it not being that.)

But if I am gifted, then I also have autism. A lot of my struggles are, honestly, just better described by autism than just by a byproduct of giftedness. My struggles with people and with "being too much," my sensory differences (and yes, sometimes issues), my stimming, and some of my executive dysfunction all sound like autistic traits to me more than a mix of psychomotor and sensual overexcitabilities and a whole bunch of coincidental byproducts of my being gifted and hanging out with nongifted peers. Don't get me wrong; based on my family history, background, and traits, I honestly probably am gifted lol. But it's not just that.

So this is me saying that if the people around you are saying that you're just gifted, you're free to look for other, perhaps better explanations for your feelings and experiences. But if you are just gifted, you're still free to call yourself neurodivergent! My gifted traits lead to me feeling just as ostracized sometimes as my autistic ones, so who am I to police that label?

[bismuthburnsblue]

Help me design a dress!

this is our fabric! (left is the product image, right is my actual piece of fabric- ruler on the left is cm, on the right is inches, to give you an idea of print scale) its the black version of the break up robe print, in a lightweight & crisp cotton. i have 4.5m (5y) so it should be enough to make most designs, though some will require consideration in the cutting- we will get to that later though. (the fabric is also narrow, i think its only 110cm wide. (its still folded in the picture))

my goal here is to make a comfy wearable dress, something pretty casual & everyday in silhouette, but i would also like if it was possible to style up for a more formal look. most of my inspiration for this project has come from 1950s dresses, because thats a style i lean towards for myself, though im not aiming for anything "true vintage" or anything. im also fond of lolita dresses, so im more than down to draw inspiration from those also!

also, the print is pretty bold compared to my usual style, so ive considered doing some kind of translucent (chiffon, tulle, mesh) overlay to tone it down so its more wearable in my wardrobe. this will entirely depend on it working with out final design, and even then, ill offer you the decision at the end! ultimately, i still want to be able to appreciate the fabric. (for sewing people: id intend to do it as a flat lining, so it sits right up against the fabric underneath, not as a complete separate layer. i find this makes it block out the design slightly less) doing this could also help with adding structure to the dress, which i already think some designs might need, considering how thin the fabric is.

ok now the brief is out of the way, onto the first decision for the dress: the shape of the skirt. if you want to vote based entirely on vibes, feel free to click away, but i have included some more writing about each option & its ups and downs in this particular project under the cut (also pictures of each style if youre not so familar with what they are!)

& the propaganda for the options:

Circle skirt: you can never go wrong with a circle skirt- theyre probably my favourite to wear overall & i especially like the low bulk join to the waist as i sometimes find things with gathers dont sit as nicely on me. the way circle skirts are cut also gives them a movement that the other two methods simply cannot compete with in my eyes.

The main downside is working a circle skirt with this particular fabric. the fabric is not wide enough to cut the entire front as one, so i would either need a centre front seam or to make it a 3/4 circle skirt- something im 100% ok with, i honestly find at midi length a full circle to be too much sometimes. (there is technically the option to have full circle but rotate it so the seams are at side, but that might then mean i have to do some shenanigans with where the fastenings go). also, because the design is directional, each quarter will need to be cut so the seams end up on the bias, which makes for an Incredibly inefficient cutting layout. (again, if theres a CF seam, thatll be on the diagonal of the design, which really defeats the point of putting in the effort in the first place, to me.) i think i would be able to get all the panels i need out of the piece of fabric i have, but i think i would be a bit more limited with top options as i try to make sure to use as many of the small pieces left over as possible.

Gathered skirt: these are by far the easiest to do in terms of sewing. in my research into casual 50's dresses about 90% of all pictures i saw featured a dress with a gathered skirt (or actually, a lot seemed to have tiny pleats that give the effect of gathers, like the coral one. if we vote this way, i would be tempted to go try them as i think it might solve my bothers with gathered skirts in general)

i generally find gathered skirts less flattering on me- they add bulk at the waist and then hang straight down off the hips (when not puffed up with a petticoat) and thats generally not something i like on myself. i could improve that though by bringing more fabric in to increase the hem, and adding horsehair braid to the hem to help it swoop without additional support (again, my goal for this project is causal day dress)

this pattern uses the least fabric i think, depending on how much you put in the skirt- i think i should get a perfectly satisfactorily full skirt from this with less than 2m of fabric used. (honestly might end up too efficient- id like to use up all the fabric i have in this, and i really dont need that much for a bodice. i can see myself adding 4, even 5 widths into the skirt to use up yardage. i dont particularly see that as a problem though)

despite my reservations because of gathered skirts ive made before, for this project it does have one massive point in its favour: the fact that its still a full piece of fabric. all other styles here all cut quite significantly into the design to create their shape, while this be one panel of the fabric from edge to edge. preserving the design of this fabric is pretty high on my priority list, after all, i bought this fabric specifically because it was the OFMD break up robe print. i want whatever design i make to work with that.

Tiered skirt: for me, tiered skirts are the best of both worlds in terms of the effect they give. the fact each layer doubles means they keep some of the swish a circle skirt gives (and, i find, they tend to have more of the A-Line shape of a circle skirt too) while not being quite so consuming of fabric as you cut. i couldnt find many examples of 50's dresses with them (though i did find some) so i do feel like this style pulls more towards the style of lolita dresses & that might be reflected in the options i offer in subsequent rounds.

if you know anything about petticoats, then youll notice that this style of skirt is essentially the same construction as them (though petticoats often introduce extra layers and ruffles and.....) when ive made this style of skirt in the past i have found that it holds volume much like a petticoat does, without the need for an extra undergarment- something thats great for a casual dress!

I was thinking three tiers is the ideal number for this dress, though i could make it only two. i dont think i would make it more as, if i keep them even (which was my intention, though i am also fond of the styles that increase with each tier like my example images) then each tier will probably be 20cm wide, which is already looking like itll cut into the features of the design. i think that is the single biggest downside for this style- i wont reasonably be able to do much 'fussy cutting' either to work with the print, its simply not practical to do on this scale.

At a rough estimate, i think this is gonna use 3m of fabric in the skirt, which puts it slap bang in the middle in terms of fabric efficiency. i should have plenty enough to do it, maybe even to increase it if i want to, while still being pretty unlimited about what i do with the rest of the design.

one last thing- trim! one unique feature of this design is the opportunity to play with trim on the skirt itself. i do have some bodice ideas that play around with trim, and it would be really nice to introduce it into the skirt too, if we go that way. it could even be a fun nod to the piping on the original break up robe!!!!

Something else (comment): while doing my research i came across SO MANY design ideas that i could play around with. for this poll i picked the three i thought would probably work the best for this project, but i wanted an opportunity for you to yell at me if you want something different entirely. feel free to suggest anything you like, but ive included a couple images as examples of styles i saw a lot. i especially saw a lot like on the left, with gathering or ruffles off to the side, but the front panel being pretty flat. this might be real fun for some designs like shirtdresses, but im not super confident on how itd look on me. either way, feel free to form a coalition in the replies to tell me how i totally should have offered you this one particular option.

(if you vote for this but dont comment, im discounting it from the overall stats as i have no idea what design you mean! your welcome to send it in on anon if that bothers you, but either way, ill need a description :P )

[aurosoulart]

hello! i wanted to say i absolutely ADORE your art style, and in regards to your 'the world has been changed' piece - if it's okay to ask - i'm so curious about how you did those small rainbow lights at the bottom! is there a method or any advice/tricks you could spare? it's a small detail but i'm absolutely captivated by it

thank you so much!! 💖💖😭 it's a Clip Studio brush called Real Prism! I think I also used Prism Pens as well

for non Clip Studio users, similar light prism effects could probably be found in other brush packs or in stock texture images. brush effects and textures are your friends! just make sure to check usage rights when using any outside assets. 👍

[coridallasmultipass]

I hate when my phone won't let me have 2 audio sources running at the same time (depending on the app). I know what I'm doing, let me hear the discordant noises. My brain has built-in audio separation for music. It came as compensation for auditory processing issues. Don't make me pause the music.

[delicatebluebirdruins]

normal civilians don't know how to reload guns one handed nor would they get a direct line for someone like Chris Redfield

[ifyourereadingthisblinktwice]

conflict of sticking with my environmental planning degree plan and a potentially more stable/well paying job vs wanting to go for an arts degree in literature analysis and writing and history and culture because i love it so so much but know it wont be considered ‘useful’. FIGHT

[boredkitkulover]

excited