“His name was Magnus. He took me from my room in Paris, as I kicked and screamed.”
bonus version with the shadow of magnus but no text, because I’m indecisive and, after debating with myself over which one to post, decided to just post both…
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Thinking about the way dungeon meshi does queer horror. Using horror to tell queer stories is already subversive, but dungeon meshi subverts it even more
Normal queer horror is like. A monsterous desire and immortal love of something isolated/hated and the uncontrollable but suppressed need to consume someone to live and they only die if you break/pierce their heart. its great.
In dungeon meshi, the group is STARVING. they do things the way they're expected to and they're so deprived that eventually, one of them is consumed by that monsterous desire.
Then when Falin becomes a monster, she doesn't eat Marcille because she doesn't NEED to, Marcille already offered herself up as part of Falin by mixing her own blood with the dragon's for the resurrection.
Also Marcille is a monster too!! She doesn't need to be turned by Falin. She's a 'witch' doing black magic for one but she's also very vampiric
Her name is super vampirey especially given one of the translation spellings was Marcilla, an annogram of Carmilla*. And Marcille is very similar to Marceline from Adventure Time so it's a name with heavy connotations to me. Also her staff is Ambrosia which means immortal.
*ps Carmilla is the original modern vampire that inspired Dracula and also a lesbian. she used annagrams of her name (Marcilla, Mircalla, Millarca) to disguise herself across hundreds of years.
Marcille is like. a vampire in that death is a big part of her theme. She can breathe that immortality into someone else using her resurrection black magic and death is a huge part of her character. She wants them to live as long as she does. To make them immortal. Like. Like a vampire. Vampires which are unholy when her love interest is a cleric.
But once again this is subverted!! she doesn't 'turn' Falin, she makes her undead by giving her own blood instead of taking Falin's. Falin becomes a monster not because she's attacked or turned, but because her DNA, something INHERENT about her is now intertwined with the monster. so a god-like figure merges them. Then the only way to free her from that frenzy and grant her autonomy again is to finally consume her. something inherently lesbian about all that i think idk about you
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dead things thee spuffy episode of all time btw. “are we having a conversation?” the balcony at the bronze. the handcuffs. out of this world by bush. buffy thinking she killed a human and actually dreaming about spike coming to her and comforting her. spike trying to stop her from turning herself in to the cops and her beating the shit out of him. “you always hurt the one you love.”
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