#Um those who know ->

[scarfcigar]

the translator

my favorite translator, even

[koolaidashley]

THATS HIS BABY ‼️‼️‼️‼️‼️‼️‼️‼️

[waspgrave]

I can’t believe people are acting like Solas and Varric aren’t friends….did you listen to their dialogues? They talk philosophy, laugh, ask each other questions, give advice, Solas even goes from polite but distant ‘master tethras’ to a friendly ‘varric’ in the span of a few conversations. Solas took genuine interest in his writing and read his books. Varric even invites him to play Wicked Grace. Foolish.

[m0e-ru]

yosuke you have to enable your streetpass yosuke look at me in the eyes

[nenoname]

Stan and Soos' sorta-Dad and Sonployee relationship

We of course have Soos assigning Stan as his father figure the moment he got hired

But Stan holds that moment dear too, with Soos becoming his main source of company after the Mystery Shack, his first big success, was starting to hit rock bottom. And he made sure to keep the screwdriver that led Soos to him for a decade which unfortunately gets stolen by a certain time traveler...

(Their meeting being a paradox of Soos' family leading him to them is super sweet too!)

Playing one game of catch with their dads still was a dream for both of them, even when it was clear that it'll never happen, even when Soos knows that the Pines are his family and he shouldn't care about that biological deadbeat, even when Filbrick threw Stan away like trash.

But both of them end up finding closure with each other anyway.

Along with Stan likely teaching him how to fix golf carts (to the point that Soos is pretty skilled at it now), he also taught him boxing and tried to do something about his birthday, which is another sore spot for the both of them.

In the Sooscast, we have Stan continuing with the podcast despite learning this horrifying truth/not understanding what the hell is going on.

Noticeably, we see that Stan is a lot more lenient on Soos in comparison to Dipper, mostly because Stan doesn't project most of his issues onto him. (Not that he's immune from chores or shitty tasks but that's the burden of being a sonployee...)

And in NWHS, Stan trusts him to guard the lab with no questions asked (even if that ended up being foiled by Soos loving Mabel and Dipper too)

The comic story is Soos helping Stan regain and continue one of his childhood dreams, with the website having Stan continuing to draw on the Stan o' War.

And while unfortunately most of their father-son relationship content is at the end or after the series, Alex still said a lot about them in the commentary and interviews!

Before they met, Soos was someone who appeared to only really have his Abuelita and cousin, while Stan had.... a baby goat. And a disappearing frilly lizard.

We have Stan claiming that the reason why he never had children was because of his own dad and that money is basically his child (which just loops around back to his money obsession being his desire to get back his family)

But even still, he passes down the Shack and fez to Soos with barely any pause, the fez in particular being tied up with a lot of complex emotions. But Soos getting his own suit fitted just for him and not being pressured to wear a girdle to hide his weight kinda symbolizes to me that the role of Mr Mystery is now free from that baggage.

And whenever we'd end up getting Stan o' War stories, I'm sure the two of them are gonna get way more father-son moments

(Filbrick's impact on Stan post, Stan projecting on Dipper post)

[heartorbit]

i wanna make a prsk major arcana...

[tomfrogisblue]

one of the true highlights of the qsmp was introducing non-french speakers to how fucking awesome and hilarious etoiles is

[front-facing-pokemon]

[puppetmaster13u]

Prompt 52

So I’ve seen several catboy Danny prompts, but hear me out: All of Amity becoming so ecto-contaminated that everyone becomes something akin to a mythological creature. And Danny? He becomes a Nekomata- a two-tailed cat that was said to be able to shapeshift into humans for mischief, including straight up haunting people and stealing corpses. Vlad ends up a kitsune- which is already associated with taking on human forms to seduce people and with things such as foxfire and possession. Tucker ends up a sphinx sort of creature- “It’s not fair you guys can just float around while I have to figure out how to use these stupid wings when I could be coding!”- and Sam ends up a dryad of some sort, they aren’t entirely sure what but that’s what they joke it is so…

The people sent to investigate this city are more than slightly freaking out.

[turtleplushi]

I need sleep

[altschmerzes]

i need to stop shadowboxing the concept of romance when i write. i need to make my brain go to a world where romance doesn’t exist when i write because feeling its constant presence and people’s expectations of its presence and reading in of its presence is making me a worse writer.

like. thinking a lot about that post that’s going around rn about Books That Are Clearly Afraid Of The Reader. been thinking about how fear of being interpreted or perceived or whatever permeates a Lot of what i do and always has, creatively, and frankly compromises it, especially in terms of fear of people reading romance into my stuff because of how much i write about interpersonal relationships and intimacy and reliance and vulnerability and intense emotional situations.

i need to stop trying to build a boat with my main priority being ‘i dont want people to insist to me that this is a car or make people feel tricked into seeing a car etc etc’ when there is actually no part of this boat that needs to be made with cars in mind at all i could just Build The Damn Boat. this metaphor got lost.

point is i need to stop letting romance take up space in my stories at all. even if it's just as something i'm doing backflips over and around. i need to just start writing about platonic relationships - friendships, queerplatonic relationships, familial relationships, etc - without feeling like i need to first disprove romance as an automated and inherent assumption. romance should have no quarter here, even in feeling forced to deny it.

[vulpinesaint]

kind of unfortunate that so many fantasy epics are also war novels because i will be honest i just do not like war novels that much... the grand clashing of forces is compelling obviously but it requires characters to talk about so much practical battle strategy and while i can get my brain to comprehend all these fantasy maps and kingdoms and borders and battalions and front lines and army movements it takes up. so much space in the book. feels like i'm fighting a war of my own trying to get through it sometimes

[xenomorphicdna]

On the string propaganda

Heeellll yeah

Bestie is an entire PLACE

I look at those guys and let me tell you the soul of that thing ain't just in the puppet, it's in all the neurons carrying the thoughts and emotions, it's in the power rails that serve as the heart. All the memories in the memory conflux and all the numbers we see flicker across displays, the flux condensers, the puppet; a little avatar.

No way these massive machines see life the same way we do. They have their own experiences and senses and things they hold dear. A world we can't imagine, a way of living we couldn't even comprehend.

I could never tear an iterator apart to be just a puppet. Who am I to decide how's life supposed to be enjoyed or perceived?

You treat your creechurs however you want- I ain't gonna dictate that. But damn, hearing the thrums and buzzes of the linear systems rail? They are alive with so much power, these mechanical beasts are exactly what they should be.

[electroniccollectiondonut]

I have not been in this fandom long enough to reasonably judge others' takes however. "EPIC fans are so silly to characterize odysseus as feeling guilty for his actions don't you know he's a war criminal" is definitely a wild one. like first of all to each their own so settle down and let people enjoy things ok. and secondly making choices with a bad outcome, even knowingly and deliberately, does not exclude the possibility of feeling bad about it later. in fact it makes for a much more in depth character because then you get to explore what he does or doesn't feel guilt over, and why, and if that guilt ever edges into regret or not.

[xxrat-punkxx]

Vashie having a bath, that is all

[vomittedsoap]

Assigning The Terror characters a DumDum flavor

Crozier: Orange (or root beer)

Fitzjames: Cream Soda

Franklin: fruit punch (only old people like this flavor)

Jopson: lemon lime

Irving: butterscotch

Little: blue raspberry

Hodgson: birthday cake (I've never tried this one actually)

Collins: root beer

Goodsir: peach-mango

Stanley: sour apple (lmao)

Tozer: cherry (matches his outfit)

Macdonald: watermelon

Silna: Cotton Candy

Hickey: pineapple

Gibson: bubblegum

Bridgens: strawberry

Peglar: grape (Peglar is an anagram for grape.)