#Time travels by too fast

[billowingangel]

Where oh where does the day go?

[poorly-drawn-mdzs]

Swift travels. [Bonus art]

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[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[turtleblogatlast]

Love the thought of Leo just casually being well traveled to absurd degrees. Like one day they’re facing their new Big Bad of the year and like, Draxum or whoever says that the key to their fight is located somewhere in, like, Latvia or some place, but no one knows where to start.

Then Leo’s like “oh I know a place” and when asked how the heck he could know of one it smash cuts to Leo falling through the ceiling of said place due to a portal mishap.

Also love the idea of Leo, being as accidentally (and then later, purposefully) well traveled as he is, sometimes taking his family on outings to different places all over, maybe to some new Yokai spots he found along the way.

In these places, Leo 100% lets his bros get scammed by tourist traps.

[mgu-h]

LandoLOG gif series outtakes pt. 1 (2018-2020)

[elodieunderglass]

I’m sorry, did you say an average of 60 jockeys paralysed a year?

(In reference to this post about injuries in racing jockeys: https://www.tumblr.com/elodieunderglass/773292886240428032/i-would-like-to-know-more-about-the-common)

I got this from this PBS article, but I’m not willing to stake my reputation on the sourcing at this remove, so I’ll remove that part of the post until I can research the epidemiology for myself.

https://www.pbs.org/newshour/amp/nation/jockey-suicides-bring-attention-to-stress-and-mental-health-concerns-of-the-job

[lesbianshadowheart]

'Players will optimize the fun out of the game' is such a bizarre conept to me. Video games, to me, fulfill 2 needs: playing with dolls (roleplaying a compelling narrative) and getting immersed in a fictional world. i am constantly on a quest to make every game i play more difficult than it needs to be to achieve these goals. i'll turn off the minimap in your open world game and play it like it's firewatch dont fucking try me

[ragnarokhound]

((you don’t have to do both if you don’t want to, you can consider this one a back up / alt))

“If you don’t know where to go, you can always come here.” 💞

From this writing prompt list i reblogged in...november lmao fljdsjfa

anyway this grew legs and sprinted away the second I picked it up yesterday - clearly it just needed some time to proof lmao. Thank you for the ask, tauria!! From *checks watch* almost 5 months ago fjdslafjsa I will be cross-posting it to Ao3 in my new oneshot collection fic :)

Warnings for: Vague allusions that Ra's Al Ghul is a creep (what else is new), threats of gun violence, canon-typical violence

15. “If you don’t know where to go, you can always come here.”

When Tim arrived in Gotham this morning, he had no way of knowing that his day would end in Jason Todd’s bed. 

Frankly, he wasn’t really sure what bed he’d end up in— because his own certainly wasn’t an option right now. But If he had to pick, Jason Todd’s was somewhere near the bottom of whatever list he’d make.

He didn’t exactly plan on this, okay? 

But, uh. Let’s back up a little.

—

Tim knew his day was going to go to shit when he got back from the airport at 7 AM.

He had his driver drop him off two blocks away from his townhouse for the sake of caffeine at the hole in the wall place he likes. Wealthy CEO he may be, but a sixteen hour flight is still a sixteen hour flight and Tim is cursed with an inability to sleep in the air. 

Don’t ask. He’s tried. It doesn’t work.

So he wants coffee, and he wants a shower, and he wants his own bed. In that order.

With the first thing on his list acquired and blessedly burning his tongue, he managed to tug his brain cells together enough to realize that the building they’d passed that had been shrouded in tents and canvas was his building.

"What's going on here?"

The worker outside his building looks up from her clipboard, her face wrinkling into apprehensive confusion.

"Hello, sir. Can I help you?”

He hasn’t slept in roughly seventy two hours. He is not awake or patient enough for this.

“My name is Tim Drake. I own this building. What’s going on here?” He repeats.

The woman raises her eyebrows and looks down at her clipboard again. “Mr. Drake?” She questions, clearly expecting him to look like a grown-ass man and not a sleep-deprived college student coming home from spring break or whatever.

“Yes. Timothy Drake-Wayne. Why are you—” he tries to gesture with the hand still holding his suitcase handle, walking towards the tarps and tents erected around his townhouse with increasing trepidation, “—here?”

“I’m sorry sir, but you can’t go in there. Not for at least forty-eight hours.”

Tim stops in his tracks.

“Forty-eight—?”

“We've been scheduled to fumigate the property today.” She says it like she’s reading it out of a handbook. “It won't be safe to enter the building for at least forty-eight hours. You should have received prior notice. Uh. Sir.”

Tim's jet-lagged brain kicks into overdrive. 

Bruce hasn't made any disappointed noises about Tim’s perfectly normal work ethic lately so it probably wasn't a misguided attempt at benching him. And besides, rendering Tim’s apartment inaccessible is counterproductive on that front. 

Dick wouldn’t. They haven’t been exactly— great, lately but he wouldn’t. Besides, if he wanted to get Tim out of the house more, he’d show up to drag Tim out into the daylight himself. This is a little too roundabout for him.

It’s too much work to be Steph. She would think it’s funny, but there’s no way she’d follow through.

Damian might, but this doesn’t quite fit his preferred methods for making Tim’s life hell. It could be some cloak and dagger maneuver to leave him vulnerable, faking a complaint to the city so he’ll—

And then Tim thinks about the call.

The call he’d brushed off at fuck o’clock in the morning somewhere over Europe, too busy with another project. The call his secretary took for him instead. He thinks about the distracted confirmation he’d given to whatever it was she’d asked him about five minutes later. 

He also thinks about the form he signed about two weeks ago, before this last minute trip to Hong Kong had consumed his entire attention. The one with “Two Weeks Notice” stamped across the top. His stomach sinks.

“Today,” he repeats.

She looks apologetic. “Today,” she confirms. “And we just started about an hour ago. I’m very sorry, Mr. Drake-Wayne but—”

"No it's—" he says through gritted teeth, "fine. I'll just. Make other arrangements."

—

He does not make other arrangements. Though not for lack of trying.

Tim has a handful of safehouses scattered throughout the city. He has options. He gets a taxi to the closest neighborhood, and nearly falls asleep in the backseat. The cabby has to knock on the glass divider to get his attention when they come to a stop. He grumbles and hauls his suitcase out of the backseat, and tips the man excessively.

Shower. Bed. Sleep. He’s so close he could cry.

Except when he finally rolls around the block, coffee half gone and trying to remember if this safehouse is the one with in-unit laundry or if he’ll have to haul his shit down to the laundry room, his building is a blackened husk with police tape all around it.

He stops on the sidewalk. He peers up at the window of his unit, squinting at the peeling black wood and shattered glass. He ponders whether two is enough data points to be considered a pattern. And whether he could get away with napping in the alley on this street or if that’ll end with him stabbed and robbed.

As he’s pondering, he catches sight of a passerby and stops him.

“‘Scuse me,” he says apologetically. “What the hell happened here?”

The guy looks up from his phone and takes in his rumpled clothes, his suitcase, and the scorched remains of his apartment.

“Oh, uh. Yeah, there was a big fire about a week back? Bad fire. Took out, like, half the block. Cops are saying it’s arson.”

“A week ago,” Tim repeats. The guy’s eyes widen.

“Oh shit, bro, did you live here?”

“I’ve been out of town,” he explains numbly.

“Dude, that sucks. And right in the middle of con’ season. Good luck finding a hotel!”

“Yeah,” Tim sighs as the guy walks away. “Thanks.”

—

The next safehouse he tries isn’t in much better shape. 

He remembers hearing about Freeze going on a rampage a few days into his trip, but he hadn’t realized another one of his places had been caught in the cross-fire. The cold burst the pipes, and now the whole place is undergoing renovation.

He hears all this from the crotchety old lady who lives in the next building over (her building needs renovation too, but will the city pay for it? Of course not, they weren’t ‘directly impacted by disaster’ so they won’t see a penny of relief funds even though their pipes are on the same line. Typical) and when he finally extricates himself from the conversation, it’s almost noon, his second cup of coffee is long-since empty and he’s at the end of his goddamn rope.

By the time he sees his next safehouse, he isn’t even surprised anymore.

“Does God hate me?” He asks the boarded up building. “Is this a punishment? What did I do? What the fuck did I do?”

He is 99% sure at this point that someone is burning his bolt holes. There’s a short list of people with the resources and the intel to do it, and while he’s not above ruling out the likes of Damian just yet, he seriously doubts anyone wearing a bat is behind this. 

Besides, Dick would have noticed by now if Damian were sinking this many resources into convoluted covert ops designed to make Tim suffer. Definitely. Probably.

Fuck it.

He goes around the back and hops on top of his suitcase to reach the clunky camera watching the back entrance. This building is on the shittier side, closer to Crime Alley than his other haunts; cameras break all the time around here. He’ll have it replaced after he’s a functional human again.

Reportedly, this building was tagged for ‘high toxicity levels’—  which is pretty typical for any building where fear toxin or Joker gas are found in any amount. They must have found a lot to condemn the whole building, but Tim is confident he’ll be fine. The airborne shit dissipates to safe levels within hours depending on the ventilation. If it was in the air, it’s long gone. Anything else needs to be injected to be effective.

Once the camera’s busted, he kicks out the boards and heads inside.

He drags his suitcase in after him, and mourns the shower he probably won’t be getting. The hall lights are out, and chances are the water’s been shut off along with the electricity. But at this point, he simply does not give a shit. All he wants are four walls and a mattress.

Leaning on the door to his floor to make it open, he stumbles out into the hallway—

And catches sight of the glistening curved dagger stabbed into the wall next to his door, the hilt gleaming green in the sinking sun.

“Nope,” Tim says, spinning on his heel and going back down the stairwell double time. “Nope, nope, nope.”

He is now 100% certain that the League of Assassins has been burning his bolt holes. Ra’s al fucking Ghul can eat his whole ass.

—

Seven blocks away, Tim sits on the sidewalk in front of a bodega and contemplates a third cup of coffee. The shittiest one yet.

See, here’s the thing.

The thing is, he has options.

He could go to the Manor. Or the penthouse. Or to Steph’s place. He’d have to answer some unnecessary questions like ‘Master Timothy, you know you can’t sleep on aircraft, why didn’t you sleep before your flight’ or ‘Tim, why didn’t you come here first, you know you can still come to me if you’re in trouble, right’ or ‘why did you agree to fumigate your fucking house, you loser, lmao’. (Stephanie is not going to let him live this down). 

He is absolutely certain that he would be welcomed in any of these places and after a completely undeserved amount of fussing, he could take a fucking nap and someone else would deal with the League bullshit for him.

And that’s the thing. There’s the rub.

No one should have to deal with the League bullshit for him. This is his problem. He’s not in a hurry to bring them down on anyone. Not even Damian.

With grim resignation, he reaches for his phone to try and find a hotel room (during a con’ weekend apparently, RIP) and maybe get a fucking handle on this whole stupid thing, when he hears:

“Hand over your wallet!”

He lifts his head slowly and finds himself looking down the barrel of a gun. A gun held by some guy wearing a ski mask in broad fucking daylight. There’s another guy next to him who’s watching the street. There’s a third guy somewhere behind him who he can’t see, but he can hear the scuff of his boots.

Sure. Why not. With the day he’s had, this might as well happen. He holds up his hands placatingly.

Tim contemplates his muggers. The guy with the gun is jittery, probably new to this, or hopped up on something. He keeps glancing between Tim and the bodega behind him, so they were probably planning a run on the till. Might have chickened out, or thought Tim was an easier target, an unexpected meal ticket plopped right in their path. Or they were already inside when Tim sat down, which wouldn’t bode well for his situational awareness seeing as he just came out of there himself.

The grinding gears of his tired brain keep getting caught on the fact that this is happening in the middle of the fucking day. Tim glances at the street corner and bites his cheek in frustration. Yeah, he’s smack dab in the middle of the Alley. Figures.

“Are you deaf or somethin’ man?” The guy with the gun is saying. “Hand over your fucking wallet!”

The other guy doesn’t seem as crazy-eyed. He’s nervous, though. He keeps looking around like he’s expecting Batman to materialize, to come whistling down the street like a beat cop.

“Dude, come on, it’s not fucking worth it,” he says, grabbing at the gunman’s shoulder. “We got the money, let’s fucking go.”

The third guy kicks over Tim’s suitcase. “Yeah, come on, Don, let’s just grab this shit and bounce.”

Tim can’t do anything. He’s not Red Robin right now. He’s Timothy Drake-Wayne, CEO of Wayne Enterprises, and he’s getting mugged in front of a bodega at two in the afternoon in a rumpled suit and tie and still toting his suitcase from his early morning flight. 

His hands are trembling from unspent adrenaline, too much caffeine, and not enough sleep. His eyelids are the heaviest they’ve ever been in his godforsaken life. His ears are ringing. He could knock all three of them down in less time than it takes to tie his shoelaces. But he can’t.

“Shut up, Johnny, look at him shaking! What’s he gonna do? If he doesn’t wanna get shot, rich boy’s gonna hand over all his fucking shit!”

“Hey, let’s just—” Tim tries to say.

Stars explode across his vision as Tim takes a punch he genuinely wasn’t expecting. He stares up at the blue sky for about half a second, more confused than anything else, before the gunman grabs him by the front of his shirt and hauls him up to shout in his face.

“What’s it gonna be, pretty boy?!”

Caught on the exhausted edge between vigilante training and the preservation of his identity, Tim is frozen. He doesn’t know what to do. He kind of wants to cry.

“Gee, Donny, what is it gonna be?” A fourth voice says, full of false cheer.

Tim blinks. So do the muggers. 

He knows that voice.

“Who the fuck—?” The gunman drops Tim, spinning around and into a fist. He tumbles down to the ground, out cold.

Everything happens pretty quickly after that.

Jason Todd is in civvies. He’s sporting a worn out looking hoodie and a pair of jeans that have seen better days. But his heavy boots are the same ones he wears for his uniform, and the kick he delivers to Johnny’s face is all Red Hood.

Almost in a daze, Tim watches him fight with the usual mix of seething envy and raw desire that rears its ugly head any time he gets to see Jason in action. He’s fast, decisive. Efficient. Beautiful. Tim wishes he had Jason’s skill. And he wishes— 

Well. He wishes a lot of things about Jason Todd.

Tim is pretty sure he and Jason are friends. Maybe. Probably. They’ve pretty much moved past the whole “replacement”, “zombie-dickhead” part of their relationship and have graduated to occasionally providing backup on ops that overlap in each other’s sectors, ganging up on Dick when they’re all in the same room, and maintaining a surprisingly steady stream of vigilante gossip to keep each other in the loop. 

So, ok, yes, due to the aforementioned, he’s pretty sure they’re friends. And also because Jason wouldn’t have stuck his neck out for him otherwise. He would have just let him get mugged.

Watching Jason fight is one of Tim’s favorite pastimes. But right now, Tim’s usual appreciation is soured by the gut-roiling embarrassment of being caught in this position by Jason of all people. His eyes itch. His cheek throbs. He’s so fucking tired.

“Hey, little stalker,” Jason says suddenly, holding out an expectant hand in Tim’s face. The muggers are groaning on the ground around them. Tim isn’t sure when that happened. He might have zoned out. “Did you know that you had a stalker for a change?”

Tim flushes. “I resent that. I haven’t stalked anyone in years.” He takes the hand. It’s warm, and calloused, and big around his.

Jason laughs at him and yanks him to his feet. “Liar.”

Tim’s mouth twists into a scowl. He tries to glare at Jason, but he can feel himself swaying and Jason still hasn’t let go of him, and it’s ruining everything.

Also, lowkey, Jason is right. But in his defense, it is literally their job to stalk people, so.

“I haven’t stalked you in years then. Just other guys. Bad guys. Not non-bad guys. Fuck. You know what I mean. Whatever.” He pauses; recalibrates. “Had?” He asks.

Jason’s eyebrows inched higher and higher the longer Tim talked. Tim doesn’t blame him.

“Yeah. Had.” 

So much for the League, Tim muses.

Jason gives him a once over before tugging decisively on Tim’s wrist, easily grabbing the handle of his suitcase and starting to walk with both in tow, to Tim’s rising horror. 

“You’re coming with me, shortstack. What’s wrong with you? Are you drunk? You look like shit.”

Tim tries to yank his wrist out of Jason’s grip, but the asshole doesn’t budge. “I’m not drunk,” Tim snaps. “I’m fine. I’m just. I’m just… really tired.”

Jason stops abruptly, and Tim stumbles into his shoulder.

“I can see that,” he says, steadying Tim with an amused but ultimately sympathetic look. He loads Tim’s suitcase onto the back of a motorcycle that Tim literally just now noticed. 

God, he’s fucked. And not even in a fun way. 

“C’mon,” Jason says. “Don’t fall asleep on the way over— road rash sucks ass.”

—

They don’t talk on the way to— wherever Jason is taking them, but once they’re parked in a random garage and walking towards the elevators, the game of twenty questions begins.

“So why’ve you got League assassins after you, anyway? Piss in a lazarus pit? Push over the baby brat on the playground?”

“Ra’s al Ghul wants my body,” Tim says, dejected but resigned to this bizarre fact of his life. “Since I was seventeen, I’m pretty sure.”

Jason wrinkles his nose. “Ew.”

“I don’t think it’s a sex thing? But it could also be a sex thing.”

“Again. Fucking ew.”

“Yeah. Also I blew up a bunch of his shit and I think he’s still salty I got away with it.”

“Is that why you weren’t at the Manor?” Jason asks, herding Tim out of the elevator and down a long hallway. “Or anywhere but a random street in Crime Alley?”

Tim nods. “Yeah. They found all my safehouses, but— my mess. My problem.”

Jason thwacks him upside the head.

“Ow! What the fuck?”

“You’re the dumbest person on the planet.”

“Am not. B is on-planet right now.”

“Then you’re pretty fucking close,” Jason snarks, fishing out some keys and opening one of the apartment doors.

Tim scoffs at him as he’s pushed inside. “Oh, please. Don’t try to tell me you would let Dick swoop in and solve all your problems for you.”

Jason rolls his eyes, stepping into the side kitchen and popping open the freezer door of the fridge.

“Dickiebird can’t even solve his own problems,” he says as he rummages. “But maybe when I’m fucked up enough to let three nobodies robbing a fucking bodega get the jump on me, that’s a sign that, maybe, it might be time to call in the cavalry. Dick isn’t the only person who’s got your back.” He presses an ice pack to Tim’s face until he takes it himself, and keeps steering him through the apartment. “Just saying.”

Tim would protest with all of his very good reasons why Jason is definitely wrong here, but he’s too busy processing the fact that Jason has led him into a bedroom. With a bed. There’s a bed, with a mattress and pillows and blankets. Right there. Tim stares at it with lustful eyes.

Jason catches him staring. He rolls his eyes, but he’s sporting a small smile that Tim has the presence of mind to memorize. He walks over to a dresser and pulls out a big shirt and a pair of shorts that he hands to Tim.

“Look. If you don’t know where to go, you can always come here. No guarantees I’ll be always around, but, yeah. Mi casa es su casa, or whatever.”

Tim eyes him up, clutching the bundle of Jason-smelling fabric in his hands. “And you’d do that for me because…why, exactly?”

Jason flicks his forehead, a stinging reprimand. Tim hisses.

“Because, dumbass, you need help and I feel like it. And you don’t actually suck to be around, so shut up and be grateful.”

“Oh, yes,” Tim deadpans, rubbing at his forehead. “So grateful to be allowed the privilege of squatting with you.”

The thing of it is, Tim is grateful. But Jason doesn’t need to know that.

Jason squawks, and before Tim can duck, he’s snatched Tim around the neck in a headlock. His arm is thick and doesn’t budge no matter how Tim shoves and kicks. The ice pack and the clothes go flying, and Tim just about dies. Jason is warm.

“Jason—!”

“Brat!” Jason crows, not giving an inch. “I paid for this place fair and square— you’re the only squatter here!”

“Blood money doesn’t count as square!”

“Tell that to half of Gotham, kid.”

“I’m trying to, thanks for noticing,” Tim says, finally wrenching himself free of Jason’s grip, stumbling into the bed and giving into its siren song. He sits down heavily on the edge, toppling over sideways and reaching pathetically for the fallen ice pack that’s just out of his reach.

“And don’t call me kid—” he complains, muffled by the pillow. It also smells like Jason. “You’re barely two years older than me.”

The cold ice pack is pressed into his fingers. He cracks an eye open to look, but Jason is just smirking at him, like he’s giving Tim the win. Ass.

“Coulda fooled me, shortstack.”

Tim rolls his eyes, and onto his back, toeing off his shoes and letting them clatter to the floor. He can’t tell if Jason’s bed is the best bed in the world, or if he’s just deliriously inventing things.

Frankly, Jason Todd’s bed is the last place he ever thought he’d end up, this morning or otherwise, so he’s never bothered to speculate. He does not have a contingency plan for this.

“Is there a reason you keep calling me short,” he complains, “Or will I just need to fill in the blanks myself?”

“Can’t help it. You’re just so small,” Jason coos. Tim props himself up on an elbow at that, raising a disgusted eyebrow.

“You don’t hear me constantly talking about how big you are.” 

Jason grins like he just won the lottery; Tim shuts his eyes the second it’s out of his mouth.

“Baby, you don’t know how big I am.”

He does, actually. Not in a creepy stalker way, just— there was this one time. A big rogue breakout at Arkham, all-hands on deck type of situation; Tim, Cass, and Jason were covering Poison Ivy in the park. Acid-spitting pitcher plants were involved.

And look, Jason’s tactical gear is fine in the day to day, but it’s not like any of them had time to prep a neutralizing agent, so when Jason needed his pants off, stat…uh. Well. Tim was right there.

He knows, okay?

“Alright,” he rallies, trying desperately not to replay the memory of Jason adjusting himself through his boxers. All of himself. “I walked right into that one.”

“Oh, trust me. You’ll know if you’ve walked into it.”

Tim scoffs, but he can feel how red his face is.

And the thing is. He says it without really meaning to. 

But he still means it.

“You gonna put your money where your mouth is, big guy?”

The change is immediate. Jason had been halfway out the door, but now he turns to Tim, giving him his full, undivided attention. He looks at Tim, laid out in Jason's bed, giving him a very slow once over. The scrutiny is at once nerve-wracking and thrilling.

“Thought you didn’t want my money,” Jason murmurs.

The temperature in the room spikes. If it weren’t for the slow throb of his bruised cheek, Tim would think that he’s already asleep and dreaming.

But he isn’t. He’s very much aware that he’s wide awake.

Tim swallows. “Well. It’s not your money I want.”

Jason’s grin is electric. 

He stalks over to the bed, and Tim is frozen like a rabbit, waiting to see what he’ll do next. Jason settles a knee on the sheets between Tim’s legs, looming over Tim and boxing him in against the mattress. Tim’s free hand reaches up of its own accord to tangle in the collar of Jason’s hoodie, and the cotton is softer than he expected.

Jason’s eyes rove over his face, dark and heavy. He catches Tim’s face in his hand, swiping his thumb lightly across the bruising hot ache of his cheekbone. He leans in deliberate and slow and—

—and stops about an inch away from Tim’s mouth.

“Get some sleep, babybird,” Jason teases, his breath puffing gently over the skin of Tim’s lips. “You can proposition me again tomorrow.”

“It’s, like, 3:30 in the afternoon,” Tim argues, breathless.

“Yeah, and your body thinks it’s 3:30 in the morning. You’re dead on your feet. Don’t make promises you can’t keep, and go the fuck to sleep.”

Jason moves to rise. But Tim hooks a stubborn arm around his neck and pulls him down that last remaining inch. 

The kiss is— bad. At first. 

Tim basically smashed their mouths together to prove a point, and Jason muffles a surprised sound against Tim’s teeth. He lands heavily on top of Tim at an awkward angle, and he’s kind of crushing him. Tim refuses to let go, but— Jason doesn’t pull away.

Jason gentles the kiss instead, and Tim thrills. He levers himself up onto his elbow, wrapping an anchoring arm around Tim’s back. He finds a home between Tim’s legs, and he lets Tim kiss him until Tim's lips are tingling and his fingers go slack; until he can’t keep his eyes open anymore.

Somewhere between fifteen minutes and a small eternity later, Jason presses one more kiss to the corner of his mouth. He curls around Tim on his side, and Tim turns his face into Jason’s neck with a soft wondering sigh.

“I’ll keep it. Promise. Wait n’ see,” Tim mumbles. Jason snorts, but doesn’t budge, and Tim can hear his smile in his voice, lilted and lulling.

“Sure, babybird. I’ll wait. I got nowhere else to be.”

Tim is already asleep.

[gingergari]

my beautiful baby gorls

[sincerely-sofie]

Brainstorming a protagonist for the Dugtrio Day AU

Meet Echo, everybody!

[kyouka-supremacy]

Hold on Akutagawa having a brand new outfit in the last episode. And what if he got recluted by a new organization? (The Order of the Clock Tower perhaps???)

[itz-pandora]

What is the darkest character you have explored from a psychological point of view so far?

Hmm... Probably Silver?

Like I'd need trigger warnings just to TALK about what I do to him.

(look at tags)

[crispyjenkins]

right so i have over two thousand hours in skyrim now but only just completed the main questline for the first time and

y’all what the fuck was that

[thefriendoforatioisdead]

Call me nitpicky but isn't the whole point that their father tried different ways to save Vivi and he always only managed to delay her death ? That no matter how long it takes, if Four is in Wa's life Vivi is going to die ? It's not because she saw her future after university graduation that it means she won't die prematurely anyway ! SHE'LL HAVE FIFTY YEARS AFTER THAT TO DIE PREMATURELY !

[woollywooloo]

Nobody warned me that when you start spinning your own yarn, you just lose all interest in commercial yarn.

[vvelegrin]

i'm really enjoying pathologic 2, actually. i mean, i didn't think i wouldn't enjoy it as much as i was worried it would just, i don't know, muddy the water. and maybe it will, but i'm not really bothered by that anymore. that said, i do think patho 2 took a fairly unsubtle game and increased its unsubtlety by about tenfold.

well. calling og pathologic 'unsubtle' doesn't feel quite right, but i'm not sure what word would feel right. maybe it's 'distinct in its sensibilities'. I think og patho felt more obtuse, whereas patho 2 is like. here. take it. do you get it. here is the information. do you see the themes. i am announcing them to you in such a way that you know that i am saying something thematic. i'm not far enough into the main story of 2 to be able to say that there's less reading between the lines, but it feels very much so far like there's less reading between the lines. whereas the original had a somewhat different... i don't know, affect? it felt like a hostile workplace where everyone recited shakespeare about even the mundane. in patho 2 nothing feels mundane in the first place, everything feels loaded in a way that og patho was but didn't feel, if that makes sense.

but i think that's okay. at the very least, it feels very much like leaning into the 'theater' aspect of it, which is enjoyable. pathologic 2 feels to me more like... bonus content? not to be Stuck Up For Pathologic HD but i enjoyed the feeling of grinding my face against a cinderblock, having to tease out information and conclusions. it felt like a game that you had to figure out, but you actually weren't really doing any ground-level figuring out of much; you're not a doctor, your character is, so the puzzle of Solving the Plague belongs to The Story, whereas the question of What the FUCK is This Town's Deal is your job. it's a very linear game in most respects, but all three playthroughs come through as a thematic package deal.

i so far get the impression that pathologic 2 can be played on its own and be enjoyed in its own right! however it exists to me as like. director's commentary. i'm really liking the playing with different character relationships and alternate things, the expanding of steppe language and the kin, love my worm guys, but i like it because of how it enriches my eternal mind rotation of og pathologic. sorry guys i played the original pathologic and it broke me and remade me in its image. sorry.