#Tim Curry did some good voice acting

[the-shy-wolf]

Hexxus from Ferngully I guess

[skywitchmaja]

over the course of this beauty and the beast/disney music hyperfixation many [youtubers] have talked about the evil tim curry pipe organ and the french bernadette peters tree topper angel, but nobody prepared me for jeff bennett aka johnny bravo aka kowalaki, the tall penguin of madagascar, voicing an axe with the hammiest yiddish accent i have ever heard.

[whatyourusherthinks]

The Rocky Horror Picture Show Review

God, you haven't seen this either? Have you watched ANY movies that didn't come out in the last ten years? Yes, my film history is filled with blind spots, but look on the bright side! I can tell you what I think about it in a modern retrospective kind of way!

What did I know about RHPS before watching it? Well, I remember playing The Time Warp on Just Dance 4 a lot. I saw the clip of the Sweet Transvestite song when I was probably too young to watch it. And I heard this movie was the pinnacle of so good it's bad. My friend Mary from the Video Booze podcast (I know you won't be reading this but HIIII MARY! Fuckin' name dropper over here.) loves the movie and is constantly telling me about the history and impact of this movie, so I went with her and my other friend/coworker (I know you won't be reading this either but HIIII! What, you aren't gonna tell us their name?) to see it. And well...

What's The Movie About?

It's astounding... Time is fleeting... Madness... Takes it's toll. But listen closely... Not for very much longer. I've got to... Keep control.

I REMEMBER Roan we don't have time to do the whole song. Aw...

What I Like.

THIS MOVIE IS FUCKING GREAT!

First of all, I like the story. It kinda steals from a bunch of classic horror movies in a very surface way. Like Doctor Frank-N-Furter is obviously a parody of Doctor Frankenstein, but he kinda acts like Dracula with all these people under his (sexual) thrall. Not to mention he's from Transylvania. But in a hilarious twist (Spoilers) TRANSYLVANIA IS A GALAXY IN THE MOVIE. THE TRANSYLVANIANS ARE ALIENS COMPLETE WITH SILVER AND GOLD OUTFITS AND LASERGUNS. It's so fucking funny, I absolutely loved it. This movie had me rolling in the aisles laughing. More to the point of the story, even though it heavily borrows from classic horror and sci-fi, it DEFINATELY is it's own thing. Doc Frank is such and iconic character and performance, I was really surprised that it was Tim Curry's first role in a movie! Admittedly he was playing the role on stage for a while, but stage and movie acting are two different things with different levels of elaboration. Everyone reprises their roles from the play, and they are all great. I STAN RIFF RAFF! His actor switching between two extremely different voices was so impressive!

And the music! HOT PATOOTIE BLESS MY SOUL! I REALLY LOVE THAT ROCK AND ROLL! Stop just singing every song! NO! THEY'RE ALL GREAT! I love musicals, especially ones with some darker themes. RHPS has some overt stuff like cannibalism, but the subtle storytelling implying Doc Frank's history as a concentration camp survivor is insane. Honestly, if Mary hadn't pointed it out I don't think I would have noticed. Also, I love rock and roll music! I was actually kinda impressed on how much storytelling was done in the lyrics of the music, because listening to most of them isolated, they just sound like songs! As much as I like them, there is a distinction between song written to be just listened to in isolation, and a song written to be part of a bigger story. RHPS has some songs that only really work in the context of movie (slash play) but The Time Warp, Hot Patootie/Bless My Soul, as well as a few other I can't think of of the top of my head work extremely well in isolation as well and perfectly slot into the storytelling of the movie.

This movie is so goddamn cool you guys.

What I Didn't Like.

Literally my only complaint is that the ending is a little too long. Like a skoosh. Mary told me the version we watched had one extra song stapled onto the ending, and the theatrical cut is much cleaner. So there's that.

Final Summation.

I think everyone who told me this movie is so bad it's good was too straight and dumb. Hey! This movie is actually, legitimately, really really fucking good! I think it may have became one of my favorite movies ever. The music, the queerness, the acting and story, it's all fucking perfect. Check it out if you like anything remotely related to this movie, old horror, musicals, queer people, cross dressers, rock and roll, fucking... Charles Atlas. Rocky Horror Picture Show is SO GOOD!

It's just a jump to the left.

AND THEN A STEP TO THE RIIIIIIIIIIGHT! Oh just end the review down already.

[imsparky2002]

Barbie in the Nutcracker: First Thoughts

The following is my thoughts while watching this for the first time.

Credits look awful. Still, it’s 2001 and this is the first installment so I’ll give it a pass.

Only know the basic Nutcracker song and theme but nice that it uses an orchestra

Barbie herself doesn’t look too bad but her little sis… yikes.

Kinda weird to see these dolls moving like mocap performers.

Heh! Barbie’s voice actor has the same name as her little sister.

Kelly very clearly sounds like an adult woman trying to do a kiddish voice.

Lipsyncing is odd, looks more like generic flapping.

Surprisingly decent snow effects.

I’m assuming Clara’s parents are either dead or abandoned them. Or they could also just be on vacation.

Is it wrong that I find Grandpa cute? Gives off a very distinguished vibe. Especially that voice.

They call gingerbread houses “christmas boxes”? That’s… interesting.

Kinda wish they gave Clara a different voice from Barbie, or at the very least a different hairstyle.

The lighting is actually pretty good! Nice warm hues, makes me feel like I’m at a cozy inn.

Her little brother looks like the kids who played Fortnite and would tease me in high school. Of course his name is fuckin’ Tommy.

This CGI is reminding me of early PS2 cutscenes.

Aunt Drosselmayer’s got that 90’s Leo DiCaprio/Hugh Grant parting in her hair. Bleh.

Why is Clara the only blonde in the family?

Ooh! We’ve got some family drama between Auntie and Grandpa. This is getting juicy.

Elizabeth is giving me confident bisexual vibes with the voice and manner of movement. Bet you that’s why Grandpa doesn’t trust her.

Looking at the wiki I just found out that Trixie’s VA voices the Aunt, Starlight’s VA is Barbie and Cadence’s VA is one of the kids! Must be a Canadian production.

I will never not find the word “nutcracker” to be hilarious.

Clara, why tf are you fighting over a toy with your lil brother? You’re like… 17? 18? I dunno but it’s way too old.

Seriously they gave Tommy the most punchable face ever. Not that I’d ever punch a kid but I can see why other kids his age would deck him.

Magic shenanigans are ensuing.

I like the medeival look of the rats. The CGI actually fits them well.

Clara wakes up to see an anthropomorphic warrior rat right next to her eating something and is just like “goddamn it, git ya varmint!” I love it.

Oh, she thinks she’s dreaming. That makes sense to why she’s so calm.

Hmm… I feel like the Rat King should look a bit more evil, and larger as well. Still, TIM CURRY! I’m gonna LOVE this.

Woah! We’re getting a fight scene! A swordfighting scene to be exact!

Oooh the Rat King’s magic and can shapeshift his weapon. That’s metal AF.

Tim Curry putting everything into his performance as usual.

I’m kinda surprised we’re already getting a Nutcracker-Rat King battle. I’d have thought they’d save that sorta thing until the third act.

Did they really have to change it to Sugarplum Princess? Fairy just sounds more powerful.

Wow! This snowy cave is beautiful! Something out of a classic painting.

EWWW THESE LIL SNOW FAIRIES LOOK DISGUSTING!

Did this nutfucker not realize that an icy fortress would have ice for the walls?

The fairies doing ballet looks weird because they have nothing to stand on.

Please don’t tell me the small fairy is staying, I hate her.

Dance is currently reminding me of Fantasia.

“The fairies probably went off to make a blizzard somewhere”. The way he said that nonchalantly had me cackling.

The effect of Clara’s footsteps turning into flowers is beautiful.

Pimm sounds like he’s an absolute troll online. Also gives me Psychicpebbles vibes (though I know it’s not him).

Wow the Rat King is a straight up genocider.

Why do all the kids look like Kelly?

OH DEAR GOD THAT LITTLE BOY LOOKS HORRIFYING.

Wait Prince Eric? Are they legally allowed to call him that? We all know how much Disney loves copyrights.

Man these kids are little shits and their outfits are gagworthy.

Major Mint definitely got a big personality, and the voice actor does a good job with it.

Ok Mint is hilarious and is so far the best part of the movie.

Nice to see some Asian rep with Captain Candy.

Wow, Rat King turns his failed employees into stone. Dark!

The zoom in on the Rat King as he says “that’s it?” made me giggle.

Thomas Astruc looked at the Rock Golem and got his first idea for an akuma.

Wait how the hell does Clara know that the Nutcracker is Prince Eric? I mean I already assumed because of the plot of the original ballet, but how does she know?!

The bridge scene gives me the willies, since I’m afraid of heights.

Wow this flower fairy is the only kid-looking character that has a decent design.

Didn’t expect a song to be interrupted by an enemy.

Lol, the Major’s monocle falls off as he sees the giant.

Glad to see the fairies serve a purpose other than dancing. Kick that giant’s ass!

Captain Candy’s a better man than Mint, as he actually makes sure that he gets saved.

Once again, the island is beautiful! Reminds me of Oz with the colored roads.

Ooh clever! At first I thought the castle’s backdrop looked really fake but I just factored it was because it’s 2001 CGI. But it was actually a trap!

Nice we see a test of Clara’s character that she passed.

The invisble hand touching Clara’s hand is actually making me feel kinda teary-eyed internally.

The Rat King definitely has a Napoleon complex.

Loving the character arc for Nutcracker with his final duel.

Ah! So now the Rat King is growing. Fits for the climax.

Huh… Prince Eric looks more like Jimmy Pesto than a prince.

Lol Major Mint realizes he’s been shittalking the prince.

Huh, so Clara’s the princess? I guess it sorta makes sense since it’s her dream.

For those princes out there who are hated by the public, all ya gotta do is fight a giant mouse.

Mint and Candy got the moves! Best dancers of the entire movie.

The final dance between Eric and Clara is absolutely gorgeous.

The villain was taken down by a snowball… I love it.

God Kelly Sheridan and Kirby Morrow really put everything into the scene where Clara disappears.

Lol Kelly’s Canana accent shows up when she says “It’s not a story”.

“What’s all this foolishness about mice kings and bats, Clara? Enough of your womenly hysteria! Time for a lobotomy!” Grandpa, basically.

Actually now that he’s in a suit, Eric looks a lot hotter.

I’m surprised Barbie’s little sister had the attention span to listen to a 1 hour story.

I'll be making a full review of the film soon. Let me know thoughts in the comments and reblogs. @artzychic27 @msweebyness

[baura-bear]

Welcome to newsie’s big king rant!! *cracks knuckles* i apologise for spelling mistakes or grammar innacuracies

i’ll start with AKB but i’ll do it in three parts ranging how much knowledge i have on the subject

andrew keenan bolger was born on the 16th may 1985 in detroit. he has 2 older sisters, maggie and celia ( who won a tony award for “to kill a mockingbird”!) he’s married to scott bixby since 2018 and their relationship is so nice and wholesome it’s so cute.

HES 5’4. IM 5’5. it’s so funny to think he’s shorter than me but whatever 😭😭

his first broadway role was in the OBC of seussical as alternate Jojo in 2000-2001 of which he did ONE broadway show then got kicked coz he hit puberty LMFAO poor 15 year old andrew

he then went on to be robertson ay in mary poppins THEN went in a woekshop for newsies and papermill and broadway( fun fact i think he’s the only actor who stayed in the same role for the workshop, papermill then obc of newsies )

during newsies he got a lot of fans which honestly yeah real but in march 2013 he left newsies to begin rehersing for tuck everlasting which didn’t make it until 2016 bc there wasn’t a suitable theatre for a transfer to broadway yet ( another fun fact if it had stayed in the realm of 2013 sadie sink would have played winnie instead of sarah charles lewis )

then in 2017 he was in kris kringle the musical playing kris kringle and in 2021 he was in seven deadly sins the off broadway musical playing phillipe

in september ( not sure if going ahead due to sag aftra ) he’s gonna star in “dracula a comedy of terrors” which seems very fun!! he posted a rlly funny photo of him wearing vampire teeth

ok other things than theatre he’s done i’m so sorry gang

so in 1997 he was chip’s singing voice in that lovely enchanted christmas beauty and the beast spinoff which i watched ALL OF IT just to find he’s in ONE FUCKING SONG and he’s only in the credits ONCE

( however tim curry is in it and he’s a fat smash so 🤷🏻‍♀️ )

he was in this show called looking in 2014 don’t watch it if ur under 18 i’m fucking traumatised from it don’t curse yourself with that PLEASE GOD DONT SEARCH ANDREW KEENAN ON GIFS EITHER

he had like a miniseries called ‘submissions only’ which also performed at 54 below

he has a podcast called ‘that sounds right’ which is SO FUCKING FUNNY PLEASE GO LISTEN TO IT I LOVE IT SO MUCH

OH SHIT YEAH HE WAS ALSO IN ( these are all like regional theatre ?? )

high school musical as ryan

perez hilton saves the universe…😬 as a shit ton of different ppl

LITTLE SHOP AS SEYMOUR!!!!!

a really funny parody video called ‘sherlock the musical” it’s so funny bc my irl friend robin thinks he looks like martin freeman

OTHER THINGS I JUST LIKE ABOUT HIM

he’s not afraid to post whatever on his socials 💀 like i’ll be scrolling and that one pic of him licking the screen is there and i’m like 😀 ok andrew

hes really funny

hes honest and open about not being the best dancer which is so real ( so he showed up to newsies to audition and , in his own words , apparently the directors thought he was a good enough dancer to play a boy with a crutch BAHHAHA WHICH IS SO RELATABLE OH MY HOD )

i think that’s it!! please enjoy i’m soo tired i’ll do some more ranting soon :3

thank you for all the knowledge! fun fact: I saw Celia perform in TKAM (very good) and my grandma used to baby sit Jeff Daniels' (Atticus) cousin because they grew up in the same town

also the note about his lack of dancing skills reminded me of his old youtube videos and one video he was talking about an audition he botched (there was basketball choreo he was supposed to learn) and instead, because he didn't know what to do, he just put the basketball in his shirt and pretended to be pregnant??? hey directors like a strong acting choice and he delivered.

[the-cat-chat]

November 18, 2023

Clue (1985)

Six guests are anonymously invited to a strange mansion for dinner, but after their host is killed, they must cooperate with the staff to identify the murderer as the bodies pile up.

JayBell: This is one of those movies that is always on my list but for whatever reason I never get around to watching. Until now.

I have fond memories of playing the board game, so I was interested to see how they could make a movie around a board game in a way that doesn't feel forced.

What I like most in this movie is the witty dialogue. There's a lot of back and forth between the characters and it's very well written. Despite the antics on screen and the ridiculous behavior of the characters, the dialogue doesn't feel juvenile.

The mystery also isn't as easy to predict as I thought it would be, and I only really picked up on one of the endings. I think my favorite part of the movie is the multiple endings because it's the perfect homage to the board game where every time you play there is a different murderer with a different outcome.

The only thing that bring down my rating is some of the physical comedy, which is honestly just a personal preference. It's just not my thing cause it feels so slapstick and over the top at times. But it's such a small thing that it doesn't overtake all the other things I enjoy about the movie.

Rating: 6.5/10 cats 🐈

Anzie: Needing a quick impromptu movie when the universe decided we shan’t be watching Adam Sandler voice a classroom lizard?? - the at random choice was Clue. I had heard it was funny and so good and obvi the game of clue is iconic- I felt the dire need to see what the fuss was about and how Tim Curry was going to blow this out of the water. Plus murder mystery - it’s a no brainer. Yessss I know my standards for picking are sooo strenuous and thorough.

Anyway- this movie was pretty enjoyable and funny-so mission accomplished- even if there were a few “hey why are all the men soooo creepy?” moments. (But not enough to really overshadow what was going on.) No my brain did that all on it’s own. I lost the track of my attention for like maybe a second?? And it was over for me in even really attempting to play along with what was going on until the big reveal at the end.

Butttttt speaking of the end. The big reveal (or reveals) are sooooo good and it’s so much fun. And honestly Tim Curry’s commitment to the bit (and everyone else- esp. Peacock at the end) is outstanding. He’s literally dripping sweat from running around explaining what happened or what really happened, and then finally what realllly really happened. And it was no small feat to explain it all out. All the acting was really great and it was a fun escape even if I had no idea what was happening for at least 45 minutes of it.

Rating: 5.75/10 Cats 🐈

[jakowskis]

ok i just finished batman the caped crusader and i thought i'd dump my thoughts here cuz why not

big fan of the 1940s noir vibes, batman ofc originated in the 40s and i love that its been able to evolve w modern times but the 40s will always be its home yanno, so it's always good when it goes back to it. was one of the appeals of btas too. it esp pairs well w all the mob stuff going on within gotham theres just smth so classic abt batman beating up gangsters w tommy guns. batman n noir pair soo infinitely well. its a key component to the universe rlly

loveddd barbara and renee. i love barbara's diversity as a character, she works well n thrives in so many roles. she was essentially the main character of this tbh n she kicked ass. loved her

was cool to see characters u dont see often - i whooped when onomatopoeia showed up. too bad they underutilized him. what we did see was cool tho

toby stephens was srsly channeling tim curry oml

CARRIE!!! STEPHANIE!! there might of been more but i only clocked it when i immediately recognized carrie fsdhk (update i just checked the other two were dick n jason refs??? ok!!!!)

dude some shit was creepyyy like. idk if this was for kids per se but if i watched as a kid several things in this woulda creeped me tf out. ig it's sort of on par w btas / 90s cartoons in general which were a bit more... Intense but ya i was like woah at parts

i forgot how much fun it is to hav a villain of the week / semi unrelated story every ep like. idk if its just the shows ive been watching or a streaming thing but i feel like that genre of show n esp cartoon is a lot less common than it used to be, at least in media that's not exclusively for kids. altho again i rlly dunno what the age range for this was. maybe an intense pg idk

the elephant in the room... harley... sigh. it was rlly cool to see a harley who exists independently of joker, who created herself, but it was... an odd take for her that i wanted to like, but couldn't. it was mostly a matter of her temperament when she was doing her crimes, like i just.. couldn't reconcile it. out-of-costume harley was good, i loved her, and her x renee 👀but once that jester's costume was on it felt all wrong. i liked her motives, but the execution... you can do the off-on switch with certain characters - harley isn't one of them. a calm calculated cold harley who doesnt have any fun in her villainy just doesn't work. so that was a bummer

the bruce in this felt like a midpoint between the batman 2022's weird little freak + then, like, ur standard bruce. gd and he was fucking RUDE. it kind of drove me nuts a little tbh like his callousness with alfred (not calling him by his name???) was an odd choice imo

soo many recognizable voices in this. im a voice acting nerd so i was having fun consulting the wikipedia and going 'OHHH'

i hav more thoughts but im sleepy so im jus gonna wrap up by saying ive been following this since day one like i read a news article abt it wayyy back in 2021 when it was in development n i followed news on it for ages n its so cool to see the final product, like i havent had tht w many things i usually forget abt stuff fshkdj. also i cant believe max passed on it like this had all the ingredients of a winner n it turned out even better than you'd expect. baffling

all n all p damn good except for some odd character choices but i very much liked it

[yuurei20]

Crowley Fact Sheet

(Did not rank in a combination of seven different character-ranking surveys held throughout 2021)

Name: Dire Crowley Role: Headmaster Age: unknown Height: 185cm (taller than Vil/Idia/Crewel, same height as Leona, shorter than Sebek) Homeland: Unknown Hobby: Traveling Favorite food: Wild game meat

According to the official fanbook Crowley’s first name, Dire, has been retconned to be pronounced as “Dia” in order to be closer to “Diablo”, the name of Maleficient’s bird in the original Sleeping Beauty movie. I also came across a fan theory that the name “Crowley”, might be both a reference to Diablo and to early 20th century English occultist, magician, poet and painter Aleister Crowley, but this is unconfirmed.

Crowley hires the player to fill the role of “beast master” and keep Grim in check after being impressed by the player’s ability to goad Ace, Deuce and Grim into working together to take out a monster in the prologue of the game. In return, the player is permitted to live in the abandoned “Ramshackle” dormitory on campus.

While Crowley insists that he is still searching for a way to send the player back to the world from whence they came (claiming that it is all he thinks about when he sleeps and eats), it is difficult to tell how much effort he is actually putting towards this goal.

Crowley has explained that he likes shiny objects like gems and precious metals, and thus the mirrors that he carries about on his person.

In other voice lines he says that he wipes down the frames of the portraits of the Great Seven in his office everyday, watches Spelldrive tournaments on television late at night and that he does not like spicy food.

He has also said that, “To create whatever magic you wish to produce, you need imagination. Some mages say that they practice drawing and writing in order to strengthen their ability to make their imaginations more concrete”.

Crowley often meets with Trein for tea, but has said that Lucius makes him uncomfortable and he is not very good with cats. Despite this apparent camaraderie with Trein, he was once ten seconds late to a meeting and Trein lectured him for ten minutes as punishment.

He says that while he greets every student he sees every morning, sometimes they ignore him, but he doesn’t mind as it is part of being an adult.

He often leaves difficult situations and problems up to the school’s students to handle rather than facing them himself, claiming that it is to cultivate their independence; the students, by and large, do not trust him as a result.

Crewel describes Crowley as being very busy and always hurrying off to deal with one issue or another, but it is unclear what he is actually up to most of the time. It is commented during the Halloween event that he seems to have secrets that he would prefer the police not know about.

He seems to have a soft-spot for money, receiving a portion of Azul’s profits from Mostro Lounge and—according to Jamil—arranging for Kalim’s belated enrollment in the school in exchange for large monetary donations from Kalim’s father.

On the other hand, in the Port Fest event half of the profits earned by the student food stalls are donated to Crane Port, and Crowley arranges for the remaining half to be divided amongst the students themselves (at Azul’s request).

Crowley's voice actor Miyamoto has been voice acting since before many of us were born. He was inspired by a favorite TV show to become a teacher, but failed to acquire a teaching license.

In a 2014 interview he said, ‘I would love to play a villain or eccentric role that is far removed from myself, like Tim Curry in "The Rocky Horror Show’.”

He is the voice of adult Simba in the Japanese-language-dub of Disney's The Lion King, the voice of Soma Ayame in the original release of Fruits Basket, Roger Smith in The Big O, Hubb Lebowski in WOLF'S RAIN, Jean Croce in GUNSLINGER GIRL, Maiza Avaro in BACCANO! and other characters in over 170 other anime series, OVAs and video games.

Additional Fact Sheets ・Riddle Rosehearts ・Trey Clover・Cater Diamond ・Ace Trappola・Deuce Spade ・Leona Kingscholar ・Ruggie Bucchi ・Jack Howl ・Azul Ashengrotto・Floyd Leech・Jade Leech ・Kalim Al-Asim・Jamil Viper ・Vil Schoenheit・Rook Hunt ・Epel Felmier ・Idia Shroud・Ortho Shroud ・Malleus Draconia ・Silver・Sebek Zigvolt・Lilia Vanrouge ・Sam・Crewel・Trein・Vargas・Crowley

[karramberrychez]

What's Happening Between Peter and Captain Hook? (Fox Kids Version)

You know, when I was younger, I thought that Peter is a typical hero who will save everyone, and the hook is a typical villain who will never get what he wants. Over time, I realized that their confrontation is not unambiguous. If we talk about Peter Pan in the original book, or about Peter Pan in the Disney version, then we will notice that Peter is most likely an antihero. And the hook is a villain. Peter Pan is originally an eternal child who does not understand human things, since he grew up with fairies outside of human civilization. didn’t talk about what’s good and what’s bad. I can agree that Peter is not good and not bad, he is just a child. What can be said about the hook? Personally, I consider him a villain whose goal is to kill Peter.although there is a possibility that the hook just wants to take revenge on Peter for the severed hand. He doesn’t need more for happiness (well, except that he needs to continue to rob and sink other ships)

It would seem that between Peter and the hook is a typical enmity....

However, after watching the Peter Pan and the Pirates cartoon, I noticed that the relationship between Peter and Hook is rather ...... strange. It would seem that Peter is fighting Hook, Hook hates Peter, Peter is having fun. But Peter still hasn't killed James the Hook, justifying this by saying that he won't have anyone to fight, and without the Hook, Neverland isn't Neverland. But does Peter really need the hook just for fun?

Let's start with the fact that Peter initially did not want to cut off the captain's hand. He wanted to save his friends (well, maybe have some fun). However, after the Captain "Killed" Peter's friends, Peter became angry. Hook, in turn, felt no shame and wanted to rip out Peter's heart. Angry and frightened, Peter defends himself and cuts off James Hook's hand.We can consider another episode where Wendy "dies" off the hook. Peter, who cherishes his friends (and his beloved Wendy), gets angry and says, "For this act, you will pay with your life." This is perhaps one of the few episodes where Peter actually wanted to kill James. However, if you look at other episodes (except the last two), you can see that Peter does not seek to kill him.

in one of the episodes where Peter and Hook had a chance to make a wish, at the very end of that episode, Peter uses his last wish to resurrect Hook. Or you can remember the episode where Hook is seriously injured and has to stay in an underground house to recover. Peter could rightfully be kicked out of Captain James' house, as he is a villain and does not deserve to be taken care of. But Wendy tells him it's wrong and the captain needs their help. And of course, Peter listens to Wendy, as Peter needs to do the "right" thing in order to keep his own reputation and his good name (perhaps not to upset Wendy).When Hook fakes his death, Peter gets upset and thinks it's game over and there's nothing else to do.

I once wondered why Peter doesn't want to kill Captain Hook? Why can't he find another villain? Why Captain Hook? I also noticed that Peter doesn't want to share his enemy with anyone. It turns out that he is somewhat jealous?

Speaking of Hook, for the most part, he hates Peter. Reasons: envy and a severed hand. However, in his behavior towards Peter, one can notice some oddities. He does not want to share Peter with anyone, although he does not mind watching Peter die or suffer. But one day he said: “You know, Peter, sometimes I want to spare you, to exchange some phrases ...” You can also remember the last episode, where Hook is glad that Peter is becoming the same, and hugs Peter.

Based on all this, people are divided into the following opinions: 1) Captain Hook is an ideal villain for Peter and a great toy that has its own zest (of course, the voice of Tim Curry, how do you like such a zest). The captain has those qualities and skills that need a real villain, a real sworn enemy.

2)peter loves captain hook in his own way, without realizing it.

I personally stick with the first option.although even if we consider the second option, it is also possible. Although in two options, the hook will still hate Peter all his life, and enjoy his suffering, his pain

there is a third option. Peter has bipolar personality disorder. He can both love the captain and hate him. He may or may not want him to die.

bottom line: their confrontation is ambiguous, as is their relationship to each other (although this can only apply to Peter). We can only assume that between them, although there is hope that they will stop the enmity

[theyareweird]

Top 10 Scooby-Doo Movies

Scooby-Doo is an American animated franchise. It comprises many animated television series produced from the year 1969 to the present. The franchise is also composed of several derivative media. One of these includes a direct-to-video film series with over thirty titles. Due to the long list of videos, the best Scooby-Doo movies will be presented. Disclaimer: This article contains spoilers to the following Scooby-Doo movies.

1. Scooby-Doo on Zombie Island

Although the Scooby franchise has always been about cracking urban legends and myths to reveal the truth in solving mysteries, this is one of the movies which breaks the tradition. However, unlike the other films, this video undoes the tradition in more ways than one. Apparently, an ancient cat god is the true religion in this universe. It’s also the start of everything in this dark and twisted tale.

2. Scooby-Doo & the Loch Ness Monster

Firstly, this movie has the best soundtrack out of all the Scooby-Doo films. Secondly, this movie mostly revolves around Daphne. It provides some background and creates a bit of family for her character too. Despite this, Scooby and Shaggy’s comedy steals the show whenever they’re on screen. Plus, the Loch Ness Monster also looks cool, even if a glimpse of the creature is only truly seen at the end.

3. Scooby-Doo & the Witch’s Ghost

This movie has a lot of classic Halloween vibes. It’s the perfect film to watch around the spookiest time of the year. The villain is voiced by none other than Tim Curry and his acting is always a treat. Regardless of this, the film is really only remembered by the introduction of the eco-goth band members, the Hex Girls. However, the idea magic, ghosts and witches are real is fun as well.

4. Scooby-Doo & the Alien Invaders

Shaggy and Scooby are the best characters from the franchise. Because of this, the movie made the list since it mostly revolves around these two individuals. The film may have a few corny scenes, but the desert artwork in this video is breath-taking. Plus, the different take on supernatural aliens is also rather refreshing.

5. Scooby-Doo & the Cyber Chase

Despite the ending-feel vibes this film has, there are a lot of creative moments. The montage of different levels is fun and interesting to watch. Also, like the previous movie mentioned, the animation in this film is great too. The “monster” in this is weird yet creepy in its own way. How this thing also came into being is something new to the franchise as well.

6. Scooby-Doo & the Goblin King

For a movie which is supposed to be all about Halloween, it takes a while to present all the fun visuals of the holiday. However, when the spirit of the holiday does come around it doesn’t disappoint. The Halloween creatures are a joy to watch. This video's only real downfall is not seeing Fred, Daphne and Velma remain monsters for a little while to witness what chaos they do. However, despite the corny scenes and weird moments, the film does focus on Shaggy and Scooby for the most part.

7. Scooby-Doo in Where’s My Mummy?

Even though Daphne takes over the film towards the end, this movie mostly centers around Velma. This is also another film in the franchise where yet another creature turns out to be real. The story is also nice too as this is the only movie without any of the typical corny scenes.

8. Scooby-Doo Pirates Ahoy

In this movie, Fred is the center of focus. Like what Scooby-Doo and the Loch Ness Monster did for Daphne, Fred’s character is gains some background and family too. Although there are many corny moments, the introduction to the ghosts is rather creepy. The beginning scene does a good job at setting up these monsters too.

9. Scooby-Doo & the Monster of Mexico

The villain in this film is a savage. It’s also kind of crazy for a Scooby movie to feature a demon as the main monster. Having the characters speak Spanish whenever they are referring to the beast may hide this detail from kid viewers, but some adults could pick up on this fact. Although there isn’t anything special to this film, its still fun to watch.

10. Aloha, Scooby-Doo

Out of all the Scooby-Doo movies featured in this list, this film is perhaps the goofiest. There are several silly scenes with the tiki monsters one losses track. Unlike certain movies, all the characters seem to have an equal part in this film too. Overall, this movie is fun to watch like all the other Scooby films.

What do you think? Do you agree with the top picks? If not, what are some of your favorite Scooby-Doo movies? Please share with me!

[utilitycaster]

Speaking of Halas, it was briefly brought up in the most recent episode that he might've been digging around in the ruins of Aeor some time before he got stuck in the gem, and to me it seems pretty likely: the first thing they found of his other than the Happy Fun Ball itself was some winter weather gear stashed separately (I think) from the rest of the pocket-dimension-thing, which may not have been an intentional hint to Aeor but is interesting nonetheless; what do you think?

In episode 125 he said he hadn’t gone; granted he’s not exactly a trustworthy guy but I don’t see a good reason to lie about this and he did provide what information he knew. I do think there’s a chance he had considered it and may have been preparing, but I don’t think he necessarily went himself. It’s not totally clear how long after Aeor’s fall Halas lived, since he was living in the midst of the calamity, the timeline of which is vague.

I have two separate alternate possible answers:

1. The boring and practical one: he lived on a flying city that at least spent some time floating over what is modern-day Zemni Fields, ie, high altitude and in a cooler region of the world.

2. I think there’s sometimes a hesitancy to incorporate fourth-wall/meta information in theories, but in actual play I think the best theories often at least take it under consideration (and the worst often deliberately do not). We know that Matt did not initially intend the Folding Halls of Halas to stay with the party, but Twiggy gave it to them. We know Matt incorporated the permaheart into the build when the party was frustrated during the Angel of Irons arc and had indicated they were going to see Yussa, and additionally included the notes that became Widogast’s Transmogrification, but had Twiggy kept the ball, those would not be closed-off avenues - they would just be in different places. The fundamental secret of DM-ing is that the DM is frantically shifting the set pieces around from time to time based on what the players want or need while making it seem like consistent, real scenery, and Matt is very good at doing this in game but he’s pretty honest out-of-game that he does it.

So the cold-weather gear in episode 45 very well might have been meant, at the time, as a hint for when the Aeor shoe dropped that Halas could be a resource,. But in episode 45, I’m sure that while Matt had outlined the character of Essek Thelyss he couldn’t have predicted the Mighty Nein could reliably count on him, or the Dynasty at all, when they finally got to Aeor. He didn’t know how exactly the Aeor arc would happen nor precisely when. So any theories I have need to incorporate the simple fact that sometimes, Chekhov’s Gun shows up in episode 45 and actually doesn’t really mean anything, because the first act was assuming a very different second act and the use of the Chekhov’s Gun metaphor when discussing actual play is a very tricky thing. Which is to all say: the cold weather clothes were just a *Tim Curry voice* Red. Herring.

I already got pretty off topic above (something something Clue The Movie jokes something something “too late”) but I wanted to add one more thing which is that Halas interests me less as any sort of plot hook or resource, even though he could indeed become one if someone gets possessed, or if Yussa is rescued and decides to go 0 for 3 on resisting wizardly temptation, and more so as worldbuilding. I can only explain this by bringing up the Neal Stephenson book The Diamond Age, a post-cyberpunk classic I love very very much. It famously opens with a chapter describing an almost ridiculously stereotypical tough guy loner fringes of society archetypal character of the cyberpunk genre, follows him as one of a few early viewpoint characters, and then (minor spoilers, but not really) he gets killed within the first 50 pages. The point of that exercise is to indicate that this is post-cyberpunk instead and the story isn’t about him.

To me, Halas is in a way, playing a similar role. He’s a powerful mage involved in politics, some form of immoral or amoral, doing all kinds of necromancy and pursuing immortality...and he’s literally crystalized and stagnant. I mean, it’s not terribly subtle - the previous campaign ended with the defeat of Vecna, god of being a wizard who does immortality shenanigans.

I don’t, to be fair, know if this is deliberate, but we’re currently in a story where elements of the Age of Arcanum may come back depending on what goes down in Aeor (Devexian being merely one of many potential hooks/causes) and the impact it might have on the arcane is fascinating, and Halas helps set that stage.

[wonderfulworldofmichaelford]

Psycho Analysis is a series that looks at villains across various media in the hopes of coming to something of a consensus on the overall quality of the character. Are they performed well? Do they enrich the narrative? Are their motives fleshed out? Are they voiced by Tim Curry and thus a sex icon? 

There are a lot of important questions that I look into, but ultimately, Psycho Analysis boils down to asking one simple little question: How bad can a character be?

Thankfully, there’s one villain who decided to answer that question for me... in song form.

Psycho Analysis: The Once-ler

(WARNING! This analysis contains SPOILERS!)

Yeah, I’m finally talking about everyone’s favorite greedy bastard who, back in some of the darkest days of Tumblr history, ended up being the premier sexyman on the website. People were thirsting over this twiggy weirdo, acting as if he were God’s gift to women and shipping him with alternate versions of himself. Much like the movie he’s from, he is now incredibly hard to take seriously.

But hey, speaking of alternate versions of himself, I’m going to be covering him from the original book and the animated short film as well. Might as well just knock it all out of the park at once, right? Now let’s see how ba-a-a-ad this guy can be.

Motivation/Goals: The Once-ler is all about biggering. He’s making thneeds (things that everyone needs) and he is gonna stop at nothing to craft these things. Not even the power of the Lorax, Danny DeVito or otherwise, is going to stay his hand from getting that sweet, soft Truffula fluff to make his wares. This is ultimately a little unrealistic, at least for the Illumination version; if Danny DeVito asked me not to do something, I’d listen, no questions asked.

Performance: In the animated special, Bob Holt does double duty, as he is portraying both Once-ler and the title character. It works really well for what they’re going for, and the double casting is interesting because it highlights the ultimate role of the Lorax as the Once-ler’s conscience given form.

In the film, Ed Helms portrays the Once-ler, and he’s fine. He’s certainly better casting than Audrey, but that’s not particularly saying much considering that’s a non-singing Taylor Swift (when Cats is able to utilize Taylor Swift better than your musical, you know there’s trouble). I don’t know, Ed Helms is fun and all, but I’m just not sure his take on the Once-ler is all too compelling overall.

Final Fate: In the original book and the special, the Once-ler wins… but even he realizes it’s a terrible, pointless victory, and all he has achieved is ruin, his family leaving him, his business ultimately collapsing, and the environment permanently damaged. He’s left as a miserable, jaded hermit, broken by the bleak consequences his greedy actions have sown upon the world and only able to tell his story and pass on the last Truffula seed in the hopes that maybe, maybe someday the trees can regrow and the Lorax will return. The Illumination version follows this but then tacks on a happy ending  where the Lorax and Once-ler reunite because as we know ambiguity and bittersweet endings cannot exist in children’s films.

Best Scene: Obviously it’s the scene where he shakes his ass to seduce Jack Frost, in one of the greatest gay romances ever put to film.

Joking aside, it is undoubtedly his villain song. It has become such a meme, but real talk? “How Bad Can I Be” slaps. This is a really good song, probably too good for the movie but you know what, I’ll take it.

Best Quote: HOW BA-A-A-AD CAN I BE? Yes, I’m using a line from his villain song. Sue me.

Final Thoughts & Score: What can one really say about the movie version of the Once-ler that hasn’t already been run into the ground? Well, how about… He’s not too bad, honestly? Like, yes, he has next to nothing to do with his book counterpart and they really go way too far into trying to make a capitalist pig sympathetic… but the animated special from the 70s did that too. I think the Once-ler honestly works better when there is a dash of complexity to him and he isn’t just a simple-minded Captain Planet villain.

Of course, the issue here is that the 70s version took a simpler approach, kind of less is more. The 70s Once-ler brings up some valid points to the Lorax about his work, and the Lorax can’t help but agree that there’s no easy answer while also stressing that the environmental devastation is still really, really bad. It works, it feels complex, and it arguably helps the ultimate point that we need to protect the environment better than even the book did (and I love the book, don’t get me wrong, but its take on the Once-ler is a bit too simple for its own good; it almost runs into the Femme Fatale problem by being a bit too much of a strawman). The movie version has a bit too much going on, especially with his family. His family are much more blatantly evil, greedy, and manipulative, but they’re relegated to the background for much of the film and don’t effect things all that much. The whole narrative would have been infinitely stronger if they were the greater scope villains behind Once-ler and were who needed to be defeated and maybe taught a lesson, but instead they are ignored in favor of someone I’ll address very shortly.

All of this leaves movie Once-ler feeling extremely disjointed, but not irredeemably so. As I said before, his villain song is unironically awesome, and as lame as it is compared to the more haunting, contemplative ending of the book and the special, I’m not so much of a curmudgeon that I didn’t at least smile when he finally reconciled with the Lorax. Ultimately though, him being memed to death really didn’t help his case, but it means I’m not giving the movie version anything less than a 3/10. He might in fact be the best “so bad it’s good” villain ever, or at least up there. He’s just so undeniably enjoyable even if the narrative isn’t making him as complex as it thinks it is. The animated special version gets a 9/10, the book version is a 7/10, and the Once-ler’s family gets a 5/10 for being an interesting concept they sadly do little with, which will now be elaborated on as I follow up on the foreshadowing from the last paragraph...

Psycho Analysis: Aloysius O’Hare

Remember how I said the Once-ler’s family gets ignored in favor of someone else? Here he is, Aloysius O’Hare, one of the absolute lamest villains ever put to screen.

Motivation/Goals: He’s greedy. That’s it. I’m not kidding. He’s just a cartoonish caricature of a rich person, which still makes him a realistic portayal but also makes him boring as sin compared to the wacky dude with a big musical number about how bad he can be.

Performance: Rob Riggle does a decent job, but there’s really not much for him to work with here. This character is a cardboard cutout who exists to be as cartoonishly greedy and evil as possible with no nuance so the kids know who to root against and so that Once-ler doesn’t look bad in comparison.

Final Fate: Look, he’s a blatantly evil corporate villain in a kid’s movie about the environment. Of course he gets defeated and everyone turns on him. What’s especially funny though is that, on the brink of learning his lesson, he rejects any form of redemption and just goes whole hog on being a villain.

Best Scene: I will absolutely give him this: in the face of his ultimate defeat, after having the virtues of trees sung to him and the entire town turning on him, he for a moment contemplates turning over a new leaf… and then absolutely rejects the thought and instead decides being evil is just too much fun, at which point he tries to get everyone back on his side by seeing a funny little song about death while wavedashing. If more shitty villains did this, I don’t think there would be shitty villains.

Best Quote: LET IT DIE, LET IT DIE, LET IT SHRIVEL UP AND DIE! Yes I’m quoting a song again.

Final Thoughts & Score: Look, I’m not gonna mine words here: O’Hare sucks. Big time. He is a prime example of why The Lorax failed as an adaptation. In a story that is dealing with a moral grayness with no easy answers, O’Hare is just a big, blatant target, a dark shade of black in terms of black-and-white morality. He’s like a reject Captain Planet villain with Edna Mode’s haircut.

The movie would have been infinitely better if, instead of him, the Once-ler’s family were in control of the town, and they needed to learn the lesson about saving the trees instead of simply vanishing from the story. They were shown to be overbearing, manipulative, and greedy, and they had a much more personal connection with Once-ler being, you know, his actual family. The fact they abandon him and never really get any sort of comeuppance despite being perhaps the most evil people in the move, egging on Once-ler and taking full advantage of him, makes O’Hare all the more egregious, because there could have been some strong thematic elements that would have tied the film together and made it come off as much less preachy and more nuanced.

But we don’t live in a world where that happened, we live in a world where we got O’Hare. Aside from some genuine hilarity from him at the end, O’Hare really adds very little to the film. I gotta give him a 2/10, but I will say he’s a lot closer to a 3 than he is to a 1; there’s no denying his absolute rejection of learning a moral is absolutely hilarious. I love when villains do that. It’s just a shame those funny moments are wrapped up in something monumentally unimpressive.

[22drunkb]

Please tell me about the Tim Curry phenomenon?

Hoist on my own petard! Okay.

So just in case what I said was unclear, when I said “Tim Curry as a phenomenon” I didn’t mean that there was some Thing That Happened, like [rummages in ancient tumblr lore] mishapocalypse or something. I just mean what Tim Curry has come to signify in popular culture for certain kinds and generations of people. I would not consider myself a Tim Curry expert, I don’t know a ton about his life and filmography, but I do experience him as that kind of icon or signifier, so all I’m going to be talking about is that (and for this reason I have determined I am not going to look anything up). (@tafadhali​ I’m going to need to you let me know how I did when this is all over.) So:

Tim Curry is an actor. He is probably best known for The Rocky Horror Picture Show, Clue, Muppet Treasure Island, Home Alone 2, the 90s miniseries of It, and maybe now that one clip of him that circulates online from time to time where he’s yelling about going to space and trying not to laugh. The key facts are:

Tim Curry has incredible presence and charisma. He is not an actor who “disappears into the role.” He is a very skilled performer--it’s not like he plays the same thing in every role, and if somebody else could do what he does, many more people would be doing it--but he’s the kind of actor who gets used as a shorthand to describe characters, or other actors. “A Tim Curry type.” He works in Muppet Treasure Island because he’s in no way naturalistic, and so he can play off puppets no problem. We could comparatively describe this as The Jack Black Factor.

Tim Curry has a very distinctive voice (speaking and singing) and way of delivering lines, such that his accent comes off as almost put-on or parodic without ever quite going over the top. (This is true when he’s actually putting on an accent and when he’s not.) His delivery has unusual emphases that make the lines stick with you. These qualities are equally suited to comedy and creepiness, and he reasonably often does both at the same time. So he easily becomes a kind of factory for references, a meme factory before we called things memes. We could comparatively describe this as The Christopher Walken Factor.

Tim Curry has been in a lot of movies. These movies’ quality ranges from “hilariously bad” to “not good by mainstream standards, but objectively incredible at being the kind of movie it is” to “beloved hit, but nobody would call it High Cinema.” (If Tim Curry has also been in prestige films recognized as such,* I do not disrespect them or him, but I don’t know about it! And that’s part of the Tim Curry phenomenon!) I have not come up with a comparison for this--it’s less a distinctive thing than something that becomes important in combination with the first two.

Tim Curry always does an incredible job in these movies, whatever their quality. And he always seems to be having a great time doing it. One of the top YouTube comments on that clip I linked reads, “A reviewer once said about Tim Curry: ‘For every 1-star movie he's been in, he's the reason that movie got that star.’” He delivers a specific feeling of intense talent being directed, with great pleasure, to a purpose that is, on some level, inexplicable. (No one else would say this line this way! Why is he doing that! Because he’s Tim Curry, and that’s good enough, dammit!) This creates a sensation that somehow combines “admiration” and “this is hilarious,” but in a different way than you might admire a great stand-up set. It’s on purpose without feeling deliberate. It’s cheese being executed at the level of high art. It’s ridiculous and it’s fantastic. IT’S CAMP, BABY. Put that together with the ability to walk a knife-edge between hilarious clown and scary villain (he played Pennywise, hello), in the context of what the film industry outside of Very Special Episode morality tales has been for most of his career, and you have a recipe for a queer culture icon. I give you Frank-N-Furter.

So Tim Curry at this point means a certain quality or texture of zaniness--but one that’s not maniacal or exactly cartoonish, just like, orthogonal to what’s expected or normal. You get Tim Curry for a role when you want things to feel a little too much but in the best way; when you want to sit right on the line between “this character is out of sync with reality” and “telling the audience this is a heightened reality.” This is assuming you’re a good filmmaker who knows what you’re doing. He is the best thing in some bad movies because he reliably creates this delightful sensation even when the movie doesn’t have a clear purpose for it; he can make objectively bad material fun to watch because the things that made the writing dumb or the costuming bad are campy and fun in his hands. This is kind of what I meant by an inexplicable purpose: it doesn’t need to make sense to work. This is also what I mean about being on the line between “is the character acting nuts or is this the kind of world the movie is setting up”--when it’s not what the movie is trying to do, but the movie is failing at what it is trying to do, Tim Curry suddenly makes that fun to watch because whatever he’s doing is both of quality and basically ineffable.

So this is why we live in a world where, say, Justin McElroy can build a whole bit on MBMaM around just repeatedly spitting out the words “CHEESE! PIZZA!” in a Tim Curry voice, or Tim Curry appears on The Simpsons. At this point Tim Curry is not just a man or an actor, he’s a mood. And because that mood is hard to describe, we mostly only invoke it by referring to him. But it’s a wonderful thing that has a lot of room in it to be enjoyed in different ways, whether it’s about queerness or comedy or surrealism or performance craft that isn’t smothered by the uptight standards of “naturalism” or “realism” or “subtlety.” And Clue is one of the best venues for it because it is a good movie made by people who did know what they were doing, and what they were doing was aimed exactly at creating the Tim Curry Experience: it’s clever and artful at being campy and cheesy, and its darkness and funniness are wrapped together in so many layers you can’t separate them.

BONUS:

Evidence of Tim Curry’s skill as a performer: look at him Not Being Tim Curry on SNL here with Eddie Murphy, maybe the one time I can think of that he’s in the “straight man” role. (An FYI more than a warning: The sketch is poking at racism--I think it holds up really well, but it’s deliberately pushing ~the line.)

__________________________________ *I know a lot of Film People etc. now consider Clue a genuine genius classic--for good reason! it’s incredible!--but it wasn’t received that way, and to the extent that it has gained this recognition it’s by that rubric of “succeeds at what it’s trying to do, which is more important than whether what it’s trying to do is be Citizen Kane Paddington 2.”

[365days365movies]

April 12, 2021: Mrs. Doubtfire (1992) (Recap)

Hey, Robin Williams. Been a while.

I’m sorry that I haven’t watched your movies for a while, and that I always skip your comedy stand-up when my phone’s on shuffle. I just...let me explain. Since I was a kid, you were one of my favorite entertainers. That might as well have started the day I was born, because...well, we share a birthday, fun fact. But it definitely continued with the first movie I ever saw in theatres.

While I don’t quite remember the first time I saw it, Aladdin was one of my favorite childhood movies, and I knew that you were the voice of the Genie from an early age. You might have actually been the first actor I ever knew by name. Which makes sense, because your stardom during the ‘90s was nearly unparalleled.

The next film I remember seeing (and hearing) you in was Ferngully: The Last Rainforest. That also starred Tim Curry, who would also be a major figure of my childhood. It also wasn’t the best movie, in hindsight, but it is the only time I’ve heard you rap since.

But eventually, I watched your forays into live-action, too. Jumanji, Hook, even the objectively bad Flubber, are all movies that I vividly remember watching during childhood. I was really excited for Flubber, even, and I LOVED Jumanji growing up. I liked Hook, too, but I appreciated that more as I got older.

Of course, during this time period, you also made less family-friendly films. The Fisher King, Good Will Hunting, Dead Poets Society, Good Morning Vietnam, and What Dreams May Come were all very successful, and cemented your reputation as an actor. I also haven’t seen any of them. In fact...I don’t think I’ve seen any of your dramatic roles, and that’s something that I’ll fix this year. Hell, in a few days, I’ll watch The Birdcage, another of your big hits of the ‘90s.

But why haven’t I seen them up to now? Well...I was going to watch these films, about seven years ago. But...I haven’t been able to bring myself to do it. Because it hurts. A lot.

I know that this is a downer, but my relationship with Robin Williams today is tainted by his tragic death. I was fucking BROKEN when his death was announced, and I really haven’t been able to watch him since. I’ve seen Aladdin recently, but that’s about all I could stand to watch. I mean, the guy shares a birthday with me! I’ve always loved his comedy stylings, and his improvisational skills are something I’ve internalized to a certain degree.

So, yeah. This one’s tough. But, it’s about time I moved on, and celebrated the man’s career for what it was: stellar. And that also brings up an important question, that some of you have probably asked by now:

HOW HAVE I MISSED MRS. DOUBTFIRE, WHAT THE FUCK

I KNOW I KNOW OK?

Look, I’m not entirely sure how I haven’t seen this movie, because I’m MORE than aware of it! I remember it airing during the ‘90s, my Dad AND girlfriend love this movie, and I know FOR A FACT that my family owned both the DVD AND THE VHS of this movie! So, how? HOW HAVE I NOT SEEN IT BY NOW?

I honestly have no idea, but let’s fix it now, huh? Yet one more man-dresses-as-woman movie this month! And no, I am not watching White Chicks...because I’ve already seen White Chicks. Also, it’s...problematic.

SPOILERS AHEAD!!!

 Recap

Daniel Hillard (Robin Williams) is a voice-actor, and a good one. Which, given that it’s Robin Williams, isn’t entirely inaccurate. He’s also a voice actor with a spine, as he morally objects to a scene in the cartoon that he’s performing for, in which the main character smokes. By the way, I’m 99% sure that this cartoon is animated by Chuck Jones, and it looks well-made.

Anyway, this leads to him quitting the cartoon altogether, and allows him to pick up his kids early from school. These kids are Lydia (Lisa Hykub), Chris (Matthew Lawrence), and Natalie (Mara Wilson), and it’s Chris’ 12th birthday. Daniel arranges a...surprisingly large party, given that it’s completely impromptu, and it comes with a petting zoo and complete trappings. However, it’s not a party of which his wife will approve.

This wife is Miranda (Sally Field), a successful architect and the breadwinner of the family. After getting a call from the neighbor about the party, she comes home and busts the outrageous party. And for the record, I’m entirely on Miranda’s side here. This party is INSANE, and very irresponsible, given the fact that Daniel currently has no job. And yeah, he’s a very loving father, and a good person, but...it’s too much.

Miranda feels the same, and after 14 years of frustration, she realizes that she no longer loves Daniel. In a genuinely sad scene, she tells him that she wants a divorce. And she goes through with it MUCH to Daniel’s detriment. He has no home, as he’s staying with his brother, Frank (Harvey Fierstein) and his partner Jack (Scott Capurro). He also still has no job, meaning that he has no way to provide for his children. This means that he has no ability to provide, and the judge awards Miranda full custody. Oof.

However, this is a conditional arrangement, as another hearing for joint custody will be held in 3 months, and if Daniel can get a home and job in that time, he has a chance. He performs a litany of voices and impressions with his court liason, Mrs. Sellner (Anne Haney), which amuses me, but not her, and he gets a job in order to be with his kids for more than one day a week.

Meanwhile, Miranda IMMEDIATELY starts dating fellow designer and old flame Stuart Dunmeyer (Pierce Brosnan), like, almost before Daniel leaves the house. He bids a heartfelt goodbye to his kids, with the promise that he’ll see them on Saturdays. And now begins the absolute hatred and petty bitchiness of Daniel and Miranda! Seriously, it’s...it’s fucking terrible, and it takes away from my sympathy from either side. I get that divorce is rough and ugly, but GODDAMN, neither of them perform the act with any form of tact or grace.

This is put on display during the kids’ visitation to Daniel’s semi-crappy new apartment, which doesn’t even seem that bad, to be honest. Miranda dropped them off late and picked them up early, as if to slowly starve Daniel of time with his kids, which is extraordinarily shitty of her, fuck me. Daniel’s not taking it well, understandably, but then does something...really dumb, when you think about it.

See, Miranda’s looking for a nanny, to help watch the kids and clean the house during the week. Daniel volunteers his services, which is actually a good idea, but Miranda says she’ll think about it, which we ALL know means no. I DO NOT like Miranda, even if I understand the initial reasons for the divorce. She’s being especially spiteful, and it’s not a good look.

Daniel’s stupid idea, though, is to change the phone number on the ad for the nanny, which Miranda shows him before she takes the kids. Instead, he calls her number, and pretends to be various terrible applicants, until finally supplying his own applicant: the completely fictional Euphegenia Doubtfire (Daniel Hillard).

Daniel plays Mrs. Doubtfire as an elderly British woman, and a seasoned nanny in her day. Which is why it’s weird to me that, when he does to Frank and Jack to help him make an elaborate disguise as Mrs. Doubtfire, that they go through various other impressions and get-ups. Which, yes, is goddamn hilarious, but also makes NO SENSE, given that they’ve already established her character to Miranda. Funny, but nonsensical.

But, regardless, Euphegenis Doubtfire comes into being, and introduces herself to Miranda and the kids. Mrs. Doubtfire is exactly what Miranda’s looking for, although the kids aren’t exactly overjoyed, ESPECIALLY the oldest, Lydia. Also, during this first meeting, Miranda openly bad-mouths Daniel in front of the kids, in just the WORST fuckin’ way. I genuinely dislike Miranda A LOT. Again, the divorce was certainly justified, but I REALLY don’t like her. Daniel loves his kids, and they’re HIS kids, TOO. Stop using them as weapons against him, OOOOOOOOOOOH I DON’T LIKE MIRANDA

Anyway, that evening, after she’s officially been hired by Miranda, Mrs. Doubtfire heads home, only to find court liason Mrs. Sellner waiting to speak with Daniel. After a litany of puns, and a humorous changing scene, Daniel accidentally throws the Mrs. Doubtfire mask out of the window, and is forced to improvise through equally humorous circumstances. Hence, the above meringue mask scene. Has anybody tried that, by the way? Could that work as a groundbreaking beauty technique? Or would the sugar just feed the skin bacteria and give you acne? Genuinely curious.

Now going between his job as Daniel and the nanny job as Doubtfire, Daniel’s not doing too badly for himself. The nanny job begins, and Mrs. Doubtfire IMMEDIATELY contrasts with Daniel, creating a disciplinarian atmosphere in place of Daniel’s formerly loosey-goosey attitude. Which is interesting, and it works! I mean, it’s not how I would parent, but it does work. Doubtfire makes the kids to their homework, rather than watch TV, and then attempts to make dinner. Instead, though, the dinner’s ruined, and Daniel orders takeout and makes it LOOK like homemade food. And it looks good, too! Daniel’s full of hidden talents.

After dinner, as Mrs. Doubtfire’s leaving, Lydia apologizes for backtalking her earlier, and thanks her for making her mom happy with everything she did that evening. he also says that she’s still a bit messed up about her dad being gone. And yeah, it’s sweet-but-sad. 

Going forward (and in a montage set to Aerosmith’s Dude Looks Like a Lady), Mrs. Doubtfire takes care of the family, and Daniel even betters himself to become a better Mrs. Doubtfire. Which...to be honest, Daniel REALLY should’ve done this before. I get that he needed the pressure of losing the kids to do this, but...look, Daniel really wasn’t that responsible of a parent, and the fact that THIS is how he learns to be so is...not great. Like, here’s an example, OK: take Donald Trump.

Yeah, I know, what’s this politics doing in my peanut butter? And WOW, that reference is older than me, but anyway. Let’s say that, in two years, a new politician comes on the scene, and her name is Karyn Walldottir. She has somewhat centrist views, and behaves in a way that’s inclusive to the majority, and backs up her claims and promises with evidence (at least true enough for us to suspend our disbelief). This is, of course, Donald Trump disguised as a woman in order to gain custody of the United States of America again. Naturally.

Karyn Walldottir gets elected in 2024, and all of her policies are markedly different from Trump’s and Biden’s, but leaning closer to Biden in progressive standpoints (assuming that that worked for him come 2024). While Trump is doing this specifically to be president again, he ends up revising his personal policies, and being a better person and president for the country. A literal impossibility, I know. But suspend your disbelief to ask this question:

WHY THE FUCK WOULDN’T HE DO THAT IN THE FIRST PLACE? IT MAKES NO FUCKING SENSE!

OK, now that that dumbass (and mildly horrifying) thought process is concluded, let’s get back to Mrs. Doubtfire. In the process of Mrs. Doubtfire’s ingratiation with the family, Miranda’s been dating Stu, whom Mrs. Doubtfire subtly insults when they meet. And yeah, Daniel’s being a little petty here, but it makes a bit of sense at least.

That night, after an accidental intrusion by Chris when Mrs. Doubtfire is going to the bathroom, Daniel’s basically forced to tell Chris and Lydia his little secret, which Lydia’s happy about, but Chris is understandably weirded out about. But, they agree to keep the secret from their mom and younger sister.

At his OTHER job, delivering film reels from a TV station, he witnesses the filming of an extremely boring kids educational TV show, and comments as such to another man watching. As he quickly learns, this is the owner of the station, Jonathan Lundy (Robert Prosky), on whom Daniel makes a good impression.

In the meantime, Mrs. Doubtfire has a talk with Miranda about their love lives, real and fictional. Daniel realizes how badly Miranda had been suffering in their marriage, which she never told him because...well, he never seemed to take anything seriously. Which is entirely fair...but this is why Miranda’s a tricky-ass character. She’s got two sides: there’s the justified caring mother and strong woman, and there’s the PETTY ASSHOLE who genuinely doesn’t care about Daniel or his feelings AT ALL. Jesus.

And Stu...look, Stu is LITERALLY a Gary Stu, who’s mostly perfect. Sure, he’s not always been that way, but he definitely is now! He’s responsible, wealthy, in love with Miranda AND her kids. And yeah, at a country club that he’s a member of (OF COURSE he is), he privately badmouth Daniel in front of Mrs. Doubtfire, calling him a loser, and...yeah, he’s not really unjustified in that statement. Fact of the matter is, Stu is barely even a plot device.

Meanwhile, in Daniel’s day job, he finds himself alone in the studio, where the toy dinosaurs from the TV show are still sitting on the table. He plays with them, gives them voices, sings some songs, and impresses Mr. Lundy, who’s there in the shadows after all that. He’s impressed, and invites Daniel to dinner to talk about a potential future show at the network.

But then, it’s also Miranda’s birthday coming up, and Stu’s holding a dinner for her, to which Mrs. Doubtfire is invited. Trouble is, it’s at the OH FUCK IT. YOU know what this is. It’s at the same time and place as the Mr. Lund meeting yaddayaddayadda LOOK. We ALL know how this is going to end. It’s the GODDAMN LIAR REVEALED TROPE AGAIN. And here’s the thing:

I FUGGIN’ HAAAAAATE THE LIAR REVEALED TROPE

You know, that thing in movies (especially family movies of the ‘90s) where somebody starts off a situation with a lie, they get deeper and deeper into that lie, grow close to people under false pretenses, and then OH NO! THE LIAR IS REVEALED! And everybody’s angry and/or sad, the liar slumps off, defeated and broken, but then realizes the error of his ways, while everybody else realizes the same thing, and he comes back to vindicate himself, and is welcomed back with open arms. And it introduces unneeded tension AND I HAVE ALWAYS FUCKING HATED IT.

Let’s list the examples, shall we? A Bug’s Life, Aladdin, Mulan, The Road to El Dorado, Chicken Run, How to Train Your Dragon, Klaus, Madagascar 3: Europe’s Most Wanted, Megamind (SUBVERSIVE MY ASS), Over the Hedge, Rango, Toy Story, Steven Universe (the whole Pearl/Sardonyx arc, which went on for WAY too long), the list goes on and fucking on. And I GODDAMN HATE IT. Not to say it can’t be done well. Disney actually usually does a pretty good job with it, and Dreamworks uses it A LOT, but almost always pretty well. But sometimes...GOD. Either way, it’s still used FAR too fucking much. And look. Here’s another one. Joy.

Look, at this point...I will freely admit that I'm biased against this trope, but it’s also obvious where this is headed. Basically, Daniel switches back and forth between the dinner with the family, and the dinner with Mr. Lundy. With Mr. Lundy, he gets absolutely SMASHED. Great. Great decision, Daniel.

So, yeah, Mrs. Doubtfire’s also smashed, which is pretty goddamn apparent to them all. At this point, I’m wondering why Daniel, as Mrs. Doubtfire, didn’t just say she was sick as hell, and had to go home. Or, considering the fact that Daniel proposes her as a show idea regardless, the switch wasn’t even necessary! And that means that none of what’s about to happen, happens. Or, here’s a crazy thought, maybe Daniel shouldn’t have POISONED STU’S FOOD WITH CAYENNE PEPPER THAT HE’S ALLERGIC TO! 

YEAH! Because that causes Stu to go into anaphylactic shock for a hot sec, causing him to choke. Mrs. Doubtfire does the right thing and gives him the Heimlich maneuver, and in the process, SURPRISE! IT’S BEEN DANIEL ALL ALONG! BUH BUH BUHHHHH DA DA DA DAAAAA DA

Yeah, so Miranda is understandably ENRAGED by this revelation, and it’s all over. Daniel represents himself in court at the custody hearing, but the judge deems his “lifestyle” dangerous for children. Which...yikes, Judge, that statement didn’t age well AT FUCKING ALL. But, given Daniel’s admitted stupidity with this whole idea, he’s not wrong about the dangerous part. But, I have to say, Daniel’s speech in his own defense is nice...although he also says he’s addicted to his children, so let’s throw a second yikes on there for good measure.

The speech moves Miranda...but not enough to prevent Daniel has his custody stripped away from him! GOD THEY BOTH SUUUUUUUUCK. Daniel’s a broken man, and Miranda and the kids are similarly broken without him and Mrs. Doubtfire. However...Daniel’s career isn’t broken AT ALL, as Mrs. Doubtfire is now a kid’s show host! Yeah! And she’s a hit! And again, it brings me to wonder why Daniel DIDN’T APPLY HIS OBVIOUS TALENTS LIKE THIS IN THE FIRST GODDAMN PLACE

Realizing that she made a mistake, she goes to the set during the filming of a show. She congratulates him on the show, and he replies by stating how broken he is now! Thanks, Miranda! Well, after an argument, and after Miranda sees how badly she’s messed up someone she used to care for, they come to an agreement: joint custody. FINALLY GODDAMN IT

And good, because I don’t want them back together. I have to give this film props for that: they acknowledge that these two are NOT good for each other, and they deliver a message in the end: families are families, no matter how they’re shaped. One mom, one dad, uncle or aunt, grandparents, adoption, two separated or divorced parents...oh, also, two dads or two moms. Yeah, that isn’t said in Mrs. Doubtfire’s final monologue, which is odd considering Daniel’s brother and his life partner...but it’s also kid’s TV in the ‘90s, so I guess that sadly makes sense. And with that, and their new family arrangement, Daniel takes his kids on an afternoon out, as himself.

...Look. That’s Mrs. Doubtfire, yaddayaddayadda LOOK. I don’t dislike this movie. In fact, here: have this mini-Review:

Cast and Acting - 9/10: Good, although Brosnan was a little stiff.

Plot and Writing - 5/10: It’s an idiot plot, what can I say? It’s actually based off of a book, which was a surprise to me, but it was adapted by Randi Mayem Singer and Leslie Dixon, and...eh. Still an idiot plot.

Directing and Cinematography - 8/10: It’s Chris Columbus, you get what you get. Definitely has that Home Alone flair to it.

Production and Art Design - 8/10: I mean, yeah, the Doubtfire disguise was good most of the time, but...I dunno, I could still tell it was Robin. But, still, it was good. Took 4 hours of makeup, fun fact.

Music and Editing - 8/10: Music by Howard Shore (ooh, Howard Shore!) was pretty nice, especially the ending theme. Editing by Raja Gosnell was...RAJA GOSNELL???

OH GOD. Yeah, OK, I see what happened here. Also, I didn’t know he was an editor! I just know him as the director of the Scooby-Doo films, Beverly Hills Chihuahua, The Smurfs films, Big Momma’s...

...OK, no, I am not doing Big Momma’s House OR the Madea movies. THE TROPE-BUCK STOPS HERE! I am moving on to something else! But, of course, I have to sum this up in a Review. See you there!

[thebibliosphere]

So which of the Addams Family movies/series/whathaveyou should I see first

The original cartoons that Charles Addams came up with for the New Yorker are always a fun little trip down memory lane for me. My dad had a collection of them that I would flip through on laminated pages. I think a good majority of them are available online now. This was the one my dad had pinned to mine and my brother’s room growing up.

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I also grew up watching the 1960s TV series with John Astin and Carolyn Jones and immediately fell in love. It was the most played VHS tape in our house at one point. It’s available on Prime video now if you have Amazon. It’s a little dated with the laugh track and some of the 60s humor, but I still watch it when I’m feeling nostalgic or a little down. (side note: Astin was largely allowed creative freedom with developing the character of Gomez, and it was him that really pushed the idea of him being so completely and utterly devoted and in love with Morticia, solidifying the character as we know him today)

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1970s animated cartoon series from Hanna Barbera is spectacularly awful and I don’t recommend wasting your time on it. The style is more reminiscent of the OG cartoons, but the jokes are rehashes of the Flintstones attempting the macabre with laugh tracks that fall flat. Gomez’s voice actor also didn’t seem able to decide whether he wanted Gomez to sound like Buggs Bunny or a racist Mexican stereotype and fluctuates wildly between the two. Give it a miss.

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The 90s cartoons were an improvement and were more in line with the 90s films, with Astin returning to voice Gomez. I haven’t watched those in about a decade, but I remember them fondly. So maybe worth a watch if you like animated shows.

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The early 90s films are probably the most popular and well-recognized adaptations today, and I still watch them regularly. The aesthetic is wonderfully goth and bleak, the humor poignant and macabre and the acting is superb. Raúl Juliá is a superb Gomez, and plays a more sophisticated version of Astin’s Gomez, and Anjelica Huston is sublime as Morticia. I actually prefer the second movie (Family Values) but both are good.

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Addams Family Reunion with Tim Curry is sort of like the Ba Sing Se of the fandom, there was not Addam’s Famil Reunion with Tim Curry, it was all just a terrible fever dream.

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The New Addams Family was a 90s sitcom version that was more like the 60s sitcom TV series, and people either love it or hate it. It’s… so did you ever watch the 90s tv series Lois & Clark: The New Adventures of Superman? It feels corny, like that. It’s bright and vampy and very, very 90s. It wouldn’t be my first choice, but it’s much better than Addams Family Reunion and the 1970s cartoons.

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I still haven’t seen the latest animated film with Oscar Issac and Charlize Theron, but I’ve heard good things and it’s on my to do list for my birthday this year. And I’m rather looking forward to it :)

[bring-it-all-back-home]

Weeks after the last story I wrote, I decided that it was time to write the rest of the story.

Here it is

Enjoy!

                                               A Trip

A few days after the interview, I got a call from a certain Mr. Hives from the company. He told me they wanted to hire me. He asked me to come the next day at 9:00 A.M.

The next day I wore my best suit, ate breakfast and went to the office. I was a bit nervous.

When I arrived there I went to the reception where they told me where the boss’s office was. Once I found it, I knocked at the door. A voice asked me to enter. There were a few men in the office. Tim was one of them. We looked at each others and nodded. A big large hairless man asked me to sit down. He didn’t introduced himself but I figured he was the boss. He had a thick voice and seemed severe. I was a bit scared but somehow okay because Tim was around. I could rely on him. At least that’s what I thought.

The boss said that I’ll be Mr. Dahl’s secretary. That I had to answer phone calls, make the schedules, etc. He also that sometimes I’ll have to work with Mr. Curry, « because he needs an assistant from time to time. He meets clients, travels a lot, so he needs someone who can takes notes and checks everything is okay ». In my head, it was « wow that’s something ! ». I looked at Tim. He gave me a shy smile.

After signing the contract and everything, I was taken to my desk. On my way there, I was introduced to some colleagues. Everyone seems okay. It was obvious that I had to work immediately. Mr. Dahl showed me the filed to use, things to say on the phone, stuff like that. I started to get really nervous. I was afraid to make a mistake.

The hours went by and everything seemed to be fine until a small incident. A angry client called me.  He was very disappointed with the company. Apparently something went wrong with his order. I stayed as calmed as I could. The guy didn’t stop yelling. I didn’t know what to do or say. While I was one the phone, Tim was walking near my office. I think he heard that there was a problem because he came to my office. « Give me the phone » he said. Then he calmly talked to the angry client. I don’t know how he did it but things went well after all. « I’m sorry, I’m not very good at this » I told him. « No, it’s okay, you did fine » he replied. « Everything is okay so far ?» he asked me. « Well, except this little problem, I think I’m doing okay » I said. « Okay that’s good. By the way, are you okay with working with me ? » he asked. « Yeah it’s fine, don’t worry. » I replied. « Okay good, because the boss asked me to go to Vegas to meet a client and he wants me to take you with me ». He told me. « Wow, already ? When is the meeting ? » I asked. « Hum, it’s this Thursday. We’ll be leaving very early » Tim said. « Are we going there by plane ? I asked. « Yes we do and no, you don’t have to pay for the trip. Everything is taking care of. Well, except that you have to make a reservation in a hotel » he told me. « Ohh okay, well, tell me where is the meeting so that I can choose a hotel right next to it » I suggested. « Right, I’ll let you know all the details very soon » he said. « I have to let you now, I have some stuff to do » Tim said. « Okay, see ya later » I said.

Two days later, Tim gave me all the information I needed for the trip and the meeting. I was a bit anxious to go somewhere with him like that. But I knew we were getting along pretty well so there was nothing to worry about. After I found the hotel where to stay, I started to wonder if I had to take one or two bedrooms. Then I remembered that in hotel you usually have two beds in a room.  I didn’t know if we should stay in the same room or have one for each of us. As I’m kinda careful with money, I decided to take just one bedroom with two beds. I knew I didn’t have to worry about the money but I didn’t want to take advantage of it too much.

We were leaving two days. I didn’t have to take a lot of clothes. On the day of the departure I was happy. Tim let me sit near the window on the plane so I could enjoy the view. Tim slept most of the time. He woke up a bit before we landed. Tim took charge as he found us a taxi for the hotel. He was my superior after all. Which was funny. But he never acted superior with me. He always treated me as his equal.

When we arrived at the hotel, I realized that I had made a mistake. Not a big one though. When the receptionist told Tim that our room was ready for us, Tim was a bit surprised. « Our room ? Aren’t supposed to be two rooms for Curry ? » He told the receptionist. While the guy at the desk checked the information, I told Tim that I reserved only one room with two beds. « Ohh but you know, we’re working together. You’re my assistant, we’re not supposed to share a room together » he said. I was getting really uncomfortable. « I’m sorry Tim, I didn’t know. I thought it was okay, as we both have a bed. And also I didn’t want to be greedy with company » I told him. Tim laughed a bit and gave me a smile. « I see, well you know it’s not a big deal. I’m okay with sharing the room, it’s not really a problem. I was just saying that technically things don’t work that way in the company » he said. Then Tim told the receptionist that we were taking the room anyway.

Vegas was hot.  When we arrived at our room, Tim decided to take a shower. I started to think about our meeting. It was in two hours. While Tim was in the shower, I checked all the documents we needed for the meeting. I was on my laptop when Tim came back from the shower. He only had a towel around his waist. He came to sit on the bed next to me. I was trying to concentrate on the things I was doing. Tim tried to get closer to me. I didn’t know what to do. As I was uncomfortable I  got up from the bed. « I thought we were colleagues and all professionals no ? »I told Tim. « We are but it’s not like we’re strangers, we know each others. And also you’re irresistible. » He said. I smile a bit. « Okay country boy, if you want to have fun, there are plenty of people in the hotel, I’m sure you can find someone » I told him. « But I want to have fun with you » He replied. « Well, you know I can’t sleep with you just for fun. I mean, I like you. You mean something to me » I said. « You know I care about you. And I would never do anything wrong to you. I know it’s important to you. It’s not just fun. I like you too. » Tim replied. « Okay you like me. But it’s more than that. I have feelings and all. I can’t sleep with and act like nothing happened after» I said. « Why do you say that ? You know it means something. And of course we’ll still hang out together. Any time. I’ll always be there for you » He said. « Really ? For sure ? Technically I don’t want to be with anybody right now. But if something happens, I know I’ll want to hang out with afterwards » I said. «So, what do you want to do ? » Tim asked. « I’m not sure yet. But It’s not going to happen right now. Maybe later, after the meeting. We’ll see how things go. » I replied. « Okay, no problem. I can wait. So you’re nervous about this meeting ? He asked. « Why do you ask that ? » I said. « You look nervous ». He said. «Maybe I can help you to relax » He told me. « Ahahah not that way ! » I replied. « No, no, not sex. I was thinking about something else, like massaging your neck for example. » Tim said with a big smile. « I see… okay okay you win » I said.

Tim sat comfortably on the bed. He asked me to sit in front of him. I wasn’t really sure about it but came to him. I sat in from of him. He grabbed me to put me a little closer to him. Then he slowly put his hands near my neck. We were very quiet. Everything was calm. He massaged my neck with a small but firm pressure. It was quite nice. I started to feel better.

I don’t know how long it lasted but at some point, Tim looked at the time and said that we had to see the client. He immediately got of the bed and prepared. Fifteen minutes later, we were on our way to meet the client. We didn’t really spoke about our conversation. We didn’t really have the time but I knew things were different now. I knew that after the meeting we’ll be close to each others again. I felt like we were together again. I was hoping the meeting wouldn’t last long. We were definitely together again.

To be continued...