#Thomas Baum

[80smovies]

[grim-vs-lizard]

(*includes the books and spin-off movies/musicals :) - Lizard)

(*don't mind me using the Asides poster it's the only one that actually includes Janus and Remus RIP -Grim)

[uwmspeccoll]

Unfolding Oz

Inspired by L. Frank Baum’s original classic, The Wizard of Oz in Pictures is a delightful, tiny accordion book created by book artists Peter and Donna Thomas and printed in 2001 in an edition of 26 lettered and 75 numbered copies in Santa Cruz, California. The couple have worked collaboratively since 1977, creating over 500 handcrafted books. The Wizard of Oz in Pictures was commissioned for the International Wizard of Oz Club, and is reproduced from a one-of-a-kind of the same name by Donna Thomas that used her own handwritten text and watercolor illustrations. Donna Thomas writes:

It tells the story in one continuous illustration (follow the Yellow Brick Road!) that is folded as an eight-panel accordion. I chose to use our nested accordion binding to complement the theme of movement in the story, from the flying house to the flying monkeys, and the cloth binding material was inspired by Dorothy's gingham dress.

Our copy is an artists' proof and is a gift of the artists. You can view nearly all of Peter and Donna Thomas's artists books in our online catalogue raisonné of their work.

View more posts with work by Peter and Donna Thomas.

-Melissa, Special Collections Graduate Intern

[wanderingmind867]

Marvel and DC don't collaborate on much (seeing as they're both business rivals), but DC and Marvel did work together to publish a Wizard of Oz adaptation in the 1970s. Roy Thomas wrote a faithful adaptation of the 1939 movie script, and Stan Lee and Carmine Infantino both had their names attached as producers for the comic. I downloaded it in the hopes that i'd have something to skim at school today if my book got tedious, but turns out it isn't that exciting to read. Roy Thomas really just very faithfully adapts the script, so all it does is make you want to see the real 1939 movie.

But it did come with biographies of some of the actors in the back. And it featured a tiny biography on L. Frank Baum. And it mentions that L. Frank Baum created the Oz books because he wanted to cultivate a sense of uniquely american folk tales and stories. I feel like we could argue that's dismissive of the many stories of the native americans, but I still get what he was going for. Europe had dozens of mythological stories, fairy tales and folklore and all that stuff.

The United States didn't have that much in the way of their own unique cultural stories and myths (especially since the native americans and their folk tales were always ignored). So L. Frank Baum made Oz to fill a gap in the foundation of american society, and in the process he made a cultural phenomenon. Globally, people love the Oz books. In many ways, I feel the Wizard of Oz is responsible for establishing a market for fantasy and folk tales in america. Without Baum, who knows if there'd be as many good middle grade fantasy writers in the United States. Truly, he inspired a movement. Or at least that's how I see it.

[aaronarmstrong]

中森明菜 Akina Nakamori

[craft2eu]

Thomas Pildner | WonderWood: Bad Homburg v.d.Höhe vom 08.07. bis 06.08.2023

Die Schönheit und Lebendigkeit des Naturmaterials Holz sichtbar zu machen, ist der Anspruch jedes Drechslers. In den Serien „La Vida“ und „Seaside“ ist es Thomas Pildner gelungen, einen Schritt weiterzugehen und ganz eigene Akzente zu setzen. Tief herausgearbeitete Rillen folgen Jahresringen, Wachstumsphasen, Ästen und Unregelmäßigkeiten und vermitteln einen skulpturalen Eindruck, der deutlich…

[v-akarai]

References in Servamp

Arabian mythology

Jinn. Ch. 16

Greek mythology

Elpis. Ch. 75

Moirai. Ch. 108

Pandora. Ch. 130

Pygmalion. Ch. 123

Pandora's Box. Ch. 97

Japanese mythology

Gashadokuro. Ch. 129

Kitsune. Ch. 3

Raijin. Ch. 85

Norse mythology

Baldr. Ch. 39

Bifröst. Ch. 88

Brunhild. Ch. 88

Fimbulwinter. Ch. 40

Freya. Ch. 65

Frey. Ch. 131

Gleipnir. Ch. 101

Hati. Ch. 91, 131

Hod. Ch. 39

Hliðskjálf. Ch. 96

Idunn. Ch. 65

Loki. Ch. 15

Mimir. Ch. 29

Mjölnir. Ch. 53

Ragnarök. Ch. 101, 122, 131

Sigurd. Ch. 101

Thor. Ch. 41

Yggdrasil. Ch. 42

Biblical references

Abel. Ch. 8

Adam. Ch. 128

Boaz and Jachin. Ch. 42

Eden. Ch. 21

Eve. Ch. 1

John the Baptist. Ch. 122

Judith. Ch. 147

Lucifer. Ch. 135

Noah. Ch. 145

Nod. Ch. 29, events

Hinduism

Asura. Ch. 57.5, 89.

Tarot

The Fool - Mahiru. Ch. 50

I. The Magician – Night trio. Ch. 41

II. The High Priestess – Mikuni. Ch. 42

V. The Hierophant - Shuhei. Ch. 77

X. Wheel of Fortune - Junichiro. Ch. 53

XII. The Hanged Man - Tsurugi. Ch. 50

XV. The Devil – Shamrock. Ch. 72

XVI. The Tower - Touma. Ch. 47

XVII. The Star - Iduna. Ch. 73

XVIII. The Moon - Yumikage. Ch. 69

XX. Judgement - Mikuni. Ch. 144

Literary references

 "Alice's Adventures in Wonderland" Lewis Carroll. Ch. 3, 4, 7, 19, 98, 122. Misono, Lily, Dodo, Mitsuki, Yamane, Hattori, Mikuni, Bad B and Good B.

"As You Like It" William Shakespeare. Ch. 10, 38.5. Mikuni's spell.

"My Fair Lady" English nursery rhyme. Ch. 10 Mikuni's spell.

"Dracula" Bram Stoker. Ch. 12, 30. Hugh.

"Romeo and Juliet" William Shakespeare. Ch. 23, 34. Hyde, Ophelia.

"Faust" by Johann Wolfgang von Goethe. Ch. 29 Johannes.

"Through the Looking-Glass" Lewis Carroll. Ch. 29, events. Mikuni, Johannes.

"Julius Caesar" William Shakespeare. Ch. 23, 84. Hyde.

"Strange Case of Dr. Jekyll and Mr. Hyde" Robert Stevenson. Ch. 23, 37. Hyde, Licht.

"Macbeth" William Shakespeare. Ch. 24, 31. Kuro, Saint Germain, Mahiru.

"Night on the Galactic Railroad" Kenji Miyazawa. Ch. 26, 142. Higan, Tsubaki.

"The Little Prince" Antoine de Saint-Exupéry. Ch 30, 67. Kuro, Mahiru, Sloth demon, Gear, probably Jeje.

"Hamlet" William Shakespeare. Ch. 33, 34. Hyde, Ophelia.

"The Phantom of the Opera" Gaston Leroux. Ch. 36 Licht and Hyde technique.

"Peter and Wendy" James Barry. Ch. 44, 56, 74. Tsurugi, Touma, Mahiru.

"Ring a Ring o' Roses" nursery rhyme. Ch. 53 Junichiro's spell.

“Peter Pan in Kensington Gardens” James Barry. Ch. 53, 75. Tsurugi, Touma.

"Death in Venice" Thomas Mann. Ch. 55 Gilbert technique.

"Total Eclipse" a play by Christopher Hampton. Ch. 55 Rayscent's technique.

"The Morning of the Last Farewell" Kenji Miyazawa. Ch. 57.5 Tsubaki.

"Spring and Asura" Kenji Miyazawa. Ch. 57.5 Tsubaki.

"The Catcher in the Rye" Jerome Salinger. Ch. 62 Shuhei.

"Four and Twenty Blackbirds" Agatha Christie. Ch. 62 Shuhei's spell.

"Metamorphosis" Franz Kafka. Ch. 62 Shamrock technique.

“The Nighhawk's Star” Kenji Miyazawa. Ch. 62, 76. Shamrock technique.

"Rock-a-bye Baby" an English lullaby. Ch. 70 Touma's spell.

“Schlafe, mein Prinzchen, schlaf ein” lullaby. Ch. 70 Touma's spell.

"Who Killed Cock Robin" an English nursery rhyme. Ch. 70 Yumikage's spell.

"The Wonderful Wizard of Oz" Lyman Frank Baum. Ch. 70, 88. Tsukimitsu brothers’ spells.

"Daddy-Long-Legs" Jean Webster. Ch. 74. Dark Night Trio, Touma.

"King Lear" William Shakespeare. Ch. 86. Hyde.

"The House of the Sleeping Beauties" Yasunari Kawabata. Ch. 86. Iori.

"The Divine Comedy" Dante Alighieri. Ch. 118, 120, 121. Niccolo, Ildio, Gluttony demon.

“A Brute's Love” (人でなしの恋) Edogawa Rampo. Ch. 122 Mikuni, Lily.

"Coppelia" ballet Leo Delibes. Chapter 122 Mikuni, Lily.

"Salome" Oscar Wilde. Ch. 122, 147. Mikuni, Lily.

"Turandot" opera by Giacomo Puccini based on the play by Carlo Gozzi. Ch. 129, 136. Lily.

"The Tempest" William Shakespeare. Ch. 131. Licht and Hyde.

"The Old Man and the Sea" Ernest Hemingway. Ch. 134 Hugh.

"Flowers for Algernon" Daniel Keyes. Ch. 135 Hugh.

"Jane Eyre" Charlotte Brontë. Ch. 136. Hokaze.

"Madama Butterfly" opera by Giacomo Puccini. Ch. 136. Lily.

"Hansel and Gretel" the Brothers Grimm. Ch. 140. Faust and Otogiri.

"Girl Hell" Yumeno Kyusaku. Ch. 147. Mikuni, Noah.

Music

"Für Elise" by Ludwig van Beethoven. Ch. 34

"Jesu, Joy of Man's Desiring" by Johann Sebastian Bach. Ch. 125

Sonata No. 17 "Tempest" by Ludwig van Beethoven. Ch. 131

Movies

"It's a Wonderful Life" (1946). Ch. 131

"Life is Beautiful" (1997). Ch. 131

I believe this list can be expanded. Somewhere I’ve written only chaps when some reference was mentioned for the first time and omitted all further mentions.

Special thanks to hello-vampire-kitty, joydoesathing and passmeabook, because some works wouldn’t be included in the list without their observations.

[classicdavinci]

Herbstlicher Baum vor Wiesental (ca 1862)

Hans Thoma (German, 1839-1924)

[operafantomet]

Hi there! I have a request that might be tricky so feel free to ignore this ask. So I'm extremely fascinated by these certain types of vintage Christine's wedding dress bodices that were used in 1990s atleast in Hamburg and Japan and more recently in Brazil. The bodice was made of "stripy" fabric and the basque/belt was quite wide. I wondered could you make a photoset of those bodices? Thank you!

YES! These bodices are absolutely masterpieces. They are so dramatic, so hourglass shaped, so period looking. So... Bjørnson. I love them to pieces and pretty much screamed of joy when they decided to use them for the principals in the Sao Paulo revival.

Their origin is in very early West End days, as well as the first European productions in Stockholm, Vienna, Scheveningen, Hamburg, Basel etc. As the Japanese production replicated West End at the time, they could also be seen there, and is more or less made in that style today. Here's some:

Ryoko Nomura, Tokyo 1988:

Anna Maria Kaufmann, Hamburg c. 1990:

Elisabeth Berg, Stockholm c. 1990:

Jill Washington, West End c. 1994:

Kyoko Suzuki, Tokyo c. 1992:

Eriko Murata (?), Hiroshima 1992:

Ute Baum, Basel 1995:

Colby Thomas, Hamburg 1998 (which is a bit different in fabric and in basque than the others, but the latest incarnation of the style in Germany before they started doing the current look):

Emma Frost, Copenhagen 2009:

Giulia Nadruz, Sao Paulo 2019:

Raquel Paulin, Sao Paulo 2019:

A detail shot of an old German or Dutch bodices used in Brazil:

And a detail shot of an old Swedish bodice used in Denmark:

Aaaaaaaah, bliss!!!!!!

[dreamgrlarchive]

What’s in My Skincare Train Case? 🎀

cleansers

effaclar salicylic acid wash by la roche posay

rice wash by tatcha

pigmentclar by la roche posay

kale + green tea spinach vitamins superfood cleanser by youth to the people

toners

2% bha liquid exfoliant by paula’s choice

dark spot toner by olehenriksen

retinol fusion pm night serum by peter thomas roth

serums

buffet by the ordinary

advanced snail 96 mucin power essence by cosrx

glycolic b5 serum by la roche posay

multi action super c retinol by strivectin

capture youth matte maximizer by dior

squalane + vitamin c by biossance

alpha arbutin 2% + ha by the ordinary

15% vitamin c + clean caffeine energy serum by youth to the people

oils

ceo glow oil by sunday riley

bio-oil

dhc cleansing oil

creams

cicaplast baume b5 by la roche posay

advanced snail 92 all in one cream by cosrx

vaseline

squalane and omega repair cream by biossance

caffeine eye cream by the inkey list

relief sun spf 50+ by beauty of joseon

potent-c targeted spot brightener by peter thomas roth

tools

face razors by schick

gua sha

q-tips

extractor

disposable sponges

rose quartz roller

treatments

microfoliant by dermalogica

eradi-kate by kate somerville

supermud clearing treatment by glamglow

lip scrub

face-lift-in-a-bag by skyn iceland

aha 30% + bha 2% peeling solution by the ordinary

lip masks

[ariel-seagull-wings]

CARLY ANNE CROCKER: HEADCANONS

@thealmightyemprex

@moonshinenum @exoticb-utters @positivelybeastly @voxxgrimly

01º Carly was born and grew up in Hannibal, Missouri; 

02º Her father, Carter, was a firefighter, and the family of her late mother, Enid, owned a diner;

03º Became blind as an infant due to congenital glaucoma;

04º Was homeschooled until the age of eight years old;

05º After retiring from the Fire Department, her father became the new owner and manager of his wife’s family diner, working on management duties while friends and in-law relatives work in the kitchen and serving tables;

06º Her father wanted her to go to college in Saint Louis or Kansas City, but Carly always dreamed of going to college in New York, and her mother was supportive of her independence;

07º Came to live in New York at age seventeen when she applied for college;

08º Majored in Drama and English in Vassar College, and Law and Education in New York University;

09º Is a professional actress, storyteller and puppeteer;

10º Carly was twenty three years old when her mother died;

11º At the age of twenty seven, she received the surgery that cured her blindness;

12º Overalls, dungarees and jumpsuits are her favorite pieces of clothing;

13º Has German and Irish ancestry on her father’s side, and French-Canadian (Acadian) ancestry on her mother’s side;

14º Can be conversational in french;

15º Is a fan of the fairy tale radio anthology series Let’s Pretend;

16º At the time she was a patient in the hospital for the blind, Carly started to bond with Hank McCoy when she told him she was from Hannibal, and he referred to it as “the city of Mark Twain.” 

17º From that moment onward, they started a conversation about the Twain family, Joseph Médard Carrière, Rosemary Hyde Thomas, Marie Campbell, Washington Irving, L. Frank Baum, Tall Tales, Walt Disney and Americana;

18º Makes volunteer work as a theater educator, puppeteer and storyteller in several shelters and hospitals for blind people, as a way to give people the same support she received when she was blind;

19º Is bisexual;

20º Uses her knowledge of Law and Education to become an activist for Disabled, LGBTQIA+ and Mutant Rights;

21º Cheese based dishes are her comfort food;

22º Loves both cats and dogs;

23º Her Zodiac Signs is Libra; 

24º Her favorite Shakespeare plays are Measure for Measure, Troilus and Cressida, Love’s Labour's Lost, Much Ado About Nothing, Twelfth Night, Romeo and Juliet, Othello, Hamlet, Macbeth, King Lear, A Midsummer Night’s Dream and The Tempest;

25º Her favorite books are: Tales from the French Folk-Lore of Missouri, It’s Good to Tell You: French Folktales from Missouri, Tales from the Cloud Walking Country, The Last Unicorn, The Once and Future King, The Hobbit, The Lord of the Rings, The Father Christmas Letters, Bambi a Life in the Woods, Bambi’s Children, Frankenstein or The Modern Prometheus, Watership Down, The Hunchback of Notre Dame, Les Miserables, The One Thousand and One Nights, The Canterbury Tales, The Decameron, The Life and Adventures of Santa Claus, The Sea Fairies, Sky Island, The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, The Diaries of Adam and Eve, The Mysterious Stranger, Fairy Tales, New Tales, or Fairies in Fashion, The Bloody Chamber and Other Stories and Stories or Tales from Past Times, with Morals;

26º Her favorite colors are Green, Red, Pink, Violet and Blue;

27º Carly’s favorite flowers are myrtle, rosemary, rue, daffodils, violets, primroses, oxlips, carnations, gillyvors, flower-de-luce , hot lavender, mints, savory, marjoram and marigold;

28º Voice, scent, hands and pulses are the first things she notices as attractive in another person;

29º  Is allergic to pine and eucalyptus;

30º Her favorite movies are The Adventures of Prince Achmed, The Thief of Bagdad, Pinocchio, Bambi, Fantasia, The Fox and the Hound, Powell and Pressburger A Matter of Life and Death and The Tales of Hoffman, Black Orpheus, Jason and the Argonauts, The Golden Voyage of Sinbad, Donkeyskin, The Wicker Man, Babette’s Feast, Watership Down, The Last Unicorn, Legend, Willow, Ladyhawke and Wings of Desire.

[witchesoz]

I am still here. I will one day finish my Wicked Witches series X) I'm just quite busy for now.

However I want to say a little something about Tik-Tok. While it is true that Baum's Tik-Tok is one of the earliest depictions of a robot in literature... it definitively is NOT the first depiction of a robot in literature. As in, those that claim Baum invented what a robot is are basically either misinformed or very American-centric.

To take an example, the earliest depiction of a "proto-robot" in French literature is "L'Eve future" (The future Eve), from Villiers de l'Isle-Adam, an 1886 novel (originally a running series in a magazine) about Thomas Edison (yes THE Thomas Edison) testing out one of his earliest attempts at making artificial beings by trying to console a heart-broken lord by creating for him a copy of a woman he loves (but who is so stupid he can't stand her) who will be more intelligent than the real one... It is considered one of the earliest sci-fi pieces of French literature, as well as one of the most sexist texts of 19th literature, and more importantly it is the first apparition in French literature of the term "android" (spelled as "andréide" in the original text)

I'm using a French example because I am French, but I'm sure there are other examples in other languages - all of that to say, while yes Baum was one of the earliest pioneers of the literary robot, he wasn't the first one. Don't even get me started on the automatons of Antiquity...

[thequeerlibrarian]

Read in 2023

January

1. Ash Princess by Laura Sebastian - 5/5 ⭐

2. The Silmarillion by Tolkien - 4/5⭐

3. Seide und Schwert by Kai Meyer - 5/5⭐

4. Lanze und Licht by Kai Meyer - 5/5⭐

February

5. Drache und Diamant by Kai Meyer - 5/5⭐

6. Ruin and Rising by Leigh Bardugo - 5/5⭐

7. The Art of Starving by Sam J. Miller - 5/5⭐

8. The Magician’s Nephew by C. S. Lewis - 4/5⭐

9. The Lion, the Witch and the Wardrobe by C. S. Lewis - 5/5⭐

March

10. Chain of Thorns by Cassandra Clare - 5/5⭐

11. The Horse and His Boy by C. S. Lewis - 2.75/5⭐

12. Six of Crows by Leigh Bardugo - 5/5⭐

April

13. Crooked Kingdom by Leigh Bardugo - 5/5⭐

14. One last stop by Casey McQuiston - 3.5/5⭐

15. You Deserve Better by Anne-Marie - 3.75/5⭐

16. Lady Smoke by Laura Sebastian - 5/5⭐

17. Prince Caspian: The Return to Narnia C. S. Lewis - 5/5⭐

18. The Voyage of the Dawn Treader C. S. Lewis - 5/5⭐

May

19. The Silver Chair by C. S. Lewis - 5/5⭐

20. The Last Battle by C. S. Lewis - 4.75/5⭐

21. King of Scars by Leigh Bardugo - 5/5⭐

22. Rule of Wolves by Leigh Bardugo - 5/5⭐

June

23. Ballad of Songbirds and Snakes Book by Suzanne Collins - 5/5⭐

24. Summer poems by Hermann Hesse - 5/5⭐

July

-

August

25. Star Wars: Brotherhood by Mike Chen - 4/5⭐

September

26. Harry Potter 1 reread for work

27. Harry Potter 2 reread for work

October

28. Harry Potter 3 reread for work

29. Babel by R.F. Kuang - 4.5/5⭐

30. Poems ll by Hermann Hesse - 4/5⭐

31. Poems by Shakespeare - 4/5⭐

32. If We Were Villains by M.L. Rio - 5/5⭐

33. The Metamorphosis by Franz Kafka - 4/5⭐

34. The Hitchhiker's Guide to the Galaxy by Douglas Adams - 4.75/5⭐

35. Coraline by Neil Gaiman - 4/5⭐

36. Watership Down by Richard Adams - 4.5/5⭐

37. The Wonderful Wizard of Oz by L. Frank Baum - 4.5/5⭐

38. Star Wars: Stealth by Karen Miller - 5/5⭐

November

39. Star Wars: Wild Space by Karen Miller - 5/5⭐

40. Crush by Richard Siken - 5/5⭐

41. Star Wars: Labyrinth of Evil by James Luceno - 4/5⭐

42. Mary Poppins by P.L. Travers - 4/5⭐

43. I Want to Die but I Want to Eat Tteokbokki by Baek Se-hee - 5/5⭐

44. Was fehlt, wenn ich verschwunden bin by Lilly Lindner - 5/5⭐

45. Dracula by Bram Stoker - 4/5⭐

46. Hamlet by William Shakespeare - 4/5⭐

47. Die Farbe der Rache by Cornelia Funke - 4.5/5⭐

48. Star Wars: Siege by Karen Miller - 5/5⭐

December

49. The girl who decided to go for it by Alice Bromell - 5/5⭐

50. Pride and prejudice by Jane Austen - 4/5⭐

51. Star Wars: Jedi Quest - Path To Truth by Jude Watson - 4.5/5 ⭐

52. Macbeth by William Shakespeare - 3.5/5 ⭐

53. The Raven Boys by Maggie Stiefvater - 5/5⭐

54. Murtagh by Christopher Paolini 4.5/5⭐

55. Star Wars: Jedi Quest - The Way of the Apprentice by Jude Watson 4/5⭐

56. Star Wars: Master & Apprentice by Claudia Gray 4.5/5⭐

57. Just eat it by Laura Thomas 5/5⭐

58. The picture of Dorian Gray by Oscar Wilde 5/5⭐

59. Star Wars: Padawan by Kiersten White - 5/5 ⭐

60. Star Wars: The Phantom Menace Graphic Novel - 4/5⭐

61. Star Wars: Attack of the Clones Graphic Novel - 4/5⭐

62. Star Wars: Revenge of the Sith Graphic Novel - 4/5⭐

63. Star Wars: A New Hope Graphic Novel - 4/5⭐

64. Star Wars: The Empire Strikes Back Graphic Novel - 4/5⭐

65. Star Wars: Return of the Jedi Graphic Novel - 4/5⭐

66. A Christmas Carol by Charles Dickens - 5/5⭐

67. Star Wars: The Trail of the Jedi by Jude Watson - 4/5⭐

68. Star Wars: The Dangerous Games by Jude Watson - 4/5⭐

69. Über mir die Wolke by Clara Louise - 4/5⭐

70. The Dream Thieves by Maggie Stiefvater - 5/5⭐

71. Blue Lily, Lily Blue by Maggie Stiefvater - 5/5⭐

Dnf:

✖️ Star Wars Episode I

✖️ A Court of Thrones and Roses by Sarah J Maas

✖️ A Touch of Darkness by Scarlett St. Clair

✖️ Luft nach unten by Aron Boks

[wonder-worker]

"Margaret (of York, Duchess of Burgundy) left Bruges on 24 June and was in England for more than three months. She travelled with a large retinue headed by Guillaume de Baume and the embassy included two officials who were well-known to her, Thomas Plaines and Jean Gros, the treasurer of the Order of the Golden Fleece. She received aides from the Estates to cover her expenses with the Hainault Estates contributing 4,000 livres. Her mission had several goals, but the immediate need was to obtain some military help in the form of English archers to reinforce Maximilian’s hard pressed armies. ... King Edward sent Sir Edward Woodville, the Queen’s younger brother, aboard the royal ship ‘Falcon’ to bring his sister across the Channel. It was twelve years since she had sailed to her marriage. Sir Edward had been part of her marriage party and he had won the honours in the famous joust of the Golden Tree. This time Margaret took the shorter route from Calais to Gravesend, where she was received by Sir John Weston, the Prior of the Knights of St John. She then transferred to a royal barge which had been sent to bring her up the Thames to London. The barge was specially refitted for the occasion. The master and the twenty-four oarsmen had been supplied with new liveries in the Yorkist colours of murrey and blue with white roses embroidered on their jackets. The knights and squires who formed the escort of honour wore fine black velvet jackets which were decorated with a pattern of silver and purple. Two residences had been prepared for Margaret’s use, the palace at Greenwich where she had spent so much time before her marriage, and the London house of Coldharbour near her mother’s home at Baynard’s Castle. New beds with red and green hangings had been sent up to the Coldharbour house and the finest bedlinens and coverlets had been ordered. Curtains, screens and tapestries were provided for both the houses, including a piece of arras which depicted the story of Paris and Helen. For her travel during her stay in England, Margaret was sent ten ‘hobbeys and palfreys’ all newly harnessed and caparisoned in rich saddle cloths. The King encouraged everyone to be generous towards his sister and used ‘right large language’ with the Archbishop of Canterbury who failed to offer Margaret a gift. His own final present to his sister was a luxurious pillion saddle in blue and violet cloth of gold, fringed with ‘Venetian gold’ thread.

While she was in England, Margaret renewed her contacts with all her old friends and family. She was received by the Queen and introduced to her royal nephews and nieces. Her youngest brother Richard, Duke of Gloucester, who was busy dealing with Scottish incursions in the north, made time to come south to see his sister, and the King gave a state banquet at Greenwich in honour of Margaret and their mother, the old Duchess Cecily. It was also attended by Margaret’s sister Elizabeth, Duchess of Suffolk. It seems that Margaret admired the wine, for on the day after the banquet, Edward sent her ‘a pipe of our wine’ valued at 36s 8d. As well as enjoying the company of her living family, Margaret could not have failed to remember all her dead relations. It was perhaps with a chantry in mind that she persuaded Edward to introduce the reformed Order of the Observant Friars into England. Soon after her departure the King sent for the Vicar-General of the Order and offered him a site for their new monastery near to the palace of Greenwich. Building began in 1482 and the abbey chapel was dedicated to the Holy Cross. Was the dedication in honour of Margaret, and does it provide further evidence of her connection with Waltham Abbey? ... Well satisfied that the negotiations were at last completed, Margaret prepared to leave London. She paid a farewell visit to the city where she was presented with a purse containing £100. She then set off for the coast accompanied by her brother Edward who had decided to see her on her way. ... The Dowager passed a week in Kent visiting the shrine of St Thomas à Becket and staying on the private estates of Anthony Woodville, Lord Rivers. These two bibliophiles must have had much in common especially now that Rivers was the patron of Margaret’s former protégé, William Caxton. No doubt she was shown Woodville’s translation of the ‘Dictes and Sayings of the Philosophers’ which was one of the first books printed on Caxton’s press at Westminster. With the King still in attendance, Margaret finally left for Dover, where the ‘Falcon’ waited to take her back to Calais. Edward seemed to be genuinely sad to see her departure and he wrote to Maximilian on 22 September announcing the return of his ‘well-beloved sister’. She left behind her in England Jacques de la Villeon, who was to act as an agent for the Burgundian ally, the Duke of Brittany."

Christine Weightman, "Margaret of York: The Diabolical Duchess"

[wanderingmind867]

So, they really are just doing a full tribute to Lewis Carroll and L. Frank Baum. We just get the full lobster quadrille poem recited in it's entirety. So this was fun, and it almost makes me want to reread parts of Alice in Wonderland again. (Captain Carrot: The Oz-Wonderland War #3):

[fabiansteinhauer]

História e teoria de uma lei inconstante e polar

1.

Ich versuche, den Begriff der Norm und den der Form so zu verwenden, dass beide Begriffe jederzeit ineinander übersetzt werden können, das also immer an einer Norm die Form und einer Form die Norm erkennbar ist. Etwas zu normieren soll danach auch bedeuten, etwas zu formatieren. Normieren schaltet nichts gleich, radiert nichts aus, tilgt und löscht keine Differenz. Normieren zieht eine Form ein, um Differenz zu operationalisieren, also um einen Umgang mit Differenz zu ermöglichen. Vielleicht wird das im Begriff der Norm eher betont als im Begriff der Form: das man etwas so macht, um etwas davon wiederholen zu können, zur Notwendigkeit eines der beiden Begriffe würde ich das aber nicht machen. Ob jetzt eine Norm oder eine Form vorbildlicher ist, musterhafter, kondensierter, abstrakter, allgemeiner: ich möchte das weder für meine geschichten und Theorien sagen noch vermag ich hier in Bezug auf die Begriffsgeschichte von Norm und Form allgemeine Aussagen zu treffen. Mir reicht es, das beide Begriffe ineinander übersetzbar sind und dann beobachtet werden kann, wie andere Autoren beide Begriffe mal mehr, mal weniger unterscheiden.

Differenz wird dank Normierung und Formatierung durch Form betrachtbar oder begreifbar, auch wenn dann Norm und Form in die Betrachtung und ins Begreifen einrücken, damit jeden unvermittelten Zugang zur weiteren Welt, zum weiteren Menschen, wozu auch immer, so abrücken. Das Mittel, das mit Norm und Form einrückt in nicht einmal jene Garantie, die man in manchen Literaturen den Dritten oder das Dritte nennt, auch das Mittel bewegt sich im Sekundären. Was man Medium nennt ist Teil der Trennung, der Assoziation und des Austauschmanövers, die die Operation, das kleineste Element der Operationsketten oder Operationsreihen bilden. In Anlehung an Warburgs Vorstellungen, der seine Bibliothek nach vier Bereichen sortiert (Wort, Bild, Orientierung, Handlung) zieht die Normierung ein Form ein, um in Anbetracht von Differenz Wort geben und nehmen zu können, sich oder anderen ein Bild machen zu können, sich orientieren zu können und Differenz händeln oder in Anbetracht von Differenz handeln zu können.

2.

In Arbeiten zu den Kulturtechniken wird ab und zu eine Formel von Thomas Macho zitiert, nach der das Schreiben älter sei als die Schrift und nach der das Sprechen älter sei als die Sprache; die Techniken sollen älter sein als die Begriffe, die sie hervorbringen. Den Hinweis auf den zeitlichen Vorrang verstehe ich auch als Hinweis auf ein besonderes Interesse an praktischem und implizitem Wissen, an stummen Routinen und an konkreten Verwendungen, mithin an dem, was in manchen Theorien Performanz genannt wird.

Dort wird mit Performanz nicht das abstrakte Kriterium (oder die Kenntniss eines abstrakten Kriteriums) oder eine abstrakt-generelle Idee gemeint, sondern konkrete Verwendungen, Vollzüge, Handlungen oder Vorgänge. Die Performanz des Schreibens ist das Schreiben selbst: ein Umgang mit der Hand, einem Stift, einem Schreibgrund (Papier, Pergament, eine Wand, Haut, Baum oder Tafel) die Verteilung von Wörtern auf einer Fläche, das Tippen eines Textes mit Hilfe einer Schreibmaschine oder einem Computer.

Die Performanz des Sprechens braucht zum Beispiel einen Sprecher oder eine Sprecherin, einen Körper, der über eine Stimme verfügt. Sybille Krämer ist einem Buch den theoretischen Unterscheidungen zwischen Sprache und Sprechen nachgegangen, das bleiben auch wieder Unterscheidungen, die wie alle Unterscheidungen niemals restlos aufgehen. Aber sie machen auch den Bereich deutlich, für den ich mich interessiere und der in den Theorien zur Performanz mit dem Konkreten oder dem Praktischen assoziiert wird. Das Praktische ist nichts, was mit einem Hinweis auf sein Funktionieren behauptet werden kann, das Praktische kann sich nur in dem zeigen, was durchgezogen wird, von mir aus vorgeführt wird. Mir würde zu diesem Bereich zuerst der Begriff des Details einfallen, auch wenn die beiden Begriffe des Konkreten und Praktischen so schlecht nicht sind. Details zeigen sich allerdings auf allen Stufen der Abstraktion und Generalisierung, auf allen Stufen der Knkretisierung und Einfühlung, auf jeder Stufe ziehen sie etwas von der Abstraktion ins Konkrete und von Konkreten ins Abstrake. Details zeigen sich nicht nur im Fall oder im Beispiel/ im Exempel, auch ein Gesetzbuch hält Details parat. Details zeigen sich nicht an sich, auch die kömmen nicht ohne das aus, was Warburg Distanzschaffen nennt. Details lassen eingerichtete Blicke kurz ausraten und verkehren: Ein Begriff kippt plötzlich in Tinte und im Fleck blitzt die Idee. Aus vielen Gründen würde mir also zuerst der Begriff der Details einfallen, schon weil er auch dem Aby Warburg so wichtig, man muss sagen: heilig, ist, aber von mir aus kann man, wenn die Betrachtung auf Details hinausläuft, auch vom Konkreten und vom Praktischen sprechen.

Auch Details haben Referenzen, bilden aber kein System wie die Sprache. Sie erscheinen wie etwas, das zu betrachten in die Ordnung der Scham eine Kehrtwende bringt, weil das Detail in seiner Betrachtung entweder zu unbedacht oder zu bedacht, zu groß oder als zu klein erscheint. Fritz Schulz' Buch über die Prinzipien des römischen Rechts hält Details parat, die nicht Details dessen sind, wovon er spricht sondern Details seines Schreibens und, wenn man so will (dann im übertragenen Sinne), seines Sprechens. Die Fußnoten die er in kleiner Schriftgröße setzt und mit denen die er griechische Sätze einfügt, die Art und Weise, wie er die griechischen Sätze mit einem Deutsch des zwanzigsten Jahrhunderts in seinem Hauptext übersetzt, das sind Details seines Schreibens, keine Details dessen, wovon er schreibt. Ob jemand in Rom diese griechischen Sätze kannte oder die deutschen Sätze ahnte? Darauf kommt es nicht an.

Eine Geschichte und Theorie des Rechts aus dem Geist solcher Details, die sich allenfalls kurzfristig stabilisieren oder festsetzen lassen, das wäre noch was.