#This is the worst thing I've ever read in my life

[xena-im-a-thespian]

Hard agree! People don't like hearing about it because it's taboo and "icky" or they're afraid that awknowleging it reads as condoning it. But the thing is it's there, mostly subtextually, though not always, see: "If it was legal to marry my sister I'd have done it already" lol.

People have called me gross as well but it's very much woven into the story. The nuance that seems to get lost is framing. Like when I say Wynonna has a thing for her sister I'm not saying that's a healthy thing or something that should be normalized/glorified and neither is the show. I'm saying she's kinda messed up and it makes sense that she's messed up in that way. The reactivity around it is to the point where I've hardly anylized it on my main blog, which to be abundantly clear to anyone who may be reading, I would never in real life encourage someone to engage in a sexual or romantic relationship with their sibling, even in adults the emotional power dynamics still have a high risk of putting strain on consent. Please do not conflate my willingness to explore taboos within the safety of fiction with condoning any violation of consent or even with encouraging high risk relationships in the real world.

On top of the repressed bisexuality Wynonna has pretty severe trauma and doesn't form secure attachments, she's very avoidant in most of her relationships, but with those she let's closest to her she will often become anxiously attached. Waverly was the one really stable connection through a lot of Wynonna's life. We know her mom wasn't affectionate but was critical, her dad was severely abusive, and after she shot Ward by accident she was a social pariah in the town, plus we see in episode one that Gus openly saw her as so mentally ill she should be kept away from Waverly. Meanwhile Waverly not only loved her through it all but knew about the revenants and believed her when no one else in the world did. I think it's feels like a kinda real thing to happen for someone put through all that to attach unusually to their sibling. And I'm sure it didn't help to go years without seeing her and then be confronted with her being fully grown. See their first encounter in the series: "Hey sis. You grew out your... Hair." *wynonna gestures vaguely near her chest*

And maybe part of it is that people are afraid of their hero having this flaw. But Wynonna's flaws are why we love her. Even when we don't like particular flaws, like when she had her big fight with Waverly, they make her feel real. People don't want to look at Wynonna having an attraction to her sister because it so extremely taboo, it's a "she's not that kind of person" sentiment. Which is in a way both right and wrong. Because yeah it seems apparent to those not so adverse to pondering taboos on an intellectual level that Wynonna is attracted to her sister to some degree, but it's also true that she really isn't "that kind of person." Because there's a difference between feeling attraction and violating consent. So yes our beloved and realistically flawed hero has an attraction to her sister, but she obviously also would never violate Waverly which is what people associate with a word like incest. Instead she just tucks it away as she does with all the feelings she doesn't know what to do with and we get little glimpses. Wynonna's worst crime in that department is having a poor verbal filter and being kinda codependent, ultimately Wynonna's little crush on Waverly is harmless. Something she doesn't act on and probably feels immense shame about. Yes because of her discomfort with her orientation but mostly because there is nothing Wyononna regrets more than times she's hurt Waverly and there's nothing she fears more than hurting her again, so much so that she left for four years with little to no contact. It would be unthinkable to Wynonna to ever put hands on her sister in a way Waverly didn't want. Which even when you remove the element of attraction that dynamic of Wynonna wanting so much to protect Waverly and thinking so low of herself that she thinks Waverly needs to be protected from her is part of what makes their family dynamic so compelling, and for those with strained family dynamics in their upbringing it's extremely resonant. I ramble but all that to say that Wynonna having these socially unacceptable feelings may be considered a flaw but at the same time it in no way takes away from her role as a hero and a protector to Waverly.

The thing is in my fiction I do enjoy this kind of thing, I do enjoy shipping sisters, what can I say I like some twisted drama, I like that in a pair that aren't sisters too (not that I'd ever get the same hate for shipping characters like Villanelle and Eve, or for loving the rift arc in Xena. Though considering Wynonna has never tried to kill Waverly of her own accord it's arguable that Wynonna/Waverly is the tamer ship in question). And I know that kind of thing isn't for everyone, and can even be triggering for obvious reasons, but when it comes to Wynonna Earp I do get annoyed. Because in this case it is part of the show. I don't have any expectation for other fans to enjoy it like I do, I don't even expect everyone to feel a need to think about that aspect of the story, it's uncomfortable! But the fact that it's one of those flaws that give Wynonna depth make it something people should be allowed to analyze.

Yes referring to it as a choice was me saying it was intentional. I almost feel crazy analyzing it sometimes because I'm surrounded by people either just not seeing it or telling me I'm gross for interpretating things that way. But then I look at a scene like this and think how Melanie absolutely leaned in and closed her eyes and how that, like basically everything that ends up in a final project is a choice that came from somewhere. If it didn't come from a writer it came from a director, if not a director from the show runner or Melanie, and even if only one of the takes was played that way it still got chosen in post and approved by the director and producers.

I would love to read what you wrote about it!

Choices were made with this kiss. It really could've have just been a twisted thing a demon did to Wynonna, they could've had her recoil, or be completely frozen, but no, Wynonna looks down at Waverly's lips, closes her eyes and leans in!

There's such a moment of relaxing into it before the panic of 'omg I'm kissing my sister' sets in, plus whatever discomfort being possessed by a demon brings

[optiwashere]

Huh, I didn't even realize it'd been a year since BG3 came out until I opened tumblr this morning. Kinda wild. I didn't think much of the game's release: I like Larian's games, and I like the BG series. I wasn't ever going to skip the game, but I didn't think I'd play it at launch because I was busy working on a novel in 2023 and not doing well financially.

Thankfully, circumstances left me with a little bit of extra money last year just before launch and it meant I could spend on a video game. I needed a pick-me-up after said 2023 novel failed to go anywhere, and BG3 was right there. Like most CRPGs, I played it in basically every moment of free time that I had and did as much as I possibly could in one playthrough.

It's so odd how these small happenstances can snowball into coming back to fandom, finding some friends I might've never met otherwise, and writing a lot of fanfiction along the way. I'll probably have something more interesting to say/share when it's the 14th, AKA when I sat down and wrote my first fic for this fandom.

Anyways, it's been a lot of fun and I'm looking forward to more years to come 💜

[sugarsnappeases]

thank you for the tag @fxreflyes this is so cute, except the format is trying to hinder my propensity to ramble, so i’ve rectified this in the tags lmao

i’m over 5'5 / i wear glasses or contacts / i have blonde hair / i often wear sweatshirts / i prefer loose clothing over tight clothes / i have one or two piercings / i have at least one tattoo / i have blue eyes / i have dyed or highlighted my hair / i have or have had braces / i have freckles / i paint my nails / i typically wear makeup / i don’t often smile / resting bitch face / i play sports / i play an instrument / i know more than one language / i can cook or bake / i like writing / i like to read / i can multitask / i’ve never dated anyone / i have a best friend i’ve known for over five years / i am an only child

no pressure tags for @static-radio-ao3 @inevitablestars @itsjaywalkers @carniferous @orbitfalls @transsexualpriest @futurequibblerjournalist <333

[imminent-danger-came]

I really am so sad I don't like isat. The themeing was very good

[whentherewerebicycles]

question: when you're starting a new job, what do you most want out of your first week of onboarding? what's most helpful for you to know/understand upfront? also... what's not helpful? tell me your onboarding nightmare stories too lol

[medicinemane]

.

[stereax]

saw you post 'listen before you go', thought you'd enjoy this:

oh...

[anirudhpisharody]

.

[talentforlying]

father grimaldi: forgive me, lord, for i have sinned. constantine: — understatement of the bloody century, that is. father grimaldi: the chapel is closed to the public! who are you? how did you get in here . . .? constantine: did you know vatican city has the highest per-capita crime rate of any nation state in the world? i'd have thought a touch of breaking and entering's pretty much par for the course around here.

so #1, an undeniable slay.

#2, how long do we think he was sitting in the confessional booth waiting for the guy to wake up from ellie's fake vision quest. like an hour? checking his light, practicing his Big Reveal Pose TM? he probably brought a book with him and just shoved it underneath the seat cushion when it was time to show off.

#3, knowing how intensely he studied & continues to study in order to teach himself magic at such an absurdly advanced level without any teachers to formally guide him? and how that level of dedication would absolutely carry over into researching a mark / making sure he had every corner of a confidence scheme nailed down pat? i like to imagine that the day before this meeting was spent with his severely under-caffeinated ass parked at a public library computer, squinting at articles for 'most important things to know about vatican city before you travel' or 'top 10 little-known facts about vatican city' and using the back of his boarding pass to take notes on what would be the best throwaway line to blow off all the usual questions with.

also, he probably woke up still in his travel clothes less than two hours before this scene and had to hustle to get suited up in time for his Dramatic Apparition. the demon blood was boiling so bad in that chapel that it was giving him a killer migraine. he didn't get breakfast so his stomach was growling the ENTIRE time. but all that meant was he had plenty of room to eat UP the runway and that's EXACTLY what the fuck he did.i'm

[autobahnmp3]

maybe I won't be miserable forever 🥹

[larryslutlinson]

.

[britneyshakespeare]

i have an absurdly high average rating for my reviews on goodreads but that's bc i don't use it to track what i've read or plan what i'm going to read; i just use it as an outlet to talk about a book i've just read if i really wanna share my thoughts on it. and more often than not i'd rather boost something i enjoyed in hopes that someone could find my positive review (especially when i read lesser-known works like for instance earlier in the year when i was reading john ford, or whenever i read something new from aphra behn). like when i don't really care for something i've read, i don't want to talk about it or share my thoughts on it in any way, usually. it's a very rare instance where i find something interesting and worth discussing and yet still ultimately i dislike it. so yeah i do have a 4.3/5 average rating what do you expect me to do about it?

[cy-cyborg]

Disability Tropes: The Perfect Prosthetic

[ID: A screenshot from the movie Nimona, showing Nimona, a small white girl with red hair, grabbing the right prosthetic arm of Ballister, a knight in black armour with black hair and light brown skin. He is holding a broken bottle in his prosthetic hand while Nimona admires his arm. Overlaid on the screenshot is white text that reads "Disability Tropes: The Perfect Prosthetic" /End ID]

In a lot of media, prosthetic limbs are portrayed as these devices that act as a near-perfect replacement for a character who has lost, or was born without a limb. So much so that in a lot of cases, the use of a prosthetic has basically no impact on the character beyond a superficial level or their appearance, or it's portrayed as something that's even better than the old meat-limb it's replacing. This trope shows up most often in Sci-fi, but it shows up in all kinds of stories outside of that, even otherwise very grounded ones!

If a story isn't depicting the loss of a limb as the be-all-end-all worst thing that can happen to a person, they almost always default to a perfect prosthetic, functionally curing the amputation with it. But the reality is that prosthetics are FAR from perfect, and as someone who has used them for their entire life I don't think they ever will be. Limb difference is still and always will be a disability, regardless of the prosthetics available, and this really isn't a bad thing.

Why is this trope so common?

I meant it when I said this is a really, really a common trope, so much so that the majority of the media I've seen with amputees and characters with limb differences that released in the last decade or end up using it. Even stories where becoming an amputee is treated like a fate worse than death, ironically, aren't excluded from this. I have a few theories as to why this has happened: The pessimistic answer is that it's easy. You get to have a disabled character and claim you have disability representation, without really having to do much extra work or research because most of your audience won't notice if you aren't accurate - in fact they kind of expect it. You also, for the most part, dodge the backlash other kinds of disability representation (or really any minority representation) usually get. The more optimistic reason is that, for a long time, amputees and people with limb differences (as well as a lot of other disabled people) were predominantly shown in media as sad, depressed and unable to do anything, very much falling into the "sad disabled person" trope. As a kid, this was really the only way I saw people like me on screen or in books. And so, the limb difference community pushed back against that portrayal and were pretty successful in changing the narrative in the public's eye. A little too successful. A lot of creatives were genuinely trying to do right by our community, listen and do better, but many simply overcorrected and instead ended up creating stories where prosthetics were essentially cures instead of the mobility aids they are. I also think the public's general lack of understanding about disability plays a roll in all this. There are a lot of people who, in my experience, believe that the more visible a disability is, the worse it is. Limb differences and amputations are very visible, but prosthetics, even those that aren't trying to be discreet, make them less so. While using a prosthetic is very, very different to a biological limb, you won't necessarily see how in a casual interaction with, say a co-worker or neighbor, especially because there is a very real stigma applied to people with limb differences to keep those things hidden from the public. There are other reasons too, such as the fact that a lot of creatives don't even consider the connection to real amputees when creating characters with robotic limbs in genres like sci-fi and some fantasy, so they never stop to consider that these tropes could be impacting real people. Amputees are also very frequently used in "inspiration porn" content that uses the angle that disabilities can be "overcome" with a good attitude, downplaying the way those disabilities actually impact us. The prosthetics industry - specifically the component manufacturers, often also push the idea of prosthetics being the only way to return to a "normal" life, both to the wider public and to people with limb differences and amputations (which can add to that sense of shame I mentioned when it doesn't play out that way for them). On top of that, I also think the recent increase in popularity of concepts like trans-humanism contributes to it as well. these movements often talk about robotic or bionic body parts being enhancements and "the way of the future", and I think people get a bit too caught up on what may be potentially possible in the future with the real, current experiences of people with "robotic limbs" aka prosthetics, now. There are also inherently disabling things that come with removing and replacing parts of your body, things that will not just go away with some fancier tech.

So How do you actually avoid the trope?

So, we have some ideas about why it happens, but how do you actually avoid the "perfect prosthetic" trope from appearing in your work? The most important thing is to remember that this is still a disability. The loss of a limb, even with the best prosthetic technology or magical item in the world, will always have some inherently disabling aspects to it - and this is not a bad thing. The key is to not over-do it, lest you risk falling into the old "sad disabled person" trope. So let's go over some of the ways you can show how your character's disability impacts them. You don't have to use all of these recommendations, just choose the ones that would best fit your character, their circumstances and your setting.

The prosthetic itself is just different

Probably the most important thing to address and acknowledge for prosthetic-using characters, is the actual ways in which the prosthetic itself is different from a biological limb, and the drawbacks and changes that come with that. For the sake of simplicity, I'm mainly going to focus on modern prosthetics here, but it's worth considering how to apply this your own, more advanced/fantastical prosthetics too. One major thing that most people writing amputees fail to acknowledge is that prosthetic limbs are not fleshy-limbs with a different coat of paint. They do the same basic thing their meat-counterparts do, but how they do it is often drastically different, which changes how they are used. A really good example of this is in prosthetic feet. There are dozens of joints in a biological foot, but most prosthetic feet have no joints or moving parts at all. Instead of having dozens of artificial joints to mimic the real bone structure of a foot, which are more prone to failure, require power and make the prosthetic much, much heavier for very little gain, prosthetic feet are often constructed from flexible carbon fiber sheets inside a flexible rubber foot-shaped shell. This allows the bend and flex those bones provide, without all the drawbacks that come from trying to directly mimic it. Making the sheets into different shapes makes them more ideal for different activities. E.g. feet made for general use, like walking around the city, are simple and light, shaped to encourage the most energy-efficient steps, while still allowing their users to do things like wear normal shoes. Feet made for rough terrain often have a split down the middle of the foot to allow the carbon fiber sheets to bend better over rocks when there is no ankle, and some newer designs also include a kind of suspension using pressurized air pulled from the prosthetic socket to allow some additional padding. Running feet have large "blades" made of these carbon fiber sheets to absorb more pressure when the foot hits the ground, and redirect the force that creates to propel their user forward as quickly as possible.

[ID: A photo of 4 prosthetic feet. On the left, the foot is covered with a black shoe, the one to it's right consists of a small, carbon fiber blade, split down the middle, in roughly the same shape and size as the previous foot. Next to the right is an even simpler and smaller carbon fiber foot with no split, and finally is a very short foot that is vaguely rectangular in shape. /End ID]

These are some of my own prosthetic feet I've had over the years. The two on the right are designed to be used by someone who is less mobile, and the ones on the left are made for someone who is more active. As my needs changed over the years, I've used different designs and styles, and keep the old ones since my needs do tend to fluctuate.

There are also robotic feet available that are designed as a kind of "all-purpose" foot that use an electronic ankle which more closely mimics a biological foot, but they are not very popular as the mechanism adds a lot of extra weight and it requires a battery and power to work, with many amputees feeling the jointless carbon fiber feet do a better job at meeting their needs. The same goes for arms and hands. "Robotic" hands that mimic a meat hand exist, but they aren't really that popular, even in places like Australia where the prohibitively expensive price tag isn't as much of an issue due to government programs that pay for the device for you. Instead, most arm amputees who use prosthetics that I know prefer simpler devices that do specific tasks, and just swap between them as needed, rather than something that tries to do it all. A big part of this is because the all-purpose hands can be clunky. they often require manual adjustment using the other hand to do simple things like going from holding a deck of cards to putting them down and picking up a glass of water, for example. The few that don't require that, I've been told, are often temperamental and don't actually work for every person with a limb difference.

Altered Proprioception

Loosing a limb is a big deal and this is always going to have an impact on the body in some way that won't be solved with a fancy piece of tech. One such example is how limb loss effects your sense of proprioception. This is your sense of where your body parts are in space. It's how you (mostly) know where your foot is going to land when you're walking, or how you're able to do things like lift up a glass of water without needing to actually watch your hand do it. Your brain does this by creating a mental map of your body, but this map doesn't get adjusted if you loose a limb. If that map doesn't accurately reflect your real body, you're not going to have an accurate sense of proprioception. This might look like a leg amputee being a bit less stable on their feet, or like an arm amputee needing to look at their arm or hand to be able to grab something with it. Those born without their limbs who take to using prosthetics often have a lot of trouble adapting, as their brains aren't used to having that limb in the first place, whereas an amputee's brain can sometimes be tricked into using their outdated body map to help them adjust to the prosthetic (though its impossible to line it up perfectly). Prosthetics that directly integrate with the nervous system, while rare, do exist, and even this direct connection doesn't completely erase this issue for reasons doctors aren't quite sure about. This is something that does become less of a problem with time. Eventually, someone proficient with their prosthetic will learn to compensate, but their sense of proprioception will never be 100% perfect. At the end of the day, no matter how it attaches, a prosthetic is still not a natural part of the body, and that will always cause some issues. It also means if they aren't practicing it all the time, they may have to relearn how to compensate for it.

Extra weight

You also have to remember that a prosthetic is not a natural part of the body, like we already talked about, and so no matter how good it is, your brain will most likely always interpret the weight of the prosthetic as something attached to you, not part of you. This means that, even though prosthetics are actually a lot lighter than biological limbs, they feel so much heavier. This is because, while a meat limb is heavier, a lot of that weight is from muscles which are actively contributing to the limb working, so it doesn't really feel like its that heavy. When you have less of your meat-limb though, you have even less muscle to work with to move this big thing strapped to it, so it feels heavier. The more of the limb you've lost, or just didn't have, the heavier the prosthetic has to be, and the less muscle you have left to move it. It's for this reason that a lot of amputees and people with limb differences get tired faster when using prosthetics. Some of us are fit enough where you almost wouldn't notice the extra effort they need to put in, but once again, just because you can't see it from the outside, doesn't mean it's not an issue.

Avoiding Water

Most prosthetics also aren't waterproof, and so prosthetic users have to be very careful about when and how they come into contact with it. For amputees with electric components, contact with water at all will likely damage the device. This can even include especially heavy rain, something I was told to avoid when I got my electronic knee prosthetic and something I assume would also apply to arm amputees with complex, electronic hands. For those with non-electronic prosthetics, water can be hazardous for different reasons. If the prosthetic has metal components, water may cause them to rust, especially if it's salty water. Other prosthetics have foam covers to give the illusion of a limb with the general shape of muscles and fat, but these covers do not come off, and if they get wet enough that water seeps all the way through, it is very hard to dry it and they may become moldy. Finally, cheaper modern prosthetics may also float. Many are made of very light-weight materials and some have pockets of air trapped inside them. For leg prosthetics in particular, this means a user might, at best, struggle to swim with them on, but at worst, may get flipped upside down and become trapped underwater - something that happened to me as a very young child. On the flip-side, older prosthetics were usually made of heavy materials like wood or steel, and so had the opposite problem, acting like a weight and pulling a person down if they were to wear them in the water. Water-safe prosthetics do exist, I had a pair of prosthetic legs as a teenager that were hollow, and designed especially for me to swim with fins on when swimming in the ocean, and Nadya Vessey, a double leg amputee in New Zealand even got a mermaid-tail prosthetic made especially for use in the water. Most amputees though just swim without any prosthetics at all, and in 99% of cases, this is the easiest and safest way to go.

Prosthetic-Related Pressure Sores and Pain

Many people with limb differences also experience pressure sores from their prosthetics. Modern prosthetics typically attach to the body using a socket made of carbon fiber or fiberglass, held on either by pressure, using a vacuum seal or through a mechanical locking system built into the socket. No matter the specifics though, the socket has to be very tight in order to stay on, and this means that extended periods of use can lead to rub-spots, blisters and pressure sores. Many socket prosthetics also use silicone liners to add extra padding, but this means wounds caused by the pressure can't breathe, and bacteria in sweat has nowhere to go, meaning if the person doesn't rest when one of these wounds occur, it can very easily and quickly turn into a serious infection. In a properly fitting prosthetic, used by someone who has fully adjusted to them, this doesn't happen often, but it is something most amputees and people with limb differences have to at least be mindful of. Some new prosthetics use a different method of attachment, called Osteointegration - where the prosthetic attaches to a clip, surgically implanted into the person's bones. While Osteointegration avoids many of the issues like pressure sores that come from a socket, they have their own issues: mainly that they are incredibly expensive, and as of right now, have a pretty high failure rate due to the implant getting infected. Because the implants are directly connected to the bone, these infections become very serious very quickly. Many people with Osteointegration limbs have to be on very strong medication to keep these infections at bay, and they are generally considered unsuitable for anyone who is going to regularly come into contact with "unclean" environments.

Maintenance

[ID: A screenshot of Winrey, from Full Metal alchemist Brotherhood, a white woman with blond hair handing out the sides of a green hat. She is measuring a piece of metal from a prosthetic she is making while Ed, the prosthetic's owner, gives her a thumbs up in the background. /End ID]

Finally, prosthetics also require maintenance from a specialist called a prosthetist, and they don't last forever. Some parts, like a foot or hand, can be reused over an over, but the sockets of a prosthetic need to be completely remade any time your body changes shape, including if you gain/loose weight, you start experiencing swelling, or you're just a child who is growing. Children in particular need new prosthetics every few months because they grow so fast, and as such, their prosthetics have to be made with this growth in mind. If they go too long without adjustment or an entirely new prosthetic, it can seriously impact the child and their growth but even small adjustments can be costly, depending on where you live. While prosthetics are built to be sturdy and reliable, they need a lot of work to stay that way. The more complex the prosthetic, the more work is needed. Complicated electronic components may need to have regular maintenance done by your prosthetist or even the specific component's manufacturer, and depending on where you live, this might mean having to send your prosthetic limb away for this to be done. While my prosthetist technically has the skills and knowledge to do the maintenance on my electronic knee, for example, the manufacturer forbids anyone not from their company to provide this service, meaning my leg needs to be shipped off to Germany once every few years if I want to keep the warranty. This has the unfortunate side effect of sometimes your limbs getting lost in postage (shout-out to Australia Post, who lost mine twice), meaning it can be months before you get it back or get a replacement. Usually, you'll be given a replacement in the meantime if you need it, but walking on a leg that isn't yours, even when its correctly fitted, always feels a bit weird (maybe that's just me though).

Not every difference is Inherently Negative

We've talked about some of the negatives that come from having a prosthetic, but not every difference is negative or even really that big of a deal. In fact, often times, it's these little moments in the depiction of a disability that go the furthest and make it feel the most genuine. My amputations effect me from the moment I wake up, to the moment I go to bed, but that doesn't mean every single way it impacts me is always inherently bad or negative. For example, back when I was working a normal job and going to university, I would often come home, throw my legs off at the door with the shoes still attached and get into my wheelchair, the same way you might throw your shoes off after work and replace them with comfy socks and other comfy clothing. This is something I've only ever seen on screen once, with Eda from the Owl House (and she wasn't even an amputee yet, her limbs were just detachable)

[ID: an screenshot of Eda from the owl house, a very pale woman, laying on the couch in a bathrobe, her hair in a towel. She has taken her actual legs off, throwing them to the other side of the seat. /End ID]

After that, my day mostly looked the same as most other people working a 9 to 5, I'd make myself dinner, watch some TV or play some games, maybe do some extra work at my desk or chat with friends. The only difference is that it would all be from a wheelchair, mainly because my prosthetics were heavy and it was just easier to use the chair around the house. The fact my afternoon and evening routine was done from a wheelchair wasn't a bad thing, it was just different. Likewise, I also don't sleep or shower with my prosthetics on, for the same reasons most other people wouldn't take a shower or sleep in thigh-high, steel-capped boots. In your own stories, this might look like giving your characters similar alterations to how they go about their day. Let them take their arm or leg off when they're resting or relaxing, show them taking a few minutes longer to get ready because they have to put it back on, show them doing some things without it. Arm amputees in particular tend to get very good at going about their days without their arm prosthetics, and leg amputees often either learn to get around more relaxed spaces like their homes using a different mobility aids like wheelchairs or crutches, or just through hopping if that's something they're physically able to do. Even when everything is going well and working as intended, your limb-different character won't wear their prosthetic 24/7, no matter how much they love it. There doesn't have to be something wrong with it or painful about it to not want it glued to them at all times, just like you can love a pair of big heavy boots but not want them on when you're trying to sleep. For more action-focused stories, being an amputee, also changes things like how you fight. The specifics will vary from person to person, but for example, when I did Hap Ki Do, a Korean Martial art, my instructor heavily modified when I learned what techniques. Beginner-level kicks and most leg attacks were impractical for me, as the force from the kicking motion would usually cause one of my legs to fly off. I also couldn't jump very well, due to some complications with my original amputation that made my stumps too sensitive to withstand the force of landing again. So I ended up learning a lot more upper-body attacks much earlier than it is typically taught. By the time I got my green belt, I was practicing upper-body techniques usually saved for black belts - including weapons training that I could use my secondary mobility aids for, like crutches and my cane in a bad situation. Many holds that rely on creating tension in your target are also less effective on amputees, because either the anatomy that causes those holds to be painful just simply isn't there, or the body part in question can just be removed to escape. Whether we're talking about the negative things, or just neutral differences that come with using prosthetics, you don't want to go too far with any one example. The key is to strike a balance. Of course, the old writing advice of "show don't tell" also applies here. It's one thing to tell us all of this stuff, but unless we actually see it play out, it won't mean much.

How NOT to avoid the trope

Before we move on, let's focus for a moment on some common things I've seen that you SHOULDN'T do as a way to get away from the trope.

The Enhanced Prosthetic

A lot of sci-fi in particular will take prosthetic limbs, make them function exactly the same as a biological limb, but add something extra to it. This does change the way the prosthetic functions and is used, but it usually still ignores the actual disabling parts of having a prosthetic. A really good example of this can be seen in pretty much any futuristic setting, but personally, I think Fizzeroli, from Helluva Boss is the best one to demonstrate what I mean. Fizz is a quadrilateral, above knee/above elbow amputee with highly advanced prosthetics that function, more or less exactly like the limbs he lost, but with the added benefit of being super-stretchy. Fizz is an acrobat and a clown in service, at least initially, to Mammon, one of the Seven Deadly Sins. These prosthetics help him perform and we even do see how they change little things like how he walks and just goes about his day, but the show still treats them like natural arms and legs, but better. 

[ID: A screenshot of Fizzeroli from Helluva Boss, a white-skinned imp with 4 black, prosthetic limbs, dressed in teal a nightgown as he lays in bed, reading from a list /End ID]

We see that he never takes them off, even when sleeping, and when he needs to use them as regular arms and legs, they do everything he needs, perfectly fine - at least when they're working correctly. The only time he ever even takes them off or has any issues with them, is when they break in season 2. The word amputee is never used to describe him, as far as I remember, and the fact he is one never really comes up at all, except for when they break or when the story focuses on how he lost them. Which brings me to my next point.

The Glitchy/Broken Prosthetic

One way I see people try to avoid the perfect prosthetic trope, is to take the prosthetic and break it or otherwise make it unreliable by having it malfunction, but not really changing anything else. This approach is heading in the right direction but still kind of misses the point of the criticism a lot of limb different folks have with the depictions of prosthetics in the media. Yeah, prosthetics do break down and some do require extra maintenance, but if your character's prosthetic is still exactly the same as a biological limb (or even better, in the case of the "enhanced prosthetic") when it's not broken, and the only time their disability is treated like a disability, is when it breaks, you're not really addressing the issue. Real prosthetics, like we discussed, even when functioning at 100%, exactly as the manufacturer intended, don't function the same as a meat-limb. They are fundamentally different, and the glitchy/unreliable prosthetic completely ignores all of that. Once again, Fizz is a really good example of this - the only time his prosthetics are not perfect, is when they break or are malfunctioning (despite the criticism, I do genuinely love Fizz as a character, but he unfortunately does fall into a lot of disability tropes).

[ID: Another screenshot of Fizzeroli, this time in a torn up jester outfit, looking down, panicked, at his prosthetic arms which are fully extended and laying motionless on the ground, with his left arm visibly short-circuiting with electricity around it. /End ID]

Now this isn't to say you can't have your character's prosthetics break down or malfunction at all. just that this shouldn't be the only way you differentiate the prosthetic from a biological limb. You should also be mindful of how or why they're breaking. A typical prosthetic isn't going to break down randomly from normal use unless something is very, very wrong or your character just has a terrible prosthetist (which unfortunately, does happen). You might experience issues if you try to make the prosthetic do something it just wasn't designed to do, or expose it to something it wasn't designed to deal with though (e.g. submerging an electronic prosthetic in water and trying to use it to swim).

Just add Phantom Pain

Another common pitfall I see when people are trying to avoid the perfect prosthetic trope, is to just give the character in question phantom pain - which is a side-effect of amputation where your brain's mental map of the body doesn't acknowledged you lost a limb. Your brain tries to fill in the gaps, since there is no signals coming from that part of the body anymore, and assumes either something must be wrong and so you should be in pain, even when you actually aren't. Alternatively, it can also happen when your brain was so used to feeling pain from that area before, in the case of people who had chronic conditions before they lost their limb, that it just keeps remaking those old signals itself. Like the broken/glitchy prosthetic approach, this also doesn't really address the issue with the perfect prosthetic trope, because it has nothing to do with the prosthetic itself. Phantom pain doesn't come from the prosthetic, nor does it effect how they're used, and so including it doesn't really address the issue of the prosthetic being functionally the same as the original, biological limb. This isn't to say that you shouldn't include phantom limb sensation or pain as something your character experiences, but just keep in mind that, when used on it's own, it doesn't counter the trope. Also, just be sure to do your research, everyone's experience with phantom pain is different and it's not something everyone with a limb difference even experiences.

Why is this trope even a problem?

Alright, so we know what the trope is, we know why it became so prevalent, ways to avoid it and also how not to avoid it. All good information, but why is this trope even bad? Why should you try to avoid it? Outside of just wanting to portray a real disability that effects real people more accurately in your creations, the prevalence of this trope actually contributes to a lot of real-world issues, especially when it's as overused as it currently is. I've talked before about "the jaws effect" - where the depiction of something in the media, especially something that the public is widely uneducated on, influences how people see it in real life. The Jaws effect specifically referred to how the popularity of creature-feature movies featuring sharks, like Jaws, caused the belief that sharks were monstrous killing machines to become much more wide-spread, even going so far as to influence decisions about laws and policy surrounding real-life shark preservation and culling in some parts of the world. But sharks aren't the only thing this has happened to.

Disabled people are so thoroughly misunderstood by wider society, that when tropes like this one become popular, people can and often do start to believe the misinformation they spread - in this case, believing that our prosthetics are a perfect replacement for a biological limb, and that getting a prosthetic means you're not disabled any more. While this can be annoying and cause small scale issues for some of us, like people giving us a hard time for using disability accommodations we very much need, it can also impact us in systemic ways too. If the wrong people believe these tropes, it can and does have a very real impact on the lives of disabled people through things like changes to policies to make it harder for amputees and people with limb differences to access financial assistance for other things outside of our prosthetics we may need assistance with.

Conclusion

Despite the very real harm tropes like this can do when it's overused, I don't think it should go away entirely. Some of my favourite pieces of media even use the perfect prosthetic trope and there are even some kinds of media where I even think it's somewhat unavoidable. Characters with perfect prosthetics in kids media in particular, especially when talking about side characters, can help to correct some of the other stereotypes kids may have seen elsewhere - such as prosthetics being "creepy" or "scary" - in a way that is casual and easy for them to understand. The problem with the trope, in my eyes, is it's excessive overuse. It's the fact that it seems to be the only representation amputees and people with limb differences are getting now. Not every story with a limb-different character can or even should delve into the reality of what using prosthetics is actually like, but we need at least some stories that do, without it being this majorly depressing thing.

[eggmeralda]

every year I started insanely drunk ended up being a decent year. so. plans tonight

[pedroscurls]

in every lifetime

summary: you lost logan in this universe. logan lost you in his. what happens when you both see each other again, but realize that you're both from different worlds? pairing: logan howlett x fem!reader warnings: post deadpool & wolverine ("worst" logan!variant), angst (mentions of death, loss from both reader and logan), no use of y/n. word count: 2.1k a/n: this is my first logan fic, so if anything is ooc, i'm sorry in advanced! just like everyone else, i've been obsessed with hugh jackman / logan after watching deadpool & wolverine (if it isn't obvious lol)... i had the song 'unchained melody' in mind when writing this story because whenever i hear it, i think of logan for some reason lol (tried to embed it but it didn't work, but i'd highly recommend listening to the song while reading this!) anyway, hope you enjoy! next part.

“I’ll be back.”

“But what if–”

“I always come back, bub.” Logan’s looking down at you, hand cupping your cheek. In moments like this, you can see the age in his features. The crows feet at the corners of his eyes. The gray in his hair and beard. 

“Logan…” Tears sting your eyes. You know he has to leave, has to go help Charles, but there’s a feeling deep in your gut that knows that if he goes, he isn't coming back. 

“Wait for me, then.” He says, dipping down to gently peck your lips. “Okay? Wait for me.” 

“Logan,” you repeat. “What do I do if I– if I lose you?” 

There’s a feeling in the pit of Logan’s stomach, a sense of dread and fear that he’s only ever felt when you were concerned. This feels a lot like a goodbye… That maybe if he does go, he won’t come back. And the thought alone scares him. He never used to have to think about the possibility of dying, his regenerative powers always healing him in record time, but he knows that he doesn’t heal as quickly as before. He feels more pain now than he ever had. And he knows he’s sick, knows that the adamantium that once gave him strength is now slowly making him weaker.

But now, the thought of dying… It fucking scared him. It scared him to think that he’d leave you here, all alone, grieving him. He had never thought he’d be deserving of someone like you, to be loved and taken care of so gently, so sweetly, so patiently. Even with all of the baggage he carried, you never pushed. He knew, right off the bat, that you deserved someone so much better than him, but you stayed. 

Through it all, you stayed. 

And Logan would forever be grateful. After everything he’s been through, the things he’s seen, the things he had to do, the people he’s lost, you gave him a life that was finally worth living. 

“Then, you move on, darlin’.” Logan finally answers. 

“And if I can’t?” 

“You’ll have to.” 

“I don’t… I don’t want you to go, but I know that you have to. Charles needs you and–”

“I love you with every fiber of my being, baby,” Logan interjects. “And I will love you in every lifetime.” 

And that was almost a year ago. The moment he stopped calling, you knew that was it. That he either got into some real trouble or… Or that he was no longer here. It wasn’t until a young girl named Laura showed up on your doorstep, holding his dog tags that your assumptions were correct. 

You had fallen to your knees, a sob escaping your lips, as you felt your world come crashing down. Logan’s death had left a gaping hole in your heart, in your life, and everywhere you looked and everywhere you went, all you could see was him. 

You learned from Laura that during his last moments, he had told her to come and find you, that you would take care of her and give her a good life. Whenever you were around her, you tried to be strong, tried to put on a brave front, but behind closed doors, you were a complete mess. There were days where you didn’t want to get out of bed, didn’t want to eat; you just wanted the pain to stop. Every night, whenever you closed your eyes, you forced yourself to sleep because that was the only place where you could be with him. 

In your dreams, he was alive. 

In your dreams, he had made it back home.

In your dreams, he was here with you, helping raise Laura. 

And every time you woke up, you were welcomed with the sudden reality that he wasn’t alive. He wasn’t coming back home. He wasn’t ever going to be here with you to help raise Laura. 

Logan was dead and now, you had to try and learn how to move on. 

For yourself.

For Laura.

For Logan. 

—

He didn’t know what he was doing here, why he agreed to stay with Wade because it was driving him crazy. This wasn’t even his timeline; he wasn’t even meant to be here. Despite saving Wade’s timeline, Logan still found it hard to fit in. He tried to keep Wade and every single one of his friends at an arm's distance because he knows what happens to people he cares about. 

But the more time he spent around them, the more he felt at ease. Logan would be lying if he said he was waiting for the other shoe to drop, but when Laura mentioned your name at one of Wade’s family dinners, his heart skipped a beat. When he realized he would be able to stay in this timeline, you were all he could think about. 

Logan wondered if you existed in this world and what he would do if you did. So, when Laura casually said your name, his head turned around so quickly that he felt dizzy. There were so many things he regretted in his own timeline, but you were his biggest regret. 

Just like he failed the other X-men, Logan had failed you too. You had been there with the other X-men, trying to warn them of a planned attack and ended up getting caught in the crossfire. You had called out for him, just like Scott, like Charles, like Storm. 

He managed to get to you before you had taken your last breath, holding you in his arms. Logan begged and begged for you to fight, that he’d do things right from now on as long as you just held on, but you were losing so much blood and Logan couldn’t stop it. 

Even then, when you had every right to be angry with him, you gazed up at him with an understanding look on your face. You had always been so patient and kind, so sweet and considerate. You had made him so happy and it scared him, which ultimately ended in pushing you away because he didn’t think he was deserving of it. Of you. 

“I love you, Logan,” you had said, wincing at the pain. 

“I’m sorry, I’m sorry, I’m–” Logan felt a sob catch in his throat, tears stinging his eyes as he looked down at you. “Please, baby, please please please, don’t–”

“I–” you coughed, eyes fluttering as you felt the pain overcome your entire body. “I will love you in every lifetime, Logan.” And then, you took your last breath, eyes falling shut and body falling limp in his arms. 

Since then, Logan drank himself day after day, from dawn to dusk. The alcohol never truly helped, his regenerative powers sobering him so fast, but with every swig of liquor, it burned. And he spent years bringing pain unto others, including himself. 

That was, until he met Wade who had given him a chance, a reason to fight for something… To not turn his back on someone who relied on him. A chance for redemption, to finally make things right. 

“So, will you meet her?” Laura asks, holding Dogpool in her arms as she gazes up at Logan. “She– She used to be with this universe’s Logan and…”

“No chance, kid.” Logan interrupts, shaking his head. “I’m not him.” 

“Did you have someone like her in yours?” she asks. “She’s always put me first, always made sure I was taken care of even when she didn’t have to, when she was grieving. And I think–” Laura sighs. “I think if she knows that some version of you is alive, it would make her real happy.”

“I’m not him,” Logan growls, feeling his irritation spike. “‘Sides, she’s better off without me.” He stands from the table and walks out into Wade’s balcony to get some fresh air, shutting the door behind him as he leans against the railing.

“But she’s coming tonight,” Laura finally says, long after Logan’s walked away.

Throughout the rest of the dinner, Logan remains outside. He can hear the muffled laughter coming from inside and it only angered him because it was just another confirmation that he didn’t belong here. He’s already on his fourth bottle of beer when he hears a familiar voice, smells a recognizable scent. He turns slightly and catches you stepping into Wade’s apartment, an arm slinging over Laura’s shoulders so casually, so maternally. 

He feels his heart rate pick up. Your smile still lights up a room and he can’t help but his lips turning upwards at the sight. With his enhanced hearing, Logan can hear your voice and he shuts his eyes for a moment, tuning all of his attention on you until you’re the only one he hears. 

Then, he hears your laugh and he lets out a sigh. He never thought he’d be able to hear that again, but his eyes shoot open when he hears you say his name. There’s a shocked tone in your voice, laced with sadness and hope. It all but crushes him because he knows that you’re probably expecting someone else, expecting this world’s Logan and he doesn’t want to disappoint you. Not again. He doesn’t think he’d be able to handle it if he were to hurt you again. 

But when he looks at you, his breath catches in his throat when your eyes meet his. Logan notices the surprise look on your face, but before he could try and escape, you’re already walking towards him. When you open the door and step out with him, your scent fills his senses and it makes him dizzy, like he can’t fully concentrate. 

“You…” he hears you say, voice unsteady. “You’re not… I’m–” you sigh and shake your head. 

“I know who you are,” Logan finally says, his own voice shaky. 

Your hands reach out for him, but stopping halfway when you realize this isn’t your Logan. This is not the same man who died all those years ago. This is some version of him – much younger, less wrinkles and gray hairs in his hair and beard, but he still has that same look on his face. The scowl. 

“From Laura?” you ask hesitantly. 

“From my universe,” Logan answers. 

“There– There���s a version of me in your universe?” 

“There was.”

“And what happened to me?” 

Logan’s jaw tightens. “The same thing that happened to your Logan in this universe.”

“Oh.” Your face drops, eyes softening. “I’m sorry,” you whisper. 

Logan wants to run far from here, far from you because he feels himself yearning for more. He almost forgot how it felt like to be near you, to be inches away that he can just reach out and pull you into his arms. Your eyes captivate him, the kindness it expresses makes him feel like he matters. You had always made him feel that way that even through all of his anger, through all of the walls he put up, you showed him that he was deserving of something good. Even if he didn’t believe it himself. 

And you… You were the best thing to ever happen to him.

“Don’t know why you’re apologizin’,” Logan mutters. 

There’s an uncomfortable silence that engulfs the both of you. He can see the tears threatening to spill over, can see the way your lower lip is beginning to tremble and he has this sudden urge to console you, to wipe away the tears that have now fallen down your cheeks. 

“I’m sorry,” you repeat, bringing your hands up to wipe away the tears that seem to be trickling down your face nonstop. “I just– Losing my Logan just crushed me and I don’t think I’ve ever recovered.” 

My Logan. 

Logan can practically feel his heart beating in his chest. This isn’t a conversation that he thought he would be having and certainly not with someone he loved and died because of him. 

“That’s okay,” Logan responds quietly, his tone softening. “I don’t think it’s easy to recover from losing someone you love.”

“Did you– Did you love me in your universe?” 

Logan nods slowly, tightening his jaw as he gazes down at you. “With every fiber of my being.” 

Your eyes widen and stare up at him. This might be a different Logan, but hearing those words again just brings you back to the moment you last saw your Logan before he left to go take care of Charles. 

“Did you love me in yours?” Logan asks hesitantly.

You nod instantly, tears trickling down your cheek as you stare up at him. “I’d love you in every lifetime.” 

Logan feels his own set of tears pool at the corners of his eyes and he moves a hand to rest on the railing, fingers lightly brushing against yours as he stares into your eyes. 

“I’m not him,” he whispers. 

“I know,” you say quietly. “And I’m not her.” 

[bluebeads-art]

As the flash hits your eye, you feel something crashing into you from all directions. Below you is obvious, Bonbon situated themself to bump into you while the picture was taken. You look to your right, and Mirabelle’s cheek is pressed up to yours. On your left, Isabeau’s sheepishly hugged you to his side. There’s a hand in your hair, too, and it feels like Madame Odile. [...] “We need a souvenir of this trip,” Mirabelle adds. She rushes to the ground to pick up the picture and snort-laughs as she looks at it. “Oh no, Siffrin looks like we’re holding him hostage!” — Curtain Call, Chapter 9, by @openphrase123 (Link in the replies)

2024 October 22nd

Fanfic fanart fanfic fanart!! When I read the "hostage" line, it invoked such a clear image in my head of Siffrin tensed up like a startled prey animal that it got added to my list of things to maybe draw immediately.

Dooon't think about the words 'left' and 'right' in that quote too hard. I know how to read I prommy. :) (I did Not process those words and lost the coin flip in the composition phase...)

Close-up and ramblings about the cans of worms I unleashed upon myself under the cut

Time taken on this was [head in hands] 48 hours and 37 minutes.... That bloated number has two culprits:

1) I got a new tablet! My old one was 10 years old. Its plastic was melting and the electronics had ghosts in 'em, so it needed the sweet release of retirement. However, I had just gotten to the line art phase when the switch happened. Clumsily getting used to the new one during the most precise phase of the process did devastating things to my perfectionism.

2) I made a GRAVE mistake with how I chose to color this. I wanted to keep the grayscale layers for accuracy instead of just slapping a B&W filter over the colored version, so all the colors come from gradient maps, color balance layers, overlay layers, and raster layers clipped to other layers. Listen. I'm used to working with lots of layers. I like keeping things separate so I can edit them more easily. But this is the worst layer system I have ever created. Going from color to B&W requires toggling exactly 20 layers & folders on or off. There are 87 visible layers total. This file lags when you edit it. I've never wanted CSP v1.13 to have layer comps more in my life.

Not helping matters was Isabeau. I said he was the easiest to draw in my last post, but he took that as a challenge, apparently. It's a simple fist-on-hip pose, why was that so hard!?! His face gave me grief too.

Odile's lil' wave got added at the end of the line art phase. I've never added to a sketch that late in the game before, but I felt bad about how little screen area she got, haha. Girl, I tried, but this composition was not kind to you.

Giving Isa, Odile, and Siffrin skin colors felt cursed. Well... "color" is maybe a stretch for Sif. The pallor from being affection-jumpscared isn't helping. In the dev's nose reveal post, they said that Siffrin isn't white but is white-passing, so BOOM albinism headcanon. Like c'mon, they wear a big hat and have most of their skin covered because the sun is a deadly laser when you have little to no melanin and idk if sunblock exists in-universe. Heck, maybe most Islanders have it, their whole religion is about the night sky so maybe they're nocturnal. This makes perfect sense. :)