#i also think i want to be involved in the real work as early as possible

[whentherewerebicycles]

question: when you're starting a new job, what do you most want out of your first week of onboarding? what's most helpful for you to know/understand upfront? also... what's not helpful? tell me your onboarding nightmare stories too lol

[httpstes]

* ˚ ✦astro observations VII* ˚ ✦

Links to other astrovations: Astrology observations l, Astrology Observations ll, Astrology observations lll, Astrology observations IV, Astro Observations V Astrology observations VI

✩ Aquarius and pisces moon's can get annoyed with others for no reason, they might even beat themselves up over it. I’ve noticed with these individuals (unless strong 4H placements are involved or cancer) that they tend to not like people who are constantly in their vicinity 24/7, especially friends or lovers, these people rlly enjoy their personal space and alone time so they recharge their social battery as well as their tolerance for others.

✩ Aqua and Pisces moons may also feel that they can’t be their real selves around others, this authentic version of them may only truly be revealed to family members or a very close friend or lover. This could also add to the need to be alone as they could feel no one will ever understand them, their mind, mannerisms and behaviour. It’s like they want someone to pick apart their brain and understand who they are at their core but at the same time they’re afraid of letting others into their internal world.

✩ North Node in the 7th house seems like a difficult placement for the NN to be in. NN in the 1st house would symbolise finding your direction in life independently, therefore being encouraged to rely on oneself. North Node in the 7th house is quite the opposite, in the worst cases, I've seen it manifest in individuals who feel like they're incomplete without a romantic life partner and never properly heal, jumping from one person to the next in order to not be alone. Positively, this placement can indicate being encouraged to work with other people and to develop deep connections to others as with SN in the 1st, you may be more inclined to do things your way. NN in the 7th pushes you in the direction of compromise and balance within relationships.

✩ Chiron and Neptune in the 3rd house can indicate troubles with speaking (speech impediment, afraid of speaking in front of a group of people etc).

✩ Chiron and Neptune in the 3rd can also show early childhood bullying or being purposefully left out/made fun of by other kids your age. I've seen quite a few people with this placement deal with this, and years later they develop social anxiety and in worst cases agoraphobia :(

✩ Going back to the first point of Chiron/Neptune- they may have felt stupid or "slower" than other kids their age when it came to school further adding to the sense of unease and anxiety when it comes to school or dealing with their peers.

✩P.S I love you Chiron/Neptune in 3H individuals ❤️, yall are so strong and you are smarter than you realise 🙏

✩Venus/Sun/Moon/Mars in the 5th house start getting into/doing more creative hobbies. Idc if it's music, writing, poems, acting, knitting, painting, dancing, fashion hell even sculpting and becoming a DJ, JUST DO ITTT. Trust you are blessed with a mind that inclines to the creative side, use this please esp if the moon is in the 5th house it will heal your inner child. Mars here could show you feeling energised from creative pursuits and hobbies, a creative career could be well-suited. Even if you don't pursue a creative career, or (from what some of these people have told me 😭) don't consider yourself creative, do anything where you can add your own twist and opinion to it. Even if you don't think so or see it yourself, others will definitely be able to see the emotion/innovation/vision in whatever you create.

✩Having a lot of placements in the lower hemisphere of the chart especially the 4th house can indicate having an introverted personality.

✩ Furthermore, this can also indicate an individual who has a lot of layers, and it takes a while to get them out of their shell. This or they choose who they want to see the real them, no matter the years you've known them or the closeness.

✩Martian ruled 12H (Scorpio/Aries) or Mars in the 12H can indicate having wild ass dreams. Might involve a lot of fighting, and chasing, honestly it's giving war-zone. Your dreams could be very, very vivid too.

✩ Martian-ruled 12H or Mars in the 12H can also indicate repressing your anger a lot. This could stem from childhood trauma and with Taurus/Sag in the first (Whole signs), you could've felt bad expressing your anger, being taught it's not a good thing to show outward. With Taurus in the 1st this could show developing a put-together and calm demeanor since a young age and not wanting to break that peace wall you have built up. With Sag in the 1st this could show wanting to or being taught to come across as happy all the time or only being positive. Sometimes I've even noticed these individuals would rather come across as wild, carefree and happy than ever admit or show their more...plotting side 😈 (scorpio12H)..ig you could say LMAO.

✩Saturn in the 6H could show an individual needing a routine to keep them mentally in check and sane. Without one, they may feel like their whole life is crumbling right in front of them.

✩9H/3H placements can get on with anyoneee I swear. Even if they don't think so or if they are more introverted in nature, others just feel they give off this carefree, relaxed vibe making it easier for conversation and getting to know them. (Unless there's like Pluto on the Ascendant lol or sumn, this placement by itself tho does give off carefree knowledgeable energy).

✩Venus conj Saturn can show your boundaries constantly being tested and the universe sending you the same people in a different font, testing your ability to blindly love others until you get it straight lolll.

✩Saturn conj Venus can also show; dating/attracting older people, those who fuck with you romantically get screwed over eventually #karma, and or being serious about love like only wanting/pursuing relationships that are long-term.

✩Saturn conj Venus can also indicate meeting your "true love" later on in life, and by later I mean whatever point in time it is societally deemed 'oh that's very late to get married' blah blah.

✩These individuals could also just have good standards for what they want from their partner/future spouse (love that for you guys)

✩Back to NN in the 1st, stop serving other people and be of service to yourself!! It's okay to be selfish sometimes.

✩Uranus in the 1H, Aqua asc, yall weird 🤓. You already know that but I just felt the need to reiterate it, love all your little quirks and hyperfixations tho ❤️

✩Mars in the 11H be up to some crazy stuff in the bedroom (notice the Aquarian themes here)

✩Saturn overlaying the 4th house in synastry, 4th house person may feel like the Saturn individual is their 4lifer and can see them staying in their life long-term.

✩Not an observation just a personal opinion, I love people's charts where their planets sprinkle EVERYWHERE in the chart, it's so cool IMO and these people tend to be very balanced and have knowledge on all areas of life. I also don't know why but these charts are rare for me to find. Individuals who have planets in nine different houses is crazy I wanna see your chart.

PS- The astrovations are so back 🙏

ღAll my notes are personal observations and thoughts. I am not a professional astrologer and like to have a sense of whimsy in my life by looking at peoples charts, thankyou.

[amazinglyashy]

Hi , I love your LADs works it fits the would be characters reactions according to their personality and I look forward to your work. Can I request a LADs men reaction to reader reading smut manga or BL smut , only if your comfortable with it. Thank you and All the best for your future endeavours 🥰

I have a tab I'm going through right now of a bunch of josei manga and then I open tumblr to this ask LMAO I feel personally attacked, so of course anon! Thank you for the sweet words, and for the request!

Love and Deepspace Li’s reactions to discovering you being an avid smut reader

Sylus -

He is such an evil person.

If he manages to find a physical copy that you own, he's going to read it and he's going to do it in his own time when he knows you'll be coming over soon. He times it just right where he'll be near the ending by the time you get there.

You walk in to him looking absolutely exquisite in reading glasses, a small smile on his lips as he leans back in his chair to ask you how your day has been- book in hand.

The embarrassment is real, even if you claim to not care about 'cringey' things and consuming them. Your love is sitting there with a smutty book in his hand and a knowing grin, and you can't help how hot your face is getting.

"You know, if you like something, you should just tell me, kitten."

Maybe he's referring to the contents of the book, maybe he's referring to your general enjoyment of the genre, you can't tell. He does mean both, though. He would buy you a library worth of smutty books if it made you happy, and he would get all the needed supplies to commit the same acts the characters do for you the next time the two of you have a session.

"Did you really think I'd be upset by something like this, sweetie? You're cute. I'm glad you found something you enjoy. In the future though, don't keep secrets from me. I want to know about you. Everything, about you."

Rafayel -

He will come up behind you to ask you something, and realize that you can't hear him due to being engrossed or having headphones in. He doesn't mean to snoop, but your screen is on display for him, and you don't know he's there.

Oh, he's so happy he decided to try and ask you something.

By the time you realize he's behind you, it's too late, and attempting to shut off your phone proves unsuccessful because he's already giggling.

"How much did you see?!"

"Not much."

"Liar!"

And you're right, because after a moment of silence, he will proceed to recite the last page you had been reading, ducking out of the way as you jump up, your face reddening, as you chase him around the room.

He doesn't care in the slightest. In fact, he will absolutely surprise you with shipping merch from whatever it is you've been reading, and remind you when new chapters are about to drop in case you forget due to stress at work.

Rafayel will also ask you how certain characters are doing, or how certain relationships are coming along. If you enjoyed watching soap operas, he's absolutely the one to watch over your shoulder and ask you questions to catch up.

He still makes rude quips here and there, but you know he doesn't mean anything by it, and the involvement is strangely comforting.

Zayne -

He's known for a long time. Benefits of knowing you when the two of you were younger, he has a pretty good read on the things you might or might not enjoy without needing an explicit answer.

That, and you left a doujinshi on his coffee table once after you used his spare key to break into his home to clean and surprise him with dinner after you had gotten off of work surprisingly early.

No, he won't let you live it down.

He will find a way to calmly bring it up in the most absurd and unnecessary situations. It's his own little running joke that makes you so adorably frustrated, he can't help but continue it.

He'll find other ways to tease you about it, much like how you occasionally tease him over his sweet tooth despite you loving snacks just as much as he does.

Sometimes though, he likes to throw you through a little bit of a loop.

"But also, if there is any content in what you've been reading that you believe you would enjoy, please don't hesitate to let me know."

"I enjoy all of it, that's why I read it, Zayne."

"I assume you misunderstood me, so allow me to restructure my sentence. If there's anything in what you've been reading that you would like done to you, I would like to know. I would love to do those things to you, whatever they might be."

Xavier -

He has purchased you some of these books and ebooks.

Probably the Li that would know the soonest out of all four of them aside from Zayne, just because he kind of just... assumed, much to your own mortification when he told you this fact months ago.

He doesn't give a crap though, it's something you like. He doesn't see any difference between it and the claw machines, even though there is an extremely stark contrast between the two. He used to see no point to the claw machine games you'd love to play, but quickly saw the appeal when he got to play with you.

Maybe he can't share your enjoyment for this, but he does love sitting in the same room as you, reading together even if the two books being consumed are vastly different in content.

He just enjoys your company, it really doesn't matter to him what you both do, or in this case, enjoy during that time.

He thinks its really cute and endearing, especially if you reach a point in whatever you're reading that gets you squealing out loud. Because not only is it absolutely adorable to hear, it's also nice because he knows it means you're comfortable enough to react out loud to your reading, even if it's a rare occurrence.

It's nice to know you're relaxed around him, in every capacity.

[randombush3]

the winner takes it all

alexia putellas x reader

summary: an unexpected invitation throws your world off-kilter

words: 6276

content warnings: it's a bit unfaithful

notes: in this universe real madrid is a proper opponent and rival to barcelona, in the sense that funding and history is relatively equal (so it's basically more like the men's rivalry)

idk where this came from tbh

Amb gran alegria, 

Alexia i Olga

T’invitem a celebrar la nostra unió matrimonial. 

10 d’agost de 2025

Gran Hotel Mas d’en Bruno

You haven’t read Catalan in years. You squint at the details. 

You wish you had forgotten it. 

Only Alexia would do this to you, twisting the knife as though it’s a favour, a compliment. Make it seem psychotic for not wanting to go, make it seem like it’s not a big deal. 

The invitation isn’t personalised. You are not special in her eyes. You have been allowed onto the guest list, you have no mark in her life. Surely Olga would have objected if she’d known, if she’d been told. Maybe Alexia doesn’t talk about it. Maybe she has heard your name on match reports and team sheets, announcements for captaincy, interviews with Las 16 who called you traidora then and call you traidora now. 

As if she knew it was coming, your phone begins to light up with messages from Alba. Apologies, perhaps, in her own Alba way. Stuff like ‘are you coming’ and ‘you don’t have to’ and then more buzzing, vibrating the shitstorm into a phone call. 

You don’t speak often. Why would you? But you answer it, listless, really, and unsure what the correct approach to this even is. 

“Hola, traidorita,” she says with a nervous giggle, reclaiming your nickname in Barcelona but reminding you of how you are perceived nevertheless. “I don’t know why you are on the guest list.” 

Alba is like this: straight to the point, unafraid of her sister and unafraid to tell you what she thinks. They are very different, which is why she is the only one who has your current number in her contacts. 

“You told her where I live,” you respond. Your shock makes no room for manners. “Because no one there has my Madrid address, Albi.” 

“No one here has it, yeah. But she asked around. Well, Olga did.” She laughs again. Her nervousness is high-pitched and easily detected. “Told Ale that she has to have her childhood best friend at her wedding.” 

“Childhood best friend?” 

“Estranged childhood best friend?” she tries, and you can hear the smile and the teasing fucking smugness in it. You wonder if anyone else knows you have been invited. Alba because your address was squeezed out of her, sure, but… “And my mother thought it was a good idea too, before you try to murder a woman you have never met.” 

“I’ve met Olga before,” you say without thinking, because that’s far easier to focus on than the idea of Eli getting involved in this completely undesired reunion that is about two centuries too early. “When I was going out with, eh, I don’t remember her name. A model. You know what they’re like. Olga’s the one who works for… thingie.” 

There’s a sigh from the other end. “So many models yet not one name has been retained. Do you even ask them?” 

“We’re not usually doing much talking.” 

“Zorra.”

“Coming from you…” You smirk at the thought of all the little secrets Alba’s had you keep, a tradition that started young and became increasingly frequent when you removed yourself from everyone else’s lives. It’s like a journal, only you judge her. “You’re doing a good job of distracting me until I agree to go.” 

She hesitates, then. You’re not an idiot and you know why she called. Alba is supportive but she has her own agenda most of the time, and no one else knows the exact time you get back from training aside from your fellow teammates. Even then, most are too intimidated to contact you in general, let alone to ask about being invited to Alexia Putellas’ fucking wedding. 

Alba is also very manipulative, a professional puppeteer. And she knows exactly what to say. “It’s been fifteen years. Are you going to let her win?” It’s an infuriating provocation but it hits its target with ease. 

…

The first step of preparing for this wedding takes place in the form of the Euros: you’re going to win it and be happy enough to ignore the impending doom hanging over your off-season plans. Going into the competition with heavy medals round your necks makes cockiness the slippiest of slopes, and it is safe to say that most of your teammates are prepared to cruise through at least the group stages. 

An unexpected injury rips Jenni’s opportunity to play from her grasp (an echo of her ex-girlfriend, you briefly think), and she is flying back to Mexico before the tournament begins. Montse is a captain down – of course only this kind of disaster could happen to her – and before Patri can even open her mouth to volunteer for the role, you are dragged into a leadership meeting.

You’ve worn the armband before, though it seared and burned and blistered until you threw it in Jorge’s face and demanded someone else absorb the hatred it brought. He went ballistic as you’d said it, you remember, his face going red in the soft glow of your hotel room the night before the World Cup final. He’d leaned forwards, fist clenched, knuckles white and wanting to choke the life out of you.

“You have no respect!” he’d roared, voice splitting like thunder against the thin walls of your hotel room. “Not for me, not for your country, not for anything!” His breath was coming out in sharp ragged gasps. He spat. You’d wiped it off your body. “I thought you had scraped all the Catalan out of you, but here it is!” he’d screamed, loud enough to be heard but so comfortable in his power that it did not seem to frighten him. “Selfish and arrogant. You should have made it Seventeen.” 

He’d left in his rage, slamming his door. 

You regretted smiling in pictures with him, shaking his hand, kissing his cheek. You regretted the press conferences and interviews, the shaky defence you had constructed, the words of faith and trust you had professed and tried to believe. It had changed you, just a little bit, that incident. Made you think about who you are, where you come from. Made you remember someone you’d tried to forget. 

But Irene and Alexia, staring at you with both contempt and confusion as you take a seat at the conference table, don’t know any of this. Why would they? To them, this is the traidora. 

“Y/n is going to take Jenni’s place as third captain,” says Montse firmly, if she even knows how to do that. Irene and Alexia share a glance. Their roles have been restored for this competition and they are not prepared for an intruder to take that from them, although Irene will later remind Alexia that it is not your fault Jenni got injured. “I trust you three will come up with a suitable management plan. If you need me, you know where to find me.” 

None of you really do know where she lurks, but she is walking off before you can clarify. 

“We already have a strategy.” And she says it in Catalan, looking falsely apologetic when she is kicked underneath the table. 

“Good job, Alexia,” you tell her, so nauseatingly saccharine that you almost think of the nearest route to a toilet. She’s surprised you’ve granted her a reply though, which is satisfying enough. About to spit out another remark to divide yourselves further, you shift in your chair, stretching out your legs underneath the table. 

It is then that her ring catches your eye.

It’s delicate, shiny. A neatly cut diamond set in platinum with slight details that tell you someone thought about Alexia when they had this made and got it all wrong. Or maybe this is what she likes now. It’s not what you’d have given her.

She sees your eyes fall to her fingers, watching carefully as your gaze heats the metal and makes it almost too hot for her to keep on. You don’t really want her to know that you’ve seen it but you’ve made it bleeding obvious and so the predicament spirals and Irene wants, desperately, to leave you two alone – she knows shouldn’t, she’s aware of the health and safety risk. 

There is something about the way Alexia clenches her jaw, posture stiffening as she allows herself one flicker from your face to the ring, that tells you she is bracing herself for a bullet. She always did have an uncanny ability to read you, however unwanted it was. 

You lean back in your chair, aware of how the bystander is holding her breath, and decide to swallow the words burning on your tongue. You’ve accepted her invitation, and bitter manners are still manners. “Congratulations,” you say, words clipped and brittle, each syllable more venomous than the last. 

The chair makes a screeching sound as you stand. Irene flinches but Alexia does not move. She refuses to watch as you walk out of the room. 

…

Three hours later, Alexia is off the phone with Olga and knocking on Irene’s door with an embarrassed suppression of urgency. Shoulders hunched and lips downturned, the sight is enough for her to be ushered inside with only the quiet flap of Irene’s arms to beckon her forwards. With this part of the training camp being not quite tunnel-vision yet, Irene’s room is littered with toys and toddler stuff. Usually Alexia would be looking at them in quiet excitement. Right now, she is not so sure. 

“Second thoughts?” Irene asks, and Alexia half-jumps backwards in shock, about to furiously shake her head and profess her love for Olga– “I think the plan is good. I don’t think we need to worry about Y/n in the centre, seeing how she’s been playing there this season.” 

It slowly dawns on Alexia that Irene has assumed this is pre-tournament nerves, and that she is being shown such a vulnerable side of her co-captain because, well, who else can be? No one wants to see their commander gulp at the sight of the battlefield. 

“She still favours her left,” Alexia gets out. “She might drift, leaving a big gap for you to cover.” 

“She’s got offers from PSG, Chelsea, and Washington Spirit. It’s in her interest not to drift.” 

“She’s good at drifting.” 

Irene doesn’t respond to that. 

“Since when did you wear your ring to training?” is what she chooses to say instead, asking the question with a healthy fear of getting her head bitten off, taking a small step backwards to put her at a safer distance. 

Alexia doesn’t reply immediately, her fingers grazing the ring as she thinks. The weight of it seems heavier now, almost suffocating in the sterile air of the hotel room, as though this is everything she’s been trying to avoid. Her heart thuds against her ribcage. It feels like everyone is starting to notice. 

“I didn’t think it was an issue.” Her voice is tight, defensive, but with a subtle, betraying crack. She pulls her hand back from the air, letting it fall to her side. “We hardly did much more than pass the ball today so I kept it on.” 

It’s a poor excuse. It comes off for the cameras, not the contact of the game. Irene knows that. But, to her credit, she doesn’t push. She just watches Alexia, eyes narrowed slightly in an unreadable expression. “I just thought you guys were keeping it a bit more… private.” 

Alexia turns her gaze to the floor, staring at the scattered toys and items around the room. The simplicity of it all, the domestic innocence, makes her feel even more tangled. She feels an urge to lie, to say that Olga asked her to, worried that you’d misinterpret its absence, but Olga doesn’t even know she has reason to lose sleep. She hasn’t found the courage to explain. She hasn’t felt the need to. 

And, really, the truth is right here, echoing between them. Irene would have pieced together the story, as many of Alexia’s teammates have, hearing drunken retellings on nights out from whoever has known the two of you the longest that time. Maybe Alba has spoken to her, revealing everything after a round of tequila shots, as she tends to do. There are a few suggestions the older woman could make to her teammate, wounds she could open and then nurse, but she doesn’t and so she waits. 

Until, finally, Alexia admits, “it’s complicated. She has caught me off-guard.” It could mean many things, but it is either your captaincy or the acceptance of her wedding invitation that has done Alexia in. She wonders whether this feeling of dread and uncertainty is the game – or the life waiting for her after she comes back from Switzerland. “Look,” she says abruptly, “I’m not here for advice, Irene.”

“Then why are you in my room?” She doesn’t have an answer for that. Irene sweeps her outside, gently but firmly. “I’m not going to tell you what to do,” she treads lightly, “but when was the last time you had a conversation with her?” 

…

The training pitch in Switzerland is unseasonably hot, the kind of heat that clings to the air and makes tempers run shorter than usual. It’s almost a cure to homesickness but then the team look at each other and are back to hating every minute of this. There’s an undeniable divide. Montse either does not care or has not caught on. 

It’s about your twentieth rondo this session, the ball zipping across the wilting grass as it touches Barça foot to Barça foot, the girls obviously enjoying this. You’re only holding back because too much investment will lead to another injury, and you are getting somewhat tired of being called a traitor. The players surround you with a ruthless efficiency that is starting to fray your nerves, and you make a note to talk to your coach about training, knowing that it will be easy to manipulate her into following something akin to what the girls at Madrid are more accustomed to. 

Alexia is one of your taunters. Of course she is. 

“Just three more interceptions,” she calls out, false strain, false support, false encouragement. 

You bite back a retort, instead standing still as Aitana rolls a ball right past you. You wipe the sweat from your brow, feigning exhaustion, but the pretense is only that in name. Everyone knows you are one of the best defenders, the Barça girls especially, with their insane pride for La Masia. 

“Lazy,” Alexia mutters. 

You don’t respond, focusing instead on the fire in your chest as you forcibly break the circle and march towards Montse. She looks up from her clipboard as you approach. 

“We should split training.” She pauses and then nods. “Attack and defence, at least. And don’t let the press hear this, but, my god, Montse, I do not like how they’re all back.” 

“We’re a stronger team,” she says, but she’s smiling and you are definitely her favourite. Another deep breath and she is calling a water break. 

The girls retreat to the sidelines for ice and hydration, and you reunite with the people you like. Your club teammates prefer you at national camp, because there is something less reclusive about you. It’s as though you’re trying to prove that you get on. 

Olga hands you a water bottle, the contents of which you guzzle down in one go. She begins to comment on the absurdity of Alexia’s mandated rondos (“why do they have to keep reminding themselves how to pass a ball?”) and while you agree, your attention is diverted. Alexia is standing a few meters away with Mariona Caldentey. She’s listening to something the forward is telling her, face focused, finger twisting her ring around in circles. 

That fucking ring. 

You look away before you are caught in such a compromising position, wiping your forehead with your damp training shirt. 

“Oye,” Misa’s voice pulls you back, “are you paying attention?” You’re not even sure when she joined the conversation. Your relationship with the goalkeeper has always been overly complicated. You work very closely, what with you commanding the backline and her… also commanding the backline. But she’s friends with people who must have at least once wished you dead, so it’s hard to tell where you stand. “Are you okay?” 

“Yeah,” you lie, screwing the cap back onto the water bottle and placing it in Olga’s held-out palm. 

“You’re never this spacey. You’ve been off since the meeting,” she presses, her voice gentle but insistent. “If this is about the captaincy–” 

“It’s not,” you snap, harsher than what was meant. Her eyes widen slightly and you sigh, pinching the bridge of your nose. “Sorry. It’s not about that. I’m fine.” 

Misa doesn’t look convinced but she nods, letting it drop. Gratitude relaxes your shoulders but the uneasy silence that follows is punishing enough for you to be eager for training to resume. 

Now that the rondos have been left behind until tomorrow, you divide into teams for a scrimmage. The squad is split into four and you throw yourself into the exercise. Every touch, every pass, every run is perfect, and you are unrecognisable from your lackadaisical lull only ten minutes ago. You’re pushing your body and it flicks onto autopilot, driven by muscle memory and determination. 

Your head’s not in it. You can’t outrun her shadow. You can’t think when your teams are against each other. 

The ring must have come off now, and she is getting stuck in. She’s relentless and irritating, evading your teammates’ tackles and drawing you into her. It’s almost transportative: back you go to gardens after school or being barefoot on the beach, forced out of your relaxation and into an endless game of ‘tackle me like you mean it’. She has that same glint in her eye, that same goading gleam. You consider it, but crutches at a wedding is a low blow. 

And so you lay off. Just on her, and only just enough so that she knows you are not trying. You do not care for petty squabbles. You are not willing to go back to those memories, to that time. 

Or at least, that’s the message you hope she gets. 

The games slowly wind down, prompted by Montse’s whistle to signal the end of the session. You stay on the pitch longer than anyone else, taking you time to collect the stray balls scattered across the grass. It’s partly an excuse to delay walking into the locker room, where the tension will be thick (you were not the right choice for third captain in the eyes of your teammates), and partly because you need a moment to breathe. 

The others slowly disperse, peeling off to the showers or collapsing onto benches. Alexia lingers longer than most, wiping away her sweat with her shirt, abs exposed and tensed. She watches you as you move across the pitch, and though her gaze is subtle, you can feel it blazing hotter than the sun lashing down on you. But, despite her staring, she too is eventually coaxed away. You’re unsure whether she is thankful for the interruption. 

When you finally make your way to the changing rooms, most of your teammates are in the showers, and the sound of running water mingled with laughter echoes. You take a seat at the locker you were assigned and let out a slow breath, peeling off sweat-soaked socks with mild disgust. You turn to fling them into your laundry bag, but their flight path is blocked by a blonde who has clearly delayed her own shower to talk to you. 

She’s looking oddly pensive. You don’t like it. 

“We need to talk.” It’s uncomfortable for Alexia to say and it’s worse for you to hear. You’re not sure you’re okay with her decision to become reasonable and mature. It’s quite the compliment to always be the cause for stoic, rational Alexia Putellas going absolutely batshit crazy. 

Driving her up the wall is fun. 

“I’ll send you an invitation. No need to tell me which room is yours.” You give her a smile. And, like you always do, you walk away. 

…

There’s a charge to the air that is choking you by dinner time. The upgrade to captain allowed for your own room, and it is easy to blow off teammates who want to have plans with you with the simple excuse of needing to talk to your agent. You technically do, since you are going to leave Madrid during the transfer window, but you have no intention of dialling his number until he confirms the best and furthest team wants you. 

You’ve spent the evening avoiding the majority of the players, which Montse took advantage of, encouraging you to spend dinner discussing tactics with her and her staff. You feel like the teacher’s pet. You know how angry it is making Alexia.

Collapsing on the bed when you back into your room, you let out a loud groan, sinking into the mattress. Your phone buzzes on the bedside table and for a moment, you think it might be Alba, allowing you no peace and quiet despite her distance. Instead, it’s a message on the team group chat from the strength and conditioning coach about tomorrow’s gym session. A wave of relief washes over you; anything but her. 

Still, as you scroll, you catch yourself lingering on the names in the group chat, your thumb hovering near Alexia’s. Your stomach tightens and the memory of her tone, her expression, pulls at you like a tether. 

She’s not going to drop this. 

It’s no longer a matter of avoidance in the camp. You’ve said you will be present. She must want to ensure you will not make a scene. 

A knock at the door, so quiet you are almost convinced it was imagined, breaks you out of your brooding. Your eyes watch the wood as though it will be splintered in a moment, but when you make no move to get up, a more insistent knock sounds. You sigh as you pull yourself off your bed, dragging your feet towards the door. Opening it, you find Alexia standing there, arms crossed and wearing an expression you can’t quite decipher. It lacks her usual burning hatred. She looks exhausted. 

You struggle to feel any sympathy. 

“What?” you snap. It’s a bit harsher than intended but you don’t let on that that’s the case. 

“Can I come in?” You guess that she didn’t pick up the hint when you gave her no invitation. You do not want to talk. You don’t do that to people much anymore. 

She expects the door to slam in her face – and you consider it – but it’s your hesitation that tells her she can, and so she slowly moves inside, shoulder brushing yours because you refuse to move out of the way. And then she raises a deliberate hand towards the door, pushing it shut. You ignore the ring. 

You lean against the door once it’s shut, arms folded as she wanders further into your room. She looks out of place somewhere so personal to you, standing awkwardly in the centre and trying not to look at the explosion of clothes and books that has been detonated on the floor. 

She reads the titles of a few – classics that look dense and boring. Something hungry inside her dulls a bit, because you have not changed in this respect. 

“You’re quiet for someone who wants to talk,” you prompt, mostly because the silence is unbearable. 

She doesn’t respond immediately. Her arms drop to her sides, fingers twitching as if unsure what to do with themselves. She tries to meet your eyes, but falters when she sees the cold indifference staring back. You’re looking at her like she’s a stranger. It stings more than it should.

“I didn’t invite you to the wedding,” she says finally. “Olga doesn’t know about us.” 

“There’s no ‘us’,” you snap, sharper this time.

Her jaw tightens and for a second, she looks as though she’s been struck. “Don’t lie.” 

“There is no ‘us’,” you repeat, your tone icy now. “That disappeared the minute I–” 

“Left,” comes her interruption, her voice trembling just enough for you to notice. She steps closer, her shadow crossing yours, and her eyes narrow. “Which was your decision, not mine.”

You scoff, a bitter laugh escaping you. “Don’t act like you didn’t have a say in it.” 

“I didn’t!” she fires back, her voice rising. There is something raw beneath it – something fractured. “You didn’t give me one. You walked out, and you shut me out like I was nothing. Like we were nothing.” 

Her words hang in the air and for a moment, you don’t know whether to shoot or turn away. But her gaze pins you in place, fierce and unrelenting, as though daring you to deny it. 

You hold her stare, your throat tightening. “And you didn’t try to stop me.” 

The silence that follows feels deafening. Neither of you moves. Neither of you blinks. You’re both standing on landmines and have nowhere to go. 

Her jaw clenches, her hands balling into fists at her sides. Her voice, though low, crackles with the heat of restrained anger. 

“You didn’t give me a chance to stop you.” And she steps closer, ready to bite. The door presses against your back as you instinctively move away. “You made up your mind before I even knew what was happening.” 

“Don’t pretend you didn’t see it coming.” You shake your head. “I didn’t just wake up one day and decide to leave, Alexia.”

Her expression darkens, something in her eyes flickering dangerously. “That’s not the point. You didn’t just leave the club. You didn’t just leave me. You left everything. Our family. Our life. Do you have any idea what that felt like? Watching you walk away as if none of it mattered?” 

Your chest tightens but you refuse to let her words land. “You don’t get to make me the villain here.” 

“I don’t have to,” she snaps, her voice rising now, accent thickening with her anger. “You were part of my family, part of me. You were at every Christmas, every birthday. My mother adored you. Alba still loves you like you are her own sister! And you just disappeared like none of it meant anything. Like we didn’t mean anything.”

You flinch at the weight of her words but force yourself into steadiness. “I didn’t belong there. It wasn’t mine, it was yours.” 

Her face twists in disbelief, voice trembling as it rises again. “That’s bullshit and you know it! You were my family. My first everything. My first kiss. My first…” She pauses, her voice cracking. You swallow hard – you don’t want the fucking itemised list. “My first time. You think I just gave that to anyone? You think that it was just fun and games?” 

Your stomach churns as she stokes a fire you’ve tried to smother for years. “It wasn’t nothing,” you agree, although it sounds like you are contradicting her in a way that causes her to falter on her drive forwards. “It was everything. That’s why I left. Because I couldn’t be what was needed anymore. Because I knew if I stayed, I’d only–” 

“Only what?” 

You gulp. 

She’s back in your face, voice laced with venom. “Hurt me? Ruin me? Let us all done? Guess what, you did that anyway. Leaving made it easier? Made it hurt less?” 

“I didn’t know what else to do!” you shout, voice splitting. 

“You stay!” It echoes and it bruises your skin. Her eyes are blazing now, tears threatening to spill but held back by sheer force of will. “You stay, because that is what you do when you love someone. When you love a family. You don’t just walk away from them. You fight.” 

You open your mouth to respond, but the words stick in your throat, caught somewhere between guilt and pride. She sees it and it only seems to enrage her further. 

Her voice drops, anger so torrid she has to purposely cool her tone. “You know, I thought that my world was ending then. I thought you’d done your worst. But I was wrong. Because your betrayal wasn’t just personal, it was… political. To not see someone you love except for when they are sitting at the feet of this. Corruption’s pet. Pandering to an organisation you hated, while the rest of us fought for scraps.” 

Heat rises in your chest. How dare she– “I don’t pander to anyone.” 

“Don’t lie to me,” she spits. She’s too close. She’s too inescapable. And her anger is no longer fiery but icy, piercing through your skin. “I’ve seen the way you act around them, bowing your head and playing the loyal soldier while they tear us apart. You think I didn’t notice how he favoured you? Or how Montse magically replaces an irreplaceable member of–” 

“It’s not like that,” you counter, but the words feel hollow even to you.

“Then what is it?” she demands. “What is it that makes you stand there and let them walk all over us? Let them divide us? And don’t you dare say it is for the good of the team. The team hates you for it. We all do. You’ve earned every bit of it, traidora.” 

The word hits you like a whip, lacerating and making you bleed. Your hands curl into fists so tightly your nails dig into your palms, the sting barely enough to contain the fury surging through you. “Don’t you dare call me that!” The sentence tears out of your throat, rough and jagged. You take a step forwards, the air between you crackling with tension, your voice breaking as you spit, “you don’t get to say that to me. Not you.”

“Why not?” she challenges. “It’s what you are. You left, you betrayed everything we stood for, and then you came back just to make things worse. You made your choices.”

For a moment, all you can do is stare at her, the anger and heartbreak in her eyes, eviscerating and leaving you hollow. But then, something shifts in the air between you, and you find your voice again, souring from before.

“Is that why you’re here, Alexia? To throw all of this in my face? To let out fifteen years of harboured emotion? Or is it something else?” 

Her brow furrows in confusion. Surprise. And then her expression twists into anger. “What the fuck are you talking about?” 

You take a step forward now, and she is forced to retreat. “Do you not want to marry Olga, Alexia? Is that it? Is that why you’re here? Because you think you can come into my room, dredge all of this up, and make me the reason you’re unhappy?” 

Her face pales as she takes a deep breath, hands trembling at her sides. “Don’t,” she warns, firmly enough to signal you need to push.

So you do. 

“You came here because you’re scared.” She shakes her head but it’s rigid and forced. “Because you’re not sure you can go through with it and you want me to give you a reason to back out. Well, I’m not going to do that for you. This isn’t my mess. It’s yours.”

She says nothing and you feel sick. Her chest rises and falls with each gasping breath. She opens her mouth but again, you are left with silence, and the expression in her eyes flickers between defiance, confusion, and vulnerability. For a long moment, it feels like everything that could be said has been. 

The air between you is charged, but neither of you know which way it will go. 

You stare at her watching her waver. And it hits you: she doesn’t know what to do. 

All of this, all the anger and the pain, all the accusations and betrayals, has led her here, to this moment. She thought she had an answer, she thought she would be able to end this, but now? Now, Alexia is lost. There is too much here, too much to lose. And for the first time in a long while, you are feeling the same thing. You are both no longer sure if you want to fight. 

She takes a hesitant step closer and you freeze. But then, just as quickly, her hand moves – not to strike, not to harm, but to touch you. Her fingers brush lightly over the fabric of your sleeve, almost tenderly, before they fall away, and you don’t know if the motion was meant for comfort or something else.

Her breath is ragged, coming in slow, uneven gasps. Her eyes never leave yours. You don’t want them to. 

“I don’t know what to do with all of this,” she murmurs, the rawness in her tone shattering any remaining wall between you. “I don’t know what to do with you.”

How do you respond to that? You want her to leave but the thought is unbearable. You want space but she is not close enough. Something inside you stirs, something you can’t fight; a need to understand her and make her understand you. To make her see how tangled this, how impossible it has always been. 

Before you can form the word, before you can even think, she moves in closer, and there is no longer distance. She doesn’t ask for permission. She doesn’t hesitate. And then, without warning, her lips are on yours. 

It’s soft, tentative at first, as though testing the waters of something neither of you is sure of anymore. But then it shifts. Her body leans into yours, and the kiss deepens, more urgent now, as if this is everything that has not been said and has been at the same time. Your heart races, a million conflicting emotions crashing through you. Anger, betrayal, love – it is all here, you can taste it on her lips. It’s fierce, desperate, and it feels like an endless cycle of need and regret, pulling you both back to something raw, something irretrievable. 

Her hands find your waist, gripping tightly as though anchoring herself to something that could pull her under. You instinctively respond, pulling her closer, drawing in the heat of her touch, the scent of her skin, the pressure of her body against yours. For a fleeting second, everything else fades away. There’s no past, no future, only here and now. 

And then the fog clears. 

You pull back, breathless and worse off. You’ve fucked up again. Alexia is crying. 

“I’m not the person you think I am anymore,” you say, but it’s hard to meet her gaze. “I can’t be that person for you.”

Her eyes search yours desperately for lies, for deceit. She wants it to be wrong. She doesn’t know why. And she replies, “I don’t care what you think you’ve become,” because she doesn’t. It doesn’t matter to her.

You stare at her, heart pounding, and you want to feel like this will be worth it, but nothing comes except cold emptiness. You force yourself to stay upright. “I think the wedding will be good.” She swallows. “You’ll be happy with Olga. I’m sure of it.” 

It’s a death sentence. 

This time, it is Alexia who leaves. 

…

The wedding is beautiful. Blissful sunlight makes the venue seem to glow and it is hard not to be impressed with how they have set this up. 

The model at your side is also beautiful, but you remind yourself it is not a competition. You focus on the whispers of anticipation from the guests, the rustle of the dresses as people pass in merry groups, clinking their glasses and finishing their champagne as they take their seats. Everything looks perfect, plucked from magazines and tasteful brochures. This must be what Alexia wanted. 

Your date is occupying herself in conversation with the man seated next to you, who might be hitting on her, though you don’t care. She slides a hand over your thigh anyway. 

The ceremony begins, although you’re not really concentrating on it. You try to focus, listening as the officiant speaks, but the words have become a dull hum. It’s all so rehearsed, so expected, and it’s boring. You won’t be getting married anytime soon, that’s for sure. 

You know the flow of these things: the vows, the promises, the kiss, and the crowd’s applause. It’s a performance, though it’s not quite a farce. 

And then, it comes. The moment. The one that feels like a trap. 

The officiant pauses, glancing out over the gathering. “Si algú s'hi oposa, que parli ara o calli per sempre.”

For a heartbeat, time slows. The air thickens. Every muscle in your body tenses and the world around you goes still. You catch yourself holding your breath, gaze instinctively shifting to the woman standing at the front of the altar. 

Alexia. 

Her eyes flicker briefly in your direction – just a flicker, but it’s there, unmistakable. It’s her moment of hesitation, well masked but clear as day to you. But before you can make sense of it, she’s looking away, eyes fixed back onto Olga. Her expression hardens, more composed now, and you know that you are not going to break this silence. 

The officiant, oblivious to the storm passing between you both, waits for a beat longer before continuing, his voice echoing in the silence. 

And she’s married. 

You breathe out a sigh of relief. It’s over now. You’ve let her win. 

[eupheme]

Your best friend Wade who always jokingly flirts with you the way he flirts with everyone - and you hate it because you have a real genuine crush on him and the flirting doesn’t mean anything… does it? It has to take a mutual friend to be like “oh my god he’s in love with you and doesn’t know how to tell you, so that’s why he’s always joking about boners” (please and thank u ilu 😌)

omg avo this kicked my ass, the amount of pining for Wade as he (jokingly, you think) flirts with you would be off the charts 🥲💖 I wrote a little drabble with how that might go, I love you and your ideas - thanks so much for sending this to me!!!

— cause every time we touch (i get this feeling)

best friend!wade wilson x mutant!reader

<1k | flirting, dirty jokes, heaps of pining

Blow job. Leg Spreader. Slippery Nipple. Liquid Viagra. Sex on the Pool Table. Pink Silk Panties.

Each time Wade comes into Sister Margaret’s - which is four or five times a week - he asks for dirtier and more obscure drinks.

"Wishful thinking", he tells you, each time.

Even with the roll of your eyes, you have to admit that it keeps you on your toes. That you look forward to seeing your best friend so often - tamping down the jolt in your belly, night after night.

Reminding yourself that yes, he got you this job, but he's not here to see you.

That this always was his spot.

It had been an easy sell. Used to working overnight shifts - security, back then. After the disaster with Weasel, they had been desperate for a replacement. Wade had come to you immediately, dropping to his knees as you opened the door.

Winning you over with a "you could literally get paid to hang out with me. How is this not a win-win-win? How is this not your dream job?"

And here, you didn't have to hide what or who you were. Reading feelings and intent were a bonus, when a handshake could tell you everything you needed to know. Their feelings spilled as easily as they were written, when you were negotiating contracts.

It also helped in-house. A human lie detector. Able to break up fights, settle arguments. A party trick, when things got slow. The regulars trying to get things past you - tales based in truth spun tall, seeing when you'd catch them.

Wade never plays, but you think that's because you know him so well.

And what seems like a sell, quickly evolves into more. Warping, as days pass. Spending more time with a crush sounds tempting, on paper.

The reality is something else.

Yes, there is a seat saved for him at the bar. Literally saved - his name scrawled across the vinyl, and you still haven't been able to scrub it out. Stopping by at all hours to chit chat.

Teasing you - how he's "so glad he doesn't have to stalk you at your old job anymore". An over-the-top sigh about being relieved that you're safe now - in your new job, surrounded by mercs.

Begging for the best job. Puppy-dog eyes. Fake coupons for favors that would make a sinner blush. Crossing his heart that you could have anything, and he means anything you wanted, if he could only get "that thing involving the murder clowns".

It's enough to make you hope.

Later, at home - in the early hours as you're pulled under. Replaying his comments. The filthy jokes and the shameless flirting - wondering if that's all they were.

Wondering if he'd be waiting for you tomorrow, perched on his stool.

But there's the downfall.

You see him - but you also see him with everyone else.

The charming smiles. Head thrown back in a laugh as he works the room. A friend to all, and as you watch him - perched on the knee of a goddess of mercenary as he yaps away, you can't help the swift current of jealousy.

Of foolishness.

It's enough that you're almost regretting agreeing.

Your mood is sullen, as you wipe down glasses. Trying to ignore the ache when you see him flirt. That realization that the something special you thought he had with you, might just be a part of his personality.

And when Dopinder shuffles from the back with more ice for the chiller behind the bar, it only takes one look at you before he's sighing.

"Not again. Please, I am begging you. I cannot take more of your yearning.”

Your lips quirk. Hadn't realized you'd become that obvious. He'd become your go-to, in the long hours you spend together behind the bar. Pinkie-promising not to say a word - but you always thought you'd had a decent handle on your expressions.

"We don't have to talk about it." Your hands raise, placating, "Just let me yearn in peace. I'll get over it."

"You know that almost half of what DP makes a month is funneled back in here, right?" He gives you a long look, "Before you, I saw him once a week. I had to beg him to come get his paycheck."

Doubt still lingers.

"Doesn't mean anything," You shrug - eyes dropping, as you help him restock.

"You do not think Mr. Pool worships the ground you walk on?"

The intensity of his question has you side-eying him, "I mean... I don't think he sees me that way. He acts the same with me as he does with everyone."

“Sure.” He huffs, leaning against the bartop, just as Wade plunks down in the seat in front of you.

“God, I haven’t been over here in like-,” Wade checks a fake watch, “Fifteen minutes? Feels like longer. Felt like a fucking hour.”

Pivoting back and forth on the stool as he adds, “Is it possible for people to get separation anxiety? Or is that just dogs? Is this how Dogpool feels when I’m gone?”

You just manage to catch the last bit, as Dopinder slips away.

“Exactly the same.”

Tonight, Wade is the first person that sits down in front of you for the game.

A frown, as you peel off your gloves - your barrier, to the outside world.

His own already bare - sliding back-and-forth over his suit-clad thighs. You'd mistake it for nerves, if you weren't so sure Wade had never been nervous in his life.

"What's your story, Wilson?" You ask, "Hope you brought something good."

"Oh, it's a whopper. A real fucking doozy. Apparently, you're not gonna believe it. " His laugh is a little too loud, and your eyes narrow, "But let's give it a whirl, okay?"

There's a flicker, behind the bar. A sideways look towards the bar, where Dopinder's hands cover his face. You don't need to touch him to read the guilt written across his features - the way he almost flinches, under your glare.

You're going to fucking kill him.

The sound of your name brings you back.

“Ready to play?”

Wade's hands rest face-up on the table - an offering. For once in his life he almost looks serious, and it’s enough to bring you back.

A breath - before you align your own. Letting them drop down, skin mapping against skin for the first time.

It floods through you.

The lick of heat that almost feels like a caress. A deep yearn that causes your own heart to twinge, layering with the feeling of need. Desire. Want.

It's familiar. It mirrors something deep inside, something that’s become as much a part of you as flesh and bone.

Oh.

A laugh slips from you, breaking the beat of silence. Relief tinged with disbelief - your smile stretching wide.

“Yeah?” You breathe, softening.

“Yeah.” He laughs, “Thought I was being obvious. But you are pound-cake dense, apparently.”

Hands flipping over, to entwine between yours. Letting that feeling inside him linger, settling warm and comforting over your bare skin.

“But I like that about you.” Another huff of a laugh, “Like all of you, really. Always have.”

It makes your heart ache. In a way that finally feels full, feels right - instead of the near-agony you’ve been bearing for weeks.

Only you could be such an idiot.

thanks for reading! 💖

[writingwisterias]

Okay so hear me out ( hello first, where are my manners )

but rly hear me out : Leon and the reader, the reader is pregnant, and the baby is born on September 30th. Like I can’t be the only one who thought about it ? Anyway, please don’t die I love your stories.

stay hydrated folks

Hello!

I actually love this, I could feel the angst and fluff. I will try not to die 🫡 I hope you enjoy and have a good day! And everyone that sees this is your reminder to drink water or anything please (Not proof Read I'm sorry it posted before I got the chance!)

I'm so sorry for how late this is please forgive me! I wanted to flesh it out a bit

Warnings: Fluff, Angst, Pregnancy, Child birth (Not graphic), PTSD, Establsihed Relationship

ID!Leon Kennedy x AFAB!Reader

The red circle on the calendar was just a constant reminder to him. Not only because of the impending arrival of his child. But also of that one fateful night -- the day that changed his life. He would spend the entire year trying to forget about it and think of anything other than this. It was the devil's work he swore in that doctor's office when the date was announced. He watched you freeze, a fake smile now replacing the real one you had when you entered the office. Leon hated that one date could still have so much effect on the two of you. 

You grasped his hand during the rest of the appointment, and you watched as he sunk into himself, his eyes turning hazy as he dissociated. Your fingers squeezing his desperately trying to get him to come back. You would never blame him, the horrors he had been through were enough to break a thousand men and he was still here. You had asked him years ago to explain everything to allow the secret he had kept so long to be heard by someone he trusted to help him heal. Since then the pregnancy had turned into a nine-month countdown to the date. The small kicks he felt every night fought desperately against the feeling, the reminder. The life you were carrying to involve him in a never-ending circle of happiness was already trying to heal their dad. Leon was too good of a man to let this affect the relationship with the child, besides due dates can be wrong all the time. Sometimes the baby will come later, he might be lucky.

You watched him become nervous as the countdown began as you were in the final weeks of the pregnancy. It became a routine for Leon to stare at the red circle every morning as he made breakfast and coffee. Only getting worse since the date was only a few days away at this point. The nursery was completely decorated with things you had both collected yourselves and had been given in the baby shower. All of the baby grows were washed and put away, a large stockpile of diapers in the changing table ready to be used up. You were both just waiting on the baby. 

“Good morning” You spoke softly as you entered the room. Your voice is now the only thing taking his attention away from the calendar. Leon smiled at you, his oversized shirt draped over your body. “Morning” He mumbled, hand instantly smoothing the fabric smiling at the little kicks that greeted him. It wasn’t unusual for him to be awake early, his military timer being one of the things that never left him. Despite your attempts to train it out of him in favour for a few more hours in bed. “What’s for breakfast today? It smells good” You hummed sweetly looking over at the hob. 

You tried to hide it, you really did but Leon didn’t miss the twinge of pain in your face. The small adjustment you gave yourself as pain washed over you. “Are you alright?” He asked ignoring your previous question entirely. His touch was gentle a simple reminder of his support. You nodded muttering a small ‘yes’ despite your features clenched together displaying otherwise. His hand moved gently on your lower back, the movements distracting you from the pain. You knew what the date was but you also knew what the pain meant. You just didn’t have the heart to tell him yet. After spending the whole night hoping that maybe it was just a Braxton hix and they would fade away eventually. However, the world wasn’t that kind. “Love, please don’t lie to me. Not when you are this close” 

“The date-”

“I know the date…I don’t care not right now. Tell me what’s happening” 

You turned to him, finally able to stand up straighter now the pain had subsided. Leon knew what you were getting at, he’d read all the books and leaflets the doctor recommended. All to be able to recognise the signs. Leon ensured that he was as prepared as he could be but now it was happening he froze. Panic rose in his system as you had yet another contraction in front of him. The timings were too close together, you had waited for hours as he slept. Hoping it won’t fall on this date. For his sake. 

“Do we need to leave?” He asked, his voice catching in his throat. You nodded a soft chuckle leaving your lips as you held onto him, fingers digging in his arm as you let the pain subside. To his credit he worked quickly, gathering the bag and items you had prepared and putting them into the car. He was careful as he led you towards the car. One eye on the road and the other on you, pride swelling in his chest at how well you were handling yourself. He thought he would be more lost today, that the date would distract him from being present with you. It did occasionally, every time someone would remind you both of the fact the baby was arriving on your due date he would go silent. Get lost in his mind again. Only to be brought back by a softer comment from you or your touch. The same way you would normally bring him back after spending years with him.  

When getting himself coffee or ice chips for you; he would make sure to avoid the ER, the screams triggering his flashbacks. You were proud of him, he never let it show. Despite the circumstances, you knew he would be the best partner you could get in this situation. 

You tried to hold back from making any sound but the more you needed to push the louder you got. He didn’t blame you, he could see that you were trying for his sake. The hospital was already proving to be challenging with all of the other mothers throughout the day going through the same process just a few rooms down. Leon could feel your attempts to be silent in the way you gripped his hand. You saw Leon wince at every moan and flinch at every scream you made. It didn’t help the baby was progressing slowly meaning the process was dragged out. It seemed like the entire day was attempting to make this harder for him. 

Yet despite everything he still helped you through it, complimenting your progress and how well you were doing. “You can do it, You are doing so good” He whispered in your hair, placing kisses not caring for the sweat that coated your skin. His kisses were cold and welcomed against your sweaty skin. You shook your head exhaustion lingering in the corner ready to take over. The final moments were the hardest for him. Leon tried so hard not to let it affect him but the room was suddenly too loud as it now filled with the baby’s cries, the nurses praising you as you also cried. The wails reminded him of all the distant ones he heard as he ran around the police station, of all the people he couldn’t save as he was trapped inside. Your deeper groans of pain sounded similar to Marvin’s as he spoke helping Leon out of the station. 

You felt his presence, but he wasn’t there, his eyes watching over you with that hazed look again. You wouldn’t hold it against him; it was enough that he was here physically. You knew he hated the hospital, the sounds of everyone injured and in pain. You’ve spent countless times trying to force him to get his sickness checked out by doctors instead of googling the symptoms. However, you knew that once the noise reduced, he would come back, and he would enjoy the moment. 

Guilt washed over him as he held the baby the small bundle watching him with curious eyes. You were asleep, having some well-deserved rest. The machines beeped around him, the noise of the hospital fading as he looked back into those blue eyes. They were so small in his arms, their head cradled perfectly in the palm of his hand. This is what he endured and fought for that night, the chance to have a life at the end of it. To have happiness and love surround him in even the smallest ways. Leon didn’t know he was going to be tracked down and blacked mailed by the government for just surviving the events of Raccoon City. Neither did he know that he was going to have to sign his life away putting what he assumed as pure luck into training. He had just watched you champion this for 9 months, endure days of morning sickness, all of the growing pains without a complaint. Looking forward to the future when you can finally hold the baby. He supposed in his own long-winded way he did the same. 

All the nightmares suddenly didn’t matter anymore, not when a positive thing overtook them. Soon to be interrupted by softer cries in the night. The small bundle he held in his arms wasn’t just a new birthday to celebrate for them but for him as well. For the new Leon that wouldn’t let that one night dictate the rest of his life, haunt him forever. It was his chance at a rebirth, at a new beginning. Not only as a husband and father but just as himself. 

[souliebird]

[[and then I met you || ch. 29]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

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Foggy never thought he would be babysitting Matthew Murdock’s kid.

As much as Foggy loves Matt - and it is a lot - he is the first to admit his best friend is more than a bit of a disaster. Matt is brilliant and kind and truly a good soul, but he is also a self-destructive idiot with more baggage than any airport in the nation. He always tries to do the right thing, but the right thing never seems to involve taking care of himself. And that doesn’t even include all the Daredevil bullshit.

If Matt had come to him a few months ago and told Foggy he wanted to be a father - to go out and have a kid at that exact moment - Foggy would have beat him over the head with the nearest solid object. Matt can barely run his own life - there was no way he could raise a child.

Matt was still working on even managing to have friends and a real life outside of his mask and his ability to balance it all had been on thin ice. Matt getting into a serious relationship had been a laughable idea and that relationship leading to a baby wasn’t even a thought. 

As far as Foggy had been concerned, as long as he was Daredevil, Matt was destined to be a bachelor. 

So, of course, God’s favorite punching bag was told he already is a father. 

The change in Matt isn’t what Foggy expected. He expected panic. He expected Matt to be in Church for eight hours a day praying for guidance while he had a crisis. He expected Matt to spiral.

He hadn’t expected him to take to being a father like a duck to water. He hadn’t expected it to completely rewrite his best friend’s DNA. 

It seemed like overnight the dumpster fire of a man he knew was replaced - born from those ashes was someone who Foggy almost didn’t recognize. 

It was a Matt who cares about himself. One who isn't being reckless. One who no longer hides things from Foggy and Karen, who lies about injuries and thinks he is a one-man army. 

In the office, if Matt isn’t working, he’s listening to self-help or parenting books. He talks to other people, and he actually makes an effort to not look like he’s getting abused. He’s focused in a way Foggy hasn’t seen since college and it makes Foggy so so happy. 

But it also terrifies him because he doesn’t know how long it will last. Is this a temporary change or has Matt finally learned he isn’t alone, and his actions affect others?

It is too early to tell and Foggy feels like a complete asshole for doubting his friend and waiting for the ball to drop, but he feels like he’s also being realistic. 

Matt has hurt him so much over their friendship - and Foggy has hurt him, too - and his sweet angel of a child doesn’t deserve to have that be a possibility for her. 

As far as Foggy can tell, Minnie inherited all the best parts of Matt - his smile, his charm, and his inherently good nature. He knows if Matt doesn’t manage to fuck it up - and Foggy prays he doesn’t - she is going to grow up to be a beautiful woman, heart and soul, with no reason to yell at God. 

He couldn’t ask for a better little girl to babysit. 

All she wants to do is watch Lady and the Tramp over and over and Foggy couldn’t be happier to oblige. It is easy to sit back and watch the movie - he hasn't seen it in a long time, and he forgot how charming all the characters are.

It is halfway through the third viewing of the movie when big brown eyes finally tear themselves away from the screen. Foggy watches curiously as Minnie slips off the couch and toddles over to her toy chest in the corner of the room. She methodically begins going through her things, lifting up each toy and giving it a good once over before setting it back down.

“What’cha doing, squirt?” he asks.

Minnie does not look back to him as she replies, her tone making him feel like it is the most obvious thing in the world, “I’m gonna make dinner.” 

Dinner was had before Foggy arrived for babysitting duty, so he guesses it is time for some make believe. He is very much used to this from watching over his nieces and he wonders what kind of play will be in store for him. 

The first toy she deems worthy to have a seat at the table is a Barbie and the second, almost immediately after, is a floppy looking bear that clearly has had another life before this one. The pair are transported to the coffee table and delicately sat down before Minnie whips her head around to look up at Foggy.

“They need says-or-eases,” she says seriously. He can barely get out a confused ‘okay’ before she’s scampering down the hallway to the bedroom. He decides to sit and wait to see what is going to happen. Moments later, the little girl is back in the living room with an armful of supplies. He can make out a lot of costume jewelry, and among the fake pearls and gems, a pair of fake glasses. 

It is all dumped in front of the table unceremoniously before she is off to collect something else. 

Foggy stays on the couch as markers and a variety of play food join the pile on the floor. He has no idea what could be going on in the mind of the toddler, but it is amusing that she is so determined in her task.

Finally, everything is gathered and Minnie plops down in front of her toys, mouth turned down as she focuses. She starts sorting through things, making multiple little piles, and Foggy can’t help but ask, “Do you need any help?”

“No, I’m a Big Girl,” she replies factually, not even bothering to look up. She’s completely locked in on whatever it is she is doing, and since she’s doing nothing deemed risky, Foggy lets his eyes go back to the movie. 

As Lady roams the streets of some unnamed city, Minnie dresses up her toys. Barbie gets draped in so many necklaces her torso is no longer visible, and the bear gets the glasses. She hums and haws over the positioning on his muzzle for a good minute before she takes them off and disappears from Foggy’s eyeline. Her feet pop up a second later and he determines she is laying tummy down on the ground.

He checks his phone as she plays - replying to messages from Marci and Karen and going through a few work emails. 

He is in the middle of checking his calendar when Minnie’s curls reappear in front of him and she is back to trying to balance the glasses on the bear’s face.

Except, now, the lens of the glasses have been colored over in red marker and Foggy knows exactly who the floppy bear is meant to be.

“Is that your Daddy?” he asks, not at all containing the glee in his voice. Karen is going to Love this. 

“Uh-huh,” the baby tells him as she finally manages to get the accessory to stay on. She grabs the doll next and holds it up to show it off. “This is Mommy.”

“That’s Mommy?” Foggy confirms. He quickly switches his phone over to his camera app to start taking a million and a half pictures.

“Uh-huh. They are on a date. Like Lady and Tramp,” she explains, “We gotta make them dinner.”

His heart absolutely soars and he knows this is one of those stories he is going to tell everyone - Matt’s precious little daughter pretending her toys are her parents on a date, while her real parents are out on their first date. It is some of the cutest shit he’s ever seen and he’s glad he’s the one who agreed to babysit. 

He pushes himself up into standing, so ready to get in on this make believe action, “Of course. What are we making them for dinner?”

They spend the next five minutes rearranging things - the play kitchen set is moved into the real kitchen and Foggy drapes a throw blanket between two chairs so the dining guests can’t see the food being prepared. Mommy Doll and Daddy Bear get a plastic Pooh Bear plate between them, and an LED candle is scrounged up to give the date the right ambience. 

Foggy gets designated as the Waiter - he even slicks his hair back and lets Minnie draw a pencil mustache under her nose and she, of course, is the Chef, as well as puppeteer of the toys. 

Once everything is set up - the make believe begins.

“Oh, ho, hon,” Foggy says in a horrible French accent as he kneels beside the coffee table, a pad of paper and a pen in hand. “What a lovely couple! You are looking so beautiful this evening, mademoiselle!” 

“Thank you!” Minnie chimes, altering her voice just a little to be higher as she takes hold of the doll to make it bounce as it ‘talks’. “You are beauty-fulls too!” She then grabs the bear with her other hand and shakes him just a bit, making him sound gruff as he chastises, “What about me?”

“You are as handsome as ever, sir,” is his cheesy reply. With too much flourish, he brings up his pen and positions it on his paper, “What drinks can I get started for you? Water? Juice? Wine? May I suggest a bit of hot cocoa?” He over emphasizes the last word, making the little girl start to giggle.

“We don’ts have cocoa! Only water and appy juice!”

Foggy dramatically throws his hand over his heart, “My apologies! The chef has let me know our options tonight are Water de Aqua and Appy Juice.”

“We want appy juice!” Daddy Bear tells him, and he makes sure to write the order in nice big letters.

“A wonderful selection, sir! We get it from the finest grocer, and it is chilled to perfection. Shall I get you started with some appetizers?”

Minnie squints over to him, tilting her head to the side and doing a wonderful impression of Matt as she asks, “What is an appy-tiger?”

“It is a snack you get before dinner, so you don’t get hungry while the Chef makes the food,” he explains in his normal voice. 

The toddler nods like she really understands what he means, then she turns her two toys to face each other. Mommy Doll is moved first, “Do you want an appy-tiger?” 

Daddy Bear’s head nods as Minnie grumbles out, “I want a cheese stick and ice-cream. Please, thank you.”

“Oh, that sounds good,” Mommy Doll replies. She is turned towards Foggy so hard her necklaces clatter together, “I want a cheese stick, too. Please, thank you.”

He writes down the request and promises, “That will be right out.” As he pushes himself up onto his feet, Minnie streaks past him to get to her kitchen before him. He purposefully takes his time, letting her get herself set up before he arrives. “Order up! We got two cheese sticks and an ice cream for the couple at table one.”

“Two cheese sticks and ice cream!” The little girl calls back excitedly. She moves to start digging through her plastic food, but then she freezes, and she gets a look on her face Foggy has seen so many times on Matt’s that he’s lost count.

She’s heard something. 

Before Foggy can ask what it is, the unmistakable sound of a fuse being blown fills the air and the power dies, leaving them in a deep darkness. A brief panic takes a hold of him - he’s been in far too many situations where this sort of thing means danger - but logic prevails, and he rushes over to the window to assess the damage. 

The neighboring buildings still have their lights on, so someone in the building must have overloaded something. It happens all the time in the heat of the summer and not a cause for him to go into fight or flight mode.

“Looks like it is just us,” he tells Minnie as he turns back to her. He can only just barely make out her outline - there is only one window in the room, and it faces an alley. There is next to no light filtering in and the only thing still going in the apartment is the weak LED candle.

He expects Minnie to be scared - after all the sudden lack of light is kind of terrifying - but she seems completely unaffected. 

“The tee-vee turned off,” is what she replies with, sounding annoyed as can be. 

“Everything turned off,” Foggy counters. “We’ve got no electricity. We have to wait for it to come back on.”

He hears her huff as he makes his way back to the couch. He’s careful as he moves, not wanting to accidentally crush any of the playthings that have been spread around. 

“Do you still want to play Dinner Date?” He asks. It is pretty dark, but if they just stick with going between the couch and the fake-kitchen, he thinks things should be okay. 

“No, I wanna watch Lady and Tramp.” There is a slight whine in her voice that makes him think this might turn into tears and his heart breaks a little. He doesn’t want to be the one to deny her anything. 

“The power is out, squirt. The television isn’t going to work. We have to do something that doesn’t require power.” 

“Why?” He can hear the underlying Murdock Anger in her question, and he notes it is something he’ll have to tell Matt.

“Do you know how it usually makes this sort of noise?” Foggy asks before humming. He can sometimes hear electricity, so he knows she must know what he’s talking about. She confirms with a little ‘uh-huh’ and he continues on. “Well, that means it is getting power and can work. It’s not getting power right now, so it can’t work.”

He hopes the logic makes sense in her little brain. 

She doesn’t respond right away and that worries him. He plucks the little LED candle up from the coffee table and holds it up like a torch. It barely casts enough light for him to see his hand and does nothing to help him locate the curly haired toddler. 

He walks slowly over to the kitchen, hoping to find her pouting by her toys, but the area is empty. He did not hear the pitter patter of feet and groans at the thought of another ninja in his life. 

Of course, Matt’s child would be able to sneak around in the dark undetected. Why wouldn’t she?

“Minnie,” he calls out softly, hoping this doesn’t turn into a game of hide and seek. “Where are you?” 

He turns in place, trying to remember if he left his phone on the table or on the couch. The battery is in the forty percent zone, and he’d rather save it than use it as a light source. He’s pretty sure he was told there are flashlights under the sink, but he can’t remember if it was the kitchen or bathroom sink. 

He decides to try the kitchen sink first and blindly makes his way there. He admittedly doesn’t have the best vision anymore and his eyes are taking forever to adjust to the meager amount of light, so he has to move slowly.

“Will you read me Lady and Tramp?” a tiny voice suddenly asks from right beside his knee and Foggy totally doesn’t scream.

“You totally need a bell,” he tells the child before rubbing at his face with his candle free hand. “If you help me find a flashlight, I can read to you.”

The noise of annoyance Minnie makes is right from Matt’s playbook, “why do you needs a flashlight?”

He wonders if this is the first power outage she has experienced, but if that was so, he doubts he would have been told where the flashlights were. Though, Minnie’s mom is a bit paranoid and anxious, so it could have been a ‘just in case’ thing, but who really knows.

It is a question for later. Right now, he has an annoyed toddler ready to bite his ankles over Lady and the Tramp.

“It’s too dark for me to read,” he tries to explain, hoping she will accept the answer. 

She doesn’t.

Instead, he gets sassed.

“It’s not dark.”

“It is, too,” he counters. 

He can perfectly picture little hands-on hips as she doubts him, “Not-uh.”

He resists the urge to say ‘uh-huh’ and attempts to rationalize with her, “Mouse, I can barely see past my nose. It’s too dark for me to read to you without a flashlight. Can you help me find one?”

He can just see her curly head of hair looking up at him and he doesn’t need to see her face to feel her judgement. With the huff so haughty it could rival Marci, Minnie plops down to the ground and drops something that sounds like a picture book in front of her. 

His suspicions are proved right when he hears the soft fluttering of pages. 

“El…ay..dee..why. El..ay..La! La..dee…Lay..dee..Lady!” Her little voice is full of frustration as she tries to sound out the word Foggy knows she can’t really see and his heart pangs in sympathy.

“Minnie, don’t strain your eyes. Let’s just find a flashlight, it’s too dark to read.”

“I want Lady and Tramp!” The little Murdock barks at him, “I can reads it!” He hears what must be her finger hitting the page and he pictures her trying to trace the words. “La..La..lady. Lady. wuh…wuh..double-you ay ess. Wuh…Wuh-ah…Wuh-ah..”

“Was?” he tries to supply, feeling so guilty. He should just step away and find the flashlight before she really hurts her eyes, but he doesn’t want to leave her when she’s getting into a mood, even if it’s a few feet.

Apparently, helping is not what she wants, because he instantly gets her tiny wrath, “I can reads it myselfs!”

Foggy’s hands shoot up in front of him in the universal ‘my bad’ pose and he apologies, “I’m sorry. Let me get the light and we can read together.” He decides, if anything, he’ll just go grab his phone and waste the battery. Anything is better than upsetting Minnie the first time he properly babysits her. She’ll never want to stay with him again and he’s pretty sure Matt would easily bend to her will. 

“But I can sees it!” She practically yells it at him, her voice getting wet and wobbly. There is a hint of desperation in it that makes Foggy feel like an absolute villain for not believing her. “I can sees it and reads it by myself!”

He gives up on trying to convince her and pivots to go to get his phone. As he carefully steps around her to find his way back to the couch, she picks up her watery ‘reading’ again.

“La..Lady wuh-was a…Lady was a..el..el you..el you see kay…”

Foggy locates his phone on the coffee table and it wakes up as soon as he picks it up. The light hurts his eyes, and he has to look away so he isn’t blinded by it. 

Daddy Bear looks up at him from his interrupted coffee table date, beady little black eyes hidden behind red lenses and so suddenly, with enough force to cause him mental whiplash, Foggy feels like a complete idiot. 

He turns to shine his phone on Minnie, who is hunched over her book, trying her very best to sound out the words. 

“See..Kay…Luh…Luh..see..kay..why..Luh see kay why.”

She is trying to read the word ‘lucky ’he realizes. He knows kids can memorize stories, but there’s no way such a little baby can memorize how to spell all the words and pretend to read them out loud. 

But this isn’t just any normal little baby. 

This is Matt Murdock’s little baby. 

Matt Murdock - who has enhanced senses and passed them on. 

Matt Murdock - who is blind and wouldn’t know what it would be like to have enhanced eyesight. 

“Holy shit,” Foggy says to himself. “She’s got dark vision.”

--

a/n :

i'm sorry, this chapter fought me so much. Foggy refuses to cooperate with me :( this is nothing like i was planning and I kinda hate it

--

tags:

@two-unbeatable-beaters @kiwwia-wiwwia @1988-fiend @xblueriddlex @loves0phelia @ninacotte @lovelyygirl8 @littlenosoul @ednaaa-04  @astridstark13 @hashcakes

 @lovingkryptonitehideout @moongirlgodness @soocore @bluestuesday @midnightwonderlan

@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

@Specialagentjackbauer  @yarrystyleeza @ofmusesandsecrets @buckyssugarchick

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife 

@petrovafire39 @ghostindeath @roxytheimmortal 

 @allllium @waywardcrow @thatkindofgurl @waywardxrhea 

@anehkael @akilatwt @lostinthefantasies @reluctanthalfwayoptimism @ethereal-blaze

 @nennia-2000 @seasonofthenerd @abucketofweird  @mattmurdockstateofmind @imagineswritersblog @hazelhavoc @smile-child-13 @allst4rsfall @hashcakes @kezibear @mapleaye @sammanna @gamingfeline @moon-glades @nightwitherspring @phoenix666stuff @dare-devil

@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore 

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

@murc0ckmurc0ck @groovycass @sumo-b98 @just3rowsing @tongueofcat @zoom1374

@theclassicvinyldragon @aoi-targaryen @lunaticgurly @nikitawolfxo @shireentapestry @snakevyro @yondiii @echos-muses @honeybug-victoria @the-bisaster @ristare 

@mrs-bellingham @eugene-emt-roe @cometenthusiast @stevenknightmarc @yes-im-your-mom @hunnybelha @actorinfluence @capbrie @prowlingforfood @jupitervenusearthmars

@mayp11-blog @danzer8705 @thinking-at-dusk @remuslupinwifee @akila-twt  @nommingonfood @mattmurdocks6thscaleapartment @dil3mma @allllium 

[noxitsnox]

I can’t fall asleep without you

hyun-ju x gn!reader

summary: after disappearing for days, your girlfriend comes back home.

tags: angst, hurt/comfort, transphobia and police incompetence , like one curse word

a/n: studying is for weaks, real alpha men (me) write hyun-ju x readers instead. seriously tho, i fear this might be full of grammatical errors but i'm too tired to proof read and correct them ㅠㅠ

also she didn't win the game, it's as if she and everyone else managed to escape after ep. 7 ‼️‼️

today it was your four year anniversary.

or at least it should have been. it would have been if hyun-ju didn't just disappear into nothingness. you couldn't help but be angry. you saved up for months to afford taking her to a really nice restaurant in the centre, called to make a reservation at the beginning of the year. you would've never guessed that you'd spent this day without her.

when you woke up that morning, the morning she disappeared, you were surprised by hyun-ju not being on bed by yourside. usually she'd wake up with you and you two would have breakfast together before leaving for work. even if it was weird you didn't think anything of it. probably she just left earlier for work, she always tried to do some extra shifts when it was possible. you sent her a 'good morning' text and went on with your day.

when you checked your phone during lunch break hyun-ju had not replied your text yet. hell, she didn't even see it. anger, frustration, worry started to make their way all the way up to your mind. but you forced yourself to calm down and think logically. was it strange that she didn't answer? of course it was, but maybe she just didn't have lunch yet, or her phone was dead or she forgot it in the car. it was strange, sure, but not illegal. it didn't matter, because at the end of the day she'd come back home to you.

or so you thought.

that night she never came home. she didn't answer your texts, she didn't pick up your calls... with all the things you heard on the news, all that violence and hate that was slowly growing in the street you were afraid she was attacked. what if she was hurt? what if she needed you to be by her side?

so you called all the hospital of the cities asking for her. none of their patients had her name or fitted her description.

every possible scenario came into your mind. anxiety, panic, fear didn't allow you to think rationally. you wanted to just storm out of the house and go to the police station. but it was still too early to involve the police. you forced yourself to sleep, you would have reported her missing the next day after work.

for some reason, you really believed that the police would help you. why wouldn't they care about a missing person? you almost forgot hyun-ju and you weren't élite citizen, the ones the police cares about, the ones who deserved to be saved.

you went there stressed and afraid, with a trembling voice you told them that hyun-ju didn't come home in two days, that she's not answering the phone and that she never talked about wanting to just leave. holding your heart in your hands you told them your worries only to be met with laughter and judgement.

the policeman told you with a grin that it was useless to do anything, that she's probably just ran away with some rich old man, after all that's what these people do. he told you you were wrong for trusting one of them, to stop waisting time chasing after her and to start looking for a normal partner.

when you returned home you were furious.

hyun-ju, she wasn't that kind of person. they spoke ill of her without knowing anything. she didn't just leave. she couldn't have done it. if something was wrong in the relationship she would've just talked to you. why wouldn't she?

for the first time since all of this happened, you cried. you sat on the couch on the small living room and observed your surroundings. all of her things were still there, exactly where she left them. her black heels were still by the door from your night out nights ago, on the coffee table was the book she was reading with a bookmark towards the centre, her cardigan gently laying on the back of a chair at the dining table...

you spent the next days in misery. you called in sick at work and stared at the ceiling all day. holding the phone in his hand all the time, anxiously waiting for her name to pop up on the screen. Every time you got a message your hopes would rise, only to vanish completely when you saw your mother's name.

eventually a friend came to check on you. they asked how you were doing, you told them what happened, they said hyun-ju was a bitch, you got angry and screamed at them to leave the house.

after they left, you did felt bad about yelling. after all they were just trying to help you. and they did. you needed to take control back. laying on bed won't make hyun-ju come back.

you quickly sent them a message to apologize before hopping in the shower. you started tidying up the house, cleaning the kitchen and putting away the clothes in that black hole you call a closet. even cooked too much rice for dinner, after four years you weren't used to one person portions anymore.

looking in the mirror you said you were doing this for yourself, but in the back of your mind you knew who you were actually doing this for.

you didn't even notice how tired you were until you sat on the couch to clean up the coffee table. with the rag still in your hand you fell asleep.

you dreamed of summer, warm sun hitting your skin and wet hair. the orange color of the sun's rays reflected on the sea and on your faces. hyun-ju's hair were up in a ponytail, her white t-shirt stuck to her skin and a wide smile was printed on her face.

you remembered this day. it was your first summer together and you managed to rent a small apartment near the beach for a couple of days. you spent those days in your own world made of chattering and laughter.

a sudden noise disturbed the image that had been created, it was external to the dream.

you tried to ignore it but it only got louder and louder until you opened your eyes. with the typical confusion that comes when you've just woken up, it took you a while to realize that someone was knocking at the door.

you looked at the clock on the wall. it was barely 5 in the morning. you cursed under your breath as you walked toward the door. who the hell would knock on someone's door so early in the morning?

looking through the peephole a shiver ran down your spine.

was this still a dream or was it really her?

you opened the door energetically. hyun-ju was actually standing there in front of you. hair in a messy ponytail, she was wearing a green tracksuit stained with blood and dirt and white shoes. she looked shaken, as if she could have started crying at any moment.

you freezed in front of the door, unable to move or say anything. you didn't know what you were supposed to do, how to feel. part of you wanted to be mad, but how could you be mad at her when she looked like that?

you noticed that she was shaking, her arms wrapped around her body trying to gather as much heat as possible. she kept her gaze down, as if she were ashamed to be there, right in front of you.

"hyun-ju...", you finally talked. your voice was a whisper audible only to the two of you. you moved to let her pass through the door. "it's cold. come inside." she didn't say anything. the more you looked at her the more she looked like a ghost of herself.

neither of you sat down. you were standing in front of each other in silence. minutes that seemed like hours passed before she spoke. she told you she was gonna shower, change into clean clothes before leaving you alone in the living room.

when she got out of the bathroom she looked more like herself. she sat at the kitchen table and you put a cup of the tea you made while waiting in front of her before taking a seat next to her.

"y/n-" "where have you been?" you interrupted her, sounding harsher that intended. she shook her head, "it's not important right now... you wouldn't believe me anyway." "it's not important, hyun-ju? you're telling me it's not important, seriously-" this time she was the one who interrupted you, rising her voice to match yours. "y/n c'mon i just came back i don't feel like fighting."

you got up from the table, walked a few step away to calm down. part of you recognized that this wasn't the best way to have this conversation, but you couldn't hold back any longer, all the emotions that had accumulated in your heart these days took over.

"i can't believe you. you were gone! for days you disappeared from earth, you wouldn't even answer your phone and when came back your clothes were covered in blood!"

she sighed but didn't say anything so you continued.

"do you know how worried i was? i called very hospital, i even went to the police but you were nowhere to be found. i thought you were dead, hyun-ju... dead!" without realizing it you started crying.

there was silence before she spoke. "y/n i'm sorry, i'm really really sorry", she got up and walked closer to you, wrapping her arms around you. "i didn't think i'd be gone for this long. but i'm here now, i won't go anywhere." from her voice you could say she was crying too. "i'll tell you what happened, but tonight please let me just forget about it."

you broke the hug to look up in her eyes. "do you promise you'll tell me everything?" "i do, i promise."

[idontevenlikedragonage]

Things I really enjoy about DA:TV - Companions and group dynamics

As a self-proclaimed RPG nerd™️, Veilguard is one of the few games that managed to create a group of companions I genuinely cared about equally—and who actually felt like a group of adults.

I know a lot of people love group dynamics where characters dislike or outright hate each other, but that’s like 99% of games, and honestly, I’m tired of it. Sometimes I just want my companions to be likable and come across as well-rounded individuals.

First off, my absolute favorite thing is the way companions wander around the lighthouse and build relationships independently of Rook. Not only does this add an extra layer of character development, but it also makes the group feel like competent, self-sufficient people. I’m obsessed with Harding’s character journey—just from her interactions with the other companions. You don’t need to talk to her directly to understand what she’s thinking or where she is emotionally. Additionally, when Rook is trapped in the Fade Prison, it feels completely natural and believable that the companions would work together effectively without him.

From a game design perspective, a lot of RPGs fall into the trap of creating companions solely for the player. This is true of Inquisition and even more contemporary games like Baldur’s Gate 3. In those games, companions just stand around waiting for the player to initiate conversations, and their relationships don’t really develop independently. There’s also little to no variety in personality dynamics—no introverts, no extroverts.

One criticism of Veilguard is that there’s no tension between companions, but that’s not true at all. Early on, most of the group is uneasy about Emmrich—Taash, in particular, struggles with his necromancy. Davrin and Lucanis also clash at first. The difference is that these issues get resolved almost entirely without Rook’s involvement, and I love that because it feels much more like how real people work.

I’ve always been fond of the “found family” or “friends forever” dynamic in RPGs, and this is the first time I’ve felt like I didn’t have to stretch canon to see it happening. This is my comfort ensemble of companions, 10/10, no notes.

[thewertsearch]

@hussianphilosopher submitted: Sally - longtime lurker, first time poster, big fan. I'm perpetually amazed by how thoughtful you are about Homestuck and how well you understand it for a first-time reader (you might be surprised how many people watch Cascade and don't actually understand that the Green Sun was just created, much less immediately put together everything Doc Scratch said and did that led up to it!). The high point of the liveblog for me was the whole arc of you being confused about how predestination in Homestuck worked, because, essentially, you had already figured out that the alpha timeline existed before the alpha timeline was introduced. You were confused about the story for a while because you understood it too well, too quickly! As someone who engages with the story similarly to you, on both the character level and the deep story/analysis level, I want to make what is a pretty contrarian argument these days: that the Epilogues are A. good, and B. canon. They're a tough read for sure, but I think someone who reads the story as deeply and pays as much attention as you do will really appreciate what they're trying to do. The Epilogues were also the last time that Hussie was directly involved with the story, and I think if you read them now it's very clear that the story is the culmination of ideas he was thinking about from very early in Homestuck (He said for years before the comic finished that he planned some kind of epilogue). The whole "dubiously canon" concept was part of a failed experiment on his part to try to step away and empower the fandom - the people who actually worked on the comic in that era always treated it as canon and referred to it as such. I consider the Epilogues the final canonical chapter of Homestuck - at a bare minimum I think it should be thought of as Hussie's take on a post-Homestuck fanfic, and I think it deserves attention. Of course I also think the story is good and interesting, which a lot of people don't, so, it's all a matter of opinion, but, as someone who's been following your liveblog and respects your reading of the comic a lot, I wanted to at least throw my hat into the ring on the subject. Incredibly excited to see what you make of act 6!

I really appreciate this honest, impassioned, genuine defense of the Epilogues. It's not the only one I've been sent, either - and quite a few of the others have also cited my analytical style as a reason why I might get more out of them than I realize. I can't pretend I'm not at least a little intrigued.

I've been thinking a lot about Homestuck's tie-in material while drafting my response to this message, and after some serious consideration, I've decided that I'm going to change my planned approach to the Epilogues.

I originally planned to read it in a more casual, less analytical manner, and potentially transition to a full liveblog if and only if I'm sufficiently engaged. Instead, however, I'm going to do the opposite, respecting the faith its defenders have in it by giving it the complete liveblogger's treatment from the very beginning.

I reserve the right to transition back to a casual read if I'm not enjoying myself, of course! But, rest assured, I'll only do that after giving the Epilogues a real, good-faith college try.

[wisteria-lodge]

And now for a HP fandom question - do you have any thoughts on queercoding in the series and if JKR ever actually intended it, and then backtracked, or if it was always completely unintentional? I'm thinking specifically about Lupin and Tonks (as individuals, not as a ship) Inspired by your post about the intention vs how fans perceived Draco Malfoy. Thanks!

So the first thing I want to do is make a distinction between femme-coding and queer-coding. They're tropes with very similar histories, and a lot of works treat them as the same thing. But Harry Potter doesn’t, and I think we can chalk this one up to JK Rowling’s habit of grabbing aesthetics and visuals without really thinking through the history behind them. 

(Like - the goblins. She says she didn’t mean to write an antisemitic thing, and I actually do believe her. But did she use a lot of tropes and images with a long history of being tied to antisemitism? yes.)

So when I say “femme” I mean giving a male character traits stereotypically associated with femininity. Heightened sensitivity/emotionality, an interest in hair, clothes and being attractive, a love of lace/pink/frills, a dislike of violence and physical confrontation, and a preference for the soft power of manipulation, character assassination and poison - versus the hard power of direct confrontation and physical prowess. Are these things super stereotypical? Yes. But they’re ALSO traits you see all the time on male villains, especially ones that you don’t want to seem that threatening. Femme-coded villains show up a lot in children’s media, or as the Big Bad’s #2. They’re not meant to be heroic or sympathetic (since all these feminine traits are not desirable, especially for guys.) But they also aren’t scary, and you can pretty much always play them for comedy. 

For example: see almost every male Disney villain. And JKR was writing children’s literature in the 90s, so of course she’s pulling from the same zeitgeist as the Disney Renaissance. 

JKR loves herself a femme villain. The absolute gold standard is of course Lockhart - who wears pink, wants to start his own line of hair care products, is self-centered, vain, obsessed with popularity… but he sucks in a fight. His entire MO involves manipulating people into thinking he has these traditional masculine qualities when he just doesn’t. But there’s also fussy, prissy Percy wearing his prefect badge on his pajamas. Bitchy, emotional mean-girl poisoners Draco and Snape (especially early book Snape - which is Snape at his most villainous.) Draco, Percy and Snape are also unusual for being male characters who we see crying for reasons other than grief. 

Lucius Malfoy is an interesting case because he starts off quite masc. He’s threatening to curse people, the governors are scared of him, etc. But, as the books go on… and he gets less powerful… he also gets more femme. When we meet him in Book 5 he’s no longer threatening people, but bribing them, spreading rumors, and giving interviews to the Prophet casting Arthur Weasley in a negative light. He's also getting really into peacocks. In Book 2 he was a major threat, but as he gets recast as Voldemort’s #2 he becomes a more femme, soft-power villain. When he leads the attack on the Department of Mysteries, he absolutely bungles it, which defines his character (and relationship with Voldemort) for the rest of the series. And it makes sense that Lucius is given this kind of treatment! It’s a way of communicating that there's a new villain in town, a real villain. 

So, are any of these femme-coded villains additionally queer-coded? I’m actually going to say no. Queer-coding is (like it says on the tin) finding ways to imply that your character is specifically gay. Like maybe giving them a same-sex relationship that is written romantically, but not explicitly called out by the text. Or pairing up all of the characters except them. Maybe have other characters joke about them being gay, and use that as a way to talk about the subject with some plausible deniability. Or they could just play suggestively with a cigar, or a walking stick. There are different strategies.  

But Lockhart doesn't get any of that. Honestly, I think that if JKR actually thought of him as gay, she would have been a lot more wary about a scene where he keeps Harry alone with him in his office for way longer than he’s supposed to. And she might have skipped this joke: 

“Harry was hauled to the front of the class during their very next Defense Against the Dark Arts lesson, this time acting a werewolf (...) “Nice loud howl, Harry — exactly — and then, if you’ll believe it, I pounced — like this — slammed him to the floor — thus — with one hand, I managed to hold him down — with my other, I put my wand to his throat (...) he let out a piteous moan — go on, Harry — higher than that — good —” 

Like. At least she would have picked a different word than “moan,” right? Which unfortunately has slightly sexual connotations. Especially if she wanted to keep Lockhart a buffoon, to properly set up the twist at the end. 

Slughorn also gets femme-coded in a similar way: he loves his candy, his parties, his smoking jackets, his lilac silk pajamas, his web of connections he can use to get stuff (Lucius style.) We are introduced to him squatting in specifically a “fussy old lady’s” house. He’s also unusually emotional, getting weepy at Aragog‘s funeral. But I don’t think we’re meant to read him as actually gay, or else his relationship with Tom Riddle might’ve read a little too close to Tom seducing/trying to seduce him. Which is a beat JKR does subtly play out with Hepzibah Smith, but idk. by that point at least Tom is a legal adult.

(As a side note - the Harry Potter series got so lucky that all of its adult characters are played by absolutely top-shelf actors who are aware of the connotations and history behind various symbols, and do consider these things in their performances. Kenneth Brannagh and Jim Broadbent are good enough to make sure there’s not even a hint of iffy subtext when they play Lockhart and Slughorn.)

Draco, Snape, and Percy all have a case of the not-gays. Percy has a girlfriend (we don’t really see her or anything, but we’re told she’s there.) Snape of course gets his whole thing with Lily, and Draco… after one too many beats where it’s clear that Pansy is into him, but he’s not into Pansy…  gets a scene where he’s talking to his buddies with his head in her lap. (JKR uses “no one‘s good enough for me” beats with Blaise, Draco and Sirius, and the idea there seems to be more that they have undeservedly high opinions of themselves, and less that they don’t like girls.)

But, I do agree that a lot of JKR's characters do come across as a little more queer than intended. It boils down, I think, to the general lack of any kind of romance in the Harry Potter books and JKR being generally bad at/uncomfortable with writing male attraction directed at women, BUT being perfectly happy writing attraction directed at pretty guys. And because of that… yeah, it can sometimes feel like maybe Harry has a thing for Cedric. Especially when Dudley goes on to tease him about Cedric being his boyfriend, which I believe is the only actual mention of gay people in the entire series.  

So is there any intentional queer-coding in the book? It’s really subtle, but yes. I think Dumbledore is queer-coded. He is unusually emotional/cries unusually often for a Rowling guy. He is also given a scene which emphasizes his “flamboyantly” cut plum-velvet suit, and his relationship with Grindelwald is implied to be romantic for one book and two movies before being actually confirmed in Fantastic Beasts 3. (With the line of dialogue “I was in love with you.” Big step up from “We were closer than brothers.” which is an odd thing to say about someone you are interested in romantically.) 

But you brought up Tonks and Lupin, two characters very commonly interpreted as queer. So let’s get into that. JKR has said that she considers Lupin’s lycanthropy to be a metaphor for stigmatized diseases like AIDS. And… as incredible as it is to say… I actually do not think that she made the jump from there to thinking that maybe the character suffering from AIDS should be gay.

Because the narrative places so much weight on Lupin being bitten young and then on maybe not being allowed to attend school, I’m pretty sure that he’s not intended to be queer so much as he’s meant to be Ryan White, the literal poster child for AIDS activism who got infected via blood transfusion when he was two. Tragic, absolutely. But not gay. Honestly, I hope JKR was thinking of ‘lycanthropy’ as a metaphor for stigmatized illness in the abstract and not as a comment on gay people specifically. Because otherwise, Greyback’s thing about biting children becomes a mash-up of two of the biggest homophobic boogeymen from the 80s: gay men infecting people with AIDS on purpose because… idk, they hate the world or something. And the influence of gay men somehow “turning” children gay. Both absolutely real, if ridiculous, moral panics.

On top of that, Remus and Sirius do get a pretty clear case of the not-gays early on (“He embraced Black like a brother.”) Buuuut Alfonso Cuarón did think through those implications for Movie 3, absolutely saw Lupin as gay, and directed David Thewlis to play him accordingly. No reports confirming or denying whether Alfonso Cuarón ships Wolfstar, but I think that if I’m an actor trying to make sense of Lupin’s motivations… and I know he didn’t show Dumbledore the Marauders’ Map and didn’t tell anyone Sirius was an animagus… and then I’m told my character is gay… well. Anyway, I think there are absolutely hints of Wolfstar in that performance. 

And there's Tonks. Tonks is introduced during a very spooky segment in Book 5: Harry has been going through it, been left alone at the Dursleys while having what sounds like a depressive episode. It’s dark, he hears intruders. It's a really good piece of writing. But JKR knows that it’s the good guys who are coming and thinks, okay. Let’s make that as clear as possible from the word go. And so the first thing Harry sees is Tonks' pink hair. And what kind of person has pink hair? A young adult. A punky young adult. And what power would a teenager think was cool? Well, the ability to change the color of their hair at will. That, by itself, would have worked perfectly fine for this character.

But then (for reasons best known to herself) JKR goes further. Even though Tonk’s hair changing color is easily 90% of the transformations we see and there is no plot reason her appearance needs to change more than that, we see her drastically change her age and body type. When you think about this power for more than five seconds, it becomes kind of OP. For worldbuilding reasons alone, my instinct would’ve been to tone it down a bit. 

But no, we have this counterculture character who seems interested in her career and not in a relationship, who can easily change anything about her body, and (if her ability works anything like Polyjuice) that means she should definitely be able to change her gender. Cool.

Then, in everyone’s least favorite romance, Tonks and Lupin are paired up. I have heard the argument that this was meant to walk back queer-coding, or to punish people who thought they were queer... but I don’t think that’s the case. I don’t think JKR expected these two to be fan favorites, and then was kind of surprised when everyone wanted to hear about their continuing adventures. 

(There are a handful of characters who JKR clearly really enjoys - and really enjoys writing - that fandom honestly could not care less about. Mundungus Fletcher and Ludo Bagman spring to mind. But the reverse is also true. She had one story for Lupin and people wanted to see more. Tonks is probably supposed to be her comment on immature young adults: she is loud, in your face, causes mild destruction and is “a little annoying at times.” But the fans fell in love with her.) 

So JKR has these two fan favorite characters and nothing for them to do. A romance is something for them to do. JKR also has a kind of weird pattern where good people need to either have kids or take care of kids. It’s not good to be a woman who isn’t involved with taking care of children in some fashion: see Rita Skeeter, Dolores Umbridge, Bellatrix Lestrange. This is also (I think) why Harry names his kids specifically after Severus, Sirius, and Albus. Since they’re good men, JKR had to find a way to give them kids after the fact. 

So yeah. I think we were meant to read Tonks and Lupin having a kid as kind of a reward, or at least as proof of their intrinsic goodness. There also just isn’t another guy in the right age range to ship Tonks with. The only other option is Sirius. 

(Harry in the books and Lupin on Pottermore both suspect that Tonks/Sirius is a thing. Completely forgetting, I guess, that they're cousins.)

[sttoru]

i think toji would definitely tease reader about her oral fixation… like he would take his c*ck out but won’t let reader suck it and shit lollllll

DO NOT TOUCH

sypnosis. toji decides to not let you have your way this time: no touching or sucking him off until he allows you to.

note. anon.. you’re sooo right, this started off as a drabble but it quickly turned into more than that mannnne toji fr got me in a chokehold istg, hope u enjoy though cus i added some more stuff + this is not proof read so excuse any bad grammar mwah

tags. dom!toji x female reader. age gap (reader early 20s, toji 30s), pwp, implied blow jobs, teasing, male masturbation, cum play, dirty talk, reader gets called ‘princess, little girl, doll,’ toji’s a real meanie :>

all you wanted was to give toji what he deserved after a long day at work: a good and stress-relieving blow job. you’ve always enjoyed pleasuring your lover since it gave you the satisfaction you longed for; to have his cock deep inside your mouth, sucking and slobbering all over it while his low groans and grunts filled the room.

and yet, there you were now, sitting on your knees in front of toji whose green eyes were glued to the television instead. there was a subtle, lopsided grin on his face as he acted like he didn’t seem to care about what you were needing to do.

that man knows how much you like to suck him off. you’d do it whenever toji gave you the chance—which was almost every other day. he can never say ‘no’ to your desperate begging and especially not if those pleas involve your nasty desires to satisfy him. it made you look kind of pathetic, but the good kind. the kind of pathetic that made toji’s cock swell in his pants.

on most days, he would let you get to work immediately and shove his cock all the way into your wet mouth, though today was different. toji stopped you mid-way before you could have any physical contact with his dick that was now on display—pre-cum just begging to get licked off.

toji told you to have some patience and let him finish the show he was watching. it wasn’t even a show he was interested in; he just used that excuse to tease you as you sat there, wiggling and squirming impatiently between his legs.

“toji, please?” you pout as you nudge his thick thigh, feeling the muscles tense up ever so slightly, “can i? please?”

“no is no, princess.” toji mutters absentmindedly, one of his hands starting to stroke his hard cock in deliberate movements, “let me watch my show and i’ll consider y’r offer afterwards, yeah?”

toji’s thumb slid over the tip, rubbing the slit a bit, spreading the leaking pre over the flesh while he continued to act like he was watching the boring show. truth be told, that man had been looking at you through his peripheral vision this entire time.

toji loved torturing you in such ways. it brings him the greatest of satisfaction since he’s able to witness how desperate you could get if he didn’t allow you to suck him off.

his elbow was propped against the back of the couch, head leaning on one hand while the other continued to touch his cock in painfully slow motions as if toji wanted to let you see every single detail— from how his cock twitched in his hand to the way his calloused fingers were gliding over the length.

“such a good little girl,” toji whispers in a low tone, eyes flickering down to look at you. you were so focused on his cock, mouth watering and eyes seemingly in a trance which you couldn’t break free from, “y’re patient, ain’t ya? i wonder if you can keep that up ‘til i finish.”

you shake your head twice and look up at toji with a pout, “wanna taste it, please? wanna have you cum down my throat.”

your dirty talk never fails to rile toji up, however the need to tease you overwhelmed his desires of letting you have your way. as much as toji wants to see you swallow all of his hot cum while your mouth was still stuffed full of his length, he also wants to see your yearning and powerless self.

“what if i don’t let ya?” toji mocks, using his free hand to lift your chin up, thumb rubbing over the skin so you could stare him, “what if i wanna cum on that pretty face of yours instead?”

his green orbs darkened a bit as the image of your cum-covered facial features flashed before his eyes. toji speeds up the pace and starts to jerk himself off even faster, wanting to make that imagination of his a reality. toji doesn’t care in the slightest that you were trying to sugarcoat him into letting you fulfill your own needs;

“mhm, but i wanna taste you.” you mumble as your gaze falls back down on toji’s fat cock, the tip swollen and the skin of it moving back and forth simultaneously with his hand motions.

toji simply grins at you. you were so insistent and demanding, yet also looked extremely submissive and powerless on your knees for him. it was cute to see you try and act like you were the one who orders him around.

“is that an indirect order that i hear, little girl?” toji hums in amusement as the fingers of his free hand brush over your lips, “i hope it isn’t, because i’ll do what i want.”

a small pause intensifies the tension between you two— the clash of desires visible in both of your lust-filled eyes. the older man licks his lips whilst scanning your appearance, his focus lingering on your small hands that were resting on his thighs, nails slightly digging into the skin to prevent them from reaching out to grab his dick and put it in your mouth.

toji would’ve never guessed that you’d be this needy for him when he met you a couple months ago. in his mind you were this younger, shy and innocent-looking girl that seemed like she didn’t have much experience in the sexual department. little did he know that the shyest people had the wildest thoughts.

“and what i want right now,” toji finally continues as he felt the pleasure building up to its peak, “is to cum on your face.”

protests were about to spill from your lips, however there was no time to do so as toji roughly held your face in place— grunting and groaning your name as his entire body tensed up to reach that release, “fuckkk— ‘m gonna cum whether ya like it or not.”

the moment you shut your eyes tightly, is also the moment it happens; you felt spurts of hot cum spill and coat your face entirely. the sticky fluid dribbled down your forehead, nose, cheeks and chin.

toji breathed heavily, chest heaving and dick still twitching as the long ropes of cum turn into small drops that trail down his length. and as expected: finishing all over your face was definitely worth it.

“lick it off, doll.” toji commands through a mean grin and you instantly do as told. you stick your tongue out, gather any cum that got on your lips and the corners of your mouth before using your finger to collect all that’s left over.

“that’s enough of a reward for ya.” the older man adds as he quickly grabs a tissue from the nearby coffee table to clean the mess between his legs—not even giving you one since the scene in front of him was too pretty to erase.

toji lifts his boxers back up, sighs in relief and focuses back on the television screen with a bored expression. you frown as you licked the last bits off your fingers and helplessly tug at toji’s boxers; a futile attempt to get his attention back. toji wasn’t going to give you any of it until he decides to.

and right now, all he cares about is catching small glimpses of your pretty, cum-covered face every now and then. your lover had zero intentions of allowing you to suck him off. in fact, he might even start masturbating to the sight of you once more, just to tease and drive you insane;

“how ‘bout i cum on your tits this time?”

maybe he’ll stuff your mouth full afterwards. just maybe.

[anarchy-and-piglins]

So, concept for a dark SBI au with that trope I mentioned about SBI literally 'humanizing' Techno.

All of SBI are superheroes. They work for the hero association.

Phil is the oldest on the team. He joined the hero association very early on, wanting to be part of something genuinely exciting and new. And he got to witness firsthand how the association started out with such good intentions, but quickly went the way of all operations that have government and money involved. Despite this, he stays on. Because he wants to make a difference.

Wilbur, his only son, followed in Phil's footsteps. He's a bit of a 'the ends justify the means' guy and does the hero work mostly because he thinks it's fun, but Phil is just proud his son is having a good time while also helping people.

Tommy, youngest on the team, is a real hero. He wants to save people. He's excitable and eager and quick on his feet, and was put in the team because he needs more experienced heroes to balance him out and learn.

And then there's Techno.

Techno is a little different, in that he never chose to become a hero willingly like the other three did. He was raised to be one (think baby experimented on by the association to give him powers, or perhaps just an orphan who was taken in by them when he showed potential). Techno doesn't mind being a hero, he's good at it. He has a strong sense of justice, he's competitive, he likes the hero work itself. It's just that being a hero is also all he's ever known.

The association raised him to be their strongest weapon, their greatest asset.

SBI is pretty insubordinate at times, and cut corners when it comes to the association's protocol. While they deliver good work they also like to do it their way. The association places Techno in their team as the fourth member, hoping that Techno's general sense of duty and calm-under-pressure attitude will do SBI some good.

They will come to regret this decision.

All four of them grow close, and over the span of a few years turn into more of a found family than coworkers. And as this happens, it becomes impossible for SBI not to notice how the association treats Techno differently. He's often pushed harder, and reprimanded worse when things do go wrong. He overworks himself and has been taught to never ask for help, preferring to deal with stuff by himself, even when injured or sick. He's stubborn as a mule too, so he'd never admit this was an issue. When Techno isn't working with them, he's either doing other stuff for the association or training. Techno has no life outside of hero work.

Techno does admit sometimes in conversation that there's other stuff he'd like to do. Maybe in another world where he does not have these powers, he'd be a history or English major. He'd like to try fencing, or gardening, or the violin. He'd read more.

But it is what it is.

SBI disagrees, and try to push Techno (unsuccessfully) into thinking about himself more. The more they start to see Techno as a person, the more it seems like the association doesn't.

Eventually, Phil even goes all the way to the top, complaining to the higher-ups about Techno's situation. They smile wryly, and suggest that maybe Phil has reached an age where hero work isn't for him anymore. He should take their offer of early retirement, before an incident happens and forces Phil to be dishonorably fired.

Phil is outraged, but he does take the offer because he has no choice. Wilbur and Tommy quit on the spot, equally pissed. They want to find Techno and convince him to do the same, but there's a small issue.

Techno doesn't have the same type of contract as them.

While SBI can leave, Techno can't. The hero association owns him in all ways that matter.

Obviously, the association is also quick to kick SBI out and cut off all contact. They tell Techno that Phil asked them to retire because he didn't want to be a hero anymore. And that Tommy and Wilbur chose to quit, not wanting to be on the same team as Techno without Phil around. Techno is very confused. Especially as not long after, SBI returns... as villains.

Now Techno feels confused AND betrayed.

Meanwhile, SBI will stop at nothing to get Techno back, even if it means gradually slipping further and further into villainy. They're completely disillusioned with the hero association anyway. Techno is strong, outpowering even all three of them. It takes a lot for them to finally kidnap Techno after several failed attempts. And when they do, Techno is going to fight them every step of the way. Not to mention the hero association is not going to let them take their treasured weapon easily.

Techno keeps insisting that they're in the wrong, that he'll get away from them, that being a hero is all he's good for, all he's made for. As long as he has these powers, he has an obligation to use them and be a hero.

SBI agrees.

As long as Techno has these powers, he will never be free. He'll never stop seeing them as a duty, and the association will never stop trying to take Techno from them.

Good thing that they've been working on a little something. A serum that will nullify Techno's powers forever. And then he doesn't have to worry about a thing anymore. SBI will take care of him.

Losing his powers is the only way Techno will be happy, even if he doesn't realize that himself.

As they prepare to inject him, they tell Techno what they're about to do. Techno is angry and horrified, and tells them that if they do this, he will never forgive them.

Phil just smiles and says that's a risk they're willing to take.

[thenationofzaun]

Flashbacks in Arcane

Remember the flashback cold opens in many episodes of Arcane Season 1? Each flashback was focused on a specific main character, and it provided further context for the character's arc or their storyline in that particular episode. Examples: Episode 1 - Vi and Jinx on the Day of Ash, Episode 2 - Jayce and the mage, Episode 3 - Silco drowning, Episode 5 - Caitlyn and Grayson, Episode 6 - Viktor and the toy boat, Episode 8 - Mel and Ambessa. The only ones that didn't have them are Episodes 4, 7, and 9. What's interesting is there was originally supposed to be a flashback of young Ekko attempting to rescue Powder from Silco, only to discover she goes by Jinx now and doesn't want to leave him. This flashback was cut and instead, we got the Misfit Toys music video in episode 7. Little did we know this was foreshadowing for Season 2 doing away with flashbacks completely and going full throttle on flashy musical montages at the expense of storytelling. So here are some flashbacks I would liked to see in Season 2:

- That same Jinx and Ekko flashback. Since they removed it from Season 1, they really should have included it in Season 2. Rather than an AU episode of Ekko romancing a different version Powder, he should have had more organic development with the Jinx we actually know. Grappling with the past of her rejecting him for Silco, then the present of her warring with Piltover and gaining followers, and debating whether he should ally with her against topside. Whether he can bring himself to after everything she's done. Give the Firelights a voice too. Have them all have differing opinions, with some of them taking Sevika's stance (topside is the real enemy) and others being more reluctant (Jinx has killed too many of us, we can't ever forgive her). Of course, this would require Ekko to be involved with the sisters' and Piltover vs Zaun storylines rather than fucking off to deal with the Hexcore and multiverse mumbo jumbo.

- Caitlyn and her mother. Considering how much grief over Cassandra plays a role in Caitlyn's arc this season, there should have been scenes of them actually bonding. All their screentime in Season 1 showed a strained relationship with not a single happy moment between them. Then in Season 2, she only tells Jayce about how they used to go to their secret garden together and it's one of the few places they never fought. Would have been nice to actually see that.

- Vi's time in prison. For a character that was going to join the enforcers and throw other Zaunites in jail, her own past of being imprisoned by an enforcer should have been relevant. I would have liked to see a young Vi fresh after the events of S1E3, thrown into a cell and desperately fighting to get out. Show us a time lapse, how after multiple escape attempts and the subsequent beatings and torture, her resolve broke. Show how present Vi is actually affected by prison trauma. Show us how she reconciles her past with becoming an enforcer in the present. This show acts like Vi went on vacation to the Bahamas during the S1 timeskip. That's how irrelevant her time in prison is treated.

- Jinx being raised by Silco. Jinx spends this season mourning Silco and debating whether to continue his mission of fighting Piltover for Zaun's independence. Would have been nice to see her reminisce on her past with him - him lecturing her about the Nation of Zaun, encouraging her to keep developing her talents, telling her to believe in her own strength, reassuring her that she isn't worthless. Was thinking it'd be cute for it to take place in his underwater lair with him showing her the shark-like monsters and telling her how beautiful he finds them, then cut to her holding Fishbones in the present.

- Jayce and Viktor's bond. This was the season of Jayvik divorce and remarriage. Also the season of Hextech Getting Out Of Hand. Would have been cute to see their past working together on the early days of Hextech. And how for a long time they were the only ones who understood each other and each other's only real friend. "Remember the Innovator's Competition?" :')

Of course for all this to work, a lot of shit would have to be cut from this season and the plot would have to be focused on Piltover vs Zaun.

[eurothug4000]

INTERVIEW ON THE MAKING OF THE CANCELLED MMORPG NINELIVES

Ninelives is the most beautiful RPG that was never completed, but can still be experienced as it was left. As part of my video on the game (now up for early access on Nebula), I also interviewed Tota of SmokymonkeyS on its inspirations and development before its suspension in 2016.

What would you say are your main inspirations for the art style in Ninelives? E.g. other artists, film, games, literature, history etc.!

I was a huge fan of Adventure Gamebook when I was a kid. Well, maybe you don't know what that is. Please read the wiki if you need: https://en.wikipedia.org/wiki/Gamebook. I was reading (playing) translated oversea gamebooks well, and love the inner artwork especially what draw by monochrome. I had never seen pictures like that before, and had a strong impact on me. So, I wanted to make a gamebook by my self. When I started making my own gamebooks, I learned a lot about how games are made. That's because a gamebook is a medium in which the player can see all the source code. At first I started making gamebooks because I was attracted by the artwork, but my interest eventually shifted to making the game itself.

Related to the above, do you take a lot of inspiration from real world cultures and places? Are there any that you particularly gravitate towards?

I like the mixed culture, like Chinoiserie in France at the 17 century. Plus, since I'm Japanese and this country has always been greatly influenced by China. So I'm not limited to any one of these cultures, but trying to create as I am influenced by all of them. Sometimes people say that what I create looks Japanese, Chinese, or Asian, which is neither correct nor incorrect. I try not to be only of a certain culture when I create. That's because I want to create an imaginary world that is somewhat like reality, but slightly different.

Why did you want to make Ninelives?

Ninelives was the first game I ever thought of making, I think when I was about 17.

Do you think Ninelives being in an unfinished state provides a different atmosphere when playing the game and exploring the world?

I don't particularly think so. The atmosphere of the game is still complete. I wanted the game to be a relaxed, free-roamed adventure for players.

I wasn't certain during my research, so I wanted to confirm if Tomomi Sakuba was involved in Ninelives in any way?

Yeah, Sakuba was involved in Ninelives lots of ways. As you said, he did some of the texture pictures for flowers, plants and tree leaves. He also drawn the world map and area maps of the game like below: http://www.smokymonkeys.com/kyrill/index.asp?direct=138 He actually walked around the world by himself to make this. He was one of the most earliest game tester of the game. Oh, and I have to tell you this. He's a voice actor of male Nightbreed and Elf! In addition, his wife did some of creature voices. Her voice is also used on Triglav too!

What are your own personal thoughts on Ninelives? Is there anything you would drastically change looking back on it? Or any big changes you would want to make if you were to continue development at any point?

Ninelives was too much for me in many ways. It was a world I had been thinking about since I was young, but there were too many things to actually create to handle, and in that sense it's exactly the dream a child thinks about. We are a team of two in SmokymonkeyS, but one of us is in charge of programming and system engineering, and the game itself was created completely by myself. I had to create all the pictures, models, terrain, music, and story by myself. Now if I'm going to make something, I don't make it on such a large scale anymore.

Apart from the Switch release for Garage and occasional updates on Triglav that you mentioned before, is there anything that SmokymonkeyS are working on for the future?

Not yet so far.

I noticed your banner on the official website (http://www.smokymonkeys.com/kyrill/index.asp) has a character on a train platform, I wondered if that might be a future game?

Once it was. It was a previous project of Triglav for mobile. But it was going to be on a larger scale again, so we decided to port Triglav before that. There are no plans to make that game now. But I may make another game with that worldview and atmosphere. For example, as a mobile game.

A big thank you to Tota for taking the time to answer my questions! You can find SmokymonkeyS and their games here:

[sunshine-zenith]

I mean. If A New Wish takes place roughly 20 years after the original series (which seems to be the case since Vicky was 16 in the original and is said to be 36 here), then wouldn't Peri be RIGHT at college age?? Why is he immediately going into childcare instead of spending some time partying at the club.

Like I kind of get why he keeps getting distracted by his parents- he literally hasn't seen them in years and there doesn't seem to have been any contact between them during that period. Who was raising him while Cosmo and Wanda were gone. Is he still the only fairy born within the past ten thousand years. Did he cope at all with suddenly losing his brother forever, or is he just repressing it like he's apparently subconsciously been doing with Vicky and who knows what else. Peri and Dev can go to therapy together

This ask got me seriously thinking about the timeline between FOP and FOP:ANW, especially in relation to the Cosma-Fairywinkles

So Wanda and Cosmo’s ten thousand year long vacation obviously involved time travel, and from how both Wanda and Peri words things, it sounds like he wasn’t there with them, at least for the last part of it — she specifically says they lost track of him during those ten thousand years and he specifically call it their (his parents’) vacation, not our vacation. That said, this trip, again, obviously involved time travel, meaning that while ten thousand years passed for Cosmo and Wanda, they might’ve only been gone for a few months for Peri. While that’s still a super long time, given how old Cosmo and Wanda are, it might not be that long for them (ex I was talking about school timelines with an older coworker, and she said that while an extra year is a long time for someone in their 20s, like me, for someone in their 40s-50s like her it’s nothing)

That said, even if the vacation wasn’t that long from Peri’s perspective, Peri specifically notes he hasn’t seen them since they got back from it — we don’t actually know how long Cosmo and Wanda were living as a “normal retired human couple” but it’s been long enough that they at least know some of the local celebrations (the lightbulb-ice cream parade)

Wanda and Cosmo don’t seem like the type of people to abandon/neglect their kid, especially after something as presumably tragic and traumatic as their sibling completely forgetting about them, so I’m just gonna assume that they either didn’t start their vacation until Peri was old enough to be on his own, or that they took Peri with them and Peri broke off from them early on when he reached the age of majority

Cosmo specifically notes the year 2001, which is a reference to when the original show started airing. This also technically establishes 2001 as the year Peri was born, since Timmy doesn’t age over the course of the series (ignoring timeline shenanigans from later in the series that ended up being reversed anyway) (also Peri is officially Gen Z rep)

I’m gonna say that ANW takes place in 2023-2024, since that’s when it was animated/aired, so about 22-23 years from the original series, which works with Vicky being said to be in her late 30s-early 40s and AJ looking to be in his early 30s (plus for all the fantastical elements these shows include when history is concerned — ie every they do with dinosaurs — this writers do seem fond of establishing political events in the series as matching the real world — ie Cosmo getting emotional over Obama and wanting to go back to those days. Establishing the show as being 2024 instead of 2021 gives enough distance in universe from quarantines that the writers can get away with not mentioning it. If it was meant to be set in 2021, I feel like the writers would include some kind of reference — a throw away line establishing it as something that did/didn’t happen in universe)

We don’t know how fairies age, how long it takes them to reach the age of majority, but yeah, Peri just feels very Young Adult coded, and him being 20-23 just kinda works with his character. He comes off as someone fresh out of school working their first real job and being blindsided by how different it is from what he expected/studied. Assuming that he aged like a human up until adulthood and assuming that Cosmo and Wanda waited until he was old enough to study on his own (18) in a safe environment (a fairy academy presumably), that means it’s potentially been 2-5 years since he’s seen them and that he spent his adulthood/adult education without them — no wonder they still see him like a kid while he wants them to treat him like an independent adult, he was basically still a kid going off to school when they last saw him while he had years of his own to give the adult thing again (again, in a hard but semi-sheltered environment that would be a school in fairy world). It’s possible Cosmo and Wanda are overcompensating for the thousands of years they missed (for them)/missing important events like graduation (for Peri)

It makes me think of the fact that the writers specifically named the robots that care for Dev and fulfill his demands (ei what ends up being Peri’s job when he comes along) “au pairs” — an au pair is basically a cross between a foreign exchange student and a nanny, someone (typically a young adult) from a different country who moves in with a local family and helps take care of the children and house in exchange for a living situation, and many au pairs specifically take on the role while studying at a local university. That’s not too far off from what Peri/a Fairy Godparent’s role is

All that out of the way… yeah Peri should be in the club. BUT who would he even go out with? Yes he had similar aged peers in the original series (Foop/Irep and Goldie), but we don’t actually know if fairies started having kids again after he was born. If he had classmates as an adult, they would likely be fairies much older than him returning to school, so people he might not easily relate to

Thinking about it, it starts to make sense why Peri was given such a hard case for his first godkid — fairies can chose to go into retirement but for the longest time couldn’t have children, so there wasn’t anyone to take up the jobs they leave behind. In the original series there was a fairy godparent shortage that probably only got worse as fairies working that job got to the point of “okay, this is my last child, I’m done after this.” Peri was possibly one of the only fairy godparents available (who else would go to Dev? Cookie? The fairy still pissed off at Cosmo and Wanda and going after Hazel? Please, she’d probably refuse before even looking at Dev), plus he didn’t have anyone experienced to give him advice going into things, so he couldn’t, say, negotiate for an easier kid to start with or something before taking up the job

Peri is a young adult with almost no one to relate to, choosing a career that he views as “the family business” to make his parents proud, choosing a career he automatically has a unique relationship to because of the timing of when he was born and who he grew up with, who has a strained relationship with his parents because of years of (unintentional but still) no contact (not to mention the very real family loss of having their other kid/his big brother basically go away forever and completely forget about them in the process, which can’t be easy to navigate), who’s working a hard job with no experience and seeming no resources

He really was doomed from the get go, wasn’t he