#This is not the only thing I’ve drawn this year

[albaskies]

‘You didn’t have to do that, you know.’

His voice lingers in the air like a sweet scent of honey, and pulls her to a halt just before she reaches the stairs leading up to the dormitories. 

Ginny turns, drawn by the ever-familiar sound that still makes her heart sing despite herself, and finds Harry slumped in a solitary chair at the far end of the common room. His head rests in his hands, his shoulders seem stiff under the weight of his own exhaustion. And yet, his voice is soft - so soft that she wonders if she’s imagined it. It’s only when she notices his gaze fixed upon her that she has the confirmation that it was not just a trick of her mind.

The quiet in the room is mitigated by the gentle crackle of the fire, its warm glow flickering across the walls, and by the occasional whispers of a few lingering Gryffindors, not yet ready for sleep.

She smiles gingerly and draws closer to where Harry is sitting, the air around them feeling somehow thicker and thicker at every step she takes towards him. She is sure, quite sure, to notice his posture relax, his muscles loosen, and for a fleeting, desperately terrifying moment, she just knows — he feels it, too. 

She stops right in front of him, her knees slightly brushing his, and she realises she’s been holding her breath.

‘Do what?’

She knows what, of course, but her throat has suddenly gone dry under the weight of his unwavering gaze, never once leaving her.

He smiles tentatively, and it still feels unreal that she can make him do that, that she can be the reason for it.

‘Well.’ He shrugs. ‘Telling people off on my behalf.’

She hums, then winks at him. ‘You looked like you needed saving, and I do have a debt to settle.’

He snorts, the glimpse of a short-lived moment of lightheartedness brightening his eyes, then quickly shakes his head, coming back to reality.

‘Everyone is right to be disappointed, especially you’, he says, then pauses, staring at her intently, struggling to find the right words. ‘Because I-’.

What he did remains hanging in the air, his voice breaking right in the middle of it. She tries to contain the urge to sit on the armrest of his chair and to throw her hands around his neck, holding him tight, telling him it’s OK, he’s OK, and they’ll be just fine. 

Instead, she looks at him, faking a shrug to dissimulate a shiver.

‘You took orders from something someone wrote in a book.’

There’s another pause, a beat, and the air around them suddenly feels unbreathable.

‘Yeah.’ His eyes flash before her, and she feels them burning on her skin, like the scariest and yet most beautiful thing she’s ever seen. ‘I’m very sorry, Ginny.’

How do you tell someone, you know, I think I’m in love with you. I think I’ve been for the longest of times and damn you, damn you, for looking at me like that right now. Just when I had almost moved on, just when I had almost let you go. Damn you for having those eyes, that face, those hands. I’ve spent so many sleepless nights over the years, but your smile is the most beautiful sunrise I’ve ever seen. I want to spend my days telling you about it, laughing with you, crying with you. I want to kiss that sad frown away from your face and make all this disappear. I want to take your pain away, I want to make you smile like you do until the air in my lungs runs out. I want the good, I want the bad, I want it fucking all.

I’m so screwed, she concludes. She gives in, stops resisting. I’m so fucking screwed.

[ko-existing]

I am the kind of person that’s really into sociology and politics, for years since I was young I’ve been so completely involved in this kind of life and figuring these kinds of patterns, I’ve written and published notes and essays and what-not. I just found out about AV/ND and I realise that this is the first time I’m having my intelligence actually tested, if I’m willing to see past what my eyes see and what my mind tells me - to understand and know that there was never a me. Because I’ve stood believing and acting upon the entirely opposite story, labels upon labels I’ve given myself.

This seems so difficult, how can I just give up and not care about any of this? It seems so real and I feel like an idiot if I just do nothing and say it’s not real when I can see it. I WANT to know myself but my own mind is telling me not to, that I shouldn’t, that I’ll be an idiot if I even tried. It’s a seemingly real battle I have to fight .. with seemingly no one.

Seeing through what seems to be doesn’t mean dismissing 'your' 'passions' or "not caring" about anything. Realizing the foundation of it all, " " / "awareness" , doesn’t imply abandoning "life" or becoming indifferent to things that seem to matter to you. If you’re drawn to sociology and politics, explore them.

I like reading articles about planets, the universe, antarctica, learning new languages and watching videos about how much Elon Musk / Tesla sucks.

Recognizing everything as an appearance doesn’t prevent you from engaging with it—it only shifts how you relate to it and noticing the foundation, everything = nothing, gives way to infinite experiences.

Just like how in a dream, you might engage with others, feel emotions, or explore interests without questioning the dream itself, here too, there’s nothing wrong with engaging in what interests you. Are they Actuality? No.

Even monks, who are often symbols of detachment, still eat, chant, study, and do their roles in the monastery—they don’t simply sit and let days drift by.

So if sociology, writing, or political thought interests you, follow it. None of it changes the underlying reality, and it doesn’t mean "being indifferent." It’s simply a deepened Knowing that while you’re engaging fully, you’re also noticing that the "you" who engages is not as separate or fixed as it might seem.

[janamensch]

I’m looking forward to spring!🌸🌼

[a-sketchy]

potatoes of indeterminate size

[aroaessidhe]

2024 reads / storygraph

The Sword of Kaigen

standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors

follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city

and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage

when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people

[royaltea000]

It been 5 hours snice you last posted

GET BACK TO WORK!!! 🤬🤬/J

“Yes, my liege…” I mutter sadly while I walk back to the creative mines in a dejected manner. I look back with teary doe eyes, but everyone is too distracted by my enormous gyatt to notice my sorrow. 🥺

[twixfamily]

i completely understand being relieved that the bus hijacking arc is over, but i disagree with a few posts i’ve seen calling it unnecessarily long. for manga readers it dragged on due to how spread out the time before each chapter was (trust me, i was ready for some change too) but i think that reading it back in one go is far more impactful and cohesive.

in a series called spy x family you expect and emphasis on the FAMILY aspect, so it’s strange to see them not interacting for months on end while the manga updates. however, in keeping with the SPY portion the readers need to be both reminded and informed of the political landscape they’re dealing with.

yuri’s plot seemed a little inconsequential, but it’s supposed to show you that the sss is operating behind the scenes where you might not expect AND that some of its agents disregard their orders to carry out their own version of justice. twilight removing his disguise at the end seems lame when he doesn’t have an emotional reunion with anya, but again we’re seeing that even the readers were unaware of the presence of wise agents AND that sometimes they don’t actually accomplish their intended mission. yor arrived later than the other parents to give anya a moment alone with damian AND to show that she’s strong and fast and dedicated but can’t possibly be there to save anya every time she needs it. billy squire exemplifies the evil that war can push people to AND his genuine desire for a fairer world for the non-wealthy. it’s all about revealing the fight for power that has steadily grown to be more convoluted than westalis vs. ostania.

to focus solely on the family relationships and relegate the political atmosphere to the background does a disservice to the series and to endo’s intended message. yes, family makes unrest and war easier to endure. had twilight’s parents survived he likely would’ve had an easier time emotionally and been less likely to engage in such heightened violence (the same could be said for yor). but that doesn��t eliminate danger, ESPECIALLY the danger that is often hidden from the public eye.

you’re supposed to feel exhausted reading this arc, you’re supposed to want it to be over, you’re supposed to long for an emotionally satisfying ending and feel somewhat let down at the lack of a grand reunion. but that’s their reality. they long for the same thing that you do. they can’t have it. so you have to wait and want and hope for a happy ending to the story right alongside the characters.

[simcardiac-arrested]

rewatching the achilles animatic again and even though every frame was a new different special kind of torture it was still fun. Sometimes. therapeutic even one could say

[quietwingsinthesky]

sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.

which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.

and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.

and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3

in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.

it was interesting, if nothing else. let thirteen year old me cook. she had ideas.

[cuteniaarts]

Fanny, my sweet, beautiful girl

17.11.2012 – 14.04.2019

[leviiackrman]

Of my 29 OCs… I have 1 left to draw…

[ziraconarose]

Thinking a lot about how she probably would have been the one person to sympathize with his motives if there had just been a conversation.

[aroaessidhe]

2024 reads / storygraph

Stuck In Her Head

short contemporary YA coming-of-age set in Hong Kong, following two teen girls who are friends

one is a musical prodigy but has lost her passion and wants to explore different possibilities for her future

the other is passionate about music but dealing with mental health & family issues

the latter develops a crush on the former, who is aroace, and they have to re-navigate their friendship, while working on a music/coding competition project together and dealing with their own issues

[chaoticbuggybitchboy]

Fighting the urge to start yet another collection of things knowing that I already have so many things that’ll hurt so bad to pack up when I move out. I can start a tape collection after moving out.

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[aurumalatus]

𝐭𝐮𝐫𝐧𝐟𝐢𝐫𝐞 [𝐩𝐫𝐨𝐥𝐨𝐠𝐮𝐞]

pairing. kinich x fem!reader

word count. 700

genre/warnings. childhood friends to lovers, slow burn, fluff and angst, drabble collection

summary.

in which kinich learns the value of all things: lives, friendship, and, of course, you. or, in which kinich realizes that you are the only priceless thing in this world.

author's note. this is just a short prologue to show how things end (yay happy endings!), but the two have a lot of trauma to go through before they reach endgame. i love kinich's character and design so i'm excited for this! interaction is highly appreciated :)

𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐧𝐞𝐱𝐭 ↣

Kinich thinks he’s loved you since forever.

He has no way of proving that, of course; those years are long gone, and even if he had the opportunity to ask, he’s not sure his younger self would have a comprehensible answer. He can only see now that he’s come so far, when the memories are too murky to make sense of but the warmth remains—when he thinks of your smile and feels something akin to the weightlessness of grappling and flying through the trees.

He says “forever” because he really has no idea when it started—the realization came far after the feeling. He’d been before school age when he met you for the first time, and it’s been over a decade since then.

“Kinich!”

Your call interrupts his thoughts, and his gaze is drawn skyward—you’re standing somewhere far above him, on one of the walkways lining the cliffs of the Scions of the Canopy. You’re waving so wildly and ridiculously that it almost makes him smile.

“Are you coming down?” he calls through cupped hands, well-acquainted with this kind of long-distance communication. Sound tends to echo well between the cliffs here, and he’s sure you heard him when you offer an enthusiastic thumbs-up in return. 

“Yup! I bought a few things, so I was hoping you could help me carry them home!”

Kinich rolls his eyes teasingly. “Somehow I doubt that you have enough Mora left to afford my services.”

You pout in reply. Ajaw decides to appear then, a malicious puff of smoke over Kinich’s shoulder. “Of course not! You better not be making fun of me, letting some mortal treat you like a servant! The Almighty Dragonlord, K’uhul Ajaw, won’t take this kind of disrespect—”

Ignoring his wordy introduction, you call down to Kinich again. “I’m coming down! Think fast!”

“—Don’t make me lau—wait, what?!”

Even Ajaw yelps in surprise as you take a running leap off the walkway, freefalling fast down the plane of the cliff. If he were any younger, Kinich might’ve had a heart attack. But you’ve been pushing your luck with him for years, and it comes as instinct when Kinich grapples up, deftly catching you in his arms with a light ‘oof’.

You’re holding a few boxes in your arms, he notices, and you smile. 

“I bought some Puff Pops for us to share later. I was thinking we can do some climbing, or there’s this cave I’ve been meaning to explore.”

His heart does a sort of flip that cannot be attributed to the way you fly through the sky. It’s all so much: the sensation of your warmth pressed against him, the scent of the wind rushing past, and the laughter of his tribe members below. Their eyes shine as they watch the two of you pass above them, chuckling at the familiar sight. 

And really, he can’t remember ever being this happy. When he thinks of how much it took to reach this point, the heartbreak and trauma aren’t the first things to come to mind. Instead, it’s you. The way you held him, the way you cried for him, the way you chased him. Always laughing, always in love.

Too lost in his thoughts, he doesn’t notice your curious stare for a moment. You poke at his cheek, and he startles, nearly dropping you both.

“Is something wrong?” you ask shyly, suddenly self-conscious of the box in your hands. “We don’t have to do any of that. Really, if you have a high-value job or something, I understand.”

Ajaw decides to butt-in again, reddened with rage. “Yes, all of that sucks! I mean, seriously, don’t you have anything better to do—”

“No, it’s great,” Kinich murmurs in reply, flicking Ajaw away with a strong hand—the Saurian’s roar dissipates with the wind. He holds you tighter against his chest. There’s nothing worth more to him than you. “That all sounds really, really amazing.”

As the two of you burst through the trees, laughing the whole way, he thinks that it doesn’t really matter when he started to love you. All that matters is that he doesn’t stop.

Kinich thinks he’ll love you forever.