#There might be more about her work exploits

[esamastation]

Gamer girl gets transmigrated into a farm boy Chapter 4 [<<Prologue | <Chapter 3 || Chapter 5>>] Ao3 link

-

So, gambling turned out to be a bit of a bust. It's not a complete loss, though, Van did multiply his starting bid of five silver to seventy four silver pieces in total. Compared to using exploits it's nothing - Katie could've made that in her sleep, if the NPCs still worked like they do in the game. But seeing that it's still in the very early tutorial section… it could be worse.

And then there's the level up. Van's very first this time around. Cue the confetti…

[Farmboy] [Van] [Lvl. 2 Commoner]

It feels pretty good. And what's waiting below in the stats screen is even better.

[You have 2 unused Stat Points.] [You have 1 unused Skill Point]

The first ones always feel a bit special.

In Age of Tales you get two status points and one skill point each time you level up and can then allocate those points as you wish on your character screen. It's not the only way to get points - there are quests, special items and a couple of accessories that affect how you accrue points - but until you're making real money in the game, you're stuck with what level ups dish out. Which is fine - early levels until about lvl. 20 are pretty cheap.

Of course, Van doesn't have a class yet, and so no skill tree to assign his shiny new skill point to - but he can assign his stat points, if he wants to. Which brings up the question. 

What is he going to specialise in this time? 

Van's got the base stats for an easy start as a Paladin, obviously - but Katie just did a Paladin run, and while it was fun, she wouldn't say it was so great that she's eager to repeat the experience. Especially if this really is a transmigration isekai situation - which she's still not thinking about, thank you very much, that's an existential crisis that can wait until nightfall.

At any rate, getting stuck forever as a Paladin would be… well, it would probably be fine. It was alright, playing the goody two shoes lawful good himbo with a heart of gold. It went great with the whole cliché secret chosen one and the lost heir to a great house thing at least… not that there were more than, like, three characters in the whole game who even acknowledged the player character's class. Van got pretty much the same reaction from everyone regardless of whether he was a Rogue or a Wizard or Paladin - it was just the big black and white moral choices that affected those sorts of things.

Age of Tales is Age of Tales-ing, what can you do?

Anyway, going at it as a Paladin again would be easy… but boring. Katie would have to think about it carefully before committing to anything. Though she hasn't quite ruled out the use of cheats yet and is still hoping that Van might be able to use exploits to his benefit later, the gambler showed her that things are different here. Never mind the fact that some features of Age of Tales are just missing, like the passive Wisdom buff. What if she chose a class with features that just don't work anymore?

Yeah, Van's next class would take some careful consideration, and she wouldn't be assigning his status points until she knew, either. Class selection wouldn't be until Urgol's Camp in Chapter 2, anyway, so there's no point fretting about it now.

For now Van has some silver to spend and shopping to do.

He considers visiting the fortune teller first, just in case the duplication glitch is still possible… but he doesn't have a gold bar, and the glitch never worked with anything else, and beyond that the fortune teller doesn't really do much. Also, he has The Incident to prepare for, too, and a limited amount of money.

So, with a full coin purse in hand, Van turns his attention to the market instead. First things first - weapon and armour.

The smithy stands on the other end of the market square, with smoke chugging out of its chimney at steady puffs. There are some shields on display in the front and a big wooden sword on top of the building, advertising "Blakeley's Blades - in business for more than three generations!"

"Hello," Van calls, entering the place.

Inside the air is hot and thick, with the smell of smoke and metal hanging heavy in the room. In the background there's the steady clink-clink-clink of a hammer on an anvil - an apprentice, hammering out some nails in the back. 

"Welcome," an older teenager, eighteen at most, comes forward. "How can we help you?"

[Blacksmith's Apprentice] [Jaro Amagris] [Lvl. 15 Commoner]

"I'd like to see what you have for sale, please," Van says.

"Well, what we have ready is over there," the older apprentice says, pointing towards a table loaded with a number of wooden boxes and buckets full of different metal crafts - nails, candle holders, hinges… "But if you want something specific, you will have to wait until the master gets back - he's out on business."

"Thanks, I'll just take a look," Van says and moves to the table. 

Much to his delight, an Age of Tales shop menu pops up.

[Blakeley's Blades Blacksmith]

[Small Iron Nail - 10 copper pieces] [Small Iron Hook - 13 copper pieces] [Small Iron Clasp - 15 copper pieces] …

And so on, in a surprisingly long list from cheapest to the most expensive. It's a lot of small iron stuff, different types of nails, cloak pins, buckles and buttons, eating utensils, heads of farming tools, and so on and so on, ending with the most expensive items.

… [Cast Iron Skillet - 35 silver pieces] [Cast Iron Cooking Pot - 40 silver pieces] [Short Sword - 50 silver pieces] 

It's a lot more items than Van had been expecting - and yet, fewer weapons. There are plenty of knives - Cooking Knife, Lvl. 1, goes for a nice round 20 silver pieces while Whittling knife, Lvl. 1 goes for 25 - but there's no daggers or throwing knives or anything like that. There isn't even metal ammunition for a sling. There's just one short sword on sale.

And no armour whatsoever. 

"Do you not sell any armour?" Van asks, confused. 

"Er, no?" Jaro Amagris says, giving him a strange look. "We don't make armour, really, though I suppose we can give it a try, if you want to order some. Or you could try at the Madam Arbury's, they might have something."

Van blinks, confused. "Madam Arbury's?"

"The tailor," Jaro clarifies.

There's a tailor? "Oh, okay. Uh. Where is it?"

"It's just across from the church - big windows with dresses, you can't miss it," the apprentice says with a shrug. "I think they have some padded coats and stuff."

Huh. That's interesting. You could get some gambesons and the like in the game too, but all armour and weaponry was bought from blacksmiths. This is… different.

"What d'you need armour for?" the younger apprentice, a boy of maybe ten or eleven, asks from between his hammering. His eyes shine eagerly on his sweaty, soot-stained face. Van glances at the air above him.

[Blacksmith's Apprentice] [Denny Rivercross] [Lvl. 3 Commoner]

The kid squints at Van.  "Are you going to join the army or something?" he asks.

Yeah, eventually, unfortunately, if things follow game plot. "No, no, I just got a bit of money, and I always wanted to try it," Van says quickly and motions at himself. "I mean… I think I'd make a good warrior. What do you think?" He flexes an arm, just because he can. And because Van's biceps are massive.

The younger blacksmith's apprentice bounces a little, clearly full of barely contained kid energy. "Oh yeah! You could be a knight!"

The older apprentice snorts. "Yeah, I don't think size alone is enough to become a knight, Denny," he says, looking Van up and down. "Though it probably helps…"

Denny bounces again. "Jaro, can we make armour for him?" the kid asks eagerly. "I'm so tired of making nails!"

"Well, like I said, we could give it a try," Jaro answers dubiously, still eyeing Van. "If he can pay for it."

Van shrugs. "I might, I might not. How long would it take to make it?"

"Depends on what you want," Jaro answers, taking a hammer lying on a table nearby and swinging it thoughtfully. "Some things take longer to make. And whether you're fine with us trying our hand at it, or if you want a master to make it matters too. He'll be faster - but it will cost you more."

"Hmm… say I wanted a chest plate, a cuirass, and you made it - how long would it take you?" Van asks, rubbing his chin on thought.

Jaro shrugs. "I've never made one and we're pretty busy, so… maybe a week or two?"

… by which time, Van would be at Ulgor's Camp and Valthor's minions would've already torched Westbrook to the ground.

Assuming, of course, that events followed game plot.

"Hmm," Van hums, wondering. In the game there's nothing you can do to prevent the destruction of Westbrook and the Gylcross farm - no matter what choices the player made, a scripted event was a scripted event. But maybe here and now… maybe there is something he can do.

He'd know once the Rift was opened.

In either case, a week is too long - he needs the armour for the battle in town, and that's in three days - and after that, even if the town survived, he might not see Westbrook again in months, if not years. There's no point in ordering anything made here.

"Well, it was a nice dream," Van sighs, a bit disappointed. "I guess I'll try my luck at the tailor's."

"Uh-huh," Jaro the senior apprentice agrees, clearly unimpressed, and drops the hammer on the table. "Alright. Anything else we can do for you?"

With no weapon-worthy knives and the only sword on sale being prohibitively expensive with Van's meagre budget… "Any chance you might have any spears or something lying around in here?"

Jaro snorts at him, arching his brows. "Spears?"

"I just want something to practice being a warrior with!" Van says defensively. "Spears are cheap, right?"

The elder blacksmith's apprentice shakes his head, looking amused, and then thinks about it. "Actually," Jaro says slowly. "I might have something. If you're alright with the shoddy quality, I think we have some practice pieces left?"

He goes to rummage in the back of the smithy and comes back with three very rough looking spearheads made of pretty low quality iron, going by the little holes and pockmarks in them.

[Dull Spearhead, Lvl. 1] [Attack: 3] [Defence: 0] [Crafting material. Attach to a Wooden Pole for a Dull Spear Lvl. 1.]

Van studies the spearheads with interest. Huh. There was crafting in Age of Tales, of course - but the only weapons you could craft were different types of arrows, and those only if you played a Ranger. He'd never seen spearheads. Maybe with some crafting material, his crafting menu will unlock?

In the meanwhile, the younger apprentice has abandoned his nail and is coming to join them. "Jaro, did you make these?" Denny asks, poking at the spearheads interestedly.

"Yes - master was hoping to get commission from the Baron, so he had me learn how to make them," Jaro shrugs. "We didn't get the job, though, it went to a blacksmith in Elysia. Someone's relative." He rolls his eyes.

Denny bounces eagerly, looking up at him. "I want to learn how to make spearheads!"

"Figure out how to make straight nails first," Jaro snorts, pushing the kid back towards the anvil he'd abandoned. Then the elder apprentice turns to look at Van. "Anyway, you can have these for five silver apiece."

Van hums. They are pretty rough, but… they'll probably still be better than the tools back at the farm. "Throw in a sharpening stone and you got yourself a deal."

-

Things go a little better at the tailor. Emphasis on the little.

"Oh, dear me," huffs the very fashionable lady tailor holding the gambeson against Van's chest and tutting fretfully. "No, it won't do, this won't fit at all! I'm afraid it will never fit you."

[Tailor] [Alma Arbury] [lvl. 7 Commoner]

She's somewhere between her thirties and forties and quite pretty, as most female NPCs in this game are. She's dressed up like the NPCs in the crown city, in a multilayered, vaguely Victorian looking dress with many shiny buttons running in a neat line from her neck down to the very hem. She looks very much like someone who's well fit to catering for the rich and affluent.

It's pretty fascinating, since she wasn't in the game at all.

"Well?" Alma asks, squinting a little through her golden framed glasses.

Van looks down. Though the gambeson looks pretty legit, with thick quilting and metal clasps and everything… it also kind of looks like she's holding something made for a child, when compared to his torso. "Could you maybe… expand it?" he asks hopefully. 

"Oh, well," Alma frowns, leaning back a little to consider the issue. "I suppose I could add panels to the side… and the arms… and the shoulder…" she trails away and then tsks, folding the gambeson over her arm. "No, no, it won't do, it won't do at all, it would be a complete mess. No, the proper thing to do is to make a new coat from scratch. Yes, it will fit you perfectly and will be far less work for me!"

Van hums, watching her take the gambeson away. "Well, you're the tailor, I guess. How long would that take, though?" he asks worriedly.

Alma hums and waves a dismissive hand. "Oh, a day or two - it's not a terribly complicated piece of clothing to make, and I have some nice quilt ready."

Van sighs with disappointment. Yet another unexpected turn for realism, but at least it's better than a week or two. "I see," he says and mentally pokes at the System, in hopes that it might offer him a handy-dandy instant goods store.

It shows him the tailor's shop instead. 

[Madam Arbury's Boutique.]

[Handkerchief - 80 copper pieces] [Foot Wrap - 90 copper pieces] [Underwear - 1 silver pieces] …

And so on and so forth, all the way down to…

… [Men's Fancy Winter Coat - 67 copper pieces] [Fancy Evening Dress - 80 silver pieces] [Elaborate Wedding Dress - 1 gold and 10 silver pieces] 

Van mentally flicks through the store page with a sigh and then stops. What's this? Near the middle of the list there is, oh, is that A Leather Vest, lvl. 4? For meagre 20 silver pieces? Well-well-well…

He looks slyly towards the tailor. "You wouldn't happen to have anything else - like, say, a vest?" he asks and adds, leadingly. "Something that might offer a little bit of protection?"

"Oh, well," Alma huffs, adjusting her glasses, her lips pursing up in thought. "I suppose we can have a look at what I have in store, but I really don't think… no, maybe…"

She heads off, muttering to herself and leaving Van examining the boutique and the System's store window. 

It's interesting, and yet another proof of how much more… real things are here. While the building for this shop was in the game - and it had something like five identical clones in other towns and cities - it hadn't been something the player could interact with. Just window dressing, making towns feel more lived in.

Maybe it was in the cut content, and there'd been plans for a clothing shop NPC that hadn't been implemented. It wouldn't be the first time it happened, and there certainly were enough clothing items that there should've been a tailor NPC.

"Ah, here we go!" Alma calls. She's holding a brown leather vest up triumphantly. "Now, this, this is a tough piece of clothing, if I do say so myself! Nice and supple cowhide. Come here, let's see how it fits."

It doesn't, no matter how Alma tries to stretch it, the vest doesn't get anywhere near to closing properly. Van's chest is simply too big.

"Well, that's what you get for growing so big!" the tailor says, a little defensive, her face flushed with effort. 

"I didn't say anything?" Van mutters and then shakes his head, giving in to the inevitable and taking the vest off. Everything was so much easier in the game - because everything always fit the character perfectly. "I guess it was a bit much expect clothing to be ready made. Let's talk about the gambeson - how much would it cost to make it?"

Pretty much all the silver he has left, it turns it, and he wouldn't get the gambeson until the next time he was in town, but that's fine. He wouldn't need it until after the Rift, anyway. With haggling done - and belated introductions made - Alma moves to take his measurements

It's a bit of a new experience for Katie, who's never had anything tailored in her life. It's also somewhat eye-opening, because Madam Arbury's Boutique has something he's not encountered yet. 

A mirror.

"I'll get to work right away," Alma promises, pushing her glasses up again while Van stares at his reflection. "It will be ready by tomorrow evening, mark my words. Please extend your arm straight to the side."

"I'm sure it will be," Van says, tilting his head this way and that while holding his arm to the side. Katie spent something like two hours designing this face, but seeing it like this, in the mirror, moving when he moves, emoting when he does…

"May I ask what you need a gambeson for, anyway?" Alma asks. "I assume you work on a farm?"

"Yeah, the Gylcross farm - but I'm not planning to stay there forever," Van admits, making faces at his reflection. His teeth are so straight. And so white. Kind of weird.

"Ah, I see," Alma hums, thoughtful, writing something down in a little notebook. "Are you looking to join any military group in particular? Should I add heraldries?"

"No," Van says, shaking his head. "I just want some armour, no insignia or heraldry or anything."

"Very well. You can put your hand down now."

Van lowers his arm and tilts his head the other way. Damn, his jaw is… impressive. He's got comic book superhero levels of jaw going for himself. Which kind of makes sense - a certain farmboy superhero might've been an inspiration there, maybe. His hair is so much messier than he realised, though. Guess that's an effect of it not being just a thing made of polygons anymore.

Also, is that… a bit of stubble? A hint of a five o'clock shadow? 

Does he have to shave?

Alma finishes taking his measurements with professional finesse. Van pays for his order, signs the receipt,  weighs his now empty coin purse and then sighs. "Thank you very much, Ma'am."

"And thank you for your business, Mr. Van," Alma says, sniffing, and with a last slightly flustered glance at him, awkwardly waves him off. "Have a very good day now."

Shaking his head, Van heads out of the store.

So, instead of the usual armament of Long Sword, Reinforced Wooden Buckler, Studded Leather Armour, dozens of Draughts of Memory and bunch of healing potions on top of it, his shopping haul is… three shoddy spear points, sharpening stone and a receipt for an order from Madam Arbury's Boutique.

Yeah, Katie's usual approach to Age of Tales is not working here, at all, and reality is throwing some spanners in the works. Katie isn't sure how she likes it. Which is probably kinda ironic, after all the times she went on and on about how dumb and unrealistic Age of Tales was. 

She'd get used to it. 

-

"Ah, there you are, my boy," Mr. Gylcross says, spotting Van loitering about the marketplace, waiting for him. "Have you been enjoying your time in town?"

"It's been… interesting," Van admits, which it has. "All done with business, sir?"

"Yes, quite. I found a couple of buyers for our spring crops," Mr. Gylcross says, seeming satisfied. He's got a flushed look of a man who's had at least a couple of drinks and his moustache has somehow gotten bushier. Looks like he's had a good day. "And the doctor will come take a look at Geruth tomorrow," the landowner continues. "Now, go and fetch the cart, if you please - I've made some purchases, and it will be far easier to load them directly into the cart."

[Homeward bound, Lvl. 2.]

[Mr. Gylcross' shopping trip is drawing to a close and it's time to head back to the farm. Fetch Bell and the cart, and load Mr. Gylcross' purchases for the trip home.] [Quest reward:  20 exp, 3 Meat buns, 1 Bottle of Mead.]

"Right away," Van agrees and gets to it.

Together with Mr. Gylcross Van loads up the various sacks and barrels and other things the man had bought onto the cart, tying them down for a secure trip home. Then Mr. Gylcross takes a seat in the back again, now leaning against some flour sacks.

"Have you eaten anything, Van?" the man asks, rifling through his purchases.

"Ah, no, sir, I got… distracted," Van admits - and the moment it's mentioned, he realises that he's actually pretty hungry and thirsty. He hadn't even been thinking of food as something he needs, because, well… Age of Tales didn't have a hunger bar.

"Here," Mr. Gylcross says and hands him a clay bottle and a paper bag that doesn't quite fit the setting. "Eat up, my boy, it's a long way home."

"Thanks, Mr. Gylcross," Van says and peers into the bag - sure enough, meat buns. The bottle must be mead then. "I appreciate it."

"Got to keep my men fed, don't I, else you might run off to work for the likes of Drakner, and I can't have that " Mr. Gylcross chortles and settles down for the journey back.

Van hums, taking a bite of the meat bun and answering the System's prompt for [Start journey?] with [yes].

-

[<<Prologue | <Chapter 3 || Chapter 5>>]

Proofread by @nimadge

-

Reality is against Van but at least there's meat buns and mead

[prettyboykatsuki]

oh boy lmfao.

hi. this is the extended authors note for my love, my alibi. there is nothing important to the fic itself so if you're comfortable with the presented dead dove content- you are more then welcome to skip this entirely. i hope you enjoy/enjoyed reading!

cw very long discussion about fictional incest. just me yapping.

this fic is the first long-form incest fic im publishing on ao3 in general but also the first dc fic i am posting for love and deepspace which has a very wide audience. i've been warned a few times about antis and whatnot but i don't make this post trying to specifically address them but to kind of briefly weigh in on my choice to write caleb and mcs relationship this way

despite the english localization and how it attempts to scrub out the incestual element of caleb and mcs relationship - i don't think you can remove this aspect without butchering calebs character almost entirely.

i would go as far as saying removing the familial aspect of calebs feelings and reducing him to close childhood friend makes him as significantly less moving and less interesting.

i also think a lot of the story's thematic choices and motifs (forbidden fruit for example) do not make sense unless you consider the relationship between mc and caleb as siblings first and foremost.

the level of intensity and emotional angst just really explicitly does not work the same. there's no reason for mc to react to romantic advances with such guilt and denial towards a character she explicitly considers a friend.

there is also no reason for caleb to feel explicitly responsible for behavior in the way he is in canon.

caleb and mc being siblings is a crucial aspect of their relationship - and it is also crucial to note they experience a conflicting sense of mutual attraction in the years they grow up that way. evidenced in multiple of the cards.

also in literally every other version of the game (cn, jpn, kr) it is affirmed explicitly that caleb views himself as mcs brother SDKFJSD.

for all of these reasons i wanted to explore the nature of their relationship and play with some of the discomfort because i think it makes for an interesting story. i dont think caleb sees being mcs brother as contradictory. his denial of their relationship feels intentionally hurtful to mc in order to make her address the uncomfortable underlying attraction imo. caleb wanting to be everything to mc being literal in nature. this is why he can also act very parental towards her despite the small age gap.

i can understand why incest in this regard might be uncomfortable for some of you to engage with, and i respect your feelings and your choice but i do encourage you to look beyond the moral taboo and try to examine the themes that come with incest like forbidden romance and co-dependence and think critically about how it impacts the story

and if you are still uncomfortable comfortable engaging with it, feel free to click off !! genuinely i get it, its not for everyone. but please do so without judgement of those who are comfortable. no real people are exploited in writing this. it is all make believe and for fun

all that being said, i hope you like this fic that made me crazy.

love,

fang.

[allsortzofcrap]

i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.

im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????

i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.

it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.

was it intentional? did they somehow not pick up on the implications? was it random?

i can't fathom it. it keeps me awake.

[phoenixiancrystallist]

OH YEAH I DID ART

Month 6, day 3, did days 1 and 2 of @adorkastock's Draw Everything June challenge!

Not me making up characters on the spot, no, I would never, it's not like character design is my truest love or anything :P Neither of them have names, but Day 1 uses he/him pronouns and Day 2 uses she/her pronouns and made the kitty cat patch for her pocket herself :3

[iwatcheditbegin]

Thinking back to how idiots really said Taylor’s verfied fan system for rep tour was “ exploiting” her fans. Bruh I’d do absolutely anything to go back to watching her eat food off her shirt for tickets.

[eleanorbloom]

.

[slimyenemy]

i think it will be really cool if they don't hurt me despite not feeling anything that much for me

[helluvapoison]

Possessive

how the overlords would put a claim on you

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

˚✧₊⁎ Carmilla Carmine ⁎⁺˳✧༚

As much as she loves spending her mornings in bed with you, wishfully thinking she could stay there all day, she can only give you 3 more minutes at best. Being an Overlord and a CEO keeps her rather busy. You’re grown, you can handle yourself (you have to in this world) she’s not keeping tabs on your whereabouts. Carmilla isn’t itching for a fight like these new “up and comers”. Giving you something to protect you when she’s not around simultaneously puts a target on your back. A simple ring with her name inscribed would suffice, satisfying any possessive vices she may or may not have

˚✧₊⁎ Zestial ⁎⁺˳✧༚

Abhorrent is jealousy, driving the younger generations to filth like, ugh, hickeys. Although, on a certain level he does understand. Being in Hell for as long as he has and alone the same amount, he knows all too well the primal need to claim what other’s might steal. One must leave their mark as a warning sign for others. Zestial’s exceptionally charming when he wants something, notably not asking when he presents you with the crisply wrapped gifts. There’s no less than twenty. Boxes upon boxes of accessories and clothes that suit you but hold his color palette, spider and web details to boot. He’s utterly thrilled when you wear them, showering you in compliments and declaring himself the luckiest soul in Hell

˚✧₊⁎ Rosie ⁎⁺˳✧༚

Goodness, have you seen how sinners nowadays go about the whole ordeal? What happened to romance!? Call her old fashioned, but Rosie likes a smidge of glamour in her techniques! She’ll walk shoulder to shoulder with you, holding her parasail over the both of you. She’ll accidentally press her painted lips on your cheek and forget, quickly getting swept up into conversation with someone or the other. It’s fine, no one would question her! Not if they wanted to live anyways. Butterflies swarm her stomach when she notices you haven’t wiped her imprint away, a proud smile spreading across her face. It becomes purposeful as the days go on

˚✧₊⁎ Alastor ⁎⁺˳✧༚

While happy to broadcast newsworthy exploits, sharing his private affairs with the world is out of the question. Of course the appeal of it all isn’t lost on him, he merely doesn’t see the point. Why broaden your horizons of potential dangers by claiming you publicly? To calm that unruly, covetous alien in the pit of his chest? He’s not that selfish! Besides, nothing less than something permanent could truly satisfy him anyhow

˚✧₊⁎ Valentino ⁎⁺˳✧༚

If he doesn’t have eyes on you, he’s working. Those measley hours apart won’t stop him from reminding all of Hell you still belong to him. He doesn’t trust anyone down here. He’ll convince you it’s for your safety that he tightens the collar around your neck. With a hum of approval, Val’s long and slender fingers twist the tag with his name on it. Heart shaped, of course, he loves you after all!

˚✧₊⁎ Vox ⁎⁺˳✧༚

Only the insecure need to put a claim on their person. That’s not Vox, no way! You’re never really out of his sights anyways, what with today’s power of technology and all! The need to brand you goes a different route. He wants everyone to know you’re spoken for, pulling you on camera every chance he gets. He wants them to stare in awe and envy but cast their eyes down when you walk by in public. A slight on you would be a slight on him personally and no one messes with The Vees

˚✧₊⁎ Velvette ⁎⁺˳✧༚

Truthfully, there isn’t much she wouldn’t do. You’re all over her Sinstagram and that says it all. Every runway show, every red carpet walk, every paparazzi shot you’re always beside her. Vel dresses you left and right to match her OOTD somehow. She snaps a pic every single day (sometimes more) to show her followers their favorite couple is thriving and stylish as always! The description never fails to scream how your all hers

[stackslip]

fujimoto is the absolute king of creating a world where mass death is a regular occurrence and yet every single time it feels singularly devastating. i've seen people say his work is nihilistic, that people die over nothing--i profoundly disagree! again and again, it is made clear that the deaths and horrors in chainsaw man aren't random acts of god, and that the people who die aren't random faces in a crowd but people who are willingly sacrificed in the name of social cohesion and the comfort of a few. the people killed by the gun devil all had names, lives, ages that were inescapable and their deaths are just as bad of a tragedy's as aki's. asa's mom's death might have been forgotten by all, and yet it has a profound impact on asa's own life and outlook. the people convinced to commit suicide by falling had long discussions about their everyday life before they fell off their balcony. it is power and nayuta's deaths--people who mattered little to makima and to barem, who were simply seen as tools for an end--that utterly crush denji and awaken pochita. himeno lost her partners, one by one, and every time she got more and more depressed. these are real people, all of them! their lives mattered! death is a normal occurence in chainsaw man, but the loss of a life is a tragedy every time

most importantly; most of these mass death events, as normalized as they are, are not random or natural. they're the result of devils being used as tools, of the powerful using those that they consider belong to them as payment for their comfort or to further their goals. in chapter one, denji got murdered after a lifetime of abuse as payment for his abuser's eagerness for power. the president of the united states pays for the gun devil to fight makima with one year from each american's life. the japanese government pays for makima's every death with the death of a citizen. public safety regularly sends its employees to cut their throats for a devil to wipe out a building. the german government contracted santa claus and gave her children in return. the chainsaw man cult used its desperate, scared child members to gain an army.

and now, foreign children are given citizenship simply so they can be gunned down coldly and used as blood and payment to use chainsaw man and make scared, rich old men live longer. idk how much more explicit you can be here. look at these kids! do their lives mean nothing? they're drawn in loving detail. they're real people being sent to be butchered!

death in chainsaw man isn't meaningless. far from it! this isn't saying "this world is absurd and has no meaning". this is about exploitation. chainsaw man has always been about exploitation and abuse, at its very core. these people mean something. these are real human beings, being fed to the grinder, again and again. they're being fed to it BY the rich and powerful, by their governments, by their employers, by their abusers. hell, yoru has fed her own children to this grinder, just to get a little more. ownership and greed, this is the core of what's happening. this is murder, not random acts of violence!

[suzannahnatters]

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

[mayasaurusss]

Hello, I really liked the way you write about Jinx, can you please write about how femme! the reader and Isha fall into a trap and as a result, while protecting Isha, the reader is injured and Jinx goes into her killer mode (you don’t have to write if you don’t want to) you can just write aftercare if you want

A helping hand

A/N: and here it's finally done! I could have made this oneshot quicker and shorter but then I got chaught up in writing it... and I woke up eight days later with this in my drafts😂. I don't ususally like how I handle stories, but I think that this one turned out pretty good. As mentioned in another post, it's very heavily plot driven and it's a wopping eleven pages worth of writing. My grammar, as always, might not be the top gamma. I hope you guys will enjoy it! Also this was mixed with something someone suggested on ao3!

Contains: female reader, violence, murder, mentions of saliva and vomiting, hurt and comfort, very heavily plot driven, happy ending with a happy family. Lenght: 6k/ 11 pages.

The limited air inside the vent makes you choke on your breath, chemicals and smoke filling your lungs and hollowing your brain. A loud sound echoes inside the metal hull, alerting every one of your senses. "Isha! Be careful!" you whisper-yell at the kid, who's crouching in front of you, placing her hat back on.

She just huffs in response, rolling her eyes before continuing her tour inside Zaun's vents. Isha has not been too fond of you since you entered her life; one reason could be that she thought she had to compete with you for Jinx's attention. The other reason, maybe, is that you were from topside. Piltover, The City of Progress. The city who exploited and hurt the poor citizens of the Undercity. Avid hands commanding from atop marble skyscrapers, grinning smiles sucking away the air of the lanes.

It's no wonder you're not Isha's favorite; Sevika too seemed to have a disdain for you, either because of your privileged position or for the way Jinx was distracted and dreamy when you were near.

To ingratiate yourself into Isha's favours and to make it at least somewhat pleasant for both of you to be near each other, you agreed to follow her in a walk through the lanes.

Jinx had invited you into her own private lair, after much convincing on her part. One day, she just swept you up and brought you down with her, making you walk through fissures, alleys and neon lit streets.

"You should have a tour of The Lanes, y'know, to learn how life's like down here" a flicker of a spark reflecting in her goggles as she made some of her obscure machine-thingies. "So give me one" you said, prompting Jinx to hum in thought. "I am busy today, and Sev' is too. Besides, I don't think you'll enjoy each other's company" she glanced at Isha, who was drawing Stinkmaw on her notebook. "You'll just have to settle for Isha" the kid propped her head up at the mention of her name, already looking with stars in her eyes at Jinx, not aware of your previous conversation. "What do you say Isha? Want to have fun with your new friend? Give her a tour of the Undercity?", Isha sized you from head to toe with a snarl on her lips, eyes moving between you and Jinx while her face became more and more agitated. "Come on, she's not that boring" Jinx moved back to her work, sparks flying and lit up her face, "I should know". Your face grew hot with her words, remembering what happened between you two just weeks prior. Isha gave a disgusted 'ew', before Jinx turned her head to watch the kid, a shadow of anger in her eyes. "No excuses! Come on, just go around a bit, become friends!".

"Jinx I, I don't think this is a wise idea. I mean, Isha is just a kid: what if something happens? I-" Jinx interrupted you, her voice almost lost between the screeching sounds of metal scraps flickering sparks between each other. "You'll both be fine. Isha is a smart kid, she'll get out of any situation. As for you..." she turned to you, a teasing glint in her eyes, "...will you be able to keep up with her?".

'No, not at all' you answer to her mental image, struggling to keep your pace behind Isha. The kid is fast inside these tunnels, and your body is not accustomed to their narrow spaces and to the flow of smoke and waste. The metal feels light and shaky under your weight, giving you the impression that at the slightest of pressure, you will sink beneath and break your ribs into the concrete of just another of Zaun's alleys. You steady on, carefully applying your weight where each border of the metal tubes meet, following the shadow of Isha.

After what feels like ages, you finally spot the end of a tunnel, light shining on the dirty buildings giving it a green hue. Isha crawls towards it, leaving you behind in the dusty tunnels, prompting you to follow her quickly. The kid has already jumped in the street below, adjusting her hat on, turning her back to you while she begins to walk away. You take in a deep breath, calculating the height of your jump, before falling messily on the concrete.

"Ack, shit" Isha gives you a dirty look, "What?". She just rolls her eyes, before continuing on, not waiting for you. The Undercity is just what you expected: crowds of people fill it's street, smoking and squaring you up; sellers shout to lure in buyers, presenting their merch of metal husks, hundreds of different flavours of tobacco and pieces of meat that you'd rather not know from what they came from. At the far corners, gang groups threaten and push against each other, their blades glinting with a malicious look. The streets are lit by bright neon signs, filled with all possible smells and gasses, overcrowded to the point that you're short of breath. Distantly, you can hear the sound of machinery evermoving, of water and air and of shipments departing from shore. The city itself beats and pumps, like a living heart.

Everything is suffocating; too loud, too much. And what's worse is, everyone knows that you don't belong. Their eyes are envious, angry, a dangerous hate barely hidden beneath their scleras. Hell, Isha, the kid who is known to have a kind heart, can barely hide it. For a moment, too caught up in your mind and it's worries, you miss Isha turning around, entering a dark hallway. You follow her blue locks until you're far from people, now only surrounded by high walls and some couples making out in a corner. On one wall there are signs of damage: claws and dents and what looks to be a... strange green goop staining the bricks, along with scraps of metal of an exoskeleton.

You find Isha sitting at the corner where the street opens, back against the wall. You are not too sure what she is doing: after all, she has proved to be rather uninterested in you. What you don't realize, not at first anyway, is that she had run through the crowd into the alley to lure you away from that noisy hell so you'd have time to get used to it. Sliding down next to her, your clothes drag down the dirt and dust of years behind them. Silence feels heavy above your head, the distant sounds of the crowd the only thing keeping you at least a bit sane.

Isha has found a pastime in rolling the hem of her hat on the ground, trying to make a perfect spin with it. The sounds of metal against concrete screech inside the hallway, attracting more than just one pair of eyes. You can feel Isha's reluctance to begin so close to you, probably thinking to herself that it was a mistake waiting for you. When the silence feels too heavy, then you finally speak. "Isha...listen" the hat spinning stops abruptly, it's hem catched between Isha's thumb and index finger. "I know you don't like me" she's surprised that you decided to face the problem right away; it's not something your people are known for. "You've made it all too clear these past days. I know you are wary of me; I know the Undercity is wary of us". The kid's eyes are now on you, studying, squaring you up, detecting any lies that you may hide under your sweet words.

"But... I am not my city. I know what you have been through and I am..." you falter for a moment, thinking that you're starting to sound a little too guilty and invested in this, and that she may recognize this as insincere. "What I meant to say is... I would like to be your friend, if you want to".

Isha doesn't answer you right away, but you see a small smile spread on her lips. You breathe a sigh of relief at successfully bringing down her walls.

She jumps back up, extending her hand to yours, palm open and a curious smile on her face. You take it, careful to not push your weight down on her before you too stand up.

"Come on, let's go home. This is good enough of a tour for me today", you take Isha's hand, ready to walk back to Jinx's, before something clutters inside the hallways, spreading its dull, hollow metal sound everywhere. The sound gets closer and closer, the item of its origin stopping its course at your feet. It's a cylinder shaped, stubby looking object; drawn on its surface are what you recognize to be Jinx's drawings, imitating a grinning gaping mouth of some evil creature. The red light you are so familiar with, the one which with Jinx blows her enemies to bits, is off.

"Well, look what we have here. The runt of that crazed bitch and Piltover's finest trash". From under the fuming tubes, a tall, scruffy looking man shows up. His hair is in a buzz cut style, thin muscles tightly attached to his bones, making him look starved and unkept. Black tattooed run over his forehead and cheeks, giving his sulken eyes even more of a crazed look. His goons all show up after him, exiting from their hidden spots. "What do you want?" you try to sound though, but the wavering of your voice only gives away your fears. Isha hides behind you, clutching tightly at the fabric of your pants.

"Oh we don't want anything from you. But you see..." he reaches to fish something out of his pants. You see it before he shows it: the hem of a knife. He slides the blade out of its sheath, glimmering dangerously in the dark. "...that darling bitch of yours took something from us. Well, to be honest, someone. Someone very dear to our group" you look in between you and Isha, then at the distance between you and the goons, trying to think of an escape.

"What do you mean? How do you know Jin-" he laughs creepily, a little too high for your tastes, echoing between the walls. "How do I know Jinx? Everyone knows Jinx!" he gesticulates with the knife still in his hand, dangerously close to hitting himself in the eye with it. He inspects the blade with something dark inside his thoughts, dulling the colour out of his eyes. With a creepy and disturbing smile on his lips, he runs his finger along the line, blood trickling down its shape. He seems to take a sick kind of pleasure from seeing red staining the metal. "I gotta give it to her though, she really aimed high: fucking someone from Piltover is something none of us would dirty ourselves trying to".

A vein under your skin pumps blood into your brain faster, giving you the prospect of an annoying headache, "Watch that tone-". "Never thought that that small, smart runt would become what she is today. Powder really outdid herself", you don't miss the cruel smirk which paints his lips, enjoying infecting your relationship with Jinx. "Powder?" the name doesn't ring a bell, and you're left with the man's ominous eyes peering into your heart, telling you that 'you don't know anything'.

"Oh look, trust runs so deep between you two that you don't even know her real name! Did you really think a parent could ever name their child 'Jinx'?" the rest of his group laughs and mocks you like their leader is, like a hoard of sheep follows their shepard. "I don't need to know her name. If there is a reason why Po- Jinx is keeping her real name a secret from me, I am not gonna pry it open from her" you can feel your heart pump blood faster into your veins, that small headache becoming stronger and stronger as anger takes hold of your actions. "Mhm? Just like she kept her family's deaths a secret?" those words feel heavy when he speaks them, clearly holding some truth behind them. You try to remain calm but anger and fear are affecting your judgment. "W-What? What the fuck are you talking about?" their ugly laughs fill your ears, only aiding in alimenting the fire at your heart. "After our little...fight, he changed. He started to hang out with the wrong people, doing the wrong things..." slowly, ever so slowly, all of them start to circle around you. One, two, four, six of them, sporting grinning smiles, stalking you like hyenas.

"But he would have been the same has always, even if he had become dumber than he was. He would have been alive too, at this moment, if Vander hadn't intervened". None of what this man is saying makes sense to you. He's talking to you, but his words are meant for others: for his friends, for Isha, for Jinx. You, once again, are reminded that you're not welcome here. In their eyes, hate and hunger swirl, creating a whirlwind that sucks away at your courage, "Just...what do you want from me?!".

"Jinx and that sister of hers took our friend from us. Our boss. Now-" with mastered precision, he makes the blade jump from his hands, now it's tip pointing towards the ground. Something that you can only describe as burning hatred and killing intent paints his features, before he screams a rallying cry, "It's our turn taking everything from her!".

That is enough for the whole lot of them to pounce. One moment, and they are all on you; punching, kicking, twisting your hair in their grasp, snarling and mocking. In the confusion you lose Isha, not being able to distinguish her blue locks in between all that green and grey. For a split second, after they consume their gloves on you, no one is holding you down. You take the occasion to slip away from their grasps, falling backwards into the opening street. You take a second to choose what to do, and as you run towards the crowd once again, following where you assume Isha went, a feeling of anger rises in your stomach. The sound of the busy street echoes, a distant reminder that you have a life to return to, but something tugs at your heart to look at them in the eyes. Blood pumps fast in your veins, alerting every muscle, every bone, every fiber that danger is near, you need to go, but your heart, brain, the pride you take in begin still alive overtakes your judgment. You stop to look at them, the prospect of a challenge in your eyes, of saying 'Look at me!' and incite them to follow 'I am still alive!'.

They look like ravenous beasts, hunched backs and gleaming eyes, angry snarls on their faces, hate coursing through their veins. The leader of the group, the scruffy looking one, fishes something from his back and places it on the bottom of his face: it's a mask, made with grey metal and sprayed with fake golden accents to give it a more classy look. On the side there's a circular opening with a single point in the centre. He takes a syringe and inserts it in the hole, pushing the top down and filling the hollow cavities of the mask with purple gasses. He takes in a deep breath, eyes rolling backwards, before his body goes through a strange change, twitching and moving like he had been shocked. When he looks back at you his eyes are a deep, neon pink, the same shade of colour that paints Jinx's eyes. He moves towards you, pushing and snarling at his friends like a dog with rabies, breaking their bones on the walls, before, with all the air in his lungs, screams, "I'm going to enjoy skinning that piltie's clean skin away from your body!".

You don't make it far before, with an uncanny precision, he throws his blade towards you like a spear, metal sinking inside of your left side, dangerously close to your kidney. A gasp leaves your body before you fall on the floor, blood oozing from the wound. Hundred of needles pierce at your flesh, blood paints the concrete and your mind fuses with the flesh of your brain. Then it all stops; you're back in the alley, cold spreading from the wound throughout your body, followed by a unbearable heat. The blade is snatched from your side, an ear shattering scream erupting from your throat. He is on top of you, already inching the knife to the base of your neck, planning to stab you there, wanting to see the life leaving your body in the most gruesome way possible. "I can't wait to see the look on your girlfriend when I am going to bring her the eyes of her most loved!".

"Bye bye, piltie" you brace yourself for your end; you can almost already feel the knife lodged in your throat, but nothing happens. You hear the sound of a metal hulk resonating in the hallway, before he is knocked down by something thrown with force against his face. You recognize it to be the exoskeleton of the arm you saw before, lying around. The rod which was the building foundation for its making has been thrown on the man's ugly bat-like nose, making him bleed red.

Isha stands behind you, still in launching position, before she runs over to you and tries to help you up. When you do, white behind your eyelids blinds you, pain making your head spin. He gets up again, an animalistic wild look in his eyes. He moves again, muscles hardened with purple veins running along them, drool falling down the space between the mask and his skin. Before he can assault you again, Isha throws something at him: the bomb he himself kicked before, the one Jinx had made, moves through the air, soon to be the second object to hit his ugly face today. He recognizes the object and pales when he sees a red light zipping faster and faster, its grinning mouth inching closer to him.

A colorful light shines on the walls, paint of blue and pink shades falling down like rain; sparks of fire following the natural course of an explosion, fading out of existence a moment later. You run with Isha, hand in hand, away from this horrid place. This time, you don't look back.

A trickle of sweat falls down Jinx's temple while her eyes are focused on connecting two tubes of plastic together. Electricity flows through them, sending sparks flying dangerously close to her skin, before they are connected by the metal snaps on each of their ends. Jinx smiles as her creation takes its first movements, loudly clapping two copper coloured, round, small discs together, before stopping once again. Her fingers twist the key positioned on its back and the mechanic monkey comes to life once again. When her work is finally done, she puts it next to the other one she made hours prior.

The one meant for Isha is coloured with golden accents and decorated with graffitis all over. When turned on, it quickly smashes the plates against each other and plays an off-tune punk song if the button on its right leg is pushed; its eyes are golden, mimicking Isha's own. The one meant for you is far softer than the first: soft shades of pastel mix together with Jinx's characteristic pink, swirling your colours together. Instead of plates, it has a small, roughly knitted red heart in its hands. The left eye shines bright pink, while the other mirror's yours. There are no graffiti on it, except for a small heart on its chest, one near 'your' eye and a 'Jinx' on its left side.

She can't wait to see the look on your eyes when you will see it. She could never quite well express affection like other people do, so giving you gifts was what she did best. Just as she dreams of your face, she hears quick, loud steps coming closer and closer to her. "If you are Caitlyin, I appreciate your obsession with me, but I am in the middle of-" she recognizes Isha's laboured breaths and your pained groans before she can finish the phrase. And when she turns around, her face pales and her blood freezes. Isha has a panicked look to her face, one that she had never seen before; and you? Sweat falls with heavy tears down your face, the shade of your skin so much paler than it usually is, making you look almost dead. Your hand is tightly clutched on your side, where your hand is stained with...blood?

In a fraction of a second, Jinx is on you, hands checking at every curve of your body, focusing on places you might be hurt, while she asks question upon question, filling the air with a sense of urgency. You can only describe the look in her eyes as pure dread. If you didn't groan with pain every few seconds, you'd think Jinx was the one to have gotten hurt. The next few minutes are a whirlpool of movements and colours, making you spill your lunch on the floor. Soft fabric meets your back, suddenly naked with only your bra to cover your chest. Blood oozes faster out of you and you can feel your conscience leaving. Nothing else besides the red on your skin and the blurred shades of blue and brown exists for you.

"...ont worry, I al... got m... sis...er out of ...ble". When after wetting your wound with water, Jinx presses gauze on your body, you are suddenly brought back to life, violently. It feels like someone is crushing with all their might on you, despite Jinx applying the right pressure to the wound. If someone were to walk in right now hearing your screams, they'd think you were begin murdered. After what finally feels like an eternity, you are lying again on her bed, almost lifelessly. You don't have time to answer Jinx's questions, before you fall into a deep slumber.

Half an hour passes by, and the world seems sealed in a bubble of silence. Nothing moves. nothing makes noise, nothing happens. The only thing that does make noise are the voices in Jinx's head, screaming loudly at her for having let you go alone. 'You should have been there', 'See what happens when you let people into your life?', 'She is hurt. She might die. It's your fault'.

Their loud screams are enough to make one go crazy, but despite how confused she is, Jinx finds a will in herself to speak, to silence them. With her hand, she nudges Isha, getting her attention, and mouths "What happened?".

Isha doesn't answer. Her eyes burn holes into the metal of the helix, bottom lip tightly sealed under her teeth, before something in her breaks. She rushes in Jinx's arms, hiding herself into her chest, crying until the tears are gone and her throat is raw. They stay together, tangled into one another, for a while, until their bodies are cold. "Isha, what happened?" Jinx repeats.

Isha gets up, running over Jinx's desk and returns with two different coloured pencils. On the ground she draws a scene: you and her, hand in hand, with frowning faces; behind you six grinning figures, one taller than the rest. Green splattered on the ground and high walls. Jinx recognizes this place immediatley; she's been there just a couple of weeks prior.

Walking to her desk, she grabs her trusted gun and more than a dozen of bullets. A deep, hateful scowl paints her features, eyes shining brighter than usual.

Tonight, the undercity shines and roars with fervor. Its lights shine bright and the shouts of its inhabitants brings it to life, beating strong, like the heart of a dragon. The city seems to sway in tandem with Jinx's white cape, almost bending to her will but also shielding her, hiding her in its crowds. This is home. This is all Jinx has ever known and ever will. She knows it's streets like the palm of her hand: where to leave her mark, the highest places she can reach from which she can put a bullet in between her enemies eyes, which vents and tunnels will take her back home.

She knows exactly where you had been hurt, and if her predictions are correct, they're waiting for her there. And she's gonna give them what they want. The allway is far too serene to be one of the city's main ways out to the perimeter where steel factories and shipments are. It's uncharacteristically quiet, and by Zaun's rules, that means danger.

Jinx steps on the green gooey substance, observing the dripping of your blood leading to the city's main street, and anger boils inside her at that view. The square is empty, except for a series of tubes and a pitfall to its left. Just as she thought, she begins to hear steps coming into her direction. They had been expecting her.

"If you weren't trying, and failing, to ambush me, I'd say you have a crush" the man behind her simply scoffs, his breath coming out ragged and metallic from under his mask.

Jinx turns around to see a tall man, breathing through what she recognizes to be a mask that henchmens of shady organizations wore to enhance their physical abilities. After a moment, she recognizes blood staining the man's pale skin, half of his left hand blown off, rudimental replaced with a metal prosthesis at the last minute. She can ignore that just fine, but the exposed muscle of his left cheek makes her want to puke. "Wow, and you're even more grotesque than I thought" a cruel anger swirls inside her eyes, her lips curling up in a snarl. "What? Were you so anxious to try to kill me that you couldn't even let your wounds heal?" he laughs at her words, men closing in on her much like they did hours prior to you.

"We were waiting for you, Powder" the mention of that name pangs at her heart. Subtly, she touches the top of her gun, ready to draw it at the first sign of danger. "I figured. How do you know my name?" "A man can know much...if he is in the right place, at the right time" he falls silent when Jinx laughs at his words, anger making a vein in his head pop. "Damn. I thought you were pathetic already, but this whole 'supervillain' talk only makes you seem more of an ass than you already are" much like Jinx, he grabs the death of his knife. At the sign, his men form a half circle around the blue haired criminal, directly closing the only way out. "You won't talk all that shit after I sink my blade in your throat" she can't help but feel compassion for these poor bastards. Faintly, she can already feel their blood falling on her skin while putting bullets between their eyes. "I would like to see you try" she changes her body stance, right side facing them while she takes out her gun with her left hand, making a show of placing the bullets in. Unlike what she thought, they do not follow her; instead, the leader seems relaxed as ever. His dark eyes reflect hers and for a second Jinx can see a dangerous, maniacal glint in them and a cruel grin on his lips.

"Oh I did try, and succeeded, with your little piltie bitch-girlfriend" her breathing stops, heart missing a beat, and time seems to stop for a moment, before it all starts to spin again, faster and faster as she gets angrier and angrier. "You should have heard her screams. The sweetest I've ever heard" she imagines you, clutching at your side, tears in your eyes and spit falling off your mouth; begging for him to leave you alone, to let you go. His features are lost under a black veil and painted over with a red open mouthed smile and tight eyes, not unlike the monsters that she has to fight with every night, as he raises the crimson blade and-.

"Don't you fucking dare" her throath feels raw when she speaks, almost as if she's spewing pure black hatred with each word. "Or what? What are you going to do?" 'He thinks he's the shit, huh?', she thinks, loading the storage to the brim and finally raising the barrel of her gun to aim on his forehead. "I am going to enjoy blowing your brains out"

'No one hurts the people I love'.

The next few seconds are a blur of colours and movement. Her body moves before her mind can understand what is going on. She ducks under something coming at her, kicking at the figure and sending them flying a few feet away from her. Someone pulls at her braids and she yelps, momentarily confused; in a fraction of a second, she blows their hand off, crouching and punching in the face a second figure. The blood on the ground, spilling from the screaming man gives everything a shape again and she's back to the alley. Three men are down, two unconscious and one debilitated. The remaining ones look at her up and down, before the leader nudges them, kicking their shins.

One of them takes a metal rod from his side and swings wildly at Jinx, paying no attention to where he hits. She dodges him with no effort and when he stops momentarily to rest his arm, she knocks his weapon from his hands and hits him in the neck with it, white replacing the colour of his eyes. The other, after seeing the bodies of who used to be his companions, runs away, leaving his leader behind; but before he can make it far, a bullet runs fast through his chest and he falls to the floor, lifeless.

He is the last one standing. "Heh, you call yourself a leader, but you couldn't even save your men". His teeth grind harshly against each other, sending jolts of pain through his mouth, "Shut the fuck up".

But Jinx doesn't. No, she's going to enjoy torturing the life out of this fucker like he did to you. "You didn't even lift a finger. I didn't know Zaun could have such a coward walking through its streets".

He finally snaps, spit flowing out of his mouth as he screams, staining the mask inside "I said shut up!". He breathes in the chemical Jinx is so familiar with, huffing purple clouds out of the mask with a metallic sound. Once again, he feels the rush of the substance in his lungs, blood circling small purple bubbles throughout the body, strengthening his muscles and blanking his mind. But this time, his body starts to twitch and shake, slipping out of his control.

The heart beats faster, the lungs lose their air and move erratically, blood flows freely through his body and bones morph, stretching and breaking and strengthening. His muscles cannot be sustained by the bones anymore, and he falls to the floor. The space inside his ribcage feels tighter, his lungs can only provide so much until finally, his body stops changing and he can stand up, much taller than Jinx now.

The blue haired criminal looks incredibly unimpressed with her opponent's new shape, her eyes studying his moments and planning the next few seconds. That grotesque creature lunges, pushing his whole weight on the top of his body, falling messily when Jinx dodges him. She ducks under a clawed swing, rolling through the space between his legs; then, while he is confused and looking for her, aims at his neck.

The bullet lodges itself into the skin, remaining snugly fit between flesh. The scream that leaves him could have woken up the dead. His nails dig into his neck, trying desperately to yank the bullet out, but to no avail. He turns and turns, like a cat chasing its tail, before dizziness gets to him and he falls to the floor, spilling saliva all over the concrete. When he looks around once again, he is face to face with Jinx's gun, staring at the black hole of the barrel. "You made a mistake crossing me, today. Let this be a lesson" she tilts the gun until it's flat against his forehead. He is not capable of forming words anymore, they die at the base of his throath, leaving only emptiness behind. For a moment, she can see in his eyes something that resembled her, many years ago: a scared animal, one that does not understand what their fate will be. But when her mind reminds her of how viciously he attacked you, and how you are lying in her bed, with no assurance that you'll wake up, anger bubbles once again behind her eyes, clouding her thoughts.

"I'm sorry" is all that he hears, before his body falls to the floor, life leaving his eyes.

Her heart feels cold, as well as her body and mind. Jinx, in her own kind of weird way, is already trying to make peace with the fact that, once she comes back home, you might be gone. All too often in her life she had to come to terms with the death of her loved ones, and all too often, she was directly involved with their demise. She can already picture it: you on the bed, blood staining your clothes and the mattress, Isha on her knees, crying her heart out. She, coming home, seeing your dead body lying on what used to be your little shared creek, shielded by the world, falling to her knees and her heart finally giving out to pain, soon to follow you.

From the crack inside the wall, she can spot the helix of her home, the one she'll soon walk over to reach you. She tries to move, but to no avail: her body doesn't let her. Her muscles are reduced to mush, her legs feel like lead and her heart heaves on her rib cage so much that she had to bend down, clutching at her chest to try and ignore that pain. She could stay here forever, stalling time to this single minute, winding it back over and over and over again, all for the purpose of pretending she's still with you, back in your apartment in Piltover, laying naked on the bed with serene smiles on your faces.

But she can't. Even if she could stop time, right here and now, what could she do? Nothing would change. You'd still be dead, she'd still be heartbroken, the bed would still be cold on your side.

She slips inside the crevice, body molding to its shape, before she is face to face with the entrance to her home. She's so lost in her dread and fear that, for a moment, she doesn't hear the sound of laughter from the inside. When her mind recognized the sound, the pitch of the voice she so longed to hear, tears prickled at her eyes and hope filled her heart. She rushes towards the sound, almost tripping down the helix and falling to her death.

There you are. Laying on the bed, laughing weakly as Isha gesticulates and shouts loudly, imitating some sort of monster. Every little light inside her home has been placed near you, probably by Isha, and lifts your figure with a myriad of colorful shades. You look like a living painting to her.

You can't even process seeing her when she's already on you, touching you everywhere, checking your pulse, grabbing onto your legs to assure herself, to make sure that you...

"Are you... really alive?". You could crumble right here and now under those tearful eyes of hers, so soft and beautiful, looking almost powder blue. You stretch your arms to reach down to her, hugging her close to you; "I am, I am". Jinx takes a moment to process your hug and your words; and when she does, when she's certain that you are alive, that you are okay, her walls crumble away.

She pulls you down towards her, wanting to reciprocate the hug, but impatience gets the better of her and instead pulls herself on the bed, halfway reaching you. Her head rests on your belly, tears staining your clothes when she feels your hand on her back. "I thought-! I thought you-" her words die in her throath when she feels your fingers cupping at her cheek, pulling her to rest on her knees and look into your eyes. "I know, I know. I am okay".

Tears fall freely down her cheeks once again, her bottom lip wavering before she takes refuge in your body, hiding her tears on your lap. "I am so glad! I am so glad...".

Once her tears dry, she pushes herself to look at you, eyes puffy and red. "You are okay" she says, and you're about to assure her once again, but something tells you that she's really talking to herself. She climbs on the bed with you, quickly resting her head on your chest. You can't help but smile at her, ready to cuddle together when you realize you've let someone out of the picture. Isha looks at you both with those big eyes of her, pouting. She knows exactly how to push your buttons.

"Come on kid, get in" come Jinx's words, quickly followed by Isha tangling herself in between your bodies and closing her eyes, sleep already overtaking her. "Man, she sure takes a lot of space" you chuckle, placing your hand on Isha's head and stroking her locks between your fingers, hearing a small contented sigh from her. "Yeah, but she deserves it". A heavy silence fills the space, one that you usually pair up with tranquillity, but who you quickly realize is loud for your lover. "Jinx... I am okay" stopping them from screaming in her ears is hard, but when you are with her, they vanish off of existence. Your voice brings her back to reality, as well as reminding her that you have gotten hurt. Letting herself relax after the storm is something she's not used to. "I know" but she can try.

Starting this conversation will be a pain, you think to yourself, but you need to tell her.

"...He told me your real name, Jinx. And, what you did". Quick snapping sounds, mixed with hushed voices and distant screams fill her head in a second, getting louder by the second. She doesn't find in herself the strength to answer, too tired from the day's events; but nevertheless, listens. She leans on the bed, eyes dark and attentive. The scent of your skin fills her nose and she braces herself for your next words. "But...I don't care".

What?

"I don't know what you've been through, but... I don't need to know. You will tell me if you want to". It all stops. Every sound, every shout or whisper, every heartbeat or pulse of electricity. It seems, for a moment, that all becomes white and quiet, before the world starts to spin again. You feel her strong fingers push you more towards her, one cold hand under your clothes, right where your wound is. "Thank you toots, that means a lot".

Less than twenty seconds of silence later, she's already pestering you with her worries again, "Does it hurt? Do I need to give you som-" you interrupt her, taking her hand in yours. Normally, you would be a little annoyed by her continuous train of words, but she needs to be reassured. She needs to hear it from you, how many times it takes. "I am okay. I just need you here with me".

That seems enough to let her finally bear down her worries and she quickly rests on the bed, eyelids heavy and a yawn in her throath. "...I made you a monkey...gift" she slurrs over her words, already slipping in and out of conciousness. "Oh really?". "Yeah...". You too are about to follow her shortly, and before you let sleep overtake you, you reach behind and place a kiss on her forehead. "Goodnight Jinx" she smiles, catching your lips in a quick peck and pushing her nose in the crevice of your shoulders; "Goodnight toots".

Bonus ----------------

When Sevika came home that night, after her usual gambling and drinking out in Zaun's bar, she certainly did not expect to find the messily tangled body of limbs that were you, Jinx and Isha.

As quietly as she possibly can, she takes the chair Jinx sits on while doing her evil scientist machineries and sits next to your bed. Placing a cigar in between your lips and lights it, blowing the smoke away in the opposite direction. She looks back at the bed, multiple coloured lights shading your peacefully sleeping figures. She stays silent for a moment, before she crouches on her knees and shakes the tip of the cigar, firing crumbling pieces of tobacco down on the floor. "They do look pretty cute".

[apas-95]

How do you not realize your Marxist ideology is false when it says shit like a trans black woman small business owner is oppressing her cis white man employees?

I don't think you're, like, genuinely asking, or are curious, here, but I'll answer anyways, for everyone else who might be confused on issues like this: it's intersectionality.

You could make this argument about essentialy any axis of oppression - 'how do you not realise your LGBT ideology is false when it says shit like a cishet black person is oppressing their white trans gay employees', or, conversely, 'how do you not realise your racial ideology is false when it says shit like a white trans gay person is oppressing their cishet black employees'.

The point here isn't to have a rock-paper-scissors, Pokémon type-effectiveness ranking of which axes of oppression 'outrank' which others, it's to understand that each axis of oppression is an entirely distinct social system that overlaps with the other. A black business owner suffers from the social system of antiblackness, and benefits from the social system of capitalism. The specific overlap of their blackness and their class character also gives them an entirely unique character with regards to their segment of society. If they are USAmerican, for example, in their specific case the state and progress of the national liberation movement in the US means that they make up the rear of the revolutionary movement, despite being themselves petit-bourgeois. These systems of oppression are qualitatively different, and cannot be simply, quantitatively, summed up against each other.

With this in mind, it should be understood that the Marxist understanding of class as the principal contradiction does not mean that class is the most important, overruling factor, and that other axes should be ignored. Class is considered the principal contradiction because it is the contradiction that all other axes of oppression, genuine in their own rights, grew out of. Antiblackness was created by the slave trade (not vice-versa), and the slave trade was created by the growing European bourgeoisie's need to extract surplus-value, in the collapse of the Feudal economy. In the example you gave, the petit-bourgeois business owner exploits the labour of her workers, and is supported in doing so by an entire legal, political, and philosophical system based on the expropriation of the proletariat. She is also herself repressed and exploited on the basis of race, gender, and transness. These do not cancel each other out. However, given the ultimate source of racial, patriarchal, and cissexist oppress is political-economic class, her ability to genuinely fight for her interests in those fields will be hamstrung by her class position - just as her ability to attain and maintain that class position in the first place is itself hamstrung by her oppression in other fields.

Ultimately, there are no simple rules that society can be flattened down by. Each and every instance and scenario must be investigated in its own right. The idea that people are driven to Marxism because it provides an easy or simplified way of looking at the world is (perhaps unfortunately!) wrong, it actually means a lot more work!

[autisticshadowthehedgehog]

OK Guys. I get the skepticism esp after the Knuckles disaster, but we also need to keep in mind "this is a trailer that won't spoil literally everything about the movie." ESPECIALLY in regards to GUN. They're not gonna put in the trailer "the military shot a little girl and that's why Shadow is mad so Sonic is going to never work with them ever." That's a great way to get parents to bring their kids to the theater, especially in America. (/s)

It's WAY more effective as a plot twist halfway through, where Sonic thinks that he's finally being accepted onto Earth via working with the government only to find out that they're exploiting him and Shadow the same. I can't guarantee this is gonna happen obviously but it's like a 90% chance just knowing how, like. writing works.

Esp considering the government has not had a good track record in the last two movies, I dunno if they'd do a heel-face turn into "actually they were always right" in the movie where a little girl needs to get shot by the government.

And I'm not gonna say "trust and form a parasocial relationship with a film director" but we should keep in mind that Jeff Fowler got his start working on Shadow's title game and has stated in interviews that he understands how important Shadow's backstory is to his character. Not to mention how the internet has been exploding the last two years with enthusiasm over this story actually getting shown onscreen, enough that a studio would fucking notice at the very least that this is what the people want. I can't guarantee they'll actually listen, but saying that they're absolutely not because "Sonic was in a GUN helicopter in the trailer" is insane. Especially with the fact that GUN is not with Sonic when he goes to Eggman. We just see Team Sonic alone meeting with Stone, and I will bet you it's because there's no way in hell GUN would let them near him, what with the Robotnik connections to the ARK.

Also the Gerald thing is rather worrying, esp with the lack of shit they gave Pachacamac in the miniseries, but honestly I think that was just a marketing push of "Jim Carrey will be playing TWO characters!!!" Considering he's only seen in one trailer scene AT the ARK (where all of Gerald's technology was and, more importantly, where the Eclipse cannon he needs someone to set off is) AND we know from movie 2's credits scene that there was a fifty-year timeskip, I severely doubt that's the real Gerald who's just completely unaffected by his granddaughter being murdered.

And ofc there's things to be concerned about in the trailer. The lack of Rouge for instance– I obviously keep posting my theory that Krysten Ritter's character will be her undercover but the fact we don't know how much time she'd actually have with Shadow, if at ALL, is worrying. The fact that Rouge might not be here period. The weird pacing of the Knuckles show and the fear that could bleed over into the movie. But there's also stuff to get excited about– the epic fight scene choreography, the brief glimpse we got of Maria and Shadow's bond. Reeves's voice actually fits Shadow and at least from what the trailer showed us it looks like the Green Hills storyline is taking a backseat to the action and mystery of Project Shadow.

tl;dr guys calm down for like five minutes. if the movie sucks in december we can riot then. right now let's just band together against mufasa

[host-gone-gay]

TLDR; I thought I was a boy bec lil me didn't know basic biology apparently. Then realised later at age 12 that that's not the case and ignored it for a year until I got introduced to the LGBTQ+ community through the internet then denied the hell out of it until eventually, I came to terms with it and here we are :)

please reblog if you don’t mind! i would love as big a sample size as possible 🫶🫶

also I’m aware a-spec ppl can also be achillian or sapphic (I’m one myself) so just for the sake of the poll choose the one u realized first or feel most aligned with atm <3

[livingthedragonlife]

this is an extremely petty reason to do an analysis but i hate when people call laios a himbo, not only because it really reads as infantalization but also because it's just straight up not true.

the qualities of a himbo require you to be stupid, and that simply is not true in laios' case. for a simple example, he was able to recognize pretty much instantly that the living armors were moving in an abnormal way (coming right for them, instead of just attacking as they approach), and noticed when the Boss Armor (?) protected the shield instead of using it as a defense. he recognized the egg sac on the back, was able to exploit the instinct to protect it, and save the rest of the party with that knowledge right away.

laios is the one who's able to determine which illusions are the fakes, all by himself, with nothing but his knowledge of his party members and careful observation. laios figured out why the changeling spores act the way they do, based on nothing but observation and experience once again. laios is the one who talks marcille down from her dungeon lord rampage. laios is the one who, despite succumbing to the demon's influence himself, PLANNED FOR THAT TO HAPPEN, and gave himself a loophole that saved the entire fucking world. these are just the first things i can think of off the top of my head, if i really went back through the story, i'm positive there would be more examples of laios being knowledgeable and using that knowledge intelligently.

but let's back up. laios is called an idiot by many other characters in the story. why might that be?

well it's usually for: saying something socially inappropriate or blunt, talking about monsters (his special interest) too enthusiastically, not relating to the people around him, or not being able to understand social cues or read a room. he's even called "creepy" or "crazy" in multiple instances. when chilchuck first hears about how much laios wants to eat monsters, he calls him a psychopath. that's in the very first chapter.

the characters who call laios stupid and crazy are calling him that almost exclusively after he behaves "too autistically" around them. perhaps we are giving too much credence to the characters calling him a dumbass and should instead do some critical thinking to determine if it's true. because most of the time, they're wrong! go count the times laios is called stupid for having ideas that ultimately work.

that's not to say laios isn't funny! he's a silly guy! he straight up barks like a dog to solve problems. dungeon meshi is a comedy, so it would be kind of weird if he wasn't, but lack of intelligence is never the punchline. the fact that barking like a dog WORKS is what's funny, not that he was "stupid" to think of it in the first place.

laios is goofy. he makes silly mistakes. but that doesn't mean he's brainless. laios is not a himbo.

[balkanradfem]

So I've found Alyssa Grenfell on youtube. She shares her experience of leaving mormonism, and the inner workings of the religion. I had very little ideas about what mormonism is, only that it's a high-control religion, very difficult to leave, and has people knocking on doors trying to get converts. I've been interested to find out more, and I ended up watching almost all of her content, and some of the information I've got from it opened my eyes on other feminist topics, and I believe is relevant to the current discourse!

So if you, like me, don't know how mormonism works, it started when a guy decided that he too could be a part of the bible; he wrote a bible part two: mormon, and proclaimed himself a prophet. Then he started a religion based on his writings, decided it was more important than the bible itself because he 'translated it from gold tablets god gave him', and started gaining followers by convincing people he's the prophet. Once he had managed to get a following, he soon started to sexually exploit the wives and daughters of these followers, to the point where he had 20-40 wives and had married 14yo children. Families allowed it to happen because he would promise them to be royalty in the afterlife. He eventually got into a lot of trouble for stealing and raping children so he was killed by an angry mob, but the religion continued.

The religion is same as christianity except more rules (no coffee, no alcohol, no smoking), eternal worship of the predator who wrote it, followers are pressured to follow the rules exactly, and, the vital part, the followers have to give 10% of their income to the church. They developed a culture where once every young mormon kid comes of age, they have to go on a 'mission', which means they're removed from their home, and have to spend 2 years (1,5 for women) living in a foreign area, knocking on doors, sharing the gospel, trying to convert people. The conversion rate is extremely low, but at that point kids have invested so much time, effort, energy and passion for the religion, they become devoted to it and start to feel alienated in the world that rejects their religion. And even with the low conversion rate, every new convert means another continuous source of income for the church. So it's very profitable to send out young adults to make these sales. The kids are told that if they don't complete their missions, they will not be able to marry, and marriage is presented as their only life purpose.

So how rich is the church at this point? 230 billion dollars. I've been shocked to hear this because I had no idea. Alyssa explained that the mormon church is as rich as Pepsi, they have more money than Disney and McDonalds. So you might be wondering, like I did, well what are they doing with all that money? I've been left to wonder this for a while, until I watched the video called 'Why are so many influencers mormon?', which explained it. I didn't even realize a lot of influencers were mormon. But, this video showed me something both disturbing, and eye opening.

Before I go into that, I have to point out how patriarchal and misogynistic this religion is. Women are not given any options except marriage, and it's presented as the only righteous way to live. They're groomed for marriage from a very young age, encouraged to start writing letters to their future husbands at the age of 9. They're taught cooking, sewing and childcare, and to coddle any males in the family. It's taken for granted that m*n won't respect women, to the point where male children are allowed to harass grown women and their families will not intervene or consider it a problem. Chastity and purity are promoted to the level where members of the religion are expected to wear special underwear at all times, which hides their entire torso, shoulders, and legs down to their knees, and their clothing is expected to cover this up completely. They're rejected by the religion if they dare to have sex before marriage, or drink alcohol or coffee, or in some cases, tea. The church has a history of allowing and promoting polygamy, in the sense that a male was allowed to have as many wives as he wanted; they've since stopped this, but refused to break up the existing marriages. They're also promoting anti gay and racist propaganda, which Alyssa observed in school where she'd been teaching; a gay kid almost ended his life due to extreme homophobia.

I know all of this is somewhat common in all areas of society, all religions, and all cultures, but in mormonism it seems to be written into the core of it.

So now, why are so many influencers mormon? I didn't even know they were. The influencers themselves are not promoting the fact that they're mormon, nor does it come up in viral discussions. Ballerina farm is mormon. Tradwives are mormon. Whataboutaub, Rachel Parcel, brooklynandbailey, tanner_mann, thebucketlistfamily, Taylor Frankie Paul, Sarah Beeston, Ruby Franke, these are all mormon. Most of the Utah-based influencers are mormon, and there's a bigger amount of successful and popular influencers from Utah, than from LA or NY.

For me it immediately explained why this viral content is like that. Why we're having such influx of highly patriarchal, anti-feminist, very dangerous and sexist content, put in front of the eyes of young women. Why it's being promoted as an ideal way of life. How are these women able to share this life as if they truly believed it was good and ideal. How could they think it's harmless? If they're using the internet to the extent that they're creating content, how would they not be exposed to any feminism at all? And they wouldn't because it's against their religion to engage with content like that, or with people talking about it. Because being raised in a high-control religion, they would truly believe their lives are the ideal. They would be presented with it as their only option, the only way of life possible for a woman.

It's heartbreaking because I can now understand why it was so easy to push Ballerina Farm to give up her entire life ambition to get married and carry children for a male she didn't even want to go out with, the pressure from the religion to do so would be immense, she would have been raised to see this as the only option, everything else in her life would be considered pointless. She wouldn't have an actual choice, she'd be groomed for this from the moment she was born. Mormons don't advertise 'looking for your soulmate', they only instruct women to marry a mormon male who completed his mission and make it work.

So how does the immensely rich mormon church play into this? I couldn't see it until Alyssa explained in a very detailed way how youtube content advertising works. I didn't know about this either, but here's the overview:

How much you get paid on youtube, instagram, tik-tok, or other online content platform, depends on what type of content it is, based on how much advertisers are willing to pay to put adverts on it. For instance, you get paid much more for finance content, because banks will pay premium prices to be advertised in a finance-related video. If you're making content on cooking, you get paid way less, because it's not such a lucrative field. If you're making content on christianity, you get similarly low price as for cooking, christian church is not that rich. But, if you're making content as a mormon, that's showcasing some aspect of a mormon life, even if you don't specifically say you're mormon, the price goes way up, to the point where it's as lucrative as finance. The mormon church is making sure that the mormon influencers are being paid premium prices for their content, because people who get massively interested in the influencers, eventually find out that it's the mormon life being advertised, and some of them consider taking on mormonism. Which gives church more converts, which means the church will earn more money. The content we're watching is one huge advert sponspored by mormon church, and we don't even know it.

Alyssa figured this out because her content falls under the keyword 'mormon', and her comments warned her that the church is advertising on her videos, even when she's making mormon-critical content. She then realized that she too was being paid a premium price for her views, just because they're mormon themed. She went on to discover that even just being an influencer in Utah will fetch a premium price, because most of mormons are based in Utah. For more detailed and comprehensive explanation on this, watch her video!

Advertising is not the only way the mormon church is spending their money, they've also built a shopping mall, and are basically spending their money by investing and gambling and everything any corporation does with their profits. It's making me mad, and also makes the members of the church mad when they discover where 10% of their income goes, because they're told it's being used for charity and community service, and not advertisments and building malls.

For me this solves a mystery of how is it possible, in this day and age to have such influx of tradwives and influencers of 'traditional life', they're being sponsored by an organization making a profit off of it, making sure that anyone making this content is so well paid, they're able to live off of it, and keep creating more of it, and in the process of doing that, groom young women into their lifestyle.

Learning more about religions, specifically high-control religions, makes me realize just how much of it is happening all around us, but invisible, not naming what it is. It's similar to MLM's, the people inside are constantly trying to lure more people in, to make profit for those on the top, while the organization keeps changing names and hides their business structure in order to save their reputation. People can get influenced by it, and sucked in, without even knowing about it. Somehow most MLM's are also in Utah.

Mormon church also asked to no longer be called that, in order to stop being associated with the words like 'cult', which people have identified it as. Now they're working under more secretive names, and hidden business practices, so we wouldn't even know what we're being influenced by, and why is the content in front of us what it is.