“Dad?”
Splinter is currently sitting on his bed, preparing to turn in for the night. He puts away the pillow he was fluffing up and turns to look towards the doorway of his room.
“Yes, Blue?”
Leo doesn’t answer, instead shuffling next to Splinter and sitting down on the floor, leaning his side against the bed. He lifts his face to look up at him.
“I’m… just tired, dad,” he says, attempting to make light of it with a smile but his voice breaks in the end and that’s all it takes for Splinter to pull Leo into his lap, and as if on instinct the boy buries his face into the rat’s robes. He sobs, and Splinter feels his heart twinge with yet another crack.
“Oh, oh baby Blue, it is alright,” he murmurs, petting his son’s shell and the back of his head. He knows Leo hasn’t been sleeping again and he had hoped it would pass, like it always does, but for it to go on so long that it gets this bad… Now, this settles it. No more training, no patrols, no strenuous activities aside from rhythm games for at least a week.
All of his kids could benefit from a break, actually, and Splinter is glad that this is a fact – Leo won’t be singled out if they all are on a holiday of sorts. Brilliant. He knows he’s never been the perfect father, far from it, but he’s trying to do his best for his children and this time is no different. First thing tomorrow morning, he is going to tell his family of their impromptu vacation, and then take them out to Run of the Mill for pizza.
It’s a great plan.
Surfacing back to the present from his thoughts, Splinter realises that his musings must have taken longer than he thought because the turtle in his lap is now snoring quietly. With a soft chuckle, Splinter reaches back to grab his comforter and gently wraps it around Leo’s shoulders. He doesn’t mind acting as a pillow for his blue son and while he himself would be uncomfortable like that, partly on the floor, he’s witnessed enough turtle piles to know that the position is no hardship for Leo.
He keeps petting the blanketed shell, leans back and lets his butt fall asleep, too.
Just how he likes it.
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Gumshoe's ringtone tho-- 👁👁 LOL
[Image description: Monotone, sketched comic of characters Phoenix Wright (left) and Dick Gumshoe (right) from Ace Attorney. Panel one, Gumshoe's phone is ringing and the ringtone is of Miles Edgeworth yelling "Objection!" on loop. Gumshoe notices his phone and Phoenix is surprised. Panel two, Gumshoe is looking for his phone in his pockets. Text bubble, "Oh! Where is it, where is it..." Phoenix is just watching him look for his phone. Panel 3, Gumshoe picks up his cellphone and answers, "Mr. Edgeworth!! Hello! What? You wanna go on a date tonight?! YAAY!! OF COURSE!" with hearts everywhere. Phoenix is behind him thinking, "I forgot that's his ringtone. I need to ask him for it later..." End description.]
Links to help Palestine and other resources! 🇵🇸
[Plain text: Links to help Palestine and other resources! (palestine flag). End plain text.]
Also, of course all three of them are dating UwU 💕
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drives me nuts when people treat jin guangyao or wei wuxian like they're socialist revolutionaries like no! they're not!! in fact their respective roles in society and complacency regarding its hierarchies is why ANY of the story even happens to begin with!!!
jin guangyao doesn't hold bitterness just because he was born lower class. he is bitter because others deride him and his prostitute mother in spite of both their intelligence, skills, and efforts to climb the ladder.
why do you think we were shown scenes of other prostitutes in the brothel deriding meng shi for being literate, for "trying" so hard? why do you think we were shown scenes of anxin taunting meng yao and throwing shit at him because he was trying to learn cultivation at his mother's behest?
why do you think jin guangyao arranged for the arson of that brothel, burned to the ground with everyone except sisi inside? that's not the behavior of someone who believes in true equality and the inherent worth of sex workers as human beings!
that's the behavior of someone who thinks he's better than them. the behavior of a man who already came up on top through political games and war crimes, backstabbing and spying for the sake of the "greater good".
i won't rehash his argument to nie mingjue that he didn't have a choice-- he had some choice, but no matter what he does his class will come up and people will always assume the worst and try to hurt him for it, which forces his hand to do whatever will protect him best (hence 'no choice').
jin guangyao did everything he could to secure his own safety and a place among those already higher up. and by that point, he'd won it.
the fact that the temple rebuilt on the brothel site is to guanyin, the goddess of mercy, is even more ironic! the fact that jin guangyao has the goddess's statue carved to look like his own mother is proof that he viewed both her and himself as higher than them. more worthy than them.
of course he cared about the general welfare of others (read: the watchtowers). but consider also that there is no watchtower near yi city, which ended up being one of xue yang's playgrounds. jin guangyao can and will turn a blind eye to certain sufferings if it is convenient to him.
sure, jin guangyao made undeniable contributions to cultivation society and accessibility, but he is not at any point trying to topple existing class structures. his adherence to them is in fact integral to his own downfall in the end.
it brings with it the inevitability of society conveniently ignoring his triumphs and genuine moments of humanity to deride him once more as an evil, disgusting son of a whore once his crimes come to light.
now for wei wuxian. he's the righteous protagonist of the story and he doesn't give a fuck what society thinks, yes, but he wasn't out there trying to cause an uprising so that all the poor servant classes and lower could become cultivators. he wasn't trying to redistribute wealth or insinuate that those who are lower deserve to be viewed as equal to the gentry.
the most critical and non-explicitly stated fact of mo dao zu shi is that wei wuxian has always been resigned to his position in the social hierarchy.
his unreliable narration, especially regarding his own past and thoughts, is so damn important. he doesn't EVER tell the reader directly that people treated him any which way at their leisure because of his parents' differing social classes.
no. instead we are shown how much prestige he is afforded as cangse-sanren's son-- reputation as a talented and charming young cultivator, made head disciple of Yunmeng Jiang-- and how little respect he is given in the same breath, as the son of servant wei changze.
the way he is treated by others is as fickle as the wind. if he obeys and does as told, there is no reward. of course he did that, that was the expectation to start with! if he does anything even slightly inconvenient, there is a punishment. of course he has no manners, what else would you expect from an ungrateful son of a servant?
wei wuxian's righteousness is not a matter of adhering to principles he was explicitly taught, the way nie mingjue values honor or the way jiang cheng always tries to prove himself. wei wuxian does the right thing regardless of what the consequences are to him because his good deeds are always downplayed and his bad deeds are always singled out, no matter who or how many people were doing it with him.
he has faced this double standard since childhood. there are points in the novel where it's clear that this sticks out to wei wuxian, but does he ever fight back against that view of himself? does he EVER, at any point in the story, explain his actions and choices to jianghu society and try to debate or appeal to their sense of reason?
no. because he knows, at his very core, that any explicit deviation from their interests whatsoever will be punished.
slaughtering thousands of people is fine when they want him to do it, and when the alternative is unjust torture, re-education camps, and encroachment upon other sects' lands.
slaughtering thousands of people who are trying to paint him as evil for not going along with their genocidal plans, however, is punished.
wei wuxian knows his acceptance among the higher classes is superficial and unsteady. from the age of 10, when jiang fengmian took him in, he knew subconsciously that he could be kicked out at any time.
he knows that cultivation society doesn't care about war crimes and concentration camps and mistreatment of the remaining wen survivors of the sunshot campaign. but the right thing to do now that they aren't at wartime is to help them, plus they'd punish him either way for it, so he will.
in this regard wei wuxian is more self-aware of his position than jin guangyao. he does care about common people and he does try his best to help them as an individual. even if that ends up with him disabled, arrested, targeted in sieges, or dead.
but is he revolutionary? in the full equality, fight the establishment, rewrite laws, change social structures and people's perceptions of class sense?
no. no. he isn't.
now my knowledge of chinese society and history is fairly limited to my hindu diaspora upbringing and our shared cultural similarities ... but speaking to what i absolutely know us true, adherence to one's social class is expected.
this is rigid. efforts and merits might bring you some level of mobility, but in the end, the circumstances of your birth will always be scrutinized first, and your behavior compared to the stereotypes of where and how you originate.
mdzs is not about revolution, and none of its characters are able to truly change its society. there is no grand "maybe cutsleeves aren't inherently bad" or "i'm sorry for persecuting you and believing hearsay, you were truly a good person all along!" at the finale.
people ignore history and repeat it again with the next batch of ugly gossip and rumors.
wei wuxian, lan wangji, and luo qingyang find peace only by distancing themselves from cultivation society and its opinions.
jin guangyao and wei wuxian both cannot ever escape from others' perception of their origins and actions. regardless of their personal beliefs, they are not revolutionaries.
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Zelda Echoes of Wisdom
Today on Stream we talked about the new game! As we drew Zelda!
We think Zelda should hit Ganondorf with a Steel Chair! :D
We did this drawing on Stream!
Now, I'm gonna be honest, I don't care for the Color Pallet. I don't think it works, the Link and the blue don't really look great together!
So we made a blue version, as well as a version with the Pink, but if the colors worked together!
My Pink one is a bit more purple and the blue cape is darker, but tbh rn I feel like Merryweather from Sleeping Beauty yelling "Make it Blue!"
Here is our Rabbit Hole.
From what we saw from Link, this is most likely the Hero of Legend coming back to Hyrule after Link's Awakening! (Yay! He survived!) But then getting Kidnapped after freeing Zelda!
You can see our rabbit hole on which colors would look better together as well as our realization that Legend and Fable are most likely Color Blind.
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Sorry but I cannot stop thinking about DirkJake in the epilogues. Not even them during the actual body of the epilogues, but everything that's implied about their relationship over the seven years between them winning the game and John's choice.
Like, Dirk and Jake dated for five months and broke up when they were sixteen years old. And ever since then, for the past seven years, they have apparently been caught in this bizarre on and off situationship. Dirk is so bitter about Jake in Meat, and we never even get told what happened between them directly. We just get little hints and gestures toward what went down.
We know that Dirk and Jake were hooking up at some point over the past seven years. We don't even know whether they actually tried again at a relationship at some point or if they just had sex a couple of times, but we know it was something. We know it was enough for Dirk to consider himself heartbroken over. We know that Jake has apparently spent his young adulthood having ridiculous amounts of sex with ridiculous numbers of people, which means there probably wasn't any long-term monogamy. (Not that people in committed relationships can't agree to also have sex with other people, but we both know Dirk Strider is too possessive for that). We know that Dirk continued to be overbearing enough that what Jake wants most (when not mind-controlled) is to feel as independent from Dirk as possible.
And like, the implications about the dynamic when they are together, christ. Dirk narrates in Jake's head about the last time they "didn't hook up," which "didn't happen," and the way he says it makes me certain that "this didn't happen" is a Jake line that Dirk's bitter about. Dirk also, after the last time they hooked up, swore to never enter Jake's house again. Out loud, dramatically, to Jake. Worst of all, there's one line in Dirk's villain monologue toward the end of Meat that implies he's faked and/or played up being suicidal before just as a ploy to get in Jake's pants.
Hell, in Candy, Jane straight-up calls them codependent. She's not exactly an objective arbiter, but still.
Jake and Dirk's dynamic in that seven year gap is so fascinatingly dysfunctional and bizarre. They can't stand each other they're never even dating they're obsessed with each other they're having messy sex on the regular they're "friends" they're breaking up all the time. They do an incredibly sweaty and homoerotic wrestling TV show together five nights a week. They're celebrities. Jake has the most famous dick in the troll kingdom and Dirk barely leaves his workshop. I want to study them.
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