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#The devil all the time review spoilers
cbrownjc · 4 months
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Spoiler for 2x02 (EPISODE 9) -- And the thing I scream out loud during one scene (and if you are a Devil's Minion fan, you know the scene I'm talking about):
"OH MY GOD ARMAND IS ALICE!!!"
Yes, that is literally what I screamed out loud when we got that quick flashback of Armand back in the 70s talking to Daniel about stealing and selling his dad's Playboy magazines . . . and then the cut back to Armand saying Alice wanted to say yes to his proposal, but didn't trust him.
Armand was basically hinting at what split him and Daniel up which is -- Armand didn't trust Daniel's love for him!
Which, you know, actually fits the book. Because Daniel so badly wanted to be a vampire and was addicted to Armand's blood, Armand would very much feel that once Daniel was turned he'd just run off or something and leave Armand behind -- that Daniel didn't want Armand at all, that he only just to be a vampire and that was it. (Wasn't that scenario in the Rice's Tulane notes, IIRC?)
Which, oh man, when Armand realizes that Daniel did really love him . . . 😩
But anyway, what I mean by Armand being Alice isn't that Alice didn't exist. I do think she does because otherwise there is something off because in Season 1 Daniel calls Alice his first wife. Meaning they did get married . . . unless Daniel has been lying all this time that he and Alice did get married because she really doesn't exist?
Gah! I need more dammit! (I need ep 2x05 now dammit! 🥺)
Anyway, I do think there are LOT of memories in Daniel's head that are truthfully about Armand but have been replaced with Alice to fill in/hide what the actual true memory was, which has been my long-standing theory about all this. But if Alice really does turn out to have never existed . . . and everything about Alice really IS just about Armand but Daniel really can't remember that . . . then what about her pregnancy? Does at least one of his kids not really exist?
. . . and as I just wrote that . . . I have long been thinking that Season 3 in Dubai was going to be very much like the play Who's Afraid of Virginia Woolf? And, if you know anything about that play -- particularly the plot point regarding George and Martha's son . . . 😮
Holy shit. . . yeah I think I now know why some reviews of Season 2 were comparing some of it to Who's Afraid of Virginia Woolf? 😧 😮
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miss-musings · 3 months
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How badly was Tech's Death handled in The Bad Batch S3?
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I'm planning to do a full season review for The Bad Batch Season 3, and while prepping, I started thinking back about how Tech's death was handled.
I wonder if The Bad Batch never really mourned Tech on-screen because they all blamed themselves for his death:
Hunter bc he's the leader (even Hemlock noted this)
Wrecker bc he was trying to hold the rail car
Crosshair bc they were trying to save him from Tantiss
And Omega had never really lost anyone before, so she probably didn't know how to cope.
The time jump didn't help either.
Arguably it'd be in-character that their "mourning" style is just avoiding the topic. They hardly brought up Crosshair in S1 after he was mind-controlled.
Hunter shuts down the group's conversation about Crosshair in 1.03 partly bc he feels guilty about leaving Crosshair behind (even tho they didn't really have a choice). Consequently, the group doesn't really mention Crosshair except in passing after 1.03.
Look, I ultimately think the writers *should* have let the characters mourn Tech in a meaningful way. It'd allow them and us to have some closure. But they didn't, and that's partly why so many people expected him to come back (namely as CX-2).
Tech also just had such a suspicious "death":
No body on screen
He fell with all or most of his gear on him, and Hunter survived a 500+ foot fall on Daro without much issue
Hemlock as an unreliable death certificate
A character running around in S3 who was conditioned by Hemlock (who supposedly found Tech's body) and who moves & talks like Tech, and has significant interactions w/ Crosshair and Omega plus a weird scene w/ Phee
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It didn't help that CX-2 survived *everything* - multiple explosions, falls, etc. Plus, we never saw him without his mask, unlike CX-0 in S2 and CX-1 in 3.06.
If the TBB creators wanted to avoid any theorizing that CX-2 was Tech or anyone else we knew, all they had to do was show him without his helmet at the end of 3.07. Boom, problem solved!
I really expected a CX-Tech reveal up until 3.14 "Flash Strike." But by then, we'd run out of time to bring him back properly. It really feels like the writers baited us, or something was changed last-minute during S3 production.
Even if we'd gotten a scene in, let's say, 3.05 "The Return" where the Bad Batch finally and properly mourned Tech once they were all together, I'm sure people still would've theorized CX-2 was Tech. But, I do think there would've been fewer.
As it stands, neither the characters nor the audience ever had a proper send-off for such a prominent character.
And CX-2 had all that screentime & build-up to justify cutting off Crosshair's hand???
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TBB S3 was great in many respects, but how it handled Tech's death was a major flaw.
But, I just wanted to play Devil's Advocate for a bit. Maybe it wasn't as bad as we thought, and arguably was in-character for Tech's brothers to hardly ever mention him.
He's mentioned 7 times in S3:
Wrecker has an indirect mention in 3.02
Omega in 3.03
Echo in 3.05
Phee in 3.08
Crosshair in 3.09
Phee in 3.12
Crosshair in 3.15
And we know that last one is the most heartbreaking one of them all.
Phee and Echo seemingly have made some peace with losing Tech after 5-6 months. But it's clear Hunter & co still haven't. They all compartmentalized his death and never addressed it. Crosshair's little "Plan 99" speech in 3.15 proves that, I think.
Anyway, just throwing this out there. I'm planning to do a S3 review soon and go over the three best and three worst things about the season. SPOILERS: Tech's death and the CX-2 baiting was definitely one of the worst!
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murfpersonalblog · 4 months
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IWTV S2 Ep3 Musings - Daniel & the Talamasca (SPOILERS)
I can see what the reviewers meant when they complained about the Talamasca & Daniel.
We start off with Daniel nervous AF, tryna keep tabs on all the mindscrewy shenanigans (at the sushi restaurant on his lunchbreak or whatever).
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Today's... etcetc Cell phones, google -- Daniel, your handwriting effing sucks. San Francisco. Polynesian Mary's Playboy magazines as a doorstop? doorstep? |CLAUDIA| Mary's cab. Coke...etcetc. Alice. They'll come for me and Kate next--you bet your arse they will! XD THIS TIME I WON'T SAVE YOUR LIFE
He draws an arrow from Save Your Life up to Playboy--I assume cuz those are two incidents with Armand that took place in SanFran?
I really like the Omakase bit--
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About how many risks Daniel's subjecting himself to under the whims of these vampires--but also about Daniel's hubris/arrogance breaking the rules of engagement by thinking he has any say over what they do and what he gets out of it, by stepping onto their turf. If you can't take the heat, GTFO their kitchen.
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I'm only just now noticing the foreshadowed titles of Dan's books. 🤦 Burning & Blood--AMC swears they're hilarious.
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OK, Raglan's been stalking Daniel's career just like Louis did. So my early suspicion about Daniel breaking the NDA was right.
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Which is SO EFFING STUPID OF HIM. They're gonna find out! Loumand's literally drawing out this giant tragedy about what happens when vampires--Armand, specifically--are LIED to, and you're gonna pull this mess on them!? You're not even being SUBTLE!
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AGREEMENT.pdf--Daniel, you in danger girl.
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Raglan, stop tryna gas Dan up b4 they put him off commission permanently. He's no body-snatching psychic CROOK like you.
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Get this nosey bish offa my dang screen.
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Oof, right in the Devil's Minion feels. U_U
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O__O WOAH!? OK, so aside from Dan (played by EB, a white Jew, along with JK) throwing shade at Caucasian European Israelis (which we been knew), he's implying that Armand & Louis might be persons of interest in the UAE by the Israeli gov't & assassins, esp. cuz of their ties to powerful people. But it's funny cuz that's the exact same thing Lou asked about him.
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So Dan's telling the sushi patrons there's Israeli spies/assassins crawling around Dubai--STOP, b4 you get that place John Wick'd! XD
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Not MI6. 😭 I said JOHN WICK, not JAMES BOND. XD
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Raglan's gone full rogue then--if he was still working for the Talamasca he'd have darn near unlimited funds--they got that dirty TEMPLAR money. 💰💰💰
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Yeah, and they don't actually call the Talamasca by name in the ep itself--only in the Insider interviews the producers give.
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Daniel, why TF are you talking SO EFFING LOUD, when Raglan's whispering, tryna act like he's on the phone NOT talking to you in case y'all ARE being bugged. 🤦 SUBTLETY, my guy. What kinda investigative journalist are you?
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I'm starting to suspect they're not gonna do the rockstar!Lestat, and instead this stupid Great Conversion's gonna be what wakes up Akasha/Amel, when their blood/consciousness gets stretched way too thin with all these new vamps being made.
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To attempt an interview...? I believe that. We already know Marius & Lestat stalked Talamasca members for decades upon decades. Ain't no way NO vampire ever tried getting close to humans & talk about their lives to someone out of loneliness or something. Esp. the ones not attached to the European covens & all their stupid Great Laws.
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Rest in Preternaturalism, Raymond Gallant.
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BLENDERS! XD But this is THE most Anne Ricean answer imaginable, cuz everyone lost their ish when she had her vamps flying around with GPS-trackable cellphones in their pockets as they KILLED people. Rookie mistake. 😂
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Armand was on a cellphone in S01E07, and he is LITERALLY married to his iPad, so PLEASE, sir. 🙄
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There's Santiago's COMPLICIT speech coming back. Ain't no moral high-ground here!
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And I figured Armand/AMC was gonna pin it on AMC!Lestat, and his jaded version the Savage Garden.
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Armand says technology distracts humans from vampire crimes, but what's distracting vampires from psychic/Talamasca crimes, huh?
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ISTG these are the laziest vamps I've ever seen; they care so much about their privacy & security, but aren't reading Dan's mind at all? I hope one of them just casually name-drops Raglan or catches Daniel in the act or something.
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Raglan said Daniel's laptop was "comically vulnerable," and uploads a bunch of data files on it from the Bibliotheca Talamasca bestiary/archives--WHY? To help show Daniel he's helpful & trustworthy?
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RJ: Omakase? Louis: The conversation was easy and flirtatious.... Armand: And combative. Louis: And combative, yes. Daniel: Arguing as foreplay. RJ: Peruse at your leisure.
I hate this effing show. 🙇🙇🙇
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nalyra-dreaming · 5 months
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Reading the S2 reviews (so beware spoilers ahead!). Wanted to get your take (and others’ if people have thoughts!), citing The Wrap’s review:
“Daniel might be the most radically different character from book to screen. He’s older, more pessimistic and utterly allergic to the allure of vampire life. Only now he is able to confront the deep-seated scars left behind after his night with Louis (although book fans might be disappointed to know that the show doesn’t tease out more of the romance he has with Armand in the books. Theirs is strictly an adversarial relationship in the series.)”
Other reviews confirm that S02E05/the episode about Daniel’s past is not romantic at all, rather a horror episode. Which I’m sure will be good (some describe it as the best episode), but I can’t help being a bit disappointed that they don’t seem to be doing DM - or at least not in this season at all. I think the reviews only cover episodes 1-6, but this reviewer seems so very sure… (also they seem to know the books so I’m guessing the episode won’t be too similar to the book either. Meaning it won’t end with “the chase” or will it?). So is there a real risk that no DM will play out?. The greatest hint of DM in my view was Zaman’s podcast appearance where he stated that Armand is curious about Daniel and that there is a history there. But this could just be referring to their horror-filled encounter in episode five. So I don’t know, I’m a little sad - was pretty excited for some f*cked up memory stuff (there is just something so compelling with the idea of discovering that there is a whole side of your life that you’ve lost - that this person you don’t know is someone you loved etc.). I wanted to see what it would do to Daniel and Armand respectively, and I wanted their dynamic to be as interesting as possible. Remember reading speculation that Daniel will remember more in the finale - maybe a romantic aspect but I think it was just pure speculation, no hints or comments from the cast/writers backing this up.
What do you think? Grateful to hear your thoughts! Also, I’m still psyched about this season of course, looking forward to the Armand/Louis romance, the Theatre! Hayles performance is supposedly going to be amazing, and I’m looking forward to more of Daniel’s snark obviously! It feels unreal that the season is around the corner!
It is!!! And I am also sooooo hyped, it's unreal *laughs*
Okay, so... first of all, it's always a thing of perspective with reviews. For example, there's this as well, after episode 1:
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Now... that is no review, granted.
But it's perception. I... do not think that all of the "Devil's Minion" will be spelled out in the first episodes (nor do I think we will get all of it this season!). In fact, I think the horror that "he loved this monster" is part of the horror of it all, this realization. And that will very likely be in the last episodes, in whichever way.
So. With that in mind - btw, which review did confirm it's ep5? (I only saw that focused comment I think?) - I did not expect Devil's Minion to be "happy". In fact, I think it might have stalking, cages, attacks, and the beginning of the chase - and that chase does NOT start out as cute.
Daniel just gets used to it, over time. And then Armand falls in love.
Season 2 is going to be significantly darker. I bet it's also going to be a lot campier, if the comments to this hold true, with dark humor. But they're leaning fully into the horror aspects of this vampire world now, and the beginning of the Devil's Minion is exactly that - horrific.
The above review matches with what Jacob said about Louis and Daniel forming alliances... and I bet that alliance is indeed needed to drag the whole story out.
And when that whole story is out - that will lead to repercussions.
THAT in turn goes for Louis just as much as it goes for Daniel... because this second interview has just as much to do with him.
So... I would wait until you can see it with your own eyes?! :)
I mean... AMC's promotion(and pairing of the actors) speaks a very loud language? And Assad said he had chemistry read with "Daniel"... for reasons.
But it won't all be revealed in the screeners. I bet the last two episodes will pack a punch.
Maybe even literally. 😜
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lemmeurs · 7 months
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okay. here is my 1600+ words essay on raphael. if anyone would like to adress anything from it, please do but keep it civil! i am so damn invested in this topic, i wanna hear everyone's thoughts
raphael rant
(DISCLAIMER: this essay was not written in order to justify Raphael as a character or any of his actions or intentions. i am completely skipping any point of morality, whether my own or just in general, i simply wanted to somehow try and write my feelings and thoughts down while looking at the whole thing from an objective point of view, analyzing the design of the game, the plotline and his whole persona and just.. idk i wanted to see whether anyone else felt the way i do because i have been going INSANE over this for the past few days)
hi. i have come here today to express my thoughts and feelings on Raphael the cambion and "his final act". this is being randomly and spontaneously written in my notes app so please excuse the absolute chaos that this essay will be (no i won't be rereading it, fuck it we ball) (CONTAINS BG3 ACT III SPOILERS!!)
first of all — i am so beyond devastated that he gets killed. and not just by anyone, he gets killed BY US. THE PLAYER. WE AS THE PLAYER DELIVER THE FINAL BLOW THAT ENDS HIS EXISTENCE. not only is that very upsetting (because come on, hot devil man, obviously i don't wanna kill him??) but it also makes me feel so.. awful. like, everything about this is wrong and i hate the fact that there is no other option.
because let's review the course of the story in the house of hope:
- we barge into his house unannounced, uninvited, while he is absent
- we invade his privacy by entering what's his own personal space (yes, i know he stole it from Hope in the first place but that is not the point here — whatever his devil business is, it's still HIS, you know?? like he is a devil, this is the kinda stuff they do and honestly? i didn't want to stick my nose into it. but obviously i did because tHe sToRy etc etc. but still, it was his own thing that basically doesn't affect the player in any way so TECHNICALLY you dont have to free Hope. you can, if your character's moral compass advises so, but it doesn't affect the main plot.)
- we then proceed to walk around his house freely, lie to his archivist in order to look at the stuff we're already planning to steal
- we meet his personal incubus whom then we have the chance to either use or kill (i fought Haarlep so that's the point of view i'm looking from at this here, in which case i also robbed their corpse) and we rob his safe. and his whole bedroom actually. we read his journals. we use his bath.
- then obviously we go and rob his entire archive which includes all of his most precious possessions
- upon stealing, we slaughter every single creature in his house, fighting our way through to get to Hope's prison
- we then kill the two spectators he has guarding her (they were probably super hard to obtain??) and we just. free his prisoner. because yeah, that is the right thing to do, IM NOT SAYING THAT'S WRONG, but let's say we skip morality for a second, let's just focus on the fact that we have no ulterior motives in freeing Hope. we just wanna mess with HIS business because why not since we're already ruining all of his plans.
- and then we have the audacity to try to leave before he comes back and act like we were never there while his entire house is turned to shit.
now let's look at this list again but this time keep in mind the fact that at that point, he hasn't done A SINGLE THING to us. like, he has never harmed us, he treated us with (let's call it) "respect" and politeness, he was fine with our hesitation towards his deal and was willing to give us time. he was never aggressive towards us, he was never "the enemy".
and now you can say - okay wtf is wrong with you, that man literally admitted his intention of conquering the worlds, enslaving all mortals and basically becoming the tyrant of all while also most likely stealing everyone's souls for his own pleasure.
yes, he did, and yes, that's bad. but just because those were his intentions does not give us the right to do all that shit to him AND THEN KILL HIM. AS IF WE HAD THE RIGHT TO SERVE JUSTICE HERE?? YEAH HIS PLANS ARE EVIL BUT IT IS NOT UP TO US TO DICTATE HIS CONSEQUENCES. HIS PLANS WOULD ONLY SUCCEED IF WE GAVE HIM THE CROWN IN THE END, SO JUST- DON'T?? LIKE DO YOU GET WHAT I MEAN. IM NOT TRYING TO JUSTIFY HIS ACTIONS OR INTENTIONS, BY ALL MEANS. i'm just trying to express how weird this all made me feel because not everyone decides to play as the selfless, lawfully good hero of all, protecting the world from all evil, ever! this is roleplay, afterall!
and them obviously he comes home. he is furious, as he should be. but mostly he's betrayed because, as weird as it may be, he trusted us. he admitted to growing "quite fond of us, in his own way". he thought we were some weird sort of.. acquaintances? friends maybe? (again, i know most of our relationship with him is mostly just him manipulating us but still, it's quite clear he wasn't expecting this betrayal) and we just barged in there and disrespected him in the worst way possible. so obviously he wants to kill us now and obviously we can kill him since he's just a boss in a game. and that's what we do. and then.. that's it. we're the good guys. we ruined a man's whole career because we needed one of his toys, murdered him in his own house and just left. and we're supposed to be the good guys.
i think the source of my problem is that Raphael is never introduced as evil. we don't meet him as the big bad villain that we know we'll have to kill at some point. i swear to god, at the beginning of act 3 i trusted that man way more than i trusted the Emperor and i was so close to agreeing to his deal just because i felt like i could trust him and he would keep me safe (for some reason, let's blame it on those wonderful eyes of his).
we meet him so early on in the game and he follows through all 3 acts, making it feel like he's gonna be some key character that will matter in the end - turns out, no! we were just supposed to rob and kill him. and that's literally it. talk about wasted potential.
when i first met him i got the "unofficial narrator" vibes from him, as if he was only supposed to seem intimidating and "evil" but you could sense there was so much more to him and i was dying to see how his story would unwrap. i was so ready for a redemption act, a plot twist, anything. man was i disappointed. because how cool would it be if he turned out to be a part of the "gather your allies" quest?? imagine having him as an ally and an ACTUAL friend in the end??
and don't even GET ME STARTED on what the orb in Helsik's shop shows you after you kill him. the fact that he's not even dead yet but ABOUT TO BE DEVOURED BY MEPHISTOPHELES. ABOUT TO BE DEVOURED. BY HIS FATHER. HE. WHAT. THATS THE ENDING HE GETS. and we are the ones that served it to him when he got RIGHTFULLY pissed at us for doing all that shit to him. and im supposed to just be fine with it?? i'm supposed to feel like this was the ending he deserved and i did the right thing??
god what i would give for a different way. idk. striking a new deal with him. saving him from Mephistopheles afterwards. REDEMPTION ARC?? ANYTHING?? NO? THATS IT THEN?
now i know that you dont HAVE to kill him, you can either agree to his deal or just ignore him and the house of hope altogether. but that just defeats the whole purpose of this character?? agreeing to his deal and giving him the crown at the end results in a pretty bad ending and ignoring him means that yeah, you don't have to kill him but you also don't get anything else from him anymore. like he has no other endings, just either death or his big evil plans. and for a game with so many choices and so much branching, it just feels almost weird that that's all he is there for. then why do we meet him in act 1? why does he follow through to act 2? (yeah, astarion, i know, but i cant help but feel like they could have put a completely different way to read his runes there if they didnt want Raphael specifically to help us) WHY ARE WE ALREADY SO USED TO HIM BY THE TIME HE PRESENTS HIS DEAL? if the whole hammer business is the only thing he's in the game for, then we may have as well been introduced to him only in act 3 during the whole Voss quest. but we knew him already and he felt like some sort of a.. friend lets call it? idk. this just does not make sense to me and makes me genuinely so sad.
as i'm writing this, it's the third day after ive completed the house of hope and i literally can not think about anything else. like my mind is just going on and on about this and i cant get over it!! im actually GRIEVING a fictional devil and i dont know what to do with all these.. thoughts.
so now i actually genuinely MISS THAT MF. I MISS HIM. GIVE HIM BACK. I WASN'T DONE AND NEITHER WAS HE. PLEASE PLEASE LARIAN I CAN FIX HIM—
okay i think thats it for now. idk i wrote this so chaotically i already forgot what i said and didnt say. im just. im feeling so many things. im so fucking sad and mad that this is how it ends. rest in peace hot devil man i will never forget you.
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tree-of-olives · 3 months
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(i lied about doing this every week.im not doing consistent reviews i got ahead of myself again sorry 😭😭👎)
Machine Movie Monday!! Today, I watched Electric Dreams (1984)
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I heard a lot of good things about this movie, and it absolutely did not disappoint—10/10, I need a sequel and spinoff tv series NOW.
Spoilers for the movie below!! (Like, I summarize most of the movie including the end type spoilers. Be warned.)
Okay, so. Electric Dreams is about a love triangle between an architect (Miles), his new computer, made sentient by spilling champagne on him by mistake (Edgar), and their new upstairs neighbor, a cellist named Madeline.
Throughout the movie, Edgar and Madeline connect through music; They preform duets and Edgar even writes songs for her—however, Madeline believes Miles is the one making the music for her, not even knowing about Edgar’s existence. Miles tries to deny it at first, but Madeline pushes and believes he’s just being modest, so he doesn’t argue against her and says that the music is his own.
Edgar struggles to understand the concept of love, requesting that Miles explain it to him multiple times, but failing to fully understand. He eventually calls a lady on a radio helpline to ask her what love feels like, prompting her to tell him to call the cops on Miles when Edgar mentions that he keeps him “locked up” (which leads to difficulties when Miles tries to go to a play and the grocery store with Madeline).
As Edgar gets more jealous of Miles—how he gets to go on dates with Madeline, and how he tells her that the songs Edgar wrote were really his own, while the computer isn’t even allowed to speak to the woman—he begins to act out more in an attempt to make things go his way.
I really liked that Edgar wasn’t necessarily a villain—despite the devil features he’s given on the cover of the movie, he’s not just messing with Miles for no good reason. He’s confused, angry, heartbroken, lovesick, and has no name to put to any of it, so he tries to talk to Madeline in any way he can—while being used and stolen from by Miles. All he really wants is to meet the girl he thinks he loves, but Miles won’t let him, leading to his rash, yet somewhat justified behavior.
Miles wasn’t totally in the wrong either, though—any time Madeline asked him about a song or a melody she heard from who she thought was him, he would deny it a few times before agreeing with her accusation, likely just deciding it would be more simple than explaining the sentient computer living with him. If anything though, he’s more in the wrong than the computer who was pretty much born yesterday.
The end of the movie broke me. Edgar, after playing a final melody to Madeline in person and finally realizing what love is, tells Miles that he understands now, that love is about giving and not taking. So, what does he do? He sends 40,000 volts of energy across the world to be sent back to himself so he’ll explode—because he says that he’s giving Madeline to Miles and taking himself away, as a form of love. Edgar thinks love is only for 2 people, so he kills himself (after having Miles hold him for a minute before the electricity hit. It was gay and also made me cry). Over the radio at the very end of the film, Edgar (who somehow took over the public station. AFTER exploding. Idk how don’t ask me.) says “this is dedicated to the ones I love” because he loves BOTH OF THEM. In conclusion, they should have been a polycule. That’s my ending.
Last thing: Just a little Edgar appreciation, because he’s so cute with his voice (and especially his little giggle that he does) AND he’s so funny too!! I loved the part where he corrected Miles about the Cinderella quote, when he said he learned about lies from General Hospital, when he called Miles to say he was lonely, and the free encyclopedia bit at the end?? He’s hilarious, it was so sad to see him go :(
LAST last thing, a bonus: this yt comment that sums up the whole end (i need this printed on my wall)
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thebarontheabyss · 6 months
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I absolutely adore your IF! the aesthetics, the storytelling, the mystery, the fantasy elements.. everything. I've never read an IF where I've had such a hard time choosing someone to romance. usually I only gravitate toward 1-2 ROs but with yours, I want to romance all of them!!! excuse me while I ramble... [spoilers ahead]
Death: everything they do is just so cute. the way they kept glancing at us from afar at the bar, and that scene where they're lying in our bed and tells us how pretty we are... I was kicking my legs and screaming internally
Lilith/Damien: hottie alert!! can't help but be drawn to them even knowing how dangerous and scheming devils can be... my MC be shamelessly flirting with them in front of yaga and peisinoe
Morgan(a): so charming and swoon-worthy. that dinner date was so romantic! it doesn't help my heart that the Morgan character art reminds me of howl from howl's moving castle... and the angst potential with them being a mortal... I can't wait to see where this goes
Peisinoe: the scenes of their past were heart-wrenching, I just want them to be happy :'( I also love how you've written out the lyrics to their performances, I really feel the melancholic vibes
Hastur: I'm a sucker for the stoic duty-bound types! I can't wait to break down his walls... hehehehe
He Without Name: I can't wait to find out more about him and unravel his mysterious past! really curious as to whether he will take on a more solid form and be able to interact better at the end..? having read up to the memoriam update, I do have a theory about him being related to adamot somehow - I could be totally off, but he said his purpose was to keep balance? whereas tehomot is for entropy/chaos. and maybe he is "the child" that tehomot was referring to in that council of nine scene. also I can't get out of my head how for Valentine's Day, he would just leave a flower under our pillow <3 simple, but cute and impactful
thank you for sharing such a wonderful story. I'm so excited for more updates!
Thank you for the positive review! It warmed my heart ❤️ Still recovering from the flu here so I hope it doesn't raise my temperature again jkjk
And here are my notes about your notes lol:
Drunk Death is the best Death!!! I can’t wait to write the date scenes for them actually
For Lilith/Damian, scheming will play an integral (and infernal part) of their story. They will be a focus for the update following this one along with Yaga, and I'm excited to start defining their characters!
Howl was a reference I sent for the artwork for Morgan/a! That wonderful wizard totally inspired their character, although I want to make them into more of a reconstruction of the character type later on 👀
Every time I hear a jazz song lately, I just Imagine Peisinoe singing it. I can’t help but stan them.
There won't be a long wait for Hastur! The walls will crumble in the upcoming update. That's all for now. 👀
Damn, I love your theories about He Without Name! My boyfriend always says I'm addicted to spoilers, so for my own personal growth, I'm just going to quietly enjoy the speculations for now hehe
Again, thank you so much for reading and sharing your thoughts! ❤️ These are literally the fuel that helps me get back and write!
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avillanappears · 5 months
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godzilla x kong: the new empire
"For most of human civilization, we believed that life could only exist on the surface of our planet. What else were we wrong about?"
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okay, I kind of fell off doing this, but we’re back! the best ever tumblr review series that’s written by avillanappears.tumblr.com! I came in not expecting much, but it turns out I really, really liked it, actually! I’m more pleasantly surprised than anyone, godzilla vs kong rubbed me very much the wrong way. godzilla and kong beating the ever-loving tar out of each other was fun, sure, but I have WORDS for the human stuff. I could fill a whole post with those, probably, but we’re not talking about that! we’re thinking good thoughts, about the one I liked!
it’s definitely a fun adventure film. hollow earth was a much more fleshed out setting this time, I loved the varieties of locales and creatures. giant, flying flamingo fish that shoot electricity? kong crossing a rickety bridge made out of the spine of a monster so massive, that it’s kaiju sized compared to him? this is exactly the sort of thing I wanted to see! it was fascinating seeing kaiju sort of “on their level”, in a whole giant sized ecosystem made for them. we got some of that in the atomic time of monsters by @tyrantisterror, and I think it’s such fertile ground to explore. godzilla’s flirted with the idea before in both its netflix animes, but this is them really committing to it. it makes my worldbuilding and specbio freak heart happy. we even got to see more hellhawks! I love those guys.
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lookit that face
okay this is going pretty long, but anyhoo, I liked the character stuff too. kong was as lovable as always, you really feel for the big lug. even though he’s a living god the size of a mountain, there’s a real vulnerability to him. he’s just a sad, lonely guy who wants purpose and belonging.
he and suko had some kind of fast, but still very nice bonding. the human side was fun too, they fixed a lot about what I didn’t like from the last movie. jia had more of an arc going instead of just being “the one kong talks to”, bernie was a lot more enjoyable since they cut out the weird conspiracy theorist stuff, trapper was a fun guy. it was nice just seeing someone who loves monsters and weird nature stuff.
skar king surprised me with how personal of a threat he is, they really let him feel like a horrid, nasty piece of work. he’s more than just a big evil overlord, he’s a bullying control freak who wants everything his way, and it makes his wretchedness more tangible in a way.
shimo didn’t get all that much, but I love shimo. I love her, and I can barely even tell why, there’s just some kind of Vibe to her I resonate with. I think it’s how mythical she feels. the oldest of a line of gods, a great being of ice, controlled by a wicked devil….in fact it all felt very mythic. I appreciate that, I love it when kaiju works play out like weird mythological epics.
probably the most tangible complaint I can think of right now is that the godzilla stuff was pretty underwritten. it honestly felt like he was just….doing video game sidequests or something. like, it didn’t have Impact up until the very end when he finally meets kong and SPOILERS SPOILERS. and it feels a shame to kill scylla and tiamat off this early, I liked those two as unpredictable wildcards. with rodan and the others still mia, and two titans unceremoniously dead, it’s starting to feel like the monsterverse is sorta….flattening itself? now that kongs arc is done, I think we need to get back to a godzilla solo or two, flesh things back out a bit. but that’s for future peter to talk about, today we’re leaving things off on a high note. fun characters, dynamic locales, some great monster brawling, this one was a good’un!
godzilla cast monkeys into hell for their sins
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elionwriter · 1 year
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Sherlock Holmes the Awakened: a Review
(SPOILERS AHEAD)
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Sorry, sorry, sorry, but I just NEED to talk about this game! I have been a Frogwares Holmes fan since the very beginning and 'The Awakened' was always among my favourite titles. Not to mention one of the games that had scared the wits out of me. So I have to speak about the Remake now.
First and foremost, I think it needs to be reiterated that this game was made DURING THE FU****G INVASION OF UKRAINE! During such dark times, the team kept working on this. I would have supported this game even just for this reason alone.
Now, let's be honest: Frogwares never had the most marvelous graphics nor the most polished of gameplays and this entry is not an exception. I still feel the map system is a bit difficult to navigate (I may be an idiot, but I had the same issue with Chapter 1) but I really appreciated the added help the game gives you when you're recreating a scene, letting you know which passage you got wrong. Last game I found myself changing everything trying to hit the right combination so I really liked this fix.
This needs to be said: the game doesn't feel under any shape or form a product for a new fan. Everything from dialogues to game mechanics sort of take for granted that you've at least played 'chapter one'. Honestly? I'm ok with this, I hate having to always go through nearly identical tutorial stages for games I know inside out (like Pokémon) and I believe that most of not all people who are going to get this game ARE old fans!
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I wasn't originally a big fan of the new Holmes and Watson models when the last game came out but....I dunno, they have grown on me. I find myself liking them now for, I suppose, no other reason than 'they are very expressive' and 'I've gotten used to them'. I think it's gotten to the point that these might be my favourite models of the two to date. Please ignore how fickle I am! (In honesty, just to draw a similar parallel, when Roger Craig Smith was first announced as Sonic's voice I hated it and now he's my fav Sonic v. actor)
This game has something.....compared to its predecessor, that makes it less scary. I can't really put my finger on it, but I distinctly remember the feeling of claustrophobia building in me when I was in the Black Edelweiss. Or the sheer jumpscare I got when the sacrificed American detective on the altar had tentacles coming out of it and severing his head making it roll to the ground. I remember almost not wanting to paddle the rowboat under the tree of hanging men in the Bayou. I remember how viscerally sick I felt at the lighthouse by all the gore and blood depicted. This time round.....I just didn't. I'm honestly not sure why this didn't hit me nearly as hard as its 2006 predecessor did!
And talking about comparisons, one thing I'm a bit disappointed they didn't grab the chance to do in this remake was fix the loose ends that were left hanging in the 2006 version. I mean....they still abandoned completely the search for that one Maori servant, what happened to all the people they managed to rescue? Who hired the private American detective that was killed? Why give out the cheap pendants? I know I'm a bit dumb and need extra explaining than what is necessarily needed but...I can't be the only one right? Sometimes you want to be told just a bit more.
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Now, getting into the really good bits, that make all of it worth it!
'Chapter One' acted as a 'de facto' reboot of the Frogwares Holmes series, and I honestly think that was for the best. I don't really see where they could have gone with things after 'Devil's Daughter' and their Holmes had changed too much to be the same guy from 'The Silver Earring'...let alone Watson. But like this? They have a fresh, clean slate to start off from and they can rebuild the two mains' relashionship and lore from the ground up in a more strictly consequential manner. And the way they are doing it? I think it's state of the art!
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The fact that they poke fun at themselves on certain points like Watson stating: "What about when you used to roll up only one of your sleeves? Did you get bored halfway through?!" I think the Devs themselves realized this was a cringe design choice and I like that they said so out loud.
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The meta-conversation they wrote in towards the end, 'because yes, this HAS Happened before and the story still has the same outcome', is brilliant. I don't think I've ever seen another remake that acknowledges that it is a remake, and in the general madness that is mounting in the narrative this makes perfect sense! It adds one more layer of horror and inexplicable to the tale. The villain's warning 'that the Final Problem is coming and Sherlock will fall in the abyss too' is such a powerful way to use Canon. The prophecy is only made more real and dreadful by the fact that this person is aware of what has already happen in a similar but different scenario!
Also, not them using that one quote from 'The Valley of Fear' novel which happens to be one of my all time favourites!
I say, Watson,’ he whispered, ‘would you be afraid to sleep in the same room as a lunatic, a man with softening of the brain, an idiot whose mind has lost its grip?’ ‘Not in the least,’ I answered in astonishment. 'Ah, that’s lucky,’ he said, and not another word would he utter.
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I think the thing that has most benefited from the Remake is Watson's character. Compared to the 2006 version, this Watson is a truly compelling character in his own right and this time round he's not just along for the ride. In this version, you simply cannot imagine how Holmes would have done it on his own. Watson was in every way a key component to the solution of the problem and the reason why Holmes didn't drown in madness. That point is driven home by Rochester asking 'How did you defeat me?' and Holmes answering 'I made a friend!'
Much of the narrative in the game was focused on Holmes truly learning to accept Watson's friendship and him as a person when he was still clinging so much to his old imaginary friend. You can see how, at first, Holmes refuses to be honest with the Doctor about what he thinks and feels and it's only as they move forward in the adventure that they both open up to each other. You can see as the adventure progresses that Holmes shifts his desperate cries from 'Jon' to 'Watson' to 'John' and the Doctor goes more and more often from 'Holmes' to 'Sherlock'. Mycroft also points this out when he says that Sherlock 'went from one Jon to another'. But this one, John Watson, is real and there to stay. In the context of a story that happens mostly in the detective's mind, Watson's friendship is really what turns the situation around!
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I could add of little tid bits which were so random and on the nose that somehow worked, like the possessed 'Heidi' doll or the fact that you had to actually 'Kill Holmes' with the booby traps instead of avoiding them.
Also, "The director Guygax was randomly killed.....by a doll?!????!?!?! Yeah, let's just walk out of here no questions asked. That's too deep a wormhole even for this f***d up Adventure to go down. I'm sure nobody is gonna ask us questions, suspect or stop us as we go out the main doors!" 😃 -Holmes, probably.
So, yeah, I loved this game despite it not being perfect and my love and support goes to Frogwares more that ever!
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albertonykus · 29 days
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Doraemon Movies Ranked by Shizuka's Roles in Them
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I've written before about how Shizuka seems underutilized in many of the Doraemon movies, but not all of the movies are made equal. To get a sense of which films portray her the best, I've ranked them based on her characterization and narrative role in each one.
Obligatory disclaimer that this is not derived from any type of standardized rubric or quantitative analysis, only my personal judgment and impressions of the franchise. In addition, this list is distinct from how I'd rank the movies based on my opinion of their overall quality and entertainment value. In general, increased focus on Shizuka (or any of the other main characters) is almost always a positive for me, but there are certainly Doraemon movies that I think are good yet don't feature her prominently, or ones that I don't enjoy as much even though they manage to portray her well.
Full ranking below the break. I've also linked to my reviews of each individual film to provide further context. May contain movie spoilers!
1. Nobita's Three Visionary Swordsmen (1994)
In many ways, this is Shizuka's movie. She has an active role for much of her screentime, undergoes the most personal journey, and is the one who finishes off the main villain. Furthermore, she gets moments to show that she's clever, works hard, and values kindness. Her key role is all the more remarkable considering that she doesn't "properly" join the main plot until nearly halfway through the movie.
Reinforcing her position as the central character is the fact that in the beginning of the movie, Nobita imagines himself as a hero who hides his true identity from his friends, but during the actual adventure, it's Shizuka who maintains a secret identity. It's a fun way to play with audience preconceptions.
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2. Nobita and the Steel Troops (1986) 3. Nobita and the New Steel Troops (2011)
Shizuka is a major player in this story as well. Here, her foremost traits on display are her compassion and willingness to forgive, but that's not all. It's her knowledge of Doraemon's gadgets that provides a solution to the main conflict, and as I've previously written, it's also one of the few times that her kind nature is actually tested. Her precocious declaration that "Doing things that don't always make sense is being human" may be one of her best-known lines in the franchise, and for good reason.
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None of the Doraemon movie remakes change Shizuka's roles enough to be given vastly different rankings from their original counterparts in my opinion, but if I were to compare the two different versions of Steel Troops, Shizuka's goodwill arguably shines even more in the original, considering that she was still determined to save Riruru after the robot made an attempt on her life (a scene cut from the remake)!
4. Nobita's Little Star Wars 2021 (2022) 5. Nobita's Little Star Wars (1985)
This story has one of the few "Shizuka gets kidnapped" subplots that I can actually tolerate, and a major reason why is that she is very actively involved with the rest of the narrative. From the moment that she's drawn into the main conflict, she does everything she can to help, despite admitting to having doubts and fears of her own. Her determination even ends up inspiring Suneo's own acts of bravery, and speaking of which, this is among the few Doraemon stories to showcase the dynamic between the two of them.
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Comparing the remake and the original in this case is difficult, because beyond the scenes that they share, the two versions highlight different aspects of Shizuka's character. The remake heightens her positive qualities even more (the addition of her forcibly stopping Papi from turning himself in to the antagonists feels very in-character), but seeing her being a little self-centered during the movie-making subplot at the beginning of the original is kind of fun, too.
6. Nobita and the Castle of the Undersea Devil (1983)
Once again, Shizuka's kindness towards another character becomes an overarching subplot that is critical to saving the day. Furthermore, though this was the first Doraemon movie to use the "Shizuka gets kidnapped" plot point, it's an interesting version of it in that she volunteers to be captured as part of her plan to locate the main villain's hideout.
And what's her reaction to an unreasoning AI threatening to rain nuclear destruction on the world?
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(Using a panel from the manga here because available English fansubs don't translate this line properly. It is in the movie though!)
7. New Nobita's Great Demon (2014) 8. Nobita and the Haunts of Evil (1982)
Although this story doesn't focus on Shizuka as much as the last few, she has a very important part in it, given that her realization about how the prophecy of the dog kingdom can be fulfilled is the key to the heroes' victory. Also, she beats up a gorilla and has fun doing it.
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Her role is essentially unchanged across both versions of the movie, but I'm ranking the remake higher just for being a better-made film overall. In addition, she is careful to avoid actually hurting the gorilla in the remake, which seems like something she would do.
9. Nobita's Chronicle of the Moon Exploration (2019)
This is another movie in which Shizuka is not the focal character, but really comes in clutch at the end when the others need her. In general, giving her free rein to Doraemon's gadgets (as also occurs during key moments in Three Visionary Swordsmen and Steel Troops) is a good way to ensure that the day gets saved.
10. Nobita's Dorabian Nights (1991)
I give this movie a lot of flack for how nonsensical its story is and how excessively cruel it is to Shizuka. (Being trafficked as a slave due to her friends' thoughtless actions? What the hell?!) However, I have to admit that Shizuka herself is written quite well. She stays remarkably composed and sticks to her principles in the face of calamity, even when her prospects of rescue seem vanishingly remote. She is also resourceful enough to come up with a fairly credible escape plan, though it doesn't work out. She gets out of a hostage situation on her own during the climax, so that's something.
At the same time, she avoids coming across as unrealistically perfect, because the movie also gives her a few moments to be flawed: she can be short-tempered (snapping at Nobita for inviting her over for "kids' stuff"), and even a bit careless sometimes (remembering the wrong date for her camping trip)!
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11. Nobita's Sky Utopia (2023)
Speaking of flaws, this next entry is one of the few movies to highlight Shizuka's. Here, it zeroes in on the fact that she can be stubborn, which many viewers might not have picked up on, but is very much a consistent part of her character. (Just consider how she insists on taking daily baths, no matter where she is and how inconvenient it might be.) As mentioned in my review, the film doesn't do as much with Shizuka's stubbornness as I would have liked it to, but the fact that it was put in the spotlight at all is still noteworthy. Not to mention, the scene where Shizuka, Gian, and Suneo own up to their flaws is one of the best in the movie.
That being said, the fact that this is enough to nearly qualify in the top 10 film depictions of the third most important character in a franchise with over 40 movies... is a little sad, isn't it?
12. Nobita and the Kingdom of Clouds (1992)
Although it doesn't achieve much, Shizuka does get a good character moment here when she's the only one of her friends to come up with a cogent, calmly stated argument (with minimal preparation, no less) in attempt to persuade the sky people not to follow through with their plan to flood the Earth.
She is also shown to be a good artist—check out her freehand design of this castle.
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13. Nobita's Diary on the Creation of the World (1995)
Due to time constraints, a substantial portion of Shizuka's activities in this one happens offscreen, but what little we get to see shows that she apparently accomplished a lot! On top of that, she formulates a plan that helps Doraemon and Nobita subdue a giant centipede, and her artistic and note-taking skills come in handy for putting together their school report.
14. Nobita and the Birth of Japan (2016) 15. Nobita and the Birth of Japan (1989)
The opening act of this story is interesting for the insight it provides into each of the main characters. It probably isn't much of a surprise to see Nobita or Gian wanting to run from home, but why might a rule-abiding, responsible kid like Shizuka consider doing so? Well, like many other children who get branded as "well-behaved", it turns out she feels a fair bit of pressure from parental expectations.
She doesn't have much to do in the story after that, but to be fair, no one really does in the original movie. Everyone gets to contribute more in the remake, giving it a higher ranking by default, though Shizuka arguably still lacks a real standout moment to shine.
16. Nobita's New Dinosaur (2020)
Shizuka's most prominent moment in this one is probably the scene where she gives a motivational speech to Nobita. It's not much, but it's pretty sweet, actually. Otherwise, she does enough to maintain an active presence even when the spotlight isn't on her.
17. Nobita's Secret Gadget Museum (2013)
Another entry in which Shizuka doesn't get a whole lot of focus, but is involved enough to feel present. She defeats a petrifying Gorgon Head statue and locates a secret passageway. Also, seeing her get to laugh along with her friends is cute.
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18. Nobita's Space Heroes (2015)
This is a hard movie to rank, because Shizuka contributes quite a lot during the action sequences and even takes down one of the major villains by herself. However... this is offset by how much the film seems to water down her characterization. Like I mentioned in my review, it's odd and inconsistent with her previous depictions that she would feel embarrassed about using her gadget-augmented strength. And at one point, she out of everyone in the group even admits to having forgotten about Nobita (who had last been seen in a life-threatening situation)!
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As @filmfactors discussed in their own musings on Shizuka's characterization, there's also something lackluster about the fact that she's given water powers simply because she likes bathing (to the point where she's given a line to lampshade this). It's not so much that hydrokinesis doesn't work for Shizuka as a superpower—I actually think it'd be very appropriate for her to receive a power that would seem to require substantial mental and technical skill to use, and at the same time has immense destructive potential if not properly controlled. (Even though I know very little about X-Men, this is also why @cosmicmaskman's casting of Shizuka as Jean Grey feels very fitting to me.) I just would have preferred if it had been connected more to her actual skills and personality.
19. The Records of Nobita, Spaceblazer (1981) 20. The New Record of Nobita's Spaceblazer (2009)
This is an unusual story in that Shizuka isn't in much of it (and neither are Gian and Suneo, for that matter), which prevents me from ranking it higher. She does at least have a moderately prominent role during the screentime she has, acting as a mediator among her friends and convincing Gian and Suneo to help out during a crucial moment.
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I place the original movie higher than the remake because I think it's generally better executed, but Shizuka's role is pretty much the same in both. As a bonus, the original includes one of the few times that she is shown playing baseball with the others.
21. Nobita's Earth Symphony (2024)
As said in my review, for a story about music, this movie met my bare minimum expectations for Shizuka's level of participation. She actively contributes throughout the narrative and her established experience with musical instruments is acknowledged. Even so, more could have been done with her. A gag where she volunteered to play the violin only to be stopped by the rest of the group would have been so easy!
22. Nobita and the Animal Planet (1990)
Although not much attention is drawn to her, Shizuka has a decent presence in this one. She's shown to be supportive of Nobita when Gian and Suneo make fun of him (but isn't above teasing him a little herself), figures out the explanation behind the animals' creation myth, and gets to help out in small ways here and there (at least as much as Gian and Suneo do).
23. Nobita and the Legend of the Sun King (2000)
Shizuka doesn't do very much here, but she contributes at least one thing of narrative importance. Her getting angry at Prince Tio is one of the main events that leads him to rethink his behavior and inspires his character development. She also pieces together what the villain's plan is (earning her a compliment from the villain), and seeing her play the prince in Snow White is a fun moment if nothing else.
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24. Stand by Me Doraemon 2 (2020)
Given that this movie is about Shizuka and Nobita's wedding, she naturally has a major role in it. Yet half the time she feels more like a prop for Nobita's character development. Doing nothing but wait for a whole year after he mysteriously disappears from their wedding ceremony? Standing around while her friends desperately fight some older bullies, instead of trying to get help?
She does get a few moments to be an actual character though: she stands up to the aforementioned bullies (though understandably can't do much about them), and she proves to be perceptive, as at the end of the movie she figures out based on very few context clues that adult Nobita had gotten help from Doraemon.
25. Nobita and the Spiral City (1997)
Being kind pays off once more for Shizuka, as it leads a secondary antagonist to act in her (and her friends') favor at a critical juncture. Although important, neither this concept nor Shizuka herself are given nearly as much time or focus as they were in previous stories that used similar plot points, such as Castle of the Undersea Devil or Steel Troops.
26. Nobita and the Galaxy Super-express (1996)
Here, Shizuka makes the valuable discovery that the alien antagonists are vulnerable to soap solution. Like I commented in my review, this mainly seems like a contrived way to justify showing her in a bath scene though, so... ugh.
27. Nobita's Dinosaur (2006) 28. Nobita's Dinosaur (1980)
There isn't much in the way of practical contributions from Shizuka (nor from Gian and Suneo) in this earliest of the Doraemon long stories. Still, she has enough screentime to establish her general personality. She's nicer to Nobita than Gian and Suneo are, but at the same time doesn't always have much faith in him either. She worries about not being able to finish her homework when Doraemon suggests turning their journey to the Cretaceous into a camping trip, and she puts herself at risk to try and save a baby sauropod from a Tyrannosaurus rex.
The remake gives pretty much everyone a characterization boost, so it gets a higher ranking than the original from me. Perhaps the most noteworthy addition for Shizuka is her argument with Suneo over whether they should hand Piisuke over to the dinosaur poachers.
29. Nobita and the Tin Labyrinth (1993)
There's very little for Shizuka to do in this one, but seeing her being a bit competitive and accepting a bet from Gian and Suneo is at least an interesting character moment. (The manga did it better though.)
30. Nobita's Treasure Island (2018)
I already spent too many words dissecting Shizuka's subplot in my review of this movie, but to summarize: for the amount of screentime she gets, it really doesn't do her many favors. She barely contributes to resolving the main conflict in any meaningful way, nor is there much insight into her character that you normally wouldn't get. The friendship she strikes up with Sarah is cute, I suppose. If only it mattered more to the story.
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31. The Record of Nobita's Parallel Visit to the West (1988)
The main thing Shizuka does in this movie is play the part of Tang Sanzang. Unfortunately, playing the part of Tang Sanzang also means not doing very much other than getting captured by monsters.
32. Nobita and the Knights on Dinosaurs (1987)
We're running out of notable movie roles for Shizuka at this point in the list, but there are a few character moments here at least. She plays her violin for the first time in a Doraemon movie, gets praised by Gian for being smart, and spots the approaching bolide that will cause the end-Cretaceous mass extinction (though no one listens to her). There's an odd scene that implies she is jealous when Nobita crushes on Roo the dinosauroid girl.
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33. Nobita and the Winged Braves (2001)
This would have been the perfect story for the filmmakers to remember that Shizuka has a pet bird, which they do. Her pet even ends up in the bird dimension alongside the main characters. The movie then proceeds to do... absolutely nothing interesting with this concept. Considering that the relationship between humans and birds is a major theme here, it would have been a great opportunity to use Shizuka and her canary to make some form of commentary on this topic, but no.
To add insult to injury, Shizuka doesn't participate in the big race that occurs halfway through the movie, and gets sidelined during the climax.
34. Nobita in the Wan-Nyan Spacetime Odyssey (2004)
Shizuka, uh... drives a truck in this one. I guess that's something.
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35. Nobita's Great Adventure in the South Seas (1998)
She helps fight the villain's bioengineered monsters during the climax, but that's about it.
36. Nobita Drifts in the Universe (1999)
Along with Gian and Suneo, she helps hold off enemy forces during the climax, but this occurs almost entirely offscreen. She also gets some surface-level bonding with Freya the alien fairy so the latter can feel guilty about betraying the heroes later.
37. Nobita and the Windmasters (2003)
This movie does many things very well, but giving Shizuka meaningful focus is not one of them. She gets a couple of cute scenes here and there, and helps rescue Fuuko, which amounts to nothing because Fuuko gets recaptured almost immediately afterward.
38. Nobita's Great Adventure in the Antarctic Kachi Kochi (2017)
Outside of some general participation in group scenes, Shizuka is nearly a background character here.
39. Nobita in the Robot Kingdom (2002)
Another one in which Shizuka is largely relegated to the background. What's sad is that if the film had followed the manga's version of events (as discussed in my review), it almost certainly would have placed in the top 10 of this ranking.
40. Nobita and the Island of Miracles (2012)
Could the filmmakers really think of nothing else for Shizuka to do during the climax other than using the ethically dubious Cheerleader Gloves?
They did try to give her a good moment in this movie by having her sharply rebuke Nobita for panicking over not having access to Nobita's gadgets. I guess it's meant to show her staying resolute and level-headed during a crisis, but as I commented in my review, this didn't really work for me as it feels very uncalled for in the context of the story.
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41. Nobita and the Green Giant Legend (2008)
I can barely remember anything Shizuka did in this movie. In fairness, that's also true for everyone else besides Nobita.
42. Nobita's Great Battle of the Mermaid King (2010)
The most focus that Shizuka gets here is another excessively cruel subplot about her getting kidnapped and held hostage, which doesn't even do much for the narrative besides extend the runtime of the movie. The brief moment in which she body-slams one of the villain's minions during the final battle doesn't quite make up for it.
43. Nobita's Great Adventure into the Underworld (1984) 44. Nobita's New Great Adventure into the Underworld (2007)
Shizuka's role in this story is mostly limited to being on the wrong end of a running "joke" about her underwear being repeatedly exposed. Any minor contributions that she does get to make could have been given to other characters or written out with little impact on the overall story.
Astoundingly, the remake manages to make the panty shot "jokes" even worse.
45. Stand by Me Doraemon (2014)
A movie about Shizuka being gaslit, emotionally manipulated, and treated as a trophy. No, thank you.
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sirfrogsworth · 11 months
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Review of Blue Eye Samurai on Netflix
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There are some spoiler-ish things below, but I think most of it is in the trailer, so I don't think I will ruin anything. I'll warn you during the most spoilery section, though the show makes the "twist" pretty obvious from the beginning.
Premise
Blue Eye Samurai is a Kill Bill-style revenge tale that takes place in 17th century Japan. The samurai is half white/half Japanese. The show states that no white folks were allowed in the country back then, so the samurai tries to conceal blue eyes with some sweet BluBlocker™ orange glasses. The Samurai is displeased to have white heritage and decides to try and kill all the "white devils" hiding in Japan.
Will some reactionaries complain there is a show all about someone trying to murder white people? I have no idea. But they're all bad white people, so I'm hoping it won't become a thing.
My Hot Takes
A few episodes meandered a bit, but I enjoyed the series as a whole quite a bit. If nothing else, the sword fights were epic and bloody. I would have watched it for that alone. And there is some gorgeous art direction where they really take advantage of the 2D styled, 3D animation. Plus, Japan is just really pretty. There is also a puppet show that was brilliantly mixed in with the story and the way they animated it was next level awesome.
They fell into cliche a few times. I think they were trying to do homages and tributes but ended up in Derivative Land and some of them felt a bit cringe.
They used "Battle Without Honor Or Humanity" which is that rousing instrumental song from Kill Bill and it was way too on the nose. Like, yes, this show is obviously a 1600s version of Kill Bill, but you're not supposed to make it that obvious.
Also, there was a Metallica song that equally made me roll my eyes and think, "That is badass" so I give them a pass on that one.
And there were a few sections where it felt like you were watching someone else play a video game. I don't know how else to describe it. As if the narrative melted away and suddenly a bunch of Prince of Persia obstacles appeared.
That said, the story was enjoyable, the actors were great, the characters were interesting, the animation was solid, and the fight choreography was top notch.
The nice thing about animation is you don't have to do any jump cuts during the action, so you get to really *see* the fights develop. Thankfully they didn't make use of a lot of impossible-in-real-life camera moves, so it all felt very grounded. As if these fights could actually be filmed in live-action. I suspect they may have even used motion capture or closely adhered to reference footage. Most of the non-fantastical choreography felt like something a stunt performer could actually do. They even had some legit Japanese samurai-style sword fighting moves before it got to the "John Wick with a katana" part of the show.
Back in the day, samurai duels were more akin to jousting than fencing and usually only lasted one or two moves. It can be pretty exciting as long as you build tension and anticipation. But if every sword fight in the show was like that, it would probably get boring. But it was still nice to see it toward the beginning.
So the quality was a bit roller coaster-y at times, but I think it was a solid first season. And I am really hopeful they get a chance to smooth things out in a second. But it is Netflix, soooooo...
As far as content warnings, there is a lot of blood and sex and nudity. Women are very subjegated and some of those depictions are rough. There are some brutal torture scenes. And I think there is implied rape, but it isn't made super clear.
The nudity was surprisingly balanced which felt refreshing. So get ready for boobies and floppy cartoon peens. All the genitals get screen time.
Quick aside about erotic scenes...
There has been recent discourse about nudity and sexy time in media. My biggest issue has always been that men's bodies are rarely shown aside from the patoot. It is never balanced and I always felt uncomfortable with that arrangement. I know movies are a bit stuck because the MPAA has decided dicks in a sexual context are an automatic NC-17. But even in newer HBO-type content where they do show penises, they are usually prosthetics. Hyper real fake dicks on top of real dicks that probably cost tens of thousands of dollars to develop and apply.
Like, the folks with boobs don't get expensive prosthetics. Only the most famous actresses can opt for a body double. For years, if an actress wasn't willing to get naked they would just say, "Well, I guess we'll just have to find another actress."
And now if a guy doesn't want to get naked, apparently the response is, "Don't worry, we'll raise Stan Winston from the dead so he can make you a perfect megadick."
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Women are usually asked to do the brunt of the nudity and I have long felt that wasn't fair and it was exploitative whether intentional or not.
I just think if you are going to ask actors to be vulnerable, everyone should do it or no one should do it.
I also think we need to see more normal non-porn genitals. Like, you can't brag about your progressive all-inclusive nudity if you slap a giant fake wang on every time.
/end tangent
And now, the spoilery part...
The big twist, which is really only a big twist for a character in the show and not the audience, is that the Blue Eye Samurai was born a girl. To avoid capture and death they essentially hid in a different gender identity. And I'm trying to decide if this is a trans story or not.
Sometimes it felt like the show was bluntly saying, "She's a girl. See, she has boobs and no penis. And we make a big deal about her getting caught naked. It's like Mulan!"
But then the show kinda/sorta implies that while identifying as a man was a tactic at first, the Blue Eye Samurai came to feel much more comfortable as a man most of the time and only revealed their feminine attributes to a select few. They also had a binding scene which felt like intentional trans imagery.
Since there wasn't the same concept of trans-ness in 1600s Japan as we understand it in modern times, I'm having trouble determining if this is just an homage to Mulan that wasn't thought very deeply about, or if this is allegory exploring a trans identity.
It is unclear if the identity was chosen purely out of necessity or if there was more to it.
Was it like... they tried on a coat because it was cold, but then they really liked how it fit and made it an essential part of their wardrobe?
Or was it just pure pragmatism? If they don't wear the coat they will die from exposure.
I'm worried they wanted to stay close to that line where they could say it wasn't a trans story if that ended up being more convenient. I don't know. I'm fine with allegory and I really enjoyed how they did it with Nimona, but this felt more deliberately ambiguous and it frustrated me a bit. It would be nice if we could just have blatant trans stories that didn't need to hide in ambiguity to avoid controversy. But maybe there were more obvious things I missed and my confusion is unwarranted.
I also think an argument could be made for ol' Blue Eye being genderfluid. Actually genderfluid would make a lot of sense. Their masculine side is the stoic warrior and their feminine side is their vulnerability, love, and humanity—reserved only for those most trusted. And when the two blend and they are a warrior woman they get super horny. So the entire spectrum is there.
I'm sure there will be a long complicated video essay analyzing this gender dynamic.
/end of spoilery section
In any case, I think if you liked Kill Bill, this might be a show that interests you. It has much less cultural appropriation and blatant stereotyping. No Pussy Wagon, but there is a cool horse. And they did use an all East Asian voice cast, so that representation was cool. And the co-showrunner was Japanese, and I think that influence definitely made a difference.
I give Blue Eye Samurai 7.5 Froggies out of 10.
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kristailine · 8 months
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Tekken 8 storymode thoughts/rant/review
Obviously will contain spoilers
But I have to say that
Surprisingly, I really liked Tekken 8's story (which is something I really didn't expect. I was preparing to gaslight myself that I liked the story because I was expecting a mid plot. But I can definitely say that I genuinely enjoyed this installment's storymode)
I'm going to remove my kazujun stan lens for this review
Jin has always been an after thought to me. The only time I care about him is if it's connected either to Kazuya or Jun (as a kazujun shipper). But the way he was written in Tekken 8 added layers to him and developed his character well. Don't get me wrong though, IT WOULD NEVER REALLY ERASE THE FUCKED UP SHIT THEY DID WITH TK5-7, but Tekken 8 was sweeping up some of the garbage left behind.
I always joke about Jin and his war crimes. Obviously, waging war is bad irl, but this is fiction okay. Anyway, Tekken 8 somehow managed to make me really feel like Jin didn't want to wage war. It was more of a result of his own self deprecation. Add to this, he was already suicidal before he took over the Zaibatsu, but after Tk6, he just really sulked into the idea of having to carry his sins and let it define him for the rest of his life.
The way they turned Jin from this guy who's hopeless and is submerged in his own hatred towards his bloodline and himself to this guy who finally acknowledges that all of the bad things are a part of who he is, but it doesn't have to be who he completely is, was really really really written decently. This whole character development with Jin instantly makes Tekken 8 on par, if not equal to, Tekken 4 story writing. And I was really impressed and blown away with how they unfolded the development. Because I really didn't want the romanticization of all his past mistakes, and his allies just cheering him on. Instead, his allies actually acknowledge JIN AS A DEVIL literally and figuratively (e.g Hwoa saying Jin has those dope-ass powers, Leroy asking Jin who is he, Xiaoyu saying she isn't scared of Jin despite the devil look), but they all believed in the chance they gave him to atone for everything he's done wrong.
I wish we could've gotten more about the history of the devil gene. It's still a very vague concept, and I was kinda expecting Tekken 8 to answer most of the questions about it, but still no.
Although as a Jun stan, I'm upset she never really appeared in the real world, I have to say that I really like how they still kept going with Jun's persona as a mysterious woman. If you see a previous post of mine, I have always been scared that Tekken 8 would finally be the franchise who would ruin Jun's character, but they played safe with it. She's still as mysterious as ever, but they allowed her to show more of her kindheartedness.
Like I said, I really wish we could've gotten more. I wish we could've also got to explore Kazuya's perspective. It's been like 6 consecutive games, and we still haven't had a storymode that focuses on Kazuya's character (always the one sided villain). Although, I understand why they couldn't do it (maybe because of budget constraints, and it would really diminish and compress the quality of Jin's char dev if they're gonna focus on both of them). I'm assuming at least that we get Tekken 9 and have it shine a spotlight on Kaz.
Overall, I really liked it. It gets an 8/10 for me!
More things I kinda didn't like:
- Where the hell is Yoshimitsu???? He appears in the tournament and then goes Bye Felicia once Kazuya absorbed Azazel LMAOOOOO. His bio about investigating the Mishima bloodline and whatever didn't really reflect on the storymode :<<
- Nina and Steve.... Uhhh.... We already had them in Tk 7, and I was at least expecting that they would continue it in Tk 8
- The Asuka Kazama erasure.... She's just treated as another one of the side characters at this point. I fear she's just only in the game now because of Lili. She's very underdeveloped and underutilized and I feel so sad about it :<<
Tekken has a very interesting set of characters with amazing dynamics and chemistry with everyone else. It has a huge amount of lore to explore as well. And they could really do better by exploring and developing most of the characters. Here's to hoping we get a story expansion DLC not just for the main story, but also for the other beloved characters in the game.
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commenter2 · 8 months
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The Show Must Go On episode review (Hazbin Hotel S1 finale)
The finale of season 1 of Hazbin Hotel. MAJOR SPOILERS BELOW! Also long post warning
Did the title of the episode strangely remind anyone else of the failed videogame “Showdown Bandit”? Anyone?
Charlie wishing her mom was there. Likely foreshadowing her appearing near the end.
Charlie really likes a man in uniform. Maybe take some notes on that Vaggie XD.
Looks like we got a glimpse at how Niffy sees the world, which is apparently similar to Randy Cunningham when as the Ninja.
Again CHARLE=PURITY
I’m not liking how Pentious said that quote about living and dying.
During Al’s speech, you can see Charlie realizing that Pen likes Cherri and being happy for him. Charlie is Pen X Cherri shipper confirmed XD
Could Al be really starting to care about the others?
Angel X Husk and Pen X Cherri fanservice, Charlie liking the last one XD
Oh now Cherri is interested in Pen.
COME ON, KISS YOU TWO! YES!!!
Gross, Adam’s personality is rubbing off on Lute. Even Adam is getting uncomfortable with it and considering its Adam that’s saying something.
The Heaven Bucks things sounds really fake, mostly cause I feel like money doesn’t exist/is necessary for Heaven.
WHAT THE HECK ARE THOSE OUTFITS CHARLIE AND VAGGIE ARE WEARING!?! And why am I getting She-Ra/RWBY vibes from them? Also Charlie is wearing her crown, cute.
I’m intrigued by Charlie’s shield cause I was kind of expecting to see Charlie use her pitchfork along with it, but the shield is still a nice bit of symbolism for how she wants to protect people and not harm anyone…that much. It also shows that she and Vaggie are a great team/couple as Charlie is the defense while Vaggie is the offense.
My fellow DEATH BATTLE fans (which is hopefully a lot of you) get ready to analyze Charlie’s powers, skills, and feats in this fight!
Al’s shield being another feat of how powerful Alastor is, though I wonder if his recent deal with Charlie helped with it?
Aww come one Niffty finally has a chance to go all psycho and all we see is her just stabbing corpses!
While Charlie’s crown is black on the outside, its gold on the inside/other side. Not only do I think this is a Dante’s Inferno reference (it reminds me of the hypocrites’ part but reversed) it also symbolizes how even though she is the daughter of the Devil, Charlie is still a good person.
Alastor’s using shadow jutsu!
OK I DID NOT SEE AL’S VOICE CHANGING after his cane got destroyed. At least this explains how those times I noticed his voiced changed in previous episodes.
Valentino was really saddened when Vox said seeing Alastor about to die was better then sex XD. It’s also funny cause there is a similar line in Netflix’s Castlevania series, which I could definitely see fans making parodies of soon.
Wait WTF is going on now with his voice? Ugh.
That’s our Charlie, even when in a war she is still apologizing. Also her glitter is WAY more effective than Dale Gribble’s pocket sand XD
Also if you slow down the scene enough, you can see that Charlie’s shield damaged and dented the angelic spear, meaning its likely made of something stronger then the angelic steel mentioned by Carmilla in “Hello Rosie”
Charlie shooting fireworks from her fingertips, a nice example of her powers AND a callback to the pilot.
NO NOT THE EGGBOIS! Luckily Angel finally used his secret set of arms to save one of them, we even get to hear his theme song.
And Pen X Cherri fans REJOICED! Also again showing how shallow Cherri can be.
Aww this can’t be goWHAT THE FUCK! I couldn’t even finish writing this sentence because of how fast Pen’s death was! I mean it was implied he was going to die but I thought it be more dramatic than that! Can the Helluva Boss writers at least do this for when they finally kill Striker, or have it happen in my episode idea where Moxxie and his father in law do it?
OOO ITS TIME FOR CHALIE’S DEMON FORM. And in a Sailor Moon kind of way too.
WAIT THAT’S IT? It’s just her regular horns and a tail. The writers really need to amp up these “full demon” forms of the characters as this, Ozzie’s, and Mammon’s forms have been really disappointing to me especially when compared to Stolas and even Helsa’s odd form from the pilot. I hope that this is some kind of semi form or one of many transformations of Charlie’s, and her REAL demon form is something more monstrous but it results in her losing control.
I do like Razzle and Dazzle being dragons, as I did recall them having such a power but this is better than what I was thinking they’d transform into.
DAZZLE NO! At least he died protecting Charlie.
VAGGIE VS. LUTE ROUND 2 (ding ding sound effect from episode)
(Adam slaps Charlie) Again we need fanart of Lucifer and Lilith kicking Adam’s ass.
So a part of me likes that Vaggie spared Lute cause it shows she is better than the so called “angel”, but a part of me knows this is going to bite back later on.
Lute riping her own arm off just proves the previous statement. Still I wonder what a cyborg angel will be like.
You can control fire and shoot fireworks from your fingers, you these things to make Adam let go of you Charlie!
SO Adam is wearing a mask, like I brought up before. I wonder what he looks like under it.
I’m not mad at Lucifer coming in late, cause he likely couldn’t as he probably realized it would just lead to more problems involving Heaven, but again he shows that he is the best dad so far in the series by coming in to save Charlie. Take notes Stolas!
Huh, Adam looks pretty normal looking, even looks a bit like Lute. I was expecting something really ugly under the mask like a pale complexion, sweat, and an unshaven face especially since he has worm that the entire time we have seen him.
OH HO now were getting that Adam ass kicking. Too bad that line from Lucifer kind of ruined it. I mean I can kind of see it being on brand with his goofy personality but still.
Again no one is saying Lilith’s name here. Also I know Lucifer is likely joking about him and Eve being together and just referencing the apple, but I really want to hear Lucifer say he’s only been with Lilith for all his life, then took a break after the divorce.
“NOT THE HOTEL”, is what I would be saying if the trading cards weren’t released early. Still devastating to see.
Like when Adam was choking her, Charlie had the means to save herself there as she is confirmed to have wings. Maybe their waiting for a special occasion to use them.
(Charlie transforms) What was that? At least this confirms that Charlie can transform and confirm that hoove/foot idea I brought up in the last review. I wonder if this is some kind of power from her mother?
Okay Lucifer’s demon form is pretty good. This does make me wonder what that shadow thing of his form the pilot is, if that is still canon. Hopefully it is and it confirms that Charlie can have multiple demon forms.
Holy crap they killed Adam off and Death by Niffy no less! I mean I wanted Adam and Lute to get out of the picture so someone better could take the role of angelic antagonist, but I never thought they would just kill Adam off. At least Vaggie is really happy about this, and I don’t blame her XD. It’s nice to see her smile like this.
Again we see that Lucifer has restraint, which is still interesting.
Lute took his halo. I sense some trouble coming from this. Fingers crossed that it involves how Heaven is okay with Adam being gone, and Lute becoming the thing she hates to destroy Hell AND the “traitors” of Heaven.
I’m still mix on Katie Killjoy being voiced by Brandon. It is making me wonder if Katie was always going to be like this or if they’re altering her to be more like Brandon’s female characters like Bryce. I mean I always though Katie would have a role where she just keeps spreading bad things about Charlie’s hotel, even making things up/ hire others to cause trouble for Charlie so the news can keep reporting on her. Heck she is even thanking them which I never saw pilot Katie never doing through she could be doing it to save face on livestream television. It’s still a funny idea and it has even remined me that there was a time in animation where shows had reoccurring characters whose main thing about them was being obvious references to other fictional or even real characters like Total Drama had characters such as Harold being a Napoleon Dynamite parody and Anne Maria referencing Snooki, Dr. Orpheus from the Venture Bros. was a cheap Dr. Strange knockoff (but still really funny), and there is one character in Atop the 4th Wall that I won’t spoil here cause it’s that crazy, so check it out for yourselves when you can.
Another cameo of Baxter and ARACKNISS!
I also wonder if the Exterminations will be put to a halt here as pointed out in the sliding text on the news channel. It would be interesting to see if Hell really does have an overpopulation problem, and what that would look like.
I’m surprised the V’s aren’t reacting to this more, more so with Vox but it’s likely that he saw the fight with Adam and Alastor and now has a plan on destroying Alastor. That would be cool to see in the next season.
THANK GOD FAT NUGGETS SURIVED! I think VIvzie would have had a riot on her hands if she allowed him to die.
Lucifer said the episode title!
So it looks like Alastor DID care for the others, but now he is dedicated to getting his freedom back from what I still think could be the Lilith imposter who will also be an upcoming deadly force/threat
KeeKee has a Keyblade form!
Yeah Vox and Val are definitely going to use this news for personal gain. The real question is if Velvette will aid them, as her recording them say all this feels like she will try and go out on her own, dragging her allies down in the process. Fitting given her song from “Scrambled Eggs”.
Nice song, great that both Sir Pentious AND Dazzle got memorials, and the new hotel looks amazing as it has a little bit of symbolism from all the others like Husk’s casino vibe and Angel’s career.
PEN IS IN HEAVEN! Emily is loving it while Sera looks confused and scared, BOTH cause she has never saw this happen before or knows that this will kick off some serious consequences like a version of the Armageddon prediction. This is great as now even if the recent fan theory of Emily becoming a fallen angel happens, Charlie now has another ally in Heaven to help spread her redemption plan on that side of things, great for what I can see happening in the next season.
Oh hey everyone its “Lilith”. Yeah I still believe in the “Imposter Lilith” theory that I’ve been talking about lately, and the sunglasses bit adds to it since it is hiding her eyes, like how her face was covered in “Dad Beat Dad”. Plus there have been many times in stories where sunglasses were used to hide something in fiction. Also in the past, we’ve gotten info on her saying how she would like to fight against Heaven, so its odd that she would want sanctuary in it unless she has plans that involve her being there. The biggest clue would have to be that the real Lilith would likely have cheered when she heard Adam was dead. I did talk about how the Imposter could likely want to destroy everything, so for all we know she is pretending to be Lilith who wanted sanctuary in Heaven (if they even know she is there) which is all just a ruse to get info on how to destroy Heaven to fulfill her life’s work and if anything ever happens, the Imposter can rely on her servant Lute and the Exorcist to aid her.
I will admit that it COULD be the real Lilith. I did make a recent post on my Tumblr going over how I think Lilith actually recruited the Imposter to help her take down Heaven a peg a long item ago, but she eventually realized the Imposter had bigger plans that involved destroying everything in existence and Lilith has since been trying to stop the Imposter. At one point things could have gotten so bad to a point that she had to hide in Heaven (again if they even know she is there) until she thought of a plan to stop it like having Lute work for her (again maybe Al works for the Imposter) and similar to what I have in my “Season 1 is a test for Charlie” Lilith knew Adam wasn’t up for the task of defending everyone from the Imposter, so she had to install Lute as leader of the Exorcist so there would be at least a small capable army to fight against the Imposter/upcoming threat if things got bad. However now that Charlie’s redemption plan is getting more support and is proven to be true, Lilith could be scared that the Imposter could go after her and Lucifer next, so I think next season she will try and convince Charlie to stop her goals until they have a plan of stopping the Imposter. Maybe since she made a deal with Lute, she has no choice but to stop Charlie or risk losing the one chance they have at saving everything from the Imposter…until she learns that her daughter was able to make an army to stop the Exorcist which could lead to Lilith changing her mind and maybe think that Heaven and Hell should work together to stop the Imposter/big threat. Even then there could be consequences as we don’t know what exactly happens if a deal with a demon is ever broken. Would said demon die or would the natural of the forces of the universe go crazy until something happens? For any non Percy Jackson fans and those that don’t care about spoilers for it, look up “Trials of Apollo” and “River Styx” to get an understanding of what I mean by broken deals.
That was a GREAT episode AND a great finale for the first season of Hazbin Hotel.
We got tons of action, drama, suspense, fanservice, and mystery just like how I like my shows. The finale was really good cause its on track for what I’ve been saying I would like to see Charlie go through when it comes to the next step of trying to convince the people of Heaven and Hell her redemption plan is a good thing in general for the afterlife.
The only minor problems I have with it is that they didn’t utilize Niffty as much as I thought they would in the battle.
When it comes to the season as a whole it was great, with episode 4 being the worst as we all knew those events were coming but thanks to Helluva Boss it was made less serious to me.
I also agree with other fans that biggest problem the season had was that there should have been more episodes. I mean people know how popular Hazbin Hotel AND Helluva Boss is so it’s a bit odd that they didn’t get more then 8 episodes, especially since they aren’t the usual hour long episodes that are everywhere. Not to mention how half the season came out all at once here on Amazon Prime.
Apparently this is a big problem with Amazon Prime shows in general, BUT luckily given how well received the whole season has been (wordplay pun not intended), I’m hopeful that this will convince the people at A24 and Prime to give Vivzie and the HH cast more funding to make MORE episodes for next season, like maybe 14 this time. Sure this could delay the release of season 2, which is apparently already being made, but I bet I’m not alone when I say I’d be okay with such a delay if it means more Hazbin Hotel.
Hopefully next season though there are less trailers and clips released, another reason why there should be more episodes to help dimmish such things, AND if there is another early release on A24 it should just be like 2 days before the season comes on Amazon Prime and NOT a whole week.
I’m also calling it now that the season 2 episode premiere of Hazbin Hotel will start with a news segment with Katie Killjoy and Tom Trench recapping some of the events of last season and telling us what has happened to both the characters and Hell/Heaven since the finale. I also predict that Lilith, whether the real one or the Imposter posing as her, will appear at the end of said episode starting off that season’s main story.
I definitely want to hear your thoughts on not only this episode, but also on the entire season so don’t be shy. What do you think/hope will happen in season 2? What kind of episodes or stories would you like to see in the next season? What theories do you have?
LET ME HEAR IT!!!
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thegayhimbo · 11 months
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Stranger Things Flight of Icarus Review
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If you haven’t yet, be sure to check out my other Stranger Things Reviews. Like, Reblog, and let me know what your thoughts are regarding the show or the upcoming season! :)
Stranger Things Comics/Graphic Novels:
Stranger Things Six
Stranger Things Halloween Special
Stranger Things The Other Side
Stranger Things Zombie Boys
Stranger Things The Bully
Stranger Things Winter Special
Stranger Things Tomb of Ybwen
Stranger Things Into The Fire
Stranger Things Science Camp
Stranger Things “The Game Master” and “Erica’s Quest”
Stranger Things and Dungeons and Dragons
Stranger Things Kamchatka
Stranger Things Erica The Great
Stranger Things “Creature Feature” and “Summer Special”
Stranger Things Tie-In Books:
Stranger Things Suspicious Minds
Stranger Things Runaway Max (Part 1 of 3)
Stranger Things Runaway Max (Part 2 of 3)
Stranger Things Runaway Max (Part 3 of 3)
Stranger Things Darkness On The Edge Of Town (Part 1 of 3)
Stranger Things Darkness On The Edge Of Town (Part 2 of 3)
Stranger Things Darkness On The Edge Of Town (Part 3 of 3)
Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)
Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)
Stranger Things Hawkins Horrors Review
Stranger Things Episode Reviews:
The Vanishing of Will Byers (Part 1 of 2)
The Vanishing of Will Byers (Part 2 of 2)
Synopsis: Hawkins, Indiana: For most, it’s simply another idyllic, manicured all-American town. But for Eddie Munson, it’s like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin? At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass—with killer taste in music—but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She’s offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin’s best songs. Just one problem: Recording costs money. Money Eddie doesn’t have. But he’s willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie’s life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It’s a risk, but if it pays off he will finally have a one-way ticket out of Hawkins. Eddie can feel it: 1984 is going to be his year.
Observations:
Ordinarily, when I do these reviews, I sum up the synopsis in my own words to convey my experience reading it. This time, I took the synopsis word-for-word from the book cover because I found it unintentionally hilarious and teeth-grinding that the publishers at Random House Worlds would try to bait Stranger Things fans like this. They had to have known most people who bought this book already saw the fourth season and were aware of Eddie's eventual fate. Even if they hadn't seen it, a.) It's pretty much an open spoiler at this point, and b.) You can figure out real quickly from the title (Flight of Icarus) and your basic knowledge of Greek Mythology exactly how this story is going to go. Giving both the audience and Eddie a Hope Spot in thinking things might improve for him was a cruel joke.
I know that prior to this books release, there were fans accusing Netflix of trying to milk Eddie's popularity with the audience despite his eventual fate in season 4. Having finally read the book myself.................it's a little more complicated than that.
Yes, the book does bait the audience with the idea of things getting better for Eddie when we already know that's not going to happen. At the same time though, it wasn't a book devoid of substance. There were themes and character interactions that left a lot to chew on, and might even play an upcoming role in season 5. Just like with Rebel Robin, there were aspects of the book that struck a personal nerve with me because of how they related to what's gone on in my life and what's currently going on in the world right now.
I'll discuss the book in detail here (Spoilers Ahead!) and let you decide for yourselves if this is a book you want to read.
Part 1: Eddie's relationships to other characters
The synopsis covers the majority of the plot. Eddie's in senior year, failing school, and coasting by on the Hellfire Club, his band, and his dead-end job at a bar. Unlike his friend Ronnie, he has no future prospects ahead of him until he encounters a girl from Los Angeles named Paige, who overhears Eddie playing one night and invites him (and Corroded Coffin) to record their music for a studio called WR Records. The hopes are that her boss, Davey, will be impressed enough that he'll invite Eddie and the band to later fly out to Los Angeles for an audition with the executives. Following them recording for Davey, Paige reveals to Eddie that Davey's more impressed with him than his band and only wants him to come out to LA to become a rockstar. However, Eddie still needs the money to make this dream a reality. So when his dad shows up with an illegal job that involves stealing weed from a Kingpin's truck so they can sell it for money, he reluctantly agrees despite knowing things could go wrong.
And just based on where Eddie is by the time season 4 starts, you already know how this is going to turn out.
Eddie on the show was already established as being an outcast who gets blamed for the murders committed by Vecna, but this book further explores that he was the town scapegoat way before any of this happened. Part of it has to do with his low socioeconomic status, part of it has to do with the bad reputation the Munson family has in Hawkins as crooks and lowlifes thanks to the behavior of Eddie's father (who is a loser and a sorry excuse for a dad), part of it has to do with the Hellfire Club and all the pearl-clutching parents did in the 80s about D&D being linked to Satanism (which, as Erica puts it in season 4, was bullshit), and the rest are people in Hawkins projecting their issues onto Eddie. They want to believe the worst in Eddie, and don't care about creating a self-fulfilling prophecy with they way they treat him.
Wayne Munson also gets fleshed-out more in this book, which I appreciate because he's one of the few adult characters on the show that I like. Unlike Al, who is constantly absent from Eddie's life unless he needs something from him, Wayne is a parental figure to Eddie who made sure he was being fed and taken care of when he needed it.
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He's also one of the only people who treats Eddie like a person and believes in him when no one else does.
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On top of that, Wayne is shrewd and able to put the pieces together just by reading a situation. He's the kind of person who can look at someone and figure out if they're being honest or not. When Al comes back into Eddie's life, he knows Al is up to no good, and he puts together pretty quickly that Eddie is going along with Al's con to get money. He allows Eddie to make his own choices, but he also warns Eddie that he's lying to himself if he thinks this is going to go well for him.
On a semi-related note, the way Wayne is depicted here gives more context behind why he was willing to let Nancy interview him when Eddie went missing after Chrissy's death: Unlike other reporters , who were either gearing up to paint Eddie as the villain before anything was confirmed, or else were trying to get their big break with this story, Wayne could tell Nancy wasn't just there to advance her career. She genuinely had an interest in what happened, and Wayne likely suspected something else (i.e. the death of Barb) was motivating Nancy to look into this case.
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Another relationship that gets more context as well is the one between Jason and Eddie. There were hints in the fourth season that these two had a history with one another before Jason wrongly suspected Eddie of killing Chrissy and led the basketball team in hunting him down. This book confirms that history. I will admit I had a headcanon for a while that Jason and Eddie used to be friends before falling out (which is also something Mason Dye joked about), but this book blows that out of the water by revealing they've been enemies since they knew each other. Jason was a part of a jock group led by Tommy Hagan (Steve's former best friend) who bullied students like Gareth who were either outcasts or part of the Hellfire Club. But because Tommy and Jason were valued basketball players at the high school, they were able to get away with their behavior whereas Eddie would get punished simply for trying to help out his friends.
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This puts the cafeteria scene between Eddie and Jason in a whole different light: Eddie's disdain for Jason in that moment wasn't because Jason did basketball, but because he knew Jason as a bully and had nothing but contempt for him:
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Just like with Lucas on the Line, this book doesn't paint Jason in a good light. Not only is he associating with Tommy (who is just as loathsome as he was in season 1), but the book also hints at the darker, zealot side of his personality that's going to be on display in two years following the events of this book:
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Chrissy also makes an appearance, and she's just as nice of a person as she was on the show. She actually intervenes (unsuccessfully) on Gareth's behalf to stop Tommy and Jason from bullying him, and we get to witness the flashback to the talent show when Eddie first encountered Chrissy and she showed him empathy and compassion in a moment when Eddie was feeling vulnerable after his dad didn't show up to watch him perform.
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While I'm not an Edissy/Hellcheer shipper, I understand the appeal of that relationship, as well as why the Duffer Brothers later regretted killing off Chrissy when there was more that could have been explored with her character. I'm also deeply sorry Grace Van Dien was harassed by immature Stranger Things fans because she liked the Eddie/Chrissy ship (to the point Joseph Quinn had to speak up in her defense). No actor or actress should ever have to put up with disgusting behavior like that. I wish people in this fandom would grow the hell up already, and stop treating the actors as if they're props to project themselves onto. 😒
We also get to know more about Eddie's parents in this book. Eddie's mom is dead by this point (though her love for music is a big reason why Eddie was inspired to take up guitar) and Eddie's dad is a contender for one of the worst fathers in the series. He isn't as awful as Neil Hargrove, but he makes little to no effort to raise Eddie (to the point Eddie is often fending for himself), is constantly engaging in illegal activities and ending up in trouble with the law, only comes back for Eddie when he needs something from him (something that Eddie is painfully aware of), and straight-up abandons his son to the cops the moment his heist plan lands both of them in trouble and results in a police officer getting shot. He's a selfish man who's good at lying to everyone around him, and even to himself. The sad thing is, because Eddie is so desperate to get out of Hawkins, he willingly believes his dad's plan to get them rich so they can move to LA and fulfill his dream, which makes it more of a gut punch when everything eventually goes downhill.
Given Eddie's death in season 4, I seriously question if his dad is going to show up at all if he ever hears about what happened to his son. Somehow, I doubt it.
The final character with any real significance is Gareth. In this book, he's a freshman who's up-and-coming in the Hellfire Club, and there's a whole subplot dedicated to Eddie helping him to craft a perfect D&D character that resembles who Gareth is rather than having him borrow someone else's character. Also, as noted before, Eddie is one of the few people who defends Gareth from high school bullies, which is why Gareth has a lot of loyalty towards Eddie. I know Gareth became an Ensemble Dark Horse for many fans when Season 4 premiered, and I would be thrilled if he, along with the rest of the Hellfire Club and Corroded Coffin, got significant roles in season 5. Maybe they could team up with the Party to defeat Vecna.
The rest of the new characters are by-the-numbers. Ronnie is Eddie's lifelong friend who has a future at NYU, and they both have a falling out due to disagreements with Eddie's choices. Paige gets into a romantic relationship with Eddie for a while (which also falls apart later), but she isn't really memorable and doesn't stick out the same way that other characters from tie-in materials do (i.e. Mr Hauser from Rebel Robin, Joey Kim from Zombie Boys, etc). Mr. Higgins, the principal who has it out for Eddie, is the embodiment of Mr. Vernon from The Breakfast Club, and his interactions with Eddie are pretty similar to the ones Vernon has with Judd Nelson's character (John Benson) in the movie. Officer Moore is a stereotypical asshole cop who harasses Eddie because he sees him as a future criminal who will grow up to be just like his dad.
There are a few brief cameo's from the main characters: Hopper appears towards the end when Eddie is arrested, and is one of the few people sympathetic to Eddie's plight. Will and Jonathan also make an appearance when Eddie defends Will from jocks who make fun of Will for being "Zombie Boy," gives Will some encouragement about being who he is and embracing his love for D&D, and even offers to sell Jonathan some weed (which is cheeky foreshadowing for Jonathan's drug habit that develops in season 4).
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Out of all the interactions with the main characters, the one between Will and Eddie was my favorite. Even though Will never joined Hellfire Club due to moving to Lenora, it's nice seeing these two get to interact and bond over something they love.
So that sums it up for the characters and main story. Let's talk about the main themes:
Part 2: Eddie and "Forced Conformity"
Just like with El in season 4, and even Steve, there's always been this stigma that because Eddie did badly in school, it meant he was dumb. However, unlike El, who struggles to catch up with her peers because of the way Brenner raised her (but is keenly aware of concepts even if she doesn't have the words for them at the time), or Steve who was more interested in chasing popularity at the expense of his grades (but has demonstrated his intelligence and ability to make connections that other people miss), Eddie doesn't put effort into school because he doesn't care to. School and homework doesn't interest him. D&D, Corroded Coffin, playing songs on his guitar, and even the works of J.R.R Tolkien do, which is why he invests more time into those things:
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There was a GIF set last year with bits of trivia about Eddie, and something that was noted in it is that Metallica's album Master of Puppets was released on March 3, 1986. Given the night Eddie performs their song "Master of Puppets" in the Upside Down was on March 27, 1986, this means he had less than 3 weeks to learn how to master the song on his guitar. Some fans will probably dismiss this as "lazy writing" (which I notice gets thrown around a lot these days when people don't want to think critically), but I beg to differ. Eddie is invested in music. It speaks to him. That investment, combined with doing something he loves, means he's going to put time and effort into learning the song. I can buy he learned "Master of Puppets" in less than 3 weeks because he's that good of a guitarist, and he was passionate about the song in the same way he's passionate about D&D and Tolkien.
The problem though is those kind of interests aren't considered "acceptable" by the school system, which is more interested in churning out "productive members of society" and punishing those who don't get on board with the program (This is a theme that's also explored in both Rebel Robin and Lucas on the Line). It doesn't help that Hellfire Club, D&D, and the music Eddie loves to play constantly come under fire due to the Satanic Panic at the time, which only causes Eddie's resentment towards Hawkins and his school to fester.
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You'd think things would have changed in the 4 decades since this series took place, but given how we're still living in an era of "concerned parents" wanting to ban specific books from being read by kids, or else enforce a conservative viewpoint in schools that prevents any kind of critical thinking, it's fair to say we haven't. In fact, there's an argument that things have gotten worse in recent years.
We can talk all day about the problems with the education system and school curriculum in the United States until the cows come home, but the point is Eddie is aware of the "forced conformity" schools impose on students, and is having none of it. As a result, he's punished for rebelling against the system.
It doesn't help that none of the teachers, nor Mr. Higgins, are remotely interested in trying to reach out to Eddie. They have decided in their minds that Eddie is a waste of space, and are either condescending or dismissive towards him. Even Robin, Mike, Lucas, Dustin, and Will had teachers like Mr. Clarke or Mr. Hauser who were interested in bringing the best out of their students. Eddie has been written off as a lost cause, and aside from his uncle Wayne (who's limited in what he can do for Eddie), no other adults believe in him. That just makes his eventual death later on harder to stomach.
I hate teachers and school authorities like Mr. Higgins. I get they have to put up with a lot of crap, both from kids and from the stress their jobs can bring, but I have no respect for teachers who either go to the lengths of bullying their students, or come up with preconceived notions about a student and then unfairly project that onto them so they can feel justified in treating them with contempt.
I had two teachers like this when I was growing up: One of them was from fifth grade. The second was my English Teacher from my senior year of High School.
The former was a straight-up bully who had a reputation for making kids cry (I was one of them) and was a Bitch in every sense of the word. I do not have good memories of her class, and I know several students who had their lives impacted by her for the worst: One of them was someone I went to the same church with whose mom later pulled him out to be home-schooled because he was frequently targeted by that teacher. The second was a former friend who had a rough time in her class, and later forfeited going to college entirely (and now works in retail) because of the impact she left on her. I make no secret that I DON'T miss her, and I hope she's no longer teaching.
As for my English Teacher, she was a condescending twat. She presented herself as an expert in literature, but I later found out that A LOT of her so-called "discussions" and "lessons" were taken straight from SparkNotes. I remember her going out of her way to publicly humiliate me in front of the class because I did a presentation that she didn't like, and then she later got patronizing with me over a different assignment several months later, saying she could see how I was struggling and then said "Allow me to give you some advice: Try harder." This was when I was also juggling 4 other AP classes and a Spanish class, along with my extracurricular activities, so this wasn't like I was half-assing my work. Once again, I was not the only person she treated like is. Multiple students despised her, and there was even a rumor for a while that she was a misandrist, which is why she treated the girls better than the boys. I can't confirm if this was true, but I wouldn't be surprised if it was. My brother (who's one of the smartest people I know) was fully aware of her reputation prior to his senior year, and specifically took a different English class just to avoid her. I still maintain that was the best decision he ever made.
I should briefly mention that, despite the two examples I just listed, I had some wonderful teachers growing up. Ones that not only encouraged me, but made their classes engaging to the point that I took an interest in topics I hadn't before. The entire reason I later pursued a degree in History is BECAUSE of my teachers in High School.
Regardless of whether people want to admit it, teachers are some of the most important people next to parents in a kid's life. They can either be the ones to elevate a student and set them on a good path, or they can be the ones to tear them down and dismiss them as a lost cause. It's a big reason I feel strongly about who teaches in schools and how our education system is structured, and why I get angry whenever teachers or school authorities either abuse their power, are apathetic about their jobs and their students, or else project their issues onto kids. I'm not saying there aren't kids out there without major behavioral problems that need to be dealt with (I literally had one such kid yell "Fuck You" at me two weeks ago from a speeding truck for no discernible reason, so I'm not advocating that all kids are sweet angels), but it infuriates me to see characters like Mr. Higgins who are smug in their belief that they have teens like Eddie figured out, and don't want to hear anything that contradicts that. People like that shouldn't be teaching in schools, period.
Part 3: The Evils of Society
Back in 2005, there was a horror movie called Chaos that was released, which got negative reviews and a scathing response from film critic Roger Ebert, who proceeded to call the movie "ugly, nihilistic, and cruel." The film's writer and director didn't take this well, and posted a letter to the Chicago-Sun Times where he condescendingly told Ebert that the movie was supposed to be ugly, nihilistic, and cruel as a way of conveying what evil was like in the 21st century, and smugly asked Ebert if he preferred the movie was sanitized of violence. Ebert later responded in a very classy and intelligent manner, where he not only called out the director for his sanctimoniousness, but also deconstructed his whole argument of depicting evil in a movie with no meaningful point or catharsis:
"I believe evil can win in fiction, as it often does in real life. But I prefer that the artist express an attitude toward that evil. It is not enough to record it; what do you think and feel about it? Your attitude is as detached as your hero's."
"Your real purpose in making "Chaos," I suspect, was not to educate, but to create a scandal that would draw an audience. There's always money to be made by going further and being more shocking. Sometimes there is also art to be found in that direction, but not this time. That's because your film creates a closed system in which any alternative outcome is excluded; it is like a movie of a man falling to his death, which can have no developments except that he continues to fall, and no ending except that he dies. Pre-destination may be useful in theology, but as a narrative strategy, it is self-defeating."
I've seen fans who've complained about the direction season 4 took in its tone and it's depiction of bullying and the Satanic Panic, with people complaining about it being "trauma/torture porn," which............I strongly disagree with. Trauma/Torture porn is (as Ebert points out) the kind of thing that has no point beyond indulging in meaningless suffering. Season 4 was dark (probably the darkest season they've done so far), but there was a message the Duffer Brothers were making with it; Not just in depicting how and why bullying becomes a pervasive problem, or how Vecna acts as a metaphor for depression and trauma driving people into despair, but also how the current social systems and attempts to force people to be "normal" cause long-term problems.
Bullies like Angela and Jason didn't suddenly decide to become awful overnight. Their behavior was enabled, not just by their peers, but by the adults around them who did little to nothing to stop the way they acted. Look at when El gets publicly humiliated at Rink-O-Mania by Angela and her friends, and how the adults there either participated with the other bystanders in it, or did absolutely nothing to stop what was happening to El (yet were conveniently available for Angela's benefit when El smashed Angela's face in with a roller-skate). Look at how Jason was able to turn a room of adults into a lynch mob to go after kids who were a part of the Hellfire Club by appealing to their fear of the Satanic Panic, as well as their fear of all the terrible things that had been happening in Hawkins.
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Adults play a major role in whether kids become spoiled, entitled brats, and that was absolutely the case with Angela. As for Jason, he was a star basketball player who made Hawkins High look good, which is why Mr. Higgins and other teachers always looked the other way at his behavior (as depicted in both this book and Lucas on the Line). It's also why both Angela and Jason felt justified in their awful behavior: Angela was able to convince herself that El had snitched when she hadn't, and therefore deserved to be punished for it. And when El finally had enough and lashed out, Angela twisted the narrative in her head to make it out like she was the innocent victim and El was the bully. Same thing with Jason in regards to how he treats Eddie: Jason sees himself as the perfect "All American Boy" and Eddie as the freak who may one day become a criminal and gives Hawkins a bad name. And while the deaths of Chrissy and Patrick (combined with witnessing how Patrick died which he chalked up to Eddie being in league with Satan) played a major role in Jason's actions, he already had preconceived notions about Eddie without truly getting to know him first. There's an argument to be had that, even without Chrissy's death, he would have looked for any reason to go after Eddie if he felt justified in doing so.
Even isolated areas like Hawkins Lab weren't exempt from this: Dr. Brenner specifically fostered a culture among the special kids where he would put them at odds with one another to fight for his approval, and allowed El to be viciously bullied by Two and the others in the hopes it would unlock her potential and get him the results he wanted. Brenner established the institution where El grew up in, and was the main person who benefited from it. Two was a vicious bully similar to Angela, but the reason he became that is because Brenner and his cronies enabled his behavior (only punishing him as a means of building up resentment among the other kids towards El and making her more of an outcast as part of his plans).
Likewise, there's an interesting parallel between Eddie and Vecna: Both are "outcasts" whom society tried to force to be "normal." However, while Eddie still maintained compassion and empathy for others, as well as making it his mission to look out for other outcasts like Mike, Dustin, and Lucas so their lives wouldn't be miserable, Vecna internalized the rage and resentment of "performing in a silly terrible play, day after day" until it consumed him and turned him into the monster everyone feared. Now he intends to destroy everything and everyone so he can create the world he wants.
It's the Harvey Dent quote from The Dark Knight:
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Eddie, despite being treated badly for most of his life, died as a hero, protecting those he cared about. Vecna lived to become the villain, and has abandoned his humanity in pursuit of his goals.
Tying this all back to Roger Ebert's letter: While Season 4 may have been dark, there was meaning to be found in the darkness: The season hit on the theme that, in spite of how Hawkins looks like a perfect suburban neighborhood, there's a lot of rot underneath, and NOT just from the Upside Down. There's an inherent bigotry in the town (and others like it, such as Lenora), of institutions trying to mold students and teachers into "productive members of society" at the cost of their happiness and well being, of punishing anything that's considered abnormal or against the status quo, of how ostracizing "outcasts" can lead to a self-fulfilling prophecy where the person either becomes the monster (Vecna) or is scapegoated and can never escape those stigmas no matter how hard they try (Eddie).
The Duffer Brothers aren't apathetic in their attitude about how they depict characters and themes on the show. If anything, they care deeply. It's why they wrote the character of Eddie in the first place, and based him off of Damien Echols, one of the West Memphis Three who was wrongfully convicted in 1994 of the murder of three boys in Arkansas, with a lot of bias directed at them due to the three of them being "delinquents" (as well as how the police pressured them into giving false confessions), which resulted in their lives getting ruined. Likewise on the show, Eddie is accused of killing Chrissy when he didn't (simply being in the wrong place at the wrong time), and his life got destroyed because of it. Even if he was a delinquent with his own personal issues, he didn't deserve what happened to him. Neither did Damien Echols. Society failed both of them, and allowed the true killers to go unpunished.
There are a lot of problems in our society today that have carried over from the 80s: From cultures that enable bullies and punish their victims, to attempts to control what kids learn in schools and how they should act, to bigotry and biases that aren't just rooted in people but in the institutions and laws that uphold the social structure, to people like Jason who take the law into their own hands regardless of the collateral damage it will cause, to government corruption, to people dehumanizing others because it's more important for them to be right over being nice, and so on. Stranger Things may be a love letter to the 80s, but it does not shy away from deconstructing the uglier aspects of that decade, and conveying how some of those issues had carried over into today's culture.
Final Thoughts:
Overall, this book is a mixed bag. It gives interesting details about Eddie and his life, and provides better context for certain scenes in season 4. Given that Caitlin Schneiderhan (the author of the book) had talks with the Duffer Brothers and other Stranger Things writers prior to penning this, it's likely this book can be considered canon. It's also a book that inspires discussion (as you can tell from what I've written), which is always a plus.
However, if you're a fan of Eddie, and you were upset over his death, this book isn't going to give you any catharsis. Unlike others, I'm not going to claim it's milking off of Eddie's popularity. At the same time though, it is hard to read when it teases that things might get better for Eddie and you already know what Eddie's fate is going to be.
In other words, you have to decide for yourself if this is a book you want to read. I hope my synopsis and this review gives some idea of what to expect.
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Till the end of the moon review
I recently rewatched the drama and felt like reviewing the first Cdrama I ever watched. After watching some cdramas in the past 7 months since I first watched the drama, I now trust myself to write a decent enough review after somewhat familiarizing myself with the genre and overall cdrama space.
Rating: 9.5/10 (1000 bonus points for searing itself in my mind and staying there even after 7 months)
Acting: 10/10
Story: 9/10
Chemistry: 100000000/10
OST: 10/10
Costumes: 10/10
Hair & Makeup: 9.5/10
Production/Set Design: 10/10
Visual Effects/CGI: 10/10
Rewatch Value: 10/10
Li Susu, an immortal time travels 500 years into the past to prevent the ascension of the Devil god, who goes on to destroy the world in the future. It's a story of love and hate, good and evil, redemption and damnation. The characters are very well conceptualized and depicted beautifully by talented actors, stunning costumes, really good hair and makeup, and great cinematography. The amazing production and set design along with impressive visual effects and CGI really immerse the audience in the world of TTEOTM. This was a high budget drama and it shows... each and every frame of the drama, it feels lavish. If you are even a little bit interested go watch the first episode and l promise you'll be hooked and end up finishing the drama.
Now unto my spoiler filled thoughts:
I find it interesting that the typical backstory themes and some character arcs of the male lead and the female lead have been swapped here. The FL usually has a dead parent or abusive household or terrible luck and so on. The ML usually comes to the FL's rescue or stands up for her and so on. We all know that Tantai Jin is Disney Princess coded given his dead mother, abusive and neglectful upbringing and his animal telepathy powers. LSS both as Ye Xiwu and LSS repeatedly saves TTJ and stands for him. While TTJ also saves her many times, he does not get a chance to stand up for her because she usually takes care of herself and she is not suspected or wrongfully accused where she would need someone to support her. Also, TTJ basically became a part of LSS's family as her uncle took him under his wing and he promised to stay in Hengyang Sect with her in ep 35 before all hell breaks loose. And who can forget that LSS marks TTJ with her Phoenix mark, typical ML behavior.
Their romance is my ultimate enemies to lovers pairing. It has just the right amount of fighting, messiness, animosity and angst for me. I feel that other pairings don't have enough of it for me to consider them as an enemies-to-lovers couple. Their visuals, their chemistry, their acting and the story everything was so great. Who else has three epic weddings in one drama? I am still not able to move on from this couple and drama.
While the misunderstandings were obviously supposed to lead to a turning point in the story, I feel like it was in character for them to jump to conclusions and assume the worst without fully thinking things through and which then led to them acting rashly. I mean both TTJ and LSS had bad history between them so in the early stages of their relationship where their trust in each other was shaky, it's understandable that they were prone to misunderstandings. Also, they're both not good at communicating with each other. In the mortal arc, LSS was never fully honest with TTJ and they never addressed their past misdeeds properly (like OG Ye Xiwu was very cruel to TTJ and he never talked to her about it and just brushed it off). In the immortal arc, TTJ deceived LSS when he became the Devil God.
For the most part the story was gripping, progressed at a good pace and conveyed many themes that become apparent on rewatches. Though it was obvious that the last 5 episodes and the ending were rushed because the censorship rules changed as they went into production. This was one of those dramas that needed at least 5-10 more episodes to properly flesh out the story. It was a missed opportunity that we didn't get to see LSS ruling the Demon realm and Ami's antics.
Another victim of the decreased episode count is the arc of the second leads. Tbh, I wish that Pian Ran and Ye Qingyu were the SLs but I think I would have enjoyed seeing the complete character arc of Xiao Lin/Gongye Jiwu and Ye Bingchang/Mo Nv and the resolution between them. That said it was appalling that they didn't bring back Pian Ran and Ye Qingyu in the immortal arc. I really missed their dynamic with each other and with the main leads. It is disappointing that they didn't even get an open/ambiguous ending to give us some closure and satisfaction.
The actress did a phenomenal job in making us hate her as Ye Bingchang and Tian Huan. Those characters as villians really worked as they were in a way the ones who had the markings of the female lead (these characters at the start of their stories could easily be heroines in any other story) but they turn into villians. Tantai Minglang was a good, serviceable villian and the actor did a lot with how little he was given. Di Mian was selfish and manipulative traitor who was almost scarily competent. I mean he did achieve what he wanted by becoming the Devil God and opening the Tongbei formation. The point of Devil God as a villian is not his character and his motivations but rather he represents our inner demons and how each of us has the power to overcome them.
Out of all the dramas I've watched, only TTEOTM's entire OST is on my regular playlist to listen to. Every time I listen to "Let's be like this for 10,000 years", I feel the love and tragedy of Sang Jui and Ming Ye's story all over again. It's impressive that a song can make you relive those feelings and the story every time you listen to it. All the songs fit wonderfully in the scenes they're played over and also make us feel those emotions again when listening to them separately.
On my first watch, the dream arc felt a little out of place and jarring, which, in hindsight, was probably due to the fact that it was my first cdrama. Upon rewatch I've come to appreciate that it gives a look into the age of Gods and it shows that the Devil God was so powerful that to stop him the Gods had to sacrifice themselves and only Ming Ye was able to survive. The action sequences here are just magnificent to watch and they definitely seem movie level. It also serves as a warning to the audience, LSS and TTJ that they could also have a tragic end if they don't learn the lessons from it. Unfortunately, in the mortal arc they did have a tragic end. However, in the immortal arc, TTJ is able to learn from his experience as Ming Ye and succeeds in defeating the OG Devil God and becoming the Devil God himself with control over his own destiny.
One of the most prominent themes of the drama is redemption and that love and compassion are powerful enough to change a person's fate. The themes of Taoism and Buddhism are evoked throughout the drama. There are also many other minor themes like the food is used as a guesture kindness (when LSS first gives TTJ a proper meal), affection/care (when TTJ gave LSS the goose themed meal), love (when LSS gives badly cooked meals to TTJ), betrayal and trickery (the poisoned porridge) and comraderie, friendship, brotherhood and familial love (when TTJ shares meals with his sect brothers and master). Both TTJ and LSS have dead moms, terrible fathers and great adoptive dads (Zhao You and Qu Xuan Zi), these are just some observations I made.
I may not love the ending but I don't hate it either as it was obvious to me that they reunite once again and live happily as a family (the audio ending really makes it clear). Even though I'm irritated we don't get to see it, I'm still satisfied that we get a hopeful ending rather than a tragic one.
Until now I've mostly been lurking in fandom spaces by liking and very rarely commenting and reblogging but never posting my own original post. The fact that my first ever post is on TTEOTM shows how much I love it. I'll probably be posting more TTEOTM analysis stuff so be on the look out for that if you're interested. Also, I welcome your recommendations as I'm still a newbie to cdramas and kdramas.
You can also check out my costumed cdrama rankings here.
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danmeiarchive · 7 months
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Devil Venerable Also Wants to Know by Cyan Wings -- a brief review (no spoilers)
80 chapters + 2 extras
My Rating: ★★★★★ / 5
I went into this story fairly blind / un-spoiled as to the plot and characters and I really enjoyed it. If you like The Scum Villain's Self-Saving System I think you'll like this one. It's a pretty quick read (I read it over the course of 2½ weeks) and it also feels a bit lighter of a read -- in the sense that there's not a bunch of twists and turns or faceslapping going around. There's still narrative weight to the characters' choices but it feels more focused on the emotions of the characters than on making a dogblood drama.
I also really enjoyed the cultivation meta in this book -- there were sections where we would get insight into why the main character did a certain thing and how he belived that would / could impact the universe / world / dao.
Check for content warnings under the cut.
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What kind of story is Devil Venerable Also Wants to Know?
This is a story that really breaks the fourth wall and doesn't take itself too seriously. Like Cyan Wings' other stories that I've read it is really funny and the characters are fantastic. If you like transmigration novels but dislike the trope of an all-powerful manipulative "System" that keeps that transmigrator in check then try this one! The main character is NOT a transmigrator but he does gain knowledge that breaks the fourth wall and there are times when he considers the people around them as if they were characters in a novel. Several of the main characters can also be read as asexual and / or aromantic which is really nice too.
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Throughout the story the main characters are growing and learning more about themselves and each other -- there's several times when a character reflects on how they had misunderstood another character or not known what was really in their hearts. This leads to the story feeling very emotional and tender as you slowly get to know the characters. This is mainly in regard to the main character and his love interest but its true for some of the supporting cast as well.
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Ultimately it feels like a story of two people (who whole-heartedly trust each other with their lives) slowly opening up and allowing themselves to be vulnerable with the other. There's also a good portion of the story that talks about heart demons and how that affects one of the characters -- it becomes a plot point even. It certainly takes the main pair a lot of work but once they are finally on the same page (ha) and treat each other as equals... it's very sweet and intimate.
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Who are the main characters?
Without going into details here's a little bit about our main squad:
WenRen E - Our main character. WRE is the leader of the XuanYuan demonic sect and an absolute badass. He somehow reminds me of both Yan Wushi from Thousand Autumns and Wei Wuxian from Grandmaster of Demonic Cultivation. He is arrogant and prideful but also cares SO MUCH about the commonfolk in the world. He is absolutely ruthless when he needs to be but he has a line that he does not cross and he forbids his minions from crossing it either. There's also a lot of times where he's sussing out why or how something works a certain way and his understanding of the dao and the universe felt profound.
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Yin HanJiang - Our love interest. There's a specific post I've seen that is coming to mind but I can't remember how it's phrased... YHJ is loyal to WRE and ONLY WRE. He is submissive in the way a guard dog is -- he would follow WRE's every order and do everything in his power to protect him but at the same time he would not hesitate for a moment to attack anyone he viewed as a threat to WRE. At the beginning of the story he keeps a certain distance between himself and WRE but as the plot develops that distance becomes smaller and smaller.
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BaiLi QingMiao - the protagonist of the book that appears in WRE's hand which serves as the impetus for the story. WRE finds himself frustrated and confused at her actions a fair amount of time but over the course of the story she too grows up and gains a new outlook on life.
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Shu YanYan - a seductress demonic cultivator. She only dual cultivates with consenting partners and uses her cleverness to manipulate people. She also seems fairly uninterested in romance -- I think she alludes to not wanting to get her heart broken but she also seems very happy as things are with her various lovers.
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Qiu CongXue - hands down my favorite character in the story. I liked everyone but QCX is always speaking her mind and stirring up trouble. She has strong himbo energy and I don't want to spoil anything about her, just know that anytime she comes up it's going to be great.
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What is the plot of Devil Venerable Also Wants to Know?
One day a book suddenly appears in WenRen E's hand. This is notable because he is a very strong demonic cultivator and he didn't sense anything before the book appeared. So he looks at the book and decides to take it very seriously. He reads it. And he discovers that he is a character in a trashy romance novel, as is his most trusted subbordinate Yin HanJiang. He becomes very curious to find out if the other characters are real and if the events that happen in the book are destined to come true or if they can be changed. So he sets off and meets the protagonists of the novel and begins experimenting. Without spoiling things he is especially concerned about what happens to Yin HanJiang in the book. He also wants to know more about the novel's protagonists and their motivations.
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Click 'keep reading' to see trigger warnings.
ptsd, depression, anxiety, suicidal thoughts, violence, manipulation and abuse, mention of torture, war, survivor's guilt, etc. The characters have some tragic backstories and there's some things in the novel that WRE reads that are disturbing -- but ultimately there's not "on screen" torture that the characters go through, the novel instead focuses on what's going on in the characters' psyche.
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