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thegayhimbo · 11 days ago

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Stranger Things The Dustin Experiment Review

If you haven't yet, be sure to check out my other Stranger Things Reviews:

Stranger Things Reviews/Theories:

Stranger Things Play:

Stranger Things The First Shadow

Stranger Things Comics/Graphic Novels:

Stranger Things Six

Stranger Things Halloween Special

Stranger Things The Other Side

Stranger Things Zombie Boys

Stranger Things The Bully

Stranger Things Winter Special

Stranger Things Tomb of Ybwen

Stranger Things Into The Fire

Stranger Things Science Camp

Stranger Things “The Game Master” and “Erica’s Quest”

Stranger Things and Dungeons and Dragons

Stranger Things Kamchatka

Stranger Things Erica The Great

Stranger Things “Creature Feature” and “Summer Special”

Stranger Things Tales From Hawkins

Stranger Things x Teenage Mutant Ninja Turtles Crossover

Stranger Things The Voyage

Stranger Things “Deliver Me From Evil”

Stranger Things Tie-In Books:

Stranger Things Suspicious Minds

Stranger Things Runaway Max (Part 1 of 3)

Stranger Things Runaway Max (Part 2 of 3)

Stranger Things Runaway Max (Part 3 of 3)

Stranger Things Darkness On The Edge Of Town (Part 1 of 3)

Stranger Things Darkness On The Edge Of Town (Part 2 of 3)

Stranger Things Darkness On The Edge Of Town (Part 3 of 3)

Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)

Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)

Stranger Things Hawkins Horrors Review

Stranger Things Flight Of Icarus

Stranger Things Lucas On The Line

Stranger Things Episode Reviews:

The Vanishing of Will Byers (Part 1 of 2)

The Vanishing of Will Byers (Part 2 of 2)

Synopsis: Following the Battle of Starcourt, Dustin attempts to adjust to life in high school as he deals with the fallout of being targeted by bullies and his friends growing distant. When he learns of a science fair taking place in Indianapolis, Dustin enlists the help of Eddie Munson to get the project off the ground as he begins to consider his future.............

Observations:

I ended up reading this book twice, prior to the 2024 Election. First time was difficult to get through due to a slow beginning and my mixed feelings about the last 4-5 pages. Rereading it a second time and thinking things through was a more positive experience, and I ended up having a lot of fun with the story, especially when it came to Dustin's science project and his personal adventure at the science fair.

In terms of how I'd rank it, I'd say it's definitely better than last year's Flight of Icarus, and even a cut above Lucas on the Line due to not having continuity errors. However, it's not quite to the level of Rebel Robin or my Top 5 best tie-ins in the series. There were issues with it, but the book does a good job sticking after you've finished it, and what it presents does make me excited for the direction they could go with Dustin in season 5.

I'll start with the parts I took issue with, and work my way up to the positives that made the book worth reading:

Part 1: Bullying (i.e. The First 3rd of the Book)

Those who have followed my blog know I don't have any patience for bullies. In fact, when it comes to Stranger Things and the themes it explores, I have a harder time watching scenes with characters like Troy, James, Tommy, Carol, Billy, Jason, Angela, the Rink-O-Mania crowd, and Two, in comparison with the horror aspects like the Upside Down, the Mind Flayer, and Vecna. A lot of it has to do with how the bullying is uncomfortably grounded in reality, as well as a lifetime of experience on my end dealing with people like this (both on social media and off it). The last year alone especially has been eye-opening with how shamelessly vile and hypocritical some people will be, especially if they think they can get away with it. It's gotten to the point I'm not hesitant anymore about blocking people, or dragging them over the coals if they continue to poke the bear one too many times. At some point, you either develop tougher skin and a "No patience for bullshit" attitude, or you continue to be a target and a dormant for these people. I chose the former.

Having read Lucas on the Line beforehand, I knew that a story focusing on Dustin between seasons 3 and 4 was bound to focus on him and Mike getting bullied, and wasn't surprised when they depicted it in all of its ugliness:

I'll be honest in admitting I never liked Jason as a character. When I first saw season 4, I pegged him immediately as self-absorbed and coasting on self-righteousness and arrogance (even before Chrissy got brutally murdered), and the way things played out did NOTHING to alter that perception. While I initially felt bad for him over the grief and anger of losing Chrissy, that immediately vanished the moment he whipped the townsfolk into conducting a witch hunt against the Hellfire Club without giving a damn about whether innocent people would be hurt in the process (which they were).

Since the release of Season 4, and the subsequent tie-ins that have accompanied it, my opinion of Jason has NOT improved, especially with how this book, Lucas on the Line, and Flight of Icarus depict him as a bully with his own prejudices and anger issues that would lead him to look for any excuse to pick fights with people he didn't like.

I would go as far to argue that Chrissy's death didn't turn him into a monster so much as it brought out the nastier aspects of his character that were already there to begin with. This dude was a timebomb waiting to detonate, and even if Chrissy hadn't died, something was eventually bound to set him off.

On top of that, Jason's treatment of Mike in this book is pretty awful, and only made him more detestable. It also makes his not-so-subtle threat to Nancy in "Papa" about going after Mike a lot more heinous in hindsight:

The book helps flesh-out Mike and Dustin's irritation with Lucas wanting to join the basketball team and why they have a problem with it. It also give context into why they believed Lucas was deluding himself when he claimed this would allow him, Mike, and Dustin to become popular in High School and therefore untouchable to bullies: That was ALWAYS a fantasy that was never going to happen. Jason and his squad were repeatedly awful to Mike and Dustin during their first year of high school, and no amount of Lucas kissing up to Jason was going to change that. Their frustration with Lucas was less about him wanting to play basketball (though neither of them show much enthusiasm for the sport to begin with) and more about wanting Lucas to wake up and realize how much of an asshole Jason and his buddies are.

I've seen fans criticize Mike and Dustin in the season 4 premiere for skipping Lucas's championship game to do Eddie's D&D campaign, and while I initially could understand that position, having time to reevaluate has made me realize they probably made the right call in hindsight. For all of his flaws, Eddie accepted Mike and Dustin and gave them sanctuary within the Hellfire Club, which made their lives in high school bearable. He even offered that same courtesy to Lucas in spite of Lucas also doing basketball (something that Jason had no intention of ever doing for Mike or Dustin while they were a part of Hellfire Club). Whatever acceptance Jason initially gave Lucas (which arguably had a lot to do with Lucas making the winning shot in the championship compared to if Lucas had messed up and cost them the game) came with strings attached. The moment Lucas crossed Jason is the moment he would become Jason's enemy, regardless of the reasons.

All of this makes me indifferent towards Jason's eventual fate. I'm not going to say I was glad he died, but at the same time, my sympathy was nonexistent by the time he bit the dust. Some people might call what happened to him Karmic Overkill, but Stranger Things has always made a point in demonstrating that karma doesn't distribute itself how you want it to. Decent characters like Barbara, Chrissy, Benny, Bob, and Eddie all suffered horrific fates they didn't deserve, whereas awful people like Troy, Tommy, Carol, Colonel Sullivan, Dr. Brenner, and Angela were lucky if they got any sort of comeuppance. Hell, Angela is one of the most loathsome characters in the entire series, and the best she received for her sadism and public humiliation of El was a Grade 2 concussion as opposed to the grisly death she arguably deserved.

Hell, I would go as far as to argue everyone in Rink-O-Mania who took part in El's bullying deserved a gruesome end a la Stephen King's Carrie, but I don't get to make that decision, and neither did El. They're all disgusting people devoid of any redeeming qualities, and I won't feel bad when they're eventually on the receiving end of the cruelty they've dished out (especially since none of them have the self-awareness to recognize how mean-spirited they are), but the cold hard reality is people like Angela and her ilk get away with that kind of behavior in real life (as we just saw a few weeks ago with the 2024 U.S. Elections). Characters like Angela and Jason getting any sort of consequences for their behavior, even if it's small, is cathartic for me, and that's not something I'm going to apologize for.

I will say that, for all the bullying Dustin experiences in this book, he handles it in a mature manner. A lot of this has to do with Dustin having life experience dealing with this kind of crap, and recognizing how pathetic and unoriginal it is:

Out of all the characters in the Party, Dustin is the one who adapts well to his environment, and it's a big reason he's been able to survive the hardships life throws at him. It's something I admire about his character.

Part 2: Dustin's Friendships/Relationships

Adding on what I previously said, it's notable Dustin is the one who makes friends the easiest. He may have come late to the Party (around 4th grade, according to him), but he was able to integrate seamlessly with Mike, Lucas, and Will, which is something the comic Stranger Things and Dungeons & Dragons depicts:

A good chunk of this has to do with Dustin working to find common ground with people and seeing the positive merits in others. It's how he developed his friendship with Steve and looks up to him in a big-brotherly way. It's how he formed a bond with Eddie in this novel. It's even how he's able to reach across the isle towards people like Ankia (who initially has a haughty attitude towards Dustin before she mellows out), or Danny, or Suzie, or the kids at Science Camp as depicted in that comic:

It's a good life skill that will serve him well when (and if) he leaves Hawkins alive.

A central focus in this book is Dustin reevaluating what he wants in his life, as well as how he views his relationships. Since the events of the Battle of Starcourt, the Party has split, and Dustin feels he's been left to fend for himself. In many ways, the structure of the story echos what Lucas went through in Lucas on the Line, except in this instance, it's Dustin aiming to try out something new in order to deal with the changes in his life. While Lucas veered into basketball, Dustin decided to put his intellect to use by entering a science contest. Unfortunately for him, neither of his friends express much interest in his passion: Max is depressed and isolated following Billy's death and Neil leaving her mom, Mike has shut himself away following Will and El's departure from Hawkins, and Lucas is in basketball training and hanging out with Jason's jock friends, which causes friction between Dustin and Lucas. The most support he gets for the project is from his mother and Eddie.

Speaking of Eddie, his introduction doesn't disappoint. Just like in Flight of Icarus, Eddie is someone who's moved past caring how others think of him (something Dustin respects him for), has no issue publicly calling out Jason and his jocks for their bullying, and is quick to adopt Mike and Dustin into the Hellfire Club (and later Lucas as well). Dustin's desire to impress Eddie, first by fixing his walkman and later his AMP box, is what inspires Dustin's science project: A Super AMP box of his own that would allow Dustin to record sounds, play them back, and measure changes in distortion and signal-to-noise ratios. With some encouragement from Eddie (as well as a promise for a drive to the fair and an arrangement to listen to Eddie's playlist of Heavy Metal music), Dustin heads out on his own side-quest (as he cheekily puts it).

The friendship between Dustin and Eddie is a highlight, and Eddie's attempts at helping Dustin are hilarious as well as heartwarming. Eddie is someone who likes Dustin for who he is, and encourages him to not let others tell him who he should be:

In many ways, Eddie reminds me of Jay from Lucas on the Line who also acted like a mentor figure/friend to Lucas, and motivated Lucas to be his true self.

The tragedy is, in spite of both Jay and Eddie being positive influences for Lucas and Dustin, both of them were cruelly driven out: Jay was forced to move after being targeted in a racist attack against him, whereas Eddie got scapegoated for Chrissy's death and died before he got to clear his name. It's a parallel that reminds me of Karen's words to Nancy in season 3: "This world, it beats you up again and again until eventually........most people, they just stop trying." Both Dustin and Lucas have always been fighters (same with the other members of the Party), but it doesn't make it any easier that the people they care about disappear from their lives when they're at their most vulnerable.

Speaking of vulnerable, part of the conflict Dustin has with his friends is also similar to Lucas's conflict in Lucas on the Line where both characters are going through their own hardships and assessing whether their friends will actually be there for them. Dustin does clash heads with Lucas over basketball, but a good chunk of that has to do with the crowd Lucas is hanging out with. Dustin knows Jason and his jocks are NOT nice people, and is baffled over why Lucas would want to be someone like that:

It takes some time, and a few missteps, but Dustin is able to eventually not only see Lucas's perspective, but also Mike's perspective regarding his issues, and make amends with both of them before things permanently fall apart:

This isn't much of a spoiler since the group is united again at the end of season 4, but the suspense leading up to that point comes from HOW they're able to keep their friendship together in spite of life's tribulations. There's a moving scene at the Video Rental Store where Robin and Steve hold an intervention to get Mike, Dustin, and Lucas to reconcile. During it, each find out that, despite the surface differences, their fears are similar in nature: Behind Left Behind. Losing friends. Failing the people they care about. Their bond is a lot stronger than they give it credit for. And as Steve notes, a lot of the problems they're having are manageable if they're willing to talk through it:

Speaking of Steve, it was nice seeing the book cover his relationship with Dustin. Just like in season 2, Steve takes on the role of mentor as Dustin keeps barging into his workplace (oftentimes before Steve closes, or else scaring off customers in the process) to vent about his issues. Steve, of course, takes it in stride, and offers what advice he can (along with the new video releases that Dustin is interested in).

I was initially worried this book would feature petty jealousy and contrived drama between Steve and Eddie over which of them Dustin liked the best as a friend (similar to what the show Supernatural did with Sam and Dean Winchester in Season 8 when they introduced the vampire character Benny and tried to play him as the new "brother" that Dean wanted over Sam). Thankfully, the book steers clear of that. We get brief glimpses that Steve is insecure that Dustin has started to lose interest in him as a friend (something that Dustin refutes in the narration), but Steve never becomes actively malicious against Eddie or tries to prevent Dustin from seeing Eddie (which is in direct contrast to how the Benny/Dean/Sam drama played out in Supernatural). The regrettable thing is that, had Steve and Eddie talked beforehand (similar to how Steve was encouraging Dustin to talk to Mike and Lucas before making any rash decisions), they could have become friends a lot earlier before season 4. 😞

Suzie also makes an appearance, and just like with Steve, she acts as an encouraging presence and voice of reason for Dustin as he's navigating high school. Their interactions are sweet without being over-the-top, and they even run a book club where they discuss novels they're reading together. In fact, compared to Mike and El's stilted communication while they're apart in different states, Dustin and Suzie are a lot more open with each other about what's going on in their lives (minus anything to do with the Upside Down). It makes their relationship look healthy in comparison.

I know people see Suzie as a "take-or-leave" character, but I like her, and I'm glad Dustin and her are a couple. I'm not sure what the future holds for them, but I hope she is eventually clued in to the Upside Down. I'm also hoping we get to see her interact with other characters besides Dustin (like she did with Mike, Will, Jonathan, and Argyle in season 4) and maybe even have some kind of role in helping Dustin against Vecna's army. Who knows? Her intelligence and love for fantasy could be put to good use in that situation.

We also see a little more of Dustin's friendship with Will in how they keep in touch via letters. It's a relationship that remains solid, with a nice balance between Dustin's intellectual side and Will's perceptiveness. Will encourages Dustin with his science project, and gives advice to Dustin regarding his difficulties with Mike and Lucas, as well as what he should do with his future:

There is something to be said about Dustin and Will being the glue that holds the Party together. Considering that Dustin is able to talk about his problems easier with Will in letters than he's able to with Mike or Lucas, it gives the impression that, out of all the members of the Party, Dustin is able to relate better to Will. Or maybe it's because it's easier for Will to speak openly about his thoughts and emotions, compared to Lucas and Mike who struggle more.

Dustin's interactions with Max and El are shown briefly, but aren't given the same in-depth look as his other relationships. Dustin is aware of Max's depression and living situation (and later finds out she broke up with Lucas) and does what he can in offering to be there for her. As for El, while he doesn't know the particulars, he picks up pretty quickly that El is unhappy in Lenora for reasons that are obvious to the audience (May Angela continue to get hit in the face with a heavy object every day for the rest of her miserable life). 😒

Finally, there's Dustin's relationship with his parents. The few interactions I've seen between Ms. Henderson and Dustin have always given the impression they're close and that they do a good job supporting one another, and this book confirms that. She knows that her son is a genius and allows him to nurture his creativity and scientific interests (even as she's having to call the power company multiple times since Dustin uses up the electricity in the house). I like their mother/son relationship, and I'm disappointed she's not coming back for season 5.

As for Mr. Henderson..............Dustin sums it up best to Eddie:

This is pretty consistent with how Walter Henderson was depicted in The First Shadow, and I'm glad the book includes this nod to the play.

Part 3: The Science Fair

The middle part of the book, which deals with Dustin building his "Bard Box" (i.e. the AMP box he uses to record sounds) and his adventure with Eddie in Indianapolis, was my favorite part. Not only does it feature great bonding moments between Dustin and Eddie (including the hilarious revelation that Eddie has a fear of ducks), but there's a fun mystery Dustin stumbles upon while he's at the fair that allows him to put his deductive skills to work. It's a plot with similarities to the comic Science Camp in that Dustin meets a group of nerds like him whom he befriends and they work to track down a culprit with malicious intentions.

Just like with Science Camp, I won't reveal the particulars or who the culprit is, but it was pretty easy to figure out the culprit's identity. However, the journey with Dustin and the new friends he makes is enjoyable, and I wouldn't mind seeing those characters again in a future tie-in. There's also a fun bit with Eddie having to look after a duck named Frodo Quackins (yes, that's actually his name) and his ability to improvise and entertain people:

If Eddie had survived, he could have had a career in theater, and he would have been good in it. 😞

All of this leads up to a moment where Dustin is offered the opportunity to escape Hawkins and attend a prestigious science school called Eastwood. And the remainder of the book deals with Dustin struggling over whether to accept the offer or not.

Based on how season 4 went, you can already guess how that panned out.

And this brings me to where Dustin's story goes from here......

Part 4: Dustin's Future in Season 5

I've speculated for a while that, just like with Nancy's crusade to get justice for Barbara in season 2, Dustin will be trying to clear Eddie's name in season 5 for Vecna's murders. Based on the BTS photos they've released, it looks like there's a long road ahead for him:

I'm hoping there's a major payoff to this potential arc beyond just clearing Eddie's name. Part of the reason I brought up bullies like Jason and Angela earlier in this review is because I've started to grow sick of seeing the main characters repeatedly getting dumped on while receiving zero credit for putting their lives on the line to save the world. Meanwhile, assholes like Angela and Jason make the main characters lives a living hell, all the while enabled by the people around them, and are either coddled for their behavior (Angela) or memorialized for it (Jason). While I doubt Angela or any characters from Lenora (including Argyle) are coming back for season 5 (though if she does return for some reason, I hope Vecna causes Angela's head to explode), I have a sick feeling that Jason's hold over Hawkins will still be there by season 5, and characters like Dustin will be dealing with the fallout of Jason's crusade. Whether it's in the form of Jason's basketball team taking revenge for their fallen comrade, or Hawkins residents swallowing the propaganda about the Hellfire Club being a Satanic Cult, I expect life isn't going to be easy for a while. That's not even getting into how Dustin will still be grieving Eddie's death and having to put up with the slander thrown Eddie's way.

What I'm hoping for is that, during all of this, there is an eventual reckoning for Hawkins. That the residents are forced to come face-to-face with the lies, the bigotry, the prejudices, the bullying, and all the uglier aspects rooted in the town's social structures and history. I'm not going to be happy if the townsfolk remain passive while reacting to the horrors around them as the main characters are forced to do the heavy lifting in keeping Hawkins safe. We've seen that for 4 seasons now. It's old and tired. The status quo needs to be broken in a major way that forces changes in Hawkins which will actually stick. The show has hinted in season 4 that it could go in this direction, especially with Vecna destroying the town and opening a large gate, and I'm hoping season 5 makes the most of it.

There are plenty of stories out there that have done this. J.R.R. Tolkien's Lord of the Rings did this with the Scourging of the Shire where the Hobbits had their lands decimated by Saruman and his men, and were forced to take up arms and become self-reliant in fighting back and no longer remaining isolated from the world around them. Fullmetal Alchemist Brotherhood also did something similar where the main characters were forced into a reckoning with how the nation of Amestris was formed, as well as the corruption rooted in its government, and make hard but necessary changes that would bring peace to the world and allow for a better future. That is the kind of arc I hope Stranger Things explores with Hawkins in the last season. Not just having the main characters receive credit for defeating Vecna and the Upside Down, but actually having the residents of Hawkins play a role in that and go through a permanent change in the process.

As for Dustin.........if he survives the events of season 5, I hope he gets the opportunity to leave Hawkins and pursue his scientific interests in a way that makes him happy and allows him to keep in contact with his friends and family. He deserves that much.

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thegayhimbo · 5 months ago

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Stranger Things The First Shadow Review

Synopsis: Following a horrific incident from their previous life in Nevada, the Creel family relocates to Hawkins, Indiana in an attempt to make a fresh start and instill a sense of normalcy in their son, Henry Creel. However, Henry is anything but normal, and harbors a dark secret of his own that scares both himself and his family. When a series of gruesome animal killings takes place, attracting the attention of a group of teenage outcasts and a Doctor with his own agenda, Henry realizes his secret is about to be exposed, and is forced into a reckoning that will change the course of his life, and of Hawkins, forever.........

Observations:

FINALLY!!!!

I've been waiting for MONTHS to see The First Shadow. As far back as January, we got tickets and made plans to travel to London specifically for this. Last Thursday (June 20, 2024), we were able to view it on-stage.

Was it worth it? Short answer: YES.

This is going to be divided into several parts. The first bit will detail my experience at the play, and the remaining parts will contain SPOILER HEAVY analysis of the story, the characters, and plot revelations tied directly to the mythology of the show. There's a lot to speculate on where the Duffer Brothers will take the final season from here.

Part 1: My Experience

In terms of production value, this was top-notch. I loved the set designs, from Hawkins High School, to the classic 50s Diner the characters hang out at, to the gothic Creel House, to the cold white rooms of Hawkins Lab, to the hellish landscape of Upside Down, and so on. The 50s aesthetic works well, and there were multiple shots that conveyed the sense I was watching an episode from the show.

The special effects were spectacular. Huge shout-out to the way they choreographed the mutilation of both animals and humans. It actually looked like bones being snapped and limbs twisted around. There's even a disturbing scene where Hopper and Bob are digging up the carcass of a butchered cat, and the prop they used for it looked realistic (combined with dirt and blood for nauseating effect). The lighting also helped elevate the creepiness of it all.

The music was also great. They had a nice selection of 50s songs, but they also brought back familiar themes from the show. One of my favorite musical cues was the use of Philip Glass's "Window of Appearances" which is heard when Vecna's origins are revealed in "The Massacre at Hawkins Lab" (Season 4, Episode 7). They also use it in the climax of this play:

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The actors brought their A-game, but the two performances that really stood out for me were Isabella Pappas as Joyce and Louis McCartney as Henry Creel. Pappas does a stellar job combining Joyce's world-weary "I'm sick of everyone's bullshit" attitude with the fierceness that makes Joyce stand out as a character. It reminded me a little of Natalia Dyer's performance as Nancy Wheeler, especially with the "take charge" attitude that both of them have.

As for McCartney, he was the show-stealer. I didn't go into this play expecting to feel any sympathy for Vecna, but the emotional depth McCartney brings to his performance elevates the character to a 3-dimensional complex tragic villain, which makes his eventual fall to evil all the more heartbreaking.

The audience I was with was fully immersed. Most of the jokes got a laugh, there were a few screams when jump-scares occurred, and there was a standing ovation at the end when the cast came out to give a bow. Even during intermission, everyone was chatting happily about the play, and I heard nothing but compliments.

My only regret is, due to a scheduling conflict that day, we ended up missing the first 5 minutes, and they wouldn't let us in the theater until the title cards came up. We did see parts of the beginning on a TV screen in the lobby (and one of the patrons was gracious enough to fill us in on what happened), but I wish I'd been in the theater for the beginning. My advice is GET THERE EARLY if you plan to see it. The theater fills quickly, and they may not let you in at certain points.

The only minor nitpick I have about the quality of the play is there were a few moments I had a hard time understanding what certain characters were saying. This was mostly in the scenes with Henry/One/Vecna when he was either screaming or alternating to his demonic voice. I was usually able to figure out what was going on, but I wish the dialogue had been clearer.

Overall, this was a fun experience, and I even brought back memorabilia from it:

Part 2: Characters/Story (MAJOR SPOILERS AHEAD!)

It's pretty much advertised in the synopsis, but the play takes place in 1959 when Joyce, Hopper, and Bob are in high school during the time the Creel family moves into Hawkins. The story is largely centered on Henry Creel's villain origins as he becomes more unhinged due to the power he possesses. This leads to a series of pet killings in Hawkins that catches the attention of Hopper, who ropes in both Joyce and Bob to investigate and find the culprit. All the while, Joyce is struggling to put on a play at Hawkins High School (i.e. The Dark of the Moon), which coincidentally happens to have Henry/One/Vecna as the main star! :)

These three arcs sound like they shouldn't connect at all, but to the Duffer Brothers credit, they manage to thread them in a way that's believable and engaging. Joyce's exasperated attempts to get The Dark of the Moon off the ground provide some light comedy to what is essentially a grim story, and it was a nice way for the audience to see all the adult characters from the show (i.e. Ted Wheeler, Karen Wheeler, Al Munson, Lonnie Byers, Sue Sinclair, Charles Sinclair, etc) as they were during their teen years.

The investigation of Hopper, Joyce, and Bob into the pet killings hearkens back to the old-fashioned dynamic the Party had in the first season when they were looking into Will's disappearance.

As for Henry/One/Vecna, his arc was well executed and horrifying on so many levels:

The way a young Henry Creel was portrayed in this play was oddly endearing. I mentioned earlier that McCartney brings a lot of emotional depth to the character, and by that, I mean he portrays teenage Henry as awkward, shy, creepy, funny, and even sympathetic at times. He's a kid who doesn't feel comfortable in his own skin, who has a hard time interacting with other people, and has powers that frighten him with the added side-effect of NOT knowing how to control them yet. Victor Creel mentioned to Nancy and Robin in S4 that Henry was a "sensitive child" and it turns out that was meant literally: Lights go on or off (or even explode) whenever Henry's mood fluctuates (making Henry constantly jumpy), he can unknowingly tune into the radio with his powers and mistakes it for voices in his head, he can read the thoughts/moods of other people, he can create illusions (similar to Kali/Eight), and whenever he tries experimenting with his powers, it ends in disaster. In short, he's someone who's terrified of his own shadow, and almost everything in his environment sets him off. At the same time though, there are some relatable qualities to him, such as his love for comics like Captain Midnight (which he eagerly shares with Patty), and there is an internal struggle he deals with for most of the play to genuinely be a good person in spite of the demons (both literal and figurative) that threaten to overwhelm him. He reminds me of Will Byers in some ways, and I am dead sure that parallel between these two characters was intentional on the Duffer Brothers part.

Contrary to what's implied on the show, it turns out Henry had his powers long before he moved to Hawkins. Previously, he lived in Rachel, Nevada until an incident between him and another boy resulted in said boy ending up in a wheelchair. It's ambiguous whether Henry deliberately attacked the boy or if it was an accident (it could have been either one), but it was enough to force his family to move. His parents (particularly his mother) are insistent on pretending everything is normal and that Henry will eventually get better, all the while putting more of an emotional strain on Henry as he tries (and fails) to conform.

We get a little more insight into Henry's parents, and it's not pretty: Victor Creel was already established on the show as a war veteran with severe trauma and PTSD over killing innocents during a raid, and the play depicts him the same way, with the added effect of being so wrapped up with his own issues that he fails to see his own son spiraling. The sad thing is there are scenes indicating he does love Henry (and also defends Henry's relationship with Patty, referring to it as "puppy love") but he isn't able to convey that in a way which makes Henry feel safe.

As for Virginia Creel, I don't know if this was intentional in the narration, but I found her unlikable. Putting aside the unsettling 50s Stepford Wife persona she projected, her treatment of Henry bordered on emotional abuse. She likely didn't intend that, but everything, from her attempts to keep Henry isolated from the one relationship that brings him any happiness, to constantly treating him like a time bomb waiting to go off, to pretending everything is okay when it isn't.........all of this causes whatever mother/son relationship she has with Henry to deteriorate. There's even one nasty scene where she smacks him, though she quickly regrets it when Henry lashes out in anger and forces his mom to witness a vision of herself being covered in spiders when she was locked in the closet by her abusive parents as a child. In some ways, it reminded me a little of the Norma/Norman Bates relationship from the Psycho series (minus the incest subtext) in how unhealthy it is. It was deeply uncomfortable seeing her attempt to force Henry to be something he wasn't just so she could maintain the image that she and her family were perfect. And when she realized she couldn't do that, she finally tried to wash her hands of Henry the moment Dr. Brenner showed up and offered to take Henry into his care ("Lock him up and throw away the key" to paraphrase one of her comments). I get that this is set in the 50s where there's plenty of values dissonance with how parents raised their kids at that time, and there is some context behind why she was scared of her son and his behavior (because there were times Henry wasn't acting okay), but she still handled this situation poorly and contributed to Henry internalizing his trauma and insecurities until they exploded out of him in the worst possible way. It was bad enough that Henry was dealing with something he didn't understand, but she needlessly added on to those problems.

Alice (Henry's sister) is also in the play, but she only appears in a few brief scenes, and sadly doesn't get a lot of characterization beyond being the "cheerful child" in the family. It's implied she knows that something is wrong with her brother, but doesn't look closely at it. Interestingly, they portray her like she's Henry's younger sister, even though the show established that she's supposed to be older (There's a news article in S4 that claims Henry was 12 and Alice was 15 when the Creel murders happened). Other than that, there isn't really much to say about Alice.

The three main characters (Joyce, Hopper, Bob) have their familiar quirks that will follow them into adulthood: Bob is nerdy, smart, good with technology (which comes in handy in their investigation) and the host of a radio show. Hopper is the disgruntled son of the Chief of Police who's trying to make something of his life. Joyce is high-strung, in a dead-end relationship with Lonnie, and trying to find a balance between optimism and pessimism. In a way, I'm reminded of the Steve/Jonathan/Nancy dynamic we briefly got in the S1 finale, with Joyce having similarities to Nancy, Bob to Jonathan, and Hopper to Steve. This was clearly set up as a love triangle between the 3 of them, and I have to question if the Duffer Brothers deliberately did this to foreshadow what could end up happening between Steve/Jonathan/Nancy in S5. In any case, Joyce, Hopper, and Bob investigate the animal killings when they start to happen, and while they come close to figuring out who it is, they ultimately miss the mark and pin the crime on the wrong person (Poor Victor Creel). Sadly, by that time, it's too late, and both Virginia and Alice Creel are dead.

There is a new character introduced named Patty Newby who plays an important role. She's the adopted sister of Bob and was revealed to have been taken in (or stolen as a child, as Henry later claims) by Bob's father, Principal Newby. Despite his misanthropy and awkward nature, Henry takes an interest in Patty, and the two of them develop genuine affection for one another. When Patty auditions for Joyce's play, Henry helps her with her lines (which leads to both of them getting cast as the main leads), and later feels comfortable enough to share his secret powers with her, including giving her a glamorous vision of starring and singing in a Las Vegas show. Against all odds, I actually found the relationship between Henry and Patty to be cute. Not only did it humanize Henry, but the way it was presented made sense: Both of them are outcasts with deep insecurities that they're trying to work through. Patty feels like an outsider in her family and at school due to her race (which isn't helped by people like Dustin's father making disgustingly bigoted comment towards her during class) and her complicated relationship with her adopted dad, who treats her coldly. Since Henry also feels like an outcast in his family, he's able to empathize with her, and both of them try to encourage the best in one another. In a moment of genuine kindness, Henry helps Patty locate her biological mother (who coincidentally is also a singer), and Patty returns the favor by trying to encourage Henry into believing that he is a good person and that there are positives with his powers.

I know some fans will complain about how Patty was never mentioned on the show even though she's supposed to be adopted siblings with Bob, but I'm not bothered by that. Nothing about her existence contradicts anything on the show, and it was nice to see a redeemable side to Henry that proves he wasn't a complete monster to begin with. The only thing that's harsher in hindsight is that, because Patty and Bob were close growing up, and because of Henry's affection for Patty, it makes what he does to Bob in S2 (i.e. siccing the demodogs on Bob) a lot more vile.

Finally, there's Dr. Brenner himself: If there was ever any doubt that he saw Henry and the other special kids like El as a means to an end, this play erases that. He is at his absolute worst here. Manipulative. Cruel. Determined to push Henry over the edge. Egging Henry into murdering a convicted prisoner, even though Henry fights back against doing that, all so Brenner can test him. Hurling verbal abuse at Henry, and then playing up the "Loving Papa" persona in the same way he would do with El years later. It really says something that he is the most loathsome character in the play, and that he doesn't see Henry as a person so much as a tool.

This was already a given on the show, but I still remember fans who kept making apologies for Brenner's behavior in S4 while insisting he really did care about Henry and the other kids in spite of his abuse of them. 🙄 I always maintained those were garbage apologies, and this play only reinforces that. Even though Henry is ultimately responsible for the choices he makes (regardless of the negative influences in his life), there is an argument to be had that Brenner bears responsibility for destroying whatever remaining goodness Henry had left in him until Henry became the cold, calculating monster with a plethora of rage and a deep hatred for humanity to accompany it.

Part 3: Revelations

For a while now, I've held theories that the powers El, Henry, and the other special kids have had were connected to the Upside Down. These theories were even talked about in my reviews for Stranger Things Six, Stranger Things The Other Side, and Stranger Things Suspicious Minds. I've also speculated on the idea that the Mind Flayer might be its own entity, and that Henry/One/Vecna didn't create it so much as gave it a form when he found those black particles in the Upside Down decades later.

This play confirms those theories: Not only is the Upside Down connected to their powers, but it's revealed in this play that the Mind Flayer acted as a malevolent corrupter to a young Henry, which would later lead to him becoming the monstrous Vecna.

At the beginning of the play, there's a flashback to 1943 where the U.S. military was experimenting with a new technology on the USS Eldridge to create a force field to hide the ship from the Germans during WWII. Interestingly, this bit was based on a real life experiment called "Project Rainbow," and the pamphlet I bought gives more details about it:

In the play, the technology caused the ship to end up in the Upside Down, where most of the crew was slaughtered by Demogorgons. The sole survivor turned out to be Dr. Brenner's father, who came back to the real world with altered blood in his system. He ends up dying, but passed on his secret to his son, kick-starting Brenner's scientific pursuits for the military. In other words: Brenner was aware of the Upside Down long before El banished Vecna to it in 1979.

Fast-forward a few years later. Henry is in Rachel, Nevada, playing in one of the caves with a spyglass when he encounters a rogue scientist who worked under Brenner in Nevada. Brenner had spent years attempting to replicate the experiment on the USS Eldridge in Nevada, and one of his scientists had stolen key technology and fled to the caves. When Henry discovers the technology, it transports both him and the scientist to the Upside Down. The scientist is killed, but Henry gets exposed to a malevolent entity (The Mind Flayer) before he is transported back to this world. Just like with Brenner's father, his blood is altered, and so is his personality. Brenner would later be able to track Henry down due to the spyglass he dropped in the caves after his exposure. In spite of escaping the Upside Down, Henry was now connected to the Mind Flayer, who spends the majority of the play acting as a malicious influence driving Henry to kill, and chipping away at his personality bit-by-bit:

It's not really a spoiler to say Henry is behind the pet killings in Hawkins (since he was shown killing animals on the show), but the difference here is the play makes it ambiguous how much control Henry has over his powers and actions. The Mind Flayer certainly uses Henry as a vessel, but there are moments Henry was shown to be capable of resisting it, indicating there was some manner of agency on Henry's part. In some moments, he chose to drive off the monster, whereas in others (like the deaths of Virginia and Alice Creel), he allowed the monster to work through him.

Like I said, these are theories I've held for a while now, so it felt gratifying to see them validated. While Vecna's monologue to El in 1979 implies that he was always a sociopath with powers who acted on his own accord with no outside influence, it's important to note that Vecna in that scene is an unreliable narrator twisting past events to paint himself a certain way to El. Part of it may be that he doesn't want to admit he was a victim of the Mind Flayer and that he made his own choices (Which is true: He DID have choices and the ability to reject the Mind Flayer, which we see in one scene when the Mind Flayer attacks Patty's father, and Henry intervenes on Patty's behalf to save him). Part of it may be that he's been under the hold of the Mind Flayer for so many years that, by the time El meets him, he's come to believe he and The Mind Flayer are one in the same.

Either way, regardless of what happened, there were a lot of elements stacked against Henry that makes me pity him: The Mind Flayer's influence, Brenner exploiting Henry's powers for his own selfish scientific desires instead of genuinely helping him, his parents trying to force Henry to be normal and shove down his issues instead of taking the time to deal with them..............the only positive thing Henry had going for him was his relationship with Patty. Her determination to see the good in Henry and his powers, and her belief that Henry could rise above the darkness gave some brief salvation for him. Unfortunately, that wasn't enough to save him, and the darkness won in the end.

There is a slight change I was okay with: In the show, Henry mentions that he fell into a coma after killing his mother and sister. While that is true to some extent, he actually wakes up a few hours later and flees the house to go find Patty at the school. He encounters Joyce in the basement (after the power gets knocked out) and, in a scene that's both creepy and sad, he acknowledges that Joyce is a good person and warns her that the world will punish her for it while taking away everything she holds dear. There's a dark irony to his words considering he would later be responsible for the disappearance of her son, the death of Bob, and most of the problems Joyce would later deal with on the show.

Following his encounter with Joyce, Henry finds Patty on an elevated stage platform, and begs her to run away with him. She is basically his last hope at this point, and even that is taken away when Brenner manages to track him and Patty down. There's a whole "Good Angel/Bad Devil" exchange that occurs as Patty (the Angel) implores Henry to fight against The Mind Flayer while Brenner (the Devil) snarls that Henry is already a monster and he might as well accept it. All of this cultivates in Henry using his powers on Patty, having finally surrendered to the Mind Flayer's influence, and throwing her from the rafters, almost killing her. Henry passes out after this, and Brenner takes him back to Hawkins Lab, where he will spend the next 20 years as Brenner's prisoner. Patty manages to survive the fall and, thanks to information Henry gave her earlier, she's able to locate her biological mother in Las Vegas and reunite with her. The last act of redemption Henry would ever have.

These revelations help give context to the mythology of the show. They explain what motivated Dr. Brenner for so many years. They explain the Mind Flayer was well aware of this world, and that Brenner was aware of the Upside Down long before El opened the gate in 1983. They explain Henry already had troubling aspects to begin with, and that his encounter with the Upside Down and the Mind Flayer only amplified those problems. They explain how and why Henry became disillusioned, nihilistic, and angry over the next 2 decades, and how he would project that onto his enemies once he became Vecna. They explain why Henry/One/Vecna takes an interest in certain characters on the show, from El (whose upbringing and struggles are similar to what Henry went through as a child) to Will (who shares similar traits with him as an outcast and a nerd) to even Billy (with both of them projecting their rage onto the world), and went as far as to target them. And, most importantly, it explains how Henry and other special kids like Kali and El got their powers.

This does raise interesting questions that I hope S5 will explore more of:

Since Will was kidnapped and taken to the Upside Down in S1, does this mean his blood type has been altered as well due to his exposure to the Mind Flayer? Does he now possess some kind of power similar to El that we haven't seen yet but might be unveiled in the last season?

And what about the Upside Down freezing in time in 1983? Considering the Upside Down remained consistent as a hellish environment (even after El banished Vecna to it in 1979), this gives the impression that what happened there was an anomaly. I still maintain Will's disappearance had something to do with the altered environment, and I have provided theories for it in my review of Stranger Things The Other Side, but it's still a question that remains unanswered by this play.

And then there's Patty: She does survive, and last we see of Patty is her reuniting with her biological mom, but it's also mentioned she disappeared and that Bob (her adopted brother) misses her and plays songs over his radio podcast in her memory. Did Bob ever find Patty following this, or did he die before that could happen? Does she even remember Bob or Henry, or did the fall (which injured her badly enough that she now walks with a cane) cause her retrograde amnesia? Is it possible S5 might bring her back, and she could have some role in reaching out to Henry/One/Vecna? Is she still alive at this point?

So many questions that I'm hoping S5 provides answers for.

Part 4: Themes

It's no coincidence that the play Joyce produces for the school holds parallels to the tragedy of Henry and Patty's relationship. The Dark of the Moon is a ballad about a "witch boy" named John who falls in love with a human girl named Barbara Allen. He is given a human form on the condition that she remains true to him. Through a series of tragic events (including the death of their child at the hands of religiously-crazed townsfolk), Barbara ends up betraying John, causing him to lose his humanity and become a part of the fog from the place he came from.

If we're drawing direct parallels, it's pretty obvious Henry is John, the "witch boy" embedded with special powers who falls for the human girl, Barbara/Patty. The difference is that the "humanity" of Henry is more metaphorical than literal: He attempts to not give into the monstrous influence of the Mind Flayer, and Patty recognizes this and is determined to help him through the love she gives him. However, the key difference is Patty isn't the one who betrays Henry. If anything, she remains a loyal friend and confidant to Henry (even AFTER Brenner tells her that Henry killed his mother and sister) and desperately tries to convey to Henry that she believes in him and that he can fight off The Mind Flayer. Unfortunately, that proves insufficient, and it's Henry who inflicts the final betrayal on Patty, destroying their relationship, and causing Henry to become prisoner of Dr. Brenner at Hawkins Lab. He is the "witch boy" who returned to where he came from.

It should be noted that the ballad this play is based on contains these final lyrics:

They laid poor Barbra by the old church gate,

With the wild, wild rose growin' nigh her,

And witch boy roamed the mountain high,

'Til mountain fog became him.

And then one morn, before the dawn,

The fog rolled down that mountain,

It came to rest nigh Barbara's rose,

and watered there a briar.

The rose and briar climbed the old church gate,

'Til they could grow no higher,

And there they tied in a true love's knot,

The rose wrapped 'round the briar.

And so a witch and human gal,

Had conquered death eternal,

And 'neath the darkness of the moon,

Their love's entwined forever.

Could this be foreshadowing that, as evil as Henry/One/Vecna has become, there is still a chance at redemption for him through Patty? That whatever love he held for her could bring back Henry's humanity and allow him to overcome the Mind Flayer one last time? They did a similar thing with Billy Hargrove in S3 (with the platonic love he had for his mother), and since love is one of the key forces that's been shown to repel the Mind Flayer, it could work again in Henry's favor if he chooses to take it.

However, a lot of this is tied to whether Henry is capable of remorse or empathy at this point, and considering what we've seen on the show, it's a safe bet to say whatever humanity he had left in him is now gone. I'm doubtful that even if Patty shows up in S5, it'll be enough to redeem Henry. There are some things you can't come back from, and regardless of the negative influences he was dealing with, Henry still had choices, and he chose to hurt others.

In a way, Henry's story reminds me of Coriolanus Snow's arc in The Ballad of Songbirds and Snakes: Despite the relationship he has with Lucy Gray Baird, it wasn't enough to cancel out his negative personality traits (narcissism, entitlement, etc) and whatever love he may have had for her isn't enough to redeem him, or prevent him from becoming the tyrant we all know and loathe by the events of The Hunger Games.

Another theme present was the exploration of the adult characters and how the personality traits they had as teens continue well into adulthood. It's been speculated before by various groups of people that, internally, there's a certain point where you stop growing mentally and remain the same age, and that definitely seems to be the case here with some characters. The problem is that while these qualities might have been excusable when they were teenagers, they become less appealing as time goes on:

Ted Wheeler, for example, is depicted in the play as a dumb jock who's clueless most of the time. Fast-forward to the 80s, and he's now an apathetic father who still remains clueless. Not only is this not cute anymore, it's frustrating to his wife and those around him.

Karen Wheeler is depicted in her teens as interested in her youth and beauty and dating Ted BECAUSE he's a hot jock. By the time she's an adult, she's still into that (though she does make more of an effort to be emotionally available to her kids unlike Ted) and her desire for youth and a passionate relationship almost leads her to sleeping with Billy despite the inappropriate age difference between the two. 🤮

Jim Hopper is a younger man with a fractured relationship with his abusive father, and a lot of his motivation is rooted in trying to stick it to his dad and prove that he isn't the loser his father thinks he is. It's why he takes an interest in the animal killings around Hawkins and conducts an investigation similar to how police would do it. It's also why he joins the Vietnam War later (as he would later tell Enzo/Dmitri in S4). Even later becoming the Chief of Police on the show likely has its roots in this. Years later, long after his dad is likely dead, he's still trying to prove him wrong.

Lonnie Byers is depicted as a douchebag, even as a teen, who isn't really interested in making something of his life, who's coasting off other people, and really doesn't have any desire to improve himself. Come Season 1, and is it any surprised he's a deadbeat dad who's divorced from Joyce and still making shitty decisions down the line?

Same goes for Al Munson: The play depicts him as an improv actor who's deeply self-centered, who isn't as good as he thinks he is, and is someone who just annoys everyone around him with his antics. Anyone who's read Flight of Icarus knows he doesn't get any better as an adult, and it has completely wrecked his relationship with his brother Wayne and his son Eddie.

And then there's Dustin's father: "Asshole" is the best term I can use to describe him. He's very belittling and not well-liked (even among his peers), and it doesn't surprise me that Mrs. Henderson (who's also shown to be a cat-lover as a teenager) would eventually split with him and raised Dustin on her own.

There are a few positives though: Both Charles and Sue Sinclair come out of the play as decent people, and Sue is shown to be a loyal friend to Joyce, helping Joyce to get her play organized. I can see why they ended up together, and I maintain both Lucas and Erica are lucky to have them as parents.

The overall point is, like with Henry (who also never really grew up, and is now an angry kid trapped in the body of a 30-something adult), there is a theme that change is a process you have to work on. All of these characters (including Henry) have their own flaws they have to work through, and it is a choice about whether you put in the hard work of overcoming those flaws, or you surrender to them and let them dictate your life and stilt your growth. It's always an uphill battle, and it's never easy, but when the alternative is hurting the people around you, I would argue it's worth the effort for their sake.

Final Thoughts:

While there is some leeway between how events in the play can be interpreted, there is one tiny retcon that was hard to ignore: Henry's age. In the show, it's specifically mentioned in the newspaper article that Nancy and Robin look up that Henry was 12 when Virginia and Alice Creel were killed. However, this play retcons his age to being 14 years old. My guess is this was likely done so that Henry would be a freshman, and therefore able to attend Hawkins High School with Joyce, Hopper, Bob, and the other characters. While I don't mind this retcon for story purposes, it still sticks out like a sore thumb, and I wish the Duffer Brothers would take better care with details like that, especially after what happened in S4 with Will's birthday being forgotten.

There is a pamphlet for 10€ that they sell at the Phoenix Theater that gives more information about the play, its cast, and the central ideas behind the story. You can even see it in the picture above with the other memorabilia I collected (next to the t-shirts I bought). If you're going to see the play, I highly recommend purchasing it. It's worth the money.

Overall, this was a well-written play that I'm willing to accept as canon. I hope the events in this play are referenced in S5, and have a role in how the show's story unfolds. I highly recommend getting a ticket for anyone who is a Stranger Things fan! :)

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