#The Mystic Crew

[unrelatedsideblog]

Kinda love this ugly ass furry art lmao

[ssstarlighttt]

Attempting to recreate every Just Dance 2025 coach in Dress To Impress: Week Two!

Halloween’s Here

Poker Face - Magical Version

The Lion Sleeps Tonight (Wimoweh)

Party in the U.S.A.

Lovin on Me - Moo Version

Payphone

[lemongrabandlsp4ever]

✨️♦️ Genie Diamonds Droog of the Midnight Crew ♦️✨️

Ah, what a fabulous dark genie he is~🔮

The backstory: I saw a vintage genie statue on Etsy and thought it was the perfect thing to transform into Diamonds Droog. I love men in genie outfits, so why the heck not?

[ghost-papers]

Source: Marco Renna's twitter

🥹🥹🥹

[ai-arts-gallery]

Scary Art 1

[mugiwaraboyyy1]

One Piece Daily

[shookybxrbie]

LOOKING FOR RP PARTNER

Heyyy guyss so I'm looking for a rp partner for the Ikemen games, Touken Ranbu, Mystic Messenger, or Hypnosis Mic, or Demon Slayer! Though I'm not super involved with prince or vamp, I still know enough to carry a plot. I type about a paragraph or so, so you don't have to type super long but PLEASE no one or two liners. Although I try my best to respond as quickly as I can, I also have a life outside and I'm pretty busy at times so please try to understand. I'm currently 16 but I'm fine with some nsfw, angst, oc x canon, and other stuff so try me! I like to use my ocs a lot so I'm cool with any you have. I personally like to use discord. I don't mind making a server together to give a bit more organization and stuff! If you have any questions or anything don't hesitate to DM me I'm pretty open minded with things.

[tmos-time]

in my petty era playing pokemon go; you do not allow me space in the gym ecosystem to get 50 coins in a day? i will simply avoid letting you get your 50 coins <3

[dancingbugs]

This house is still Halloween in Mystic, CT.

[lugagl]

finally someone let me out of my cage

[isonachiumbu0]

Characters' handwriting in rise (in episode order)!

"Mystic mayhem". Splinter's handwriting is very unique and cool! Love how angular it is, his "o"s are more like triangles

"Origami Tsunami". It's not shown who wrote these signs (multiple turtles?). We see mikey put the "paper on sale" sign up but we don't see him write it. However, after gathering all the samples of the turtles' handwriting, i couldn't find one of leo's and this sloppiness doesn't quite match donnie's, raph's or mikey's, so i'm inclined to say this is leo's handwriting

"Shell in a Cell". Donnie's signature. Donnie writes in cursive in "origami tsunami" too

"Stuck on you". Raph's consistently shown to write in all caps. Also he wrote this on his right palm. Is raph left handed? But! In "pizza puffs" raph writes with his right hand. Maybe raph's ambidextrous orrrrr the artists just forgot

"Pizza Pit". Mikey's handwriting. His letters are offset. How interesting! Mikey writes in all caps in "bullhop" but a bit neater

"Warren & hypno, sitting in a tree". I LOVE that we can see this evolution of april's handwriting through the years, or at least her signature, from elementary school to highschool. I also love that we see her without her jacket

This list of shown handwriting is far from comprehensive, unfortunately, but handwriting is a great opportunity for characterization that i think's often overlooked. Idk if the crew sat down and chose unique handwriting styles for each character but that'd be cool if they did! I noticed most of the handwriting in rise is all caps across characters

[achilleswishes]

George, engineer: Consider the Allen wrench

Pauline, dealing with her 3rd space crisis of the day: how many cups of coffee until heart attack?

Holly, first mate extraordinaire: I'm on it. Looking it up. Okay Captain, so this says... how many have you had today? Uh-oh.

Danielle, engineering: ...When was my last tetanus shot?

Carlos, not navigating: You have beautiful eyes, Sacha.

Sacha, what was his job anyway: I... think I'm in love.

Harken, stuck in medical bay: It's only a papercut, doctor.

Badger, the best doctor nurse alive: You might die if I don't run more tests!

Zen, their helpful AI: I've been getting really into A Space Odyssey lately. if you even care. btw.

Adam, everybody's favorite robot: beep boop

Rainer, in tears: please don't die little buddy.

Marion, on tumblr: how do I become the next sexyman...

George: it's a helpful and versatile tool.

[sbcdh]

On the morning of August 19th 1966, the merchant marine vessel Pelican unloaded its cargo into the port of Los Angeles. Recently declassified information about the Pelican’s ship manifest confirms that the ship was carrying experimental materials for a nascent project Clover. Of the 425 drums of material, only 424 were accounted for. 

While government officials have not confirmed exactly what was in the lost barrel, its contents are believed to be approximately 55 gallons of an experimental substance similar to LSD. 

To anyone with a passing interest in the 1970’s music scene, this will not come as news. Tall tales of a lost ship full of experimental drugs were as common as disco, though the stories have been exaggerated. The most common form of the story features a drunk crane operator loading a shipping crate onto the wrong train, though in reality it was only a single barrel that went unaccounted for. The more outlandish forms of the legend include everything from a daring heist by a crew of rocker-pirates to shadowy government entities vanishing the entire ship for their own nefarious purposes. 

The reality was a simple logistical mixup, a mistake that can be tracked back to a simple addition error on an inventory sheet, an ordinary yet deeply embarrassing mistake on part of the government. Additionally, The information that revealed the lost barrel came alongside a report detailing project clovers lost asset tracking protocol. Protocol that reads as comically naive in hindsight, with guidelines including “monitoring local jazz bars” or keeping an eye out for “feminist thought.” With the benefit of retrospective, it is no surprise that agents were not able to track the barrel. 

Declassification of the Pelican’s manifest prompted an unexpected crossover with another niche legend of the 1970s Los Angeles music scene: the disappearance of the Knights of Altonia. 

Even today, many consider the Knights of Altonia to be a myth, but scant references to their existence can be found. According to a review from a 1977 issue of Jam! Magazine, the Knights of Altonia were a “D-List psychedelic glam metal outfit with more style than skill, known more for their disappearance than their music.” Though a 1997 retrospective from Tempo calls them “A band too ahead of their time to be properly appreciated” noting their flamboyant stage costuming and its significant influence on the aesthetics of the genre. 

To the frustration of music historians seeking to separate fact from fiction, the band featured an elaborate mythology, with each member claiming to be a “Wizard-Knight of the Mystic Tower” who traveled from their world to ours “on a journey through the Nine Realms to find the secret stone.” This has been the source of innumerable urban legends around the band. A common joke among hobbyist historians at the time claimed that the Knights did not vanish, but simply “returned to the Nine Realms.” Information on the band is so muddled that many music historians doubt their existence entirely. In fact, the only confirmed, physical evidence of the band’s existence is a photograph at the bottom of the Jam! Review, it features:

Lead singer and guitarist Donald Hawkins as his stage persona “Zozimos the Wise.” He sports a mane of dreadlocks, and a classic blue wizard hat and robe decorated with yellow stars.The robe is worn open to reveal Donald’s bare chest, along with velvet short-shorts and a pair of thigh-high leather boots. The article states that the glittery bright purple guitar in his hands was named “Excelsior.”

Rhythm guitarist Jon Todachine as “Wan the Witch King.” He wears a deerskin jacket, also open at the front, decorated with what appear to be crow feathers and small animal bones. The theme of bones continues to his belt buckle, which features an as-of-yet unidentified animal skull. This figure is presumed to be Jon, although it should be noted that the broad hat he wears features a curtain of beads that obscures his face. 

Bassist Riley Knox as “Chulainn the Horned.” He wears a full deer skull, along with a lit candle that appears to be slowly melting down over the mask. Most of his upper body is obscured by what appears to be a cloak of leaves. Beneath the cloak he appears to be wearing a pair of Nike Blazers. 

Drummer Marcus Wilson as “Magnus Fire-Weaver.” He wears a viking helmet over intricately braided red hair, a chain-maille loincloth, a pair of medieval bracers on his wrists, and nothing else. 

Most notably, a speaker on stage left is placed upon a large steel drum identical to the ones used by project clover. 

Study is ongoing. 

[xboxissues]

New Xbox Games for September 11th to 15th 2023

[notasouleater]

Lying awake at night before I realized who would make a Great remora actually

[dykespirk]

I think both tos and aos Jim survived Tarsus. but I think tos Jim was older (15-17) and aos Jim was younger (10-12).

I think tos Jim became the de facto leader of children survivors (as we see with Kevin Riley and Thomas), because of his age. That Jim carries the survivor’s guilt of not being able to save more kids—of watching the youngest ones die (ostensibly) in his care. his coping mechanism is thus leadership—usurping and clinging to positions of authority in an effort to save others; he craves authority, wants and needs to embody it to turn it into something that would’ve saved the others, would’ve saved him. Starfleet becomes his white whale. he needs the myth of Starfleet—an intergalactic emblem of peace, carving through deep space purely to discover (and defend). he embraces starfleet’s militarism because it echoes his understanding of power (some evils need to be defeated; innocents need to be protected). Jim also loves to defend—to entrench and hold boundaries (with the Klingons, the Romulans, with any hostile life). deep space is at the same time mystical—where birth and rebirth are always possible, where miracles happen every day—and orderly, where regulations and boundaries are clearly defined. Jim finds solace and role stability in this space, defending others, acting as a father figure, and indulging in hyper-independence & isolation.

that’s how we get tos Jim, who’s desperate for connection & intimacy, but ultimately clings to his leadership role like it can sustain him—like it’s all that can sustain him. (love, you’re better off without it, and I’m better off without mine. this ship, I give, she takes…I’m the captain…I’ve lost the enterprise, I’m losing command…nothing is more important than my ship) the guardian role is essential to his self-image.

conversely, aos Jim was the child. he was the scared, too-skinny kid who had the rug ripped from under him. aos Jim is born into a world where fatherhood/authority is already dead; George Kirk’s absence is a gaping hole in his life. Starfleet’s idealism makes martyrs, but it also cannibalizes its men to sustain its ideals. George’s replacement, Frank, neglects if not abuses him. that Jim witnesses the complete breakdown of authority. he watches Starfleet come with too little, too late. he sees the older kids die. he watches his only solace from Frank’s terror, his fresh start, become a waking nightmare.

that Jim learns that no one is coming.

his coping mechanisms are withdrawal from the system entirely; to bare his teeth at it, to claw at it, to draw blood. scare them before they can scare you. act bigger than you are. appearances are everything. to distrust authority entirely. give up on Starfleet, because Starfleet is an empty vaccum that will take and take, ineffectual at its core and hypocritical at best.

instead of being defined by his attraction to space, aos Jim is defined by his inability to stay still; his distaste for Earth, for Iowa, for groundedness. for him, staying in Riverside is a kind of self-harm, one he doesn’t understand how to escape and ultimately believes he deserves.

this Jim is lonely not because he uses distance as a defense, but because he’s so distrustful of others, he genuinely can’t imagine an open hand. (enlist?)

that’s how we get the Jim that ultimately cares way more about his crew than his ship; who latches onto Bones like a leech and craves Spock; who wants connection with far less shame has absolutely no expectation of receiving it. this is the Jim that blares sabotage while charging into battle, says fuck you to the admiralty, and would rather die saving lives than live with taking them—that’s what I was raised on.

there’s also the fact that tos Jim is a Jewish man written in an era of liberal internationalist optimism underscored by the early Cold War and the shadows of the Shoah whereas aos Jim is the flashy product of peak commercialized Hollywood in a post-9/11, post George-Bush America. anyways.