#TL Concept

[dulioon]

satbk neo metal sonic design

reworked my previous one!!

[samwpmarleau]

jamie + learning

[screwpinecaprice]

Would connverse kid(s) be given any sword training or self-defense (despite era-3 being more peaceful)?

Sorry in advance, I could not English right now. Hope I'm understandable at least. 😅

With my connverse kids, Ebony would be very interested in Gem stuff and going around different places and planets. Apart from hostile environments, there are still rouge and corrupted gems out there though. Best to know combat.

Rohini really likes swordfighting, but she mainly have used it to compete athletically. Sometimes it's useful when she tags along Ebony.

/Sakura/* saw her older siblings their swords, and she just thinks fencing is fancy. 🤷‍♀️ Whether she'll get over it or not, I don't know yet. Haha

/Zachary/* would not be interested with swordfighting at all.

*Sorry, STILL don't know what to officially name the twins. 😅

Also, can I use Steven's healing ability as an excuse for him and Connie still looking younger than their age and hide my inability to depict age? 🥺

[dubiousdisco]

I am destined to meet you in every timeline... and become your dad - silco to jinx apparently

[rustedleopard]

What are your thoughts on Chujin? Your posts don't really paint him in the best light (for understandable reasons)

I think he is a FASCINATING character. The living embodiment of the proverb "The road to hell is paved with good intentions."

The man loves his family, so much so that it inspires him to go out into the Underground and do volunteer work to make the world a better place for his child to grow up in. Yet, he also kills himself over his commitment to crafting a serum that would protect his daughter/monsterkind from humans and leaves his wife a widow and his daughter fatherless. According to Ceroba, he wanted to raise a big family with her, so he poured his all into building a massive, elaborate house for his family to grow up in. But that also blew through all of his savings leftover from his former job at the Steamworks and instead of taking up another job to support his family financially, that task fell solely onto Ceroba.

He also has quite a bit of an ego as well. He doesn't want Ceroba to think poorly of him for being fired, so he lies and says he retired. That ego blinds him to the fact that he isn't always right. He was the only engineer in the Steamworks who wanted to build guard robots. Fair enough since monsterkind did declare war on humanity and it would be good to have extra troops when the time came to break the barrier and start fighting. But as the failures piled up and each of the Axis models malfunctioned in front of Asgore -- sometimes in ways that were a danger to others -- he kept insisting that he would get it right. Asgore gave him eight chances (if we go by the idea that each iteration of Axis would be presented before the King before being rejected). Eight is an extremely generous number of chances to prove that Axis would be worth something, and when his final attempt lit Asgore's child's grave on fire, instead of reflecting on if his Axis idea was misguided or sympathizing with Asgore (since Chujin is a father himself, he should know how much that hurt), he asks for yet another chance. Then after he gets fired, he keeps working on Axis iterations in private because he's certain that he's right and everyone else is wrong. Did he eventually make a successful guard robot? Yes. Axis Model 014 works debatably well. But it cost him the respect of his colleagues and his job, which at the time was his family's only source of income.

And then there's the Boss Monster serum that he crafted. He was working solely off a theory, and when his experiments on himself started to kill him, instead of stepping back and reflecting on if making a serum that could turn any monster into a Boss Monster is feasible/questioning his methodology, he blamed the problems on the SOUL that he used being impure (with no evidence/explanation as to why "SOUL purity" was the problem, which to me feels more grasping at straws more than a well-founded conclusion). He gave his grieving wife the impossible task of:

Finding a "pure" human SOUL (humans rarely fall into the Underground, there's no guarantee that a human wouldn't dust some monsters while navigating the Underground, there is no guarantee that she'd be able to get close to them with the Royal Guard patrolling/attempting to capture them, what does it even mean to be "pure"? A human could fight their way through the Underground and spare monsters when they're weakened instead of outright killing them, would that still count as being "pure"?)

Killing that human (humans are notorious for being difficult to kill yet can easily kill monsters so reaping their SOUL is incredibly risky business. She would also have to take the life of an innocent person.)

Having a Boss Monster nearby to work with (Boss Monsters are incredibly rare, the only known ones are Asgore, Toriel, Asriel (who is dead), himself (who is dying), and Kanako. Also, even if Ceroba knew another Boss Monster, why would they be willing to be subjected to a science experiment?)

And she also has to craft the serum as well (Ceroba has no experience with SOUL science, she doesn't know what she's doing).

It was a once-in-a-lifetime opportunity that Clover came into the Underground, ended up in the Wild East and remained a pacifist (in a Pacifist Run), and decided to travel with her. It was more likely that Ceroba would've spent the rest of her life unable to make progress on the serum and feeling like she failed her husband. As unintentional as it was, Chujin set his wife up to fail.

He also resents and fears humankind and that influences a lot of his actions and decisions. Chujin kept building Axis models, even when they would fail/be a danger to others, because he wanted a way to give monsters a fighting chance in the war. He crafts the serum because he wants to make monsterkind strong enough to stand up to humans. He leaves Kanako and Dalv behind to go fetch Axis and sicc him on Integrity instead of being there for a very sensitive time in her life (I assume that he only did that after it was assured that Kanako wasn't in any physical danger, but still. That's just an assumption. Also, that was a time when he should've stuck around and have been a comforting presence for her, not run off with his own agenda). While he was taken aback by how violently Axis killed Integrity and seemed somewhat remorseful, he still experiments on the SOUL of a human child. Instead of being proud of Martlet for getting a job as a Royal Guard and putting the carpentry he taught her to good use, he disapproves and is wholly unsupportive (I can understand him having reservations about his friend joining the Royal Guard as the job can be dangerous, but he could've at least been proud of her for accomplishing that/had some faith in Martlet's abilities). He calls humans incapable of decency in any form, yet hypocritically he acknowledges that it's possible for a human SOUL to be "pure."

What do I think of Chujin Ketsukane? He is complex and morally grey, and to call him entirely evil or entirely good does a massive disservice to his character. He did some really bad things but those bad things were done with good intentions. He did some good things (building Martlet's deck, the Honeydew Resort heater, likely the bridge between Starlo's farm and the Wild East, his family home, probably some other things, was working on methods to protect monsterkind) but that work came at the expense of his family. He never intended for things to go horribly wrong the way they did but he also didn't know when to back down. He was a kind individual and well respected by Martlet, Ceroba, Axis, even Starlo -- who doesn't like the man -- for a reason. He only ever wanted the best for his family, for Monsterkind. But at the end of the day, it's the actions that are judged. Knowing all I do about him, he is not someone I would call a good person.

There's another version of the proverb I dropped earlier that I feel suits him a bit better: "Hell is full of good meanings, but heaven is full of good works."

[no-light-left-on]

considering the historical influences in the fashion of Dishonored (and the extent of nsfw fanfiction this fandom has) I’ve been thinking about the layers that would be, realistically, part of the daily dress

which means: dishonored seems to honour the importance of a vest in a properly dressed gentleman’s or lady’s wardrobe

vests were, and I cannot stress this enough, a mandatory part of an outfit, to the point of men wearing only vests if they could not afford a fully tailored suit (trousers + vest + jacket) and a new shirt and opting to only wear a fake collar under the vest for the illusion of a full outfit

shirts were underwear, so to speak. there were no occasions in ‘polite society‘ where one could only wear a shirt without a vest on top.

this is something we see mirrored in both dishonored games, though the style of the vests and clothing have somewhat changed, they still follow the same rules of vests worn with every outfit, as far as we can tell. (we could argue that Jessamine is not wearing one, or that some higher class women aren’t wearing vests under their buttoned up jackets, but since we don’t really see underneath we can’t judge.)

we see the vests be worn even by the Whalers in the first game (which in itself brings up many questions. are whalers, the actual whalers that capture and kill whales, held in high enough regard by the society that they made a vest part of their uniform? or is it merely something that is worn by all? something that every citizen of sound mind would don, were they to leave their house?)

there are a few exceptions to this, of course, but this whole thing came to be by asking a simple question

does the Outsider wear a vest under his leather jacket?

now, in the first game, his jacket is unbuttoned just enough for us to get a good enough peek at what lies beneath. which is to say: there is no hint of a vest underneath. judging by the vests in the first game, the fashion was that the vest would go up high, often covering collarbones or even having a standing collar. what we see on the Outsider is just... an unbuttoned shirt

it’s much the same in the second game, even if we examine his final concept art, his outfit consists of a shirt (more or less underwear) with most of the top buttons unbuttoned, and a jacket on top. no hint of a vest underneath

what I’m trying to say is that the Outsider is a slut

[my-fancy-hat]

Most romance novels follows an scheme of what love should it goes, how people have to meet and follow a certain path and archetypes to correctly fall in or out of love, that what's makes this kind of stories predictable and boring to some people, but what about love that evolves? love that exists despite the desire for romance/selfishness? what about friendship? family? what if we choose to love ourselves too? to love the path we choose? I think that what Ao no Flag is majoritary about, romance as we know in a love triangle it's just the surface the tip of the iceberg of what this story is about, series of choices where we pray for them to make us happy, to make our loved ones happy, because we want to be brave about the things we love.

The four cour characters are put in one of the most troublesome and chaotic times of every person who had access to the system education can experience: final year of high-school, the deadline between childhood and adulthood, to accept reality on how it approaches us, the fear of rejection and failure of what we are of what we do. Many people incluided me had wished to have been more wise, more patient, more accepting yet strong about our chosen path, and that's what Ichinose, Touma and Futaba had to learn and eventually guided them toward their happy end. Not just that, but the experience many queer people had to endure avoiding the social suicide of showing to the world who we are, this ilustrated with Touma and Masumi's characters, and (subtly yet quite importantly) Ichinose. How can I exists in their world if I live like this? will my parents accept me? they will still think about me as someone successful and worth of their last name? will they disown me? hate me? will my best friend who I am in love with reject me in disgust? It's so easy and understandable to succumb to a hatred that you think you deserve, because at the time it was less painful to play along lying to your loved ones about this secret than "revealing the truth", they deserved to know yet you failed, and this loneliness is what you get. If this is how the enviorment wants you to feel, then isn't it expected that the individual would desire for freedom of it? that's what Touma wished for his future to be, not concrete answer more than to exists without regrets.

The desire for romance can be rightfully observed by its selfish nature, to own the right, the demand for them to love us back, but it can be the exercise to accept ourselves as well. Touma wanted to show Taichi his heart without fears, despite if he would love him back or not, in doing so, he would be walking toward the ideal happiness he dreamed of. To openly love is the call for the indifferent cruel world to see in us the desire for goodness, that in this place can exists kindness too.: Touma most than anything, wanted for Ichinose and (by extention) Futaba, to be happy, to share their 1000+ points of best friend power and make everyone happy. That is, the core of love, to wish the best for your dears, and see them smile.

But accepting and not to, can be actually be the same. Masumi had to constantly fight with herself, with the inavility to change what she can't, to live with the fabricated idea of what she is supposed to be and what she is supposed to do, and what other people would react about it. That's why that, even if I have my reservations about her ending, I find it really meta for Masumi end to end up in a het marriage, making us conclude that at some point she gave up on Futaba, but paradoxically, accepted herself and her reality by coming out as bi. Us readers expected and rotted for her to confess to her crush and end up in similar terms like Touma and Taichi did, but this ending make us putting the lesson she learned though her character arc into practice: what people may think or not about our decisions, is their problem, not ours. Life can be so treacky and unfair, but no matter the circunstances, we can still find and make our place. We deserve it.

A friend or a lover, what is the difference if you just want to share our happiness with them?

That's how you humanize your characters, by expossing through them the good, the bad and the absurd, to tell a story in each how the circunstances molds them, but to oppose what damage us is quite a brave thing to do, even if it's our own mind, and that's what Futaba character speaks to me. The desire for wanting to change, to (once again) accept and not-to-accept. She's a weakling, clumsy girl loaded on self-hatred for her unability to live just as the others do. The fear of have reached your maximum potential and there's nothing else for you to do about it, that you born to live like this for the rest of your life. But she sees in Touma an example of hard work and due to her admiration (mistaked at first for a crush), wants to prove herself that life can be something else. To break our self-stablished limits and see what's beyond, to surpass your limits and try to understand what scares you. To be confident enough to think you have the right to live too. Failure reafims the truth that you are better off muted; what bother trying if it will end up in misery anyways? but the beauty of humankind is the unbeatable hope that things will change, to not give up, and without noticing, we'll feel blessed for have born in this time, in this place.

This as a result inspires Taichi's way of viewing life without him realizing too, just as how Touma's pure-lover heart expeled his sincere feelings ever since they started talking again, to the point to even sacrifice his leg and career for Ichinose: How can I exists and make it up for such people like you? what can I do? It's easy to fill your heart with resentment for the things you couldn't live, to feel prideful as consolation for a lonely life you didn't choose, as the left overs. But what we think makes what we are, if you keep on your days thinking you exists for the things you believe you deserve, to live in the imaginary unbreakable rules you made for yourself, then nothing will change. Touma, Futaba and Masumi changed Taichi's life forever, in the driving force of his spirit to pursue a better version of himself, to live driven by the desire for freedom, for love, and not care of what other people may see this choices.

That's why I think the final chapter is such a piece of art that makes the pay off so satisfying. What tortured him when Touma confessed wasn't that his best friend was gay, or that he lied to him about the nature of their friendship (he didn't): it was the though of losing him, so he chose both options at the end (if the analogy can't be more in the face). But as Yorkie said, it part of the course of life to most likely break up with your first gf, more less if they go to different universities, so them going their separate ways wasn't a surprise, but what made me happy about it that they still ended up in good terms and respected each other deeply for what they lived together. The surprise though comes from the actual realize of which POV we're following at the end, that reveals that Taichi had become Touma's husband. This is where I think Ichinose teach to the audience the lesson he learned from his former classmates, where he reaches for Touma above the lines that divides panels, to reach his husband's hand, the hand he shouldn't hold, and walk together toward home: he surpassed his own limits, his barriers and knew where his happiness lied.

A lot of queer people had *the realization* in their 20s (me included as nb), finally giving an explanation of all our past behaviour. I know before-hand most people got shocked for Ichinose to get reveal as bisexual, but isn't the story already gave us an idea this would happen eventually? when Futaba and Ichinose confess to each other, it's Touma's (and Masumi's) heartbreak that it's on spotlight overlaying their conversation, how Taichi and Touma hand-holding is such a central element for the story telling (literally it ends with them holding hands), and much more? Even Futaba suspected it before himself realized years later.

(it happened twice that when Taichi thinks about Touma what crosses his mind is his well-build chest/cleavage area like, ok)

But what makes the different between friendship and love? can a boy and a girl be friends? can a gay boy have male friends? can I be friends of someone I love and viseversa? can I forgive and maitain what we have? The only certainty I have right now, in this moment, is that I love you so much. I'm so happy to have meet you.

This got too long so to grap my final thoughs and make myself more loose right at the end, I'm so happy for have read this story FULL BLIND OMG I was so conviced that no one would end up together lol the only thing I knew of it is that it talked about queer drama and, textually: "had the ending it deserves". It genuinely made my perspective on some things change for the better. I actually loved so much how this story handles with such maturity a pretty much easy-target for comedy and bitter angst (bury your gays) the premise of "bff is gay and in love with the main character since they were kids". Not only that, but not picking sides of "who deserves who" taking leads between Touma vs Futaba, is quite refreshing for the genre: it humanize and treats fairly each member of the cast, giving proper space for them to explain themselves (worth mentioning Mami I loved her character so much you have no idea). Most of the drama in romance comes from missunderstandings or the lack of dialogue, when everything can be solved if the characters can actually sit and talk their feelings and thoughts out! and Ao no Flag is a masterclass on this manner. The explanation, exposition and introspection of every character struggle, the script, monologues, are so compelling and to the bone, I can't choose which interaction of the cast is my favorite. The pay-off is spectacular because we can actually follow each person train of thoughts and choices in which these end up in, with the faith that this path will make themselves and his loved ones happy, because even if we aren't certain about anything we do, we'll still find meaning in the absudity of destiny (or the lack of it?).

[sarcasticgaypotato]

thoughts on Caroline?

What to say about Caroline?

She's a massively important character to the franchise, but she barely speaks. She's constantly present in the story, but she's only acknowledged a handful of times. She's everywhere and nowhere, she's everything and nothing at all.

She's GLaDOS, but she isn't, or is she?

Depending on your perspective of Caroline, we either know a lot about her personality or next to nothing.

I think my initial impression of Caroline as a character was much more negative because it was shaped by fanon interpretation.

It's probably not a huge secret that I don't enjoy c/aveline, and that WAS the majority of Caroline content for a long time. I honestly kind of resented that ship, partially because it practically became a given that where there's Old Aperture, there's this ship. These two who barely interacted were EVERYWHERE, and I always got the feeling that the only reason they were popular as a couple was because it's a m/f ship, and the Portal fandom was practically beside itself with excitement to focus on any male character.

I'm not here to ship-bash, if that's your cup of tea, good for you. But personally? Not for me, and it negatively colored my perception of her for a while. It felt a bit like she was a character defined by fanon more than anything else, just there to be in a relationship with Cave (healthy or otherwise) just so it can end in tragedy when he puts her into the robot. I understand why people might enjoy that, but I've always felt like it cheapens GLaDOS's (and by extension, Caroline's) story to make it all amount to just 'being the girlfriend of a mad scientist and tragically paying the price.'

Cave's a creep! He, in my opinion, probably thought his relationship with Caroline was much more friendly than it was. She responds to him like a secretary who knows how to please her boss— "Yes sir Mr. Johnson!"— but nothing personal. She was probably nice and polite because she was a secretary, and look at the era she lived in. If she wasn't all sweet and cheery, Cave probably would've told her to smile more.

So does that mean I think she's the opposite of what we hear? Is she sadistic and cruel like GLaDOS is? No, I'm not saying that either. I'll get into who and what I think Caroline is in a second, but above all else I wanted to point out my frustration with how she's portrayed in connection to Cave. Making her Cave's love interest is boring and bland to me, basing their connection off of the same level of friendliness from her that I've shown to people working in customer service. It's just part of the job.

For Caroline herself? I'm also not a fan of 'evil Caroline' takes. I mean I love a girlboss, but it sort of misses the point here. If Caroline was always evil, sadistic, and scheming, it waters down GLaDOS and her development. If Caroline is too similar to GLaDOS, it takes away from the weight of who and what GLaDOS is. If they’re too dissimilar, it’s difficult to imagine the connection between them.

The fandom was so obsessed with the incorrect— and stupid— idea that Caroline is Chell’s mother that it missed the much more obvious metaphor under their noses. Caroline is GLaDOS’s mother.

Cut from the same cloth, GLaDOS is born of her, but she isn’t her. Without Caroline, GLaDOS would never exist, but it would be absurd to say that GLaDOS is the same person that Caroline is. GLaDOS grew, changed, and became who we saw at the end of Portal 2 much in the same way that anyone grows into being their own person, not a copy of their parents.

Here I go talking about GLaDOS in this ask about Caroline— it’s impossible not to.

If you want my personal take on Caroline?

I think she was a smart woman, keeping up with the actions of a madman and holding her head above the flood of insanity. I think she was able to look the other way when she had to, anyone who worked at Aperture needed that dubious morality. That being said, I think she had a heart. We can all debate until we die whether or not GLaDOS was remotely truthful at the end of Portal 2 about deleting her, but I think there’s a reason she attributed her act of compassion to Caroline— it wasn’t Caroline forcing her hand (claw?) via possession, but rather, she is the only framework GLaDOS has to reference that feeling. That scene is definitely GLaDOS projecting her own emotions onto someone else to avoid confronting them, but I don’t think she would make that comparison for no reason, Caroline might have been how she learned that emotion, even if the feeling is all her own.

Ultimately, Caroline is a character we will only really ever understand through the lens of other characters. We can only try to extrapolate who she is from what we see and hear, but she will likely always be a bit of a mystery. She’s the ghost haunting this franchise, and I kind of love her for it.

[supermarine-silvally]

What was your inspiration for Yara? how did she come to be?

Oooh good question!! Yara, like the vast majority of my OCs, underwent a lot of tweaks and changes and development to the point I have her at right now, where I've got her story and personality and abilities and all that pretty tightly nailed down.

Her character concept started as Mihawk's daughter (I just thought he was EXTREMELY COOL the first time he showed up in the East Blue arc), since I have a thing with my OCs where they always end up being related to a canon character somehow (i.e. Circe Mackinnon (Soul Eater) being the half-sister of Franken Stein; Lilletz Lucilfer (HxH) being the younger sister of Chrollo; Haganezuka Minako (KnY) being the niece of Haganezuka Hotaru; Joey Armansky (Death Note) being the cousin of Mary Kenwood/Wedy; (Iryna Kovalenko (BnHA) fits this mould too but I haven't revealed who she's related to just yet heheh it's a bit of a doozy)). Funny enough, I initially envisioned her travelling with her father and perhaps encountering the Straw Hats at Baratie, so the whole abandonment plotline actually didn't come into play until later, when I decided to make her a Whitebeard Pirate after meeting Ace in the Alabasta arc and absolutely falling in love with him (which only grew as I learned more about him and the depth of his character).

Sometimes, the funny thing with OCs is that after a certain point, their stories just sort of begin to write themselves and all the pieces start to fit together in some really nice thematic ways. Yara and Ace's relationship developed as they found common ground with their resentment towards their fathers and both looking to Whitebeard as a surrogate father figure, which in turn developed Yara's internal struggles with her own identity (not knowing where she came from for the longest time and then even after finding out who her father is, dealing with the pain of being an unwanted and neglected child who grew up into an fiercely angry, yet profoundly lonely young woman). The more I thought about what Yara's early life must've been like, the more I could get a good grasp of who she is as a young adult, what her major plot beats are, and how those connect with the canon story.

Her relation to Wano and the Shimotsuki family (and Zoro, who became her second cousin on her mother's side) was a later addition, as I continued to learn more about the One Piece world and how she could potentially fit into each arc. Marineford and Wano were the two natural places where she would exist, so I've really tried to figure out her development in relation to those two arcs.

I hope that answers your question okay! I could really talk about Yara (or any of my OCs) all day heheh

[toxictoxicities]

Emergence - HeatedRadience

Meet the local group~! Not official refs but certainly touching up and finalizing designs! (Thank you @theartist-june for concepts for MM, TL and UH!)

[danmeichael]

don't get me started on clothing and gender. i intentionally skipped over it bc i'd get too opinionated.

[quirinah]

🌹👻 happy (belated) halloween!

[nothorses]

i see you've reblogged a very weird and racist post about what it means to be a "settler" and i would encourage you to engage more deeply with Native & Indigenous thinkers! "settler" isn't just like a static inborn unchangeable biological fact. it's a specific relationship to land, nature, governance, Indigenous people, etc

(For other people's reference, this is the post in question)

I 100% agree with you that the definition of "settler" the article is discussing is not the like, actual definition- particularly in the context of indigenous/native American people (at least that I've read anything by). I think it's a shitty and inherently flawed understanding of the word, it doesn't serve anyone, and my understanding of the article is that it's critiquing the same thing: a critically, and perhaps intentionally, flawed understanding of a word that has a very different meaning. (They use phrasing like "under this definition of the word" or similar whenever they mention it, and allude to the fact that actual indigenous/native American folks are being left out of the conversation).

I think the article could have (and should have) been clearer about this point, because it feels like it's never very direct in this, and that absolutely does leave room for some people to interpret this as "the concept of 'settlers' is antisemitic".

What I'm picking up on could just be nothing, but, imo, it's really not absent from the author's intent. It seems more like they were focused on the issue being discussed ("the way this term is being misused hurts Jewish people, please think about the flaws in your understanding of this word") and didn't think it was as important to define a more accurate understanding of the word where it might invite a debate about semantics- or maybe because they don't have a solid enough alternative understanding to provide.

I don't think it's entirely fair to jump from "author critiques flawed understanding of settlers" to "author argues that the concept of settlers is inherently harmful", and I think the perspective they're offering is a very real and important one to hear out. I'll add that I've personally seen this misunderstanding of "settler" trotted out in legitimately harmful ways, in real life; I very recently had a supervisor use this definition of "settler" in staff training, multiple times, in a program that prides itself on cultivating real connections with local tribes to inform their curriculum, to imply that everyone's ultimate goal should be to leave this land and go back to our "ancestral homelands" (when presented with the idea that some people just don't have any way of knowing where that is, she suggested "dreaming about your past lives" and, failing that, shrooms).

But like, I can also very much see where they're not actually making the effort to actively defend the very real concept underneath the common misunderstanding of it, and how that can- and probably has- caused harm. And I'm sorry if you or anyone else has felt that harm.

I also invite disagreement and discussion here, and I recognize that my perspective is likely to have blind spots given I'm neither Jewish nor indigenous.

[coachbeards]

when rebecca told keeley that Jack was lovebombing her ,,, but was like. Nooo Leslie Jane is just adorable!!! She lurks outside and has stalked keeley and all these other things <33

[zkretchy]

Sometimes you just gotta slam out something quickly in like an hour at 2am to show off what you dreamt about during your nap

[beevean]

Me: Why do I care so much about how Lenore was handled and how she gets woobiefied by the fans? Why are you so obsessed, Brain? It's just a shitty story.

My boyfriend: We didn't mean to hurt you, you misinterpret our good intentions 🥺 we don't know how to treat you anymore, you say you feel uncomfortable with what we do but that's how we show that we care.

My mom: Yeah he's right, you always misinterpret our good intentions, we only want the best for you and you keep getting offended! We love you, duh, how dare you doubt it. It's your fault you take everything personally.

Lenore fans: Yeah she only wanted the best for Hector, she was the best he could get! So what if she used a bit of manipulation and seduction? She cared! She only had good intentions! And he was so noble in forgiving her! Too bad he had to ruin their relationship with his treachery, why couldn't he be happy with the one person who loved him?

Me: ah.