#theres still other things from the sequel i wanna draw (jizzie designs - gem and cleo etc) thatll have to wait

[alienssstufff]

This Should've Been an Email

His mouth moved without it telling it to, then closed like whoever was possessing him didn’t know what to say either. There was something going on, something Etho could feel but didn’t understand. They were standing on the edge of the world, and Etho didn’t know how to tell Bdubs he was out of time. Was he out of time? Maybe he was just going insane again. Maybe-

“Etho, there’s a lot of void energy going on right now, can you focus-”

You can’t outsmart a god. You can only run.

-

[ READ HERE ] Latest addition to the Should've Could've Would've series and sequel to the YCAOverse byyyy incredible great @goingdownorup cinemaaaa is HERE and we are BACK IN THE BUILDING!!!

[rambling undercut]

you've fallen for my trap card, ramblings not about the actual fic yet sorry - I'm going to talk about art technicalities at you now :]

Ver without the text:

I drew this up on a whim immediately after finishing the first chapter. Other than it being fanart, this year I want to think smarter when making elaborate pieces - this being the one of the first experiments on it.

sketches have always been my starting foundation I usually go through a few iterations gradually building off the rough thumbnail all the way to lineart. Here I'm establishing perspective and rhythm (movement), using background and props to better frame the emphasis (focal) rather than overwhelm the eye with unnecessary detail.

Shirahama's Witch Hat Atelier manga panels were an inspiration for the lineart (reoccuring character. WHA changed my life)

I even started actually putting base colours instead of skipping to shading... BASE COLOURS. BASE COLOURS WITHOUT SHADING? Crazy world we live in. Above were me testing which colours worked best for the background and purpose. Ethubs look a little out of place atm - this changes in solid filters

Shading itself was a lot of back and forth in constant fumbles to maintain the rhythm instructed in the lineart, adding emphasis how values needed to carry the visual communication of this piece especially with a line heavy background because of the wheatfields. Everything uses either cel shading, filters, or gradients - I wanted to find a way to add complexity to my regular rendering style without needing to manually blend/paint (takes too long)

During this stage, Heikala's watercolour art was the study in crowd control (backgrounds with organic repetition)

Smaller misc details that couldn't fit anywhere in the previous pages. Overall while there are some things I still would change/redo, overall very pleased as a first (second) attempt ^_^