#THANK YOU SO MUCH. PLEASE
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iovetecchou · 2 years ago
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i- how- it’s only been four days since i reached 600 followers…?! 😵‍💫
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thank you, thank you… i am immensely grateful^^!
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poorly-drawn-mdzs · 3 months ago
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Happy one year anniversary to In Stars and Time!
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syrupbitee · 2 months ago
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sanji's first days in the crew
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notsolonedesert · 3 months ago
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siren ctimene…
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Beeswax or not, what if Eury didn't take that encounter with the sirens very well
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muffinlance · 3 months ago
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Hi ! prompt idea : What if Zuko was armed during the first episode and was stranded with the water tribe while the avatar left with Katara and Sokka, Iroh on his trail for white lotus reasons.
Oh we are going to have us some FUN with "stranded with the water tribe", say no more.
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Zuko was dripping, and steaming, and staring down two dozen women and their gaggle of small children, plus that old not-the-Avatar crone from earlier. They were all cowering away from him. Which was--
Good. It was good. If they were cowering, then they hadn’t noticed how steam was not flames. He wasn’t sure he could make flames, not after the arctic water he’d landed in, with that last sight of the Avatar glowing; not after surfacing under the ice pack, after swimming, after kicking slamming breaking through and his ship was gone and there was only ocean all around and
and he’d made it back to this pathetic little camp of the Southern Water Tribe, because that was the only place he knew for sure would have shelter, and he wasn’t going to die just because they were all staring at him, even if felt like he would.
Even if the old not-the-Avatar woman could probably take him, right now. But she didn’t know that.
Zuko pulled himself up, taller than her by at least a few inches, and blew steam from his nose.
“I am commandeering one of your huts,” he said. And added, because Uncle said even a prince should be gracious: “You may choose which one.”
---
She choose her own.
...The only one without children that flames might scar, or younger women to catch a soldier’s interests.
Zuko sat by her fire and determinedly started struggling out of his wet clothes and she was still in here with him--
Zuko pulled one of her animal pelts over himself, and finished fighting off his clothes. When he stuck his head back out, cheeks still reddened from what was obviously the cold, she dropped a parka on his head.
“Dry clothes, Your Highness,” she said.
The parka was much bigger than he was. He fell asleep hoping that the camp’s men were on a long, long hunting trip.
---
He woke up again. Kanna tucked her favorite ulu knife away, newly sharpened, and stopped contemplating the alternative.
---
“I am commandeering a ship,” he said.
The crone led him across the village, all twenty paces of it, to a row of canoes.
“Take whichever one you want,” she said. “Will you need help getting it to the water?”
Zuko looked at the canoes. Looked at the ocean. Watched a leopard seal, easily the size of the largest canoe, dozing just past the ice his own ship had broken through the day before. It was frozen again, a great icy arrow pointing from the waves to the village, snow already starting to cover it over.
Beyond was blue sky and gray ocean and white ice, floating in blocks like stepping stones, like boulders, like cliffsides.
There wasn’t even a hint of gray steel, or smoke. Or any land, besides what they were standing on.
He looked down at the canoes again. Somehow, they seemed even smaller.
“I, uh,” Zuko cleared his throat. “I’ll require supplies. Before I go.”
---
They... did not have supplies. Not extra ones. This didn’t stop them from trying to give him supplies, food and blankets and anything else he could think to ask for. But each blanket was a pelt hunted by someone’s grandfather, had been inked with images and stories by someone’s mother, was the favorite of someone’s husband or brother or uncle or cousin--
They couldn’t go to the nearest market to replace things, here.
And when they talked about food, about what they could spare, they kept sneaking glances to their children, who were sneaking glances at Zuko from the huts, sticking their heads just over the snowy ledges like their fur-trimmed hoods would hide them. Their mothers and aunts shooed them away, and they crept back, like barnacle-crabs. Zuko glared, and they disappeared.
“When are your men coming back?” he asked. “They’re hunting, aren’t they?”
Oh. So that was what they looked like, when they weren’t trying to hide their hate.
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Zuko wrapped himself up in the same blanket that night. It was printed inside with fine lines and images, telling a story he didn’t know. He wondered whose favorite it was.
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Kanna wondered how quickly he’d wake—if he’d wake—if she built the fire up with wet driftwood and tundra grass, if she had one of the younger girls boost up a child to plug the air hole, if she let the smoke draw its own blanket down over this fire child.
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It was hard to know when to wake up, because the sun never set. So everyone was up before him, and they all had spears and clubs and—and nets, and trap lines, and snow googles with their single slat to protect the eyes from snow blindness. Zuko had seen those once, at the Ember Island Museum of Ethnography, where they’d gone when it was too rainy for anything more exciting.
Oh. They were going hunting.
“Give me that,” Zuko said, and took a spear.
The women looked at him. One of them adjusted her googles.
“I can hunt,” he scowled.
He did not, in fact, know how to hunt.
---
“Give me that,” the Fire Prince said, and Kanna almost, almost gave him her ulu. Humans, like most animals, had an artery in their legs that would bleed them quick enough.
She kept skinning the rabbit-mink one of the women had snared.
“I can help,” he said, with less grace than most of their toddlers. Likely with the skinning skills of a toddler, too. She wasn’t going to let their unwanted visitor ruin a perfectly good pelt.
“Chop the meat,” she said, and gave him a different knife. “It’s dinner.”
“...This is really sharp,” he said a moment later, looking at the knife with some surprise.
“Is it,” said Kanna.
---
Things the Fire Prince was convinced he could do: hunt (until he realized he couldn’t tell the tracks of a rabbit-mink from a leopard-rabbit apart); spear fish (at least he could dry himself); pack snow for an igloo (frustrated princes ran hot); ice fish (the prince was a problem that kept coming close to solving itself).
Things the Fire Prince could actually do: mince meat, increasingly finely; gather berries and herbs, once he stopped trying to crush them; dig roots, under toddler supervision; mend nets, after the intermediary step of learning to braid hair loopies.
“Can’t I take him ice fishing again?” asked one of the women, as she watched Prince Zuko put as much apparent concentration into braiding her daughter’s hair as his people had into exterminating hers.
“Wait,” said another woman, sitting up straight. “Wait wait wait. I just had an idea.”
---
Three words: Infinite. Hot. Water.
---
Summer was coming to an end. The sun actually set, now, and the night was getting longer, and colder. The salmon-otter nets were mended and ready. The smoking racks were still full of cod-lemmings. The children were all a little older, the women all a little more used to doing both halves of their tribes’ chores; a little more used to not watching the horizon, waiting for help to come.
The Fire Prince was staring at the canoes again.
“Are you actually going to try leaving in one of those?” Kanna asked.
“...No.”
“Come on, then; someone needs to watch the kids while the women are hunting.”
She didn’t leave him alone with them, of course. But she could have.
---
Elsewhere, the war continued.
The moon turned red, for a moment none could sleep through; they did not learn why.
The comet came and went, leaving their castaway prince laying on the beach, his breath fogging up into the night sky above him, as the energy crashed from his system as quickly as it had come. Above, lights began to dance in the sky; Zuko pulled his hood up, so none of those spirits—children, dead too soon—got any ideas about kicking his head off to be their ball.
The war had ended. The world didn’t feel any different; no one in the south would know until spring came again.
---
Suffice it to say, Sokka and Katara were not prepared for this particular homecoming.
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nessieartss · 1 year ago
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Another sibling au featuring megumi (they finally met and sukuna already made yuuji cringed)
Also happy new year!
Part 1 | Part 3
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datcravat · 2 months ago
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It seems there's a new lawyer in town!!!
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erabu-san · 9 months ago
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I enjoyed every second of this quest
[This art has platonic intention. Thank you for not tag ship!]
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zebratimw · 3 months ago
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"All those empty rooms
We could have been anywhere, anywhere else
Instead, I made a bed with apathy
My heart knew the weight
Ten years worth of dust and neglect
We made our peace with weariness and let it be..."
(Song: The Moon will Sing by the Crane Wives)
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nymphoutofwater · 14 days ago
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Here's a remade masterpost of free and full shakespeare adaptations! Thanks @william-shakespeare-official for this excellent post. Unfortunately, a lot of the links in it are broken, so I thought I'd make an updated version (also I just wanted to organize things a bit more)
Anthony and Cleopatra: ~ Josette Simon, Antony Byrne & Ben Allen - 2017
As You Like It: ~ At Wolfe Park - 2013 ~ Kenneth Brannagh's - 2006
Coriolanus: ~ NYET Alumni - 2016 ~ Tom Hiddleston - 2014 ~ Ralph Fiennes - 2011
Cymbelline: ~ Michael Almereyda's - 2014
Hamlet: ~ David Tennant - 2009 ~ Ethan Hawke & Diane Venora - 2000 ~ Kenneth Branagh's - 1989 ~ BCC's Part One & Two - 1990 ~ Broadway - 1964 ~ Christopher Plummer - 1964 ~ Laurence Olivier's - 1948
Henry IV: ~ BBC's Part One & Two - 1989 ~ The Brussel's Shakespeare Society's - 2017
Henry V: ~ The BBC's - 1990 ~ Laurence Olivier's - 1944
Julius Caesar: ~ Phyllida Lloyd's - 2019 ~ The BBC's - 1979 ~ John Gielgud - 1970
King Lear: ~ The RSC's - 2008 ~ Laurence Olivier - 1983 ~ The BBC's - 1975 ~ James Earl Jones - 1974 ~ Orson Wells - 1953
Love's Labour's Lost: ~ Calvin University - 2016
Macbeth: ~ Antoni Cimolino & Shelagh O'Brien's - 2017 ~ Ian McKellen & Judi Dench - 1969 ~ Sean Connery - 1961
Measure for Measure: ~ Hugo Weaving - 2019 ~ The BBC's - 1990
The Merchant of Venice: ~ Al Pacino - 2004 ~ Trevor Nunn & Chris Hunt - 2001 ~ The BBC's - 1980 ~ Lawrence Olivier - 1973
The Merry Wives of Windsor: ~ The Royal Shakespeare Company's - 1982
A Midsummer Night's Dream: ~ Oliver Chris & Gwendoline Christie - 2019 ~ City of Columbus's - 2018 ~ Julie Taymor's - 2014 ~ The Globe's - 2013 ~ The BBC's - 1988 ~ Lindsay Duncan & Alex Jennings - 1986
Much Ado About Nothing: ~ Shakespeare in the Park - 2019 ~ David Tennant & Catherine Tate - 2011 ~ Kenneth Branagh - 1993 ~ The BBC's - 1984
Othello: ~ The BBC's Part One & Two - 1990
Richard II: ~ David Tennant - 2013 ~ Deborah Warner's - 1997 ~ The BBC's - 1978
Richard III: ~ Ian McKellen - 1995 ~ Laurence Olivier - 1955
Romeo and Juliet: ~ Simon Godwin's - 2021 ~ The BBC's - 1988 ~ Laurence Harvey & Susan Shentall - 1954
The Taming of the Shrew: ~ Ontario production? ~ American Conservatory Theater - 1976 ~ Richard Burton & Elizabeth Taylor - 1967 ~ Mary Pickford & Samuel Taylor - 1929
The Tempest: ~ Gregory Doran's - 2017 ~ The BBC's - 1988
Timon of Athens: ~ Barry Avrich's - 2024
Troilus and Cressida: ~ Audio Production ~ This one I found on youtube? - 2016
Titus Andronicus: ~ Anthony Hopkins - 1999
Twelfth night: ~ Texas Shakespeare Festival's - 2015 ~ Alec Guinness, Joan Plowright & Ralph Richardson - 1970
Two Gentlemen of Verona: ~ Katherine Steweart's - 2018 ~ The BBC's
The Winter's Tale: ~ Antony Sher - 1999 (Warning: they don't have a bear...)
Bonuses:
Time Loop Hamlet! (A personal fav of mine)
Rock Opera Hamlet???
Shakespeare animated tales
The Complete Works Of Shakespeare Abridged comedy
Romeo and Julieta: A Día de los Muertos Love Story
There’s also many other Latine Shakespeare adaptations listed in this archive
From the original post:
A Midwinter's Tale, about a man trying to make Hamlet.
Russian Hamlet here
Here's Scotland, PA, the 2001 modern Macbeth retelling.
Rave Macbeth for anyone interested is here.
This one is the Taming of the Shrew modern retelling.
The french Romeo & Juliet musical with English subtitles is here!
Here's the 1948 one,
the Orson Wells Othello movie with Portuguese subtitles there
A Lego adaptation of Othello here.
Here's commentary on David Tennant's Richard II
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dryya-doesnt · 9 months ago
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Some guy is telling me to sit down and have a nice meal…he’s so nice I hope I meet him again!
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More encounters!!
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This took a while I love Senshi so much he’s so real for that
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porrigens · 1 month ago
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a thin-ice double suicide (x)
for @cryptidzero
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cinnamoncatto · 6 months ago
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Pose study + i tried out a new brush
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s-ccaam-era-crepe · 27 days ago
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queer people i need you to live. Live how ever you can but just Live. Live out of spite. Live out of hope. Live out of necessity. Live out of love. Live out of anger. Live out of anything you can muster up and if you genuinely can't find anything, live because i'm here thinking about you, and i know others are thinking about you and i don't want to lose anybody to this. I want you to live. I love you. Please live. Live. Live. Live.
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wwillywonka · 7 months ago
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"A lie?" "An error."
Star Trek VI: The Undiscovered Country
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mienar · 2 years ago
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close-ups of a commission i did a while back! 🌱
instagram | shop | commission info
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