#Star knight graphic novel

[kaydavault]

happy halloween !!! : )

[saturneers]

A Flag Full Of Stars

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[glitter-stained]

A fun, happy dc story for a change

Look I can be very critical of Winick's writing because I'm so ambivalent about it but damn if it isn't, on a meta level, a really satisfying spite story.

At the core of this story, there is Jim Starlin. Now Starlin's writing has many flaws, not least of all the blatant racism and sexism. And if there's one thing Jim hates, it's Robin. He wants to kill that little boy so bad, oh how he hates that bright coloured child in tights that's just holding Batman back from reaching his true potential as an absolute badass... And hey, good news! Dc, in trying to bring a second Robin after the first got a new identity, has dropped the ball, and the new boy is unpopular amongst the fans who miss the previous iteration! This is his opportunity to kill Robin, definitely!

But how? People may not have voted him dead yet, but Jim is already planning, setting up plots and trying his damndest to get him killed. And the thing about Jim- the thing that makes him a good writer, you see, the thing that separates him from those losers who fail to see Batman's true potential, is that his writing is gritty. He's not afraid to write a true dark knight facing the grimdark horrors of a town laden with crime, to shy away from the real dark, gritty topic that are mature and dark like rape. And uh, sexual violence against women. And uh, serial raping and killing women. (I'm kidding, of course, I didn't forget the native american cult leader who bathes in blood to prolongate his life. Or about the kgb agent Batman straight-up kills after he tries to kill Reagan. Or about the suicides, god I haven't forgotten about that. Don't worry.) But anyway, sexual abuse in general is a big theme for Jim. It shows how serious and dark and gritty he can be. So he has an idea: why not make Robin a child sexual abuse victim and give him AIDS? That way that's a justification to write Robin unlikeable (by making him emotional when exposed to situations of sexual abuse, unable to restrain his anger when defending a prostitute...) and at the same time it's the perfect way to kill Robin! DC has been considering giving a character AIDS, it's perfect! It will show everyone how dark and gritty Jim's writing is, he can make Robin even more unlikeable on top of how people are upset about the transition between Robins, and then he can finally kill Robin! It's perfect! Jim is a genius!!!

Now, of course, we know that plan failed: first because dc rejected Starlin's idea for Jason to die of AIDS, and second because as soon as Jason (as a character, which is what DC apparently had a problem with) died, they fired Starlin as a Batman writer and introduced a new Robin, making Starlin's vehement campaign against a fictional fifteen years old completely vain.

So that's it, right? Crisis avoided, we almost had some even worst writing that what already was, everyone sigh in relief and go home?

Enter Judd Winick stage left.

Now, remember how DC wanted to give a character AIDS? In 2003, Green Arrow #43 reveals that Mia Dearden, Oliver Queen's ward and a csa survivor of underage prostitution, is HIV positive, and in #45, she takes on the mantle of the second Speedy, becoming, according to Wikipedia, the most prominent HIV-positive superhero to star in an ongoing comic book. (And also one of my favourite comics characters, but that's unrelated.) An important thing about Winick, who wrote those issues, is that he is personally invested in education about AIDS, continuing his friend Pedro Zamora's educational work after his death of AIDS-related progressive multifocal leukoencephalopathy. (He also wrote a graphic novel about it, called Pedro and Me: Friendship, Loss and What I've Learned). So kudos! We finally got someone who has done research and actually holds respect for HIV+ people writing HIV+ characters. And Mia is so cool, man- but not only is she a really interesting character, she is, first and foremost, a survivor. That's how she characterizes herself, sees what happened to her: she did what she had to do to survive, and now she's a fucking superhero and she's here to help others and you know what she's not gonna do? Die "of AIDS."

Yeah, I haven't forgotten Starlin's terrible writing. And, if Winick's writing is any identification, it seems like he hasn't either. The idea of making the second Speedy a parallel with the second Robin isn't groundbreaking, but it's cool that it's there (and also, incidentally, a reminder that parallels are interesting and fun and backstories are not a finite resource characters can run out of or steal from eachother.) Anyway, this includes Winick altering Mia's backstory and making her a street kid to make it more similar to Jason's, as well as Mia's on-screen murder offering a nice parallel to Jason's ambiguous murder in Starlin's Diplomat Son (a parallel I can't help but regard with vindicative snark, because that's how you handle a teenager who has just caused, directly or not, a man's death out of hopelessness in a situation that felt impossible. A little snark of See? Now this is how it's done. Yeah, Starlin's Bruce isn't winning any parenting against Winick's Ollie, that's for sure.) So there it is! Our fun spite story, Winick taking on Starlin's terrible ideas, a teen vigilante and survivor taking on a hero identity to mirror a teen vigilant's loss and death, a good old fashioned schooling. Cool? Cool!

And then, in 2005, Winick buries Starlin's last remaining impact on DC by bringing back Jason Todd, in a move so audacious in the back-then landscape it would be kinda akin to bringing Ben Parker back to life in Spiderman's life as a villain (please don't tell me this happens in the comics I don't read Marvel and if someone wrote that I would honestly prefer not to know). Now, of course, the impact of Jason's death on the narrative can't and shouldn't be undone by that move, but that's not important, because that's not what Starlin wanted when killing Jason - he wanted to kill Jason/Robin, not give everyone grief-induced hallucinations where Jason/Robin had an incredibly salient place in the narrative, so he didn't get what he wanted anyway.

Personally, my view on Winick's writing of Jason is contrasted (and the fact that there are some elements of Starlin's characterization of Jason that I prefer to Winick's deeply amazes me, incredibly ironic situation. Which only serves to point that even Starlin' goal of making us hate his version of robin failed drastically, as me and my jaybin fan mutuals can attest. Sucks to suck!). But as much as some of the decisions frustrate me, do you understand how much of a power move it is to take this child, this victim who has been victim-blamed for years, and bring him back to life with a vengeance and a demand that his life mattered, that his death was a bad thing that shouldn't be tolerated? Do you know how good that story feels, especially to victims when reading it and see that indignation validated, that rebellion against the status quo and victim-blaming, how good it feels to see a "bad victim" that refuses to stay down ? And in the context of Starlin's intent to write Jason a CSA victim, Winick writing Mia, the HIV+ plot for them both- do you understand the genuine and violent glee I feel, that it's Winick that wrote Jason coming back to life and hunting down the narrative with a machine gun?

So yeah. This is the context in which I talk about acknowledging the csa subtext in Green Arrow: Seeing Red, but this post isn't about lecturing you to accept it as canon or imply that you're bad for not sharing that interpretation. It's about spite -towards Jim Starlin specifically. And it's about that interpretation, but the context in which it was written in general, is not just a victory against Starlin, that guy lost long ago, but the narrative equivalent of that Green Arrow meme about taking a funny selfie over a gravestone. In Seeing Red (specifically in the line that's discussed when questioning the csa headcanon), Jason tells Mia they are similar because of what they had to do to survive, framing the sexual trauma on Mia's part (and thus allegedly also on Jason's) again firmly on the side of survival rather than victimhood. Whether it's by becoming a villain or a hero, there's this rebellion against being an object to the violence, which is at the core of Starlin's treatment of sexual violence. This is fun. We're having fun. I'm repeating myself, but do you understand how satisfying, electrifying it is? I'm filled with unreasonable amounts of glee. You don't always need the context in which a story was written to enjoy it but in this case, doesn't this make it so much more enjoyable? (And on top of that, kudos to Winick for killing Captain Nazi, I hope it was as satisfying to write as it looked.) Anyway, Mia Dearden and Jason Todd, the characters that you are. I love them so much.

[aroaceleovaldez]

if anyone's curious what my ranking of pjo adaptations (counting anything that isn't the first series) are:

) Musical.

) TKC and MCGA.

) Demigod Files, Demigod Diaries (including Son of Magic), Percy's Guide to Greek Gods & Greek Heroes. Also CHB: Classified and Camp Jupiter: Confidential (both ghostwritten by Stephanie True Peters)

) The old Rick Riordan site where you had the interactive maps and stuff. Also the old teaching guides.

) Heroes of Olympus

) I will count CHB: Austin. my beloved.

) PJO Ultimate Guide and TKC Survival Guide (Ghostwritten by Mary-Jane Knight). Guide To The Norse Worlds and Magician's Manual (both Stephanie True Peters) i will also put here. Also let's put Singer of Apollo here.

) That one youtube series everybody watched at some point of the cosplayers. you know the one. the specific one where they had the scene of Rachel doing the statue thing. The thumbnail was Rachel and Percy next to a fountain. I can't find it anymore but it lives rent-free in my brain.

) Graphic novels & the french books tied.

) ....the Mad Libs. Tied with Demigods and Monsters, the activity booklets, and the coloring books.

) Demigods of Olympus (Choose your own adventure ebook)

) Trials of Apollo

) TOA & MCGA youtube advertisement videos tied with the Lightning Thief movie video game

) Show & Movies tied

) Read Riordan articles, Chalice of the Gods trilogy, Un Natale Mezzosangue, and Nachos After The War tied

) The Sun And The Star

[nobodysuspectsthebutterfly]

The Hedge Knight graphic novel - could it work as a roadmap for HBO's A Knight of the Seven Kingdoms?

So, per reports, HBO's Dunk & Egg show is going to be 6 episodes. I've seen several people saying that's too long, it should be 4 episodes at most, a 2 hour movie at most, there will be too much filler, blah blah blah. Well let me tell you, that's not true!

In 2003, The Hedge Knight was adapted as a 6 issue comic book (later collected as a graphic novel), and I think its script, each issue ending in a cliffhanger or dun-dun-dunnn moment, would work perfectly for the show, and is very probably how they'll do it.

Potential spoilers under the cut, but first - is this not perfect casting and costuming? It so is.

Like I said, I think each issue could be the plot of each episode. So I'm just going to summarize these issues, I hope you've read the GN or the novella. (If not, go read it, go read all of Dunk & Egg, it's so good.)

#1 - Dunk buries Ser Arlan, decides to go to Ashford for the tourney, meets Egg and a weird drunk guy at an inn on the way, gets to Ashford, sets up camp in the forest (bathes naked in a stream), goes to the tourney field and sees Tanselle performing her puppet show, gets measured for armor he can't quite afford, gets back to his camp to find the weird little bald kid making dinner.

#2 - Dunk agrees Egg can be his squire, that night he sees the falling star, next morning goes to Ashford castle and gets told he needs to prove he's a knight to enter the tourney (or that Arlan was, since he says Arlan knighted him), meets Aerion (badly) but also the Kingsguard, sells his horse for armor money, talks to Tanselle and meets the Fossoways, then meets up with the young Dondarrion lord whose dad Arlan worked for and relates the House Dondarrion origin story (imagine them telling that via puppet imagery, ooh), gets told "yeah knowing that is no proof you're a knight, sucks to be you".

#3 - Dunk goes back to the castle, stumbles into Baelor and Maekar arguing about M's missing kids, Baelor remembers his epic joust with Arlan so yay Dunk can be in the tourney, Dunk and Egg talk to Tanselle about painting him a shield, they watch the opening of the tourney (lots of jousting and pageantry including Lyonel "the Laughing Storm" Baratheon), and the first day ends after Aerion deliberately kills that horse.

#4 - Dunk argues with Egg over how much of a douche Aerion is, more flirting with Tanselle, gossip with Raymun Fossoway about the Targaryens, Egg runs in to say Aerion's hurting Tanselle, Dunk beats up Aerion and almost gets murdered by Aerion's goons, Egg reveals himself to save Dunk, Dunk in prison, talks to Egg and Baelor, Baelor tells him he can be mutilated for striking a prince or ask for trial by combat, so "how good a knight are you, truly?"

#5 - Aerion says sure, trial by combat, but only a trial of seven, Dunk has to find 6 guys, talks to Raymun and Steffon Fossoway, Daeron apologizes and tells Dunk his dragon dream, shield reveal, next morning the smallfolk are all "a knight who remembered his vows", various guys show up to help Dunk and Raymun gets knighted, but Steffon Fossoway goes to Aerion's side so they're still missing a guy, "are there no true knights among you?", wait is that Valarr??? no it's Baelor in Valarr's armor omg

#6 - The trial of seven. You know how this ends. 😭 Then talking to Maekar, and Dunk and Egg ride off into the sunset together.

I hope that's convincing enough for the doubters! I can see a few points where something might be shifted from the end of one to the beginning of the other -- but on the whole I think the comic is an excellent roadmap for the show, and I hope this is the way they lay it out. Also ftr, the Sworn Sword graphic novel was also originally 6 issues so possibly season 2 ditto (unless they add an episode for the in between THK-TSS Dorne and Oldtown adventures that didn't actually appear in the novellas, idk). But the Mystery Knight was only released as one book, so who knows, they might go for more episodes when they get to that season.

Also, re taking inspiration from the comic, I really hope they adapt the Kingsguards' gold codpieces. Just because.

[pluckyredhead]

hi! i'm new to comics and i got in through reading your fics and wayne family adventures. i've since started reading more of the mainstream verse and i realized that most comic fans consider wfa to be totally fanon. you're one of the few i saw that disagrees. would you mind elaborating a lil on why? i'm too new to really form an opinion either way but i'd like to know your's!

(also yes i really did stalk your blog back years worth of posts i'm sorry! 😭😭)

Aw I love this! Welcome!

So I think it's really important to be clear on definitions here:

Canon means it's part of an official text. It's literally in a comic (or book or movie or other property) published or licensed by DC.

Fanon means it's made up by fans. That doesn't mean bad or good, it just means that it comes from fandom and is not part of the official text.

Wayne Family Adventures is an official licensed comic by DC, so by definition, it cannot be fanon. That doesn't mean everyone has to like it, but it's not a fan comic. It's an official DC product. It's not fanon.

Now, WFA isn't part of the main DCU canon. It takes place in a separate universe. The Jason in Batman #138 and the Jason in WFA are not the same and they are having very different experiences. (And I'm sure the Jason in WFA would be grateful if he knew.)

But that's no different than a comic that takes place in an alternate universe, like Dark Knights of Steel or DCeased, or a movie like Blue Beetle or a show like My Adventures with Superman. They all take place in their own universes, but all of those universes are canon. None of them are fanon.

What I think most people mean when they say WFA is fanon is that WFA draws on tropes and characterizations that are popular in fandom. Which...yes, absolutely. This is on purpose, and honestly, it pisses me off when people complain about it. (Not you, anon! Your question was lovely, you just triggered my unskippable cut scene of dialogue. Sorry lol.)

Wayne Family Adventures is probably the single best idea DC has had in the 20 years I've been reading comics. (The second best was the kids and YA graphic novel lines.)

I just checked, and WFA has 1.3 MILLION subscribers. That's more than every floppy comic starring Batman sells in a month, combined. It's more than literally any superhero comic has sold in decades - in this century! The combined strips have over A HUNDRED MILLION VIEWS. That is bonkerstown. That is a readership like DC hasn't seen since the 1970s. That is unparalleled success, and it's introducing characters like Kate Kane and Duke Thomas to a whole new audience.

Now, WFA was clearly designed to appeal to Batfans who were active on social media and fanfic sites like AO3 and Wattpad, and Webtoon readers. The readership of Webtoon is mostly young and female. Fandom as a whole is mostly female. The writer of WFA is female.

And maybe I'm not being fair here, but when I see people dismiss WFA as "just fanon," I always catch a whiff of "It's not a real Batman comic. It's a girl comic for girls."

I have spent the past 20 years begging DC (and Marvel, DC is not alone in this) to see women as a viable audience - as their largest potential growth audience! I have watched in dumbfounded frustration as they ignored the juggernaut success of Raina Telgemeier and Ngozi Ukazu and Alice Oseman running rings around the NY Times bestseller list and counted a 50k shipment here and there as a resounding triumph. I have literally seen them throw out survey responses from women because "those women had an agenda." (This is a true story. 2011 was rough, y'all.)

And all of a sudden, they gave us a comic actually catering to women and young people and fandom, and they put it on the most popular, current, modern platform for comics availably - and it's brilliant. It's smart and funny and stunningly drawn and every episode makes clever, inventive use of the scrolling format. They FINALLY gave us a girl comic for girls, and it's a masterpiece.

And yes, it riffs on fanon concepts. It also has its roots firmly in mainstream DCU canon. It references deep cuts. CRC Payne and StarBite know their shit. Jason Todd being a bookworm may be a fanon staple, but he does plenty of reading - including Jane Austen - in the 100% canon mainstream DCU comics.

It's not going to be for everything, because nothing is. It's completely fine if you don't like WFA. No one has to read it or enjoy it. If you're into Batman for the darkness and the crime and the ongoing plotlines and the angst, WFA won't be for you, and that's totally fine!

But to finally, finally be valued as a reader by DC, to have them do something smart and innovative and so, so well executed, and have the exact people they made it for dismiss it out of hand because Bruce has a "World's Okayest Dad" mug or whatever? Yeah, that chafes.

[lookslikethatsallthetimewehave]

In your opinion, what's the darkest thing in Poptropica?

Oh... wow. You know, some people might be surprised at some of the dark stuff that's happened/implied throughout the franchise. And from such an innocent looking world too :)

I guess I'll make a list of some stuff that stands out to me:

24 Carrot Island 

The 4 children were kidnapped and brainwashed by Dr. Hare probably for months.

Astro-Knights Island 

Mordred almost died in a crash, and had to replace half of his body with robotics. 

Mordred kidnapped the princess because he wanted to marry her. And her parents most likely thought they were never going to see her again, since they had no way of going after her.

Counterfeit Island 

It's implied that Black Widow was gonna torture the player in order to get answers. 

Reality TV Island/Wild Safari Island 

Villains allowed to be on reality tv… and being treated as celebrities... WHAT.

Skullduggery Island 

Captain Crawfish probably killed a lot of people. Cause… pirate.

Steamworks Island 

The entire backstory of this island: the people were doing experiments on plants, when the plants mutated and tried to kill them. The only way they could survive is by freezing themselves.

Captain Ziggs sacrificed himself to hold off the Plant Monsters. Mayor Crumb must be feeling pretty depressed now that she's free and forced to live without him.

Red Dragon Island  

The Shogun being a pretty terrifying tyrant. 

Shrink Ray Island  

POV: you're an elementary school student and your teacher's star pupil. You trust him, because he's a nice teacher. And then he goes crazy and kidnaps you.

Mr. Silva threatens to shrink CJ and the player to the point where they can't be seen by anyone, which is kinda dark honestly. 

Blimp Adventure 

Dr. Cumulo Nimbus sets fire to the rain to all the islands. 

Game Show Island  

Robots take over and enslave humanity. 

Ghost Story Island  

A really depressing murder mystery/ weird love triangle story that involves several character's deaths.

S.O.S Island  

The ship sinks and everyone inside almost dies. Also a child.

Vampire's Curse Island  

Count Bram outlives his wife, and goes crazy. And he kidnaps a child due to insanity. 

Cactus von Garlic has killed many vampires. But not all vampires in Poptropica are evil (if Haunted House is any indication). 

Twisted Thicket Island  

The forest creatures turning into stone. I'm not 100% sure if they're still alive in there or not...

Poptropolis Games Island

The island sinks back into the ocean, with people still on it. Some of the ancient islanders are waterlogged (but still alive, for some reason).

Lunar Colony Island (Book)

The PASE workers are oddly sociopathic to Glen John's situation, only caring about Glen helping them. Glen is 13 btw.

Super Villain Island  

Zeus almost winning. He blew up the world for no reason. Also, there's something really scary about the way he blew up his own island.

Zomberry Island  

Zombie apocalypse. 

Virus Hunter Island  

A pandemic almost happened. 

Monster Carnival Island 

Ringmaster Raven's backstory: Pretty messed up. 

Edgar is an orphan who ran away and joined the carnival. He put a lot of trust in the Ringmaster and seemed pretty happy… and then the Ringmaster hypnotizes him and uses him for his scheme. Pretty messed up. 

Survival Island 

Myron Van Buren. Enough said.

Mission Atlantis Island 

The alien was trapped underwater for years and died.

PoptropiCon Island  

Omegon taking over the convention center, and turning the people into Hench-Bots.

Arabian Nights Island 

Scheherazade attempted to steal the player's soul… what the heck.

Graphic Novels

The kids almost died… several times. (A Saber tooth tiger and polar bear almost maul them, they almost fall to their deaths, they almost freeze to death, they are almost stabbed to death by Lieutenant Rogers, they almost got erased from history on the Ancient Egypt Island, they almost burned alive in a volcano eruption, etc)

The ancient Egyptians are erased from one timeline, and a bunch of people on earth died... and it's unknown if they were brought back, or what.

When Spencer Albright is murdered, Jonas is so overcome with grief that he completely loses it and becomes murderous like Octavian. Jonas is 18-20 btw.

The backstories for the main characters (Octavian is forced to let Paulla die, Mya's mom abruptly dies and she goes through depression, Oliver’s dad walks out on the family).

Octavian's fate at the end is this: he accidentally jumped through the portal before the universe he wanted to go to fully formed. Because of this, he jumped into the in-between point of universes, and was split into an infinite amount of versions of himself. Sounds complicated, but is incredibly messed up.

Mya was seriously considering leaving her own timeline, even though she would be leaving her family and friends behind. Whether or not she knew this is unknown, but if she did... kinda messed up.

And… that's it. No more dark things that stick out to me after that. Probably because after this, they fired the writer who was responsible for most of the dark undertones in the franchise. OOPS!!! >:(

I think the darkest stuff comes from Monster Carnival, Survival, and the graphic novels.

[otherworlds-inside-my-mind]

Xenofiction (& similar) Media Masterpost

Editable Google Doc Link here

PS. This list is for keeping track only. This is not a recommendation list and I won't be advocating for any Work, Author or Company listed. There will be footnotes about a work/author for undesirable behaviour or themes if necessary.

This is a WIP and will be updated whenever I have the time to. Feel free to recommend works or inform me about an author so I can update the post. Be Aware works on this list might have been cancelled or on indifinitive Hiatus and not all works are available on English.

Sections:

Literature

Comic Books & Graphics Novels

Picture Books

Indie Written Works

Webcomics

Manga

Animated Series

Live-Action & Hybrid shows

Webseries

Short Films

Animated Films

Live Action & CGI Assisted Movies

Documentary

Theather

Videogames

Online Browser Games

Table Top Games

Music

Other Online Projects

Youtubers

Gen. Videos

Worlds

Franchises

To search is Ctrl + F (Windows) or Command-F (MacOS), on phone browser you have "Find in page" (Drop menu at top right)

Literature

A

Age of Fire - E. E. Knight

Adventure Lit their Star - Kenneth Allsop

Alien in a Small Town - Jim Cleaveland

Alien Chronicles (Literature) - Deborah Chester

Animal Farm - George Orwell

Animorphs - K. A. Applegate

Am an Owl - Martin Hocke

At Winters End - Robert Silverberg

Avonoa - H.R.B. Collotzi

Astrid and Cerulean: A Parrot Fantasy - Parasol Marshall-Crowley

A Wolf for a Spell - Karah Sutton

The African Painted Wolf Novels - Alexander Kendziorski

The Alchemist's Cat - Robin Jarvis

The Amazing Maurice and his educated rodents - Terry Pratchet

The Amity Incident - C. M. Weller

The Ancient Solitary Reign - Martin Hocke

The Animals of Farthing Wood series - Colin Dann

The Art of Racing in the Rain - Garth Stein

The Author of Acacia Seeds and Other Extracts from the Journal of Therolinguistics - Ursula K. Le Guin

A Magical Cat Named Kayla: Whiskers of Enchantment -Carlos Juárez [AI Cover]*

The Animal Story Book - Various Authors [Editor: Andrew Lang]

Abenteuer im Korallenriff - Antonia Michaelis [DE]

B

Bambi: A life in the forest & Bambi Children - Felix Salten

Bamboo Kingdom series - Erin Hunter

Bazil Broketail - Christopher Rowley

Beak of the Moon & Dark of the Moon - Philip Temple

Bears of the Ice series - Kathryn Lasky

Beasts of New York - Jon Evans

Beautiful Joe - Margaret Marshall Saunders

Beyond Acacia Ridge - Amy Clare Fontaine

Birddom - Clive Woodall

Bird Brain - Guy Kennaway

Black Beauty - Anna Sewell

Blitzcat - Robert Westall

Blizzard Winds - Paul Koch

Books of the Raksura - Martha Wells

Braver: A Wombat's Tale - Suzanne Selfors & Walker Ranson

Bravelands series- Erin Hunter

Broken Fang - Rutherford Montgomery

Bunnicula series - Deborah Howe & James Howe

Burning Stars - Rurik Redwolf

A Black Fox Running - Brian Carter

A Blue So Loud - Tuesday

The Ballard of The Belstone Fox - David Rook

The Bear - James Curwood

The Bees - Laline Paull

The Biography of a Silver Fox - Ernest Thompson Seton

The Blue Cat of Castle Town - Catherine Cate Coblentz

The Book Of Chameleons - José Eduardo Agualusa

The Book of the Dun Cow - Walter Wangerin Jr.

The Book of Night with Moon - Diane Duane

The Books of the Named series - Clare Bell

The Bug Wars - Robert Asprin

The Builders - Daniel Polansky

C

Call of the wild - Jack London

Callanish - William Horwood

Catwings - Ursula K. Le Guin

Cat Diaries: Secret Writings of the MEOW Society - Betsy Byars, Betsy Duffey & Laurie Myers

Cat House - Michael Peak

Cat Pack - Phyllis Reynolds Naylor

Cats in the city of Plague - A.L Marlow

Celestial Heir series - Chester Young

Charlotte's Web - E. B. White

Chet and Bernie mysteries - Spencer Quinn

Chia The Wildcat - Joyce stranger

Child of the Wolves - Elizabeth Hall

Clarice the Brave - Lisa McMann

Cry of the Wild - Charles Foster

Coyote's Wild Home - Barbara Kingsolver; Lily Kingsolver & Paul Mirocha

Coyote Series - Michael Bergey

Crocuta - Katelyn Rushe

Coorinna: A Novel of the Tasmanian Uplands - Erle Wilson

Cujo - Steven King

The Calatians Series - Tim Susman

The Cats of Roxville station - Jean Craighead Georde

The Chanur Novels - C. J. Cherryh

The Cold Moons - Aeron Clement

The Color of Distance || Through Alien Eyes - Amy Thomson

The Conquerors - Timothy Zahn

The Council of Cats - R. J. F.

The Cricket in Times Square - George Selden

The Crimson Torch - Angela Holder

The Crossbreed - Allan Eckert

The Crucible of Time - John Brunner

D

Darkeye series - Lydia West

Deadlands: The Hunted - Skye Melki-Wegner

Demon of Undoing - Andrea I. Alton

Desert Dog - Jim Kjelgaard

Dinotopia - James Gurney, Alan Dean Foster

Doglands - Tim Willocks

Dimwood Forest series - Avi

A Dog's Life: The Autobiography of a Stray - Ann M. Martin

A Dog's Porpoise Duology - M. C. Ross

Dogs of the Drowned City - Dayna Lorentz

A Dog's Purpose series - W. Bruce Cameron

Dolphin Way: Rise of the Guardians - Mark Caney

Domino - Kia Heavey

Douglas' Diary - Andrew John

DragonFire series - Lewis Jones Davies

Dragon Fires Rising - Marc Secchia

Dragon Hoard and Other Tales of Faerie - Cathleen Townsend

Dragons and Skylines series - Rowan Silver

Dragon Prayers - M.J. McPike

Dragons of Mother Stone series - Melissa McShane

Dragon Girls Series - Maddy Mara

The Deptford Mice series - Robin Jarvis

The Dogs of the Spires series - Ethan Summers

The Dragons of Solunas series - H. Leighton Dickson

The Duncton Chronicles - William Horwood

The Destiny of Dragons - J.F.R. Coates

The Diary Of A House Cat - Ileana Dorobantu

Dogtown - Katherine Applegate & Gennifer Choldenko

Die schwarze Tigerin - Peer Martin [DE]

Die weiße Wölfin - Vanessa Walder [DE]

Die Wilden Hunde Von Pompeii - Helmut Krausser [DE]

Das wilde Mäh - Vanessa Walder [DE]

E

The Eyes and the Impossible - Dave Eggers

Eclosión - Arturo Balseiro [ES]

Ein Seehund findet nach Hause - Antonia Michaelis [DE]

F

Fantastic Mr. Fox - Roald Dahl

Faithful Ruslan - Georgi Vladimov

Feather and Bone: The Crow Chronicles - Clem Martini

Feathers & Flames series - John Bailey

Felidae series (1) - Akif Pirinçci

Fifteen Rabbits - Felix Salten

Fire, Bed & Bone - Henrietta Branford

Fire of the Phoenix - Azariah Jade

Fluke - James Herbert

Firefall series - Peter Watts

Firebringer - David Clement-Davies

Flush: A Biography Book - Virginia Woolf

Fox - Glyn Frewer

Foxcraft series - Inbali Iserles

Frightful’s Mountain - Jeanie Craighead George

Frost dancers: A story of hares - Garry Kilworth

The Familiars series - Adam Jay Epstein

The Fifth - Saylor Ferguson

The Firebringer series - Meredith Ann Pierce

The Fox and The Hound - Daniel P. Mannix

The Forges of Dawn - E. Kinsey

Freundschaft im Regenwald - Peer Martin [DE]

(1) Felidae's Author - Akif Pirinçci - is known to be a Xenophobic, Anti-muslim, Anti-Lgbt and Extreme Right-Wing guy (A N4zi by his on words). Won't be going onto details just know he has a non-fiction work called "Germany Gone Mad: The Crazy Cult around Women, Homosexuals and Immigrants." His works has been out of print ever since.

G

Guardian Cats and the lost books of Alexandria - Rahma Krambo

Guardians of Ga'Hoole series - Kathryn Lasky

Good Omens - Neil Gaiman & Terry Pratchett

Griffin Quest - Sophie Torro

Gryphon Insurrection series - K. Vale Nagle

The Ghost and It's Shadow - Shaun Hick

The Golden Eagle - Robert Murphy

The Golem and the Jinni - Helene Wecker

The Good Dog - Newbery Medalist

The Guardian Herd series - Jennifer Lynn Alvarez

The Goodbye Cat - Hiro Arikawa

The Great Timbers - James A. Kane

H

Haunt Fox - Jim Kjelgaard

Haven: A Small Cat's Big Adventure - Megan Wagner Lloyd

Heavenly Horse series - Mary Stanton

Hive - Ischade Bradean

Horses of Dawn series - Kathryn Lasky

House of Tribes - Garry Kilworth

Hunter's Moon/Foxes of First dark - Garry Kilworth

Hunters Universe series - Abigail Hilton

A Hare at Dark Hollow - Joyce Stranger

The Hundred and One Dalmatians & The Starlight Barking - Dodie Smith

The Hunt for Elsewhere - Beatrice Vine

Hollow Kingdom Duology - Kira Jane Buxton

I

I am a Cat - Natsume Sōseki

I, Scheherezade: Memoirs of a Siamese Cat - Douglass Parhirst

In the Long Dark - Brian Carter

The Incredible Journey - Sheila Burnford

Im Reich der Geparde - Kira Gembri [DE]

J

Joe Grey series - Shirley Rousseau Murphy

Jonathan Livingston Seagull - Richard Bach & Russell Munson

Julie of the Wolves - Jeanie Craighead George

The Jungle Book - Rudyard Kipling

Journey to the West - Wu Cheng'en

K

Kävik the Wolf Dog - Walt Morey

Kazan duology - James Curwood

Kine Saga - Alan Lloyd

Kona's Song - Louise Searl

The Killers - Daniel P. Mannix

Kindred of the Wild - Charles G.D Roberts

König der Bären - Vanessa Walder [DE]

L

Lassie Come-Home - Eric Knight

Last of the Curlews - Fred Bodsworth

Lazy Scales - D.M. Gilmore

Legends of Blood series - Ethan Summers

A Legend of Wolf Song - George Stone

Luna the Lone Wolf - Forest Wells

Lupus Rex - John Carter Cash

Lutapolii: White Dragon of the South - Deryn Pittar

The Last Unicorn - Peter S. Beagle

The Labrador Pact & The Last Family in England - Matt Haig

The Last Dogs - Christopher Holt

The Last Eagle - Daniel P. Mannix

The Last Great Auk - Allan Eckert

The Last Monster on Earth - L.J. Davies

The Life Story of a Fox - J. C. Tregarthen

The Lost Rainforest series - Eliot Schrefer & Emilia Dziubak

The Lost Domain - Martin Hocke

The Last Whales: A Novel - Lloyd Abbey

M

Mammoth Trilogy - Stephen Baxter

Manxmouse: The Mouse Who Knew No Fear - Paul Gallico

Marney the Fox - Scott Goodall & John Stokes

Mattie: The story of a hedgehog - Norman Adams, & G.D. Griffiths

Matriarch: Elephant vs. T-Rex - Roz Gibson

Midnight's Sun - Garry Kilworth

Migon - P.C. Keeler

Minado The Devil - Dog - Erle Wilson

Monkey Wars - Richard Kurti

Mouseheart Series - Lisa Fiedler

The Mistmantle chronicles - M.I. McAllister

The Mountain Lion - Robert Murphy

The Mouse Butcher - Dick King-Smith

The Mouse Protectors Series - Olly Barrett

Maru - Die Reise der Elefanten - Kira Gembri [DE]

N

New Springtime series - Robert Silverberg

Nightshade Chronicles - Hilary Wagner

Nugly - M. C. Ross

Nuru und Lela - Das Wunder der Wildnis - Kira Gembri [DE]

O

Old One-Toe - Michel-Aimé Baudouy

Of Birds and Branches - Frances Pauli

Outlaw Red - Jim Kjelgaard

The Old Stag - Henry Williamson

The One and Only Ivan - Katherine Applegate

P

Painted Flowers - Caitlin Grizzle

Pax & Pax: Journey Home - Sara Pennypacker

Petrichor - C.E. Wright

The Plague Dogs - Richard Adams

The Pit - Elaine Ramsay

Pride Wars Series - Matt Laney

A Pup Called Trouble - Bobbie Pyron

The Peregryne Falcon - Robert Murphy

Pork and Others - Cris Freddi

Q

Queen in the Mud - Maari

Quill and Claw series - Kathryn Brown

R

Rak: The story of an Urban Fox - Jonathon Guy

Ramblefoot by Ken Kaufman

Rats of Nimh series - Robert C. O'Brien

Raven Quest - Sharon Stewart

Ravenspell Series - David Farland

Raptor Red - Robert T. Bakker

Red Fox - Charles G. D. Roberts

Redwall series - Brian Jacques

Rose in a Storm - Jon Katz

Rufus - Rutherford Montgomery

Run With the Wind series - Tom McCaughren

Runt - Marion Dane Baeur

Rustle in the Grass - Robin Hawdon

Rusty - Joyce Stranger

The Remembered War series - Robert Vane

The Rescuers series - Margery Sharp

The Red Stranger - David Stephen

The River Singers & The Rising - Tom Moorhouse

The Road Not Taken - Harry Turtledove,

The Running Foxes - Joyce Stranger

Revier der Raben - Vanessa Walder [DE]

S

Salar the Salmon - Henry Williamson

Scary Stories for Young Foxes Duology - Christian McKay Heidicker

Scaleshifter series - Shelby Hailstone Law

Shadow Walkers - Russ Chenoweth

Scream of the White Bears - David Clement-Davies

Seekers saga - Erin Hunter

Serpentia Series - Frances Pauli

Shadows in the Sky - Pete Cross

Shark Wars Series - EJ Altbacker

Silverwing series - Kenneth Oppel

Silver Brumby series - Elyne Mitchell

Sirius - Olaf Stapledon

SkyTalons Series - Sophie Torro

Solo's Journey - Joy Aiken Smith

Sky Hawk - Gill Lewis

Snow Dog - Jim Kjelgaard

Song of the River - Soinbhe Lally

Spirit of the West series - Kathleen Duey

Survivors series - Erin Hunter

Stray - A.N Wilson

String Lug the Fox - David Stephen

Swashbuckling Cats: Nine Lives on the Seven Seas - Rhonda Parrish & Co.

Swordbird series - Nancy Yi Fan

The Sheep-Pig - Dick King-Smith

The Sight & Fell - David Clement-Davies

The Silent Sky - Allan Eckert

The Silver Claw - Garry Kilworth

The Stoner Eagles - William Horwood

The Stink Files - Jennifer L. Holm & Jonathan Hamel

The Snowcat Prince - Dina Norlund

The Story Of A Seagull And The Cat Who Taught Her To Fly - Luis Sepúlveda

The Story of a Snail Who Discovered the Importance of Being Slow - Luis Sepúlveda

The Story of a dog called Leal - Luis Sepúlveda

The Story of a Red Deer - John Fortescue

The Summer King Chronicles - Jess E. Owen

Schogul, Rächer der Tiere - Birgit Laqua [DE]

Stadt der Füchse - Vanessa Walder [DE]

T

Tailchaser's Song - Tad Williams

Tarka the Otter - Henry Williamson

Three Bags Full - Leonnie Swann

Thy Servant a Dog - Rudyard Kipling

Tomorrow's Sphinx - Clare Bell

Torn Ear - Geoffrey Malone

Thor - Wayne Smith

Trickster -  Tom Moorhouse

Two Dogs and a Horse - Jim Kjelgaard

The Tale of Despereaux - Kate DiCamillo

The Travelling Cat Chronicles - Hiro Arikawa

The Trilogy of the Ants - Bernard Werber

The Trumpet of the Swan - E. B. White

The Tusk That Did the Damage - Tania James

The Tygrine cat - Inbali Iserles

U

Ultimate Dragon Saga - Graham Edwards

Under the Skin - Michel Faber

V

Varjak Paw duology - S.F Said

Vainqueur the Dragon series - Maxime J. Durand

W

War Bunny series - Christopher St. Jhon

War Horse - Michael Morpurgo

War Queen - Illthylian

Warrior Cats series - Erin Hunter

Watership Down/Tales of Watership Down - Richard Adams

Ways of Wood Folk - William J. Long

Welkin Weasels series - Garry Kilworth

West of Eden - Harry Harrison

Whalesong Trilogy - Robert Siegel

Whale - Jeremy Lucas

Whispers in the Forest - Barbara Coultry

White Wolf - Henrietta Branford

White Fang - Jack London

White Fox Series - Jiatong Chen

Wings trilogy - Don Conroy

Wild Lone - Denys Watkins-Pitchford

Wild Animals I Have Known - Ernest Thompson Seton

Willow Tree Wood Series - J. S. Betts

Wings of Fire series - Tui T. Sutherland

Winterset Hollow - Jonathan Edward Durham

Wolf: The Journey Home | Hungry for Home: A Wolf Odyssey - Asta Bowen

Wolf Brother series - Michelle Paver

Wolf Chronicles - Dorothy Hearst

Wolves of the Beyond Series - Kathryn Lasky

Woodstock Saga - Michael Tod

A Whale of the Wild - Rosanne Parry

A Wolf Called Wander - Rosanne Parry

The Waters of Nyra - Kelly Michelle Baker

The Wolves of Elementa series - Sophie Torro

The Wolves of Time - William Horwood

The Wolf Chronicles Series - Teng Rong

The Way of Kings - Louise Searl

The White Bone - Barbara Gowdy

The White Fox/Singing Tree - Brian Parvin

The White Puma - Ronald Lawrence

The Wild Road & The Golden Cat - Gabriel King

The Wildings & The Thousand names of darkness - Nilanjana Roy

The Wind in the Willows - Kenneth Grahame

The Wind Protect You - Pat Murphy

The Wolves of Paris - Daniel P. Mannix

Y

Yellow eyes - Rutherford Montgomery

The Year Of The Dinosaur - Edwin H. Colbert

Z

Zones of Thought series - Vernor Vinge

Z-Verse series by R.H

Comic Books/Graphic Novels

Animosity - Marguerite Bennett

Age of Reptiles - Ricardo Delgado

Legend - Samuel Sattin Koehler

Mouse Guard - David Petersen

Pride of Baghdad - Brian K. Vaughan & Niko Henrichon

Rover Red Charlie - Garth Ennis & Michael Dipascale

Stray Dogs - Tony Fleecs & Trish Forstner

We3 - Grant Morrison & Frank Quitely

Beasts of Burden - Evan Dorkin & Jill Thompson

LOBO: Canine Crusader of the Metal Wasteland - Macs-World-Ent

The Sandman: Dream of a Thousand Cats - Neil Gaiman

Animal Castle - Xavier Dorison & Felix Delep

Blacksad Series - Juan Díaz Canales & Juanjo Guarnido

Scurry - Mac Smith

The Snowcat Prince - Dina Norlund

Rankless - Maggie Lightheart

Animal Pound - Tom King & Peter Gross

Animal Castle - Xavier Dorison & Felix Delep

BlackSad - Juan Díaz Canales & Juanjo Guarnido

Picture Books

Steve the Dung Beetle: On a Roll - Susan R. Stoltz & Melissa Bailey

Hot Dog - Doug Salati

The Rock from the Sky - Jon Klassen

Whoever Heard of a Flying Bird? - David Cunliffe & Ivan Barrera

A Cat Named Whiskers - Shana Gorian

Ocean Tales Children's Books Series - Sarah Cullen & Zuzana Sbodová

Jake the Growling Dog - Samantha Shannon

Indie Written Works

Fins Above Series - MIROYMON

Journey of Atlas - Journey of Atlas

Webcomics

A

Africa - Arven92

After Honour - genstaelens

Awka - Nothofagus-obliqua

Arax - Azany

Amarith - Eredhys

The Apple's Echo - Helianthanas

Alone - Magpeyes

B

The Blackblood Alliance - KayFedewa

The Betrothed - Kibisca

Black Tyrant - Zapp-BEAST

Blue - HunterBeingHunted

Beast Tags - TheRoomPet

Spy - Utahraptor93

Be Reflected in my Eyes - Aquene-lupetta

C

Carry your voice - TacoBella

Caelum Sky - ALRadeck

Crescent Wing - Mikaley

Crescent Moonlight - AnimalCrispy

City of Trees - SanjanaIndica

Corpse - doeprince/ratt

D

Darbi - Sherard Jackson

The Devils Demons - Therbis

Doe of Deadwood - Songdogx

Dyten - Therbis

Desperation - PracticelImagination

E

Equus Siderae - Dalgeor

Empyrean - Leonine-Skies

Enchantment - FeralWolf1234

F

Fox Fires - Pipilia

Forget me Not - Nitteh

Fjeld - Dachiia

Felinia - Rainy-bleu

G

Golden Shrike - doeprince/ratt

Ghost of the Gulag - David Derrick Jr.

H

Horse Age - BUGHS-22

Hiraeth - AFlameThatNeverDies

Half-Blood - majkaria

Horns of Light - ThatMoonySky

I

I Hope So - Detective Calico

The Ivory Walk - TacoBella

I'm not Ready - Wolfkingdom372

J

Jet and Harley - doeprince

K

Kestrel Island - Silverphoenix

Kin - Fienduredraws

KuroMonody - IrisBdz

Krystal - Nitteh

The King of Eyes - CloverTailedFox09

L

Legend of Murk - Azany

LouptaOmbra - Loupta Ombra (OngakuK, MlleNugget & joeypony)

Leopards bring rain - Kyriuar

M

Mazes of Filth - petitecanine

Minimal All You Are - mike-princeofstars

N

Nine Riders - SpiriMuse

No Man's Land - TacoBella

Never seen the Day - R3dk3y

Norra - shadowmirku

O

Obsidian Fire - SolinaBright

Oren's Forge - teagangavet

Off-White - Akreon

Out Of Time - IndiWolf

R

Rabbit on the Moon - Songdogx & Nitteh

The Rabbit Hole - Detrah

RunningWolf Mirari - Mirella Menciassi

Raptor - ElenPanter

Redriver - FireTheWolf777

Repeat - Songdogx

The Rabbit's Foot - riri_arts

S

Scurry - Mac Smith

Simbol - Zoba22

Spirit Lock - Animal Crispy

The Sylcoe - Denece-the-sylcoe

Sunder - Aurosoul

T

Tainted Hearts - Therbis

Taxicat - owlburrow

That's Freedom Guyra - Nothofagus-obliqua

Three Corners: A Kitten's Story - Lara Frizzell

Tofauti Sawa - TheCynicalHound

Two of a Kind - ProjectNao

To Catch a Star - SleepySundae

U

Under the Ash Tree - ChevreLune

Uninvited - Nothofagus-obliqua

W

Water Wolves - LuckyStarhun

What Lurks Beneath - ArualMeow

Water Wolves - LuckyStarhun

Wild Wolves - Lombarsi

White Tail - SleepySundae

What's your damage? - FrostedCanid

The Wolves of Chena - Yamis-Art

Waves Always Crash - Hellhunde

The Whale's Heart - Possumteeeth [Warriors Fancomic]

Manga

A Centaur's Life - Murayama Kei

Beastars - Paru Itagaki

Chi's Sweet Home - Kanata Konami

Ginga Series [Silverfang] - Yoshihiro Takahashi

Gon - Masashi Tanaka

Houseki no Kuni | Land of the Lustrous - Haruko Ichikawa

Inugami-Kai - Masaya Hokazono

The Jungle Emperor - Osamu Tezuka

My roommate is a cat - Minatsuki & Asu Futatsuya

Crimsons – The Scarlet Navigators of the Ocean - Kanno Takanori

Rooster Fighter - Shū Sakuratani

Simoun - Shō Aikawa

The Fox & Little Tanuki - Mi Tagawa

Yuria 100 Shiki - Nobuto Hagio

Massugu ni Ikou - Kira

Cat Soup

The Amazing 3

Cat + Gamer - Wataru Nadatani

Animated Series

#

101 Dalmatians: The series & 101 Dalmatian Street

A

A Polar Bear in Love

B

Baja no Studio

Bagi: Monster of Mighty Nature

Bannertail: The Story of Gray Squirrel

Bluey

C

Centaurworld (2021)

Chirin's Bell

Chironup no Kitsune

D

Dokkun Dokkun

E

F

G

Gamba no Bouken

H

Hazbin Hotel

I

Invader ZIM

Inu to Neko Docchi mo Katteru to Mainichi Tanoshii

J

K

King Fang

Koisuru Shirokuma

Kemushi no Boro

Kewang Lantian

Konglong Baobei: Shiluo De Wenming

L

Little Polar Bear

M

Manxmouse's Great Activity

Mitsubachi Maya no Bouken

Mikan Enikki

Massugu ni Ikou -

My Life as a Teenage Robot

Mikan Enikki

N

O

Ore, Tsushima

Okashi na Sabaku no Suna to Manu

P

Primal

Polar Bear Cafe

Q

R

Robotboy (2005)

S

Seton Doubutsuki: Risu no Banner

Simoun

T

The Amazing 3

Tottoko Hamtarou

The Adventure of Qiqi and Keke

Tama & Friends: Third Street Story

U

V

W

Watership Down (2018) & Watership Down (1999)

What's Michael?

Wolf's Rain

Wonder Pets

X

Y

Live-Action/Hybrid show

Fantasy High

A Crown of Candy 

Burrow's End

Good Omens

Webseries

Dinosauria - Dead Sound

My Pride - tribbleofdoom

Whitefall - Chylk

The Stolen Hope - Galemtido

Dragon's Blood - FluffyGinger

Helluva Boss -

Murder Drones -

Short Films

A

Alone a wolf's winter

B

Baja's Studio

Beautiful Name

Burrow

C

Cat Piano

Cat Soup

Chicken Little

D

E

F

Far From the Tree

Ferdinand the Bull

Frypan Jiisan

G

Genji Fantasy: The Cat Fell in Love With Hikaru Genji

Gaitou to Neko

H

Hao Mao Mimi

Houzi Dian Bianpao

I

J

Je T'aime

K

Kitbull

L

Lava

Lambert the sheepish lion

Laoshu Jia Nu

M

Mahoutsukai no Melody

Monmon the Water Spider

Mushroom - Nakagawa Sawako

N

O

Of Mice and Clockworks

Osaru no Tairyou

P

Piper

Q

R

Robin Robin

Rusuban

S

Sauria - Dead Sound

Smash and Grab

Street of Crocodiles

She and Her Cat

Space Neko Theater

Shiroi Zou | White Elephant

Shi | Food

Sugar, With a Story

Straw-saurus NEO

T

The Chair

The Blue Umbrella

The Shell Shocked Egg

The Dog Door

The Dog In The Alley

That's Why They Were Made

U

Ushigaeru

V

W

With a Dog AND a Cat, Every Day is Fun

X

Y

Z

Zhui Shu

Animated Films

#

101 Dalmatians duology

A

A Monkey's Tale (1999)

All Dogs go to Heaven

The Adventures of Lolo the Penguin

Alpha and Omega saga

An American Tail

The Aristocats

Antz

Animals United

Annabelle's Wish (1997)

Alakazam the great (1960)

B

Back Outback

Balto

Bambi / Bambi II

Bolt

Brother Bear / Brother Bear II

A Bug's Life

The Big Bad Fox and Other Tales

Bee Movie

The Brave Little Toaster

Birds of a Feather

Back to the Forest

C

Cars

Chance

Chicken Run

D

Dinosaur

Speckles: The Tarbosaurus || Dino King: Journey to Fire Mountain

Dumbo

DC League of Super-Pets

E

Elemental

F

Fantastic Mr. Fox

Fantastic Planet

Felidae

The Fox and the Hound

Finding Nemo/Finding Dory

Free Birds

The Fearless Four

G

The Good Dinosaur

Ghost in the Shell

Guillermo del Toro’s Pinocchio

H

Happy Feet/Happy Feet Two

Help! I'm a Fish

Home on the Range

Hoero! Bun Bun Movie

Hokkyoku no Muushika Miishika

I

Ice Age Franchise

Isle of Dogs

I Am T-Rex

J

Jungledyret Hugo

K

Koati

The King of Tibetan Antelope

Kuma no Gakkou trilogy

L

Lady and the Tramp

The Land Before time Franchise

The Last Unicorn

Leafy, A Hen in the wild

Little Big Panda

The Lion King Franchise

Lucky and Zorba

Lilo & Stitch

Luca

Last Day of the Dinosaurs

M

Marcel the Shell with Shoes On

Marona's Fantastic Tale

Millionaire Dogs

My Friend Tyranno

Minuscule: Valley of the Lost Ants || Minuscule - Mandibles from Far Away

Mouse and His Child

N

Nezumi Monogatari: George to Gerald no Bouken

O

Oliver & Company

One Stormy Night

Over the Edge

P

Padak

The Plague Dogs

Pompoko

Pinocchio by Guillermo del Toro

Pipi Tobenai Hotaru

R

Raggedy Ann & Andy: A Musical Adventure

Rango

Ratatouille

Raven the Little Rascal

Reynard the Fox (1989)

Rio

Robots

Rock a Doodle

Rudolph the Red-Nosed Reindeer (1998)

The Rabbi’s Cat

S

Samson and Sally

Sahara

The Secret of Nihm

The Secret Life of Pets/The Secret Life of Pets II

Spirit: Stallion of the Cimarron

Sheep & Wolves

The Seventh Brother

A Stork's Journey

Stowaways on the Ark

T

A Turtle's Tale

The One and Only Ivan

Toy Story

Twilight of the Cockroaches (1987)

The Trumpet of the Swan

The Enchanted Journey

U

Unico

Underdog

V

Vuk the Little Fox

W

WALL·E

Watership Down (1978)

White Fang

Wizards

The Wild

Wolf Children

Wolfwalkers

X

Y

You Are Umasou

Z

Zootopia

Live Action/CGI Assisted Movies

Au Hasard Balthazar

Beverly Hills Chihuahua franchise

Cats & Dogs franchise

Charlotte's Web

EO

Fluke (1995) - Metro-Goldwyn-Mayer

Homeward Bound duology (1963 & 1996) - Disney

The Legend of Lobo (1962) - Disney

Strays (2023) - Universal Pictures

Pride (2024) - BBC

101 Dalmatians duology (1996 & 2000)

Documentary

March of the Penguins

Meerkat Manor

Lemur Street

Gangs of Lemur Island

Orangutan Island

Prairie Dog Dynasty

Chimp Empire

Monkey Thieves

Monkey Kingdom

Theather

Cats

Videogames

Animalia Survival - High Brazil Studio

Cattails - Falcon Development

Endling: Extinction is Forever

Gibbon: Beyond the trees - Broken Rules

The Lonesome Fog - Might and Delight

Meadow - Might and Delight

Niche - Stray Fawn Studio

Shelter / Shelter 2/ Shelter 3 - Might and Delight

Paws - Might and Delight

Stray - BlueTwelve Studio

The WILDS - Gluten Free Games

Wolf Quest - eduweb

Golden Treasure: The Great Green - Dreaming Door Studios

Spirit of the North - Infuse Studio

Ōkami - Clover Studio

Rain World - Videocult

Feather - Samurai Punk

Eagle Flight - Ubisoft Montreal Studio

Copoka - Inaccurate Interactive

Untitled Goose Game - House House

PaRappa - NanaOn-Sha

Night in the Woods - Infinite Fall & Secret Lab

Monster Prom - Beautiful Glitch

Them's Fightin' Herds - Mane6

Toontown

E.V.O.: Search for Eden - Givro Corporation

(Pretty much most of Might and Delight games)

Online Browser Games

Lioden

Wolvden

Flight Rising

Lorwolf

Table Top Games

Bunnies & Burrows

Chronicles of Darkness

Wanderhome

Mage: The Awakening

Werewolf: The Apocalypse

Pugmire

Three Raccoons in a Trench Coat

World Tree (RPG)

Pawpocalypse

Heckin' Good Doggos

Humblewood

Dungeons & Dragons (Depends on the GM)

Music

In My Eyes You're a Giant - Sonata Arctica

It Won't Fade - Unia

The Cage - Winterheart's Guild

Other Online Projects

Youtubers

Cardinal West

Xenofiction Reviews

Gen. Videos

Trope Talk: Small Mammal on a Big Adventure by Overly Sarcastic Productions

Worlds

Mirolapye - Varverine

Franchises

Sonic the Hedgehog

My little pony

Teenage Mutant Ninja Turtles

Hamtaro

Pokemon

Digimon

Kirby

Monter High

Tom & Jerry

Baldur’s Gate

Maya the Bee

The Little Polar Bear

[starwarspurgefan]

Should I made a Misfit mansions hanahaki disease au art?

[kaydavault]

Dude I absolutely love your books! I've read both star knights and misfit mansion and they were so cute ❤️❤️ so excited to see more of your graphic novels in the future!!!

Thank you so much! And thanks everyone who's picked up my books!!

[denimshortsdean]

the wonderful @dogearedheart tagged me!

last song: Apple, Charli XCX last book: The Outlaws of Sherwood by Robin McKinley last tv show: Supernatural (I'm rewatching it hehe) (again) sweet/savory/spicy: savoury!!! last movie: Chappie. I watched it for the robots but it had no business being that star-studded OR that introspective relationship status: about to go on a first date this week, so it's anyone's guess lol current obsession: KNIGHTS, PIRATES, AND COWBOYS BABEYYY last thing i searched: 'AO3 shaker charm' I couldn't remember if I preordered one or not - I didn't, and I missed out :( fav drink: fruit tea or chai! looking forward to: visiting home after 3 years away song playing 24/7: something jaunty from Steeleye Span, probably Spotted Cow fun activity you would like to get into: I want to get back into Roller Derby so bad but there are no leagues out here!! :(((( last video game: genshin impact! current fav character: my boy DEANNNNNN WINCHESTERRRRRRR last comic/graphic novel: Kaiju No. 8

I'm tagging beloveds @e-mio @emoechoes @trannydean @crooner-deans-walkman

[jesncin]

Fanart of Tad and Stello from Star Knights by @kaydavault! It's an adorable graphic novel with sweet characters, lively art, and stunning color schemes *0* the friendships in this story especially stick with me.

Kay also has a new book out called Misfit Mansion! Check that out too :>

[fancoloredglasses]

[RERUN] Crisis on Infinite Earths, issue 11: “Aftershock” (Same great universe, now 80% smaller!)

[All images are owned by DC Comics, please don’t sue me]

PREVIOUSLY ON…

A being known as the Anti-Monitor has destroyed all but 5 of the universes in existence) with a single survivor on Earth-6 (Lady Quark) and Earth-Prime (Superboy) along for the ride)

Unfortunately, the process was unstable, meaning that time has merged (meaning mammoths and futuristic aliens are among modern skyscrapers) in the areas where the Earths are merged (which are called “Warp Zones”)

The Anti-Monitor’s last three attempts to destroy the multiverse have been thwarted (at the cost of many lives, including Supergirl and Earth-1’s Flash)

The Anti-Monitor’s fourth attempt brought the battle to the Dawn of Time, where the Anti-Monitor attempted to destroy the multiverse before it began, but his efforts were thwarted by the Spectre.

…or were they? As the pair fought for control, reality shattered around them and the assembled heroes!

Now, on with our story! If you would like to read this issue, it (along with the rest of the series) has been collected in graphic novel form and is available (or can be ordered) at your favorite comic shop, bookstore, or online retailer…or on Read Comic Online.

[WARNING: Things are gonna get a bit weirder and more confusing than they’ve been to this point (and that’s saying something!) Furthermore, the jokes could be a bit thin here. I’m not certain if you’ll call that a bad thing or not]

We open on Clark Kent (Kal-L) as he wakes up from a bizarre dream. His wife Lois obviously let him sleep in…and redecorated? He heads to his “day job” as managing editor of the Daily Star. He enters his office and is about to get to work…

…when Perry White barges in and demands to know who’s in his office. That’s when Kal-L noticed Perry’s name on the office door. In barges Clark Kent (Superman) who apologizes to Perry and introduces his “Uncle Clark” before escorting Kal-L from the building.

On the top of the Daily Planet, they guess that somehow after the Spectre’s fight with the Anti-Monitor, they both were transported to Earth-1. They fly to the warp zone in New York…

…only it’s not there. What’s more, no one remembers there ever being anything weird in the area (though they do remember Supergirl’s death).

They then fly to Central City, where the Flash (who is still considered “missing”, as no one was present for his sacrifice) stored his cosmic treadmill…

…only to see the twin cities of Central City (home to Earth-1′s Flash) and Keystone City (home to Earth-2′s Flash) Sure enough, Jay Garrick (Earth-2′s Flash) and his wife Joan greet the pair. Joan doesn’t remember what happened, but Jay does. They fetch Kid Flash and start the cosmic treadmill and break through the dimensional barrier

…to a void; Earth-2 isn’t there! What’s more, Kal-L feels the void calling to him, like he belongs there…though the Flash doesn’t feel the same call!

They return before Kal-L can run to the void, and everyone reaches the same conclusion: there is only one universe now, but obviously elements of the old realities are different from the new reality…and some elements never existed!

While the four contact as many heroes as they can find to discuss the ramifications, we switch to deep space. Rip Hunter’s time sphere (carrying Hunter, Adam Strange, Captain Comet, Dolphin, Atomic Knight, and Animal Man) encounter Brainiac’s ship adrift.

They board to investigate and discover the corpse (if a robot can have a corpse) of Brainiac.

Back on Earth, many of the heroes have gathered at Titan’s Tower, where they’re all checking each others’ math to make sure everyone has put two and two together. Huntress and Earth-2′s Robin explain that they, like Kal-L, don’t exist in this “new Earth”. Superboy-Prime is shocked when he finds out his Earth never existed either (that’s what happens when your universe was written in just so it could become a victim. Just ask Lady Quark)

Suddenly, Harbinger appears (having somehow regained her powers due to the new reality) and confirms this fact, and explains that some elements of each individual earths’ histories no longer existed (though reality seems to have conformed around Earth-1 primarily. I guess DC would have lost a lot of readers if it conformed around Earth-X), meaning only the modern versions of the “duplicate” heroes (like Superman, Batman, and Wonder Woman) are part of this new reality, while heroes that share a name, but not a past (like Flash, Green Lantern, and Atom) exist alongside their younger counterparts. 

Kal-L flips out at this news, as it means that he will never see his wife Lois again.

As Kal-L flies off in a streak of self-pity, we switch to the Spirit Realm, where the Spectre lies unconscious, severely weakened by his battle with the Anti-Monitor (I’m sure this will be important later)

Back on Earth, the heroes continue to compare notes. It seems the villains don’t remember the multiverse (since they weren’t at the Dawn of Time), but it seems that Power Girl (Kal-L’s cousin) is remembered. No one is sure how that works.

Suddenly, the weather turns ugly, just as it did when a universe was about to–

Uh-oh…

Earth has been pulled into the Anti-Matter universe!

…dedulcnoc eb oT

[battyaboutbooksreviews]

🗞️📖 Bookish News 📖🗞️

🦇 Extra, extra. Read all about it! 📖 Good evening, bookish bats! A lot happened in the publishing industry last month, but here are a few highlights you may have missed!

Adaptations Jennifer Lopez's production company and Netflix - Emily Henry's Happy Place Laika (Travis Knight directing) - Susanna Clarke's Piranesi Universal (Taika Waititi directing?) - Percival Everett's James We Were Liars adds Rahul Kohli to the cast Patrick Dempsey and Sarah Michelle Gellar have joined the cast of the Dexter prequel, Original Sin Chris McKay to direct Brynne Weaver’s Butcher and Blackbird Ayvan Williams, Jessica Belkin & Savannah Lee Smith casted for Becky Albertalli's The Upside of Unrequited First looks for Heartstopper S3 are out Apple TV - Laura Lippman's The Lady in the Lake Adult Swim - Anthony Bourdain’s graphic novel series, Get Jiro! UCP - Chris Witaker's All the Colors of the Dark The Best Christmas Pageant Ever - Barbara Robinson A24 - Jennifer Lawrence starring - Paul Rainey's Why Don't You Love Me? Netflix - Richard E. Grant and Tom Ellis casted for The Thursday Murder Club Sony - Michael Crichton and James Patterson's Eruption Renee Zellweger starring in 12 Months to Live Awesomeness - Melissa De La Cruz's Blue Bloods The Uglies adaptation has a release date after 18 years (September 13) The trailer for Elin Hilderbrand's The Perfect Couple is up Ursula K. Le Guin’s A Wizard of Earthsea is being adapted into a graphic novel Prime - Colin Firth joins the cast of Young Sherlock Universal - Omid Scobie's Royal Spin Netflix - Bridgerton Season 4 lead announced Amazon - Fourth Wing series adaptation is a go Apple TV - The trailer for Pachinko! Season 2 is up An adaptation of Colson Whitehead’s Nickel Boys will open the 62nd New York Film Festival Patton Oswalt’s comic book Minor Threats is being adapted into a live-action series HBO - Dune: Prophecy releases in November

Cover Reveals Babylonia - Costanza Casati The Get Off - Christa Faust The Ragpicker King - Cassandra Clare What Does It Feel Like - Sophie Kinsella Wake Up and Open Your Eyes - Clay McLeod Chapman Ageless - Renee Schaeffer The Thirteenth Child - Erin A. Craig Song So Wild and Blue: A Life With Joni Mitchell - Paul Lisicky The Meadowbrook Murders - Jessica Goodman On Her Terms - Amy Spalding Onyx Storm - Rebecca Yarros The River Has Roots - Amal El-Mohtar The Wind Weaver - Julie Johnson In Gad We Trust - Josh Gad The Life of Herod the Great - Zora Neale Hurston (posthumous) The Other People - CB Everett How My Neighbor Stole Christmas - Meghan Quinn

Upcoming Releases I Saw the TV Glow director Jane Schoenbrun has a debut novel coming out, Public Access Afterworld Carol Moseley Braun is writing a memoir, Trailblazer: Perseverance in Life and Politics New memoir by Hilary Rodham Clinton The Road is Good - Uzo Aduba Leo Martino Steals Back His Heart - Eric Geron Viola Davis is co-writing with James Patterson

News Macmillan is launching a "new adult fiction" imprint. The 2024 Locus Award winners were announced The 2024 Boston Globe-Horn Book Awards were announced Nebula Award winners were announced Random House is buying Boom! Studios