#Smithsonian Libraries

[histsciart]

Northwestern Common Kingfisher

Alcedo atthis ispida. SciArt by John Gerrard Keulemans for Naturgeschichte der Vögel Mitteleuropas, Bd. 4 (1091) by Carl R. Hennicke.

View more in Biodiversity Heritage Library with thanks to Smithsonian Libraries and Archives (@smithsonianlibraries) for digitizing.

[monkeyssalad-blog]

n262_w1150 by Biodiversity Heritage Library Via Flickr: A companion to Mr. Bullock's London Museum and Pantherion [London] :Printed for the proprietor,1812. biodiversitylibrary.org/page/28995358

[golgafrincham]

Written and compiled by Robert Ridgway, the first full-time curator of birds at the Smithsonian. He described and named many new species but was conscious that color terms used by other ornithologists' could be difficult to interpret and visualize. He published two books to standardize the vocabulary of colors for naturalists and they are still widely used.

Check out the full book digitized from the Smithsonian Libraries' collection at the Biodiversity Heritage Library.

Image from page 174 of “A nomenclature of colors for naturalists : and compendium of useful knowledge for ornithologists.” (1886)

[spearxwind]

I mentioned a while ago that ive been working out at home with random junk including a toolbox, I think I should let you guys know that another of the things i use for weight lifting is a heavy book about the ocean

[dix-a-la-proprietaire]

Glass

[onenakedfarmer]

Currently Playing

Smithsonian Ethnic Folkways Library PALESTINE LIVES! SONGS FROM THE STRUGGLE OF THE PEOPLE OF PALESTINE

[folk-enjoyer]

[rogerriddle]

Albert Racinet - L’Ornement Polychrome

PLATE III EGYPTIAN ART. JEWELLERY.

"TOMBS,'' says M. Auguste Mariette, "sometimes become historical monuments from the variety of articles placed by the side of the dead. In them are often found the objects which form the groundwork of all collections: amulets, statuettes of the gods, jewels, papyri, etc."

Most of those perfect specimens of Egyptian jewellery which are so invaluable to those engaged in ornamental work have been obtained from the abodes of the dead. The broad and inflexible character of Egyptian design, so often admirably expressed m metal, is especially suited to the work of the lapidary, and we ought to congratulate ourselves on the custom which required that every deacl body should be adorned with at least one necklace.

No. l.-Naos or breastplate of cloisonne enamel, with a tablet below the frieze bearing the name ofRameses II., XIXth Dynasty.-Louvre. No. 2.-Framework of gold, filled in with glass.-Louvre. Both these articles are from the Serapeum of Memphis. (The Serapeum is the mausoleum of A.pis. Thus the god of the Serapeum, that is to say Serapis, is merely A.pis dead.-A.ug. Mariette.) No. 3.-Scarabams of lapis-lazuli with wings of glass beads. (The scarabams, among the Egyptians, was the symbol of immortality.) No. 4.-Necklace from the head of A.pis. Nos. 5, 6, 7 -Bracelets of cloisonne enamel. Nos. 8, 9,-Rings opened out. Nos. 10 to 26.-Ear-rings, necklaces, and amulets. No. 27 .-Sphinx near a stela, composed of the androcephalic lion. (The symbolism of the sphinx has not yet been sufficiently elucidated. According to the Greeks it signified strength, both physical and intellectual.) Nos. 28 to 33,-Jewellery after paintings at Thebes. From the publication of the French Egyptian Commission and 1I. Prisso d'Avesnes. (Monuments egyptiens, 4 vols. folio; Paris, Diclot.)

[lesterpubliclibrary]

StoryWalk® at LPL by Lester Public Library Via Flickr: StoryWalk® on the Patrick Gagnon Memorial Trail through the library gardens features - "We are All Under One Wide Sky" - and runs during World on the Move: 250,000 Years of Human Migration. Lester Public Library is one of 15 libraries across the United States awarded to host this important exhibit. Learn more about the exhibit here: understandingmigration.org/ Lester Public Library, Two Rivers, Wisconsin

[jwood718]

The little remembered action of 1918-1920 when U.S. troops were posted to Russia.

Illinois Lithograph Co., 1918 (minor processing by Jake Wood, 2023).

Story from Smithsonian.

Library of Congress Prints & Photographs Online Catalog

Color Lithographs, 1910-1920

[histsciart]

Great Eared Nightjars

Lyncornis macrotis.

These wonderful birds, who resemble dragons, live in Southeast Asia, and they are masters of camouflage by blending in seamlessly with their arboreal environs during their daytime respite. At night, they begin their hunt for insects, catching them on the wing.

SciArt by Elizabeth Gould and John Gould for John Gould's Icones Avium (c.1837). View more beautiful bird illustrations from this publication in Biodiversity Heritage Library's Flickr album.

[monkeyssalad-blog]

n30_w1150 by Biodiversity Heritage Library Via Flickr: The natural history of Carolina, Florida, and the Bahama Islands : London :Printed for B. White,1771. biodiversitylibrary.org/page/52786069

[skywarpie]

Not to be gay on main but I got a date next week with a person that seems like an exact copy of me. We're both American history majors, want to live in DC and work at the Smithsonian, want to work in the archives at some point.

What the fuck

[archivist-dragonfly]

Book 385

Joseph Cornell: Navigating the Imagination

Lynda Roscoe Hartigan

Peabody Essex Museum / Smithsonian American Art Museum / Yale University Press 2007

Published to accompany a traveling retrospective of Joseph Cornell’s (1903-1972) work in 2007 and 2008, this book is a beautiful tribute to an artist whose work defies easy categorization. Of the two large-format books I own about Cornell, I would have to give the edge to this one in terms of which is the better book. First off, this one is beautifully bound in full red cloth. Secondly, it offers much more of Cornell’s illuminating source material, some rarer pieces that are not usually reproduced, and even includes some previously unpublished art.

[minilibrarian]

From this weekend~

My parents came to visit and we finished our tour of the National Museum of African American History and Culture!

My dad doesn’t share much about his childhood, but as we toured the museum, he shared anecdotes from his time living in Texarkana with his 7 siblings.

Touring the museum with the knowledge that my father grew up on sharecropping land, riding on the back of my Granny’s cotton bag added a layer of gravity to what I was seeing.

I’m so grateful for all the privilege I have grown up with thanks to my parents’, and their parents’, hard work and perseverance. It means so much to me that I now have the opportunity to take my parents to museums to learn more about their history while they visit.