#She's my character I made her and everything I say about her is canon

[navybrat817]

Cooking Together

Pairing: Bucky Barnes x Female Reader

Summary: Bucky asks you to cook a meal with him.

Word Count: Over 1.5k

Warnings: Fluff, longing, pining, canon divergent neighbor AU, flirting of sorts, mention of HYDRA, Bucky Barnes (he's a warning, okay?).

A/N: Short and sweet for @stellar-solar-flare’s Starry Winter Sky Event! I went with cooking together and Neighbor AU as a small expansion of this nonsense. February has had some lingering January energy, and I hope you enjoy what I was able to write! ❤️ Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

If you asked Bucky if he thought he was a good cook, he’d say he was decent. He retained some of what his mom taught him many years ago and he carefully followed recipes once he was completely free of HYDRA. It was admittedly a bit of a rough go at first. Being able to choose what he could eat was a foreign concept after he didn't have the choice for so long. It got better each day. Every single meal he got to reclaim a piece of himself by making the choice of what he did and didn’t want.

Until today, he always cooked alone.

“Thanks for inviting me over,” you smiled, graciously accepting the apron he handed you.

Bucky had moved into the building a few months ago and you lived across the hall. As far as neighbors went, you were the best. Since day one, you always greeted him with a smile and a kind word. You never played your music too loud or disturbed anyone. Alpine adored you, which told him everything he needed to know since she was the best judge of character. And you never once objected to looking out for her when he had to leave for a mission.

Out of paranoia, he left harmless little “traps” to see if you'd snoop through anything the very first time you went over. Nothing that would hurt you or draw your attention, of course, but something that would let him know if anyone tampered with anything. You didn't. You were a genuinely good and respectful person, and that made him trust you more.

“Thanks for accepting the invitation. And allow me,” he offered, stepping behind you to help you tie it. His fingers lingered on the fabric and he took the moment to inhale your sweet scent before he stepped away. He didn't want to be a creep. “And it’s the least I could do since you offered to watch Alpine. Again.”

“I love watching her. She’s wonderful.”

The photos you sent were something he always looked forward to when he was away. Some of the captions you added made him laugh and smile. His favorite was a selfie you took with Alpine’s cheek against yours. He saved it as “my girls”, which you weren’t aware of.

Because you technically weren’t his girl.

“Well, she adores you,” Bucky smiled. He adored you, too. It stunned him when he found out you were single, and he was selfishly thankful for that. 

“I’ll have to get her another toy,” you said, your lips curling in a small smile. “If that’s okay with you.”

He laughed, a warm and easy sound. “Between the two of us, she’s spoiled rotten and she wouldn’t want it any other way.”

He never expected to be a cat dad, but life surprised him. In fact, it also surprised him that Alpine wasn’t camping out nearby or brushing against one of your legs. She was a smart cat and likely somehow sensed that he wanted alone time with you.

“Well, she deserves it,” you winked before things went quiet.

One of the nice things about hanging out with you was that he didn't mind any bouts of silence. They didn’t feel awkward or tense. In those quiet moments and stolen glances he felt like he had the best conversations with you. He was happy and felt safe being in the same space as you.

“You know,” Bucky began as he set the ingredients on the counter. He lucked out by having a decent sized kitchen since he took up a lot of space. “If I was a better neighbor, I would've just cooked a meal for you while you relaxed.”

It felt romantic for the two of you to cook together, but you weren't together and now he felt like an idiot. A gentleman would've made you a meal and pampered you. Or take you out for a nice meal. He hadn’t dressed up, opting for his jeans and a trademark Henley while you wore a sundress that had his mind racing with both sweet and filthy images. He didn't have flowers for you either.

His “game”, as Sam would say, was rusty.

“You're a great neighbor, Bucky. The best neighbor I’ve had,” you defended. He tried to be a good neighbor and person. A minor way to make up for some of his forced wrongdoings. “And cooking something together is fun! We could even try something at my place next week if you'd like.”

Bucky almost knocked the salt over, his eyes wide. “Really?” You were inviting him over to do this again?

“Yeah, really,” you replied, taking a moment to scan the simple recipe in the cookbook. You always had the cutest expression when you concentrated on something, and he didn’t want to choose something too difficult for the first meal. “We can take turns picking things out to try and trade off cooking at your place and mine. You can even bring Alpine over if you want.”

He suddenly had the image of you in his arms, dancing around the kitchen as you both waited for a meal in the oven to cook. Soft music, low lighting, his hands on your hips, and a tender smile on your face. Stealing a gentle kiss and keeping his eyes open only for a moment so he could see for himself that it wasn't a dream.

“Yeah,” he breathed, pulling his hair back in a ponytail and washing his hands to distract himself from his thoughts. “I’d really like that.”

“Great,” you exhaled. His heart beat faster when he caught you staring. He liked to pretend the look in your eyes was longing. “Sorry. You just…” you cleared your throat and gestured to his head. “You have really nice hair.”

The compliment had his heart racing even faster. “I have nice hair?” he asked. Your fingers would feel amazing in his hair.

You ducked your head for a moment before you met his gaze with a soft smile. “Yeah, you do.”

“Thanks,” he smiled back, his shoulder brushing yours when he stood beside you. Electricity lightly cracked between you. Did you feel it, too? “Um, I peeled the carrots before you got here. Would you like to cut them?”

“Oh, I think you’re better with a knife than I am,” you giggled.

He puffed his chest out and twirled the knife he selected in his hand without thinking about it. Part of him was showing off because, well, he wanted you to stare again. “How about I help you?”

“Help me? How?” you asked.

“Here.” He placed the knife in your hand and stood behind you once he had the carrots on the cutting board. “I’m going to preface this by saying I’m far from an expert, but I usually cut them into decent sized pieces before I dice them.”

“I trust your judgement,” you said, glancing over your shoulder. Your faces were close enough that he could kiss you if he leaned in a fraction. But he didn’t. He wouldn’t take what you didn’t offer.

Carefully placing his hands over yours once you faced forward, he felt that electricity crackle again as he helped guide you. He angled his hips so he didn’t press against you, but still stayed close. “See? You’re a natural,” he whispered against your ear when you made the first cut through the vegetable.

He heard the hitch in your breath and how your blood rushed faster in your veins. He felt your skin warm under his touch as you cut the next piece. He also caught the slight tremble that went through your frame when his grip tightened, but he didn’t sense any fear. He hadn't detected any sort of fear or disgust since he came into your life.

But what he sensed in this very moment was excitement.

“Thanks, Bucky,” you whispered back. The way you spoke his name was breathy, beautiful, and he longed to hear that again. “You’re a great teacher.”

“I’m not,” he said, thankful your back was to him so you wouldn’t see the pink that tinted his cheeks. “But I appreciate it.”

“Yeah, you are,” you stated, tempting him to turn your head toward him to kiss you. If he did that and you stabbed him, he wouldn’t blame you or hold it against you. “And Bucky?”

“Yeah?”

“I really am glad you invited me over,” you said.

He stopped himself from putting his face in the crook of your neck. “I am, too,” he said, smiling to himself as he helped you finish up. “And now that you’ve mastered the carrots, we can chop the onions.”

“Onions? Oh, no,” you groaned playfully.

As the sound of both of you laughing a second later filled the room, Bucky was glad he went with his gut and asked for you two to cook together.

And maybe before the night was over, he’d ask you out on a date and prove to himself that his game wasn't completely hopeless.

I wonder just how he'll ask you out! Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

[lilbitofsomthin]

Dead Pixel Anya and Tiny Crispy Curly

⚠️CURLYA RANT INCOMING⚠️

TLDR: I only ship Curlya after the crash in a happy ending AU I made up :D

Okay so imma take this opportunity to rant about Curly and Anya’s relationship and the ✨only✨ time I will ever even entertain the thought of Curlya as a ship (cause like most of it is what I see pre crash and I’m like ✨no thank you✨)

First off forget and I mean FORGET anything pre crash. My mans is not ready for all that is Anya. He’s the definition of unworthy. Has not had his ✨arc✨. Has not truly drank his fair share of respect women juice 😔

When it was Curlys turn to care for Anya he failed spectacularly, like a main plot point of the game is how bad he fucked up by standing aside and letting J*mmy hurt her. So BAM he becomes cosmically and ironically put into a mirror position to Anya’s in their relationship.

Because now, in an instant, his very life is now in HER hands. She is literally the only one who can save him. Idk all of the medical knowledge to understand just how royally fucked up Curly was, it’s safe to say that keeping him alive at any rate would’ve been difficult to do. So that fact that she did it, with only the bare essentials of medical supplies, by herself, is nothing short of incredible.

She worked herself to the bone for months to keep him alive. After knowing that he failed her. After knowing her didn’t protect her. Knowing, for a FACT, that he wouldn’t do the same, and she still saved him anyway.

I mean, I’m sure at some point Curly must have realized that too.

And like THATS the part where I’m like “if I was Curly I would’ve fallen in love with her a little bit”. Not in the “oh you saved me I’m indebted to you” or “severely trauma bonded” way, I’m speaking in the characters being able to kinda analyze even in crazy stressful situations (like all the monologues and stuff being very well written and deeply metaphorical gives me the idea that their all capable of self reflection (except of course for J*mmy but that’s not the point).

So like I imagine that Curly can reflect on the fact that, after he failed her, over and over and over again. To the point where everything literally blew up in his face. And when the tables were turned and it was his life in Anya’s hands? She held no resentment, no malice. She saved him over and over and over again. And he had to have realized how incredible of a person she was at that point.

But only now that he finally realizes it, he can no longer say do or say anything about it. And listen that’s not even getting into J*mmy revealing his more obvious abusive tendencies to Curly. Because now not only does he have perspective on how strong of a person Anya is but how horrific the abuse was from J*mmy while being on the receiving end of it. That’s like a double serving of empathy and understanding. I’d like to imagine that, if we got to play as Curly, he’d go through that realization. 🤷

Okay now that THATS out of the way let’s get to FANON SHIT!!!! Time for the happy ending aus baby! Listen I love the game but I wanna see the characters I love get to resolve their traumas cause they deserve it!! I KNOW WHY CANON IS THE WAY IT IS I JUST WANNA PLAY PRETEND ON THE INTERNET!!

Just a quick psa, okay back to it.

I like to imagine that in those rescue aus they happen riiiiiiiiiiiiiiiight after Daisuke gets out of the vent and finds Anya (btw I’m gonna say at this point her body was under too much stress and she lost the pregnancy). Apparently overdoses can be reversed so let’s say our rescue team is able to work hard and save Anya and patch up Daisuke.

The rescue team is also clocking J*mmy immediately cause this is all REALLY fucking sketchy

“why’d you send the intern into a vent shaft that you knew was dangerous”

“oh Captain said if I did I’d make my boss proud 😄”

🧍🧍🧍🧍 “dude your like 40 why’d you send the intern half your age that’s fucked up”

like that alone is enough for them to be suspicious but once Anya’s up all bets are off. I mean the shit show J*mmy “captained” the Tulpar to mostly speaks for itself but once Anya can tell someone what happened to her they can put enough together to put him in whatever space brig they have. That’s because we got a rescue team of space feminists who believe victims baby!!!

“And who funded this whole rescue hmmmmm??” I hear you say? No one. Nope. 🙂‍↔️ Capitalism doesn’t get to take the fun out of my character study so imma say their “Volunteer Rescue for International Cosmic Waters” or something idk 🤷. That’s not the point. The point is that this is a big shit show that got revealed by people that Pony Express couldn’t pay hush money to. And when I mean revealed I mean, this became a huge news story cause it had such a great hook. I mean that was the whole advertisement for the game!

“Crew lost in space forced to eat mouthwash while their former captain has been mutilated in the crash”

I mean I saw that on like 5 different thumbnails. Anyway people love a good story and the one Mouthwashing tells with a RELIABLE narrator at this point is tragic BUT salvageable.

Like Curly is gonna have like serious medical intervention and Daisuke will probably need stitches for the gash in his arm and Anya will need to be hospitalized from the stress of keeping Curly alive alone. Swansea might need like, idk a Tylenol or something idk? But like they CAN recover, the wrongs that Pony Express allowed can’t be made right but can at least be helped out with.

I imagine that this news story is like planet wide news. If I know humans, we love to help when we have a target and this story was popular as hell. So id like to imagine that they could the crew with whatever financial troubles they would be having. Curly could afford operations, Anya could afford medical school (which she doesn’t need because you better believed she got full ride scholarships for SAVING A MAN MUTILATED FROM THE CRASH FOR MONTHS WITH A GLORIFIED FIRST AID KIT), Daisuke could go to college (I know some people headcanon engineering or art so take your pick) Swansea could even retire if he wanted idk.

And we get the rare satisfaction of getting to see someone like J*mmy to be revealed for exactly what he is on a global scale. He’s tried, prosecuted and the world is on the crews side and they become micro celebrities (kinda like those news stories where everyone talks about it and pushed a bunch of support for like 2 weeks then moved to the next thing) cause fuck you capitalism human nature is enriched in empathy 😤

So here’s where I like to imagine where fix it fics start. The stage is set, therapy bills are paid and while everyone gets a nightmare or panic attack every now and again, things have officially been given the “happy ending au” stamp. So call “my version” of the story an angst with a happy ending rather than the original tragedy and cautionary tale 🤷

So like NOW we can START on the POSSIBILITY of curlya.

That’s right the idea of these characters getting together is a tick that has crawled in my brain and I am cursed.

Because now Curly has his chance to drink respect women juice. And you better believe my man’s gonna chug that shit. And honestly I can see Anya respecting Curly for trying to grow. Like everything is 1000% platonic (I mean maybe a little one sided crush on Curlys side and maaaybe something develops later on) and the main 4 crew are all kinda hanging out for a few reasons (interviews and meet and greets or whatever people who survive major news stories do) and also like they DID go through a shit storm together so their a little trauma bonded but in a found family way.

Anyways THIS is where I imagine all Curlya stuff to take place. This fun low stakes “we made it through the storm and now we can rest on the shore” kind of happy ending zone.

And like maybe they can get up to shenanigans and work through their trauma and love and support each other. That’s like where my fan content takes place 🧍

⚠️SO IF I EVER POST ANYTHING AND TAG IT AS “CURLYA” THIS IS THE CONTEXT IM PUTTING IT IN!!!!! I AM NOT TALKING ABOUT ANYTHING THAT WAS OFFICIALLY RELEASED IN CANON OR IN THE CONTEXT OF THE GAME!!!! I SHIP CURLYA AS A PURELY FANON CONCEPT⚠️

Like idk if this is media literacy or brain rot at this point but that’s my rant thanks for reading :D

[prettyboykatsuki]

oh boy lmfao.

hi. this is the extended authors note for my love, my alibi. there is nothing important to the fic itself so if you're comfortable with the presented dead dove content- you are more then welcome to skip this entirely. i hope you enjoy/enjoyed reading!

cw very long discussion about fictional incest. just me yapping.

this fic is the first long-form incest fic im publishing on ao3 in general but also the first dc fic i am posting for love and deepspace which has a very wide audience. i've been warned a few times about antis and whatnot but i don't make this post trying to specifically address them but to kind of briefly weigh in on my choice to write caleb and mcs relationship this way

despite the english localization and how it attempts to scrub out the incestual element of caleb and mcs relationship - i don't think you can remove this aspect without butchering calebs character almost entirely.

i would go as far as saying removing the familial aspect of calebs feelings and reducing him to close childhood friend makes him as significantly less moving and less interesting.

i also think a lot of the story's thematic choices and motifs (forbidden fruit for example) do not make sense unless you consider the relationship between mc and caleb as siblings first and foremost.

the level of intensity and emotional angst just really explicitly does not work the same. there's no reason for mc to react to romantic advances with such guilt and denial towards a character she explicitly considers a friend.

there is also no reason for caleb to feel explicitly responsible for behavior in the way he is in canon.

caleb and mc being siblings is a crucial aspect of their relationship - and it is also crucial to note they experience a conflicting sense of mutual attraction in the years they grow up that way. evidenced in multiple of the cards.

also in literally every other version of the game (cn, jpn, kr) it is affirmed explicitly that caleb views himself as mcs brother SDKFJSD.

for all of these reasons i wanted to explore the nature of their relationship and play with some of the discomfort because i think it makes for an interesting story. i dont think caleb sees being mcs brother as contradictory. his denial of their relationship feels intentionally hurtful to mc in order to make her address the uncomfortable underlying attraction imo. caleb wanting to be everything to mc being literal in nature. this is why he can also act very parental towards her despite the small age gap.

i can understand why incest in this regard might be uncomfortable for some of you to engage with, and i respect your feelings and your choice but i do encourage you to look beyond the moral taboo and try to examine the themes that come with incest like forbidden romance and co-dependence and think critically about how it impacts the story

and if you are still uncomfortable comfortable engaging with it, feel free to click off !! genuinely i get it, its not for everyone. but please do so without judgement of those who are comfortable. no real people are exploited in writing this. it is all make believe and for fun

all that being said, i hope you like this fic that made me crazy.

love,

fang.

[rawstfish]

The other problem is that when I talk about König, she feels like an OC. But I'm honestly not trying to treat her like that, it's just genuinely how I view her character

[happy10thousandyears]

seeing any fan content about gall/ifrey the series kinda triggers me I’m sorry

[somewhereincairparavel]

a huge chunk of the pjo fandom has turned into such a superficial, judgemental and PROBLEMATIC group who defeat the purpose and point that the books were trying to make, it's so fucking atrocious. the prime example of mischaracterizing/reducing the value of characters who are already misunderstood/misjudged in canon. this fandom does this to every.single.character.ever omg

percy jackson is so relatable to many people is because he didn't have to capacity to absorb textbook knowledge but was HIGH on street smart knowledge that got him to succeed. the whole point of his character is that he had low self esteem because he was ridiculed at school by the faculty and the students for being a 'dumb' and 'useless' guy that made him think he's an inconvenience to his mom. the baggage he carried is so overlooked.

the fandom saying stuff like 'annabeth had adhd and dyslexia too but she carried percy' is so fucking disrespectful. one, she's an athena kid who's supposed to be smart that's like the whole point, and that does NOT mean percy wouldn't survive without her. he's a DIFFERENT character and he doesn't need to be a scholar to be a powerful demigod who has his own identity. stop belittling him and comparing all of their adhd/dyslexia struggles. just because annabeth is smarter does NOT mean percy has less value than her, and that whatever comes out of his mouth is just silly gibberish, which is exactly what y'all are trying to imply. no he did NOT get by with just "luck" he's smart and capable enough to actually achieve things. It isn't rocket science.

making jokes like his only purpose is to have a goofy personality and wondering how he 'pulled' annabeth is NOT cute whatsoever. just deprives him of his canon developement and fails to recognise him as an important person because he is not book smart. the level of belittlement. in a way rick also contributes to this character assassination because he added another scene of piper saying something along the lines of 'thank god annabeth is there to keep percy from going wild/doing something stupid' like no miss girl

I could go on about how the fandom infantilizes nico, brushes of hazel's flaws/traits because she's a 'smol' bean (when she literally cusses out octavian, why do y'all hate the idea of her being bold/badass when she literally is??) belittling frank's power because he's 'just an innocent goof', saying stuff like 'in my head leo is a tall guy because rick did him dirty with the height when he is so hot' that's basically implying that he loses his attractiveness because he's short and wanting to confine him into those toxic masculinity standards

slandering rachel and calling her a pick me for liking annabeth as though annabeth already had a claim over percy in BOTL when he wasn't even in a relationship and even had a small liking to rachel (belittling BOTH rachel and percy in the process, is percy not allowed to have feelings too? is he only obligated to like annabeth?), also with the fandom's clear misogyny in their treatment of nico liking percy vs rachel liking percy, go on a moral policing hunt when it comes to jason, piper and percy but goes right ahead to defend and glaze luke's behaviour to annabeth, percy and silena (also victim blaming silena because she was manipulated as a teenager by a fully grown adult who KNEW what he was doing, using her)

stubbornly not wanting to recognise jason as an important character and reducing him into a 'whiney pick me guy who wanted everything to be about himself' and that he's 'boring' not realising that his abusive environment both as a baby and as a teenager suppressed him into struggling and not being able to feel worthy to even have feelings of his own, villianizing and getting on pipers throat for calling percy unimpressive simply because she LOVED and was LOYAL to her then boyfriend?? is she not allowed to have a preference??? heck id be more concerned if she did call percy hot whilst being in a relationship wtf.

and DONT get me started on the grover belittlement and erasure please, saying that percy and grover are only annabeth's 'sidekicks' on quests, as though he wasn't capable to go on a hunt for pan all by HIMSELF not knowing he'll ever be back.

[sundrop-writes]

Meddle About

Sub!Spencer Reid x Dom!Fem!Reader

‘Cause it's not just a figure of speech - you got me down on my knees.

It's gettin' harder to b r e a t h e .

Summary:

You hate it when Morgan teases Reid. So when Morgan says that you are Reid's 'Mommy' - you verbally fire back without even thinking about it.

Reid vastly overthinks it.

So much so that he ends up calling you Mommy by mistake. And you definitely don't hate the sound of that word coming off his lips.

Sub!Spencer Reid x Dom!Fem!Reader. Co-Workers to Lovers. Smut. Set during Season One.

Word Count: 6,300

Criminal Minds Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

Warnings: general smut fic - porn with some plot; dom/sub dynamics (but this isn't a pre-discussed dom/sub relationship, the characters just fall into these roles naturally), Spencer is submissive and the reader is dominant; the main theme is Mommy kink - Spencer discovers that he has a Mommy kink after a joke that Morgan makes, referring to the reader character as Spencer's Mommy; Spencer calls the reader 'Mommy' and the reader also refers to herself with that title; the reader uses she/her pronouns and has a vagina (and breasts); it could be interpreted that the reader has larger breasts/is plus sized (but I think anyone of any size could enjoy this fic); the reader is part of the BAU; this is meant to take place during season one (baby Spence my beloved) but there are no other major canon events mentioned and the case being discussed is one that I have made up; some very background typical elements of Criminal Minds - murder, killing, systemic vicimization of women/violence from men towards women (passing mention of bodies being consumed by wild animals); the reader and Spencer fuck while on a case (but they aren't endangering anyone's lives from lack of their attention, so it's fine); mentions of potential injuries from a car accident (theoretical - doesn't actually happen during the fic); very slight threads of Morgan x Reader (mentions of Morgan being attracted to the reader - it could be one-sided); very passing mention of Reid having breeding kink (doesn't take place during the fic, just one of his thoughts); for the actual smut section: this could be interpreted as virgin!Spencer but that's not explicitly stated here (at most, this is just inexperienced!Spencer) (the reader is definitely way more sexually experienced than him); praise kink (we all known Spencer is so eager to be praised); mentions of breastfeeding - Morgan makes a joke about the reader breastfeeding Reid, which later turns into faux breastfeeding kink (the reader doesn't actually lactate, but she lets Spencer suck on her tits and calls it breastfeeding); the reader calls Spencer: 'baby', 'good boy',; descriptions of subspace - but it's not specifically called 'subspace' in the text; thigh humping - Spencer humps the reader's thigh; cumming in pants (Spencer); multiple orgasms/overstimulation (Spencer receiving); handjob - the reader jacks Spencer off while he is sensitive after his first orgasm; using lube as cum; dumbification kink - the reader calls Spencer 'dumb baby' and generally enjoys seeing his intellect drop the more turned on he becomes (Spencer also likes being called this); technically the reader doesn't get to cum, but she gets turned on from treating Spencer like the good boy that he is (and this is more about him). I think that's everything.

A/N: This was directly inspired by the scene from Reid's birthday party, where Morgan says 'Mommy to the rescue!' (talking about JJ) and then Spencer says '...Mommy?' and it seems like he is discovering his Mommy kink in real time. Especially because he is then trapped between Elle and JJ and he makes direct eye contact with their boobs, and he just has such a look of scared kink realization in his eyes. I considered copying that moment exactly and just replacing JJ with the reader character, but this seemed like more fun lmao. I had so much fun writing this and I think this is one of my best fics in a while. I hope you guys enjoy it!!

...

Generally, you hated being stuck with grunt work. 

You knew that it was all part of the job - an important part of it. Paperwork, side interviews, background checks. Sifting through someone’s apartment looking for aspects of what kind of person they were based on their everyday life. 

But you thrived more on being right in the middle of things. You preferred interacting with suspects, chasing people down, harsh confrontation. 

Gideon said that you were overly controlling, impatient, brutally honest - that you had an ‘abrasive personality’ that put most men off. But that was why he often brought you into interrogations with male suspects. Many of the people you caught - men with superiority complexes who targeted the weak to make themselves feel powerful - they hated that you weren’t intimidated by them. That aspect of abrasion between you and the suspects often brought out a lot of information - things they spewed out trying to intimidate you. 

But you weren’t needed on that front today. 

No - instead, you were doing grunt work. The kind of work that made you impatient and generally aggravated. 

The only upside was that you got to do it with Spencer. 

He was one of the only men that voluntarily worked so closely with you so often, because he wasn’t intimidated by you. He took orders from you very well and naturally fell under your authority, bringing a natural chemistry to your partnership when you worked with him. Plus - his seemingly endless stream of ‘fun facts’ was like listening to the radio, which did help to soothe your boredom during these kinds of mindless tasks. 

You were on a case in Texas. Five women raped and tortured before having their bodies hung from a tree and consumed by cotoyes that the UnSub knew lived in the area. Since police had closed in on him, he had gone on the run. He had killed three more women since fleeing, while leaving no clues as to what his ultimate endgame would be or where he would be going next. 

Hotch sent you and Reid to find that out while the rest of the team worked victimology and profiled the scenes of the most recent murders, following the trail he was leaving. 

After spending hours sifting through the suspect’s house, looking for any small clue about where he might be going - you came up empty. When you touched base with Hotch, he told you that you and Reid would be going to visit the suspect’s ex-wife - who lived four hours away. You needed to interview her to see if she could give you any further insight to the man, and perhaps - beat him to the house if she was the ultimate target. 

(A lot of the victims looked like her, and it couldn’t really be a coincidence.) 

You knew that lives were at risk, and it was juvenile of you, but all you heard was: long, boring drive. Boring day. You hoped that Reid would be good company through it. 

Now, you were waiting outside of the police station in the bureau-issued SUV, waiting for Morgan to come and give you the file with the ex-wife’s address and contact information. 

“Did you know that over forty-six percent of Texans own a gun? Texas is second only to Montana in registered gun ownership, where over sixty-six percent of citizens proudly tote their right to bear arms.” Reid told you, continuing to look over the case files that were sitting in his lap. 

When you looked over toward him to reply to this odd factoid, your mind got caught up on something else. 

“Reid, come on, take your feet off the dashboard!” You told him, reaching over to gently smack his knee, trying to encourage his legs down from the awkward position. 

It bothered you for several reasons - the idea that he would leave shoe prints on the dashboard, which was minor and cosmetic, but still annoying. And the fact that if the car did happen to get hit head-on, the air-bag would explode out and push his knees into his chest, causing his shattered leg bones to pierce his organs and possibly kill him. (At the very least, he would never walk again.) 

Speaking of which: 

“And put your seatbelt on!” You barked, now noticing that he wasn’t wearing it past all of the files he had piled into his lap. “You of all people should know how many deaths are caused by not wearing a seatbelt.” 

Spencer opened his mouth to spout out this exact statistic, but before he could get the words out, another voice entered the conversation. 

“Aw, Reid, listen to your Mommy.” 

You were almost startled by Morgan’s voice coming from the open driver’s side window so suddenly. His appearance there as if out of nowhere was so jarring that you couldn’t get caught up on the way he had called you Reid’s Mommy. Your head whipped toward Morgan so quickly that you didn’t notice the flash across Spencer’s features - worry, dawning. You didn’t take note of the way he rushed to comply with putting on his seatbelt. As if he was rushing to please you, even unconsciously. 

“I bet if you’re a good boy, she might even breastfeed you when you get there.” 

Morgan then pursed his lips and made loudly suckling noises, clearly imitating breastfeeding in what he thought was a comedic way. 

Again - glaring at the muscled man through the open window, you didn’t see Spencer’s reaction. You didn’t see the way his large, glassy eyes flickered to your breasts (only emphasized by your own seatbelt crossed over the center of your chest) before he forced himself to focus on the files in front of him so that he wouldn’t feel so caught.

“Shut up.” You told Morgan, your voice so commanding and firm that his simple order was enough to get him to stop his antics. 

“And give me the address already.” You held out your hand expectantly, and Morgan handed you the file, which you placed onto the center console. 

Then, you turned back to him for one last point, determined to have the final word in the conversation. 

“Besides, we both know that you’re the one who’s got an obsession with my breasts, anyway. Just because you stare while wearing sunglasses, doesn’t mean I don’t notice. My eyes are up here, pal.” You told him sharply. 

He let out a scoff at this, and rolled his eyes behind his dark frames - but he made no clever comeback. 

You had successfully bested him. And with that knowledge, you rolled up the window and left him standing dumbly in the parking lot as you sped off. 

… 

You pulled over later to put the address into the GPS system, and you let out a long-winded groan when you found that it was more than four hours away. Four hours and twenty five minutes. 

So you pulled over again to get gas and stocked up on snacks, and you were surprised that Reid wasn’t giving you some lesson about the colloquial use of ‘soda’ and ‘pop’ (thinking that you hadn’t listened the other ten times when he had gone on the same rambling point about linguistics and how language evolves). 

He was being far too quiet for your liking. 

But he was keeping his eyes glued to the files, and you guessed that he was churning over something in that big brain of his, like he usually was. 

You were entirely surprised when the next time he spoke - it wasn’t about the case at all. 

“How - how do you know that Morgan likes your breasts?” He asked, his voice low and mousy, looking straight ahead as he fidgeted with his hands in his lap. 

“What?” You gaped, the word flying out of your mouth as your brain was utterly slow to process what he had just said. 

Hearing Spencer use the word ‘breasts’ was jarring, but somehow utterly adorable. You found it stirring a slight heat within you. Especially because he was still so shy. The whole thing made you want to pin him down and force the shyness out of him. 

Spencer felt the need to further explain himself. 

“When - when you were talking to him, you said: ‘we both know that you’re the one who’s got an obsession with my breasts.’” He said, repeating back what you had said, word for word, using that perfect memory of his. 

You wondered if that’s what he had been doing, sitting there in his seat so silently for the past hour of the car ride - going over the conversation again and again in his head, trying to make sense of it. And because he couldn’t make any sense of it by himself, now he was consulting you. 

Again, you found it so utterly adorable. 

“Morgan didn’t deny it. So - was it a hypothesis based on something, or did you just call him out hoping that you weren’t wrong?” Reid continued, sparing only a singular glance in your direction, a look that you caught out of the corner of your eye with your gaze still mostly focused ahead on the road. 

You found it intensely cute that he was using the word ‘hypothesis’ in this situation. You wondered if he ever turned it off - the textbook big words and the intellect that he always carried himself with. You wondered if you could make him turn it off. You wondered if there was any situation where Spencer Reid could be as stupid as any other man - chasing a bone, desperate to get his nut off. 

For the first time ever - you imagined Spencer Reid underneath you, blabbering nonsense, begging for release with your hand around his cock as you pumped him, red and aching, so slick in your palm. Desperate, empty-headed, beautifully stupid. 

(See, this was what happened when you were forced to do grunt work. You got bored. And when you got bored - you had to entertain yourself somehow.) 

“It was a pretty well-informed hypothesis.” You replied. Now that Spencer had brought the topic up, you certainly weren’t going to shy away from the discussion. “Morgan often brings up my sex life, and wants to engage in detailed discussions about my sexual encounters with me. So I assume that he spends a fair amount of time thinking about me in a sexual way.” 

Reid let out a choked-off noise at this. 

You continued. 

“Plus, he’s always staring down my top. He’s not exactly subtle.” 

“You - you actually notice that kind of thing?” He chirped, his voice becoming a few octaves higher as worry flooded him. 

You bit your lip, suppressing a grin. 

Of course, you had noticed the times that Spencer stared at your breasts as well. He was even less subtle about it than Morgan was. You didn’t mind it when he did it, because you knew that Spencer wasn’t exactly casanova. He didn’t have a different girl every other week like Morgan did, so taking a glance down your shirt when he passed you a morning coffee was probably about as much action as he got. 

Secretly, letting him get away with it was your gift to him. 

“Don’t worry about it, baby.” You told him, the pet name slipping out mindlessly as you reached over and gently patted his knee as a form of reassurance. 

This movement unintentionally drew his eyes toward your chest, especially in his desperation to look anywhere but your face, not wanting to make eye contact with you. But he found his eyes glued to the swell of your breasts once again - hating how perfect they looked, even through the simple cotton shirt and plain bra that you wore. 

“Sorry, Mommy.” The word slipped out before he could even consciously process it. “Sorry!” 

Spencer raised a hand to smack his own face at lightning speed, and slumped down into his seat in embarrassment. 

You bit your lip to suppress a grin. It stirred a filthy heat in your belly. But you knew that Spencer likely needed a while to sit with this and wouldn’t want to talk about it - not yet. So you reached over and turned on the radio, letting the music fill the space so that the silence wasn’t so awkward and gutting. 

…

Spencer didn’t talk for the entirety of the rest of the car ride, which didn’t surprise you. 

When you finally arrived at the ex-wife’s house, his hands were shaking with nerves as he tried to unlatch his seatbelt. You probably should have just left him alone to struggle, but an evil spark, likely fueled by the boredom of the day, flared up inside of you. You couldn’t resist the urge to lean over the console, very purposefully showing off your breasts as you gently pushed his hands away and undid the belt for him. 

“Here, let Mommy get that for you.” You said, distinct teasing on your breath as you mumbled the words into his ear. 

Spencer huffed out a deep sigh and collapsed back into his seat, and pushed his hair out of his face in frustration. But he didn’t say anything more as you gathered the files in preparation for the interview. 

He only spoke when you moved to get out of the car. 

“Look, I-” He began a half assed explanation, and you easily cut him off. 

“You let Morgan get in your head too much.” You told him with a chuckle, opening your door and getting out. 

But as he forced himself to follow you with numb limbs - he knew that this definitely wasn’t all Morgan’s fault. 

… 

The ex-wife didn’t know much. 

She described the marriage as hell - the suspect exhibited all the typical behaviors as a husband that they would have expected. He hated women, and he wanted full control over his wife at the time, which eventually led down the path of divorce. They had to sell the house they had bought together, but neither of them had moved out of Texas since. But he hadn’t contacted her in years. 

She had two young kids from a new relationship, and when the woman stepped out to take a call, you picked one of them up to soothe his cries, hushing him gently while you rubbed his back. 

Because of this, Spencer found himself even more dizzy and confused. 

He knew that it was Frueadian - some deep, misguided part of his psychology - something broken and missing inside of him because of his own fractured childhood. 

But seeing you being so sweet with a kid, especially after the day he’d had - he wasn’t sure if he wanted to be your baby, or if he wanted to shoot his cum so deep inside you that it would ensure he could give you one. 

(Ultimately, he knew that it was likely both - and that didn’t answer any questions for him. It just gave him far more questions.) 

… 

Even though the ex-wife couldn’t give you guys much more than you already knew, Hotch wanted you and Spencer to stay close by in case the suspect decided to make his ex-wife the end game. The two of you would be able to make it to her first if she called for help. 

So you and Spencer had dinner at a random local barbeque place off the highway and Spencer still didn’t talk much through it, other than posing some theories about the case. Even though he was a bit more talkative, he still refused to look at you - he stared down at his plate the whole time. Though whenever he did look up, you noticed that his eyes lingered on your chest - and he still wouldn’t look you in the eye. 

By the time the bill came around and the two of you were ready to leave, you knew exactly what you had to do. 

… 

Spencer waited by the car with his bag while you checked in and got a motel room (needing to stay in town, you got a room for the night). When you came back, you handed him the room key and then moved to get your bag out of the car. 

“Do… you already have yours?” He asked quietly. 

“Hmm?” You hummed in reply, slinging the strap of your go-bag over your shoulder before you closed the back door and used the remote to lock up the car. 

“Your room key?” 

You suppressed another grin. 

“I only got one room.” You told him. “You don’t mind sharing with me, right?” 

You gave him a purposeful look - looked at him through your lashes, bit your lip slightly, and subtly squeezed your breasts together with your upper arms, emphasizing them. You knew exactly what you were doing to him, but hopefully it seemed subtle. 

“I - uh - no.” Spencer stuttered. “It’s fine. We can share.” He gave a grin, not wanting to appear upset, even though his entire body was racked with nerves. 

Spencer followed you to the room and he fumbled with the key with shaking hands for a moment before he sighed and then handed it to you. 

His insides quaked when he saw that there was only one bed. 

He wasn’t sure if he should say anything about it. The two of you had slept in the same room before, but you had never shared a bed before. Sure, you had slept near each other before. He had accidentally fallen asleep on your shoulder on the plane or vice versa. But you had never crawled into bed together with the intention of sleeping together. 

And yes, just the entendre behind it made Reid’s head spin. 

He had a heavy knot in his gut, and hatefully - a distinct stirring in his crotch. He could only imagine how embarrassing it would be for you to wake up and see him compromised in some way. Or god forbid, if you caught him moaning in his sleep because of unconscious dreams that he couldn’t stop - for you to think that he was some kind of dirty sex pervert because of it. 

He felt an overwhelming need to clear the air overtake him. He had no clue how to broach the subject, but he knew that he wouldn’t be able to spend the night like this. He wouldn’t be able to sleep with this anxiety hanging over his head. 

He studied you carefully as you sat down on the edge of the bed, ditching your bag off to the side and heaving out a tired sigh as you began taking off your shoes. 

Spencer put down his own bag and then stood there, fidgeting nervously as he searched for words. 

“I - uh - I am sorry about earlier.” He mumbled out the beginnings of an apology. “What Morgan said was stupid, and I-” 

“I don’t think it was stupid.” 

You let out a chuckle, and reached up the back of your shirt. Spencer found himself frozen, his eyes tracing your every moment as you unhooked your bra underneath your shirt and then moved to maneuver the straps out from your short sleeves while you kept talking. 

“I think he had a point.” You added on. “Good boys should get a reward. And I think you were fairly good today. You didn’t eat all your veggies at dinner, but you kept your feet off the dashboard and you were quiet during the car ride. You definitely get points for being patient during such a long trip, baby.” 

Your voice smoothed into a soothing tone, that word - baby - melting like butter over your tongue in a way that made Spencer’s knees wobble. He hadn’t known it until right now, but you calling him a ‘good boy’ and listing off such mundane things he had done that made him worthy of a reward fired off sparks inside of his brain. 

A breath choked off inside of his throat as you stood up off the bed and peeled your bra completely out from under your shirt. Somehow it was one of the sexiest things he had ever seen, revealing the hard peaks of your nipples and the beautiful natural teardrop shape of your breasts to him through the cotton fabric. 

Spencer wanted to speak, but his tongue felt so heavy and dry inside of his mouth. He knew that he was staring at your chest so blatantly now, but he couldn’t peel his eyes away. He couldn’t even feel ashamed anymore. 

That dull tingle in his crotch had turned into a full on stinging interest, and he unconsciously pulled at the fabric of his pants, trying to loosen some of the tension that was growing, not even considering how it might look to you - him dumbly reaching for his crotch to make it look looser when his hardening bulge was becoming more obvious by the second. 

It was one of the most ‘caveman’ things he had ever done in front of you - standing there with his mouth hanging slightly agape, pulling at his crotch without caring how it looked. You definitely wanted more, wanted to see how dumb he could get. How far you could make him devolve. 

“So what do you say, baby boy?” You hummed, stepping close into his personal space now, causing him to get a whiff of your perfume - something that was only a dull trace after such a long day, but still smelled so good. “Do you want Mommy to breastfeed you? Do you wanna suck on my tits as your reward?” 

You gently ran a thumb across his cheek, and paired with the words, Spencer’s brain short-circuited. 

He knew realistically that you weren’t actually offering to breastfeed him. There was no evidence in your life to say that your body could actually support the production of milk currently - but you were offering to let him play pretend. To suck on your tits with a very sexual air, to call you Mommy without the teasing humiliation behind it that Morgan had hinted at (or maybe Spencer liked that humiliation, he wasn’t even sure). (He hadn’t even known before this morning that he liked the idea of calling you Mommy, but here he was). 

All he could conjure in response was the dumbest, non-human sound. 

“Nngh.” 

It was a grunt from the back of his throat - too much blood swelling to his cock all at once and too much direct attention from you making him dizzy. 

You giggled quietly. 

“Come on, baby. Just say the word. And Mommy will give you everything you need.” 

Spencer inhaled sharply. At this point, he was desperate to get some oxygen to his brain. 

His mind was racing, chanting out: 

‘Yes! God, yes! I want it so badly, Mommy! I want anything you’ll give me. I need you. I need you so badly.’ 

But all his lips could form in the wake of such dizzying lust was: 

“Please.” 

“Good boy.” You sighed. 

You used a hand on his chin to tilt his face up to meet yours, and you consumed him in a kiss - he was hungry and eager to meet your touch, moaning loudly into your mouth, his hands racing to touch you now, rushing up to grip on your hips in the most utterly needy way. He balled the fabric of your shirt in his fists, like he couldn’t get enough of you - like he was afraid you would dissolve away if he let go of you for even a second. 

It was cute, to say the least. 

You only let the kiss last for a moment, though. You pulled away to a disappointed whine from Spencer, which you quietly hushed. 

“Hey, it’s okay baby.” You soothed him. “Come here. Mommy’s gonna take good care of you.” 

You lead him toward the bed, getting rid of his tie in the process, and Spencer stepped out of his shoes along the way. You slid onto the bed and laid up on the pillows on your back, Spencer clumsily following you, crawling on all fours. The two of you had barely started, but he was full-on panting now, racing to catch his breath while his blood hammered through his veins. 

He watched on with eager curiosity while you got comfortable, fluffing the pillow under your head before you then reached down and pulled up your shirt. You pulled the fabric to sit up under your chin, finally revealing your gorgeous breasts to him. 

If he was lost for words before, then he had receded back to a total neanderthal now. 

His mouth fell open and his salivary glands started working overtime as his eyes raked hungrily over your chest - enjoying the pure beauty of the fatty mounds, striped with zig-zagging stretch marks and completed by your hard peaked nipples. 

“Here, come on, baby.” 

You had to remind Spencer what the goal was, guiding him into place with a hand on the back of his head. You helped ease his body to lay on top of yours as he relaxed into you - and his mouth finally found its rightful place on your breast. He became greedy, suctioning hard on your nipple as though he might actually get something out of it. 

Truthfully, he did get something out of this. 

It definitely wasn’t any form of nutrition, but it was something that drove him lustfully insane and made his head fuzzy and warm in the best way. This was the only time in his entire life that he didn’t have ten thousand thoughts running through his mind like the news blasting on television in the background. This was the only time since his first conscious memory that he had actually known his mind to be quiet. 

He felt intensely thankful for it. Intensely thankful toward you for giving him this feeling. 

In that moment, without all the noise, all he knew was the comforting feeling of your fat tit under his mouth, the heat of your body under his own as you cradled him. The soothing firmness of your hands through his hair and down his back - and the distant, sweet purring of your voice in his ears. 

“Good boy.” You hummed, loving the feeling of him moaning around your nipple - so constant and so greedy now that you were sure he didn’t even know that he was doing it. “Such a good boy for me. Such a good boy for Mommy.” 

Your cunt was humming between your thighs, aching so hard at seeing Spencer like this. The usually composed, intelligent, practically robotic Doctor Reid reduced down to a blubbering, moaning, needy mess just because he wanted to suck on your tits. 

Just because you had called yourself Mommy a few times in his presence. 

It was so utterly beautiful, and you wanted more. 

(You didn’t think that you could ever let him go after this. You probably wouldn’t be able to stand the idea of another woman touching him after this. But you would have to think on that more later.) 

You noticed Spencer canting his hips, unconsciously seeking friction against his hard cock while he continued to suck on your breast. With his eyes closed blissfully, drool gathering around his lips where they met your skin in the most utterly adorable way. You couldn’t help yourself - you scooted your knee between his thighs. You then used a hand to help his hips into place, adjusting him so that he was getting good friction against your denim-clad thigh. 

“There you go. There you go, sweet boy.” You hummed, feeling another jolt through your body when he let out a sharper moan against your tit, and began humping your leg in earnest. 

You were quick to encourage him, putting both hands on his hips and helping him along while he greedily hung onto you. He had on your hip, the other hand slipping up to cup fingers around the bottom of your breast, making sure you didn’t escape him while he moved his body against you so frantically. 

“That’s just what you needed, isn’t it, baby?” You moaned out, your voice wavering slightly as the pleasure of it all thrummed through you. “Just a dumb little baby who needed Mommy’s tit.” 

The term ‘dumb little baby’ came flying out of your mouth before you could stop it. Though you knew exactly why it happened. Seeing such a brilliant genius reduced down to this truly did something to your ego. And apparently hearing those words from you did something to him, too. 

He whined sharply against your skin and his hips stuttered abruptly. You knew it wouldn’t be long before he came in his pants, his cock throbbing against the friction of your thigh. And this thought alone caused your mouth to run off without restraint. 

“Such a needy little thing.” You sighed. “You love being Mommy’s dumb baby, don’t you? Not a single fucking thought between your ears, just sucking on Mommy’s tit without a care in the world.” 

Spencer moaned and it sent another jolt through your body - another harsh pang through your cunt. You loved how much he needed you. You loved how much he was clearly eating this up. 

You didn’t even care if you got to cum tonight; you just wanted to exhaust him for all he was worth. Because he was so fucking pretty like this. 

“You gonna cum for me, baby boy? You gonna cum for Mommy? Come on, baby. Cum for me.” 

These words were what ultimately sent him over the edge. Well that along with your strong hands on his hips, encouraging him along while he was mindless and busy mouthing on your breast.

His jaw dropped open, finally loosening that desperate suction on your now slightly sore nipple as he began to pant frantically over your now spit-soaked skin. He moaned hotly while he humped you in an entirely adorable, almost distraught manner - absolutely desperate to have the most friction on his cock while his orgasm overtook him. 

You could feel his needy cock throbbing against you, trapped inside of his pants, shooting off hot ropes of cum that quickly soaked into his underwear and even then, seeped into the fabric of his slacks. You grinned and bit your lip as you felt that wetness even beginning to soak into your jeans, knowing he must have set off quite a big load. 

Spencer soon collapsed on top of you, gulping in air as he tried to catch his breath. 

Any normal person would have taken pity on him (seeing as he was clearly nervous and inexperienced) and wound things down to end the night here. Anyone else would have likely let him rest. 

But again, you felt devilish temptation overtake you. (It was a feeling that seemed to be much more ripe around Spencer Reid.) 

You just felt thankful that your temptation and inclination toward chaos came in the form of lust, rather than something more violent, like the people you studied every single day. Everyone around you should be thankful for that. 

You used your leverage (and the fact that you weren’t nearly as exhausted from the experience) to flip him over onto his back. He let out a surprised sound as his back made contact with the mattress - blinking up at you with shocked, glassy eyes as you moved down his body slightly. 

“Wha-?” He mumbled out the question, only getting out part of the word before you reached for the zipper on the front of his now wet pants. 

“Hey, shh, baby. I just wanna see you.” You told him quietly, causing him to stare down the length of his own body at your hands as you worked. 

You got the button and zipper undone quickly and you let out a quiet ‘fuck’ as you peeled back the wet fabric of his grey slacks to reveal the sight of his simplistic (very Reid) white cotton underwear slightly transparent and stuck tight to his cock, coated in wet, sticky cum. 

“So pretty baby.” 

He only whined in response. 

You couldn’t help yourself - you reached up and pulled down the waistband of his underwear, feeling more lust pricking through you as he was truly revealed to your eyes. He was perfect. Glossy and wet with his own release, his cock pinky red from the exertion and friction, still half hard. You pulled the clothes down over his hips and he lifted his body to help you, clearly glad to be rid of the mess, and the second you untangled the fabric from his ankles and ditched everything aside, you were back on him. 

You skimmed the tips of your fingers oh-so-lightly up his shaft where it was sprawled across his pelvis, and his hips jolted. He let out a bitter gasp - as though cold water had been splashed across him. 

“You said-” He choked on the words as you ran your thumb right underneath the crown, gently pressing into the head, causing him to choke on a moan while his knees quaked. 

You sat on his knees to keep him still and his head became so fuzzy once again. 

‘You said that you only wanted to look.’ 

The sentence died off in his lungs somewhere, and truthfully - he didn’t want to protest. He didn’t want you to stop. 

“Sens-sensitive.” He whined. “Too much.” 

“But you’re so pretty, baby.” You replied, your voice turning smooth and warm like butter again, melting over his whole body, causing all of his muscles to go soft and pliant for you. “Your cock is so pretty. I need to touch you.” 

He let out another strangled noise when you cupped your hand and took him fully in your grip this time, giving one good tug across his cock from root to tip. When you did this again, faster this time, his lungs seized inside his chest - trying to take in oxygen so quickly, as though he were drowning on dry land. 

“You gonna be good for me, baby?” 

“Yes.” He gargled back in response. “Yes, Mommy.” 

He was already so wet from cumming in his pants, and he let out a pathetic dribble of precum as you continued to move your hand - so it was an easy, slick slide. One that sent harsh shockwaves through him from overstimulation. Against his own will, he soon ballooned back to full hardness - becoming painfully swollen in your hand while you sped up your touch and closed your fist tighter around him. It caused the most wonderful hurt between his legs, and made a downright filthy wet sound as you pumped your grip faster along his needy cock. 

Spencer heard wailing and felt the soreness against his throat before he realized that he was the one making those desperate sounds. He distantly wondered what it might sound like to someone else, if the rooms on either side were occupied, if the motel would receive a noise complaint about some frail woman getting fucked to death by her husband next door - because that’s what he sounded like in his own ears. 

But any of those half-thoughts were chased out of his brain the second you flicked your thumb up over the head of his cock and your dirty mouth filled his ears once again. 

“Gonna milk this pretty cock, baby.” You told him, your voice firm. “You gonna show Mommy how much you can cum for me? Gonna show me what a good boy you are?” 

Spencer let out another pathetic sound, his body singing with pleasure at his pure need to prove to you that - yes, he was a good boy. 

He felt tears wet on the side of his face before he realized that he was crying, but it was all too good to ask you to stop. 

You used your other hand to cradle his balls and you swooped down to capture his gasping mouth in another kiss (a very messy, open mouthed kiss that Spencer could barely pay attention to). Spencer screamed into your mouth while he painted his stomach with cum once again.

You only stopped jerking his cock once you had truly milked every last drop from him, his hips seizing up off the bed and your hand almost slipping off him completely from how sloppily wet it was with more of his cum added to the mix. 

He was purely exhausted then. His eyes blinked heavily, struggling to stay open. He vaguely remembered you cleaning him off and tucking him into bed - but he definitely enjoyed falling asleep curled up next to your warmth. 

…

The next morning, Spencer felt hungover. 

He wondered if that’s what good sex always felt like - the combination of endorphins rushing through your body and physical exertion tackling you over. His legs were sore, as though he had run several miles. (Which wasn’t even something he could make a bold comparison to anyway, because he didn’t exercise nearly as much as he should for someone with this job). He woke up starving, grateful when you drove to a diner down the road after checking out of the motel and planted him in one of the booths before going outside to call Hotch in order to touch base with the rest of the team. 

You came back with a small grin on your face. 

“Turns out that tip the ex-wife gave us about their first house in Arlington was pretty solid.” You told Reid. “They caught the guy on his way there. He had another girl in the trunk. They got her back mostly unarmed, and took him into custody.” 

Spencer nodded. “That’s good.” 

When he moved to grab another sugar packet out of the caddy on the side of the table, three of them already open and empty beside his cup of coffee, you grabbed him by the wrist. 

“That’s enough, baby.” You told him. 

His stomach curled, that distinct feeling running through him again. And against his will, that word slipped out - again. 

“Yes, Mommy.”

...

A/N: This is a standalone oneshot. There won't be a sequel or a continuation, so please do not ask for one. If you liked the fic, please comment about the body of work that has been written, or consider reblogging to show your appreciation. If you want to see more Spencer Reid fics that I have written, you can check out my Criminal Minds Masterlist, or you can check out my Masterlists for other fandoms to see if anything catches your eye. Thank you for reading!

[lilislegacy]

Okay, I’m so gonna get hate for this. And it will probably get about 4 notes. This is, by far, the most opinionated thing I have ever posted on here. If you can’t tolerate criticism towards Rick Riordan, the books, or the TV show, please keep scrolling. My goal is NOT to change your mind or start arguments.

I also want to preface this by saying that I love and respect Rick Riordan (even if I disagree with him on things and don’t like some of his choices) and fully acknowledge that he has the right to do whatever the hell he pleases with his own series. I also want to say that I love Annabeth Chase (both the book and tv show version) with my entire being and you will never find me being an Annabeth hater. She’s my girl.

We good? Okay cool. So here’s the thing: I’ve seen a lot of people on here saying things like “If you didn’t like the books, you just don’t know how to have fun,” and “The new book haters are just mad that they aren’t the target audience anymore,” and (my personal favorite) “Nothing in the books has changed, only the readers have.”

And while I see your points, and I respect you, allow me to show you something. Because of the 10 picture limit, I am only going to focus on one specific change: Annabeth’s view of Percy.

WOTTG: Annabeth is surprised to be comforted by Percy

Past Books: Percy is constantly comforting Annabeth

WOTTG: Annabeth is shocked when Percy is smart

Past Books: Annabeth often points out that Percy is intelligent

WOTTG: Annabeth thinks Percy can’t do anything on his own, and Rick communicates that Annabeth is always saving his ass

Past Books: Percy is ALWAYS watching her back, and saving her ass just as much (and Annabeth admits that)

I could put a hundred quotes in here. I could go on and on and on. But I can’t, and I won’t.

My problem with this new book is NOT that it is more goofy than serious. My problem is NOT that little things have changed. My problem is NOT that it’s just for fun. My problem is NOT that it’s much more childish. (And by the way, I’ve read PJO and HOO as an adult, so it’s not like I was a child when I read everything else and am now an adult reading the new ones.) I really did like and enjoy many parts of this book.

My problem is that the characters (especially Annabeth) have flat out changed—in bad ways—and we have no choice but to accept it as canon. My problem is that Rick, while trying to merge his books with his new TV show project, is changing the entire personalities and past behaviors/ tendencies of the characters.

I loved Chalice of the Gods. You know why? It was fun, goofy, and showed the characters that we know and love being happy and adorable. I strongly dislike Wrath of the Triple Godess because the characters—no matter how adorable and happy they might be—are no longer the ones we know and love.

My problem is that Rick Riordan fully admitted that he no longer considers the old book characters when he writes the new books. He is now purposefully incorporating his own personal mixture of the book characters and tv characters and writing those versions instead. Because of his desire to change and transform the series, I doubt he’s even read the original PJO or HOO books in years, which is why everything is so inconsistent. The old book characters—the ones who made the series what it was—are gone. And that is not my opinion. Rick fully admits that he doesn’t imagine them when he writes anymore. Don’t get me wrong, I LOVE the tv show actors. I adore Walker and Leah and Aryan with my whole heart, and I wouldn’t trade them for anything. But the fact is: they will never be exactly like the book characters. It’s impossible for actors to become the words on a page. They’re their own unique version! And likewise, you cannot turn actors into print. It doesn’t work! And why would you try? The books versions were perfect as they were. And the disney kids need to make the characters their own. The two versions can exist side by side, equally as wonderful, and still be gloriously different. We should celebrate the uniqueness of both. But instead, Rick is attempting to merge them into one. And in my opinion, it’s just hurting them both. And I’m gonna get real brave by saying this, but do you want my honest prediction? If he keeps doing what he’s doing now, the TV show is going to get cancelled and the books are going to turn into a joke. I so, so badly hope that this doesn’t happen! I have loved Rick and PJO for many, many years. I badly want both to thrive. But what is going on right now… it is not working, no matter how much we all want it to. And speaking as someone who knows people in the TV/Film industry, I am sadly not the only one who thinks the show is gonna flop. Which is devastating, because Rick Riordan deserves a redemption on the big screen, and the incredible actors deserve to bring this series to life in a new way.

I am not trying to force my opinions onto anybody. You are welcome to disagree with me and move on. I am not saying that I’m right and you’re wrong. If you disagree, that’s okay. If you agree but you don’t have a problem with it, that’s okay. In fact if other people have literally no issues, that makes me somewhat happy. And if you loved the book, I’m honestly so stoked for you. Feel free to just keep on scrolling, my friend.

But me? I’m sad. I’m really, really freaking sad. And I’m a little angry too, even if I don’t have a right to be. I can’t help it because I’m only human. But this is how I—and a lot of other people—feel. And you know what? That’s okay too. Because the fact of the matter is:

Annabeth isn’t the same Annabeth anymore. And Percy isn’t the same Percy anymore. And it’s not because they went through trauma, or because time has passed. It’s because Rick Riordan doesn’t have any interest in writing those versions of them anymore. And I think the comparisons between the old and the new show that fact pretty clearly.

[juniperskye]

And I’ll do it again.

Based on the following ask: Please may I request a Hotch x female reader established relationship fic where reader has a daughter that goes to school with Jack (a few grades above him) and reader and hotch get called in to the principal's office because the daughter hit some kids who were bullying Jack about Haley's passing.

Reader's daughter is sitting there all like "and I'll do it again if anyone messes with my brother" and how the family unit reacts to the situation? – UGH I love this! Reader’s daughter shall be called Emmy also Bolded text is the reader and italics are Hotch – just on phone calls.

Aaron Hotchner x Fem Reader

Angst (tiny bit)/Fluff

Word count: 1251

REQUESTS ARE OPEN - not edited - please be kind. Requests are open and feedback is welcome if it's constructive!

Warnings: My blog is 18+, minors DNI, some explicit language, no use of y/n, reader has some sort of office job…but no description given, Fem reader, reader has no physical description, canon typical violence, mention of Jack, reader has a daughter named Emmy who is 12, Jack is 9, blended family, reader and Hotch live together but are not yet married, mention of bullying, mention of a punch to the face, let me know if I missed any!

I do not consent to having my work translated or reposted to any other site. That being said I do not own the characters portrayed in this story.

“Hello?”

“This is she.”

“I’m sorry, what was that?”

“And you’re saying it was Emmy? Are you sure?”

“This has to be some sort of mix up. Emmy has never been in trouble.”

“I’ll be right there.”

--

“Everything okay?” Sarah, your coworker asked.

“No. Apparently Emmy punched a boy at her school. They need me to come down there, they’re threatening to suspend her.” You scoffed.

“Oh shit. Emmy? There’s no way she’d just punch someone for no reason. It has to be a misunderstanding.” Sarah agreed.

“Exactly. I’ll text you and let you know if I’ll be back in today. My assumption is no, but we’ll see.” With that you grabbed your bag and coat and made your way to the parking garage.

--

Your phone rang the moment you started your car.

Hello?

Hey sweetheart, I just got a call from the kids school, I’m on my way there now.

Wait, they called you about Emmy too?

Emmy? No, they called me about Jack…I guess some boys were picking on him. What happened with Emmy?

The school called and said she punched some boy. I think I might know the reason now.

--

Aaron and you arrived at nearly the same time, sharing an exasperated chuckle at how ridiculous this all seemed. Jack and Emmy were both good kids, neither had ever been in any trouble at school before.

Aaron took your hand as you headed up the front steps and into the school’s office. He gave your hand a squeeze of reassurance as you told the receptionist why you were there.

“The principal will be with you in just a moment.”

The two of you stood off to the side waiting to be called back. Aaron was whispering encouraging words to you, noticing the stress taking over your form.

“YOU!” A man shouted as he walked into the school. “Your daughter is the one who assaulted my son!”

“Excuse me?” You gasped.

Aaron moved to step in front of you, fully ready to protect you from the wrath of this man. But you placed your arm out to block him. You had this under control and didn’t need him to save you…not yet anyway.

“Why don’t you calm yourself down until we hear the full story. And I don’t appreciate you loosely throwing around accusations of assault. You’re a lawyer aren’t you…Sean’s dad, if I’m not mistaken.” You looked to Aaron for confirmation. “I thought I recognized you from soccer. You’re the pompous jerk who takes all his phone calls on speaker and disrupts the entire game. I digress, I would think a lawyer would be familiar with the notion “innocent until proven guilty”.” You smirked.

Aaron choked on a laugh, he was constantly in awe of you and how your fearlessly fought for the ones you loved. He figured if Emmy truly had hit someone it was to stick up for someone. Like mother, like daughter.

“The principal will see you now.”

--

“Okay, so I’ve taken statements from nearly a dozen students, and it is very clear to me what has happened here today.” The principal began. “I think it would be best if your children all shared what happened.”

“That girl punched me in the face!” Sean cried, adjusting the icepack he was clutching to his face.

“And I’ll do it again if you or anyone else messes with my little brother.” Emmy sneered.

“Emmy! We don’t resort to violence.” You scolded.

“Mom, this kid and all his little friends were picking on Jack. If the teacher’s weren’t going to help, then I was.” Emmy tried to justify.

“Is that true Jack, was Sean picking on you?” Aaron questioned.

Jack nodded shyly.

“What happened bud?” Aaron pressed.

Jack shook his head, clearly distressed about the situation.

“They were saying that you aren’t his real mom. They were laughing at him and telling him that you weren’t his mom, you’re his “fake mom” because his real mom is dead!” Emmy exclaimed. “Jack was asking them to leave him alone and the cornered him. That’s when I went over.”

“Jack, honey, is that what happened?” You asked gently.

“Yeah. And when Emmy came to help they said she was my fake sister. I told them that wasn’t true and then Sean said that you and Emmy wouldn’t stick around long…and then I’d be without a mom again.” Jack cried.

“That’s when I punched him.” Emmy admitted.

“Sean! Do you have anything to say for yourself?” His dad questioned.

Sean turned his gaze to the floor and shook his head. Knowing he was caught and surely in trouble. His dad met your gaze and gave you an apologetic nod.

“The other students reported something similar. So, I’d like to discuss punishment. We have zero tolerance for bullying on this campus, especially violence.” The principal stated.

“I understand that Emmy shouldn’t have lashed out however, she was sticking up for her little brother. I don’t think that it is fair that she be suspended. It’ll set a precedent for other kids that there are consequences for sticking up to bullies.” You argued.

“I understand that, but if she receives no punishment, then it gives off the idea that kids can go around punching others and not receive punishment for it.” She retorted.

--

The conversation went back and forth for quite a while trying to agree on the best solution. Ultimately it was agreed that Emmy and Sean would leave for the remainder of the day. Emmy would have three days of detention, while Sean had a three-day suspension and subsequent meetings with the school counselor to work through whatever it was he was going through.

--

“We will see you guys at home.” You called over to Aaron.

“Drive safe baby, I love you!” Aaron replied.

“I love you more!”

Emmy and you drove in your car so you could talk to her, while also giving Aaron the chance to talk to Jack privately about the loss of his mother.

--

“Are you mad?” Emmy whispered.

“Mad? I mean, you know better than to hit people Em.” You glanced over at her.

“I know mom, but you should have seen it. Jack was backed into a corner crying while that jerk talked about his dead mom like it was nothing. Ugh, it just made me so mad!” Emmy raged.

“I know honey. Next time, hands to yourself…got it?” You confirmed.

“Got it. Sorry mom.”

The two of you drove in silence, Emmy resting her head on the window as you mentally processed what had all just happened. You couldn’t help the warmth that bloomed within you at the fact that Emmy had called Jack her little brother, and she stood up for him at school. It gave you a little more confidence in the fact that, if you and Aaron did get married, the kids would be okay.

“And I’ll do it again” You muttered, huffing out a laugh, “that’s pretty badass.”

Emmy looked over at you and smiled, the both of you falling into a fit of laughter as you pulled into the driveway beside Aaron’s car.

“What’s so funny?” Aaron inquired, as Emmy dragged Jack into the house with the promise of ice cream.

“Nothing. I’m just really happy that they see each other as brother and sister.” You beamed, leaning up to kiss Aaron.

“Does this mean you’re ready to talk to them about us getting married?” He pressed.

“Yeah, I think it’s time.”

Taglist: @angellsell

[felassan]

Original post:

amirdrassil: "datamined veilguard character descriptions google doc is now complete. i've even organised all the characters into their respective factions and added a clickable table of contents!! yippee!!! [link]" [source]

Please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

DA:TV spoilers and long post under cut.

VEILGUARD DATAMINED CHARACTER DESCRIPTIONS These are all taken directly from the game files; wherever a character had interesting additional information such as accent, age range, or appearance, I’ve also included it.

GODS & SPIRITS

RETURNING CHARACTERS

COMPANIONS

CROWS

VEIL JUMPERS

WARDENS

SHADOW DRAGONS

LORDS OF FORTUNE

MOURN WATCH

KAL-SHAROK

MISCELLANEOUS

UPDATE (19/11/24): Added Teia, Viago, Anaris, Aelia, Hezenkoss and Rana.  (Thank you to @/ZILVYR on Twitter for finding these ones!) I did my best to look through the files as thoroughly as I could, but if you find any more I missed, feel free to DM me on Twitter (@amirdrassil) and I’ll add them with thanks. :-)

I’m adding a disclaimer here, because I’ve seen a lot of people treat these datamined descriptions as absolute canon. Many of them are remnants of scrapped or altered storylines, meaning that they no longer align with the finalised story that the game presents.  Please take everything you read here with a grain of salt, and where the game’s content itself directly contradicts the datamining, the former should always take precedent over the latter. At least as far as “canon” goes! And of course, it goes without saying, but please don’t use any of this datamining as an excuse to be mean to anyone; please understand that game development is a lot of hard work, and storylines are scrapped all the time as writers get new ideas or are faced with inevitable roadblocks from the game system side of things! No matter what, Veilguard was made with love. Anyways, feel free to use any of this as fuel for fanfiction, fanart, headcanons, or just healthy discussions about what the game might’ve been.  Thank you very much, sorry for rambling and please enjoy!! :-)

GODS & SPIRITS

SOLAS AGERANGE: 40 CHARACTERDESCRIPTION: Solas, from the previous game. (Some characters also have a TTS voice assigned to them, and Solas’s is “PeterSad22k_HQ”, which makes me laugh/cry, as no other major character so far has had their TTS voice specified as being the “sad” variant.) ELGAR’NAN AGERANGE: 99 ACCENT: British Isles; an ancient contemporary of Solas. CHARACTERDESCRIPTION: Ancient elven god-king. Blighted. GHILN’NAIN AGERANGE: 35 ACCENT: British Isles; an ancient contemporary of Solas CHARACTERDESCRIPTION: Ghilan'nain is our sinister Mad Scientist god. Analytical and curious, she uses magic to mutate people into powerful but disturbing forms. She often lists things in a clipped fashion, cataloguing as she sees. She's obsessed with experimenting on all kinds of living beings, viewing everyone (except her fellow god, Elgar'nan) as potential "stock". She's pitiless about her work—Ghilan'nain will happily slice open a hundred people for parts—but is not purposefully sadistic. It's nothing personal. She can be angered, however, by people interfering in her plans. When she is, rage runs cold. Some backstory: Ghilan'nain is an ancient, now corrupted, elven god. She rose to power thousands of years ago by creating living wonders, and had the distinction of being the only mortal elf uplifted into the pantheon. She embraced the corrupting power of a force called the blight in order to improve her magic, and has been unalterably twisted by it over the centuries. BETRAYAL OF FELASSAN CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, Solas's murder of his friend Felassan by stabbing him in the back).

FALL OF THE PROTECTOR CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the death of Mythal). SLAUGHTER OF THE PILLARS CHARACTERDESCRIPTION: A powerful undead born from Solas's regrets and betrayals (in this case, the murder of the Titans). SPIRIT OF PROFIT CHARACTERDESCRIPTION: A Spirit of Profit who has set up shop in the Crossroads. They are friendly, but very single-minded and tend to speak in one or two word sentences, mostly about profits. SPEECHPATTERN: Simple, clear expressions of intent. This merchant is a spirit with a singular mind (i just thought this one was neat!) GENERAL FELASSAN AGERANGE: 40 CHARACTERDESCRIPTION: The second in command of a resistance army. You've an elf who's fought against the tyranny of your gods, cruel despots who've enslaved your people. You're practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn't quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance. THE CARETAKER SPEECHPATTERN: Simple, mysterious, with a sense of vast wisdom and power ARCHETYPE: Angel / otherworldly helper who gives the player what they truly need, not necessarily what they think they want. CHARACTERDESCRIPTION: A mysterious masked and cloaked spirit. They are patient, otherworldly, and helpful... in their own way. The Caretaker is the guardian of the Lighthouse, a magical shelter. Unknown to the player, the Caretaker is what remains of a truly ancient dragon, who long ago took on the form of this spirit. Underlying their patient and otherworldly nature is a sense of strength. The Caretaker was summoned centuries ago by ancient elves, the original builders of this place. Now it has new inhabitants: the player and their friends. You're guiding them through the mysteries of the Lighthouse, but do not give any straight answers. It's important to you they bridge the gap themselves. NOTE: The Caretaker is referred to as they/them because they're a supernatural entity (as opposed to the more normal human non-binary characters in the game.) We'd like a feminine voice to differentiate them from some of the other spooky/mysterious spirits in the game who sound masculine (e.g. Vorgoth.)

SPIRIT OF CHAOS CHARACTERDESCRIPTION: A spirit of chaos and freedom, unleashed by Solas to break through a labyrinth to his ally Mythal. SPIRIT OF NEED CHARACTERDESCRIPTION: A spirit heavily implied to be the Caretaker in another era, speaking with Solas about the attempt to rescue Mythal. Speaking with the spirit, Solas makes it clear that he will sacrifice anything to save Mythal. ANARIS AGERANGE: 35 (no other info except what’s in cyrian’s description) XENON THE ANTIQUARIAN CHARACTERDESCRIPTION: A nobleman who made a deal for immortality which did not include eternal youth, Xenon is the master of the Black Emporium, a shop selling curiosities from his personal collection of magical items.

RETURNING CHARACTERS

THE INQUISITOR AGERANGE: 30 APPEARANCE: Inquisition uniform under a long cloak with hood. ARCHETYPE: Relatable leader and mentor CHARACTERDESCRIPTION: The Inquisitor, the protagonist from DA:I. Confident, knowing, they are still the head of a powerful organization, but now act in a mentor role. They would bring too much attention if they get personally involved, so they are looking for the right people to act for them. CHARTER AGERANGE: 30 CHARACTERDESCRIPTION: A returning character from DA:I, Charter serves as Rook's link to/mouthpiece of the Inquisitor and what's left of the Inquisition. VARRIC CHARACTERDESCRIPTION: Varric! DORIAN CHARACTERDESCRIPTION: It’s Dorian! MORRIGAN AGERANGE: 40 SPEECHPATTERN: Morrigan-y. CHARACTERDESCRIPTION: Returning character from previous games. ISABELA AGERANGE: 50 APPEARANCE: Well-aged but perfectly maintained warrior gear for close and brutal fighting. Two possible appearances, depending on how the player resolves her past: 1. Dark black dyed hair 2. Red hair with streaks of grey CHARACTERDESCRIPTION: Isabela from Dragon Age II

COMPANIONS

HARDING AGERANGE: 29 ARCHETYPE: Girl-next-door CHARACTERDESCRIPTION: Scout Lace Harding, from Inquisition. It's been almost a decade and Harding's a little older and wiser, but she still thinks of herself as the simple country girl from Ferelden. Harding is cheerful and friendly, and always tries to be positive. She is kind, warm and compassionate, quick to laugh and slow to anger. EMMRICH AGERANGE: 50 CHARACTERDESCRIPTION: Follower - will have an audition script. MANFRED CHARACTERDESCRIPTION: An undead skeleton that serves as Emmrich's faithful assistant and companion. Manfred is curious, loyal, innocent, and wants to be helpful. He doesn't speak at first, only replying in hisses that express his mood. Over the course of the game, however, as he learns more, Manfred eventually surprises everyone by speaking in short, one or two word sentences. ASSAN (listed as “GRIFFON”) CHARACTERDESCRIPTION: Davrin's griffon. A VO character so he can squawk and screech during banter and ambients. LUCANIS AGERANGE: 36 ACCENT: Hint of Italian, but not as strong as Zevran's. (He is from a coastal city in Antiva, which had an influx of Tevinter refugees from Seheron after the Qunari invaded 100 years or so ago. That’€™s why he looks and sounds different from Zevran and Josephine.) APPEARANCE: Lean, sinewy, handsome, but haunted Antivan human man. Mid thirties. CHARACTERDESCRIPTION: Once the heir to the First Talon and the Antivan Crows' best mage killer, Lucanis now bears scars both physically and mentally from his time as a brainwashed executioner for an evil mage cult. No longer the pragmatic assassin always in control, he wrestles with becoming what he’s spent his life hunting: a demon-possessed abomination. He longs to return to his former glory, but the monster inside him demands blood and vengeance. With his future hanging in the balance, Lucanis must decide whether to give into the demon or control it.

DAVRIN (he doesnt have anything aaaaa) BELLARA (she doesnt have anything either aaaaaaaaaa) NEVE AGERANGE: 30 CHARACTERDESCRIPTION: A mage who knows the streets of Minrathous, Neve helps investigate crime in Tevinter's capital. Hired by Varric to assist in the fight against Solas, Neve brings her unique blend of time and ice magic, along with her investigative skills, to the team. Neve is clever and driven, with a dry-but-playful sense of humour. She can be cynical about the world - especially Minrathous - but she believes in doing the right thing herself and has a strong sense of duty. TAASH CHARACTERDESCRIPTION: Taash is a Qunari agent with a specialization in infiltration -- a thief, basically. She can scale buildings, pick locks, and take out enemies with quick and brutal efficiency. She is also blunt and laconic -- more likely to answer with a single word than give you a big long monologue. She's not grumpy as much as badass deadpan -- she doesn't trust people in general, and she doesn't like thinking or talking about her feelings, but she believes in what she does. (Taash correctly has the “NonBinary” gender tag, but unfortunately the CharacterDescription field misgenders them. However, it also seems there are some things here and there that changed in early development, like the Qunari agent thing.)

CROWS

TEIA AGERANGE: 28 ACCENT: Italian/Spanish SPEECHPATTERN: Warm APPEARANCE: Elven female, mid to late twenties CHARACTERDESCRIPTION: Passionate, showy, hot-blooded, flirtatious, and arrogantly confident. Teia believes she's a celebrity athlete who will die gloriously before she gets old and live forever in song. She has no guilt about being an assassin, and thinks anyone who judges her for it just doesn't understand how things work in Antiva, or indeed anywhere in the world where powerful men play games. Abandoned as a child, she has a soft spot for the downtrodden. VIAGO AGERANGE: 32 ACCENT: Italian/Spanish SPEECHPATTERN: Formal, hint of snobbiness APPEARANCE: Human male, early thirties RACE: Human (Brazilian) CHARACTERDESCRIPTION: Calm, ambitious, and ruthless, Viago is the bastard son of the late King of Antiva. As a high-ranking member of the Crows, Viago has just as much influence as the Monarchy, but he still resents the fact that he is not a legitimate heir and feels his birthright was stolen from him. Beneath his cool exterior is a lot of anger and frustration. He will not be satisfied until he sits upon a throne. ILLARIO AGERANGE: 35 SPEECHPATTERN: Charming but with a hint of smarminess. ACCENT: Italian APPEARANCE: Ativan pretty boy CHARACTERDESCRIPTION: Antivan pretty boy. Mid 30's. Illario is a power hungry assassin who cares only for himself. On the surface, he is a fun-loving, upperclass Antivan with a weakness for wine, duels, and gambling. But beneath that shallow facade is a calculating, ambitious man with grand plans for the Crows.

SPITE SPEECHPATTERN: Taunting, sing-songy, creepy CHARACTERDESCRIPTION: The demon trapped inside Lucanis's head. Spite was once a Spirit of Passion drawn to Lucanis's will to live, but years of torture and a desire for revenge has twisted him into a Demon of Obsession. CATERINA AGERANGE: 80 ACCENT: Italian/Spanish APPEARANCE: Older Korean-Spanish or Korean-Italian woman (from the same region as Lucanis). Can easily play the part of both sweet grandmother and mafia boss. CHARACTERDESCRIPTION: The Godmother of the Antivan Crows. Sassy, ruthless older woman of power, who will do anything for the success and protection of her family/house. ZARA AGERANGE: 35 APPEARANCE: Beautiful human mage. Mid 30’s. SPEECHPATTERN: Soft and teasing with a Tevinter accent. Upperclass, so formal, but not cold. More of a sensual snob than an ice queen. CHARACTERDESCRIPTION: A vain, hedonistic Tevinter Magister, who uses the blood of her slaves to stay young and beautiful. She is Lucanis's nemesis and is the one responsible for forcing a demon inside his head. CALIVAN AGERANGE: 55 SPEECHPATTERN: Formal, snide CHARACTERDESCRIPTION: Calivan is the prison warden in charge of the Ossuary. He is as cruel as he is curious and likes to experiment on his inmates with blood magic. GOVERNOR IVENCI AGERANGE: 45 SPEECHPATTERN: Formal, curt, demanding APPEARANCE: A Trevisan government official. They don't go around armed, because they secretly know they don't have anything to fear from the occupation. ARCHETYPE: Money-respecting Official demanding the heroes stop disrupting the status quo. CHARACTERDESCRIPTION: Governor Rayan Ivenci is a non-binary human, about 45, Trevisan with a Caucasian appearance. They used to be a mercenary and still have the skills, but have softened somewhat as they aged. They have been a government official for a decade, and have grown sick of being a toothless figurehead. The Crows are the true authority in Antiva, relegating officials like Ivenci to almost symbolic bookkeepers. Ivenci thinks the Crows are spoiled mascots, and Treviso should be ruled by serious figures who don't waste time on petty rivalries and theatrics. Ivenci allowed the occupation and has made steady profit from it, selling out Treviso with the intent that the Crows would be killed fighting the Antaam, expecting that and when Antiva eventually ousted the Antaam, Ivenci would solidify power before Crow houses in other cities could re-establish here. Under Ivenci, Treviso would be the thin edge of the wedge that ended the Crows power. But the Butcher didn't rampage, and didn't kill all the Crows. This has left Ivenci pretending to help fight the occupation, while also chastising the Crows for stirring up trouble. Once the Butcher is dead, Ivenci casts aside any pretense and simply takes power.

FLETCHER AGERANGE: 30 SPEECHPATTERN: Measured, serious. ARCHETYPE: Connected merchant guild leader ACCENT: Antivan APPEARANCE: Fletcher is a tradesperson and a skilled combatant with a bow. They are always dressed for travel. They aren't flashy, preferring to appear as their own guard instead of a merchant hawking wares.  CHARACTERDESCRIPTION: Fletcher is a human Crow with merchant ties. Skilled in bows and ranged support, they are kitted for travel and protecting people and goods on the move. They are non-binary, tall with a thin build that codes slightly feminine. Ethnicity can be anything.

HEIR AGERANGE: 40 SPEECHPATTERN: Calm, measured. Almost dispassionate. ACCENT: Orlesian APPEARANCE: She is pale with short dark hair and an Orlesian accent. Dressed in good light armor befitting someone who trains others in small-weapon combat and takes the occasional hit. She was the assassin trainer in Inquisition, but it's been many years and doesn't need to match the appearance except in a general sense. CHARACTERDESCRIPTION: Heir is a Dalish elf who acts as a trainer and mentor for young Crows. JACOBUS AGERANGE: 15 ACCENT: Antivan SPEECHPATTERN: Sullen teen with an axe to grind APPEARANCE: Young, skilled, lithely muscled. Jacobus is well trained in double-daggers, but has the typical lack of discipline of an undirected teen. CHARACTERDESCRIPTION: Jacobus is a young male Crow who is in danger of losing himself to vengeance. He should be as young as we can make him. If he can't be a child, he should be no older than 15. His family were killed by the Antaam, and the hate is still fresh. Skilled in daggers, he is lithe and quick, but sullen in his mannerisms. He doesn't smile yet. Ethnicity can be anything. ARCHETYPE: Youthful spite for the world NOA DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Formal with strangers, warmer with her brother. APPEARANCE: Older veteran Crow female duelist CHARACTERDESCRIPTION: Noa is an older female in her late 50s. She has been a Crow for all of her life, and remains capable and fit. Her build has the old-woman wireyness of a duelist's body that was fit her whole life. She is slow to smile, and is the more serious of the de Acutis siblings. Ethnicity can be anything, but needs to match her brother Neri encountered in the Crow plots. ARCHETYPE: Older sister, skilled assassin

NERI DE ACUTIS AGERANGE: 55 ACCENT: Antivan SPEECHPATTERN: Thoughtful, homespun APPEARANCE: Classic swordsman assassin, with an old-fashioned flare. He doesn't look dated, he looks distinguished. A godfather displaying modern tradition. CHARACTERDESCRIPTION: Neri is an older male in his late 50s. He has been a Crow for all of his life, and remains capable and fit. His build has the old-man-strength of a swordsman's body that was muscular his whole life, but has now lost some of the mass as he transitioned to a mentor or godfather role. He has a hard face, but is quick to a melancholy smile. Ethnicity can be anything, but needs to match his sister encountered in a later plot. ARCHETYPE: Stern but loving godfather FLEDGLING DARTONIA AGERANGE: 17 SPEECHPATTERN: Tentative due to inexperience. More confident after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Nervous because of inexperience, but capable and willing.  Farming background. Hunted for food. Now living in the city because the lands were lost to occupation. Dartonia and Temitri are encountered in the Crow sanctum, the Diamond casino. They chat casually with each other about how their training is going, and the things they've heard about. They are young recruits to the Crows, still getting used to their training and the strict but caring manner of their trainer, Heir. They respect and have a little fear of the veteran Crows like Viago and Lucanis.  Especially Lucanis, who is a figure of some renown.

FLEDGLING TIMETRI AGERANGE: 17 SPEECHPATTERN: Over-disciplined to compensate for inexperience. They relax after seeing Rook in action. CHARACTERDESCRIPTION: A young person in training to become an assassin. Overcompensating for inexperience, but capable and willing. Traveled with a military family. Used to discipline, but has crafting hobbies like making various kinds of dolls. TREVISO GONDOLIER AGERANGE: 50 CHARACTERDESCRIPTION: A blue collar gondolier pilot who runs errands in the canals of Treviso. Used to slipping past patrols for stealthy deliveries, before and during the occupation. Fit from daily work, you are no soldier or assassin, but you help in your way. ARCHETYPE: Workaday everyman who helps the assassins get from place to place. QAMEKMASTER CHARACTERDESCRIPTION: The Antaam Qamekmaster is a fanatic who normally is in charge of brewing the horrible mind-stealing poison, qamek. Like all Antaam, he is large, muscular, and has a soldier's mentality. However, now he is giving in to the corruption of the gods. He thinks this makes him better than the regular Antaam, and he's been locked up by the Butcher because of it. When Rook finds them, they willingly succumb to the corruption entirely, and become a monstrous creature called a Reaver. Once transformed he is a massive, fleshy juggernaut consumed by fervor and rage. Most of his dialogue is combat as the transformed Reaver. CHANCE CANDIDE AGERANGE: 25 SPEECHPATTERN: Confident, with a flare for the dramatic. CHARACTERDESCRIPTION: Standard Crow garb on a young man. Chance is a stylish, dramatic Orlesian who joined the Crows to be their emmisary among the courts of Orlais. (French accent.) He has since joined the effort in Treviso, and is fighting the Antaam occupation alongside his fellow Crows. He has chosen to rally people in the underbelly of town, which is a bit of a contrast from his previous position, but that's what he likes. He's the bright spot in a dark time for many people. ARCHETYPE: Gentleman assassin

MARKET MASTER AGERANGE: 45 SPEECHPATTERN: Friendly but businesslike APPEARANCE: Market master in expensive clothes. CHARACTERDESCRIPTION: The all-business master of the market in Treviso. She's frustrated by the occupation, but uninterested in discussions about who should be in charge. She's only interested in getting whoever is at the head out of the city's business. Her name is Master Sidestreet Alidare. Sidestreet is a nickname representing her low origins and her ability to do deals on the side.

VEIL JUMPERS

CYRIAN AGERANGE: 30 CHARACTERDESCRIPTION: Bellara's brother. Zealously dedicated to the rebirth of the elves. Half-possessed by Anaris, an ancient elven would-be god who lives inside a magical mask. STRIFE AGERANGE: 50 CHARACTERDESCRIPTION: One of the Dalish faction agents. Strife is a keen-eyed hunter who grew up in the elven city slums, but was taken in by the forest-dwelling Dalish elves and taught to be an expert woodsman. He's rugged, tough, adventurous, and doesn't suffer fools. He feels some disconnect between his city-upbringing and his current role as a hunter - somtimes Strife worries he's an imposter, not truly growing up with his people, but he's tried to take their teachings to heart. Strife is loyal to those who earn his friendship, and fiercely protective of his clan. IRELIN AGERANGE: 25 CHARACTERDESCRIPTION: A Dalish elf who grew up in the woods, Irelin has learned the ancient and incredibly rare art of shapeshifting. She uses this ability to move secretly in the forest, scouting for her people. Practical and no-nonsense when it comes to defending her clan and her friends, she has a healthy distrust of outsiders, especially the humans who've persecuted and exploited her people for so long. Irelin takes a secret joy in the thrill and power of shapeshifting, however. She loves exploring as the different animals of the forest, and knows some of their paths better than anyone.

WARDENS

ANTOINE AGERANGE: 25 ACCENT: French (Orlesian) CHARACTERDESCRIPTION: Antoine is a cheerful and enthusiastic member of the Grey Wardens. He's quick-witted and willing to run with a crazy plan. Compassionate and kind, he'll put his life on the line to protect others. (filename tag is “agent_improviser”) EVKA AGERANGE: 30 CHARACTERDESCRIPTION: Evka is a devoted member of the Grey Wardens. She's a good-natured pragmatist who's calm under pressure and not easily fazed by the monsters of Thedas. Despite her professional attitude, she isn't above some mild sarcasm or gallows humour. (filename tag is “agent_tracker”) WARDEN GRETA AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Greta is friendly, personable, and loves being a Grey Warden. She is generally positive (though has a low moment following the fall of the Warden base Weisshaupt). Greta provides information to Rook and always welcomes a chat. If Rook is a Grey Warden, Greta has met them before--they both became Wardens around the same time. Greta doesn't know Rook well--it's more like running into an old school mate--but she likes them. WARDEN RHODRI AGERANGE: 30 CHARACTERDESCRIPTION: A Grey Warden lookout. Rhodri is determined and brave. He worries about other people, but tries to show confidence so others are not afraid. He prefers simple solutions to complex plans.

HOLDEN AGERANGE: 35 CHARACTERDESCRIPTION: The father of Mila, the little girl in Weisshaupt mission. MILA AGERANGE: 9 CHARACTERDESCRIPTION: A plucky little girl Rook meets during the siege of Weisshaupt. JAYNIE AGERANGE: 40 CHARACTERDESCRIPTION: A Grey Warden lookout. Jaynie is organized and observant. She's someone who likes to have a plan. She is a loyal friend and has a dry sense of humour. Jaynie believes you should always try your best. FLYNN AGERANGE: 30 CHARACTERDESCRIPTION: Flynn is the local physician in Lavendel. They recently went through the Warden Joining ritual which gives them Warden abilities (though they will remain a doctor). Flynn is smart and compassionate. A pacifist who is somewhat soft-spoken and has a self-deprecating sense of humour. (there’s other minor wardens with names and short personality descriptions; if you’d like any of them just let me know. to the nobody that is reading this. i have a headache rn. but i will persevere.)

SHADOW DRAGONS

TARQUIN AGERANGE: 39 CHARACTERDESCRIPTION: Tarquin is a burned-out templar who had the idealism beat out of him years ago. He now fights with the Shadow Dragons, offering a more cynical, realistic view that often contrasts with the idealistic and impulsive Viper. Tarquin is a trans man. SPEECHPATTERN: Gruff, deadpan. (filename tag is “agent_cop”) THE VIPER AGERANGE: 30 (filename tag is “agent_vigilante”) MAKAL DAMAS AGERANGE: 45 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: The secret head of a criminal organization. Calm, businesslike, and shrewd. He may run a crime network, but he has a sense of loyalty and a code. That said, he'll be violent and ruthless when needed. ELEK TAVOR AGERANGE: 30 ACCENT: British/Tevinter-Appropriate CHARACTERDESCRIPTION: Charming and friendly con artist. Friends with Neve despite being on opposite sides of the law. CAT CHARACTERDESCRIPTION: A cat. HALOS AGERANGE: 50 CHARACTERDESCRIPTION: A blunt-but-kind merchant. Knows he sells the best food in the city. Neve is his most regular customer and therefore his favourite.

LORELEI AGERANGE: 40 SPEECHPATTERN: Fereldan, from Denerim, so she should have an accent that matches our Fereldan accents. CHARACTERDESCRIPTION: Lorelei is an elf who runs the pawn shop that conceals the Shadow Dragons' hideout. Lorelei was originally from Ferelden, captured and sold to Tevinter slavers. She has since been freed thanks to the Shadow Dragons, and continues to work for them. MAEVARIS TILANI AGERANGE: 50 CHARACTERDESCRIPTION: Maevaris Tilani is a powerful, notorious Tevinter magister who was one of the founders of the Shadow Dragons. Respected by some, and hated by others, Maevaris will not rest until she achieves her dream of changing Tevinter for the better. Maevaris is a trans woman and her first appearance was in the comic book, Dragon Age: Those Who Speak. AELIA AGERANGE: 30 ACCENT: British or Tevinter-appropriate CHARACTERDESCRIPTION: A devoted member of the Venatori who believes Minrathous must return to its former glory. Neve foiled her plans in the past. Cold, determined, passionate. RANA SAVAS AGERANGE: 30 ACCENT: British/Tevinter-appropriate CHARACTERDESCRIPTION: A determined and idealistic templar. By-the-books, she believes in following the law and that rules are the best. Doesn't give up or compromise her ideals despite the corrupt system she finds herself in.

LORDS OF FORTUNE

DRAGON KING AGERANGE: 45 SPEECHPATTERN: Blunt, arrogant. A brutal warlord or crime boss. Also speaks lines in the Qunari language. APPEARANCE: Big Qunari (ox-man) with enormous shoulders and battle scars. Old enough to be a military commander, but not so old that anyone would think of him as weak. Big, brutal, mean. CHARACTERDESCRIPTION: The Qunari in charge of the Antaam in this area. Used to be a military officer, but when the Antaam went rogue, he became something like a warlord of cult leader. A powerful warrior with a booming voice. He should sound like the paragon of big dangerous evil masculinity, and he makes his warriors go through painful rituals to prove their devotion. He's strong, blunt, and devoid of mercy or empathy. Will likely kill anyone he doesn't see as useful or entertaining to him. Basically, a bad guy doing his evil bad guy best. SHATHANN AGERANGE: 50 CHARACTERDESCRIPTION: Qunari woman in her 50s. Former Qunari government worker who fled with Taash when Taash was revealed as a fire-breather. CUTTER AGERANGE: 24 APPEARANCE: A Qunari, but only about as tall as a human -- short by Qunari standards. Dresses as a mercenary, fashionable because he's full of himself. CHARACTERDESCRIPTION: Cutter is Qunari, but he grew up in Rivain and acts human (ie, he does not follow the Qun or even know much about it). He's a junior member of the Lords of Fortune, the same mercenary band Taash is in. He's young, cocky, and jealous of how strong and competent Taash is. He wants the respect Taash has earned, and when he doesn't get it, he betrays Taash and sells them out to the Dragon King. Generally speaking, he should act with the kind of smug, entitled confidence of someone who doesn't have much real-life experience -- bluster with jealous insecurity underneath.

KARASH AGERANGE: 50 SPEECHPATTERN: A little stilted and formal, because he grew up speaking another language. CHARACTERDESCRIPTION: A middle-aged Qunari man who was a civilian navigator and weather expert assigned to work on a military vessel. After seeing the military commit war crimes, he deserted, and now lives alone on a beach, doing odd jobs and keeping to himself. He is polite but withdrawn, a little cautious around strangers. Taash (and Taash's mother, Shathann) bring him food from time to time, and he is much more comfortable around Taash, talking to her more like an old uncle. (Again, incorrect pronouns used for Taash here in the character notes.)

MOURN WATCH

MYRNA AGERANGE: 25 CHARACTERDESCRIPTION: Myrna is a necromancer from Nevarra. Utterly precise diction, calm demeanor. Crisp, polite, and intimidatingly competent. Myrna often speaks in declaratives, and absently drops archaic or obscure words at least once a conversation. She's not unfriendly, however, and firmly on the side of those doing good. Myrna is part of the Mourn Watch, an elite group of necromancers who run Nevarra's sacred repository of the dead: the Grand Necropolis. They also protect people from occult dangers, a duty she takes seriously. VORGOTH CHARACTERDESCRIPTION: Vorgoth is deep-voiced, solemn, and imposing. They're a member of the Mourn Watch, an elite group of necromancers from the kingdom of Nevarra. But what Vorgoth is exactly—their species, age, gender, whether or not they're alive—is a mystery, shrouded and masked in a cloak. Vorgoth clearly has supernatural powers, however. Even their voice has an otherworldly echo. Vorgoth doesn't speak much, and only in short sentences. As one of the Mourn Watch, they help guard Nevarra's sacred burial complex, the Grand Necropolis. Like all Watchers, Vorgoth is also sworn to stop occult threats to this world, and takes this duty seriously. NOTE: Vorgoth is masculine in appearance (tall, broad) and voice, but their pronouns are "they/them". Vorgoth does not use they/them because they are non-binary (as opposed to our more typical non-binary characters); they use them because they're a total unknown (and may be a pluralistic entity; in the rare instance Vorgoth refers to themselves, they use "we" not "I".) HEZENKOSS AGERANGE: 50 CHARACTERDESCRIPTION: Arrogant, supremely confident, and spiteful, Johanna Hezenkoss is a "mad-genius" necromancer supervillain with grand plans to conquer the kingdom of Nevarra. Hezenkoss is all feverish energy and big, sudden gestures. She is constantly fueled by an overwhelming ambition and rage. Hezenkoss is probably as intelligent as she boasts, incredibly powerful, and filled with a seething resentment that people try to keep stopping her from ruling everything. Foremost among these people is Emmrich Volkarin, her former friend and fellow necromancer. Johanna and Emmrich have known each other for decades-they used to work on magical research together in the Mourn Watch, an elite order of Necromancers. They had a falling out when a power-hungry Johanna started practicing forbidden necromancy and was kicked out of the Watchers for it. Ever since then, Johanna and Emmrich have clashed as he's tried to stop her villanous schemes. In this game, Hezenkoss has crafted her most diabolical plan yet: a 10-story tall bone golem that can drain peoples' souls and crush anything in its path. She'll stop at nothing to complete it so she can take over Nevarra's capital city. Emmrich and his new friend Rook, frustratingly, stand in her way.

LICH LORD CHARACTERDESCRIPTION: This is lich: an ancient, undead mage. Her speech is formal, authoratative, and occasionally sharp when she has little patience for the living. Speaks in shorter sentences, as she's so old she's fallen out of the habit of vocalizing too much. While impossingly sinister-looking, she's not evil. She just has a viewpoint that thinks in centuries instead of years. KEEPSAKE CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there.  Keepsake manifests as a glowing, floating, see-through skeleton in a shroud. Keepsake has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Sometimes mocking or sardonic, with a dryly morbid sense of humor, it's still dedicated to helping people. Keepsake always appears with its companion spirit, Curio, who's the more positive and upbeat of the pair. CURIO CHARACTERDESCRIPTION: A spirit that guards the Grand Necropolis, an enormous underground complex full of the sacred dead-and undead. There's a lot of possessed skeletons wandering around down there.  Curio manifests as a glowing, floating, see-through skeleton in a shroud.  Curio has worked with the necromancers who take care of the Necropolis for ages, and knows a lot about what's going on down there. Its chatty and friendly, often deeply curious. A strange, whimsical being, intrigued by the mortals who wander through. Curio always appears with its companion spirit, Keepsake, who's the more sardonic and cynical of the pair.

SEALED SPIRIT CHARACTERDESCRIPTION: A prideful, ancient demon that's been sealed away for centuries.  You're malevolently curious about what makes these foolish mayfly mortals tick. As part of your imprisonment, you've been splintered into multiple bodies with the same mind. You use them to goad the player, hoping they'll try to defeat you, because you think you can manipulate them into freeing you from your prison. If they do, you have a surprise for them: once freed, you can possess an undead dragon, wrecking untold devastation on the land that thought it could chain you.

KAL-SHAROK

STALGARD AGERANGE: 40 CHARACTERDESCRIPTION: Stalgard is a dwarf from Kal-Sharok, a mysterious dwarven city that has very little contact with the outside world. Stalgard is stoic and steadfast and serious, with a strong sense of honor. DURRA CHARACTERDESCRIPTION: Durra is a dwarf from Kal-Sharok and Stalgard's sister. She is one of Kal-Sharok's historians, known as "Stewards of Memories." Much like her brother, Durra has a strong sense of honor, but is a lot less serious. STONE ORACLE CHARACTERDESCRIPTION: The Oracle is a mysterious entity. known to the Kal-Sharok dwarves. They revere her as a spiritual figure. She is connected to the Titans and makes herself known through a strange rock statue. The Oracle was originally Shaper Valta (first seen in DAI's 'The Descent' DLC). After Valta connected with the Titan in the Wellspring, she became the Oracle and made herself known to the Kal-Sharok dwarves. All Oracle lines should have audio processing on them.

MISCELLANEOUS

THE SCHOLAR CHARACTERDESCRIPTION: A self-important, uptight scholar. He is trying to prove himself to the academy and will go to any means to do so--including murder if that's what must be done. THE EXECUTOR APPEARANCE: Human-appearing CHARACTERDESCRIPTION: A masked and hooded figure that speaks like someone unfamiliar with language in general. Stilted, awkward, but with a low menace. SPEECHPATTERN: Stilted. Is trying to form words from thoughts that are far more complex than a regular person's.

[source]

again please note that this work and document resource was put together by amirdrassil on Twitter! they kindly gave me permission to cross-post it here. 🙏

[togenabi]

the promised knight

knight!roronoa zoro x princess!reader

♡— after a lifetime apart, zoro finds his way back to you

word count♡— 8.7k (screams into the void)

genre♡— royalty au, childhood friends to strangers to lovers, slow burn bc a lot of things happen, but there's fluff bc I need there to be

content notes♡— fem!reader wears dresses, mentions of death and grief, very plot heavy, kuina and mihawk are here, canon-typical violence, original side characters, no use of y/n, proofread(ish), inaccurate royalty things, inaccurate chemistry/poisons/acids, yes I got the name florentia from ill be the matriarch

also on♡— ao3

author's note♡— quick explanation!: a regent has no right to the throne, they're just someone stepping in temporarily while the next monarch is absent or unable to execute their powers. happy reading!!

Your happiest years were when everyone was together.

Those were the days you’d sneak out of your lessons to go play in the training grounds. You’d find your best friends arguing about something or other, fighting with wooden swords and chasing each other around.

Kuina and Zoro did their best to include you in whatever game they were playing. You found it all good fun, even if you were mostly being rescued or hidden away somewhere. The proud smiles on their faces when they saved you always made the wait for them worth it.

“Why do I have to play the bad guy?” A young Zoro whines, frowning deeply with shoulders slumped. His wooden sword hangs lazily in his hand, pointed to the ground. 

Opposite him, Kuina’s blade was up, stable and correct with proper posture. “Because we agreed I would save the princess today!”

You remember sending Zoro a small smile, trying to reassure him, “You can save me next time, Zoro. I promise.”

Zoro complained, but gave his all acting as a bandit out to rob you. You and Kuina would run into the meadow—hands held in each other’s—squealing and laughing. You’d always end up collapsed together; among the grass and the flowers. They would cheer and scream into the sky, happy that the great knights protected their princess once again.

But that same meadow is now covered with a blanket of melancholy. The colors aren’t as vibrant as they were back then. Flowers no longer bloom like they did. The children’s laughter has been replaced by a deafening silence.

Everything changed when Kuina died.

She was hit by a stray arrow, they said. They called it a tragic accident. 

More sadness only seemed to follow after she was gone. Zoro left without a word, abandoning his training, and you along with it. Your mother, Queen Florentia, passed due to an illness a few months after that. In a blink of an eye, you lost everything back then.

The large doors to your chambers slam shut, breaking you from your train of thought. The thud echoes into every corner before fading into noiselessness once more. 

A maid rushes in, completely out of breath and practically stumbling towards you. “Your Highness!” She gasps. Waving a hand, you gesture for her to calm down.

“Selma,” You pour her some water in a glass. It’s strange to see your personal maid so distressed. “What did you find?”

Practically inhaling the water, she places a hand over her heart before explaining, “You were right, Your Ladyship. The commander informed me that several knights had poison hidden in their quarters.”

Her eyes trail to the glass she’s holding, then to the pitcher. Selma’s face becomes appalled as it sinks in that you had poured her a drink. You cut her off before she can make a fuss about it.

“Never mind all that.” There are more pressing matters than decorum right now. “What else did Mihawk say? Have the knights been apprehended?”

“No, my Lady.” Selma retrieves a transparent vial from her pocket. “The commander said there's a chance the poisons were planted. Trustworthy men could have been framed… He discourages you from trusting any of them at all.”

The vial is small, barely larger than your thumb. To an untrained eye, it looks like nothing is there. You hold it up to the window, letting the sun’s setting rays shine through the glass.

There it is. A near-invisible, lavender sheen in liquid. The queen regent’s signature poison.

“Damn it all.” You sigh, falling into an armchair. 

It’s common knowledge that most of the people are loyal to Queen Regent Cassiopeia. Not to you, the rightful heir to the throne.

Ever since she took the position after your mother’s death, she’s been doing everything in her power to discredit you. Though she's not in the official line of succession, her goal is to become queen by any means necessary.

You’ve only been able to hold on for so long because there are still people loyal to your mother, like Commander Mihawk. However, it will take only one slip up for your standing to collapse. Cassiopeia knows this, and you suspect that she plans to completely ruin you at the upcoming knighting ceremony.

On a paneled wall in your room, encased in an ornate golden frame, hangs a portrait of Queen Florentia. The gold reminds you of the gilded dagger she gave you as a child. 

Subconsciously, your hand moves to rest over your pocket; where the dagger is hidden under your skirt. What would your mother have done in this situation?

You scan the painting as if the image would respond. It doesn’t, but your eyes settle on the necklace she’s wearing. It was her most prized possession, and she had promised to give it to you when you were older, but it’s sadly lost to time.

The vial grows heavy in your fist. Your mother would stop at nothing until Cassiopeia is defeated, so that’s what you’ll set out to do.

“Selma, get me some ink and parchment.” You order, feeling more determined. “I have a plan.”

Dracule Mihawk burned the note as soon as he finished reading it. Your idea was brilliant, if only a little complicated to execute. 

Cassiopeia will demand you choose a personal knight during the ceremony. Assuming all the knights are loyal to the queen regent, none of them would be a safe choice.

So, you asked Mihawk to hire a skilled fighter to pose as a knight. Someone whose loyalty cannot be bought. Immediately, he knew who to recruit. Though he warned you that you might not find the man… agreeable.

“I don’t care.” You replied stubbornly. “I can’t afford to be picky. Just make sure that he won’t kill me in my sleep.”

Mihawk muses that he might be killed by you in his sleep. Because in a shady, run-down tavern, he sits beside a familiar green-haired swordsman nursing a drink at the bar.

“Fancy seeing you here, commander.” Zoro spits out the title in disgust.

“It seems that some things never change.” Mihawk hums. “You’re still in the same place as you were when we last fought.”

“And your legend ends with you kissing up to that false queen.” Disappointment practically drips from his tone.

“And here you are,” There’s an amused glint in the knight commander’s eye. “...still not able to beat me, Roronoa Zoro.”

Zoro’s jaw clenches in frustration. He breathes out deeply, “What do you want, old man?”

“Join my knights.”

Scoffing, Zoro can’t believe his ears. Is this guy serious? “I’m no knight. Not anymore.”

“Are you sure about that?” Mihawk tests. “The princess needs someone not easily dissuaded.”

At the mention of you, Zoro freezes. He squints at the commander as it dawns on him, “You don’t serve that Cassiopeia bitch.”

“Obviously.”

“But why did you become commander only after Queen Florentia died?” Zoro asks. “Everyone thought you were bought off.”

“That’s besides the point.” Mihawk hisses. “I know you’ve been wanting to make it up to the princess. I’m giving you a chance to do that on a silver platter.”

Zoro stays quiet, eyes watching the alcohol ripple in his glass. He’s not drunk enough for this discussion. And he meant what he said, that he’s not a knight. That dream died with Kuina, and he chose to pursue less honorable ways to become stronger.

It’s funny how Mihawk, who was an outlaw, traded his jacket for a suit of armor. And now, he's trying to act righteous. But some things are just—

“It’s not too late to change things.” Mihawk attempts to persuade him, calmer this time. “Something tells me you’ll regret it if you don’t.”

Shaking his head, Zoro can’t believe this man is talking like he knows him. “What do you know about regret?”

When the commander doesn’t respond, Zoro turns to see Mihawk’s face, a grave expression marks his features.

“I know far too much, I’m afraid.”

Zoro studies him for a moment longer, curious as to what he meant—but he doesn’t dare ask. Only an idiot would test Dracule Mihawk. 

This master swordsman, whom he’s looked up to for so many years, has changed drastically. Perhaps everyone has. It makes Zoro wonder how much you might’ve changed in the years he’s been gone.

You. He’s—there’s so much he wants to say. So much he wants to ask… but does he have the right to? 

Who is he kidding? He doesn’t. 

And yet, Zoro can’t help but wonder if he passes on this opportunity and regrets it, would he spend the rest of his life wishing he could make up for it?

After downing his drink, Zoro slams the glass on the bar counter.

“What do I need to do?”

Selma assists you with your hair and makeup on the day of the ceremony. She’s practically buzzing as she flutters around you. It’s nice that she’s still enthusiastic about things like these, even when dangers lurk in the shadows.

“You look stunning, Your Ladyship!” She gushes, adjusting the different layers of your dress so that it falls on you perfectly. “A vision, you are. Just like Queen Florentia.”

“Thank you.” You respond gratefully, despite not feeling as sure and confident as your mother was. Would that change, if you were to become queen?

A knock sounds on your door. Selma rushes to answer it, and lets Mihawk into your chambers. He steps in, but remains by the entryway.

“You look lovely, princess.” The commander bows to you in greeting. “I was instructed to escort you once you’re ready.”

Nodding, you approach him and hold onto his arm. “Let us be on our way.”

Keeping your face carefully neutral, you whisper to Mihawk under your breath, “Will you really not let me know the knight’s name? How am I supposed to know who to appoint?”

“You’ll know.” Mihawk pats your hand reassuringly. “Without a doubt, you’ll know. I just hope you’re not too hard on him.”

You side-eye him. “He’s not a convict or something, is he?”

Mihawk presses his mouth shut. This bastard, is he trying not to laugh? “You might actually prefer a convict over him.” 

That pulls a frown out of you that you cannot contain. What on earth is that supposed to mean? Is the man that bad? How are you supposed to mentally prepare with such vague warnings?

All thoughts of the mystery knight fade into the back of your mind, however, when you and Mihawk make your entrance at the throne room. 

The extravagant hall is decorated to the nines. Flags of different family crests hang from the ceiling. Flowers bloom at every window sill. You smile at it all, at your people—but it fails to reach your eyes. It’s difficult to truly smile when Cassiopeia stands dangerously close to your mother’s throne.

You curtsy when you reach the steps, one hand still on Mihawk’s arm as the fabric of your skirt dips onto the floor. You hear murmurs of approval from the ministers in the front row, pleased to see the good relationship between the princess and queen regent.

But they don’t see through your gloves, how your grip on your skirt is tense and far too tight. They don’t see how Cassiopeia’s smile is truly a smirk when you lower your head to her.

“Lovely to have you here, darling.” She says, and you fight the urge to laugh. ‘Lovely’ would be if she accepted her place and let go of her greed. 

Mihawk guides you to the smaller throne on the left. This has been your seat since you were born. If Cassiopeia had her way, it would be your seat until the end of your days.

She glides to the center of the dais, the train of her excessive dress flows like a river after her. She stands; graceful, powerful and smiling—but she will never be happy until she can sit on the throne and wear your mother’s crown.

Whatever it takes, you will find a way to stop her.

“Welcome to the long-awaited knighting ceremony.” Cassiopeia addresses the audience. “It is an honor to have the kingdom’s finest pledge to serve and protect us.”

The ceremony proceeds to speeches from several dignitaries. Mihawk delivers a short yet intense declamation about the knightage being the greatest honor; and hands the queen regent an elaborate, bejeweled sword.

“These warriors before us today are hereby called forward to receive Knighthood. The kingdom will forever be grateful for your service.” Cassiopeia proclaims.

Attentively observing the knights lined up, you keep an eye out for the one Mihawk recruited for you. One at a time, Cassiopeia announces their name before tapping their shoulders with the ornamental blade.

You grow restless as the line dwindles. Frustrated, you throw questioning looks at the commander’s direction. He skillfully avoids your gaze. The nerve.

When only about five men are left, you begin to study them all and weigh your options. Perhaps you should pick someone with a smaller build, so that you can have a better chance of escaping? You also spotted someone who appeared clumsy. If you were to outsmart him, your odds of surviving weren’t so bleak.

But then—dramatically, as if in slow motion—the great doors to the throne room opened with a loud, booming sound. Everyone turned as light poured into the hall.

A swordsman makes his entrance. His armor is unassuming, but the three blades at his side demand attention. He wears a helmet over his head, but even after so much time, you’d know those eyes anywhere.

Mihawk was right. You would have preferred a convict—or maybe some rogue, or a thief who would rob you blind. You would have preferred anyone over Roronoa Zoro.

You thought you’d never see him again, but he’s here, marching towards the end of the line. You gape at him, feeling too many emotions all at once. Why is he here? Why now?

Mihawk intercepts Cassiopeia before she can question Zoro’s identity. “Forgive me, queen regent. This young man ran late due to an errand I sent him out on.” 

How brilliant of him. Cassiopeia hates unexpected interruptions, but would never express her frustrations openly with so many people watching.

It’s amusing to see her grin and bear it. “That’s… quite alright, commander. I’m glad he made it before the end of the ceremony.”

When only Zoro remains to be appointed, you stand and call for the queen regent’s attention.

“Should he accept, this man shall be my personal knight.” You declare as Zoro’s gaze meets yours.

“What of your decision, knight?” Cassiopeia asks. Zoro nods, and the queen regent’s gaze sharpens. She understands that something is amiss, but passes the decorated blade to you without a word.

Back when you were children, you used to dream of this moment together. Kuina and Zoro would kneel before you on the grass beneath a shining sun, pledging their unwavering loyalty as you tap their shoulders with a stick.

You’re no longer children, but as Zoro kneels before you now, you still feel like a child all the same. Your clothes feel too big. The throne room is too vast; the ceiling too high. The sword is too heavy in your hands as you raise it.

“Roronoa Zoro. I hereby dub thee into the honorable order of knights as my chosen protector.” The blade lands on his shoulder—his right first, then the other. You pray to the stars that no one notices your hold quivering.

“Arise, Sir Zoro, and be recognized.”

You’re no longer children, but you’re still here. Playing a different sort of game.

Mihawk, the wise man that he is, makes himself scarce after the ceremony. You’re left to awkwardly journey back to your chambers with Zoro in tow. He doesn’t speak a word the entire time, but you can feel his eyes burning a hole through the back of your head. 

Selma is there when you get back, your usual afternoon refreshments prepared. She approaches you, but stops short when she sees Zoro.

“Leave us.” You tell her. She obeys, albeit reluctantly—looking back over her shoulder more than once as she exits.

After the door closes shut, the outside world feels a million miles away; making the air feel tense. You hastily take off your gloves, the fabric suddenly feels constricting against your skin. Every fiber of your being wants to scream at him.

Roronoa Zoro. Your best friend who had left all those years ago. You don’t even know where to start. 

Maybe throwing something at him will make you feel better. 

You throw one of your gloves. The fabric hits his chest before falling pathetically. 

“Seriously?” Zoro frowns at you, unimpressed. You throw the other one. It meets the same fate.

Grumbling under his breath, Zoro takes off his helmet. It vexes you how you subconsciously hold your breath until you see his face.

You huff skeptically, “Why are you here?”

“Mihawk said you needed help.” He answers with a shrug, causing his armor clink. 

After a breath, he speaks cautiously, “I didn’t know things had gotten this bad.”

“How could you have known?” You bite back, “You left, Zoro.”

In a sense, you understand why Mihawk chose him. You asked for someone who wouldn’t kill you in your sleep, and Zoro—at least, the one you knew—definitely wouldn’t.

Some (rational) part of your brain is telling you to keep quiet and accept his help. With Cassiopeia planning a mutiny, time is something you don’t have a lot of. 

But your heart still feels angry and hurt when you see his—stupidly handsome—face. The years just had to treat him well, didn’t they?

“I’m thankful for your help,” You admit disgruntledly. “But I’m not happy about it.”

Zoro calls your name. It makes your heart ache a bit, but you hold a hand up to silence him. 

“Please, just—I need time to process this, Zoro.” Turning away from the knight, your eyes find the window. The sunset paints the meadow in deep oranges and blues. It doesn’t make you feel any better.

“...We’ll talk tomorrow.” You promise, your tiredness evident from your tone.

Zoro lingers, hesitating. But he doesn’t push you. You hear his armor shift as he bows before he leaves.

That night, Zoro stands guard outside your door. It’s good that no one else is around, it allows him to think in peace. About you.

The last time Zoro saw you, you were a small thing, getting dirt on the edge of your skirt. When he saw you today, sullying even the path you walked on felt like a crime. 

He knew you would be mad. He had prepared himself to be yelled at. Maybe he thought you would cry. How much you went through didn’t really sink in until he saw how exhausted you were. 

All the things he wanted to say, every apology and excuse, fade into nothing. The first thing he wants to tell you is how thankful he is that you’re still alive. It doesn’t matter that you stay mad at him forever, he’ll protect you for just as long.

Footsteps sound through the dim hallway. Zoro rests a hand on his blades, ready to fight back anyone who poses a threat. A knight he’s not acquainted with approaches, his steps staggering just a bit. The man carries a bottle of alcohol.

“Hey! New guy!” The stranger bellows. “This ’ere is a little something we prepared for ya, since yous didn’t eat dinner with us.” Zoro makes a mental note that they’ve been watching him.

“Take it, take it.” The knight tries to shove the bottle into Zoro’s hands. At the last second, Zoro spots a knife the man hides behind his back.

Quick on his feet, Zoro jabs the man’s neck, causing him to stumble. The knight charges at him, but Zoro effortlessly dodges. Grabbing the knight’s shoulder, Zoro slams his head onto the stone wall.

The bottle clatters to the floor as his opponent collapses, looking up at him in fear. Picking up the glass, Zoro sniffs at its contents. It’s laced with some sort of sedative. 

Zoro pries the knight’s jaw open before pouring the drugged beverage into his mouth. The amber liquid spills. The man coughs, gurgling and struggling in vain until he slumps onto the ground.

Observing the bottle inquisitively, Zoro shakes his head before dropping it again. What kind of amateurish attempt was this? Is the queen regent testing his skills? 

If anything, all this managed to do was—Zoro starts, turning to your door in alarm—…divert his attention.

Not a second later, he kicks down your door. The elaborately carved wood falls from its hinges, dust clouds billow once it crashes on the previously spotless tiles of your room.

You’re fighting off three large strangers clad in black, a dagger in your hand. Zoro tries not to think about how your eyes softened in relief when they landed on him as he cuts down one of the intruders. Maybe you still care for him a little.

“Took you long enough!” Or not.

“I’m here now, aren’t I?” He grunts back, slashing his sword at someone charging towards you. Zoro only realizes the deeper meaning to his words when you make a face. 

“Don’t make being late a habit, Zoro!” Stabbing an intruder’s side, you quip at him, “You and your dramatic entrances, I swear.”

Zoro bites back a grin. He missed you more than you’ll ever know. 

After taking down one of the intruders, you hide in your wardrobe as Zoro deals with the rest.

It would be smart to lock the door. Barricade it, so that no one can get to you on the off chance Zoro is defeated. But you don’t. You keep the door ajar to watch everything unfold. The way he fights is a captivating sight.

Look at him. Your knight in lackluster armor. Protecting you like how you always talked about as kids. He’s wielding two blades, one for each perpetrator still standing. You blink in surprise when you make out the third, sheathed blade. Kuina’s.

The more you examine him, the more you see how different he seems. He carries himself more confidently, unlike that boy who whined about roles, responsibilities and challenges. 

You also see how gruff he’s become. He’s grown stronger, for sure, but you get the sense that he’s closed himself off from the world. Perhaps the years weren’t as kind to him as you'd thought.

The last intruder lets out a pitiful cry as Zoro knocks him unconscious.

“I’ll tie them up and let Mihawk deal with them in the morning.” Zoro says, pausing to breathe for a moment before dragging the men out by their feet.

Emerging from your wardrobe, you become dismayed at the sight of your room in such a state. “Did you really have to kick down the door?” You groan.

Surprisingly, Zoro blanks, appearing sheepish. “...I didn’t know it would break like that. I just—you should get a damn better door.” He mumbles, heaving the doors up and resting them against the wall outside.

When he comes back from restraining the intruders, he stands before you awkwardly—like he doesn’t know what to do when he’s not fighting or cleaning up bodies.

No one says anything. You both just take each other in, not completely recognizing the person that looks back.

You don’t feel so angry at him anymore. When all’s said and done, everyone has different ways of dealing with grief. Your heart only grows conflicted, wishing you had been there for each other instead of being apart. Goodness knows you could have used someone by your side. You’re sure he did as well.

“I—” Zoro falters. “...I’m glad you’re okay.”

‘Okay’ isn’t how you would describe your current state, but you nod anyway. 

“You too, Zoro.”

In a secluded alcove in the royal gardens the following afternoon, you invite Mihawk for tea on the pretense of thanking him for your newly sworn knight. The story that spread was that you would have been done for were it not for Zoro. You don’t want to think about how true that might be.

“The queen regent is furious you were able to secure a knight loyal to you.” Mihawk informs you as he helps himself to some pastries. “We should avoid meeting for a while, lest she suspect anything of me.”

“Alright.” You agree. “Selma also informed me that we can gather statements from mistreated staff.” You show Mihawk a list of names. “If enough of them support us, and if we can prove Cassiopeia orchestrated what happened last night… We can take her down.”

“She will be busy attending a gala this evening. I’ll make sure no one is near her office while she’s gone.” Mihawk turns to Zoro, who is standing guard behind you, sending him a fearsome look. “Those men got a tad too close last night—”

“Mihawk.” You warn him to drop it. He doesn’t.

“Ensure that it doesn’t happen again, young man.” 

“It won’t.” Zoro replies icily. The commander only huffs in response. 

‘It won't happen.’, he said. But trouble finds you when Zoro steps on a tripwire in Cassiopeia's office. Arrows soar, launching from scattered, hidden contraptions. Zoro shoves you into a bookshelf, covering your frame with his.

“So much for her not finding out we were here.” You remark sarcastically, waiting for him to step back.

But then, as they cage your head, Zoro’s arms tense up. His expression contorts in discomfort.

“...Zoro?” Raising your hands, you cradle the sides of his face.

“Damn arrows,” He growls. “I think they’re poisoned.”

“What?!” You gasp, ducking under his arm to check his back. You find a wound where an arrow grazed his skin. “Of course you get injured when you don’t wear your armor.”

“Why don’t you try sneaking around in that thing, then?” Zoro argues, but you’re startled when the wound begins to bleed.

“We need to get you treated.” Panicking, you grab his arm and pull him along. He doesn’t budge. “Zoro, we should go.”

“No.” He refuses, hissing in pain all the while. “That bitch won’t let us find a way in here again. Let’s just be quick.”

“...Fine.” You cave, still worried, hating that he’s right. “At least stay still, search the desk. I’ll handle everything else.”

Zoro relents, opening every drawer and scanning every document in them. You turn your attention to the shelves, trying to find hidden compartments or anything that looks remotely suspicious.

It's not long before a loud crash makes you wince. Zoro found something.

A panel beneath the desk detaches, revealing an ornate box. Studying it, you hum, “It looks like we’ll need a key.” Zoro unsheathes one of his blades, cutting through the lock until it cracks open. 

You shake your head. “Or we could do that, sure.”

However, instead of the nefarious plans or blueprints you were hoping for, you find old papers. All of them yellowing with age. 

“It’s your handwriting.” Zoro points out, picking up the first document.

“What?” You lean in, reading the file over his shoulder. It’s a letter written to acknowledge a transfer of money. But the amount is astronomical, and you don’t remember signing anything of the sort.

“Look at the date.” Pointing to the corner, it reads more than ten years ago. And then it clicks, “My mother wrote this.”

“There’s more than one.” Zoro sifts through the papers, counting over ten.

“All of them are addressed to… Shimotsuki Koushirou?” He reads the name slowly. You look at each other, confused. Why would Queen Florentia be sending payments to Kuina’s father?

A tall longcase clock chimes to signal the hour. If you clean up now and review the evidence later, you can make it look like you were never here. You instruct Zoro to pack up the box.

“We should head out soon.” You say, moving to pick up the arrows scattered on the floor. 

“Be careful.” Zoro reminds you.

“I am.” You show him that you’re holding the arrows by their tail ends. “You can go ahead, if you want. Get that wound treated.”

“Do you really think I would leave you?” You can’t help the incredulous look you send his way. 

“...Forget I said anything.”

Back in your chambers, you twirl an arrow you decided to keep as evidence while examining the documents sprawled out on your carpet. 

Zoro grabs it from your hand. “I thought I told you to be careful with that.”

You think aloud as he sets the arrow to the side, “I just can’t figure out why my mother gave Koushirou so much money.”

“Maybe she felt bad about the accident.” Your swordsman suggests. “We all did.”

“But why did she have to keep it quiet…” Mumbling in thought, you read the last receipt Queen Florentia signed. It had been penned the week of her death.

The sky grows darker, and it becomes more difficult to see. Zoro strikes a match to light a few candles, bathing the room in a subtle, warm light.

Beneath the dim, flickering flames, the sharp arrow on your tea table glints ominously. 

It took you a long while to get over spacing out whenever you saw an arrow. It was one of the things that affected you after Kuina’s passing.

Sometimes, you think of how much better everything would be if she was still here. If it weren’t for that—

…accident?

“Zoro?” Your voice is unsteady, “...What do you remember about Kuina’s death?”

“It was some new guy at the training grounds.” He answers, frowning as he recalls what happened. “He misfired, and his knighthood got revoked after that.”

“But,” Memories come flooding back as you try to piece things together. “If the archers were practicing that day, what was Kuina doing in the grounds?”

“Kuina wasn’t in the grounds.” Zoro corrects you. “She was in that meadow we always went to.” 

He points to the view outside, raising a finger to trace the horizon. “The arrow flew through the fence, but it was really dangerous, even—” 

Zoro turns back to you with wide eyes. “Even the queen was almost hit! Holy shit, she was there to observe that day.” 

You blink at him in disbelief, “My mother was the real target.”

“And she didn’t want the culprit to know she realized, which is why she kept quiet about the money.” 

You collapse into a chair as you run your hands over your head. “Did anyone ever check the arrow for poison?”

“No.” Zoro’s face crumples. “She was hit straight in the heart... She wouldn’t have made it even if it wasn’t poisoned.”

“Oh, Kuina…” You choke back a sob, covering your face with both hands. “I’m so sorry it took us this long.”

“Wait.” Zoro calls out your name, taking your hand and kneeling in front of you. The strength of his grip hurts, but you don’t mind it. You need to feel that he’s with you right now; especially when his next question makes your heart fall through the floor.

“How did your mother die?” 

“She—she got sick. A lot of our people got sick that year.” You answer shakily, not liking where this is going. “Do you think…”

“Queen Florentia could have been poisoned.” Zoro whispers. “And I bet that fake bitch was responsible for it. For Kuina’s death too.”

“That doesn’t make any sense.” You counter, “Cassiopeia deals with poisons, sure, but she wasn’t even in the kingdom yet then.” 

“...Someone must have betrayed your mother so Cassiopeia could be queen regent.” He suggests, rubbing circles into your palm. “Because isn’t it convenient, how she was there to bring the people together after Her Majesty died?”

It’s confusing how the world seems to have slowed down, and yet your mind is spinning so quickly, you can’t process anything. You squeeze Zoro’s hand to anchor you, but you shatter all the same. 

“I hate everything.” You cry, tears streaming down your face. “I hate how I didn’t know—but we were kids! How were we supposed to know? And, I hate feeling so powerless. What—how, are we going to fix this?”

“We’ll find a way, I promise.” Zoro moves to embrace your form, but you glare at him.

“You. I hate you too.” You push him away weakly, but he doesn’t let you go. “I—I hate that you left, Zoro… You have no idea how lost I was.”

His eyes glisten with tears. “I was lost without you too.”

Zoro feels you melt into his arms. Your strength just vanishes, and you slump forward until your forehead touches his.

“...Don’t leave me then.” You whisper. You beg.

He holds your cheek, wiping your tears with his thumb. “Never.”

The last thing you remember before falling asleep is Zoro pressing the softest kiss to your temple as he tucks you in bed.

Selma barges in the next morning, slamming the (newly repaired) doors open. As you rub the sleep from your eyes, you’re starting to feel sad for the abuse your doors have been going through lately.

“Princess! Your Ladyship! Your Highness—” She stops abruptly, covering her mouth, looking scandalized. What is she so flabbergasted by—

Only then do you see Zoro sleeping on the floor beside you. He’s leaning on the bed, using his forearms as a pillow. One of his hands is intertwined tightly with yours.

“Your Highness!” Selma gasps playfully, gesturing to your mother’s portrait. “Right in front of Her Majesty!”

“Selma,” You sit up, letting go of Zoro’s hand. “Did you have anything important to report?”

“Ah!” She exclaims, face becoming worried once more, “The commander has been imprisoned!”

You curse, shaking Zoro’s shoulder to wake him. “Couldn’t you have told me that first?”

“Forgive me, princess. It’s not everyday I see you holding hands with a man. May I ask who confessed first, Your Highness?”

“Oh my god, Selma.” You groan. “Just go prepare my clothes.”

“Shall I dress you, or will Sir Zoro—”

“Selma!”

If Zoro heard any of Selma’s ramblings, he’s excellent at hiding it. You both get ready in record time. After which, he leads the way to the dungeons; careful to make sure you don’t run into anyone. 

“We can sneak him out through that secret passage we used to play in.” You whisper, your knight nods. 

“When we get to him, break the lock with your dagger. I’ll stand guard in case someone comes over.”

But someone already beat you to Mihawk’s cell. Zoro pulls you into a shadowed corner to hide.

The queen regent paces in front of the bars, her extravagant dress and cape out of place in this gloomy dungeon. 

Mihawk is on the ground, his wrists chained with heavy shackles. Yoru is noticeably missing from his back. Seeing him like this is heartbreaking.

“I should have known you’d help that wench.” Cassiopeia sneers. “You’ll regret not siding with me soon enough, Dracule.”

“Now that you’ve found me out, I can finally ask you to stop calling me that.” Mihawk yawns. “My name always sounded revolting in your voice.” Crazy bastard, will it kill him to try to stay alive?

“But Florentia called you that, didn’t she?” 

Zoro squints at how something about Mihawk changes at the mention of your mother. It’s almost imperceptible, but the air shifts dangerously. The queen regent should watch her mouth.

“Her name sounds revolting in your voice too.”

Cassiopeia scoffs. “You’re just like her. Thinking you’re better than everyone else.”

“Aren’t you talking about yourself?” Mihawk leans back, crossing his legs. “That’s not a good habit, Cassie.”

The queen regent kicks the cell. Mihawk doesn't flinch as she snarls, “I’ll deal with the princess and that knight... I’ll make you watch as the light fades from their eyes.” Gathering her skirt, her heels clack loudly as she stomps away.

As soon as she’s out of earshot, you and Zoro run to the commander.

“Mihawk!” You call out as you stab the lock with your dagger. It crumbles to the ground after a few strikes. “What happened? What did she charge you with?”

“Treason, apparently.” He shrugs, the chains holding him rattling together.

Mihawk goes on as you break his shackles, “This kingdom should be grateful we’re trying at all. We could easily leave them to their own devices—” You frown at him. 

“...But of course, we won’t do that.”

Sneaking into the library, you regroup with Selma; who passes on vital information.

“The queen regent has the palace on lockdown. Everyone has orders to take you in.” She tells you. “But I’ve rallied the staff. We're going to plead your case to the ministers, Your Highness.”

“Thank you. Do you have my mother's letters?” She nods. “Good. Use them well. I'll make sure your efforts will not go to waste.” You say, giving her hands a firm squeeze. 

“Where’s that fake queen now?” Zoro looks eager for a fight.

“One of the butlers said that the queen regent disappears sometimes, and no one knows where she goes.” Selma explains, passing you a note from her source. “There are rumors that she smells like grass when she returns.”

Mihawk lets out a disbelieving laugh, “She must be at the secret garden.”

“The what?” You ask. That sounds exactly like something you would have loved as a child, but why haven’t you heard of it before?

“It’s a place reserved for queens. Only crowned monarchs should be allowed in there, or even know where it is.” He says. “That woman truly doesn’t know her place.”

“Why do you know about it?” Zoro asks.

After a pause, the older swordsman deflects, “I’ve been called a queen once.”

“Mihawk,” You urge him to be serious. “Can you take us there?”

Before he responds, Mihawk looks at you with something you can’t fully discern, as if he’s recalling an old memory.

“Of course. It’s your birthright, after all.”

The entrance to the secret garden is hidden in a passageway beneath the greenhouse. You imagine your mother walking along this path, to a sanctuary she could truly call her own.

But the vision darkens when you think of how Cassiopeia has been using the space all this time. You hope you're still able to recognize traces of your mother when you get there.

An iron gate stands at the end of the path. Vines tangle through the metal spirals and flowers. Mihawk holds a finger to his lips, carefully opening the gates without a sound except for the rustling of leaves. You all crouch behind a large plant that fans out, over your heads.

And then, you see it. You see what your mother left for you.

The centerpiece of the garden is an intricate pedestal, Yoru is propped up against it. On top of it, however, is a glass case displaying your mother’s most treasured golden necklace.

You almost want to run to it, but Zoro grabs your arm, warning you not to take another step. He nods towards where Cassiopeia stands in front of oddly shaped vials and strange devices containing diff chemicals. She douses a sword with an eerie purple liquid as she speaks.

“Three against one... That hardly seems fair.” She kisses her teeth. Looking over her shoulder, she glares. “Why don’t we fight on even ground?”

Out of nowhere, a large cage falls towards the three of you. Mihawk pushes you and Zoro out of the way, but isn’t able to avoid the cage himself.

“And I just escaped. What a shame.” Mihawk fusses, but you can see that he’s relieved you’re alright.

“Maybe you’re meant to be in a cell, Dracule.” Cassiopeia remarks. “I’ll have your kids join you shortly.”

There’s only one of her, this should be easy, right?

She throws a bottle at you. Luckily, you’re able to dodge it. The bottle shatters, its contents spilling over the bystanding greenery. The liquid turns out to be acid, burning through the foliage and leaving a smoky trail. 

Well, fuck.

Zoro also seems to realize how serious this fight is. For the first time since you’ve reunited, he unsheathes Kuina’s sword, placing the hilt in his mouth.

You brandish your dagger as you yell, “Really? You bite it? What would Kuina say?” He sends you a look. You try not to laugh.

And in the next second, you charge at Cassiopeia together.

It’s difficult to get close enough to land a hit. The queen regent leads you in a dance of acids and poisons. You dodge one bottle only to be met with the toxic end of her blade. It seems that your mother’s dagger won’t be enough in this fight.

“I didn't get this far to be stopped by the likes of you!” Shrieking, she lunges at you.

“You will never be queen!” You roar back.

Behind her, your eyes spot Yoru leaning on the pedestal. The blade is large and intimidating, and you’re not entirely sure if you can wield it correctly… But you might not have a choice right now.

As you were distracted, Cassiopeia’s sword almost cuts through your side. Panicking, you stumble backwards. Zoro slashes at your enemy’s wrist. Her hold on the poisoned weapon falters. It plummets with a clang.

While she’s occupied with Zoro, you rush towards Yoru. From behind the bars, Mihawk watches, holding his breath as you wrap both hands around Yoru’s hilt—but the damn thing is too heavy. 

“Dear princess, you should have learned from your mother!” Cassiopeia smashes a bottle on Zoro’s head. “Stop sticking your nose where it doesn't belong!”

The glass explodes into countless glittering shards. A red gas escapes into the air, and your knight inhales far too much of it.

He falls, and for that moment, the entire rest of the world vanishes until all you see is him. Your ears start to ring. His grip loosens on his swords. 

No. Please. Not him. Not anyone else. No more.

Mihawk calls your name. You turn to him, on the verge of breaking down. But then, he nods once, slowly. The action reminds you to breathe—filling you with an overwhelming sense of strength. You can do this.

Screaming, you attempt to brandish Yoru again. 

You swing the legendary greatsword in a perfect arc. Once it collides with the ground, the air ripples. Power surges through an invisible force headed straight for the queen regent. She tries to run, but the hit lands.

Her eyes don’t stray from yours as she collapses. In her final moments, she falls from grace, howling in agony and rage. 

As a last ditch attempt, she throws one last vial of acid at Zoro. You’re about to curse the world all over again as you run to stop it.

Mihawk throws a tiny sword like a dart, miraculously breaking the container before it lands on your knight. Your knees give out, and you pull Zoro into your arms as you gasp for air.

It’s done.

Zoro wakes up to the feeling of you checking his temperature. Your hand is warm against his forehead, making him want to reach up and hold it. He should probably wake up and check on you now.

“Oh.” He hears Mihawk speak, “I didn’t realize your relationship took a certain… turn.”

On second thought, another minute of sleep won’t hurt.

“Not you too, Mihawk.” You groan. “I get enough of that from Selma.”

“Ah, yes. I heard.” The swordsman deadpans, “Hand holding. How scandalous.”

“Alright, if you’re not going to be of any help whatsoever, please just go.”

“If you wanted time alone with him, you could have just said so.”

“Goodbye, Mihawk.”

Zoro hears you escort Mihawk out, and he takes the moment alone to open his eyes. He’s in his quarters, which is a few doors down from yours so that he can easily get to you. 

Not that he stays here often, Zoro prefers standing guard outside your chambers. It’s strange how he lasted years without seeing you, because now that you’re back in each other’s lives, he becomes restless whenever you’re not around. 

Like right now. What’s taking you so long?

The door opens. Zoro perks up, but deflates when he sees that it’s Selma bringing in a pitcher of water. 

“You could’ve at least hidden your disappointment better, Sir Zoro.” She huffs at him, taking full offense. “I’ll go get your princess.”

“Oh!” She yelps excitedly, “My bad, it’s queen anointed now, isn’t it?”

Zoro smiles, his voice raspy with sleep, “That has a nice ring to it.”

“Indeed, it does.” Selma nods, bidding him farewell. 

He doesn’t have to wait long to hear your rushing footsteps. The door opens again to reveal you, this time. Your eyes shine in that really pretty way they do when you’re happy. He’s glad that’s among the things that didn’t change.

Zoro opens his arms, inviting you, “Come here.”

Not needing to be told twice, you fall into his arms, burying your face in his chest.

“You’re okay.” You murmur.

“I wasn’t about to miss your coronation, Your Majesty.” Zoro pokes your nose. He did that a lot when you were kids, you forgot how much you liked it.

“Thank you for being okay.” Leaning down, you kiss his cheek softly.

Zoro brushes his fingers through your hair. He holds your face in his hands, tracing your features as if that will help him memorize the happiness he feels in his heart. The sort of happiness he thought was lost to him forever.

“Hey,” Zoro speaks your name with care. “I love you a lot, you know.”

He always envisioned confessing to you in some dramatic, elaborate way that you’d deserve. There could have been a beautiful sunset. He would’ve brought flowers.

But he was wrong. All he needs are the words themselves, and you—smiling the way you’re smiling at him now. 

You laugh, “I might love you more, I think.”

Zoro shakes his head, sitting up so that he can bring his face to yours properly. “Doubt it.”

The kiss tastes like magic, like you were always meant to find each other's lips. His heart starts doing something funny, and he has to pull you closer—hold you tighter. You respond eagerly, kissing him back so intoxicatingly that he’ll remember the softness of your lips for as long as he lives.

Later that week, your coronation is a grand and extravagant affair.

When Cassiopeia's misdeeds came to light, the people banded together to celebrate her downfall. Those loyal to her either surrendered or tried to escape. Although none of them were able to get away, since Zoro and Mihawk were ruthless towards those involved in the attempted mutiny.

The crown on your head will take some to get used to. It still feels like you're borrowing something of your mother's; but instead of shying away from it like you had before, you step into it openly. You're ready to become a successor worthy to carry on her legacy of kindness and strength.

Uncharted these waters may be, at least you have Zoro now, who would dive into any perilous sea right after you.

Escaping the celebratory banquet and the revelries, you visit Queen Florentia and Kuina's graves with Zoro. It's only right that you pay respects together.

You leave flowers on your mother's headstone, thanking her for everything she did. You're startled when Zoro takes one of his swords, holding it in front of him as he kneels in front of the previous queen.

“Your Majesty, Queen Florentia,” He speaks, his tone steady and sure. “I, Roronoa Zoro, vow to never leave your daughter’s side. I will protect her until I draw my last breath. I swear to cherish her, and to love her even in my next life.”

What is he doing, making you cry like this? It turns out that emotional boy you knew is still somewhere in there. Your heart feels full, knowing your mother would have appreciated the gesture.

As you're about to move on to Kuina's grave, Zoro motions for you to go ahead without him. You look at him strangely, but do as he says to give him some space. 

Mihawk emerges from the treeline when you've gone far enough.

“You look like you’re about to leave without saying goodbye.” Zoro remarks.

“Of course you’d know how that works, hm?” Mihawk challenges, raising a sharp brow. “Try even thinking about leaving and I’ll return to make sure it’s your last thought."

“Didn't you just hear the oath I made to the love of your life?” Zoro turns to Florentia's tombstone again. “Your Majesty, back me up here.”

“She would have approved of you.” Mihawk’s frown is unimpressed, but his gaze is unmistakably caring. 

“...Take care of her, Zoro.”

“Of course. I promise.”

As Mihawk walks away, Zoro asks him one last question, “How are your regrets now, old man?”

The former commander’s shoulders shake in a mixture of amusement and relief. “I suspect they'll heal, with time.”

When Zoro catches up to you at Kuina's grave, you're grinning at him. He can picture that same grin on Kuina's face if she were here. 

“We were just talking about you.” You jest, “All bad things, too.”

“You had nothing to talk about, then.” Zoro sits on the grass beside you. “I’m perfect for you.”

Appalled, you scoff and turn to Kuina's headstone. “Can you believe this guy?”

That day, you talked for hours, even after the sun had set. And on the trek back to the palace, a soft breeze caressed your skin. It felt like Kuina encouraging you, sending you off onto the next chapter of your lives.

Zoro becomes Captain of the Royal Guard once Mihawk leaves. He's teaching you about weapons and self defense when he picks up your dagger to inspect it, turning it this way and that curiously.

“Is there something wrong with it?” You ask, observing it too.

“This pattern and material.” Zoro says, tracing a certain swirl on the weapon. “I feel like I've seen it before.”

“Ah,” He says in realization, tracing a finger down your neck and making you shiver. “It’s the pattern on your necklace.”

“My mother must have had them made together.” You say, unclasping the chain before handing it to him.

There's a gap in the center of the pendant. Thin and barely noticeable, but it looks like it can be opened by something sharp.

“Do you mind if I,” Zoro gestures at the dagger.

“Just don't break it.” You say. “Treat it like my heart.”

Zoro makes a face that pulls a laugh out of you. “I would never do this to your heart.” Aw. You might have melted a little.

The tip of the blade slots perfectly into the pendant. After twisting it slowly like a key, the metal clicks to reveal: a locket.

Handing it over to you carefully, Zoro lets you open it the rest of the way. Inside, there are images drawn on two panels. You, as a child on one side… and Mihawk on the other. Now you understand why your mother treasured this so much. Tearing up, you sigh.

“You’re not surprised.” Zoro notes.

“...I think a part of me always knew.” You respond. “And, I definitely felt something when I held Yoru. No wonder why.”

Treading carefully, Zoro wraps his arms around your waist as he asks, “You’re not upset that he left?”

“But he didn’t. He’ll always be there for me, and so will you.” You smile up at him. “I’m happy I found my family again.”

Many years ago…

The grass on the meadow bristles gently in the wind. Dusk bathes the land in a dreamy, gold and purple hue. 

After a day filled with imaginary adventures, two children wave their dearest friend goodbye. The princess smiles at them fondly before returning to the castle.

Kuina grins, face eager as she points her training sword to the sky. “I’ll be her knight someday. I’ll be commander and everything.”

Zoro jolts, immediately expressing in protest, “No, I’ll be the one to protect her! I’ll be commander!”

“Oh yeah?” The girl’s smile turns knowing. She pokes Zoro’s waist with her sword. “How will you do that? Aren’t you going to marry her?”

Stunned, Zoro can only stare at her in response. A blush creeps up his neck, reddening the tips of his ears. Kuina seizes the opportunity to make a run for it.

“Princess, wait up! Zoro wants to tell you something!”

“Kuina! Get back here!”

read the companion piece / my notes / the timeline of this story (in mihawk's perspective) here : "the taste of ale"

© togenabi 2023 | see here to be added to my taglist ♡

tags: @songsofadelaide-archive @ay0nha @amitydoodlez @sweetexistentialism @murnsondock @starszns @msmisasoup @writingmysanity @hotchocolattee @dimplewonie @hearts4zoro @kenkenmaaa @appalost @commanderfreethatdust @onebatch--twobatch @rebeccawinters @gunslxtz @akakaze @lownna

[nocontextlestat]

(TW for everything)

*in lestat’s voice*

so, let’s talk about our gorgeous murder gremlin armand. in the books, he canonically:

- burned his own paris coven alive after lestat destroyed their centuries old belief (TVL)

- let louis kiII his second paris coven (IWTV)

- tortured nicki with his coven while he was still human, because he was angry at lestat (TVL part 4, ch 2)

- tortured lestat to force him to say claudia’s name as the guilty vampire (TVL, epilogue, ch 1)

- mentally manipulated and vampirically raped lestat (TVL, part 5, ch 1)

- threw lestat off a tower when he came to him to beg for help (TVL, epilogue, ch 1)

- told louis that lestat was dead and didn’t tell the truth for decades (IWTV, part 4)

- told lestat that louis was dead and didn’t tell him the truth for decades again (IWTV-TVL)

- mentally manipulated louis to make him turn madeleine into a vampire (IWTV, part 3)

- telepathically kept telling claudia to die/kill herself/leave louis to himself (IWTV, part 3)

- tortured daniel for days (QOTD, part 1, ch 4)

- drew daniel to absolute insanity for a decade (QOTD, part 1, ch 4)

- locked nicki up and cut off his hands so that he couldn’t play his violin like crazy anymore (TVL, part 6, ch 3)

- scalped his human victim because he was curious (TVA, part 1)

and so on. and you’re mad that they— *checks notes* ruined his character on the show by making him the villain? am i correct? he is literally one of the most iconic villains in literature. also, shouldn’t we be glad that they didn’t show him actually torturing claudia by cutting her head off and stitching it on a woman’s body before the trial? while she was still alive? (TVA part 2)

why do you need him to be a saint to be able to love him? he should be a lovable character to the viewers despite and because of the stuff he has done, no? are you sure you're built to consume gothic fiction?

"what about the things lestat did?" i literally made a list of lestat's crimes and never shut up about it and you're yet again proving my point. this is not an attack on armand. he's my favorite right after lestat. i wrote fact threads on twitter for both of them. i know my material.

[miraculouslbcnreactions]

This is probably small in the grand scheme of things, but how did Emilie being noble play any impact in the story at all?

I mean, I'd get it if it was just a small detail to help deepen Emilie's character, but why nobility of all things? I don't know, from what I'm seeing so far, the whole "Emilie renounced her noble title" shtick just feels worthless if it's not going to impact the story or add depth to Emilie's character (like maybe upbringing or personal values?).

I don't know. Like everything else, the noble part just feels shallow and means nothing to the story, especially for a character like Emilie, who is the plot device for the whole show. Any detail about her, like her personality and life story, is supposed to influence the story and characters one way or another, namely Hawkmoth since she's his driving force.

So what was the point?

For context, this ask is about Félix's play which says that Emilie gave up her title to be with Gabriel. I'm gonna give a slightly larger section of the transcript of the play for full context, but the relevant but is at the end of the last paragraph:

Félix: The king and queen's twins grew up, each day as different in heart as they were similar in body. The firstborn, curious and brazen, despised life at court and escaped at every opportunity. The younger daughter, well-behaved and respectful, did everything she could to please her parents, and stayed quietly in the castle. Félix: (as Mr. Graham de Vanily) Oh, my queen. Did we entrust our legacy to the right princess? Kagami: (as Mrs. Graham de Vanily) She will fall in line, eventually. Félix: Confident that she would settle down as she matured, the king and queen allowed the curious princess to leave to study beyond the sea in another kingdom. There, she immediately found true love in a humble tailor. Félix: The tailor was making clothes so magnificent that they revealed the beauty of the soul of anyone who wore them. Although it made her parents furious, the curious princess gave up her rank, her wealth and her kingdom to live a bohemian life with the tailor.

Story wise, I have no idea why any of this was added since it adds nothing to canon. It's not like this finally explains why Gabriel and Emilie are poor while Amelie is wealthy. Along similar lines, it's not like Amelie's title has ever mattered. Prior to this play, I don't think that we even knew that she had a title or that she was the younger sister. The play is all about explaining things that we never had reasons to question in the first place.

My best guess as to why the writers wrote this pointless backstory is that they wanted to make Emilie seem even more pure and perfect so they went with the tired old trope of a rich girl giving up material things for the sake of love and art because good pure women don't care about material things! Only nasty, shallow women care about money. (Way to play into sexist tropes, guys.)

There may also be cultural elements at play here given that France doesn't have the greatest history with nobility, so giving up a noble title may be seen as good and pure to a French writer, but I don't know enough about French culture to say that with any certainty. If anyone who reads this blog is French and would like to chime in, then feel free!

While we're on the topic of the play, I wanted to point out that the above quoted passage is why I say that the Graham de Vanily parents can be as kind or as abusive as you'd like to make them. It's incredibly vague and you can read into it whatever you want to read into it. Were they good loving parents who were just upset about their daughter living in poverty or were they miserable controlling classist who Emilie fled England to get away from? It's up to you because you can get both reads from this. The play commits to almost nothing of value. Politicians could take lessons from this impressive level of noncommittal writing.

A better version of the play would have focused on things that actually matter to canon like the details of finding the miraculous and/or Emilie learning she's sick, but you could only have those details if they were coming from Nathalie or Gabriel. Félix is a terrible choice for a character to tell us the show's backstory because he knows so little of it, thus the play focusing on his largely pointless backstory.

[silverhypnos]

Unpopular Spider Opinion

Chrollo and the rest of the Spiders don't actually like the scarlet eyes as a valuable item.

I see so many fanarts of Chrollo admiring the scarlet eyes but I honestly think the canon Chrollo doesn't even like them. It's not just because of the backstory of Sarasa's dismembered body.

There are a lot of hints throughout the manga and anime that actually imply their lack of interest.

Other than nen, usually when it came to things the spiders were interested in were material goods that could be used. Books, Games, food, etc. We never really see them show any interest in objects that are "pretty to look at"

Since most of them are from Meteor City, it's kind of hard to imagine them enjoying the luxury of something that is just aesthetic. I think people imagine Chrollo as different from his friends as someone who could potentially enjoy that kind of luxury, but I also think the main reason why people feel that way is partly due to how other characters describe him. Mainly how Hisoka, a character that was confirmed to be a fickle pathological liar described him. I'm a firm believer that Hisoka was purposely twisting his description of Chrollo to convince Kurapika that teaming up was the only rational solution. We know the "The spider won't stop moving until the head is crushed" is a lie. So why are the fandom so convinced that everything else must be true? Hisoka described Chrollo as someone who admires everything he steals and then gets bored of it and sells it off. Funny, we never get to see him admire any of the merchandise that the Spider's successfully steals. Everyone chooses to celebrate instead and we see him sitting on the boxed merchandise as if it were a stool and drinking beer.

Later when the Spiders finally made the connection that the Chain User was probably a survivor of the Kurta clan. Remember what Chrollo asked?

Chrollo, a man who is constantly depicted as an admirer of the scarlet eyes by the fandom had NO IDEA if the scarlet eyes were even being sold in the first place. "But it could be easy to forget with all that merchandise!!"

Sure, but the scarlet eyes were the LAST ITEM that got sold off. The only person who remembers is Kortopi because he had to use his Nen.

Usually, people will remember the first and last item unless they personally don't give a shit about it. Heck, Pakunoda was ON STAGE, and even she didn't say anything. (Granted Pakunoda does show a reluctance to speak her mind sometimes but still.)

I honestly don't think any of the Spiders, including Chrollo give a shit about the scarlet eyes. Their backstory and their behavior during the YorkShin arc only reinforce that. Is it possible that five years ago, Chrollo might have been interested when they killed the Kurta clan, (assuming the Togashi isn't trying to pull a plot twist on us and reveal a different culprit) Sure, it's possible. But it sounds like it's unlikely he'd be interested in them for that long, why obsess over a pair of eyeballs when there is a good book right over there? Don't get me wrong, I get the artistic appeal, and I assume MOST of the artists are doing it for the artistic appeal rather than if it feels canon based on the source material. But I wanted to share my opinion because I rarely see this kind of take. Usually, people depict Chrollo as being obsessed with Kurapika even though he really isn't. Kurapika is the one who is obsessed with killing the Spiders (For good reasons) but the obsession isn't mutual.

[arcanewhoosh]

hiii how are you? I hope ur doing well!

I dont know if your requests are open or not so if they aren’t feel free to just ignore this :)

i was wondering if you could write a jinx X female reader (if not female gn is totally alright whatever you’re comfortable with) a soulmate au with jinx where it’s the reader who goes to the alternative universe instead of ekko, but instead of just going to one universe, the reader ends up going to multiple ones. she/they find out that jinx is her/their partner in every universe, in every timeline, in every possibility, making them soulmates.

I actually made a post about this idea, asking if anyone could write it, but I also wanted to ask you as well because I just adore your writing so so sooo much. I could honestly read your work for hours without getting bored or tired.

I Think We're Kind of Made for Each Other

This work will be posted (with an additional scene) on AO3 here. Please note that the work posted there will be tagged as Explicit

24.3k words

Proofread? Y/N

Relevant Tags: JinxXReader, Female Reader, Soulmates AU, Multiple timelines, Violence, Major character death, Suicide, Self-Harm, Alcohol consumption, Original side character, Canon compliant, LoL characters

When the anomaly at the Hex Gate transports you and your friends across realities, you're forced to confront the different lives you live in each one. But will you be able to accept a hard truth when you face the only constant thing in every timeline?

A/N: I just wanted to say, that this has to be my magnum opus. I don't think I can write another oneshot this long. To be fair, the idea had been floating in my head for a while, so when the request came, I kinda went crazy. And to think I thought I could write this in a day lol.

Nevertheless, I had a lot of fun writing. I highly encourage you to read some of my other stuff, purely because there are a few references in this story.

Please enjoy. And if you like it, feel free to share with your friends.

One

The feeling of wetness on the side of your face wakes you up—your entire left side, actually—as a dull ache starts to throb in your head. Barely registering the rain pelting down on you, you open your eyes and try to catch your bearings.

There's a loud ringing in your ears, but you can make out muffled shouting and gunfire, the sizzling in the air followed by a boom. It triggers the fight or flight response in you, but everything is hurting and you can't remember how you even ended up here. You should be doing something right now, but for the life of you, you can't figure out what.

Your hand wipes at your ear as you open your eyes to inspect it, an unsurprising streak of red on your fingers is starting to smear as the rain continues to pour. Your vision swims for a few seconds, and you figure a concussion is going to be added along with the possible ruptured eardrum in your list of injuries.

Thankfully, your gaze focuses on the sight ahead of you. The familiar bridge dividing Piltover and Zaun, cracked and blown off at sections. There are armed people hiding behind a barricade on your side of the bridge, shooting at enforcers at the other end.

You plant your hands on the concrete and try to push yourself up, getting to about knee level before a sharp pain in your foot knocks the wind out of you and fall back down. It only occurs to you now to look down and inspect the rest of you. Banged up, caked in dirt and blood—Whose blood was that?—and your clothes torn at odd places. Your foot is still there, and it's not dangling off at an awkward angle, at least. You grit your teeth and try to move the injured limb. The pain wracks through your body, but your foot moves nonetheless. Sprained, not broken; good.

An explosion next to you pulls you back into reality and starts up your sense of urgency as you crawl your way over to cover. Hiding behind a fallen pillar, you take a second to breathe and get your bearings. A number of people run past you, all carrying guns and explosives from what you can make out—Why are we in a gun fight with the Pilties?—all ignoring you as they erect more barricades and set their weapons up. It might be the adrenaline, but you can't for the life of you remember how you ended up in this situation. What the hell were you doing here?

You close your eyes and try to block out the pain from your head and ankle, willing yourself to recall the events prior this firefight.

This was all planned. Carefully planned over the course of years.

The painstaking effort it took to build weapon factories in the fissures to stay out of Piltover's radar.

the underground hand-to-hand combat classes.

"You know, you say we should feel like we're all one people—"

Expanding Zaun southwards to facilitate growth for the future.

"Is that a wild rune?"

"I have no idea what that is."

Noxus antagonizing you for trying to build a better city for your people.

"No, don't touch it!"

"Ekko—"

Your thoughts are interrupted when a pair of hands grab you by your shoulders. Your eyes snap open at the figure in front of you, her pink eyes all too familiar. She looks worried—about you, no less—and affection blooms in your chest the same time a feeling of repulsion comes over you. Jinx, you try to say, but you're still reeling from your injuries and your attempt to recall what had just happened, that you're not able to utter a word. She's speaking, but you can barely make out what she's saying because of the ringing in your ears. You try to read her lips, but your mind is too hazy to make sense of her words.

She realizes that you're not understanding her at all, and she spots the blood still coming out of your ear. As she moves to gingerly wipe off some of it with a gloved hand, you instinctively—instinctively??—lean into her touch. She pulls out a small vial with a needle at the end of it. The pink glow of its contents immediately tells you that it's shimmer, as Jinx takes off the cover with her mouth and spits it out to the side.

"No." You say. At least you think you do, you can't really hear yourself. You hand grabs her wrist holding the needle, but she's faster and leans her hand away just out of reach from you. She grabs your own with her free hand, and gives you an apologetic look. You're not sure why, but you can almost tell that she's trying to say this'll help, I promise.

The smile alone is enough to make you relent, and a part of you is bewildered at the fact. Still, you put your hand down and let her stab the needle into your thigh, its contents seeping through.

You lurch forward at the sensation, but she catches you and holds you as you tense up from the high that shimmer delivers with it. You grab onto her as you wait for the effects to subside.

"It's okay, you're okay, I've got you." She whispers into your hair. You relax, slowly but surely. Besides the fogginess you still feel, you're a million gold coins. You gently push yourself away, taking a look around, your sense suddenly heightened. A short side effect of shimmer, if you remember right.

"Jinx." You finally manage. "Are you okay?"

She scoffs, but you know that it's not out of hostility. "Don't you think I should be asking you that?"

She has a point. A part of you wants to contradict her for the fun of it, but this isn't the place, or time. You peek over the side of the pillar, the barricades are holding strong, even gaining ground over Piltover. The momentary safety provided by cover is enough for you pull Jinx and yourself on your feet.

Her face if covered in dirt and grease. She was supposed to be working on Fishbones, away from the front lines. "You're supposed to be on higher ground."

"I'm not gonna sit on my ass while you're all here risking your lives. Besides—" She pushes a rifle onto you. "Fishbones is ready. Once the Noxian's ship is even an inch within range, they're done for."

You shake your head. "You're better if you're—"

"No." She starts. She has a determined look in her eye, the same one she sports when she wants you to drop an argument. And you drop it, every single time.

"I'm just as good as a shot as you. And we're winning." She gestures toward the bridge, where the line of enforcers and Noxians troops are slowly but surely backing away. "We'll need as many boots here as we can. You said it yourself, the hardest part is gonna be holding the line once they call for negotiations."

Your grip tightens on the rifle. You were so close to freeing Zaun. Wait what?

Freeing Zaun? No, you needed to save your tree, with the firelights, and all the refugees. You needed to find Ekko, and Heimerdinger, and Jayce. Jinx… Jinx was the enemy. She killed your friends before, blown up your safehouses, let Silco flood the streets with shimmer—

"The Noxians ships are here!"

You both turn to the east side of the bridge, and spot the fleet approaching. Their pace glacial because of the narrow path on the water. They start deploying smaller boats filled with their soldiers, headed for the small docks on your side of the bridge. You turn back to Jinx, her eyes are still trained on you. She takes a breath, and opens her mouth to say something—

"Cap! We're armed and ready!" A blob of pink hair catches your attention; it's Vi, waving over to you from a distance away. "Give the signal!" You look up to the rooftops above her, a group of people rolling three launchers forward, all trained on the large vessels in the water. The blue glow coming from the HexTech gemstone running through lines on the launchers they were all hauling. One for each ship.

"This is it." You say as you grab Jinx's arm. "Go take cover."

"And leave you here? Fat chance."

"Jinx."

"I'm staying." This stubborn little—You sigh, now was not the time for a petty argument. You were about to give the go signal for a possible war-ending—or war escalating—attack. You settle for pulling Jinx with you as you zigzag towards where Vi is, bullets flying everywhere.

"We're armed and ready." She says as she crouches next to you. You know you can't delay the command, but a pit settles in your stomach as the weight of your decisions starts to sink in. The number of lives that'll be lost from this.

But you don't have the luxury in time, not in war. All you have is the culmination of your split second decisions and the consequences that follow.

"Tell them to fire." You state it with such calmness that it surprises the three of you. Vi nods, nonetheless, and gives the signal to the fighters on the rooftop.

In the few seconds that the high pitched screech of the launchers resonate through the air, the battlefields becomes silent. All eyes trained on the rooftops of Zaun, then the Noxian ships.

The first rocket hits a ship. A loud bang is heard as it makes contact, followed by a muffled explosion as smoke starts to billow out of the ship. The vessel groans and slows to a stop, as a line of soldiers dressed in red start abandoning ship as fires start erupting out of doors and windows. The other two ships follow the same fate. A loud bang, an explosion, the smoke, and people desperately trying to get away.

You stare at the horrific sight in front of you. There are no sounds from the guns firing from each side, no bangs from projectiles being launched from mini Hex gates. Everyone has stopped whatever they were doing and were now watching people on ships, trying to escape the inferno quickly building up.

Your head throbs, and you stumble as you try to walk towards the bridge. Jinx catches you as you fall to your knees, your head suddenly as heavy as lead, the ringing in your ears returning, louder this time. Jinx is trying to tell you something, but your vision begins to blur, and you feel like you need to just… shut your eyes for a few moments.

-----

Two

"Hey, Ms. Port Master extraordinaire? Hello?"

The snap of fingers brings you out of your stupor. You blink a few times before clearing your throat.

"Sorry." You try to flash a smile to the woman in front of you. Her eyes scrutinize you for a brief moment, seemingly trying to figure out what was going on in your mind, before her infuriatingly attractive smirk adorns her face.

"Didn't peg you for a lightweight."

You snort as you take a sip from your glass. "I'm not a lightweight."

"The zoning out is kind of a dead giveaway."

"I wasn't zoning out. I was lost in your eyes."

"You weren't even looking at me."

"I had to look away cause I was getting lost in your eyes?"

She lightly punches your arm—damn she's strong—before leaning against the counter of the busy bar. You sit close to each other, citing the noisy atmosphere and the hindrance that would cause during your conversation, but you both know better. You wanted to sit close because she was, pardon your French, too fucking attractive. Hers, you weren't sure yet, but you'd be able to find out eventually.

"I'm guessing you don't get lost in all of your customers' eyes, too?"

"Just yours." You’re not a lightweight, that much you’re certain. Tipsy, however, you very much are. If the brazen flirting wasn’t making it obvious enough.

"And you weren't out last night with some poor girl who also had engine troubles?" You put a hand over your chest.

"You're breaking my heart here, blue." The feigned hurt in your voice does little to deter the eye roll that Powder gives you. You let out a laugh as you put your hands up as a mock sign of peace. "Hey, I swear I was trying my best to be professional earlier, but I'm off the clock now, so I can flirt as much as I want."

"Oh, we're flirting?" You furrow your brows at her.

"Was that not clear?"

"Nah, not really."

"Do you platonically get lost in people's eyes?"

"Maybe. How do I know you don't take girls here every night? I could ask the bartender."

"Go ahead, he's an unbiased party. Besides," You shrug. "Even if I did, I'm a regular here so he wouldn't snitch on me."

"Don't put words in my mouth you muppet." the burly man working behind the bar walks towards the two of you, refilling your drinks. He winks at Powder. "Don't worry love, I'd sell this one for a sack of potatoes—"

"Hey!"

"But." He says, a thick eyebrow raised at you. "Lil' missy here isn't a revolving door of lovers. In fact, I don't reckon' she's ever brought someone here. Or landed a date, actually—" Powder snorts into her drink, and you take it as a sign that it's time to usher the barkeep away.

"Okay, thank you Ed, for the refills. I think there's some people asking for you over there." Ed laughs as he lumbers over to the other side of the bar. You keep your eyes on him until you're sure that he's occupied, before turning back to Powder. "I do in fact, get dates. For the record."

"Oh, of course, I totally believe you."

"I mean it."

"Completely believe you."

"Okay, now you're just messing me." Your ego is a bit bruised at Ed's interruption, the shit eating grin on Powder's face isn't helping either. But she's smiling, and for some ungodly reason, you consider it as a win. You shake your head and take a longer sip from your drink, why the hell were you so sappy all of a sudden?

"Okay, okay. Sorry, toots." She nudges you with her shoulder. "No more teasing."

You raise an eyebrow at her. "No more bruising my ego?" She shakes her head and crosses over her heart.

"Nope. Serious questions only, from this point forward."

"Oh? Like what?" You turn to her and prop your chin on your hand.

"Like…" She bites her lip and looks at a random spot on the wall of drinks across from you, momentarily in thought. At this point, you're not even trying to hide your staring. She doesn't call you out on it when she looks back at you, but a small smirk plays at her face. “You’re drunk.”

“Just as drunk as you are.”

“I’m not drunk yet.”

“You’re literally slurring your words right now.”

“…I’m tipsy.”

You do your best to hold back a chuckle. “Hi tipsy—“

“Gods, please don’t.” She groans and hides her face in her hands. “I was just starting to find you attractive.”

“I thought we were done bruising my ego?”

“The dad jokes make you free real estate.”

“Okay, alright.” You laugh. Gently prying her hands away from her face. “Just ask me your question.“

She relents, but doesn’t let go of your hand as she sets her hand down the counter. “Hmm…”

“Did you grow up here?”

“Here? No, I only came here about five years ago. Looking for my great perhaps and all.” A momentary ring in your ear causes your breath to hitch, but Powder doesn’t seem to notice.

“Where are you from?” She continues, her eyes slightly glazed but reflecting her curiosity.

“I’m from—“

The Free Nation of Zaun

The Undercity

Why the hell would I tell you?

“Hey.” Jinx gives your hand a gentle squeeze. You do your damn best not to yank your hand away. “I’m sorry, you don’t have to tell me.”

Bilgewater, you’re from Bilgewater.

“No, it’s okay.” You squeeze her hand back before she has the chance to pull away. "Could you give me a second?"

You wait for her to nod before you push yourself off the stool and make your way to the bathroom. You quickly lock the door and rest your head against it. The ringing in your ears returns, and your breathing becomes ragged. "Where the hell am I?" You look over to the bathroom mirror, and you're surprised to see the figure standing in front of you.

Your hair is different; your face—you look healthier? Not someone who grew up in the Undercity. You walk over to the sink, planting both hands on either side, scrutinizing your features further. It's you alright, somehow. Only it's also not.

Born in Bilgewater, left for adventure, ended up here working at the port.

"No." You shut your eyes as you shake your head. "I was born in the Undercity, I'm a firelight, we came across a wild rune and… now I'm here. I need to find Ekko, and Jayce, and Heimerdinger." You repeat the words a few more times, just to make sure you don't forget. The sound of water flowing out of the faucet as you turn a knob offers little comfort, but the cold sensation of the water when you splash your face helps.

You're about to turn and exit the bathroom when you spot something on your arm.  A small thing, peeking out of your sleeve. You gasp as you pull your sleeve back, the web-like patterns of the wild rune threading a line over your forearm.

You needed to find out what was happening, and why you've already encountered Jinx twice, every time you did whatever you were doing. Were you hallucinating? Did you just hit your head and was currently having a really trippy dream? You decide to think this over once you shake off Jinx, Powder, whoever she is. Easier said than done, since you kept acting like some lovesick fool.

When you return to the bar, Jinx is still there. Her back is turned to you, but her shoulders are slumped in a way that you can immediately tell that she's not in a good mood.

"Oi." Ed flicks your ear, ignoring your protest. "What the hell are you doing, making that sweet lass upset?"

I wouldn't use sweet to describe her.

"Sorry, I—uh, I'll fix it."

"Damn right you will. You come across someone like that once every lifetime." He pushes you toward the bar, before going back to clear a table.

"Sorry about that." Her head whips up in surprise, clearly not expecting you to be back. "Lost myself for a bit there."

"I…I thought you snuck out, honestly. It's no big deal, happens sometimes." She shrugs, her shoulders tense. She's trying to be nonchalant about you suddenly excusing yourself, but she was still slurring her words, and her gestures were becoming uncoordinated, so it wasn't really working. She looked more upset the more she tried to play it off.

You reach over the bar and grab a pitcher of water and a glass, filling it up and handing it over to her. "I'm really sorry about that."

She glares at the glass before reluctantly downing its contents "S'fine." A few beats of silence pass, and you unexpectedly feel guilt start to bubble up in your chest. No. No. No.

“I grew up in Bilgewater.”

"Huh?"

"You asked earlier, where I was from? Bilgewater. Terrible place, really." 

She folds her arms on the counter and rests her head on them, closing her eyes. “Why’d you leave?”

“You get sick of the smelly pirates? Though, I do have to give them credit, their wild stories of adventure and conquest is what made me leave in the first place.”

"You didn't just join some random ship?"

You chuckle. "And get myself killed for some dumb mistake? No thanks." You refill her glass with water, before picking up your own and swirling the brown liquid around. You recall working in a bar, up in the higher levels of Bilgewater, where adventurers spent the coin that they made from their exploits, before begrudgingly having to go back down and gather a crew to earn more. A vicious that kept repeating itself. Sometimes, if they were lucky, the whole crew would survive, but those instances were few and far in between.

Memories. You realize. These are all your memories, or, whoever you are here, at least.

A properly functioning Hex Gate was capable of transporting ships across continents in a split second. Does this mean a magically screwed up one could transport you to a different life entirely? Was it because of the remnants of the anomaly on your arm?

You shake your head, this was stuff that Ekko was good at, not you. You needed to find him, fast.

But first, take care of this one.

As if on cue, you hear a light snore come from next to you. Jinx is knocked out, clearly not bothered by how she's awkwardly hunched over the counter. You sigh, you have no idea how to get back home, but you decide to handle that issue tomorrow. Right now, you had a drunk Jinx to take care of.

Thankfully, you remember where you live, because having to haul around a drunk Jinx was difficult enough. Small victories though, as you realize that this is better than being stuck in the middle of a battle field. You settle yourself on your bay window, looking over to Jinx's sleeping form on your bed. Tomorrow, you'd start figuring out a way to get home. For now, you'll try to get your first wink of sleep in Gods know how long.

-----

Twenty-eight

In the indiscernible amount of time that has passed—for you, at least—you've come to realize the following things: 

You are not hallucinating, nor did you hit your head, you are, in fact, jumping through universes and different versions of yourself.

The first hurdle you had to get through was getting your bearings when you'd get thrown into another universe. It took a few tries, but eventually, you were able to come to your senses immediately after jumping to the next plane of existence you were in. You always repeated the mantra you made back in the second jump you did, the last thing you needed was to forget where you came from. The thought of aimlessly wandering through universes, feeling like you've lost your mind, you can't even imagine how terrible that would be. You needed to find the others as soon as you could.

The length of stay always varied and timelines can repeat, but there are always miniscule variations.

This was still a working theory. You've only repeated a timeline once, but you had enough wits about you to realize that some objects were a different color to their preceding counterpart, or that instead of Ekko explaining something to you, it was Scar. With how long you'd stay, there were a few instances when you'd only stay for a few minutes, but the rest spanned to about a week at the longest.

Somehow, some way, you and Jinx are connected in some way, shape, or form. In every. Single. One.

The last one was especially jarring, considering you had never even met Jinx officially back in your universe. Sure, you’ve had run-ins with her because the Firelights would frequently be trying to intercept shimmer routes, but you don't think barely surviving one of her chompers counted as an introduction. On top of that, she was your enemy back home, but in every single jump you've had so far, the two of you had a somewhat established relationship. This was good, in a way, because at least you didn't have to be on your guard constantly while you tried to figure out a way to get home.

"I can hear you thinking from over here."

Speak of the devil.

You ignore the comment from your friend. Emphasis on friend. In this universe it seemed, the both of you were Academy students in Piltover, mercifully platonic. You decided to do your best to study wild runes and HexTech when you could, but it proved to be difficult when you were distracted by that Other You's feelings for Jinx. At least this place gave you access to a literal sea of books and a clear enough mind.

"Hey, don't ignore me." Jinx opts to lightly tug at the top half of the book you're reading, and you can see her blue eyes peek through the space. That's right, no shimmer exposure in this universe.

"I'm studying." You deadpan, hoping she'll leave you alone. You get a mock imitation of your words, instead.

"No you're not, none of our classes are even looking into dusty old books about runes." She has a point. Truth be told, you're supposed to be studying about ethical practices in the field of body modification for utility uses. Which was close to nothing, really. But you can't really tell Jinx why you're reading about runes, now, can you?

"Have you ever heard of this thing called supplementary reading?" You shake the book off of her fingers, and go back to your futile attempt to learn about magic. Not that this book was any use, there wasn't even a list of runes and their definitions on here. The girl in front of you leans back on her chair and lets out an exasperated sigh.

"Ugh, you're boring. Let's go do something fun!" Her foot kicks at your shoe from under the table, and you have to lift both feet up to avoid her kicks.

"Hey! Not everyone can sleep through every class and still get high marks, Jinx." You scoot your chair out from under the table to put distance between the two of you. "Some of us have to actually study."

"What's studying without any field experience?"

"Pipe down. The librarian is gonna kick us both out, again."

She sticks her tongue out at you, but lowers her voice. "Come on, I'm dying of boredom here!" She splays out her upper half on the table, arms toppling over some of the papers and books you—Very neatly!—stacked for reference.

Your mouth forms a thin line, her rowdy, and playful personality had become apparent to you once you went through a few more universes. She'd get pissed if you ignored her for too long, but the structured environment of the Academy hindered a her from having any outbursts. So you opt to continue reading your books instead of taking the bait, quashing any urge from the You of this universe to make a side comment about her behavior.

She continues with her ranting about you not having any fun or having a stick up your ass. Her jabs get progressively more offensive, but that's how her and the Other You here interact. It's not fun for you yourself, because you didn't have the patience to make a jab at her without losing your cool.

You rub an eyebrow with one your hands, before gripping the book, willing yourself to focus on the next few pages in case they provide any useful information. You try to tune out the other girl, who has thankfully gone quiet.

You move book to book, thankful that this version of you could read and absorb information so fast. Sadly, you couldn't find anything about wild runes. Looks like Piltover was strict about distancing itself from magic as much as they could.

You don't look up from your book until you hear a grumbling from in front of you.

"What was that?" You close your book and pile it onto the Useless pile—which was all of them, really—and raise an eyebrow at Jinx, whose arms are crossed and is looking off to the side.

"doyouwannageticecream" You blink.

"Jinx, I'm not gonna understand a word you say if you keep grumbling like that."

She rolls her eyes. "I said, do you wanna get ice cream? or something."

Huh, how random.

"I made you upset earlier, and ice cream makes people feel better so..."

"I wasn't upset" You were.

"Yeah you were."

"I was annoyed."

"I know your annoyed face from your upset face."

"There's a difference?"

"So you were!" She slams her hand on the table, and is met by an irate librarian shushing her. You're once again taken aback by how different each Jinx behaves from the others. Where you were sure your universe's Jinx would have shot that poor woman, this one sheepishly rubs the back of her neck and throws a peace sign at her. If you weren't exposed to your universe's Jinx, you would have found her behavior cute. But you were exposed, so it absolutely isn't, and you're not going to play along with her to make her feel better.

"Thank for the offer jinx, but I'm not really in the mood to get ice cream." Good. "...and I'm not mad at you, or anything." You swear the last part was added in by Other You. Nonetheless, this seems to work as Jinx relaxes, resigning to making paper airplanes with the notes you had made while you went back to reading.

"Wanna break into Giopara's lab?" She starts.

"No."

"I think you'd want to—"

"No."

"If you say so." the singsong tone in her voice and the nonchalant shrug sets off alarm bells in your head. She's baiting you again.

Your eyes narrow at her. "You're being weird."

"No I'm not. I just thought—seeing as you're all interested in runes all of a sudden—you'd want to look at Giopara's vast  book collection on that very subject."

"How the hell would you even know that?"

"Cause," She shrugs again. "He keeps saying I'm not living up to my potential and tries to make me read more Hex Tech origin stuff."

Your mouth hangs open, but you manage to close it before Jinx calls you a blubbering fish. "Wait a second. You're saying you've been reading about runes and Hex Tech?"

"Yup."

"So you know that the books here in the library are useless?"

"Mhm."

"And you've been letting me waste my time reading through them like an idiot?" 

She sits back in her chair and crosses her arms. "They're not useless. They're just... Not useful."

"You're such a dick sometimes." Your remark is loud enough that the librarian to shush you as well. You whisper a sorry before turning back to Jinx.

"And you always have a stick up your ass." She whispers loudly.

"Yeah cause someone has to keep you from getting yourself killed, or worse, expelled!"

She snorts. "Really toots? Getting expelled is worse than getting killed?"

"The chances of getting expelled are higher with you, unfortunately."

She leans forward conspiratorially, a grin on her face. You don't notice yourself mirror her. "So come with me to break into his office, so I don't get expelled. Don't you want to read all those rune books? He doesn't even keep track of what gets taken out of there."

"Then why don't you just borrow them during lab hours?"

"What fun is that?"

"Jinx!"

"We'll be quick, five minutes, tops. And you'll have your dumb rune books." You grit your teeth. On one hand, You could just ask her to teach you what she knows. But you've known her—Other You!—your whole life, so you're a hundred percent sure that you'd have to pry that information out of her cold, dead, hands. On the other, Jayce's head was so far up in his own ass that Jinx was probably correct in saying he wouldn't notice any missing books.

I also don't know when I'll be yanked into another universe. There was also that.

"How sure are you that you can get us in and out that fast?"

"A million percent. Dude forgets to lock the door sometimes." She's already standing up and shoving all of your notes into your book bag, your eye twitches just the tiniest bit, before your head snaps up to look at her.

"How do you know that?" You ask as you start carrying the books to the book trolley.

"You're asking too many questions here. Less talking, more walking. Go, go, go." She ushers you out into the hallway, and the both of you start walking towards the east wing of the academy. The sun had already set, so there were much less students loitering. Still, the both of you err on the side of caution and stick to the lesser used hallways where the custodians had already turned off the lights.

You eventually find your way to the front of Jayce's lab, and Jinx wastes no time kneeling on front of the door and pulling out what looked like tools and shoving them into the door knob. This is definitely not her first breaking and entering.

"Where the hell did you get lockpicks?!" You do your best to keep your voice down, the allure of learning about runes slowly dissipating, panic replacing it.

"What did I say about less talking?" She whips around and raises her eyebrows at you, right as she turns the doorknob and opens the previously locked door.

"We're so fucked."

"You know, if we weren't stretched for time, I'd be celebrating you breaking your curse word quota for the day." She yanks her tools out of the door knob, and pushes you into the lab.

The room is nearly pitch black. Thankfully, the unlit hallways were enough for your eyes to adjust to the darkness. The low light from the moon streaming through the windows the only thing helping with your vision. Somehow, Jinx is able to navigate just fine.

"Okay, how often do you actually break in here?"

"How often is underground robot fight club again?" Robot fight club. The only thing Jinx is willing to wake up early for. Wait a second—

"Jinx!" You don't bother lowering your voice. Hoping that the closed room would be enough to muffle any sounds from coming into the hallway.

"What?"

"That's twice a week!"

"Where did you think we were getting our parts?"

"You said you knew a guy!"

"Clearly." She gestures around the room, where there were plenty of scattered machinery parts. Your face pales slightly; this Jinx was going to get You expelled, surely.

"You made me an accessory!"

"And now you're committing the crime. Congratulations, you've been promoted." She opens another door and theatrically gestures at the room. "Your little rune books await, oh great stuck-up one."

You roll your eyes at her and enter the room without any fanfare. Immediately you see that the all four walls of the room are lined with bookshelves as high as the ceiling. In the middle, a large wooden table with charts and books scattered across. Jinx stops next to you and nudges you with her shoulders. "Told 'ya. Worth the risk, right?"

"That's still up in the air."

She scoffs. "You totally think it is."

You don't want to give her the satisfaction of a reaction, but you don't even notice that you're grinning back at her until she puts an arm around your shoulders and waves her hand flippantly at the shelves. Other You's stomach does a backflip.

No. Absolutely not.

"So what are we looking for?"

You once again quash whatever physical reaction you're having. Now was definitely not the time. You walk out of her arm's reach and resort to looking around the spines of the books, already trying to spot their titles. "Wild runes."

There's a beat of silence before you hear her walking around the carpeted floor. "Wild runes huh? Yeah, I think I've seen a few of those around. Don't think I read them, though."

"That's fine." You start rifling around the shelves. Reading through anything that looked promising.

Jinx is the first to break the silence. She usually is. "So what are these books for, again?"

"I told you, supplementary reading. Also there isn't much to read on out ethics class so might as well fill my time with something fun."

Jinx doesn't reply, and you're happy to keep on reading through your books until you get a nagging feeling that you've just done something wrong.

You turn around to look at Jinx, who was plopped down on the floor and half-heartedly pulling books out, before seemingly placing them somewhere else at random. You mentally kick yourself when you notice that her shoulders are slumped. Opting to put the book search on hold, you walk over to her, hesitating for a moment before sitting down next to her.

"You know you can tell me stuff, right?" Her voice is quiet, and it's unsettling that you have the sudden urge to comfort her.

Yes, yes of course. This version of you felt completely at ease with Jinx. But you can't afford to be distracted by affection that wasn't even yours to begin with. If only you could explain that you've been universe-hopping and that in every single one of them you were in love or falling in love with her, and that you were trying to at least stall in this one so you could get as much information as you could before you got dragged into a different timeline again.

You can't, not really. But you know better than to try to lie to her.

"I think there might be another side to Hex Tech that we haven't discovered yet."

She stops rearranging the books and turns to you slightly. "What do you mean?"

"Like... Equal and opposite reactions."

"You think Hex Tech might have negative effects?" You feel your guilt lift at the curious glint in her eyes as you nod.

"Something like that. It's just a theory, though. I don't have anything to back it up."

"Well," She stands up and heads over to a shelf at the far wall. Pulling out an old looking tome. "I think this is just the book you're looking for." She blows off dust from the cover, coughing lightly from the cloud that forms. You quickly stand up and walk toward her, looking over the tome.

My ticket home—

"I don't care if they think I'm hogging too many testing hours, my methods actually work."

The door in the other room slams shut, you and Jinx immediately crouch down and move to turn the light off. Your eyes barely have time to adjust before Jinx pulls you over to the window.

"Are you crazy? We're on the second floor!" You whisper as she tries to pry it open.

"Less talking, more helping." As if on cue, you hear ruffling near the door. Less talking, more helping.

You help Jinx open the window, one hand still clutching the tome. You pray to every god out there that Jayce actually won't realize he's missing a book. The both of you swing your legs over the edge, and you grab onto the wall, suddenly feeling very nauseous. Jinx on the other hand, is grinning like a maniac.

"Aim for the bushes."

"Aim for the wha—"

You're unable to finish your sentence as Jinx pushes you out the window. You were wrong, the chances of getting killed might actually be higher than getting expelled.

While this was the first time Other You was getting pushed out of a window, this was fortunately—and sadly—not your first. Your instincts kick in and you're able to land on your feet, using the momentum to tuck and roll safely on the ground. All with the tome still clutched on one hand.

You're about to give Jinx a piece of your mind when she mouths catch me and you panic and free up your hands, just in time for her to land right into your arms. Sadly, however, strength doesn't carry over between universes as well as technique. Your knees buckle and you fall backwards. You barely have time to recover before Jinx is tucking the tome under her arm and pulling you up to your feet, already running away from the building.

You follow suit, quickly discovering that cardio was also not transferrable between timelines. Still, you keep running until your legs are burning and you see the dorms come into view, only stopping once you're both safely hidden at its side entrance.

You somehow beat Jinx to the door, your hands on your knees as your chest heaves. She comes to a stop right next to you. Planting a hand on your shoulder and using you for support.

"That was—"

"Fucking stupid."

She slaps your shoulder and laughs, commenting about how she likes this new, cussing, version of you. You take a second to compose yourself, huffing before standing to your full height, ready to give her a piece of your mind. Instead you stop short, your faces only a few inches apart. Thankfully, she seems just as surprised at the proximity, enough that she drops the infuriating grin on her face.

Her eyes flit to your lips, then to your eyes. A pointed look in hers. A challenge more than an invitation, really.

Your mind goes haywire.

There are many, many—actually so many—reasons why you should not, at all, kiss Jinx. Different timeline or not, you, specifically you, cannot do it. It would be the greatest betrayal to your people, your friends, everyone you know and love, your moral code, your promise to take down Silco's empire and clean the Undercity, Ekko, Heimerdinger and Jayce; have you mentioned your friends?

A tug at the front of your shirt, her biting her lip to stop a smile that reaches her eyes anyway, and your resolve begins to slip.

You can feel her breath on your lips.

"Stop thinking."

You will swear on your grave that it's the Other You that grabs her and closes the gap.

-----

Ninety-five

Timelines can have profound disparities from each other, but they could also have nearly miniscule, insignificant ones as well. This means that you could jump from one timeline where you were wearing a blue shirt, then a red one in the next, with everything else staying the same. Be a firelight in one, and next thing you know, you're an enforcer.

Sometimes, the big and small changes can mix things up. While they haven't been a huge inconvenience to you in the past—present, future?—they sure as hell were now.

Exhibit A: You're an enforcer.

Exhibit B: You're thrown into the mix on the day of the bridge explosion.

Exhibit C: Instead using a chomper to blow herself up, Jinx rigs the underside of the middle of the bridge with explosives.

At this point, ninety-five jumps in, you should really learn to be more vigilant when it comes to tackling unpredictable situations. Not that you can fully put yourself at fault, of course. You just wanted to make sure Ekko and his friends survived.

…And arrest Jinx so she didn't blow herself up. Then nothing else!

So why the hell am I lugging an unconscious Jinx into my apartment? You wonder as you set Jinx down on your bed. The panic and anxiety of the Other You understandably building up, seeing as she and Jinx haven't met yet. That and you're an enforcer harboring a wanted fugitive. And she killed Other You's friends, so the grief and anger are really making things confusing.

You roll Jinx onto her back, checking to see if she has any injuries. There's a deep cut on her side—courtesy of you while you were fighting—but nothing you couldn't stitch up yourself. Granted she doesn't wake up and shoot you, first.

Lumbering over to your bathroom where you kept your first aid kit, you flip the lights on. There's a semi-concerning pool of red on the front of your jacket, and your undershirt. You turn to the mirror, and spot what looks like a gash right under your breast. No big deal, it'll stop bleeding on its own. Must've been a sharp part of the bridge that nicked you as it collapsed, or maybe you cut yourself while fishing yourself and Jinx out of the harbor. Something I can fix later.

You grab a chair and settle on the side of your bed, taking out your suturing kit and disinfecting your hands. This shouldn't take too long, but that was never the problem. The problem was what would happen after Jinx wakes up.

You initially thought of just taking her to her hideout, but you ran the risk of running into Silco's people. While you could've just left at the docks—well, you don't really have a reason to not have left her at the docks, now do you?

You shake the thought out of your mind and get to work on closing the cut. It wasn't bleeding as much, but leaving it alone could get it infected, plus it would take forever to close.

Not that I care. You futilely tell yourself. As if saving her from dying, carrying her back to your home, and stitching up her wounds were normal activities between an enforcer and a fugitive—a fugitive of your creation!—on any given day. You weren't even originally planning on stopping her from dying. You know she comes back, pumped full of shimmer and allegedly a thousand times faster. Your only concern was getting Ekko to safety, but then one thing led to another, and you had your gun pointed at her as you were telling her she was under arrest. Everything should have worked out fine, if only the bridge didn't blow up.

Once her cut's been stitched up, and you change the bandage on an injury on her leg. You do a once over to check if she has any other life-threatening ailments. Once you deem that there are none, you decide change into a clean set of clothing. After slapping on a bandage over your cut—also bleeding a lot less—and putting on a sweater, your eye catches the mark the wild rune left on your forearm. You're reminded about another discovery you made: The mark was slowly fading.

You hypothesize that it had something to do with the number of times you were jumping through timelines. Did that make it a timer? Or was it a limited number of lives that was counting down to zero? And what does that mean when it runs out? Will you be stuck in that timeline forever? Or will it return you back home?

Learning about Hex Tech and runes was proving to be difficult jumping around to different timelines every few days. You'd have to pick up right where you left off every jump, and even then your access to resources was limited depending on the timeline. Not that you were making any progress, anyway. You were convinced that you needed to be a proper magic user before you could make sense of what you were learning.

You put your first aid kit away and head back into your room. It's not without difficulty, as you feel the adrenaline rush you had back at the bridge slowly ebb away; you're surprised it even lasted this long in the first place. But now you needed to rest a hand against your dresser for support, a feeling of lightheadedness starting to take over. Staying steady was actually becoming a bit difficult.

The hand you're using for support shifts to the side, as you struggle with your balance, and tips over a small container. The familiar rattling of pills catches your attention. You pick up the bottle and rattle it again before reading the label. A nagging feeling at the back of your mind is telling you that you've forgotten about something.

...Iron supplements. It read.

Uh oh.

"Fuck"

You suddenly feel like the best course of action is to close your eyes for a bit and sit on the floor to collect yourself, as you vaguely register the pill bottle clattering onto the ground.

Five seconds. That's all you need and you'll be back in tip top shape.

One.

Two.

Three.

A weight on your stomach, pushing out all the air you're trying to breathe in.

Four--

Click.

Your eyes open blearily, barely registering the barrel of a gun right in front of your eyes. Your gun, in fact. Panic and dread start to fill your senses, and for the first time since you hopped into this plane of existence, you agree with Other You's

feelings. If this was any of the preceding timelines, you would've been confident that Jinx wouldn't harm a hair on your head.

But not in this one.

You look past your gun and spot blue eyes staring at you. Some of the panic you feel dwindle when you see the curious look in her eyes—you can read her like a book at this point—and the slack of her grip on the gun. At least she isn't planning on shooting you immediately.

"Hello." You croak out, your voice hoarse from sleep. Oh no, were you a mouth breather in this timeline too?

Her hold on the gun straightens; your attention is immediately rapt and trained only on her. "Silco got you in his pocket, or something?"

You hesitantly swallow. Saying yes to buy yourself time was certainly one way to do it, but on the off chance that this was a test, that was a one way ticket to getting a bullet in your cranium.

"No."

The tip of the gun leaves your vision for a second, but you're spared no relief when you feel it jammed under your jaw. Wrong answer, then.

She comes into full view, sitting on your stomach—so that's why you couldn't breathe—boots on either side of your chest. "So what, you some kind of sicko? Saving poor 'ol me, patching me up? Or are you one of those delusional Pilties that think you can save some misunderstood girl from the Undercity?" Her head tilts to the side, a lilt in her voice as she says the last part.

"No." You struggle to get the next words out. "I swear." Your hand ball into fists as she jams the gun in deeper. Wait a second, my hands are free. I can take her do—no. No. I am not going to escalate the situation.

An oversight, or a challenge?

"You had a clear shot at me, you didn't shoot. I try to blow you up, you fish me out of the harbor and stitch up my wounds." Your eyes flit to her bandaged side She leans her face closer to yours. "Why?"

Well you see, I think we're kind of made for each other. You're tempted to say, but you doubt she's in any state to believe you. In any case, you'll actually come across as some sicko. Not that Other You would have shot her, either. You could feel the hesitation on her end when you had the gun trained on Jinx. If Marcus hadn't pulled his gun on Kiramman, she might have, but she thankfully had some sense of justice, and seeing the sheriff's true colors come out was enough to view everything with more scrutiny.

You have an inkling feeling that Other You would still end in the situation you're currently in. One way or another.

"I…I don't kno—"

"Liar!" The butt of your pistol connects with your temple, and you're nearly knocked out again. The room spins, and you're barely able to focus on Jinx again before her nails are digging into the skin on your cheeks, forcing you to face her. There's frustration written all over her face, but you know that she's just trying to make sense of the situation, if her shaking hand is any indication. Your fault, really, Other You is confused as hell, too.

She moves a foot back, and shifts so that her knee is carrying her weight—you're half thankful that it's not on your stomach anymore—as she leans forward. Her face closer now.

Your eyes focus back on hers. A mix of emotions swimming on those pools of blue; frustration, hostility, anger. But you also see panic, vulnerability, regret, and confusion. Her grip on you face loosens marginally. And then it hits you.

She didn't want to hurt you.

One thing constant in every timeline that you've been to, is the almost magnetic pull you felt towards her; the need to always have her in near proximity, and the sense of calm that would come over you if she was. And try as you might, you couldn't ignore the wave of affection that you would feel while you were with her.

Is it possible she feels this as well?

It's a risky thing to test, especially since you didn't know what would happen to you if Other You died. But it is kind of your own doing at this point.

You say nothing, hoping that she'll fill in the silence.

Her hand continues to shake, but you can tell that her anger is already wavering. You almost miss her asking you why again, she probably meant to keep it to herself.

"I don't want to hurt you either."

Risky. But you don't have a lot of options left.

She lets out a breath at your words, the gun retracts.

"Who are you?" Her voice is quiet, unsure.

Your soulmate, apparently. "Nobody." You answer semi-honestly. You were, technically, she hasn't had the chance to know you in this timeline yet.

She shakes her head and looks away. "No you're not." The softness of her tone catches you off guard. Her hand moving away from your cheek to clutch the collar of your sweater, doubly so. "You…you're familiar."

"Like we already know each other." Her eyes meet yours again, the surprise in them evident. She said those same words to you in a few past timelines. You always thought they were just little variations in those particular versions of her, but now…this just supports your hypothesis that she also cycles through the same sensations you do.

Your eye catches a faint streak of light manages to slip through your closed curtains, providing a miniscule amount of light into your dark room. "It's morning." You muse out loud, looking back at the still speechless girl on top of you. "Enforcers are going to be everywhere. You need to get out of here."

Her sense of urgency is seemingly stirred by your words, and she pulls you up along with her. Confusion still litters her features, you hope the smile you offer her is enough for comfort.

"Can you walk okay?" her mouth opens and closes a few times, still at a loss for words. You decide to push your luck, slowly reaching a hand over to touch her free arm. "Jinx."

Her brows furrow. The question of your knowledge of her name accusingly reflected in her eyes.

"I heard Kiramman say it, at the bridge." Thank goodness she actually did. Otherwise, this would've been very confusing for Other You in the future.

"I—" She starts. "I have to go."

You nod. "There's a fire escape out the bathroom window. Hold on—" You go to your dresser and pull out a hooded coat, moving to drape it over her, only to stop short when her shoulder tenses. Her eyes are trained on you, a slight air of hostility between them. You don't push to put on the coat, but you don't lower your arm either; waiting for her make the decision for you.

Her eyes flit around the room, seemingly trying to find her words around your home. She lets out a sigh, her shoulders drooping slightly. You take this as a positive sign, and gently place the coat over her shoulders. You see her hand tense around your gun, not in a threatening way, instinctively.

You slowly back away from her to give her space. She looks away from you as she slips her free hand into one of the sleeves, before grabbing the gun and slipper her other arm into the remaining sleeve. It's a little big on her, but the size and the addition of the hood is enough to hide anything that could immediately identify her.

There's uncertainty in her eyes when she looks back at you; she hesitantly lifts the hand holding the gun, the barrel clutched in her hand. "This is yours."

You shake your head. "As much as I hate to say this, you might need it."

She mutters an oh before holstering the gun in her hip. You gesture to an open door and lead her into the bathroom, pulling the window open and checking if there was anyone in the alley below. The sun was slowly but surely rising, it's rays already illuminating the dim streets in the main road.

"Coast is clear, stick to the alleys and you should be fine." You stand aside and let her climb out, her hand resting on the windowsill. The look she gives you tells you that she's trying to find an ounce of deception in your features. But she won't find any, not when it concerns her, not ever.

"I'll…I'll get you your gun back."

"Don't worry about it." You shrug. "I'll find you."

You see the ghost of a smile on her lips as she turns around and climbs down the ladder, disappearing into an adjacent alleyway.

"I always seem to find you." You mutter to yourself.

-----

One Hundred Sixty-Eight

The familiar smell of grease and burnt metal fills your nose as you enter your old workshop. Jayce had been kind enough to hand you the keys after you had asked if you could see the old place. Don't go too crazy he said. You rolled your eyes at his comment, of course. It wasn't as if you were going to steal anything as a souvenir; maybe draw something inappropriate on a whiteboard, sure. But as you drew closer to the lab, you spotted Jinx's car, and well, now you were going there for two reasons. You should have just turned around and not indulged Other You's—not yours!—thoughts. The length of time you spent in each timeline was getting longer on average, and you had to make the best of it while you could, especially with the mark slowly fading with each pass.

You walk towards the wall of the shared space, everything was still as messy as you—Other You—remembered. Diagrams and papers still littered table tops, probably permanent coffee stains on tables. But the hanging photos were new.

The first one was of Viktor and Jayce when they first started working on Hextech, just two young adults that barely knew what they were doing. The second one was of you three right after they had officially hired you. The third one was Jayce, Viktor, Ekko, and Jinx. Your eyes stray back to the middle photo, the one with you in it. The moment felt like lifetimes ago.

It's strange, looking at the person cheekily smiling back at you, already older than you in your original timeline. This body felt terribly tired, like the Other You here went through the ringer trying to get here.

The sound of a chair screeching and shuffling around one of the rooms grabs your attention. Your eyebrows furrow. Jayce didn't say anything about someone else being here, especially nearing midnight. You cautiously make your way to the room, trying not to make too much noise in case they'll think you're an intruder. The door is ajar, letting light seep through the darker main floor. There's a pull in your chest again, and you're reminded of your second objective here. Other You had wanted to speak to Jinx earlier, but couldn't because there was a line of other people that wanted your attention. By the time you broke free from the others, Jinx had already left.

A familiar warmth fills your chest. It looked like she had gone straight back to work after the party, still in her dress, heels discarded on the side, twirling a pencil as she looked over notes. Her headphones were on, and the couch she was lounging on was turned away from the door, so you doubt she'd hear or see you moving around.

You open the door fully and lean against the frame, deciding to wait until she notices you standing there. Not like you'd go unnoticed long, she probably felt the tugging too.

It's not even a minute before she stops what she's doing and turns around. There's a split second where surprise crosses her features, but she quickly recovers, raising an eyebrow at you instead.

"Come crawling back to the slums have we?" She says as she takes off her headphones and leaves it at her neck. She wears her hair down nowadays. It's also shorter here, only reaching the middle of her back. It's refreshing to see, and you find yourself brushing off the question of whether or not the older Jinx in your timeline would cut her hair the same one day.

"Something like that."

She scoffs, turning back to look at her work. Her words are friendly, but there's tension in the air. You're not sure if you should move into the room, or leave.

"Don't stand there like a creep, come sit." She pats the space next to her. There's no edge to her words either, so maybe the tension is coming from you. You're aware that there's a significant amount of history between her and Other You, but you're not sure whether this is the time or place to be settling past issues. What you do know, is that you shouldn't wait any longer before sitting down next to her.

There's a metal box in the coffee table in front of you, next to where Jinx has propped up her legs. "It's a prototype for a gemstone case." She says before you can ask. She takes the small box and twirls it in her hand, small prongs are protruding on the inside. "The goal is to make sure the gemstones only work if they're in these. So we can start using them for the more dangerous jobs around here; stop people from stealing them, since you have to break the case to get the stone."

You take the box when she offers it, testing the weight of it in your hands. "Did you go straight here after the party?"

"Not much to do there for me." She shrugs. "I'd rather work on this. Besides, you went here after the party, too."

"Fair point." You set the case back down on the table, and watch Jinx place it on a small stand to the side. "You work until midnight often?"

The corners of her lips quirk into a smile. "Talis is drowning in debt with the amount of overtime he has to pay me." You're about to laugh along with her, till you remember Jayce's comment earlier. Jayce you little—

She nudges you with her shoulder. "You're thinking again, that can't be good."

"Jayce."

"What about him?"

"Some dumb comment he said earlier when he gave me the keys to here."

"Oh?" A mischievous look in her eyes. "What did my boss say, exactly?" You grimace. This isn't fair, she fully knows Jayce said something completely out of pocket.

"Nothing."

"Bull. Tell me so I can take it out of context and bully him into giving me a raise." At this comment you actually laugh. You don't doubt that Jinx has probably done that at least once already. Jayce's tendency to say things without thinking is the worst thing to have when working with someone like Jinx.

"Tell me." She nudges you again, this time with a little more force. "Or else."

"Or else what?"

"I'll kick your ass." Just like that, the tension in the air lifts. You remember the times this version of yourself was at odds with Jinx, only to make up after spending a few minutes together. It's terrifyingly so easy, how fast she can disarm you—literally and figuratively—like it's nothing. How she beckons you over and you oblige with desperate speed. But Other You isn't as experienced in resisting Jinx's charms—ie your souls being tied together, apparently—so you still have the audacity to push her buttons.

"Aren't you too old to be threatening to kick people's asses?" She leans back, mouth agape, you snort at her expression, but the entertainment is short lived as a throw pillow connects with your face. You huff, genuinely surprised that she'd hit you. She throws her head back and barks out a laugh at your expression.

"Can't believe you're still a brat at thirty."

"Watch it, buster. You're the same age as me."

"You know what they say about growing up being a choice." You duck this time when she swings, grabbing the throw pillow next to you and decking her in the face with it. For a second you think that you hit her too hard—and these throw pillows were notorious for being harder than regular pillows—but the second you drop the one in your hand, she tackles you.

You're momentarily disoriented as your back lands on the seat. Jinx hits you a few more times, before she pins you down with the pillow, legs on either side of your waist, chest heaving. You sink further into the couch as she leans in close.

"Take that back."

The logical side of you knows that you should just say sorry, but the prideful side of you refuses to relent. "Which part? Growing up being a choice, or you being a bra—" The pillow thuds against your face. "Ow! Hey! Those things hurt."

You sit up to grab her wrists before she can land another blow. She pushes you in response, getting herself pulled down with you in the process. You lean a bit to side to stop your heads from hitting each other, Jinx pressing flush against you. The last thing Jayce needed was one of his employees getting a concussion because of a pillow fight. Though, you could use that as an excuse to get rid of the old throw pillows, but that would come with the price humiliation for you and Jinx. Not to mention relentless teasing from your other friends.

You shake your head at the train of thought. You were thinking too much about this, you really should have just turned around earlier.

The sound of her laughter brings you out of your musings. The way her chest rumbled with each breath. She rests her head in the crook of your neck, it doesn't even occur to you that you've let go of her hands, instead moving your them to her back and keeping her close—so she doesn't roll off and hurt herself, of course.

You yourself were out of breath, and probably flushed—because you were getting older and tire easy, nothing else!—as you felt yourself laughing with her.

When she lifts her head to look at you, she makes sure that she's still close enough that her lips brush against your jaw. The both of you know it's a proven and effective way for your mind to go blank, for you to focus solely on her. You keep telling yourself you be able to resist it, eventually. You never do.

The logical part of your brain once again reminds you that it's not a good idea to be this close, to prolong the time you two are in close proximity to each other. That you need to prioritize finding a way home, that there are people that depend on you and that this is irresponsible behavior. But for some reason, you find yourself not wanting to listen for once.

Maybe it's just because your souls might be tied to each other. Maybe it's because you spent the last one hundred sixty-seven timelines watching other versions of yourself being in love or falling in love with her. Maybe it's because of the Other You here, and her relationship with this Jinx. The both of you are older in this timeline, you've known each other longer, know each other better, seen each other grow together and apart, only to find your way back to her, over and over again.

It's not just that, though.

It's the softness in her eyes whenever she looks at you, the way she brushes your hair out of your face. It's every time she checks on you if she senses that you're not alright. It's her knowing what you want to say before you say anything. How immersed she gets in her work, drowning out the rest of the world while she works on a project. Every morning that you've had to wake up next to her, watching her sleep peacefully. It's her temper, and how passionate she gets when arguing over something. It's finding her doodles and notes that she's left for you every single timeline. It's the urge to find her when you end up in a timeline where she isn't immediately by your side.

It's her, all one hundred sixty-eight versions of her, and every version after. Honestly, how many variations of yourself do you have to watch love this girl before you finally admit it to yourself?

Too many.

"Got something to say to me?" The corner of her eyes crinkle as she smirks at you.

It's how she knows you.

"I love you." You breathe out. She doesn't try to hide her surprise this time, or isn't able to. She blinks a few times, and you smile at the fact that it's her mind going haywire for once.

You take advantage of her being momentarily stunned, sitting up, keeping your hold on her so she actually doesn't fall over.  She instinctively grabs onto your shoulders for support.

"It's getting late." Her eyebrows furrow at your words.

"You just told me you love me, and now you're dipping?"

"I mean…You haven't answered, and I'm getting sleepy. Plus, the bed at the hotel I got is really ni—"

She doesn't let you finish as she yanks you into a kiss. You happily oblige, sighing and pulling her closer. Sadly, it doesn't last long as she breaks the kiss with a start, pushing your shoulders back when you try to chase after her lips.

"You really need to learn when to shut up sometimes." You take the hint and stay quiet, trying to bite back the smile already forming on your face. She rolls her eyes at your expression, having trouble hiding her own smile.

She doesn't need to say it back, not really. You understand that she hasn't seen Other You in a long time, and although the latter felt the same, your confession was more of a selfish move for yourself, really.

You can wait. As long as she wants, as long as she needs.

Her eyes flit back to your lips, before returning to your eyes. The mischievous glint returning.

"What's this about your hotel room having a nice bed?"

---

Two Hundred Fourteen

Meetings at the Firelight hideout weren't unusual.

In fact, a lot of your meetings with the group were often held here. Especially once Jinx had found out where you lived. So when you received a message from Ekko asking you to head over there because they had gotten a tip about a shipment of Shimmer, there were no alarm bells ringing in your head. A rookie mistake on your part, really.

To be completely fair, you had taken advantage of the two months you were here. You've never stayed anywhere over ten days, and the fact that you still had some semblance of the mark on your forearm meant that you were still going to get pulled into a different timeline at some point. But in the meantime, you started tinkering with equipment you could use to build your own Hex gate. The only thing missing was a gemstone.

Also in order to be completely fair. You were busy with Jinx, who you were slowly trying to convince to leave Silco's employ entirely. Which was a complicated thing to tackle, because you were an independent contractor that often worked with the Firelights. This meant that when she started showing up to your home unannounced, you had to switch up your dead drops and meet up points with the group, if only to keep the peace while maintaining your most consistent client.

And now you're in this predicament.

Surrounded by Firelights, plus Vi and Caitlyn.

You had hoped, foolishly, that this was as similar to your timeline as it was gonna get, at least with the limited amount of jumps you probably had left. You were lucky enough that Other You here and Jinx had met previously, and already kickstarted the inevitable chain of events that would have brought them together. You thought you had time before Vi and Jinx would meet, which was due in a few days from now.

You thought a lot of things, but at the end of the day, that was all they were. Two Hundred timelines in, and you still had trouble dealing with unpredictable situations.

"Piltover is one bad day away from sending enforcers to find Jinx."

"Damn, I hope they find her, then." Ekko groans, clearly not in the mood for the clueless act. Caitlyn steps forward a bit too abruptly, you draw your gun, everybody draws their weapons. Caitlyn glares at you, daring you to make the first move. You're a good shot yourself, but you know from past experience that there was no way you'd beat her in a gunfight.

"Hey—hey! Easy!" Vi gets between all of you, arms up, trying to lessen the tension. Ekko nods at his people—your people—and they lower their weapons. You shake your head for a second, before lowering yours. Other You was being protective and reckless, you had to control yourself. The last thing you want to do is hurt your people.

Caitlyn keeps her rifle trained on you, you maintain your glare towards her until she puts her gun down. "This is pointless." She looks towards Vi. "I say arrest her, and lure Jinx out."

"Can't arrest me if you're out of a job." Caitlyn narrows her eyes at your response. Fuck, wasn't supposed to know that.

"What, you think I don't have eyes and ears topside?" You're fairly sure that she'll buy your bluff, purely because there's no other explanation for you to know that. Thankfully Vi calls for everyone's attention.

"Look, we won't get anywhere arguing." She looks over to you, a silent plea in her eyes. You feel terrible about all of this, of course. You know she's just trying to find her sister after years of being locked up unfairly, in Stillwater no less!

"I know you care about her, and that you're the reason she's been quiet the last few months." It takes a bit of effort to keep your face neutral, your mind already working to figure out just how exactly they knew about you and Jinx. Had you become careless these past few months? Was she careless?

She moves a bit closer to you, arms in a placating gesture. "But if she doesn't return the gemstone, or worse, Silco gets his grimy hands on it, then Piltover will flood the streets with enforcers, and it'll be another civil war."

You wish you could tell them that Piltover wouldn't be able to handle the Undercity now, not with shimmer already being weaponized.

"I don't know where she is." You answer truthfully. As close as you two were these last couple of months, you didn't make it a point to know her whereabouts at every single hour of the day.

Caitlyn interjects. "Six enforcers are dead because of her, even more people wounded. Are you really going to protect someone who was willing to kill so many people in cold blood?" She makes a move to grab you, but Vi holds her back. Your jaw clenches. You thought you had swayed her enough that she wouldn't have gone through with the Progress Day attack.

Vi looks over to Ekko, who has mercifully stayed quiet. There's a disappointed look on his face, either for your involvement with Jinx, or your indirect betrayal on the Firelights, you're not sure. He nods over to the other FIrelights, who all lunge at you.

You try to fight back, easily sidestepping to avoid the first person to lunge, then using their momentum to launch them into the next person. A third person tries to hit you with their club, and you narrowly duck under their swing, springing to push them off their feet, and make your way to the door. On any other day, this would've been a fun sparring session, but sadly it wasn't any other day. And this was quickly becoming a one-on-seven fight.

Ekko grabs you from behind and bear hugs you. You feel the air being pushed out of your lungs as you struggle out of his grip. You drop to your knees, using his temporary loss of balance as leverage, and swing your body forward, he stumbles enough that his grip loosens, and you throw the rest of him over your shoulders. You turn around to make your way to the door again, before a fist connects right on your jaw. That's right, Vi is here, too

You quickly fall to your knees, the room is already spinning. you pitifully try to maintain your balance while on all fours, hanging onto a nearby chair for support. Two people grab you by the arms and begin to drag you away, you try to pull your arms free, but are met with a kick to the gut. You relent, letting them drag you into a dark room.

Their version of a holding cell, tying you down and taking your holsters and your coat. You're still a bit disoriented, but you're lucid enough to recognize Ekko's shadow when he approaches you.

"I'm sorry it has to come to this," He starts. "But if Silco gets his hands on Hextech, the Undercity will lose a lot more people. Good people."

You feel your chest ache at his words. You've been fighting for the Undercity your entire life, that's the last thing you want. But never in a million lifetimes would you betray Jinx. "You have to let me find her, Ekko." You plead.

"I can't trust your judgment on this."

"Try." He purses his lips, for a second you think he'll let you go. You weren't as close her as you were in your timeline, but you hope that your reliability in this one is enough to convince him.

He sighs, and the spark of hope you have is snuffed out. "This is for the best." He stands up and leaves the room, two guards replacing him.

Normally, you would be flattered. Two people guarding you even though you were already unarmed, and it doesn't even look like they're changing shifts soon. They don't take your eyes off of you either, so you pass the time counting the seconds. They probably already left to go find Jinx, which meant you had to give them at least a half hour head start before you could try to escape.

The minutes pass by quickly, and once you're nearing the thirty minute mark, you start prepping your escape plan.

They took away your coat and your holster with your weapons, but they didn't take away your belt. Which was a good thing because you actually needed it to pull your baggy pants up, but also because you had jammed a blade in between the leather. A knife was also welded into the buckle, built to quick release with the push of a button.

You carefully start to pry the blade out of the leather, being mindful not to cut yourself. You successfully get your knife out, quietly cutting your hands free. your next order of business was your feet. You'd have to time it with taking out both guards, who were both about six steps away from you. If you were lucky, you'd be fast enough to cut your feet loose and take them down at the same time.

You hedge your bets on yourself, and quickly lunge forward, cutting your feet loose in one swift motion. Both guards stand up, and you toss your knife just close enough to one of them that they freeze. You grab your other knife from your buckle, meeting the one still running towards you halfway. You slide downwards, jamming the butt of the knife into his knee, then following up by clocking him in the jaw with it as soon as he falls down. The one that was momentarily stunned launches himself at you, but you expertly roll out of the way and jump from behind him, putting him in a headlock. You tighten your hold, hoping to knock him out quickly. He struggles for a few moments, before his arms go limp, and you let him fall to the floor.

"Not bad." You say to yourself, impressed. You take the keys off of them and their mask, hoping it'll help you sneak out. Thankfully, you find that your stuff is just in the next room, and you hastily put your gear back on before sneaking out to find Jinx.

She wasn't in any of her usual haunts, or any of your haunts for that matter. You realized halfway through your search that she was avoiding you as well. It made sense; you had gotten her to stop with the over the top antics for Silco, and you were sure she knew that you didn't want her to continue working for him anymore. So this… whatever this was, you were probably not supposed to find out. Unfortunately for her, you're keenly aware of at least some of the events about to transpire. Which meant you didn't have a lot of time left; maybe the timeline of events was sped up somehow? The butterfly effect tended to go crazy, who knows what got kicked into gear when you showed up here?

You're halfway to giving up and going straight to Silco when you catch sight of blue smoke come off of one of the taller buildings in The Lanes. A flare?

"She told me that if I lit this up, she'd find me."

"Anywhere?"

"Anywhere. She promised."

Your feet are already kicking the ground before you even register it.

She had to have heard about Vi being back. How the hell did you forget? The most important thing you didn't take into consideration before running around the Undercity like a headless chicken. Of course she would find out. If they had met Ekko this soon, that would've meant that this timeline had an entirely different flow from yours.

So much for considering variations in the timelines.

The entrance to the old building is bolted shut, so you start climb up pipes and rooftops, anything to get there before the others did. Your arms were burning, but you sure as hell preferred that than having to fend off Vi and the others if they got there first. From the last time this happened, Jinx did not have the best reaction.

You're barely able to shout her name once you get half onto the roof, but you push yourself up and run towards her, swatting the flare out of her hands. Her shock lasts only a second before she rams you in the stomach with Pow-pow. It only occurs to you now that you're still wearing a firelight mask.

"It's me, it's me!" She recognizes your voice before you can even take off the mask. Her hostility quickly dissipates, before being replaces with hesitation.

"I—What are you doing here?" Her tone is accusatory, but it's only half meant. You know she's nervous because she thinks you haven't heard about the Progress Day explosion. You pull her into a hug, hoping to provide some comfort, if any, to make sure she doesn't have a panic attack.

"I'll explain later, okay?" You say as you pull back, cupping her cheeks. "We need to get out of here."

There's a smidgen of doubt at the back of your mind that she'll go with you, but thankfully, she nods as you lead her off of the roof.

The both of you head to her hideout. Not the safest place to go to, but your house was definitely the worse option. You're not even there for a minute before you start questioning her.

"Did Silco ask you to do this?" You say as you set down Pow-Pow on a table. She looks away from you, the shame on her face evident. Your gaze softens at the sight, and you remind yourself that this is Silco's fault, not hers.

"Hey," You walk over to her and gently turn her chin to look at you. "You don't have to go through with what he has planned, alright? I'll return the gemstone, Tell them I found it rolling around in an alleyway."

Fear flashes across her features. "I can't." She pushes herself away from you. "I need to finish what he asked me to do. Then we can…"

You're tempted to reach out a hand and hold her, but you stop yourself short, afraid that you'll scare her away. "What is he asking you to do? I'll do it, just…don't go back to doing the dirty work."

She smiles at you sadly. "He wants me to build something with it." Her launcher.

"Jinx." There's a sudden urgency in your voice that catches her off guard. She doesn't know what'll happen if she makes it, but you do. You know who dies, and what happens because of it.

It's instant, how she recognizes what you want to say, just by looking at you. She walks back over to you and pulls you close, until your foreheads are touching. "It'll be okay."

There's a sincerity in her eyes that nearly convinces you. If you hadn't brought with you the knowledge from your own timeline. Your chest aches for her, how sure she is that things will be fine. "We can just drop this, Jinx." You say softly. She shakes her head.

"No. I can't."

"Why not?" There's a storm brewing behind her eyes. You know she doesn't want to do this. Maybe if you just—

"You just have to trust me."

"I do trust you." You pull away from her, ignoring the instant guilt you feel when you see the hurt flash across her face. You run a hand through your hair in frustration, your hand rubbing the side of your brow. "It's Silco I don't trust! We can just toss the stone into the harbor and call it quits—"

"I told you, I can't!"

"Why?!"

"Because I can't risk it!" Tears prickle at the corners of her eyes. It takes you a few seconds, silence stretching between the both of you, before it dawns on you.

She was doing this for you.

You shake your head. "No. You are not going to do something you don't want to because of me."

She smiles at you sadly. She wasn't going to budge.

A lightheadedness starts to come over you, and you grab onto the desk for support. All of those timeline you had to go through, only for you to cause one to go through the same path yours did. No, you can't let it happen here. There has to be some way to stop all of this.

A pair of arms grab onto yours, grounding you. "Easy there, jelly legs."

You look up at concerned blue eyes, and a thought occurs to you.

"What if we leave?"

She blinks, taken aback by your question. "What?"

"Leave. Start over. Away from the undercity, from Piltover, everything."

"We can't just leave." She tries to look away from you, but you lean towards her.

"What's stopping us? I can get us an airship. Didn't you say you always wanted to ride one of those things?" For a second, you see hope in her eyes. You want to think that she's imagining a simpler life with you—Other You, you quickly remind yourself—away from everything that's ever caused the both of you pain.

And then It's gone, and she backs away from you. "You should go." She turns away from you, idly looking at her notes.

Anything she wants, anything she needs. Your jaw clenches, but you're dead set on this solution. It's the only way to keep everyone alive in this.

"Tomorrow, at the docks. I'll have an airship ready."  

Tomorrow couldn't come sooner.

It could, actually. Because the time between you leaving Jinx's hideout and waiting on your newly acquired airship seemed to have passed in the blink of an eye. And now you were pacing around the outside, waiting for her to show up.

You shouldn't be this nervous, you know she'll show up. It's nearly guaranteed that she'll show up, nothing's stronger than the bond between the two of you. There's a slight pang of guilt as you consider that you took advantage of this, eliminating her choice in the matter entirely. But it'll be fine, this was the best way to avoid a war.

It isn't long before she shows up. She always does, but you feel the weight of the world lift off of your shoulders anyway. You waste no time running towards her and enveloping her in a hug. She holds you just as tight. You know how much she's leaving behind by agreeing to this, her whole life, her memories of her family, everything.

"We'll be okay." She whispers into your ear. You will be forever thankful for how well she can read you.

You pull away just far enough so you can plant a kiss on her forehead. "As much as I want hold you like this." You start. "You'd best get on the ship so I can untie it."

She chuckles a bit before pulling away—not before placing a chaste kiss on your lips—and disappears through the door. You move to hurriedly untie the cleats for the ship.

This is it. You're almost out.

"Stop!"

Almost out.

You whip around and see Ekko, along with some of your Firelight friends. You pull out your gun, absolutely loathing the possibility of having to use it on your own people. The thought of them harming Jinx does little to quell your inner turmoil.

"Just let us go, Ekko." You plead, pride thrown aside. "You and I both know it was Silco who put her up to it."

He shakes his head. "We can't do that. Not when Piltover is threatening to knock down our doors."

"So you're giving up one of your own?!"

"You think I don't understand what that means?" He steps closer to you. "Everything I've done was to help our own. Do you have any idea what it's like having to give up someone you grew up with, to save hundreds more?!"

"So don't give her up, let us leave!"

"She killed half a dozen people—"

"She had no choice!"

"Everyone has a choice!"

"You would've blown up a hundred enforcers if one of them threatened someone you loved!"

"It doesn't change what she did!"

"She only did it because Silco forced her to! Why hell aren't you going after him?" You lift your gun and point it at Ekko, who doesn't back down. All of your Firelight friends lift their own weapons, and you notice some of them gliding around in their hoverboards.

You always wondered what would happen if you died in a timeline.

Maybe it was time to test it out.

"Don't do this." There's hesitation in Ekko's eyes, but the both of you know that there's only one way left for this to end.

His eyes pull away from yours, moving to look at something just behind you.

You hear her call out your name, and you turn, oblige, anything for her.

She smiles at you, The softness in her eyes only reserved for you.

"I love you."

Dread seeps into your bones. There's no reason for her to say it with such finality. You know she loves you, she always does, she always will. You say it back just so she knows that you'll love her in every one, too.

"Take care of Vi for me, okay?" You nod dumbly and she turns around, walking back towards the airship.

The sound of a gunshot echoes across the docks, you think it's you who's been hit, the way the air is knocked out of your lungs, the way your ears start ringing, and everything goes numb.

"It's okay, you're okay, I've got you."

But it isn't you who falls limp onto the floor. It isn't your gun that clatters to the ground. It isn't you who's no longer breathing—not in this timeline.

“I was just starting to find you attractive.”

You stumble towards her, all but falling to your knees.

"Stop thinking."

Tears start to blur your vision as you try to reach for her hand.

"It's like we already know each other."

Your breath catches in your throat, you gently pry the Hextech gemstone from her fingers.

"I love you."

A sob escapes your lips. You can't let anyone see her like this.

"We'll be okay."

Your hands shake as you pull off your coat, draping it over her like a blanket.

You don't hear Ekko tell the Firelights to stand down. You don't hear him tell the Firelights to swear to silence.

You found Jinx before she could escape. You were the one who shot her. That was what they were going to tell everyone.

And you—you sit there, holding her hand, as everything else around you falls apart.

-----

Two hundred fifteen

"You need a top up for that, love?"

"No—" A shaky breath escapes your lips. "No, thank you."

How cruel must the gods be,

"Okay, you need anything else?"

To drag you through hell, then bring you back to the start?

"Love? You alright?"

The tears register a bit late, and you quickly wipe your eyes, meeting the concerned gaze of the man behind the bar.

Vander.

"Allergies." You blurt out. "They get pretty bad this time of year."

An eyebrow is raised, clearly doubting your poor excuse. You place your hands on your lap, safely out of his view, just so he doesn't see how much they're shaking.

"That so?"

You let out a nervous chuckle. It's taking everything you've got not to randomly break down at The Last Drop in the middle of the day.

"Yeah, yeah. I uh—I think I'll go blow my nose outside, actually."

"Hold on now—"

Whatever Vander says falls on deaf ears as you slide out of your chair, heading for the side door.

A wave of nausea starts blankets over you as you reach for the door and quickly step outside. You try to take a steadying breath, but there's a painful tightness in your chest, and all you can manage are a few stuttered gasps. Your vision starts to swim, legs collapsing from underneath you—the image of her blood spraying in the air replays in your mind—and you lean against the wall for support. Try as you might, a choked sob forces its way out of you. You clamp your hand over your mouth to keep your cries quiet, as your shoulders violently shake.

She died. Because of me. Because I was brash and reckless.

I shouldn't have tried to run.

I should have waited for things to die down.

I fucked up.

If I hadn't interfered, she would still be alive.

It's my fault.

"We'll be okay."

Your fist connects with the wall. The blooming pain in your knuckles provide a welcome distraction from your thoughts. So you punch the wall again, then again, and again, until red starts to coat the once grey cement. Anything to block out the image of her dying. Anything so you don't see her lifeless body when you close your eyes.

You only stop when you can no longer close your hand into a fist.

You hear the door open behind you, someone stepping out to puking on the side. Poor sap.

There's no way to make any coherent conversation with whoever this drunk person is. So instead, you gingerly cover your injured hand with the uninjured one, and push yourself off the ground.

You stiffen when you see who's throwing up in the corner.

Ekko.

What you'd do just so you could speak to him again. You miss your home, your friends, your people, your tree. Hell, even the grimy smell of the tunnels headed there.

When he's done heaving his guts out, he turns around and flops onto the floor, looking up when he notices you, and you lock eyes.

There's a disoriented look in his eyes, one you're extremely familiar with.

The door swings open again.

"One can't go shouting from the rooftops about being thrust into parallel dimensions without—Oh!" Heimerdinger shuts his mouth when he catches sight of you. He tucks the book he was about to hand Ekko under his armpit. "Hello there miss!" He chuckles nervously. "Quite a day we're having, isn't it?"

No.

No way.

"Ekko? Professor?"

It's Heimerdinger who recovers first. "Oh how wonderful!" He exclaims as recognition flashes in his eyes. "It seems the anomaly which dislodged us from our proverbial reality, also scattered us throughout time!" He throws his hands up, dropping Ekko's book to the ground. "But we're all here now, so everything is fine."

Ekko lets out a sigh of relief, before standing up and dusting himself off. "Man, I thought I was going crazy." Heimerdinger shuts the door again and begins explaining what happened to him while he was in this timeline.

Their conversation barely registers with you; tears once again well in your eyes. You walk forward, barely trying to contain the sob that comes out of your mouth as grab Ekko and pull him into a hug. You don't even try to stop yourself from shaking while you're crying into his shoulder.

The Firelights were a tightknit group, but you were always the less emotional, sometimes cynical one. So Ekko is understandably surprised and concerned when you're clutching onto him for dear life and bawling your eyes out. He holds you and rubs circles on your back either way, and lets you cry.

The door swings open a third time. Heimerdinger lets out a surprised squeal.

"Oh—uh sorry."

You flinch at the sound of her voice. Quickly pulling away from Ekko, you step back a few paces, and wipe your eyes. Your eyes stay glued to the ground, you can't bring yourself to look at her. Jinx's final words start replaying again in your head. There's not much you can do to distract yourself but to try and move your injured hand. It works, and the immediate pain keeps your grieving mind at bay.

"Hey, your hand." She speaks up again.

Fuck.

"It's nothing." You put your injured hand behind your back, grimacing as the pain shoots through you. "I…slipped."

A poor excuse, really. You're sure all three of them can see the blood stain on the wall, but you're not looking at any of them. So who knows, maybe they didn't see it.

"I uh—have something to do with Ekko and Professor." You keep your eyes low as you send a pointed look to Heimerdinger. He shrugs in response. "So we should really go—" 

Ekko thankfully mutters in agreement with you, but Powder doesn't budge. "Ekko! Your friend's hurt, and we have a perfectly stocked first aid kit here."

As if on cue, you hiss as pain shoots up from your hand.

"See?"

"Perhaps it would be better if you allowed Ms. Powder to take a look at your hand." You let out a defeated sigh. Not like you can blame either of them—they don't know what happened to you.

Powder tries to reach for you, but you step away and start walking to the door. She thankfully takes the hint and guides you all through the bar.

------

You're all ushered into the back room that serves as a storage area for the staff, which just meant Vander's children. Powder sets you down on a chair, while Ekko and Heimerdinger whisper in hushed tones in the opposite corner of the room.

Against your request, it's Powder who cleans your hand, and dress it in bandages. She's also the one to put a bag of ice on it to help with the swelling. You're the one blinking back tears or wiping your eyes, claiming it to be pain from your hand.

She's the one to make small conversations, that you give curt replies to.

She's the one to ask you about yourself, that you shut down immediately, claiming to be uncomfortable with personal questions.

She's the one that reaches out, you're the one to pull away.

You still can't look at her, so you settle on staring at whatever interesting item is off to the side or on the ground.

Eventually she gives up, and leaves you with Ekko and Heimerdinger while she goes back to work, claiming she'll be back in a bit.

"What happened to you?" Ekko rushes over to you as soon as the door closes, concern written all over his face. He gestures to your bandages. "And what happened to your hand?"

You shrug tiredly. You could really use a nap right now. "I jumped through one too many realities."

Heimerdinger pipes up. "One too many?"

"Yeah, like, multiple ones…" Your eyebrows knit at his question. "Have neither of you…"

"No." Ekko shakes his head. Moving his chair to sit next to you. "How many realities have you been to, exactly?"

You blink. "This is two hundred and fifteen."

"Two hundred and fifteen?" Heimerdinger drops his banjo and rushes towards you. "And you're still mentally intact?" He drags a chair towards you and hoists himself up onto the table. Pulling out a pen light, he starts shining it on your eyes. "Your pupils looks normal, and I don't see any burst blood vessels…" He continues ramble to you until Ekko steps in.

"Professor, give her some breathing room."

"Oh right, my apologies." Heimerdinger scratches the back of his head sheepishly as he puts away the pen light.

"Okay then." Ekko sits back in his chair, leaning a bit toward you. "So, does jumping through different realities make you beat up a wall and cry?"

Fuck.

"I…I'm fine."

A sigh escapes your friend's lips as he crosses his arms, a frown on his face. "I've never seen you cry, then suddenly you're a sobbing mess."

You let out a shaky breath at his words, muttering a complaint.

"Look, I can't imagine what could have happened to you in over two hundred timelines. I can't even imagine how much time passed for you—"

"Five years, and a few months?" Ekko's eyes widen at the revelation.

"Five years? No wonder you're acting different." He puts a hand on your shoulder. "I can't help you if you won't talk to me—"

"Yeah, well maybe I don't need help." You quip, shrugging his hand off your shoulder. The expression on his face doesn't turn sour. If any, it becomes sympathetic.

"A friend to listen to you, then." He sends you a small smile, and you immediately regret snapping at him.

You tear your eyes at him to stare at the door Powder went through. "It's…illogical and kind of absurd if we're being honest."

"If I may, my dear. We're in an alternate reality where our lives are drastically different."  Heimerdinger says as he picks up his banjo. "I think we've long departed the realms of logic and coherence."

You're hit with a sudden appreciation for your two companions. The familiarity, and the fact that you finally have people to speak with about your timeline jumping, makes you feel less alone after so long. And Heimerdinger is right, you're long past logic, so why not explain to them that you think you're meant to be with one person for eternity?

You run your uninjured hand down your face. "Do either of you believe in soulmates?" Ekko and Heimerdinger exchange looks, before turning back to you with puzzled expressions.

"Soulmates are a thing?" Your friend asks.

You sigh, trying to find the best way to explain. "I'm not exactly sure." A lie, and you know it. "No, wait, I'm sure. Soulmates are a thing, at least for me. I can't confirm for anyone else."

A look of realization hits Ekko. "Jinx... Wait, Jinx?"

"Yeah, that was my reaction too." You say as you pinch the bridge of your nose.

"So you're saying, you're soulmates with one of the Firelight's biggest enemies?" His eyes are wide, you can almost see the gears in his head move.

"You know, enemies to lovers stories are usually a huge hit."

"You don't even read."

"A lot can happen in five years."

"Alright, children, settle down!" Heimerdinger puts his hands up in a placating manner. "I for one, would like to know how you came to find this out. How fascinating! To know your soul is tied to someone." Yeah, fascinating.

"So, how did you find out?" Ekko nudges you with his elbow. You throw him a scowl in response, before rolling your eyes and looking over to Heimerdinger.

"Every timeline. It was always her." You think back to the first time you jumped. "I remember the first jump I did. I was hurt, and she came running over. I remember feeling safe around her; I was only there for a few minutes before I got dragged somewhere else. And then, every jump after, I was either with her already, or at some point headed there. There was never anyone else."

"Was that all? Relationships that kept spanning across timelines?" The professor asks.

"No, not just that. I felt—" Feel. "—this pull towards her. There were times that I'd know where she was if we were close enough to each other."

"How intriguing." Heimerdinger starts pacing the room. "Never in my long life would I have guessed the existence of soulmates. And I've lived a very long life!"

"So something happened in the last one, then?" Ekko cuts in. Your jaw clenches, the reminder hitting you like a bucket of cold water.

"She died, in the last one. Shot herself, to protect me." His mouth falls open at your words, eyes widening slightly.

A heavy silence falls over the three of you; Heimerdinger sighs and walks over, giving you a pat on your knee. "Loss is already such a confounding and jarring experience. I can't imagine it what it felt like to lose one you're destined to be with."

"I didn't even have time to deal with it. I got pulled here right after it happened." Your run your good hand through your hair. "I feel the grief, but I also feel how happy the me in this timeline is when she sees Jinx."

"You coexist with the version of you in this reality?" The professor cocks a bushy eyebrow. You nod.

"Yes, it took a while to get used to. Even longer to manage."

"Well, if that isn't a shining example of your mental fortitude, then I don't know what is!" His enthusiasm softens as he gives you another pat. "You'll make it through your grief, I promise you that." He throws you a reassuring smile. And you feel your spirits lift a bit.

"You and Jinx, huh?" Ekko rubs his chin thoughtfully. "You know, I could see it." He yelps as you punch him in the shoulder with your good hand. "What? I'm trying to be helpful."

"Well you're not."

Heimerdinger ignores yours and Ekko's antics, curious eyes looking at you in anticipation. "So dear, tell me about these realities. Were all two hundred of them different from each other?" You shake your head.

"Not all of them were different, some timelines have very miniscule variations from each other, but are still the same with everything else that's there." You look up around the room. "I've been to this reality at least thrice."

"Incredible!" Heimerdinger exclaims, jumping up from his seat. "And how many unique realities have you been to?"

"Seventy-one, I think?"

"Was there a pattern you followed?"

"No, I just got jumped from one to another."

"How long were you in each reality?"

"I—usually a little over a week."

"Were there consistent behaviors between timelines?"

"I can hear you thinking from over there."

"Got something to say to me?"

You wince, shaking the memory away. "How big did the variations get?"

"Okay, jelly legs."

"Easy there, jelly legs."

"I don’t—"

"Oh, what about the people! How different were we from ourselves?"

"Okay, professor! Breathing room?" Ekko cuts in. Heimerdinger mutters an apology for his excitement. You pinch the bridge of your nose with your uninjured hand and sigh. So much for a distraction. "You okay?"

You nod despite obviously feeling the opposite—if Ekko of Heimerdinger notice, they mercifully don't bring it up—and sink a little further into your chair.

"Let's take a step back from the reality hopping, alright? We still need to figure out how to get home." He looks towards Heimerdinger, who's taken to plucking a tune on his banjo. "Professor, you said that Hextech doesn't exist here, which means there's no anomaly?"

"Precisely."

"Which just means we need to figure out a way to make our own Hextech." The both of them turn to you.

"I'm afraid once just can't go about creating their own Hextech, my dear. Without Jayce's notes, and the crystals—"

"Powder has a stash of them."

"—Excuse me?!"

"—A stash?"

The corner of your lip twitches, and you almost smile. But the crushing reminder that comes with Powder's name quickly grounds you. "She has them at her hideout."

Ekko's eyebrows furrow. "And you know this because…"

You shrug. "She told me, in the other timelines."

"Even so!" The professor gets in between you and Ekko. "Tampering with the Arcane is the reason we're in this very predicament! Who knows what mayhem we'll cause if we try to do it on purpose." Heimerdinger nods over to you. "It's a miracle we didn't have any physical side effects from changing realities."

"Well…" You say before you can stop yourself, causing Heimerdinger's eyebrows shoot up. "I had this thing on my arm." You pull the sleeve of your shirt up, revealing only the faded outline of the mark. "When I first noticed it, it was only my second jump—it was the same pattern as the one on our tree. But now," You run your hand over the faded outline. "It's just this. It was fading every jump I had."

Heimerdinger walks over and pulls out a magnifying glass. "Incredible. To think that the anomaly attached itself to you… Did you take note of any side effects?"

"There weren't any. I was disoriented the first few jumps, but eventually I got used to them."

"Well, if anything. This is a damning reason for us not to further meddle with the Arcane." He pockets the magnifying glass and huffs, Ekko and yourself understandably in disagreement. The latter stands up from his chair, frustrated with the professor.

"We don't belong here, professor. We have people who need us!" Heimerdinger tuts at Ekko and picks up his banjo, idly plucking the strings.

"You two just need to give it time."

"I've been jumping around timelines for five years, I've had more than enough time. I want to go home." The chair you're sitting on screeches as you push yourself off of it, and you start pacing the room. "Besides, I don't know if losing the mark means I stop jumping. I have a little over a week at most. The least I can do is get the both of you out of here."

A frown tugs at Ekko's mouth. "Wait. You mean there's a chance you can't come home with us?"

You sigh. "The conservative answer is yes. Look, we can recreate the anomaly here. We just need the—"

"Am I interrupting smart people discourse?"

You jump at Powder's words, and quickly retreat beside Ekko, eyes glued again to the ground. You don't miss the concerned look your friend gives you.

"Of course not, Ms. Powder." Heimerdinger starts walking to the door, much to yours and Ekko's chagrin. "You two take some time to get situated, clear your minds, and come find me afterwards."

Ekko shrugs from the corner of your eye. "I should get going."

You whip your head around to stare at your friend. "What?"

He puts his hands up. "I have to go uh—look at that thing you told me to check out."

You narrow your eyes at him. Did you miss some code word that was agreed upon? Ekko sighs as he walks behind Powder, you abandoning your quest to avoid looking at the girl in favor of figuring out what the hell your friend is saying.

"You get the thing you told us you needed, and then we can meet back with the professor."

"What?" Ekko looks at you pointedly, then at Powder.

Oh. The Gemstones.

Realization seemingly crosses your features, as Ekko promptly says his goodbye and shuts the door.

Leaving you with Powder. Did they not listen to your grief-filled monologue?

"Well, at least you're finally looking at me." She lets out an awkward chuckle. "Or at least, my general direction."

It's unfair, really; seeing the love of your life die in front of you one second, only for her to stand in front of you—alive and breathing—in the next. Her eyes still alight, curious, inviting.

And you, the mess of you. With your confusion, shock, grief, guilt; melding with relief, and the urge to hold her. The self-conscious look on her face already tearing down the walls you had just put up to protect what was left of your sanity. You couldn't even get away if you tried—and you've tried—because she'd follow you somehow, or you'd inevitably find your way back to her.

The bond of your souls demands to stay intertwined.

"So, do you need help with whatever you were getting?"

You blink. "Huh?"

Her lips curl into an amused smile. "Ekko said you had a thing you needed, that I totally believe exists by the way."

The easiness of how she speaks to you feels like a pair of hands wrapping around your throat. But it was between the friendly approach, or the concerned approach. The latter meant she'd ask why you were crying, so you'll just have to take this one and run with it.

"Uh, yeah." The words come out scratchy, there's an ever-present heaviness in your chest as you look at her, smiling at you. You clear your throat in an attempt to collect yourself. You found Ekko and Heimerdinger, and you have a week to get them—and hopefully yourself—home. You just need to push down the grief until then.

"You know anything about intradimensional travel?"

------

"So let me get this straight. You think you can create a way to transport anything from point A to B at light speed?"

"Not light speed, that's an entirely different can of worms." Powder rolls her eyes at you, leaning back into her bean bag chair.

It surprisingly took no effort for her to take you to her hideout; she even introduced you to Vi. A part of you wonders if this is because she felt sorry for you, but you can't really complain if it brings you closer to the energy crystals.

"Alright hotshot, what is it then?"

"It's more like—" You wince as you try to gesture with your injured hand. "—teleportation." You slouch into your own chair, resting your hand carefully on your stomach. "With magic."

She scoffs. "Can you do magic?"

"Nope."

"Pfft. Get a load of this guy, sis." Your eyes flit to Vi, sitting in her corner. "Sorry." There's a hint of embarrassment in Powder's eyes when you look back at her scratching the back of her neck. Only a second of confusion before you remember that you're a stranger to her here. "You must think I'm weird, talking to a plush of my dead sister. Which I'm not—I mean, I am talking to her. I meant the weird part, but if you ask my brothers they'd probably say I am weird—"

"I don’t think it's weird."

Another roll of her eyes. "Sure you don't."

"I think it helps." You say firmly, sitting up as best you can in a bean bag chair. "Talking to someone who's died, it keeps their memory alive, keeps me sane. Makes me feel like…everything's still normal, even though it's not."

Her eyes soften at your words; an expression you've seen thousands of times. One that used to give you comfort, now also draping you with the blanket of grief and guilt.

"You lost someone."

You tear your gaze away from her, choosing to stare at the drawer you know the energy crystals are stored. "I got her killed."

There's a shifting from Powder's side, and you turn to find her dragging her bean bag next to you, before flopping down and sighing. A few beats of silence pass before she speaks.

"When my sister died, I blamed myself for a really long time." Her eyes glisten as she looks at the altar she made for Vi, distant. "Back when things were harder for us down here, we did odd jobs from tips we'd get from Ekko."

A story you've heard hundreds of times, every version a bit different than the one before, but you'd listen every single time.

"There were these crystals. They looked valuable to me, so I took 'em. Didn't realize I dropped one and I guess it hit something." She sits up, hugging her knees towards her chest. "Next thing I know, half the apartment's blown up, and Vi…she put me under her so I'd be safe." You hear a sniffle as she suddenly looks away, not so subtly wiping her eyes. "We stopped doing jobs after that, focused on making things better here."

"I'm sorry." She snorts.

"Hey, I'm trying to comfort you, not the other way around." She puts her legs down, knocking her knee onto yours. "Anyway. My point is, she would've hated it if I spent the rest of my life blaming myself for what happened. If I just decided to be miserable all the time." A shrug, and she's standing up and stretching. "I sure as hell wouldn’t want her to blame herself, anyone of my family or friends really, if I was the one that died protecting them."

Forgiveness, handed out so nonchalantly. Completely unaware of the weight of her words. You almost hate feeling the weight lift off your shoulders; her forgiveness hadn't been earned, could never be earned. Not for Jinx.

But she still has the same soul.

"Alright, how exactly are we making your non-magic magic machine?" She says as she offers you a hand.

Still the same soul.

"We'll need to clear out some space." You say as you take her hand.

-----

Zero

"How fucking long were we gone?"

"Professor Heimerdinger…"

"There's Noxian's everywhere. What the hell's going on—Ekko!" You grab your friend by the shoulders, shaking him. "We won't have time to mourn the professor if we get sliced in half. We need to get home."

Ekko blinks a few times, before taking a deep breath and nodding. "You're right, you're right." He peeks his head out of the alleyway you're both hiding in, spotting Noxians soldiers pushing people out of their homes. "Why are they all here?"

"Beats me, but this can't be good." He ducks his head back in, unconsciously tucking the Z-Drive closer to him.

"We're you in any timelines where this happened?"

You nod. "Yes, but they were never in the Undercity. We were the ones taking the fight to them and Piltover."

The both of you stick to the wall as a group of Noxians soldiers march past, headed deeper into the Undercity. There was no way the both you could sneak back to the tunnel lines with that many eyes moving around. A curse is muttered at the thought, you needed to know how much time passed, and how much had changed in your absence.

"If only we could've gone back right after we left here." You rub your face in your hands. "I must've messed something up with the runes—"

"Hey, what happened to getting home being the top priority?" Ekko elbows you lightly on your side. "We can refine your rune work later," He points up to the roofs. "If we can't avoid getting to the tunnels from the ground, we'll have to cross the rooftops."

"Rooftops." You nod.

The both of you start climbing up pipes that are sticking out of the ground and around the buildings. Eventually making it onto a balcony, before jumping across the top of a smaller building. It provides you with a clearer view of the Undercity, still looking the same from where you are, despite the obvious changes occurring on the ground. The neon glow from various establishments, the ever present whir of the vents running through the streets, the gloomy allure atmosphere. Hell, even the smell was the same.

Ekko lands next to you, dusting himself off before surveying the skyline. "It's like nothing's changed from up here." He muses, reiterating your thoughts. You let out a breath you didn't know you were holding.

"We made it back...We actually did it." He looks over to you, putting a hand on your shoulder.

"Welcome back."

"Welcome back to you too, Ekko."  He snorts, giving your shoulder another squeeze before letting go.

"Alright, let's head home." Ekko starts moving towards the next roof, and you follow suit. Each step you take giving you more confidence. Son enough, the both of you are running and leaping across rooftops.

You greedily breathe in the air, not caring at all that most people would consider Undercity air to be polluted. This was home. After spending five years trying to find a way back, who the hell could judge you?

"Hurry up!" Ekko shouts from ahead of you. Grinning, you lean forward and start kicking the ground harder.

"I'm just giving you a head start!" You say as you easily speed past Ekko, who huffs and matches your speed.

For a moment, you forget about all of your worries. You forget about the two hundred and sixteen jumps you did, all of the panic you went through, all of the memories you made, the lives you lived. It's just you and once of your closest friends, running through the rooftops of your city—your city. Not a variation of it in some other timeline. It's the place where you grew up, the place you're trying to fix and make better for the people. You run past familiar stores and landmarks, feeling your nostalgia grow by the second. It's a freeing sensation; leaving for years, then coming back home. Seeing everything be both familiar and new at the same time.

There's a billowing of dark smoke from your periphery. You almost miss it, but you turn your head and spot the smoke growing steadily. Unconsciously, you turn and start heading to where the smoke is. Ekko calls out to you, but starts to follow when he sees it as well.

You stop dead in your tracks when you find the source of the smoke. Dread starts to build in your chest.

The Last Drop, engulfed in flames.

There's no thought process involved before you jump down and enter the burning building, telling Ekko you'll meet him back home. You don't even heed Ekko's calls as you slide through a doorway before it collapses behind you.

-----

Your hands feel around for your gas mask hidden inside your coat, a sigh of relief as your eyes stop watering and you're able to breathe. Navigating The Last Drop is easy enough, you've been here plenty of times in the other timelines. But the problem wasn't finding your way around, it was figuring out why you decided to jump in in the first place.

Was it the thought of someone being stuck inside and needing help? Or was it the feeling of dread creeping up on you?

The sound of crackling wood fills your ears as you look up, a supports beam starts to collapse. You quickly duck out of the way before it falls, having no choice but to push in deeper into the bar. You start to think—hope—that no one is inside, since you haven't seen a single soul as you went from one room to the next.

You feel the pull before you register that it's her.

But this one is different, stronger. Enough that you almost stumble forward, as if it's somehow physically pushing you closer. You feel it wrap around your heart, clutching it tight, almost painfully so. The feeling of longing rushes over you, not the small waves that you felt in the other timelines, but a raging current, crashing through you and sweeping you towards her.

You wonder briefly why the feeling was much more intense. Was it because you were in other timelines? Did your soul know that they were Jinx, but they weren't your Jinx? Will she also feel this when she sees you? If this is what every other version of you felt when they were with their Jinx, their Powder, no wonder they can't keep themselves away from her.

She hasn't even seen you yet.

She has her back turned to you, hands limply at her side. Her hair jaggedly cut short, just above her shoulders, which are slumped in defeat. An almost instinctive need to comfort her enters your mind, but you push it down. The first thing you need to do is get her out of here.

She doesn't react violently when you pull her towards you, telling her that you had to get out of there. Does nothing when you pick her up and bring her out the side of the building. The same alleyway where you two would sneak off to steal kisses in one timeline, and mourned the loss of her in another. She's too stunned to do anything really. Maybe she felt the pull, maybe she was just surprised that someone had gone in to fish her out. But she doesn't do anything as you set her down and take off your gas mask. Nothing when you look over her, covered in soot and grime, to search for any injuries.

The second you meet her eyes, you know, you're sure, that her soul is letting her know who you are. That she's suddenly fallen into that same raging river that you find yourself in right now.

The surprise in her eyes softens, the same look you've seen thousands of times, that you'd try to find wherever you are.

The pull makes itself known again, probably ecstatic that you've found her in your own timeline. Not that you wouldn't have, anyway. Not even the omnipotent force that created every timeline to ever exist can keep you from finding her.

CRACK

But maybe a broken nose will.

You stagger backward. A hand over your nose, eyes wide from shock and confusion. She's polite enough to not say anything after she punches you. She awkwardly stands there and watches you curse as you push your nose back into place, wiping off the blood with your gloved hand. Yup, definitely broken.

At this point, two hundred and sixteen jumps after, you should really learn to be more vigilant when it comes to tackling unpredictable situations.

You keep a hand on your nose, one hand up on surrender. She still has her hand closed into a fist, but there's a shocked look on her face.

She Blinks a few times, before a look of frustration is on her face. "Who the hell are you?!" Her eyebrows are knit together; if your nose wasn't broken, you would find her confused frustration adorable.

"I thought you needed help." Your voice comes out nasally, and you can almost feel the bruises start to form.

"I don't need your stupid help."

Stubborn.

"Well who just stands inside a burning building?!" She huffs crossing her arms over her chest. It's now that you notice she's missing a few things from her usual outfit; her choker, the string marking the X on her top, her gloves—and had she been crying?

"First of all, stop looking at me like that, you creep. Second, it's none of your business."

"I literally just saved your—" The sound of clanking armor, and boots hitting the ground cuts you off.

You grab her hand without thinking, and pull her farther into the alleyway, away from the fire and the soldiers that have started to gather. Again, she's surprised, but doesn't protest. She doesn't let go even after you've stopped running.

"We need to get out of here. I have a safe house but it's a bit far. If we start moving now—"

"My place is closer." She tugs at your hand to get your attention—your eyes flitting down the same time as her—and you both realize that they're still clasped together.

You wait for her to let go of you, throw your hand and call you a creep again. For a moment you think she actually will; you see the conflicting emotions in her eyes. But she still doesn't.

"Just... follow me." She says tiredly, nodding down a road and half dragging you to her hideout. She only lets go of your hand when there's a tight squeeze into a tunnel and it would be too awkward to walk in side by side.

Neither of you talk the entire way there. You don't ask her where her hideout is—not that you need to, you could get there with your eyes closed at this point. She doesn't ask you how you can easily navigate through tricky the walkways and hidden passages.

At first you think she's still processing how she's feeling, but you remember the tear streaks, and the way her shoulders sagged as she looked at The Last Drop burning down. You wonder again how long you've been gone, what had happened to her in the meantime. Even now, she has her head down as she walks. Her demeanor completely different from the last time you saw her.

"I can hear you thinking from over here." She says nonchalantly. She sounds tired, her irritation from earlier long gone. "I'm not leading you to some murder house, if that's what you're wondering."

You shrug out of habit. "I know, I trust you."

Her head tilts up just a bit as she stops walking. She turns her head slightly to the side, just enough that she can see you from the corner of her eye. "You shouldn't." She doesn't wait for an answer before she starts walking again, and you're left to follow her in silence the rest of the way.

There's a hesitation in her step once you reach her hideout, stopping right in front of her desk, hands balled into fists. She tries to take a steadying breath, but it comes out shaky and uneven.

You take a look around her space, noticing how brighter everything is. Not like the other timelines where you meet her as Jinx, not like Powder's either. The space was more cleared out, lights had been added, a makeshift fort had been put over her couch.

She picks up something small on the desk, you recognize it as a smaller version of the robots you two made in a few timelines. Her eyes are distant as she turns it over in her hand, before setting it back down on the table. She doesn't look back at you as she speaks.

"Why'd you help me back there?"

"I would've helped whoever was in there regardless."

She scoffs, turning to face you, leaning against her desk. "Figures with you people."

"What's that supposed to mean?" You ask as you walk closer to her.

"You're a Firelight." You halt in your tracks just a few steps away, a puzzled look on your face. She's never figured that part out in any of the other timelines, either. "I've seen you before." She adds. "You always have your stupid mask on, but," A shrug, as she looks off to the side. "I recognized your eyes."

It's almost funny.

You spent the last five years learning that your soul wanted to be with Jinx, and this entire time, she's probably known hers wanted you.

There's a myriad of questions that pop up in your head, but Jinx is still upset about something, and figuring that out was more important.

"Why'd you burn the place down?" She crosses her arms at your question, keeping her gaze on the ground.

"I was breaking the cycle, or whatever that means." She sits down on a chair, and starts tinkering with a chomper on the desk.

"What were you gonna do after?"

"Haven't figured that part out yet."

"What about—"

"Coast should be clear by now, you can leave if you want." Her tone maintains the same aloofness she's had this entire time, but her shoulders are tense, her movements as she works on the chomper almost robotic.

Even though you’re guaranteed that your souls are entwined in every possible timeline, you find yourself at a loss for words. All the bravado and confidence that you’d carried with you with every other version of her, gone out the window. You really shouldn’t be worried, you know she’ll love you, she always does, she always will. Even when she's kicking you out.

Only this wasn’t the Jinx fighting for Zaun’s liberation, wasn’t the mildly annoying Academy classmate that got you into trouble, nor was she the Jinx that waited for you for years to be ready to come back to her.

This was your Jinx. And you know something is wrong.

"Do you want me to leave?"

Her hands stop moving, but you can see that her grip on her tools has tightened, her knuckles going white.

She knows you. Longer than you've known her in your timeline. You're not leaving her knowing that. So instead, you finish walking the last few steps to get to her, your hand hesitating slightly before resting on her shoulder.

The dam breaks, as she drops her tools, hands closing into fists. "You're not safe here." Her voice cracks as she speaks. "Everyone around me—" She clamps her mouth shut and looks away.

Things start to fall into place. "You lost someone."

She lets out a bitter laugh. "I've lost a lot of someones." You see her blink a few times before she turns to you, shrugging off your hand in the process. "So you best get out of here, toots. I'm no good for you."

"I don't know, I think I've survived you enough times." She shakes her head, turning back to the abandoned chomper.

"You have no idea what you're saying." You sigh, getting down on a knee so your eyes are level with her. She's taken aback by your actions, her eyes reflecting a cautious but curious glint in them.

"I do, actually." A questioning look is the only response you get from her. "I'd explain, but I'll have to ask you to not to think I'm crazy."

Her gaze softens, just a pinch.

"Have you even met me?" Yes, you want to say. I've met you two hundred and sixteen times, and I'll gladly stay here until my knee is sore just so I can explain to you how.

"Not yet," You say instead, you extend your hand. "But I'd like to."

Destined souls or not, you're aware that you're pushing your luck. A smidgen of doubt starts to form in your mind, when she does nothing but stare at your outstretched hand. You can see the conflicting emotions in her eyes. Whoever she lost, it was enough that she doesn't want to keep anyone close to her anymore. A sentiment that you can understand, given that you wanted to stay away from any variation of her after you lost her once. But you don't want to leave her, not like this, not when there's a gnawing feeling in your gut that she's not okay enough to be left alone. So you hold your breath, standing by your decision.

Her eyes flit back to yours, and you hope the determined look in your eye is enough to sway her.

"You're gonna regret this." There's a pleading tone to her words, as if she's begging you to turn away and leave her. Fat chance, really.

A soft, reassuring smile. "We'll cross that bridge when we get there."

She searches your eyes for any trace of doubt, or deceit, but she will find none.

Her hand reaches out to yours, and you wonder if she feels the same spark of electricity that shoots through you when your hands touch.

"Grab a chair." She says, but inconveniently doesn't let go of your hand. "You down on a knee is too intimate."

You laugh, and for the first time since you've met her, you see her relax, a smile on her face.

"Fair enough."

And she listens. About Ekko seeing the anomaly on one of the leaves of your tree, the three of you breaking into Jayce's lab, heading to the Hex gate, you idiotically reaching out to the anomaly. You show her the faded outline that the anomaly left on you, and she gingerly traces the mark with her finger.

You tell her about your first jump, how your mind struggled with the Other You, as you crawled your way to cover. How you she came and saved you. You don't outright say that you're soulmates, simply because you don't want to scare her off. Not even if she probably already knows. She doesn't say anything when you first mention you two meeting, but you see her figure it out by the time you're telling her about your eighth jump. Her eyes narrow, but she lets you continue. Patiently listening as you explain, part by part, that in every reality, in every timeline, it's always you and her. It will always be you and her.

You're able to coax a laugh out of her when you tell her about your misadventures as academy students, she even teases you for being a stickler for the rules. She argues with you when you tell her that you always beat her in hand to hand combat "I could beat you any day, toots." Denies it when you tell her that she tended to sulk if you didn't give her attention, when she's be uncharacteristically thoughtful.

She holds your hand when you tell her how you lost her, how she sacrificed herself for your safety. Squeezes it when you tell her that the next version of herself is the one that pulls you out of your grief.

You explain the pull you feel when she's around, and how much stronger it feels when it's her. She interrupts you, then. Confirming that she had already known about it for a few years, right after she first saw you in a firefight. There's a blush on her cheeks as she confesses that she'd always tried to not hurt you after, and that she'd randomly seek you out to mess with you from time to time.

Eventually, she tells you how long you and your friends have been gone. What's happened to her since, about the attack at the Piltover Memorial, Vi and Caitlyn coming after her. How she met a little girl named Isha, and the strange little family she had formed with her and Sevika. You don't miss the sad, faraway look in her eyes when she recounts the adventures they had, their own little robot fight club, them making over her hideout. How they made a good situation out of everything, despite the Noxians and enforcers occupying Zaun.

You're surprised when she mentions Vander, and the short stint of happiness her and Vi had when their little family was able to reunite. She chokes up when she tells you how short lived it was, how she had been reckless in allowing Isha to come with them, that she finally understood why Vi told her to stay out of a fight all those years ago.

You hold her close to you when the tears come, and she shakes in your arms.

By the end of it all, you're both lying on her couch, and she's passed out on your chest. The physical and emotional exhaustion from the last few weeks finally catching up to her.

You spend the time processing all the information you learned; about the war, Viktor, Jayce. How there was a lot more weight now to the sacrifice Heimerdinger made for you and Ekko. You're sure he's already rallying people to join the fight, but from what Jinx had told you, Zaun won't fully unite until she's on board, too.

She's tired of it all, but she'll probably relent if you ask her. But that's an issue for tomorrow. Right now, you settle on holding her close.

And if only you hadn't asked her.

If only you had kept your mouth shut, and let her rest.

If only you hadn't put her in danger, again.

Your lungs burn as you run through smoke, not caring if your eyes can barely see anything, or that your legs are screaming for you to stop and take a break. You can't, not when you didn’t try hard enough to stop her, not when you could've asked her to stay instead. 

You make it to the Hex Gate, the smell of burnt metal and wiring fills your nose and brings you to a coughing fit. You still shout her name, at the top of your lungs, hoping that she'll hear you. You start to lift debris and stray slabs of concrete. There's only a numbness in your hands as you cut and burn them while digging our rubble. Not a care in the world that there could still be explosive hazards in the area. The only thing on your mind was Jinx.

The desperation starts to build with every passing minute, the pull in your chest is painful, screaming at you to find her. Even as the smoke slowly clears, the momentary reprieve from searching blind not stopping you from your erratic search. You continue to clear the rubble, your hands smearing blood on every piece of debris you touch. This does nothing to bother you, though. You'd paint every inch of this room red before you stop looking for her.

You collapse to your knees, grabbing onto a large piece of rubble for support. This wasn't how things were supposed to go. Just when you find your way back, when you finally have her with you. Five years and hundreds of jumps, only for you to lose her again.

You lay your head against the concrete, as the tears start streaming down your face.

Then a cough, the sound of shifting debris and rock hits your ears.

You bolt upright, ears straining to listen. For a few seconds, there's nothing, and you almost thing that you're getting high from the fumes. But you hear a groan, then you're feet are already kicking the ground.

Smaller pieces of rubble start moving around, and you quickly claw away it, clearing everything away until you catch sight of a hand. You've never been happier to see chipped nail polish in your life.

You ignore the ache in your arms as you lift every piece of heavy rock, until Jinx has enough room to grab onto you and you pull her out.

There's a deep gash on her side, a few cuts, and bruises already forming. She starts coughing, but there's no blood. Good. She's breathing, alive.

"You regret meeting me, yet?" She manages a smile, and your heart soars.

"No, not yet, at least." You wipe your eyes with the back of your palms, sniffling.

"Hey, hey, easy." She puts a hand on your chest to stop you from picking her up. "Your hands are bleeding."

"You have a gash on your stomach."

"I heal quick, you don't." She shoots you a warning glare when you try to pick her up again, and you relent.

"I thought I lost you again." The tears well up in your eyes, and her glare softens. She pulls you closer until your foreheads are touching.

"Sorry to disappoint," She starts. "But you're stuck with me forever."

You fail at stifling your laughter. "Sounds like a good deal to me."

She cups your face in her hands, running a thumb across your cheek, and you instinctively lean into her touch.

"Help me up, yeah?"

You oblige. You always do. You always will.

[ironyscleverer]

One aspect of Stolas and Octavias relationship that I think deserves a little more attention is the fact that Stolas is traumatized as Fuck, and growing up with a traumatized parent can have a pretty profound impact on you as a kid. Even if they’re a good parent, even if they try their hardest in every way, their issues always seem to have a way of making themselves known. So even though Stolas clearly loves Via to bits, and she him, I wouldn’t be surprised if her relationship with Stolas was more complicated than what we see onscreen, even beyond the “abandoned her for some random imp” of it all.

There’s not a lot of discussion of this in canon, understandably since most of Stolas and Octavia’s immediate issues stem from the divorce, but there’s a hint of it in Loo Loo Land, when Stolas talks about how much Via used to love seeing RoboFizz:

It’s pretty clear in this scene (at least to me) that Stolas is projecting his own love of clowns onto Via, who was in fact terrified by RoboFizz as a child. He goes so far as to misinterpret her tears as “tears of joy.”

That’s a pretty weird detail, and doesn’t really have anything to do with the Divorce, so there’s any number of ways to interpret it. At first, given Stolas’s character in season 1, it comes across as self-absorbed, but looking back, i could see how that self-absorption might be Stolas’s response to always ignoring his own needs and wants for the sake of others. Think about it—Stolas spent 17+ years believing he couldn’t make choices about his own life, and constantly sacrificing his freedom and well-being for others (his father, his wife, his daughter). He spent well over a decade being abused in order to give his daughter a normal, happy childhood. If he’s convinced himself his desires don’t matter, one way around that is to do things because “Octavia likes them.” So if he convinced himself Octavia liked clowns,,, you get the idea.

So anyway, in Sinsmas this side of Octavia’s childhood isn’t really the main issue, but I like to think she is starting to realize not only how weird and sad her dad always was, and how much that may have affected her upbringing. We see a tiny hint of this when she confronts Stolas about his pills:

Of course, Octavia doesn’t know the full story, but she knows enough to be upset. She knows that Stolas was unhappy enough to need the pills, and he stayed in that environment for her. Thats a lot to process at 17. It’s not a nice feeling to realize your childhood was an extension of your parent’s trauma. It’s also not fun to realize your parent chose to harm themself for you, even if they did it to protect you. It makes you feel used, like you’ve been made into an accessory to hurting someone you love. In my mind, Octavia is processing all of this, AND that her dad ran off with a random man.

All this is to say, by my wildly non-canonical interpretation, I really feel for both Stolas and Octavia in this situation. For Stolas, making his own choices and following his instincts for once was important for him to do. For Octavia, it’s reasonable for her to feel upset at her dad, perhaps for more reasons than she realizes. She’s looking back on her relationship with Stolas, and how he raised her, and reevaluating everything. Their relationship is changing, and I hope we get to see a bit of that reflected in season 3.