#Sarah Roberts

[lesbiangummybearmafia]

The Hunger, 1983

[bruce-wyatt-burner]

👀👀

[robynsassenmyview]

Madness takes control!

"Madness takes control!" a review of 'Alice in Wonderland' at the Pieter Toerien Theatre, Montecasino, until 4 February 2024.

“AND why is a raven like a writing desk?” ponders the Mad Hatter (Sandi Dangalala) with cheeky aplomb in Neka da Costa’s Alice in Wonderland at Montecasino, Fourways until 4 February 2024. Photograph courtesy VR Theatrical. IT ALL BEGINS with a bit of masked and gloved mystique that gets even the littlest of littlies focused on the stage. That is the kind of magical lure you will experience in…

[teenmomcentral]

Sarah with her daughters Tinleigh, Tessly and Kerrington and her husband Justin (Sarah is from 16 & Pregnant season 4)

[hyzenthlayroseart]

Catherine Denueve and Susan Sarandon in the 1983 film The Hunger

[shanna254]

😍😍😍😍😍😍

[lagrith]

i wish i was a witch just to live there

[veryberryjelly]

LAST DAY

to send in requests for my 1.5k dinner party! i’m you by to continue writing the requests i haven’t already posted but today is the last day to send something in!

send asks to my inbox !

[attheedgeofthecreek]

The End of Innocence by Robert Heindel

[propertyofjameswilson]

my pretty babygirl!!!!!!!

[bruce-wyatt-burner]

👀👀

[jenniferchecksbitch]

It’s their season

[robynsassenmyview]

Learned friends; true rotters

"Learned friends; true rotters", a review of 'Witness for the Prosecution', directed by Alan Swerdlow, until 30 June in Johannesburg, and 4 July - 10 August in Cape Town.

VERDICT under consideration, with (from left) Sir Wilfred Robarts QC (Graham Hopkins), Mr John Mayhew (Craig Jackson), defence solicitor Mr Myers QC (Mike Huff) and Inspector Hearne (Micah Stojakovic) with Mr Justice Wainwright (Peter Terry) residing. Photograph by Keaton Ditchfield. THE COURT DRAMA in the wake of a murder of passion is arguably the most enthralling context for a thrilling story…

[teenmomcentral]

Sarah (from 16 & Pregnant season 4) with her husband and daughters

[goodomenshq]

We were going to be all mysterious as we unveiled our stretch goals one by one, but you've blown us away with your support and so we've already unlocked SO MANY GREAT THINGS.

Next up, £250,000 will unlock even more amazing prints for our ineffable Loot Boxes by none other than Alice Oseman (Heartstopper) and Paul Kidby (Discworld).

Check out the Good Omens graphic novel Kickstarter page for more, and to pick up your copy!

[giveamadeuschohisownmovie]

Some more changes in “The Last of Us” TV show that I thought were improvements on the game:

1) Tommy calls Joel to bail him out of jail. It’s a small scene but it does help establish that Joel is the older, more responsible brother while Tommy is the younger, more reckless brother. It gives more dimension to Joel’s line of “I bring you the cure for mankind and you wanna play the pissy little brother”.

2) Joel possibly being a Desert Storm veteran. Because if he was, then his line “you have no idea what loss is” becomes even more tragic since it’s not clear which part of his life he’s talking about. Is he talking about Sarah, surviving the post-apocalypse, or the horrors of the Gulf War? Technically speaking, he could be talking about all three events, which is just incredibly sad.

3) As an add-on for point 2, either Joel or Tommy being a Desert Storm veteran works better for the story since it makes it more believable that the Miller brothers were able to survive for 20 years in the zombie apocalypse.

4) “Che Guevara of Boston”. It’s one line, but it tells you all you need to know about Marlene and the Fireflies. Honestly, I got a better understanding of Marlene through that one line than the explanation in the original game.

5) Tess telling Joel to calm down and that going after Robert will make him go into hiding. I know that might seem trivial but the show is subtly telling us that Joel is incredibly dangerous. In the game, this was established by going into combat as Joel. The show can’t just rely on action scenes since that would screw up the pacing and tone, so the next best way to establish Joel’s badassery is through dialogue. “Robert is scared of you because you’re a dangerous motherfucker, that’s why I need you to chill”, that’s basically what Tess said.

6) Joel beats the guard to death in order to protect Ellie. In this one scene, Joel has already bonded Ellie to his memory of Sarah and Ellie was introduced to Joel’s savagery, which is pretty impressive considering that it’s a scene with no dialogue (for at least that section).