#SO MANY its a struggle

[coolnonsenseworld]

❤️🧡💛💚💙💜

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I'm catching up with comms so in the meantime here is a page from KF 2022 PDF, which I drew to substitute for a NSFW post!

I hope you will have a great Monday <3

52 weeks of KICK Fridays - what is it?

It's 3 PDFs made out of my Patreon content where I published Klance each Friday (Kick Fridays) since 2020. You can buy them by lowest price Patreons could pay each year to see it (1/month) on my shop (payhip.com/mezzy). I publish something for each sold PDF 💞

[ktkat99]

Jason comes back from the dead and, as he's still a bit out of it, heads to the manor.

Crawling straight up through six feet of compacted earth is hard, especially after waking up suddenly in a coffin, so after he makes it inside, he sits down to rest on the couch.

And immediately falls asleep.

Hours later, Bruce returns home to find Jason's body, covered in dirt, dug up from the grave and left on his couch.

[quixoticprince]

Desperately needed to do another shitpost and that Will Smith cock shame meme came to mind - I couldnt decide who fit who as you can see so now theres just a red and blu version lol which maybe indicates they dont quite fit the meme but shh Also kinda looks like a conspiracy board

I dunno why Scout would care so much about whether or not they stay together (they're the teams rock😩)

Cut below is me playing around with the images lol

I just thought it was funny

[hyolks]

he doesnt know how to play guitar

[midoristeashop]

Jack prost

Jack studies but I was only allowed to ref the rotg concept art 🤩

[finngualart]

daucus carota

[somnoir]

first time giving a prompt

deaged!Danny (may include Dani, Dan and/or Jazz too if you like) given to Themyscira to be raised by Kronos (Clockwork). They were given a vague reason (they either might end the world or save it. kinda like the PJO Great Prophecy "to preserve or raze")

cause a boy/s is/are involved. They get sent to be raised by Diana instead

i just really want mom!Diana to happen

god I love mom!Diana so much! I need this woman to just pop up to the watchtower with her own baby and tell the others to fuck off cause, BATMAN HAS HIS BABIES I HAVE MINE!

Percy Jackson themes? Let's go!

Children of Diana - part 1

Kronos was always a mysterious and frightening figure in their stories. The father that devoured their children upon a prophecy of a throne to be taken by his child. Five had fallen into his stomach, Hestia of the hearth fell first, whilst Hades was the last to be eaten. Only by Rhea's cunning did their youngest, Zeus, survive his father's hunger and grow to be king.

But Kronos never truly stayed dead.

He was time embodied, moving with every universe, even as he melted away from their world and into another.

Hippolyta told her stories of Kronos, along with how she wished for a child and how her love for one allowed her to make Diana out of clay and give her blessing of goddesses to be a mother to a blessed daughter. Diana heard stories from her mother of everlasting Kronos who's name shifted with worlds, with his domain of time. How the titan has moved past from his children and embedded himself into the stars.

Diana heard of his stories but never in her lifetime did she expect to be met with that same Titan.

Her first instinct was to bow, to greet this almighty titan with the proper etiquette. But Kronos only smiled at her, snapping his fingers.

One moment Diana was Louvre, then next she was beside her mother in Themyscira.

"Diana!" Hippolyta blinked, bewildered to see her daughter before the atmosphere turned tense, cold.

Once again, the Amazons were graces—perhaps even cursed—with the Master of Time's presence.

"Kronos." Hippolyta sucked in a deep breath, her stance going rigid as she prepared to greet and attack their guest. "My lord..."

"Progeny of mine," Kronos wore a purple rone that shadowed his face, with a body that floated from the ground. In his hand was a peculiar staff with a glowing blue clock. "I have no trust in my children but... You Amazons are more sensible and responsible than my brats."

"Except for Hestia. I would trust her but she is too close to them for my liking." He drawled, startling Diana.

Hestia was the eldest of the traitors, the first to be eaten. She was still referred to as a traitor and yet there is evident fondness in Kronos' voice.

"Nevermind that." Kronos waved it off, "Pandora has claimed that you are trustworthy—" THE FIRST WOMAN PANDORA?! "So I shall trust you with this prophecy. Especially, Diana... Wonder Woman. You will prove essential to the fulfillment of this prophecy."

Diana's body stiffened, unable to help but grab her mother's hand. Blessed as she was, Hippolyta squeezed her daughter's hand, comforting and reassuring before they nodded and waited for the prophecy...

Kronos was smiling.

"From the death of youth, a monarch shall rise,

To fall, and rise again with time's reprise.

Brother and sister by the throne will stand,

Balance to bring, or doom to command.

Should the path be dark, the stars will weep,

For the universe's fate, the king shall keep."

Diana's breath hitched. The prophecy was... It was scary. She couldn't fathom it. From the lines alone, there was a possibility of the universe's doom... But it involves a king of sorts.

What did that entail?

Kronos was laughing now. "Be wary, Diana of Themyscira... The High King of the infinite realms and his siblings will arrive soon..."

"The infinite realms?!" Hippolyta almost looked faint.

"Yes. The king, his royal siblings the prince and princess have entered a new cycle. Their oldest royal sister is currently regent and unable to raise them in the realms."

Diana cleared her throat, "My apologies, but why is the regent unable to raise her siblings?"

"Regent Queen Jasmine Phantom died long ago. She is a full ghost whilst her siblings are epitomes of balance, both living and dead. As they are still very much alive, being in the realms for too long during their years of development is unhealthy for their constitutions." He explained, glancing at his staff.

"It is time."

Again, Diana was startled and almost lunged forward for more answers before her mother squeezed her hand again. Her breath caught, glancing back at her mother who sent her a warning glare.

"I wish you the best of luck, Diana." Kronos smiled, almost softly, "You will do well to raise my children. I am in your debt."

All at once, Diana was suddenly the mother of three and someone the Master of Time owed a debt too.

Diana had not expected to find three children in her home. Yes, she expected to find three individuals, but she had at least expected infants. Not three children who's ages varied.

"Hello..." The middle of the three said, blue eyes, black hair, scrawny and small.

"Hello." She softly said, looking around her apartment before crouching in front of the children with the softest smile she could ever give. "I am Diana. Could you give me your names, little ones?"

"Dante." The eldest of the three, with blue eyes that flashed red, grunted.

"Daniel but I go by Danny." The middle smiled, then gestures to the toddler that clung to Dante. "This one is Danielle but she likes to be called Ellie."

The girl waved at her, rosy cheeks with blue eyes pile her brothers.

"Clockwork said we had to come to you because our sister couldn't keep us in the realms. We're sorry for the trouble." Danny grimaces, genuinely apologetic and clasping his hands together.

"I told that bastard that we didn't need to be deaged or anything. But no! He kept saying that we needed a vacation or whatever." Dante scoffed, rolling his eyes before adjusting little Elle in his arms.

Diana saw the discomfort on the eldest's expression as he tried to adjust his little sister in his arms. She offered her service to him, gesturing for Dante to give the toddler to her, bur she received a growl and a glare from crimson eyes.

One of the boys was the king of the infinite realms turned into a child. The prophecy had clearly stated that the king would be joined by his sister and brother, so the possibility of little Ellie being the king was void. So it was between the boys then.

"Don't be mean, Dan! Miss Diana is already trying her best right now. I'll tell Clockwork and Aunt Pandora that you're being mean to their favorite." Danny snapped, swatting his brother's shoulders.

"It is alright, your majesties."

"Oh!" Danny flushed red, "No need for that. You don't have to!" He insisted, "I'm not king at the moment since Jasmine demanded we were given a break... I just didn't think that a break meant going through a new human cycle."

Diana's eyes softened, so Daniel was king. "I see... I do not mind being your caretaker, little ones. I have friends who have children, and I have found myself rather envious of them. Truthfully, I never expected to beae children myself but... My mother lost the ability to have one herself, and yet she made me from clay."

Dante nodded, "We've heard of your story. It's quite beautiful how your mother loved you so much, even when you were nothing but a dream... But she managed to make you reality with that love. It's quite inspiring."

Danny soon explained, "Our mortal mother died many years ago. She and our father were ghosts, citizens of the infinite realms before my siblings and I encouraged them to follow through with reincarnation. We would have had our eldest sister do the same, but she is more stubborn than our parents." The fond smile on his lips was one tinged by melancholy and longing.

Diana realized that these children were ripped away from what they called home, forced by their own sister for their sakes. Immortal monarchs were thought to be all powerful, undying and never needing rest.

Diana herself saw it as such, with how Zeus refused to relinquish his throne, of how his siblings and children attempted to usurp him the same way he did with Kronos.

But the royals of the infinite realms seemed to be of a different breed. The dead who were once mortal, living, before time caught up to them and their existences were given to the realms. That humanity seemed to be what made the Ghostly royals to be so... Extraordinary. Because it was clear to Diana that the regent Jasmine loved her kingly brother and royal siblings with all her heart. Especially when she was willing to sit upon the throne, carry the burden of monarch, for a life time. All because she wanted them to be given a chance at happiness.

Diana has heard stories of the realms, of how the previous king, a tyran named Pariah Dark, was defeated. Phantom became king through conquest and it was rumoured he had still been a child, still alive and only half dead, when he was given the crown.

"Well then..." She cleared her throat, smiling softly. "I hope that you will be able to live comfortably with me, little ones. I will not force you to see me as a mother, but I will do everything I can to be a proper caretaker. I will love and cherish you the same way my mother and sister did."

That statement alone seemed to have affected the three, enough that Dante relaxed.

The second time Diana tried to take Ellie from his arms, Dante sis not resist. He carefully tucked his sister into her arms, showing her how she liked to be held.

Ellie giggled, reach up to her and nuzzling her cheek against Diana's chest.

"Adorable." She whispered, kissing the little girl's forehead before turning back to her brothers. "May I know how old you currently are?"

"Physically or chronologically?"

Diana chuckled, "Physically."

"I'm ten. Danny's eight and Ellie's two." Dante explained, pointing to them each whenever he spoke. "But chronologically, we're around... Actually, I don't know. Time in the realms and time here is different. It's also different from our earth. So..."

"Ah, no need to explain if it's too confusing. I understand that time flows differently for everyone. Let us just say that you've existed for a few centuries, yes? Keep it vague for everyone else." Diana grinned, already thinking of how Batman would be utterly perplexed by that.

"Well then, let us get you settled in, yes? Unfortunately, I only have one guest room." Diana frowned, cooing at little Elle that tried to wiggle our of her grasp, "I was planning on moving soon since this part of Paris is a little too loud for me."

A little white lie. She'd have to ask Bruce for help of finding a new space in a short time.

The three looked suspicious, skeptical, and already feeling guilty. Diana was quick to act, ushering them to their rooms, asking them if they've eaten and what they'd like for dinner if not.

Aside from a new place, she needed to acquire herself some parenting books. Yes. Lots and lots of parenting books, especially if her children were eldritch beings.

Maybe Bruce had more experience in that field.

No, Diana, do not think like that. You're a mother now.

Especially when she was the mother of three while Bruce was only parenting one child. Though said child was now a rather rebellious fifteen year old.

Masterpost

[lonely-night]

Happiest Season 2.0: Agathario Riley/Eve

Riley returned to her hometown for Christmas and she met Eve who's visiting the small town that she randomly picked on map. After bumping to each other a few times, Riley suggested to take Eve to a gay bar to see a drag performance.

[cosmicredcadet]

I don't think a lot of people realize that lot of their advice to disabled people often boils down to "Get over it." they are trying to be helpful but their idea of helpful is "Just do the thing" because that's what they do. for them they just do things. It comes naturally to just do it.

They don't know how to bridge the gap between you and the task. For them the bridge is already pre-built and stable. For disabled people the bridge is run down, not well kept, it feels unsteady and is hard to get across without being slow and cautious - hell for some people there is no bridge and we need to build it ourselves but we don't have the bridge building tools and no one gives them to us.

"Just cross the bridge." They say before walking over their pre-built bridge. They never gave you the tools to build a bridge to cross.

[corsairspade]

you are a god's best friend. the world is young still, and you are yet younger. he rides with you and hunts with you, and teaches you how to speak to birds and beasts. you are a god's student. you ride in his train and care for a hound that he gifted to you. gods have taught others before. gods have been kindly to others before. your god is your best friend. he gifts you something of his self, a hound of his own hunt.

you are your father's son. your grandfather is dead. no one has ever called you wise, and you are, above all else, your father's son. he swears a terrible oath. you swear a terrible oath. you don't know if you really mean it, but your mother named you well- you are hasty to rise, hasty to run into things. the hunt teaches you patience but you cannot outrun yourself. you are your father's son.

you are a god's best friend and you have sworn a terrible oath, but it is an oath that you hope that your friend can understand. to hunt the murderer of your grandfather, is something that the god of the hunt can understand.

you are your father's son. the blood of elves on your hands does not feel different than the blood of a deer, except in the tight feeling of your throat. except in the thunderous beating of your heart. you tell your brother, who is trying not to throw up, that you need to think of them like deer. he looks at you like he's never seen you before. you are forever doomed.

you are a god's best friend. he does not say goodbye, but your dog comes with you. surely you can fix this, then, surely you are still a god's friend.

you are your father's son. he dies. he dies but before he does, he tells you to burn the boats. you do. you are your father's son. your father dies and, he tells you to swear that oath once more. it is a terrible oath. you have sworn it once. you swore to your best friend once. surely it will not tip the scales to swear once more, if in your mind, you dedicate this hunt to him.

you were a god's best friend, and it is not enough. you are your father's son, and you speak your father's oath. it proceeds to eat you alive.

[cesiscribbles]

More Good Omens! I‘m sorry bit I probably won‘t shut up about them any time soon.

Please don‘t repost.

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[u3pxx]

harriet is still the same height but instead she wears those disco platform shoes so she just towers over everything i think

[fjordfolk]

pictured: dogs sorted in order of most to least amount of pigment

[uncanny-tranny]

Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.

Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.