#SHE IS THE ULTIMATE GIRL!!!!!!!

[sunrayretriever]

FOUR

FUKING

SHIGI !!!!!!!!!!!!!!

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[hugs-and-stabbies]

The self-awareness on this guy 😞 someone pls send him an "are you bi?" quiz STAT

[edwardsdeathcabcd]

i've said it before but it will forever and always make me insane that jacob's ending is to join the cullens for the sake of bella not having to give anything up. they find out jake will be immortal & tied to renesmee forever, so bella gets to smile & say "my family is finally complete! ^-^" but jake already HAS a family. he has a father and 2 sisters. quil, embry, seth and sam are like his brothers. jacob and leah were planning to run away together. he's always been welcome in emily's home, sue has been a family friend since before his birth. bella abandons her mortality by choice because she feels no connection to the people around her, but jacob has really strong bonds. it's clear that every character we meet in la push is like family to him, he's an active member of the community. jake would've graduated high school and been a mechanic, would've grown into a young man. a good friend, a fun uncle, a present son. he's set up to have such a rich life. and he's just magically compelled to give that up. beyond his control, he loses sight of everything, because his high school crush's baby is now the singular most important thing to him. he's perpetually 18 with his perpetually 18 year old girlfriend, running around vancouver or alaska or wherever with the girl who friendzoned him at 16 & her in-laws (who were antagonistic to him for months). and i'm just supposed to say omg yay now he doesn't have to let go of bella! everyone is happy! it's complete madness

[audreys-hepburn]

20 YEARS OF MEAN GIRLS Released on April 30th, 2004

[ballerinarina]

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[shadowxamyweek]

Thank you @junebalaya for showing me this meme exists <3

[bansheesofinisherin2022]

speaking of remakes of classic literature: why does no one make a modern take on austen's northanger abbey that parodies the mordern horror genre (as opposed to the gothic satire it initially was)? that could be fun and cute without fucking up the main message

[st-hedge]

I hadn’t drawn Zelda in the Naydra set cuz I think she has more than earned it to have her own and I’ve been trying to come up with one

[himehomu]

With Walpurgisnacht Rising coming in 2024, I want to talk about something that has been bothering me since Rebellion. It was never the “plot twist” of Homura separating Madoka from her godhood nor her taking those godlike powers for herself thus becoming the devil. It was always people's reactions to Homura doing this and the way they based her entire character around this specific moment that really rubbed me the wrong way. Saying she's a selfish monster who's trapping Madoka in a fake world for her own personal gain or that she's taking Madoka's agency away from her and making decisions for her that directly rebel against what Madoka wants... And, to that, I just want to know.... do literally any of you know what Madoka actually wants or are you just basing her character around her sacrifice?

Yes, it was for the benefit of all Magical Girls and yes it freed them from their cycle of selling their souls in the name of hope just to die at the hands of their own grief and despair, but Madoka didn't plan to abruptly cease to exist at the cost of it?? She didn't want to be stuck between life and death only existing as a deity meant to eradicate Witches for all of time. Madoka wished to erase Witches before they are born from the past, present, and future. Going back years upon years in time, destroying Witches and mercy killing Magical Girls; fighting forever, past and future, for all time. Ceasing to exist as an individual, only able to materialize and interact with someone when they're dying of grief and sadness and pain; relieving them of that pain so that their last moments won't be in agony, so they can die in peace, but there's none of that for Madoka. There's no death, no closure, no release, no freedom from this hell of being a weapon and nothing more.

But, Madoka would never voice these struggles and frustrations. Because Madoka isn't that kind of girl. She's the kind of girl who shoves all of her problems down and bases all of her self worth on how much she can do for others, how happy she can make others, and how useful she can be. She forces a smile and masks her pain because she doesn't want to burden anyone with her problems. She puts herself down constantly, risking her life trying to help others because she cares so little for herself. Without being useful, she believes her life has no value. And Homura knows this. Because Homura knows her. I feel like most people take Madoka's bright pink colors and smile at face value and don't realize she's chronically depressed. That's why in the first timeline, she and Homura naturally got along so well: they were both girls who hated themselves and based their self worth on how they made others around them feel, both self-loathing girls who deem themselves worthless if they're not useful in some way. Madoka was just better at hiding it than Homura was. And she still is by the 100th loop.

But, in Rebellion, when her memories of being a god are taken away from her, and she's given a hypothetical scenario of her fate, she says "wow that sounds awful and scary and lonely and I would never do something like that." The Flower Field scene is one of the most brilliant and misunderstood scenes in all of anime. Majority still to this day argue that, since Madoka doesn't have her memories, her words hold little to no weight, and Homura is simply hearing what she wants to hear. So, naturally, they disregard what Madoka is saying, assuming it's just Homura being selfish. And that's where they mess up. Because, the fact that Madoka doesn't have her memories here is the whole point! Homura is already well-aware that if Madoka had her memories, her self loathing would result in her caring so little for herself that she sacrifices herself every time which is why immediately after Madoka's words, she assures Madoka that she is indeed "strong enough to make that decision." Homura just wanted to confirm if Madoka would still miss her life pre-godhood in spite of that, which she outright says she does.

There are also arguments that Homura was somehow influencing Madoka in the labyrinth aside from just not remembering becoming a god, but Shinbou already stated in an interview that this wasn't the case, and that these were Madoka's honest words. In fact, Madoka's true feelings regarding her godhood are revealed for the first time within the lyrics of Madoka's character song (sung by her VA Aoi Yuuki) that played as the ep 1-2 ED titled “Mata Ashita”. The song is about Madoka post-series which consists of Madoka wandering around aimlessly, quietly observing as humanity resumes without her, lamenting on the life she lost after becoming a god and wishing she could have been more honest about her feelings to Homura in ep 12, asking her to realize she's lonely.

[I'm pretending that I'm used to being alone, but I'm not really that strong.

The scenery is the same as always, the city is the same as always.

Even though I think everything will stay unchanged.

I still feel like I'm the only one who's tiny. Instead of "See you later."

I should've said, "I'll stay for a little longer."

I wanted and hoped that you would realize it.

But with the words "See you later,"

I lie to myself again.

And hide my true feelings beneath my usual smile. Saying, "See you later," I wave my hand.

Cracking a smile, yet I'm feeling lonely.

The truth is, I still have more to talk about.

But even my voice saying, "See you later"

is so near yet far from you that it can't reach you.

So let me say this like I always do, just once more: "See you tomorrow"]

This is definitive proof that even BEFORE Rebellion, this was already confirmed to be Madoka's true feelings.

The second time Madoka's true feelings post-godhood are adressed is via Madoka and Homura's concept movie quotes explaining that the God (Madoka) is clearly suffering in her “heaven”, which is more like a prison of isolation. The lizard girl (Homura) takes pity on her and separates her humanity from her godhood, thus making her human once more. Here are also some direct quotes from Magia Record which provides even more context for what Madokami is experiencing:

All of this, with the addition of Madoka's words in the Flower Field scene being confirmed to be her real and honest feelings, puts the whole “pulling madokami down from heaven” scene into a different perspective. Considering the entire reason why Madoka even became powerful enough to become God in the first place was because Homura's 100+ time loops linked multiple parallel universes together with Madoka at their center, and it's confirmed Madoka was suffering as a god, I would think people would be happy to see Homura reverting Madoka back to a human being and rewriting the entire universe to be a world where Madoka is happy and free, surrounded by her friends and family???

The fact that Homura's love for Madoka was so strong throughout 12 years of 100+ time loops, it turned Madoka into a goddess but when Homura was able to see just how isolating and lonely godhood was for her, she took her godlike powers for herself because she loved her and was willing to take on the exhaustion and isolation of immortality as the devil to spare her of anymore pain and sadness. Homura freed Madoka from a nonexistential purgatory prison and a decade later she's still demonized for it, how insane is that??

[bunnithechubs]

i cried making these and so did jack louis...

[sidsinning]

Girl how are you still this quirky and stammery after what you've been through legit

[amberinn]

Damn I can't believe Diana's FTE is Diana rizzing up Damon, to which he started immiediately cooking her up (bro got defensive)

it boiled over, bro got livid

decided he's done with this and left

[whatevertheywant]

Get ready for MORE GELPHIE ANALYSIS because the queer audhd English major brain never rests.

We know that Glinda is trying to get the Munchkins to empathize with Elphaba even though she can't publicly defend or mourn her. But another nice touch from the brilliant mind of Stephen Schwartz is that in telling about Elphaba's childhood,she makes a point to mention Elphaba's father being appointed governor of Munchkin Land. There are LAYERS here.

We know that Glinda was from a wealthy and prominent family. She has gone through a lot of character development at this point,but she is still Glinda Upland. Status and titles mean a lot to her still. Telling everyone that Elphaba was born in Munchkin Land is supposed to humanize her and show she is literally one of them yes...BUT our girl was bragging on her girl. She was letting them KNOW Elphie ain't a common wicked bitch. She's letting them know her bestie is ALSO from a prominent family and put some fucking respect on her name. It goes over their heads,but Glinda tried so hard short of telling the truth (which would be against Elphaba's wishes) or obliterating some munchkin ASS for shit talking her baby. I know seeing her finally get to cry her eyes out about it is going to wreck me

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.