#Pick your pick up line

[violetlunette]

Yuu: Grim, you idiot! You should have woken me! Now we’re going to be late! Grim: Don’t blame me, minion! You—Uwaah! Yuu: *trips* Ahh! *Sound of a skull crushing on stone floor and demon cat getting squished* Silver: ….zzz…!! Oh no! I fell asleep in the hall again—Ah! Are you alright?! Yuu: *forehead bleeding* Yuu: *Hears the sound of La Fidèle and the other bells of notre dame* Silver: *Glowing like an angel from heaven* (Not really) Yuu:… Yuu: Well, shit. Looks like that fall killed me because I’m looking at an angel from heaven. Silver: Huh? OR Yuu: Welp, looks like I ended up in hell because that face is way too hot to be in heaven. Silver: Ah? OR Yuu: Well! Looks like I’ve fallen for you, handsome? Silver: Eh? One terrible pick up line later; Grim: *Crushed under Yuu* OI!! Don’t flirt on top of me! Yuu: Shut up! I have to make my move before the concussion kicks in!

[aniaaniaania66]

[poorly-drawn-mdzs]

Flower Empowered.

[First] Prev <–-> Next

[mairaiscarrierofthepaperclips]

Buck: Oh, I've got game.

Eddie: Really? Give me your best pick up line. Buck 1.0 me.

Buck: See, I don't really have any, because I'm not trying to be picked up. I'm trying to be pinned down.

Eddie:...

Eddie:...

Buck: But okay, if you really want an answer, I will say that I like your name. And I hope that at the end of our date, your neighbours do, too.

[hijinxinprogress]

12 year old tim realizing robin’s not coming back to gotham and deciding that it’s Batman’s fault so he has to ruin the little bit of sanity and peace of mind Bruce has managed (read: struggled) to keep in his grasp:

[starry-bi-sky]

childhood friends danny and jason miscellaneous thoughts: because why not, i'm reworking ch2 because it no longer fits with the remaster of chapter 1 so i've been thinking of them, and i love talking about them. which you should totally go read the remaster because its 26k words and im very proud of it and it barely got any attention.

First off Ellie vapes. Mostly because I think its real fucking funny. The first time Danny finds out about it he gets all up in arms about it. Ellie at first thinks its because she's smoking -- which, helloooo pot meet kettle, Danny has been smoking for a lot longer than she has.

And then he throws a curveball at her and says he's upset specifically because its vaping. Like no, no. Dammit, if you're gonna fuck up your lungs you gotta do it properly, none of this cotton-candy flavored nonsense.

He plays it up for laughs and it's largely non-serious 'i can't believe you're using a vape', if only to hide the fact that he is genuinely displeased with his little sister smoking. Self-destructive behaviors and bad habits are his thing, thank you very much.

But, well, he knows he'd be a hypocrite if he told her he didn't like that she was smoking. He's aware its bad for him, but habits are hard to break and he's not particularly keen to break this one in particular.

Danny bullies her relentlessly about it whenever she vapes in front of him. Like don't be a loser, Elle, carry a carton of cigs and a lighter in your back pocket like the rest of us degenerates.

[more under the cut]

Secondly: Danny's piercings? He got the first lobe piercings as a lost bet from Sam in junior year, and they did it in her room with a needle, a small bottle of blood blossom extract, and an apple. He broke out in hives for a week after thanks to the blood blossom, but it prevented the hole from healing up :)

He got the rest done professionally at a piercing place in the Ghost Zone. He asked Johnny where to find it. Sam and Johnny (and Kitty) nearly convinced him into getting snakebites. He got an eyebrow piercing instead.

Danny's undercut is also self-done, he did it because Technus shot at him with an ectoblast and it missed hitting him, but set his hair on fire. Danny got it out pretty quickly, but it left his hair lopsided and obviously looking like it got burned by something. He went to Sam for help after the fight. He liked the way it looks so he's kept it that way since.

-

Vlad brought up Jason once(1) in a taunt during a fight, and this was after Jason disappeared from the ghost zone, and Danny very. very nearly killed him on the spot. He hasn't done it since.

Which leads into the other thing: Grief Triggers! As I call them. All Banshees have them in this au.

While all banshees are, in general, in a permanent state of grief, Grief Triggers are a specific emotional response that can cause them to spiral into a state of intense, sometimes debilitating sorrow, and most of the time causes them to start wailing.

Banshees know what their Grief Triggers are and in general tend to try and build up a form of resistance against it so that, if something occurs that happens to trigger said grief, they can at least either get away from other ghosts to let loose or have enough control over themselves that it'll take more work to send them spiraling.

As expected, Jason is Danny's grief trigger. He's built up a pretty good resistance to it so that hey, talking about him and his death is easier than when Danny was fourteen. But a little more prodding and it will trigger, especially depending on who brings him up and how. (See: Vlad)

Grief Triggers also manifest relatively the same; with the induction of an intense state of grief and sorrow, but how a banshee acts on it can sometimes vary. Again, it depends on who triggers it and how. Some of them can get,,, violent, depending on how it happens.

Rath, this au's 'Dan', is a case of a banshee being put into the grief state caused by grief triggers and... never really leaving it. Which they usually do on their own, or with help depending on the severity of it.

At the time it happened Danny was going through the worst week of his life a second time: his best friend's ghost disappeared, then his family and friends all died right in front of him, and then he was stuck with someone who wasn't helping him through that grief.

He was already in the grieving state when Vlad tore out his ghost half. As a result, Vlad only made it worse. With that fury thrown into the mix, Vlad ended up getting torn apart and nobody else was close enough with nor could they get close enough to Rath to help him come down from the wailing state.

So Rath ended up getting stuck in a perpetual negative feedback loop of absolute misery, and well... drove himself insane. The rest of the world became collateral as a result.

-

the difference between Danny and Jason lies in the fact that Jason died, while Danny is dead.

-

I'm having more thoughts on the CFAU/TMWS universe banshees, actually.

Banshees are either born in the ghost zone from ectoplasm and are ecto-entities and work as banshees as how we know of them, or they're human spirits that died mourning someone and that grief was so intense that it turned them into a banshee. They're a little more rare.

These banshees typically mourn only one person, or sometimes they follow their Realm-born counterparts and choose a family to mourn for. Typically their own.

Ember is not a banshee; human spirit banshees are always mourning another person. However, her abilities emulate certain qualities of banshees: like the beautiful singing. But in comparison to an actual banshee, Ember's voice pales.

Does this mean Danny has the better singing voice? Yeah. Ember is incensed by this.

-

If canon Danny and CFAU/TMWS Danny met, I think canon Danny would be kinda unsettled or off put by CFAU.

CFAU Danny still has some pretty core Danny traits, at least I like to think so -- his general drive to help people just out of compassion for them (even if it manifests differently at first due to trauma), his wit and humor, his fear of failing to protect his loved ones, all of those resonate with canon Danny.

However, canon Danny, as far as I can remember and as far as his wiki goes, rarely gets extremely angry or emotional. He gets irritated and he gets annoyed but him getting mad I don't think happens super often. CFAU Danny is the angrier one between Jason and Danny. It's one of the things I consider a division point between him and canon Danny as it's a result of him growing up in Crime Alley. Canon Danny is canonically shy and meek prior to becoming Phantom, CFAU Danny couldn't be -- he'd be dead already.

CFAU Danny's anger would off put canon Danny, in my opinion. His anger, his smoking, and for lack of a better term, his bloodlust would unsettle him.

Like, for example, say CFAU Danny gets transported to a canon (or canon-adjacent) Danny's universe. He's staying with canon for a little bit as they brainstorm how to get him back home, and CFAU Danny goes to school with canon if only so that he's not stuck in the house all day.

Whether they try and pass CFAU Danny off as canon's cousin or if the town already knows that he's another version of Danny, it doesn't matter. Because insert Dash.

Dash who, in CFAU Danny's world, has since learned not to fuck around with Danny or the other kids because Danny has long since asserted that he will beat his ass if he does. 'Fucking around' always predates the 'finding out', and Danny is happy to act as consequence.

(As my father told me (paraphrased) when I was a small child and full of uncontrollable anger: "there's gonna be a day where you're gonna hit someone, and they're gonna hit you back")

And canon Dash, who is used to canon Danny who kinda just takes it because it means that he won't target other people, would see CFAU Danny. He'd notice the resemblance between him and canon, immediately try and go "oh new target!", and try and bully him the same way he does to canon. And Danny "I am the consequences of your actions" CFAU Fenton, instantly throws hands.

Just, CFAU Danny is kind but he's also Gotham-raised and full of bite; he's meaner than canon is. He's more ruthless too, especially in his ghost fights. The ease of which he slips into violence would, imo, discomfort canon. CFAU and Canon would eventually get along though, they're not so different that they'd be in constant clash of each other.

(Canon Danny and Danyal Al Ghul however,,, thats another post LMAO)

[racetrackmybeloved]

i adore how quick the boys are to help crutchie when he needs it. no discussion, no pity, just support.

when morris pushes him over, it isn't jack (who is right there) who helps him up, neither is it race nor romeo, who we saw him interact with earlier in the song. it's albert who helps him up, and it's albert who carries him until he gets his crutch back. did they have a system? was it albert's job to carry crutchie when needed? was it because they're close friends, and we just never get to see it again? or was it that any of the newsies would have done it, but albert happened to be the closest?

when the nuns hand out food, kid blink and smalls don't hesitate before hoisting him onto their shoulders. jack and specs both place their hands on his back to ensure that he doesn't fall backwards. it's so smooth, so natural, like they've done it a million times before.

and note: i don't think crutchie interacts with any of those characters (albert, kid blink, smalls) at any other moment in the musical.

conclusion: crutchie is so so loved.

[assiraphales]

one of the funniest things is during all nine episodes luffy did not actively have one single plan except "become the worlds greatest pirate and find the one piece". he spent at max a month? less? at sea and everything he accomplished (taking down FOUR feared pirates in like a week, stealing the grand line map, finding a faithful and loyal crew, getting a bounty of 30 million on his head, etc) was mostly by accident. he stumbles into trouble and then proceeds to become the trouble

[iridescentmirrorsgenshin]

This is an analysis of Kaveh and Alhaitham’s argument posted on the Port Ormos bulletin board!! Because it is crazy actually!!

I think this exchange of theirs out of the three posted throughout Sumeru is particularly interesting, and this is due Alhaitham openly expressing that Kaveh does not understand what Alhaitham is really trying to say to him: “I have never denied what you meant, but you don’t understand what I am saying to you at all.”

This exchange is relevant in various ways in exploring the motif of communication. As according to their usual rapport, the two disagree over their differing philosophies, as in sensibility versus rationality, however, Alhaitham’s particular concerns in Kaveh spending his money on “nonsense” highlights the underlying reason for this exchange. From this comment, the argument is recontextualised through Alhaitham’s intention for getting involved, as Kaveh prompts the workmen to take his money in order to help them out.

When Alhaitham states that this is a meaningless action due to the inevitability of people rising or falling on their own accord, rather than solely critiquing Kaveh’s “impulsiv[e]” altruism, as Kaveh interprets, Alhaitham is directly contradicting his own comment – as he is interfering on Kaveh’s decisions.

As concern is evidently the intention behind his interference, Kaveh cannot perceive this, and instead attempts to critique Alhaitham’s perspective in return, although Alhaitham states: “Make no mistake. I have never denied what you meant…” This response asserts that Alhaitham does not deny, but rather agrees with, Kaveh’s statement of “mutual assistance, fairness, and righteous anger” driving the world.

In lieu of this, rather than continuing the argument, Alhaitham claims that there is no point to it, as Kaveh does not understand what he is saying, as in, Kaveh does not understand that his intentions in interfering are out of concern. He follows this up, regardless, by criticising Kaveh’s handling of his budget, as, evidently, Kaveh has offered to give his own money to these workmen, and refuses to pay for Kaveh’s drinks for that month.

For Alhaitham, Kaveh’s lack of self-prioritisation leads him to impulsive altruistic acts which serve to jeopardise his own position, particularly regarding money. If Kaveh can afford to give away money, he can afford to pay his own tabs, is the takeaway from this exchange. Although, similarly to the exchange between them posted in Puspa’s Café, this applies to one particular month, insinuating that Alhaitham will continue to pay for next month’s tabs of his own accord.

The main argument, as well as the disagreement over the speaker of Kaveh’s quote, serves as a humorous exchange, but as a motif for communication it acquires a new meaning. The two hold perspectives which contrast the other which puts them on unequal footing, demonstrated within the argument over the speaker of Kaveh’s quote. Although it is not disclosed who is actually in the right, both are convinced of their respective viewpoint. There is an element missing here, a potential solution to this problem, and it lies within the idea of “correctness” established within A Parade of Providence.

The omission of there being an objective, correct answer to this particular debate serves as a parallel to their conflicting viewpoints, with the basis of their exchange being to “prove” to the other their “correctness” – here, it is in regard to Kaveh.

However, “correctness” being the basis of their exchange, and thus, relationship, is challenged with Alhaitham shutting down the initial debate due to Kaveh’s misunderstanding of his meaning. Correctness, then, and its importance, is called into question within this exchange, with Kaveh being the one to chase it; his last message being that he would “prove” himself to be right.

At the core of this bulletin board exchange is the idea that Alhaitham harbours an alternative ‘meaning’ than the one that Kaveh assigns to him: “… you don’t understand what I’m saying to you at all.” This is a meaning which Kaveh cannot perceive due to his current understanding of Alhaitham. This represents the standing of their current relationship, where Kaveh believes Alhaitham holds him in disdain, although this belief is incongruous with Alhaitham’s actions which show his care for Kaveh.

In these instances of communication through the Bulletin Boards, it is interesting to note that Kaveh is revealed to have been drunk and “scribbling” on these notice boards, and hopes that Alhaitham does not know.

Although this is a humorous detail, it adds another layer to the unreliability of their method of communication, as Kaveh has no recollection of these exchanges with Alhaitham, and therefore could not have properly interpreted Alhaitham due to an altered state of mind. It is uncertain whether Alhaitham is aware of Kaveh’s being drunk whilst responding to him, or whether he is believed to have been lucid, which creates another element of unreliability in their exchanges.

Alhaitham understands Kaveh’s thinking and the reasons for why he acts as he does, but he cannot articulate his concern in a way that Kaveh will understand, both out of Kaveh’s incapability of receiving goodwill, but also due to his logical manner of expression. Kaveh perceives Alhaitham’s concealed expressions of concern as personal gripes and criticisms of his beliefs, and therefore believes that their relationship is based on the scholarly principle of proving the validity of one’s philosophies.

The Port Ormos Bulletin Board reinforces the core essence of their relationship: Alhaitham is invested in a personal regard, whereas Kaveh cannot see this due to his perception of Alhaitham and Alhaitham’s inability to communicate in a way Kaveh would understand.

(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

[dunmeshiminimumwage]

back when i worked at [large chain coffee store], i tried to unionize my workplace. my manager sat me down and gave me a very guilt trip-y talk. lots of "but i thought we were a family :(" and "you don't *really* know what unionization does, do you?" i played dumb and managed to avoid being fired, but. chilchuck momence.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[heretherebedork]

This is the single greatest set of pick up lines of all time. That's it. It's over. Nothing else compares. This is amazing. @absolutebl It's all over. They've won.

[morrigan-sims]

And I forget sometimes I'm just flesh and bone.

As he stands in the ruined bathroom, all Rook can think is, At least now I can breathe.

[ceask]

HAPPY BIRTHDAY TO OUR CROSSY BOY!!!!

Diff versions under the cut

Camera frame, without any frame, with frame but no little x things as an effect, paper sketch/doodle

[elenathrais]

Horrible pick-up lines to use on all the new Dragon Age companions:

Bellara - "You must be a Dreamer because you kept me up in the Fade all night."

Davrin - "You can clear the darkspawn out of my Deep Roads any time you want." Or "In war, victory. In peace, vigilance. In death, sacrifice. In horniness...my place."

Emmrich - "Is that a bone in your trousers or are you happy to see me?" Or "It looks like the dead aren't the only thing you can raise."

Lace - "I may not be a bear in the Hinterlands, but you can shoot your shot with me any day." Or "Are you still in the scouting business? I've got some hills and valleys I'd love to have you check out."

Lucanis - "I'd like to take out a contract for you to murder this [insert preferred genetalia here]." Or "Is your last name Ellamorte? Because I haven't seen that D yet."

Neve - "Did you know I can see the future? I saw you dragon me into the shadows to investigate our privates."

Taash - "Would you be interested in having sexual intercourse?"

Bonus:

Manfred - [sexy rattling noises]

Add some of your own if you got 'em. Our Rooks will be irresistible!

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)