#Philosophy Museum
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母と一緒に西田幾多郎記念哲学館を訪れました。哲学の道は緑豊かで秋の訪れを感じながら一歩一歩歩きました。
I had the opportunity to visit the Museum of Philosophy dedicated to Japanese philosopher Kitaro Nishida in Ishikawa with my family. Inspired by a Shogakukan children's manga my daughter read about his life, she expressed a keen interest in exploring his philosophy further. Together with her grandmother, we engaged in thoughtful discussions and discovered the intriguing concepts that shaped Nishida's ideas. It was a meaningful experience that brought us closer as a family while deepening our understanding of philosophy.
日本語��こちら
#Kitaro Nishida#Philosophy#Philosophy Museum#Ishikawa#Japanese philosophy#Museum of Philosophy#西田哲学#山田なつみ#西田幾多郎#哲学の道
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Life is art. Art is life. I never separate it.
#dark academia#romanticism#dark acadamia aesthetic#romantic academia#aestethic#dark academia vibes#beauty#poetry#thoughts#philosophy#books & libraries#books#bookblr#old aesthetic#academia aesthetic#light academia#chaotic academia#passion#museum#art academia#art#love aesthetic#lovers#quotes#dark core gothique
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Marble head of the philosopher Epicurus (341-270 BCE), known for his materialistic theory of the universe and his belief in pleasure as the goal (telos) of human life. Roman copy of the 2nd century CE, after a lost Greek original of the first half of the 3rd century BCE. Now in the Metropolitan Museum of Art.
#classics#tagamemnon#history#ancient history#ancient philosophy#Epicurus#art#art history#ancient art#Greek art#Ancient Greek art#Hellenistic period#Hellenistic art#sculpture#portrait sculpture#marble#stonework#Metropolitan Museum of Art
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Portrait of Denis Diderot (1767) by Louis-Michel van Loo. Musée du Louvre.
#denis diderot#diderot#louis-michel van loo#musée du louvre#louvre museum#louvre#18th century art#18th century#painting#oil on canvas#oil painting#male portrait#portrait#portraiture#art#artwork#1767#1760s#europe#art history#french art#french artist#french painter#encyclopedia#philosophy#philosopher#art criticism#art critique#literature#writing community
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April 14, Xi'an, China, Shaanxi History Museum, Qin and Han Dynasties Branch (Part 3 – Innovations and Philosophies):
(Edit: sorry this post came out so late, I got hit by the truck named life and had to get some rest, and this post in itself took some effort to research. But anyway it's finally up, please enjoy!)
A little background first, because this naming might lead to some confusions.....when you see location adjectives like "eastern", "western", "northern", "southern" added to the front of Zhou dynasty, Han dynasty, Song dynasty, and Jin/晋 dynasty, it just means the location of the capital city has changed. For example Han dynasty had its capital at Chang'an (Xi'an today) in the beginning, but after the very brief but not officially recognized "Xin dynasty" (9 - 23 AD; not officially recognized in traditional Chinese historiography, it's usually seen as a part of Han dynasty), Luoyang became the new capital. Because Chang'an is geographically to the west of Luoyang, the Han dynasty pre-Xin is called Western Han dynasty (202 BC - 8 AD), and the Han dynasty post-Xin is called Eastern Han dynasty (25 - 220 AD). As you can see here, in these cases this sort of adjective is simply used to indicate different time periods in the same dynasty.
Model of a dragonbone water lift/龙骨水车, Eastern Han dynasty. This is mainly used to push water up to higher elevations for the purpose of irrigation:
Model of a water-powered bellows/冶铁水排, Eastern Han dynasty. Just as the name implies, as flowing water pushes the water wheel around, the parts connected to the axle will pull and push on the bellows alternately, delivering more air to the furnace for the purpose of casting iron.
The Nine Chapters on the Mathematical Art/《九章算术》, Fangcheng/方程 chapter. It’s a compilation of the work of many scholars from 10 th century BC until 2 nd century AD, and while the earliest authors are unknown, it has been edited and supplemented by known scholars during Western Han dynasty (also when the final version of this book was compiled), then commented on by scholars during Three Kingdoms period (Kingdom of Wei) and Tang dynasty. The final version contains 246 example problems and solutions that focus on practical applications, for example measuring land, surveying land, construction, trading, and distributing taxes. This focus on practicality is because it has been used as a textbook to train civil servants. Note that during Han dynasty, fangcheng means the method of solving systems of linear equations; today, fangcheng simply means equation. For anyone who wants to know a little more about this book and math in ancient China, here’s an article about it. (link goes to pdf)
Diagram of a circle in a right triangle (called “勾股容圆” in Chinese), from the book Ceyuan Haijing/《测圆海镜》 by Yuan-era mathematician Li Ye/李冶 (his name was originally Li Zhi/李治) in 1248. Note that Pythagorean Theorem was known by the name Gougu Theorem/勾股定理 in ancient China, where gou/勾 and gu/股 mean the shorter and longer legs of the right triangle respectively, and the hypotenuse is named xian/弦 (unlike what the above linked article suggests, this naming has more to do with the ancient Chinese percussion instrument qing/磬, which is shaped similar to a right triangle). Gougu Theorem was recorded in the ancient Chinese mathematical work Zhoubi Suanjing/《周髀算经》, and the name Gougu Theorem is still used in China today.
Diagram of the proof for Gougu Theorem in Zhoubi Suanjing. The sentence on the left translates to "gou (shorter leg) squared and gu (longer leg) squared makes up xian (hypotenuse) squared", which is basically the equation a² + b² = c². Note that the character for "squared" here (mi/幂) means "power" today.
This is a diagram of Zhang Heng’s seismoscope, called houfeng didong yi/候风地动仪 (lit. “instrument that measures the winds and the movements of the earth”). It was invented during Eastern Han dynasty, but no artifact of houfeng didong yi has been discovered yet, this is presumably due to constant wars at the end of Eastern Han dynasty. All models and diagrams that exist right now are what historians and seismologists think it should look like based on descriptions from Eastern Han dynasty. This diagram is based on the most popular model by Wang Zhenduo that has an inverted column at the center, but this model has been widely criticized for its ability to actually detect earthquakes. A newer model that came out in 2005 with a swinging column pendulum in the center has shown the ability to detect earthquakes, but has yet to demonstrate ability to reliably detect the direction where the waves originate, and is also inconsistent with the descriptions recorded in ancient texts. What houfeng didong yi really looks like and how it really works remains a mystery.
Xin dynasty bronze calipers, the earliest sliding caliper found as of now (not the earliest caliper btw). This diagram is the line drawing of the actual artifact (right).
Ancient Chinese "Jacquard" loom (called 提花机 or simply 花机 in Chinese, lit. "raise pattern machine"), which first appeared no later than 1st century BC. The illustration here is from the Ming-era (1368 - 1644) encyclopedia Tiangong Kaiwu/《天工开物》. Basically it's a giant loom operated by two people, the person below is the weaver, and the person sitting atop is the one who controls which warp threads should be lifted at what time (all already determined at the designing stage before any weaving begins), which creates patterns woven into the fabric. Here is a video that briefly shows how this type of loom works (start from around 1:00). For Hanfu lovers, this is how zhuanghua/妆花 fabric used to be woven, and how traditional silk fabrics like yunjin/云锦 continue to be woven. Because it is so labor intensive, real jacquard silk brocade woven this way are extremely expensive, so the vast majority of zhuanghua hanfu on the market are made from machine woven synthetic materials.
Chinese purple is a synthetic pigment with the chemical formula BaCuSi2O6. There's also a Chinese blue pigment. If anyone is interested in the chemistry of these two compounds, here's a paper on the topic. (link goes to pdf)
A list of common colors used in Qin and Han dynasties and the pigments involved. White pigment comes from chalk, lead compounds, and powdered sea shells; green pigment comes from malachite mineral; blue pigment usually comes from azurite mineral; black comes from pine soot and graphite; red comes from cinnabar; ochre comes from hematite; and yellow comes from realgar and orpiment minerals.
Also here are names of different colors and shades during Han dynasty. It's worth noting that qing/青 can mean green (ex: 青草, "green grass"), blue (ex: 青天, "blue sky"), any shade between green and blue, or even black (ex: 青丝, "black hair") in ancient Chinese depending on the context. Today 青 can mean green, blue, and everything in between.
Western Han-era bronze lamp shaped like a goose holding a fish in its beak. This lamp is interesting as the whole thing is hollow, so the smoke from the fire in the lamp (the fish shaped part) will go up into the neck of the goose, then go down into the body of the goose where there's water to catch the smoke, this way the smoke will not be released to the surrounding environment. There are also other lamps from around the same time designed like this, for example the famous gilt bronze lamp that's shaped like a kneeling person holding a lamp.
Part of a Qin-era (?) clay drainage pipe system:
A list of canals that was dug during Warring States period, Qin dynasty, and pre-Emperor Wu of Han Han dynasty (475 - 141 BC). Their purposes vary from transportation to irrigation. The name of the first canal on the list, Hong Gou/鸿沟, has already become a word in Chinese language, a metaphor for a clear separation that cannot be crossed (ex: 不可逾越的鸿沟, meaning "a gulf that cannot be crossed").
Han-era wooden boat. This boat is special in that its construction has clear inspirations from the ancient Romans, another indication of the amount of information exchange that took place along the Silk Road:
A model that shows how the Great Wall was constructed in Qin dynasty. Laborers would use bamboo to construct a scaffold (bamboo scaffolding is still used in construction today btw, though it's being gradually phased out) so people and materials (stone bricks and dirt) can get up onto the wall. Then the dirt in the middle of the wall would be compressed into rammed earth, called hangtu/夯土. A layer of stone bricks may be added to the outside of the hangtu wall to protect it from the elements. This was also the method of construction for many city walls in ancient China.
A list of the schools of thought that existed during Warring States period, their most influential figures, their scholars, and their most famous works. These include Confucianism (called Ru Jia/儒家 in Chinese; usually the suffix "家" at the end denotes a school of thought, not a religion; the suffix "教" is that one that denotes a religion), Daoism/道家, Legalism (Fa Jia/法家), Mohism/墨家, etc.
The "Five Classics" (五经) in the "Four Books and Five Classics" (四书五经) associated with the Confucian tradition, they are Shijing/《诗经》 (Classic of Poetry), Yijing/《易经》 (also known as I Ching), Shangshu/《尚书》 (Classic of History), Liji/《礼记》 (Book of Rites), and Chunqiu/《春秋》 (Spring and Autumn Annals). The "Four Books" (四书) are Daxue/《大学》 (Great Learning), Zhongyong/《中庸》 (Doctrine of the Mean), Lunyu/《论语》 (Analects), and Mengzi/《孟子》 (known as Mencius).
And finally the souvenir shop! Here's a Chinese chess (xiangqi/象棋) set where the pieces are fashioned like Western chess, in that they actually look like the things they are supposed to represent, compared to traditional Chinese chess pieces where each one is just a round wooden piece with the Chinese character for the piece on top:
A blind box set of small figurines that are supposed to mimic Shang and Zhou era animal-shaped bronze vessels. Fun fact, in Shang dynasty people revered owls, and there was a female general named Fu Hao/妇好 who was buried with an owl-shaped bronze vessel, so that's why this set has three different owls (top left, top right, and middle). I got one of these owls (I love birds so yay!)
And that concludes the museums I visited while in Xi'an!
#2024 china#xi'an#china#shaanxi history museum qin and han dynasties branch#chinese history#chinese culture#chinese language#qin dynasty#han dynasty#warring states period#chinese philosophy#ancient technology#math history#history#culture#language
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The Holdovers (Alexander Payne, 2023)
#The Holdovers#Alexander Payne#Paul Giamatti#2023#quote#Dominic Sessa#art#history#present#past#human#museum#experience#philosophy#teacher
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Socrates and Alcibiades, Christoffer Wilhelm Eckersberg, 1813-16
#thorvaldsen museum#socrates#alcibiades#christoffer wilhelm eckersberg#19th century#art history#art#aesthethic#painting#ancient greece#philosophy#queer history#homoerotic art#danish art
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Choose your fighter
#all my favorite things#history#english#literaure#classics#philosophy#museums#libraries#books#academia
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Two Just Stop Oil protesters were arrested after smashing the glass protecting the iconic Rokeby Venus by Diego Velázquez at the National Gallery in London.
The incident comes hot on the heels of several widely publicised attacks against artworks by climate activists.
Is art vandalism for ostensibly noble political purposes justified, or is there something more sinister — and indefensible — at play?
Read more here.
#art#art history#national gallery#art gallery#museum#the rokeby venus#diego velazquez#spanish art#just stop oil#climate change#climate crisis#climate action#climate and environment#climate activism#fine art#painting#philosophy
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Dmitry Kochanovich - Philosophy (2019)
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A Mycenaean vase or krater depicting a stylized octopus (c. 1400-1300 BC). Provenance: Ialysos, Rhodes. Now on display at the British Museum.
#mycenaean#museum#philosophy#architecture#renaissance#sculpture#rome#italy#19th century#academia#art history#italian art#vase
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all from pinterest <3
#dark academia#literature#light academia#vintage#pinterest#source: pintrest#brown#aesthetic#philosophy#museum#moodboard#dark academic aesthetic#academicism#spilled ink
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A woman is born with two unchanging truths. A hunger for destruction and the burden of its suppression.
#aesthetic#dark academia#vintage#pinterest#tumblr fyp#writers on tumblr#spilled words#hell is a teenage girl#girl blogger#im going feral#half sane#poetry#literature#fypシ#art#museum#sylvia plath#philosophy#i need to be immortal basically#female insanity#female hysteria#femcel#idc idc#bring them home now#this is what makes us girls#actually mentally ill#inanimate insanity#fuck the patriarchy
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Credits to fairouz_bfa
Have a nice day love
#dark academia#literature#tsh#dark aesthetic#the secret history#donna tartt#studyblr#coffee#q#warm and cosy#art#louvre#studyspo#spotify#philosophy thoughts#i love q more ardently#museums#classics#flowers#art inspiration
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I don’t believe we should carry backupplans in life’s suitcase—they’re too easy to unpack like living a life in yoga pants, so comfortable our hips spreadinto new timezones...
Kelli Russell Agodon, Hourglass Museum
#Kelli Russell Agodon#Hourglass Museum#quotelr#quotes#literature#lit#follow-your-dreams#hips#humor#life#life-lessons#life-philosophy#plan-b#plans#poetry#yoga
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This is a piece of artwork called Unlliw, created in 2002 by Welsh artist Carwyn Evans in response to a proposal to build 6,500 new homes in Ceredigion.
It's a brilliant piece intended to provoke discussion of the cultural and environmental impact of this sort of new build housing in less densely populated areas. However, as an archaeology graduate, the thing that really strikes me about this exhibition is that it's a true masterstroke of curation - the way in which the work is exhibited in the gallery enhances the intent of the original work in a way that the artist had not envisioned.
You see, this is the landscapes gallery of the National Museum of Wales, in Cardiff. It's a huge, curved gallery that takes you on a journey throughout art history, with sumptuous landscapes by classical masters depicting the beauty of the Welsh landscape on each great curved wall, and sculptures dotted throughout the middle of the gallery. Towards the end of the gallery, you round the corner and you see this mass of cardboard, piled up against the wall, obscuring a beautiful oil painting. It's shocking. It's out of place. It's actually literally covering part of that painting, there is a part of the landscape that you just can't see any more because of these 6,500 cardboard bird houses.
It's a phenomenal use of a piece of artwork to demonstrate the original intent of the artist, to provoke the feelings that Evans wanted to provoke, and to make you think about art and curation and space in a new way.
Quite frankly it's the best single piece of curation I've ever seen.
If you want to read the full statement of work Carwyn Evans made in 2002 it's here.
#wales#welsh language#politics#uk#art#philosophy of art#museum#aesthetics#curation#art history#art academia#urban planning
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