#Personally I love her and SHE DESERVED BETTER

[gravegoer]

Sevika is on the council now, GO.

Council member Sevika

thank you for this ask ive been WAITING for this !!! i love council member sevika (the only council member with a lip piercing)

masterlist (comment to be on my taglist)

You fought in that war with Sevika. You had her back, and she had yours.

At the end of that day, you went home together, injured, and exhausted.

The war had ended, but at the cost of so many losses. Peace was finally in sight.

Until enforcers knocked at your door. Sevika snapped at them, telling them to "Fuck off." But they had to be here for a good reason, right? Right.

Sevika was an important figure to Zaun. People believed in her. She is loyal to all Zaunites. that's a trait not many people have. So, of course, the council wanted her. The enforcers were there to deliver that important message

She growled at them, telling them to leave. You knew she needed time to think, even though in the back of your mind, you already knew what her decision was.

You waited an hour or so for her in bed, hearing her grunts of frustration and her pacing around the living room.

It pained you to not go comfort her but you knew this was a decision she needed to make on her own.

Sevika entered the room with a determined expression. She kneeled at your bedside and put a larger hand on yours.

"I know this is going to be a change, and you might be upset but—"

"Im so proud of you, Sevika." Your eyes glimmered with hope.

Her brows furrow at your words, and you reach up to rub the crease from her expression. "You've made it so far. You're going to do so well." She is the voice of Zaun and speaks for you all.

You know there couldn't be a better person for that position. With Sevikas loyalty, she would never make a move to put the undercity in jeopardy.

Her eyes soften at your encouragement. It's all so new to her. She knew it was going to be a hard start, but not as hard knowing you had her back. You would always be there with open arms at the end of the day.

At that thought, you hold her warm face between your hands, and she closes her eyes at your touch. She's exhausted but still relents. That's one of the things you admired about her.

That night, you held her head to your chest, comfortingly. She deserved no less. Your fingers raked through her hair gently. Her heavy arm was draped over your waist softly, and your sweet voice lulled her to sleep. There was a long day ahead of her.

In the morning, she was more affectionate than usual, kissing your forehead before she got dressed. (And then again after). Laying her head on your shoulder as you finished up your breakfast. Hugging you from behind tightly while you brushed your teeth.

She was nervous, and this was the first time you saw her this way. Albeit not the last. But it was weird seeing Sevika, who was oh-so-big-and-strong get worked up over this.

People eyed you both on your walk there. She didn't make eyecontact with anybody and stared straight ahead with a firm look. Unlike her, you waved and smiled at some curious people, holding onto Sevikas arm.

When you got to the most important building in Piltover, she insisted that you walk her into the council meeting room. At first, you refused, but at her defeated and almost scattered look, you relented.

Even though you knew it would be hard to see with the topsiders, you knew it was for the best. The council members eyed you as you stood in the doorway with Sevika. You gave her an encouraging look, and she put a hand on your shoulder, lovingly, before stepping past you.

Taking a step back, the doors shut, and you waited for her on the other side.

Sevika was a part of the worlds new beginnings. Even though she held an important role amongst the people, she could argue that your role was more important.

You kept her sane through it all.

i absofreakinglutey love council member sevika in all her 5 second screentime glory !! and i will definitely be writing for her so look out for that in the future..

[sol-iscus]

Honestly, Arcane needed at least another act to close it properly. There was just.....too much going on. Jinx's ending ground my gears and the way that Vi just.....seems to move on. Bro,that's the baby sister you sat through nearly a decade of psychological and physical trauma to get back to. Her reaction should have been way more visceral. If Vi developed alcoholism over her situationship going south, her sister (and dad!) going out like that should have had her thoroughly crashing out.

Ekko and Mel......now that was personal. They really gave them the Magical Negro™ treatment and no explanation for it. And oh boy, am I tired of it. I hate the narrative of black characters having to self-sacrifice for people who would not do the same for them. Could you imagine being fucked with by something like the Arcane or LeBlanc for allegedly a year or so,just to immediately go to war the moment you're back in normal surroundings? Do they get a break at all?

THANK YOU ANON for describing how myself and my friend both feel about this (we’re both poc)

I’m also upset at how minimized Vi and Ekko’s relationship is, especially with ekko thinking Vi was dead in season 1, and we only get one more interaction between them both this season. And Ekko is just….so lonely after he has suffered great losses as well, ESPECIALLY after seeing all that he did back in the alternate timeline and remaining selfless to save those he loves back in his timeline.

Ekko, Mel, and Sevika deserved SO MUCH better as well and way more screen time to do their stories justice. Things happened way too conveniently and too quickly. I’m also struggling to understand how Mel managed to control her powers the way she did at the last moment.

Vi absolutely should have crashed out. I wanted her to go find Ekko and talk to him, at this point they both need each other because they’re family too.

Honorable mention, Ambessa. I have…..feelings about that whole thing.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[lost-romantique]

The Needs of Both these Messy Gays~

I just want to make a point and state that I'm not attacking or pitting both these guys against each other. They're dumbasses, the both of them.

Blitz is someone that is going to need constant reassurance when he's in a relationship.

Being told the words "I love you" scares the fuck out of him because he doesn't trust those words of love.

At the same time, romantic gestures don't work on him because he's always going to assume the worst.

"And then, he'll call me to see how my day was! And he'll pretend to care about me, and comment on my photos, and LAUGH AT MY JOKES—"

Blitz is someone that has used his body and sex as a way to get what he wants. But his relationship to sex is one of the reasons why he's unable to trust those romantic gestures.

Blitz constantly seeks reassurance, and he asks Stolas for that reassurance a LOT throughout Full Moon and Apology Tour...

"Am I not, like, fucking you good enough? Because I-I can always- I can always do better--"

Blitz immediately asks Stolas for reassurance that he's good enough, and that if he isn't good enough, he makes it a point to tell Stolas that he can do better.

Stolas responds to Blitz saying he cares very deeply for him, but being told he's cared about doesn't give him the reassurance he needs.

Blitz asks for reassurance twice from Stolas in Apology Tour...

"This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?"

"Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me."

Stolas never says anything really wrong in his responses to Blitz, and I think Blitz himself needed to here that. BUT if Stolas were to make one mistake, it would be that he states that he wants somebody / anybody.

Blitz doesn't reach out to Stolas because of his issues in intimacy, and because Blitz himself hasn’t been given the reassurance that he's the one Stolas wants.

Do you know who does give Blitz the reassurance that he's needed? Millie.

Millie is able to give concrete examples to Blitz on how he made an impact on her life.

In fact, Millie states that Blitz is the reason that everything she has in her life is thanks to him being unapologetically himself.

"He gave me so much: a career, a husband, a future, and now... he's my best friend."

The moment Millie gives Blitz the example of how much she values him as a person and as a friend, Blitz immediately asks for reassurance...

"You... you don’t hate me?"

And Millie automatically says, "Nah, never."

The moment Blitz is given the reassurance that he isn't hated by Millie, he opens up, he becomes vulnerable.

Blitz allows Millie to comfort him, and Blitz initiates that intimacy with Millie to which she obliges.

What's beautiful about this exchange is that there isn't anything remotely sexual about it. This is just one friend comforting another friend in need.

Blitz asks for reassurance again in the form of a question...

And the moment Millie reaffirms that sentiment, Blitz opens up and shows Millie the real him.

Not the fuckboy facade, not the mask he wears... this is the REAL Blitz...

Blitz also shows incredible growth by not deflecting to jokes like he usually does, but instead by being honest with Millie...

Blitz promises to Millie that he'll stop impeding on her marriage

Blitz states in the most subtle way that he has feelings for Stolas

Stolas needs to be told that he's cared for and that he's loved by someone.

He's also someone that seeks romantic affection in the form of compliments, and big and small romantic gestures mean the world to him as well.

Blitz unknowingly makes Stolas’s romantic fantasies come true...

A rogue assassin comes into his bedroom to "scale the walls" and he acts like he wants Stolas a lot.

This man is attractive, he is literally the protagonist of a romance novel. His boldness and confidence is alluring. He is a dream come true and he's here to take what's his.

This man just literally sweeps Stolas off his feet, and he still does this while giving you the most smug grin.

Blitz throws Stolas to the bed, and gives him ultimate rizz in the form of this shit eating grin.

And the moment Blitz bites his neck, Stolas is so fucking into it he creams himself.

Blitz is so good actually, extremely good in being bold, confident, and sexy. He knows how to unravel Stolas. *cough*

In fact, the moment Blitz catches him, Stolas is smitten and he is down bad.

To Stolas, this is a big romantic gesture. This is a motherfucking dream come true for Stolas because, "OMG THIS HOT ASS MAN JUST FUCKING SAVED ME!"

But Blitz isn't a romantic, he's not good at showing romantic affection in small ways, and that's what screws him over.

Stolas wants and actively seeks the smallest bit of reassurance and comfort that Blitz can provide, whether it be through text and or in other small ways.

This motherfucking birb, this dumbass Prince, even when he has every right to be angry at Blitz for the shit he said to him, still wants Blitz to hold him. In fact, he makes him hold him.

Stolas is so fucking cute, being all like, "I'm mad at you, but I still demand you hold me."

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”

Harriet the Train is a big romantic gesture. Stolas likes big romantic gestures, and Blitz is really good at doing actions that are big and bold.

Blitz has made Stolas feel wanted in The Circus and he makes him feel protected in Seeing Stars. Blitz knows how to be big.

Stolas doesn't need Blitz to perform Harriet the Train, but can he? Oh fuck yes he can.

"The point is, I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so..."

This is what Stolas wants from someone right now. He wants to feel wanted in the small ways, he wants to be held, he wants someone to talk to him, to make him feel not so alone.

Right now, at this very moment, Stolas needs the small stuff. He needs the small bits of intimacy that Blitz is not in the right headspace to provide in Apology Tour.

Do you know who gives Stolas what he needs at the moment? Better than Blitzo guy.

He's smooth and charming in a different way from Blitz. He doesn't even look at Blitz, actually, his eyes are only on Stolas.

"Great song earlier. You have great pipes."

He compliments Stolas on his singing, and Stolas is happy to be given a compliment.

BTB than asks Stolas to dance, and Stolas is both surprised and in disbelief.

Stolas is so happy and genuinely has an amazing time dancing with BTB, he even goes out of his way to use his wings to give Stolas a spin.

BTB even performs a big romantic gesture of pulling Stolas into a sloppy wet kiss, to which Stolas happily reciprocates.

I think both these idiots have the potential to be what the other really needs, and I honestly think with proper communication they can have the most beautiful relationship.

[cursedextrovert]

*signs* I dont like that we are fighting about Caitlyn so I would just like to point out some of the things I noticed.

Cait never apologise in words but I think its for the better. Her apologies doesnt make things better. She accounts for her action(saying shes aware of the pain she has caused siding with Ambressa) and she has only tried to be better. She was blinded by her grieve and agreeing with Ambressa because shes the only one justifying her grievance and rage toward Jinx. Even herself might have been aware that Jinx's act wasnt simply a deranged person doing but a respond from generational opression(hence her line: its so easy to hate them). Nothing that she does will change the past, even her apologies, so

- In the ending scene we see that Cait was holding part of Jinx's bomb while looking at the building blueprint. Shes trying to find her! For Vi!

- She told Vi that she doesnt have anyone guarding the cell because she wants Vi to get Jinx out. She cant because she still has lost her mom to this person.

- The scene where Vi rests her head on Cait's shoulder, we see Cait's eye open. Maybe she never find peace, maybe she will spend her whole life living knowing what she did.

- That line: Are you still in this, Vi? Cait doesnt expect Vi to, she knows she doesnt deserve to ask Vi to stay. She can just hope.

Like everyone's emotions are valid Im not saying you shouldnt be upset or disappointed that the media didnt deliver what you expect. But maybe we will all feel better reading into the nuance. I think Cait suffers, and eventhough the fact that she suffers doesnt erase what she did, she still a person that did something bad and suffer the consequences of her actions. And Vi love her, she didnt ask her for an apology and she chose to stay(so maybe we give some credit to Vi character's agency?).

We always say we want a morally grey character, Caitlyn is one no?

[liviawildrose]

𝐛𝐞𝐜𝐨𝐦𝐞 𝐲𝐨𝐮𝐫 𝐨𝐰𝐧 𝐦𝐨𝐭𝐡𝐞𝐫

it’s a hard pill to swallow, but sometimes, you’ve got to step into a role you never signed up for. maybe your mom wasn’t the nurturing, protective figure she was supposed to be. maybe your dad let you down in ways that left scars. maybe your friends only stuck around to take, never to give. the truth? you can’t wait for someone to come and save you. you have to become your own mother.

ask yourself:

if your child was in your shoes—stuck in a bad relationship, getting treated like crap— would you tell them, “stay”? or would you say, “you deserve better than this”?

if your child was chasing their dreams but struggling, would you mock them? no. you’d guide them, push them to be their best. you’d discipline them with love and cheer them on with pride. now, apply that same energy to yourself.

be that mom who says: “get your shit together because you deserve the best life possible.”

but also the mom who says: “it’s okay to rest, i’ve got your back, and i’m proud of you.”

start showing up for yourself the way you needed someone to show up for you. and yes, it’s sad. sad that we even have to do this. but it’s also empowering to realize you can.

personally, here’s my story.

my mom never cared to take my pictures as a kid nor cared if a haircut made me happy or not, it was literally everything up to her convenience. it hurts now because i would’ve loved to look back and see those memories. but i don’t have them. i can count the photos of my childhood—20 pictures in 17 years. insane, right? so, i made a promise to myself: from now on, i will document my life. i won’t delete my photos. i’ll make sure there’s a record of who i was, what i felt, what i achieved. and when i have kids? you bet i’ll take pictures of them. i’ll curate their childhood with care because i know what it feels like to not have that.

but being your own mother isn’t just about the pictures or the memories. it’s about analyzing everything you missed out on and providing it for yourself now. it’s about being selfless enough to let go of bad habits that hold you back. it’s about kicking toxic people out of your life the way a mom would protect her child from bad influences. it’s about prioritizing your healing, even if it’s messy and uncomfortable. you have to heal your inner child. that 5-year-old who was bullied, that 13-year-old who was treated like shit in her first relationship, that 7-year-old who dreamed big but was told she couldn’t they’re all still inside you, waiting for someone to nurture them. and unfortunately, no one else is going to do it for you. no one else is going to come and fix the damage.

i made a pact with myself: when i have kids, i will raise them so well that they won’t ever need to “heal their inner child” at 17 or 18. they’ll be whole. they’ll be loved. they’ll know their worth from the start. but for now, i’m doing that for myself. and you need to do it for yourself too. because at the end of the day, the only way to heal is to become the person you needed all along. become your own mother.

what is the inner child?

the “inner child” is the part of you that holds your early experiences, memories, and emotions. it’s the 5-year-old you who loved to laugh but was scolded for being “too much.” it’s the 10-year-old you who dreamed big but felt dismissed. it’s the teen you who felt heartbreak for the first time but didn’t know how to process it. your inner child carries the wounds, fears, and unmet needs from your past, but also your natural creativity, curiosity, and joy. healing your inner child means reconnecting with this version of yourself, giving it the love and understanding it never received, and releasing the pain it has carried for years.

how do you heal your inner child?

1. journaling: dialogue with your inner child

dedicate a journal specifically to your inner child. write letters to them, like:

“dear [your name at 5/7/13], i remember when you felt [insert memory]. i’m sorry you went through that, but i’m here now, and i’ve got you.”

let your inner child respond. write as if you’re that younger version of yourself—pour out your fears, dreams, and questions. this process can uncover emotions and patterns you didn’t realize were affecting you.

2. therapy: safe exploration with a professional

a therapist (especially one trained in inner child work) can help you identify wounds and patterns from childhood. they’ll guide you in understanding how your upbringing shaped your beliefs about yourself and the world. therapy also gives you tools to reframe those beliefs and meet your emotional needs.

watch “dear zindagi” lol

3. look at old photos and memories

revisit old photos, journals, or artwork from your childhood. don’t just look at them—analyze them. (i wish i could d this but im stuck with 20 photos so… 😭) what do you notice in your younger self’s eyes, body language, or expression?

• ask yourself:

• what was i feeling here?

• did i feel safe? loved? excited? scared?

• what did i need in this moment that i didn’t get?

• use this reflection to understand your inner child’s unmet needs.

4. create new positive memories

your inner child is still alive within you, and they crave fun, love, and freedom. do things your younger self would’ve loved but never got to do: buy yourself a toy you always wanted. go to an amusement park or build a pillow fort. dance around your room like no one’s watching. this isn’t childish it’s healing.

5. practice reparenting

treat yourself as if you were your own child. when you feel sad or scared, don’t ignore it.

ask yourself: what do i need right now? and give it to yourself.

be the loving, supportive, and protective parent your inner child deserved.

6. identify triggers and patterns

notice when you’re acting out of a place of childhood wounds.

for example: do you get overly anxious when someone’s mad at you? do you seek validation in toxic relationships? trace these behaviors back to your childhood.

were you taught that love is conditional? did you have to “earn” attention by being perfect? once you identify the root, you can start rewiring your responses.

7. inner child meditations and visualizations

find a quiet space and imagine your inner child sitting across from you. visualize yourself comforting them, hugging them, and telling them they’re safe. remind them: “you don’t have to be scared anymore. i’m here for you.”

8. nurture yourself daily

make self-care non-negotiable. eat foods you love, sleep well, move your body, and spend time doing things that make you happy. when you treat yourself with care, you show your inner child they’re worth it.

9. forgive

healing isn’t about excusing those who hurt you. it’s about releasing the hold they have over you so you can move forward. write a forgiveness letter—not for them, but for yourself. (they don’t deserve the love i’m sorry)

“i release the pain you caused me so it doesn’t control me anymore.”

10. promise to break the cycle

vow to yourself (and your future children if you want them) just cause your grandma bleed on your mom and then your mom passed it to you does not mean you will make your future kids life miserable too. the generational trauma must break with you. your future child does not deserve it and so your inner child protect you inner child and when you have a child of your own be the best mother possible, i personally would love to make my future kids childhood so memorable and happy that they will feel the need to comeback and relive their childhood that’s the kind of childhood i want to give them

“i will not let this pain define me. i will create a life of love, joy, and freedom.”

healing your inner child isn’t easy, but it’s life-changing.when you reconnect with that innocent, wounded part of yourself, you’ll find that the love and peace you’ve been searching for has always been within you.

11. foster your inner child’s dreams

when you were a child, your dreams weren’t influenced by fear, rejection, or societal pressures. you dreamed with your heart wide open, purely and authentically. reconnecting with those dreams can heal the part of you that felt unheard or invalidated back then.

a. reflect on your childhood aspirations

• sit down and ask yourself:

• what did i want to be when i was 5? 10? 13?

• what made me happiest back then?

• what did i lose interest in because someone told me i wasn’t good enough?

• write down every dream, no matter how “unrealistic” it seems.

hint: those childhood dreams often point to your soul’s calling.

b. start chasing those dreams now

• even if your dreams have evolved, find ways to honor the essence of them.

• wanted to be a singer at 13? start singing lessons or recording yourself.

• wanted to help people? explore careers like psychology, teaching, or coaching.

• don’t hold back.

it’s not about being perfect, it’s about reconnecting with the passion your younger self had.

c. create small wins for your inner child

• maybe 8-year-old you always wanted to paint but never got the supplies. buy yourself a beginner’s set and paint, even if it’s messy.

• maybe 6-year-old you wanted to be a dancer. take a fun dance class and twirl like no one’s watching.

• small wins send the message to your inner child that they are finally being prioritized.

e. validate your inner child’s feelings and failures

• remind yourself:

“it’s okay that 10-year-old me struggled with making friends. i was just a child trying my best.”

• instead of shaming yourself for past actions, honor them.

every mistake was a step toward becoming the incredible person you are now.

f. use your dreams to shape your future

• your childhood passions aren’t just hobbies—they’re roadmaps to your authentic self.

• align your current goals with your inner child’s desires.

• if 7-year-old you dreamed of making people smile, maybe your career or side hustle should reflect that.

• if 12-year-old you loved storytelling, find ways to write, act, or share your voice.

fostering your inner child’s dreams doesn’t just heal the past—it builds a future that feels authentic to you. every time you take a step toward those dreams, you’re telling your inner child: “you were always worthy. your dreams always mattered. and now, i’m making them come true for you.”

[oddsandends-dirt-to-dust]

ppl saying the caitvi sex scene was rushed, came out of nowhere, and can’t understand why Vi went straight to fucking cait after what just happened with jinx is odd to me.

Vi blames herself for the problems in her life consistently, and violently. she hates herself for how things have turned out.

when cait walks into the cell, Vi is blaming herself out loud for “making mistakes and loosing everyone”. when cait tells Vi that she let her steal the keys to jinx’s cell on purpose, it’s straight up confirmation that what Vi thinks to be true, is wrong.

she hasn’t lost everyone, cait hasn’t changed beyond repair. It started in ep 6, when cait betrayed ambessa to help Vi and her family. then this moment in ep 8 showed Vi that cait loves and trusts her enough to finally put aside her hatred for jinx, and support Vi in whatever choices she makes.

idk how long the time skip was but judging by Vi’s hair it was probably somewhere between 6 months and a year. imagine thinking of the girl you love everyday, thinking she was lost to anger and hatred, and then seeing her again and slowly realising she isn’t gone.

Vi is a physical person, we see that all throughout the show. Whether she’s punching people or walls, throwing things, screaming, she lets her emotions out through physical motion. in emotional moments with cait, she’s always touching her. when she pushes her up against the wall in the brothel, when she’s stroking her face or her hands during intimate conversations.

so Vi responded to the confirmation and the surge of emotions it caused with kissing cait, and then doing the most physically intimate thing possible with her. cait showed Vi she was willing to fight for her, and Vi dropped straight to her knees for cait. because that’s the kind of person Vi is.

they weren’t fucking they were making LOVE 💔

sure it’s not exactly healthy behaviour, but it’s not out of character for Vi to act that way. look at how she acted with jinx in that very cell 5 minutes earlier. when she realised her sister wasn’t gone, she stopped “hating” her, instantly jumping right back into the older sister role.

and i don’t think Vi forgave it all right there, the last scene shows her and cait clearly still have some issues - Vi calling herself the dirt under caits nails is a clear indicator of how cait made Vi feel with her actions.

but the sex scene is totally in character for Vi, i don’t think it was bad writing, it’s just tragic.

i do agree, in the cell is crazy, Vi deserves better, she always has. but they’re in the middle of a war, and it was an emotionally charged scene. they’re not gonna pause and go all the way up to a bedroom to fuck when troops are on their way to kill everyone.

so i don’t think it was rushed, or out of nowhere. Vi deserves better, i’m not defending cait, but i feel like some ppl don’t get it 💔

[sokkastyles]

If Bryke were not cowards, and if the ATLA writers had been allowed to do this (and also if they had the inclination to do this, I’m not gonna entirely blame Bryce for this one), I’m pretty sure that we would gotten flashback scenes during all of Zuko’s dates with Mai where he cannot help but remember Jin. We also would have gotten more scenes where Zuko was alone and he found himself thinking of Katara. Unfortunately Bryke are cowards so we don’t get to have nice things.

No one can tell me that Zuko didn't once think about what would have happened if Katara had healed his scar, if she hadn't left that cave, if he hadn't sided with Azula. Even just platonically, the show already creates a context where Zuko has an intimate moment with Katara that makes Azula correctly guess that he's keeping secrets that compromise what side he's on. It wouldn't be that much of a stretch to add romance to the mid.

As for Jin, imagine if she had acted as vindictive as Mai because Zuko ran away from her. She knows he's a firebender, she could put his life in danger if she wants to, decide he deserves it for spurning her. Or she could have decided she didn't want to deal with Zuko's obvious baggage, because, you know, it's just soooo much trouble to bother to pretend to like the person you're dating and only a paid therapist would love Zuko, which is what a lot of maiko/Mai stans seem to think.

Like damn, do you think Zuko ever thought about what would have happened if he had stayed in that tea shop, if he hadn't run away from Jin, if he had let himself be loved simply and honestly? Because I do. I don't think he would have wanted to continue to lie to Jin but to trade that for the lie that he's living in early book three, is that any better?

[anyaskalliope]

Mel deserved so much better. She deserved a better partner, mother, writers, and fandom.

Jayce literally spat out JayVik talking points, it doesn't even sound like him. What happened to Mel always been right? What happened to her telling him she wouldn't allow his dream to be corrupted? Did it go in one ear and out the other?

And you are absolutely right, Mel was not hiding who she was and what she was doing when it came to Jayce and Hextech. Hextech turned out to be a corruptive force and Jayce blames all of this on her. Basically dumping his guilt on the one person who provided him with solace like he wasn't on his knees begging her that night he and Viktor tried to sneak into the lab.

Framing Mel, a Black woman, as this manipulating mastermind while he was well aware that Viktor set all these things in motion from the beginning is sick. Viktor created the obsession that Jayce developed with magic when he found him and his mother at their most vulnerable.

Don't even get me started on Caitlyn. I didn't care much for her in Season 1 but I don't like her at all now. She also had an influence in weaponizing Hextech.

Like another person said here, Jayce could've found a newer and healthier appreciation for Magic with Mel after everything that he went through. Mel is an empath and her magic is defensive rather than offensive. It would've been beautiful to see Jayce discover his love for magic through the woman he fell in love with.

Instead, we got this. I don't know how anyone that remotely cares for Jayce as a character can watch that scene and not see an ungrateful asshole.

Okay I have a lot of thoughts about this season, and maybe bc I never played lol that this season felt like a mess to me but I think a lot of it was due to poor writing choices,

Jayce calling Mel out for “manipulating” is insane to me. When he doesn’t hold the same sentiment for Cassandra or Victor (who was the one to allegedly give him that stone in the first place?). He acts like he had no control of his actions and I guess it’s easier for him to pin the blame on someone else than admit his faults.

Mel is a politician, he knew that when he met her. She did not make it a secret that she was basically sponsoring his research. But at the same time, she was one of the few people who advised him against making hextech weapons specifically, and went out of the way to make sure that that technology did not fall into the hands of bad actors.

however, it was Jayce and his poor decisions that kept making hextech weapons even though it went agonist his ethos, he even made weapons for Caitlyn’s special strike team, something Mel did not tell him to do lol,

like this entire time Jayce was able to use Mel’s statues and influence to get what he wants (social capital etc)

and when they get together romantically, Mel only treats him as an equal, supports his ideas (which basically let’s him do what he wants on the council bc of her influence), and is a source of emotional comfort.

so it’s really strange that he starts to view her as someone who used him, we never really see Mel confiding in Jayce besides that one time which served as a way to give the audience insight to her backstory. She’s always the comforting him, the one providing for him etc, she even serves as a buffer for Jayce against the manipulation from others, so to have him pin all the blame on her is so deranged to me lol

I also fill like the narrative of the story does nothing to counter his claims, they don’t address the other actors in the corruption of hextech for warfare (*cough cough* Caitlyn lol)

there were interesting places they could take this, there were interesting ways to explore this dynamic, but instead it got boiled down to Jayce pinning the blame on someone else because he refuses to live with the consequences of his own creations

[robjn93]

How do you interpret Tim's lack of mourning for Steph compared to his dad or Kon, such as not trying to clone her like he did with Kon or changing this costume?

i interpret it as ‘misogynistic editorial office’ lol. in a world where stephanie’s death is properly acknowledged and actually written by having in mind enriching her character, there’s no way tim wouldn’t mourn her. her death was written as a way to get rid of her because didio had a gigantic stick up his ass and hated her, so ofc he’d make sure tim would have the slightest bit of reaction and then ‘back on schedule with the robin stuff’.

the best interpretation i can make (it’s not canon at all, it’s the interpretation i have of this to make myself feel better) is that tim feels guilt for letting bruce throw steph in the crossfire and making her wear the robin costume so he doesn’t feel like he deserves to mourn her. so he allows himself to remember her but it’s more like a ‘blade on his side that reminds him of his sins’, of what neglecting his duties by prioritizing his personal life over robin does to those he loves which, to me, is pretty in line with how red robin evolves later and also kinda explains tim’s behavior towards steph after she ‘comes back to life’. again, not canon at all. i would say it’s an headcanon of mine because nothing about steph’s canon ‘death’ should be used as indication of how tim feels.

[oodlyenough]

more arcane s2 thoughts in no particular order. this is pretty negative. woops

Cait, Vi, Caitvi

despite being what initially got me watching to begin with caitvi just never ended up being my primary interest with this show, so going into s2 it wasn't like I had very well formulated expectations or hopes. I think if I had I would maybe feel disappointed? They had some nice moments, they got the kiss and the sex scene, they're clearly endgame, etc, and that's nice, but it also felt like their relationship was so ... never really the star of the show or focus of the story to the extent I expected it to be. Did they even get a big fight-together battle-couple moment in the last ep, I don't think so? I didn't find the resolution to their Act 1 breakup especially good, I think Caitlyn owed Vi an apology and Vi deserved to be angry for longer than ten seconds.

I generally feel across both seasons that Vi's pain and trauma is rarely given as much weight as other characters', I was pretty underwhelmed by Caitlyn's dictator arc after being extremely interested in it at the end of act 1...

I dunno. I hope their stans liked it and are satisfied getting to see them kiss and have sex and be together and I wouldn't downplay the significance of The Couple in Arcane being a lesbian couple. But I wasn't personally very compelled or moved by it.

Jinx

Like the above I'm not a Jinx academic by any means but I think if I were I would be frustrated by how cyclical her arc was in season 2. And no, having Silco show up to be like "it's a cycle" doesn't really justify the narrative interludes. Isha is a hard sell of a character for me because I don't ... generally want little kid characters around ... and I found Jinx (basically) looking straight into the camera to say "gee you are just like me, Powder, when I was a little kid, which reminds me of being Powder, is this how Silco felt, is this how Vi felt" to be hamfisted. But some of the scenes with the two of 'em and Sevika were cute ... only for Isha to die and Jinx to be depressed, again, and then come through the other side, again, and then "die", again. Like if we wanted to deal with depressed Jinx we started off s2 that way...

I've seen other posts by Jinx fans that articulate much better the ways in which she goes from the driving plot force in s1 and main autonomous actor to just kind of being wafted around by plot in season 2 so I won't repeat them. But I think they are right. I also question the way her mental illness was portrayed -- or rather wasn't... -- in season 2. Powder in the AU showing no sign of illness (despite baby Powder in the main timeline already having some of that going on, pre-Vander death)... I mean, sure, she's got a support system etc in that world, and one can argue we don't spend enough time with AU Powder to necessarily see it, but combined with the Isha stuff it just kind of felt like a weird message.

Sevika

I love Sevika, one of my faves from s1. I was so excited she seemed to get a bigger role in act 1 and then in the first ep of act 2. And then she never spoke again. What the hell man... like damn... really?????!? Not a WORD in act 3? I'm sure this was some of the stuff they trimmed to get that finale down to 50 minutes but god that sucks, so much, in ways a wordless shot of her in the council chamber can't really resolve. Which leads me to

Piltover-Zaun

I have to admit I don't think the class politics in s1 are as good as they were reported to be, so I didn't have high hopes, but MAN is Piltover going "hey we need cannon fodder <3 thanks" not... a reasonable resolution... especially after an indeterminate time of Piltover being EVEN MORE oppressive with Caitlyn enforcing martial law. It was sooooooooo ridiculous. Also, lol @ the show acting like hextech is solely responsible for the suffering of the undercity. If only Vi, Jayce and Viktor weren't around we'd have a equitable utopia. Sure Jan.

Sky

One of the most offensively written female characters I've seen in recent media. A spectacular, zero-effort failure from the writers. What a horrible decision to write this poor girl, a Black woman no less, and give her absolutely no characterization outside of an unrequited crush on a gay white man. In season 1 I could forgive most of it because a show like Arcane needs redshirts and it's just unfortunate they made this particular redshirt a young Black woman. There are so many other complex and developed women in the show, I thought, they can afford to have some minor ones who aren't.

But oh my god season 2. The ghost hallucination which they never even clarify as being "really" Sky or just being the Hexcore or just being his own imagination of guilt because neither the show nor Viktor give enough of a fuck to explain fhglakhdglh. Even posthumously she barely has any dialogue except to reference off-screen conversations with Viktor we never see them have and then die again. "No you won't" ?????? It is ridiculous that they wrote this.

[kittymizuki]

there's so much around lion that's so wildly compelling about sisterhood, family, and identity, etc. but one of the things that make me crazy is the idea of lion as a fictional construct made by readers who want to see sayo with love, but also being unable to wholly decide what would most make sayo happy bc so many parts of herself are rooted in pain. lion is literally someone who exists to show sayo that she deserved better, deserved comfort, love, everything else - that it wasn't her fault, and that even in this "perfect" world, terrible things happen. the parents are still greedy and cruel. kinzo is still a terrible person. ep7 in this context truly feels like it's written by ppl on the outside of the story who actually chose to engage and understand, and a love letter to real life readers who did so.

a big thing i consider with lion is not having to have the 'pressure' of needing to specify and that creating a 'better' dynamic in the family, but they also still have to use the name given to them by kinzo. further considering that there's a major point of the care and love will shows for lion that is blatantly intended to transcend any idea of 'gender' or 'cisheteronormativity' makes it obvious to me! lion is essentially "this is a version of sayo who never had to 'choose' which is both a good and a bad thing, as within that context, this is a 'nuclear family' kind of set-up. by being denied the option/potential of fully exploring gender identity, they take on the role of the 'ideal child', which itself is rather tragic."

i think it's also meaningful to consider that lion is still androgynous and disconnected from the idea of 'masculine gender' without any of their 'tragedy' having happened. when given the option, they choose to live outside of 'maleness', outside of that specific idea, wanting to live without the struggle of having to specify or be assumed bc of how crushing and stressful that could be.

i really feel like it's relevant to consider that they were lying to sayo when they said it was only due to the 'incident' that she experienced that they had to perform the gender reassignment surgery? to me it would make a lot more sense that the reality of this intersex child would be easier to hide! if she was already intersex, then it's genuinely easy to consider. i think, broadly, lion was given to natsuhi as a 'baby boy' before everything happened. since she tried to kill the baby so young, it's so simple to see how these realities could have been ignored, but even then, what if natsuhi did realize this child was 'improper' or had a 'broken body'? what if, for so many things.

the idea of maleness and malehood is strangling to sayo. yes, she wants to 'fit in', but she also always truly wanted to see herself as a girl. she envisioned so many versions of herself that were the 'women' she wanted to be or wanted to grow up to be. she was never a 'proper' girl, even when she was a tiny child. she was always bad at cleaning, bad at cooking, bad at succeeding, too small, too 'stupid' according to all the girls around her. kanon exists as her dysphoria - dysphoria that in ep6 is 'killed' for the sake of saving loved ones. letting go of the mask of kanon bc her self-loathinh isn't who she wishes to be. i think further, it's important to think about how kanon exists bc sayo feels she has no 'right' to her own dysphoria unless she makes herself a 'male' alter ego to shove that into, to have some slight justification for how broken her body makes her feel. lion truly feels like an intersex child negotiating acceptable gender presentation bc being a boy is too painful and they can't assert their identity as a girl, so they opt for this middle ground that feels like a compromise between the two.

sayo has always 'been' a girl and 'seen herself' as a girl! but she is now portrayed as a failure of a girl bc of her 'broken' body and i think the intersex and trans girl readings can be interwoven into one very strong narrative. her being trans is amplified with the idea of her having intersex subtext bc she was raised thinking it could be possible, maybe, for her to live as a girl, before realizing she can only be a girl in this bird cage. now that she's a teenager, it's obvious that she's not a proper girl. if she leaves rokkenjima, the spell of her womanhood is broken and she'll have nothing. what matters is the present in which she exists and that her body 'fails' to meet the ideals of womanhood. this is vital in the context of natsuhi as well - natsuhi isn't a trans woman, but we can also see this sense of how womanhood and being degendered for her failures within that are important to her narrative and also sayo's! and in this context, sayo has always been 'out' and 'accepted', so her issue is less 'i'll never be a girl'. rather, her struggle is about how she's being taught that to be a girl is suffering and that she's doomed to tragedy for wanting. constantly realizing and thinking about all the things about the girls that people want and think of them, and realizing there was something about her body that denied her what she wanted.

i think it's a vital reality that intersex people are inherently connected with trans women, as the issue (at the end of the day) is having a body that 'fails' to meet the expectations of cissexist and bioessentialist dynamics so i love to think about this...

[red-garden]

When will we, as a society, understand that Jin Guangyao’s story is about survival and the things he had to do to make it, rather than one super evil guy just trying to be awful and kill people? We can look past Wei Wuxian torturing and killing nameless Wen soldiers because we’re not attached to them and they’re Wens. That gets to be justified because it’s the bloody revenge of the protagonist on henchman #362. We can look past his desecration of the dead, his raising of fallen soldiers to tear apart their brothers in arms, because they’re the baddies. We look past him deserting Jiang Cheng after his return because he had people to protect and Jiang Cheng is an asshole (affectionate). Don’t misconstrue me- I love Wei Wuxian, and I think that he is a basically good person that was pushed past his breaking point and did some truly awful things as a result. He’s not a bad person. But he’s not better than Meng Yao.

Walk with me, Jin Guangyao antis. Let’s recount every bad thing Jin Guangyao has ever done in chronological order.

1) killed Nie Mingjue’s general

2) got Su She to cast the 100 holes curse on Jin Zixun (possibly to frame Wei Wuxian)

3) advocated for and later worked with Xue Yang

4) killed Nie Mingjue

5) banged his sister before he knew they were siblings, later married her after knowing

6) everything about Jin Guangshan’s death

7) allegedly killed his own son

8) chopping nie Mingjue up into little pieces and keeping his head in a cupboard

9) putting all the juniors in The Zombie Cave to get everyone on Wei Wuxian’s ass and kill a lot of people

10) almost killing Jin Ling

Numero uno first ever Bad Meng Yao Deed was killing Nie Mingjue’s general. You know, the general that constantly belittled him and repeatedly insulted his mom. Not only is this one totally understandable, it was also filial.

Next the 100 holes curse. There’s not solid proof that he wanted to frame WWX for this, it’s more likely this was just a better hidden filial killing in the name of his mother’s honor that ended up negatively impacting WWX.

Xue Yang is a little freak, but he’s a powerful, smart little freak. He was to protect Xue Yang in the interest of his father, although he does keep working with him after JGS’s death. This one was a power grab, trying to have extra pieces on the board to ensure his position among the Jin.

Nie Mingjue was another filial killing. If there’s one thing Meng Yao is gonna do is always be filial to his mom. Additionally, Nie Mingjue was not a perfect innocent angel either, he supported killing the Wen remnants. This wasn’t Meng Yao killing the last unicorn y’all. AND AND ALSO ALSO Jin Guangshan ordered this!!!!!!!!!! He was obeying his father to maintain his social position!!!!!!! What’s not clicking?

I get really mad over the Qin Su stuff, because marrying her after she was already pregnant was the kindest thing he could do for her. Should he have told her they were siblings and let her make her own choice? Absolutely. But he was trying protect her, and I can’t fault him for that. (Call back the nonconsensual golden core transfer)

The only thing I won’t defend is how he killed JGS. JGS was world’s worst guy, but no one deserves to be raped under any conditions. The sex workers he hired didn’t deserve to die, they didn’t deserve any of that. One thing I will say is that he didn’t plan for Sisi to be there. She had been transferred, he didn’t expect her, and after the fact he fed and clothed and kept her comfortable for the rest of her life. Keeping her under house arrest was how he protected his social position. Psychologically speaking I understand why he killed JGS like this however. While jiggy loved his mom, it’s clear he didn’t love sex workers more broadly, and saw his mom as an exception among them. He didn’t see the sex workers he killed as people, only saving Sisi because she was another supposed exception. For JGS, this was a taste of his own medicine type beat. JGS is a rapist, who raped Qin Su’s mom and jiggy’s mom when she was 15. I completely understand why he chose to kill JGS this way, but that doesn’t make it okay.

Jin Rusong’s death is completely alleged. While it ended up being politically advantageous to jiggy to squash the smaller sects that plotted against him, we have no idea if he killed his son. While he does say he does, he also says he killed Qin Su, who killed herself. While he may feel responsible for both their deaths, that doesn’t mean he killed them. I should point out the one claiming he killed his son was Sect Leader Yao, you know, the mob mentality character.

Chopping Nie Mingjue up is just common sense. Harder for a fierce corpse to kill you if it’s just a head. Harder to identify a body if it’s just a leg. “This is desecrating the dead” AND WHAT WAS WEI WUXIAN DOING, RIDDLE ME THAT BATMAN

For the juniors, this one was just poorly thought out tbh. He needed the Jianghu to get WWX’s ass because he was going to uproot him from his comfortable life. So he harmlessly leaves all the kids in a cave, gets everyone out there, gets their energy sealed, and lets people point fingers at WWX when the zombies start coming. He knows this likely would result in the deaths of many cultivators- many cultivators who need I remind you, make up the bourgeois, talk nasty about his mom, and who supported killing the Wen Remnants. This was like the ocean gate of wuxia, but y’all aren’t ready for that. He was protecting the life he worked so hard for, plain and simple 

Okay there are two things I won’t defend. While I don’t think he would’ve taking JL’s life, I can’t imagine how traumatic that was for Jin Ling. BUT AGAIN, I understand why he did it. He was grasping at straws, clinging to anything he thought might keep him alive, and he did a desperate, shitty thing. If you want to believe he never loved Jin Ling because of this moment, be my guest, but if there’s one thing jiggy can do is love.

All in all, he did a lot of desperate, shitty things to claw his way to a better life, and a lot of desperate shitty things to keep it. If you think he shouldn’t have cared so much about being part of the Jianghu, CONGRATULATIONS, YOU MISSED THE POINT !!🎉🎊 Poverty is violence, and he grew up in it. It was his mother’s wish, what she broke herself doing, to give him a better life. He was a good son, not going to squander what his mother gave him, trying to protect his very precarious position in a society that hated him for the fact of being born wrong. He’s not a moral paragon, but no one in mdzs is. They’re all people that react in deeply human ways to deeply unfair situations. They lash out, commit violence, do things they regret. Jiggy did a lot of terrible things, but the point is that he shouldn’t have had to.

[lady-menrva]

I loved Reyna as a character in Heroes of Olympus, but in Trials of Apollo...

• Everyone deserves a break. Especially if you're a praetor who has been through a lot. But I don't know any sane person whose definition of a break is serving a goddess for all eternity, watching their loved ones die, while chasing (*hunting*) wild animals, and doing jobs/quests for said goddess (the last part sounds like Camp Jupiter/Camp Halfblood lite).

A much better closure for her could've been reclaiming her past at San Juan, now that she's moved on and overcome it, enjoying it's things and memories like she wanted too, catching up with her friends at the Greek camp (and her sister too).

Alternatively, she could fulfill her bucket list, enjoy her freedom, take time to know herself, just enjoy life... literally anything. But honestly, why do that when you can just shelve her in the Hunters of Artemis? /s.

• Since her closure was so botched up, the "needs a break" plotline, (inspite of it's brimming potential) coalesced with the romance schtick just seems like an indirect excuse to diss shippers. In canon, Reyna not having a relationship could've been a great decision, but the way it was executed left an unpleasant taste in my mouth.

See also: Reyna's "I'm tired of people shipping me" author insert *heartfelt* speech.

• Come to think of it, I'm also positive that Rick conflated aromanticism and asexuality.

It really hurts that Reyna is Rick's ultimate one-book wonder as a character. She could've been amazing in ToA too, but no...

[rekino2114]

I straight up copy and pasted this "Can we get E,K,S, and Z from the fluff alphabet for Soft Makima"

E,K,S and Z fluff alphabet prompts for makima

⛓️E=everything (you are ........... example: my life,my world)

"You are my soul"

You open your eyes and look up from makima's lap to see her smiling at you while still stroking your hair

"Hm?"

"Before I met you, I don't think I had one. You gave me a soul and made me a person, and I could never thank you enough for that"

"Thank you , but I don't think I deserve all the credit"

"No, you do. You're the only reason why I'm like this, I'm sure of that, you and your love changed me....thank you, thank you so much"

⛓️K=kisses(how do they kiss you? Where do they like to kiss you?)

Makima's kisses,like most things she does, are aimed to please you. She can feel how you're feeling at the moment, and she kisses you accordingly. If you're tired, she'll try to melt all your stress away with a deep and passionate kiss. Kisses before and after missions are also mandatory. It's not a goodbye kiss since you both know that you'll be seeing each other later, but just a reminder of her love for you that you can cling to while fighting. She really doesn't have a preference on places to kiss you, your lips are the ones she likes more, but she loves kissing you everywhere

⛓️S=service (what are some acts of service they do for you?)

You know makima would do anything for you. She tells you that often, but you didn't think it was this literal. Just tell her what you want, and she'll do it for you. Actually, you don't even need to say anything she just knows what you need. You're tired after a mission? She'll prepare a relaxing bath and massage you until you feel better. You want to buy something? Don't worry, she'll buy it, she'll literally rich anyway. Anything to show you how much she loves you

⛓️Z=zzz (how is sleeping with them?)

Sleeping with her is amazing. She always wraps her arms around you and she starts telling you what her plans are for the next day in her soothing and relaxing voice, when she's finished she pulls you close to her chest and starts playing with your hair and whispering softly to help you sleep. She watches you sleep for a while, smiling at how beautiful you look before falling asleep herself.

[gimme-the-gun-ill-shoot]

As a Solavellan player, I absolutely did love the final scene between Solas and Lavellan in the perfect ending, her throwing back everything he said 8 years ago at the end of Trespasser, him faltering as Mythal, Morrigan, Us as Rook, and Lavellan confront him and hold him to task, that the loss of life from bringing down the veil and potentially unleashing the blight and basically giving no one person on Thedas (least of all the Qunari and Dwarves, especially the Dwarves at this point) a choice in whether it should at the cost of so much. Every bit of the Solavellan is meant to mirror Solas and Mythal's relationship, it mirrors but doesn't fully capture it's essence. Mythal say's "I pulled you from the Fade that you loved...and it broke you"

Mythal used him, and then tells him to stand down, and when he asks her to stand beside him again in rebellion of the Evanuris of which she is a part of now, she sees his point but chooses not to stand with him, this is the essence of their relationship, she is his superior, his lapdog as referred to by Elgarnan, never her equal. Lavellan contrasts this by centering him, and meeting him where he is, their relationship in inquisition mirrors the role of advisor, of Wisdom he once operated under for Mythal, but Lavellan asks him as a person, as an equal, as a fellow comrade, tell me, stand with me, what would you do. When she gains power (Becomes the Herald and Inquisitor) you as Lavellan can push back and tell him he's wrong, but also that you won't just toss him aside that he matters, what he thinks matters. Of course, I didn't make this post just to talk about Solavellan and harp about how its perfect and great (it is great, but there's a lot the game leaves wanting in the data that never made it to the final cut because EA and the Multiplayer Curse.) I actually wanted to focus more on if your Inqy WASN'T a Lavellan, because the scene holds just as much weight, especially in Veilguard. If you're after the Perfect ending, you have to watch every one of Solas' memories, and in those memories, and scattered around in notes in the Crossroads and Lighthouse, you find notes from Felassan. I find that relationship just as interesting, because in both the case of Mythal and Felassan, Fen'Harel betrays them. Solas kills them both. If Solavellan is the mirror of Mythal and Solas, than an Inqy that considered him a friend would be Felassan. (Except Felassan would be calling the shots but I digress) Given how much weight would be behind a friendly Elven Inquisitor who thought Solas a friend, only for him to literally say thanks bro goodbye, like Solas cannot outrun his choices. Every choice, every act leads back to him having to relive his mistakes and choose to own them and then rectify them. Anyway, non Solas romancers were done dirty (looking at you Josephine lovers and Dorian romancers), ya'll deserved better.