#Pattie acting

[littlequeenies]

Pattie Boyd appeared in an episode of the German crime series “Der Kommissar” (The Commissioner) titled “Keiner hörte den Schuß” (Nobody Heard the Shot) which aired on German television April 18, 1969. Pattie was credited as “Patty” (sic) Boyd appearing as: Model #1 - in dance scenes along with models Amanda Lear (Model #2), Gil Gerroway (Model #3 with short hair), and Kari-Ann Moller (Model #4, the brunette).

PATTIE BOYD in the German TV Series DER KOMMISSAR episode “Keiner hörte den Schuß”. 1969.

[livingfandomly]

Shocking that when you focus on quality and give the story to actual writers they can successfully cement a character, give you her entire backstory, make you fall in love with her and make you cry when they kill her off, all in a span of 30mins.

[warningsine]

I saw her. I've seen her on stage and I saw her in a movie and I went, "Um, okay." [Aubrey tries to suppress her laugh, but can't] You know, just some things some people can't do and you just gotta admit you can't do it. That's all. Or don't even try it. Everybody can't do everything. Marry me. Like Kim fucking Kardashian, okay? Can we go there or shall I eat a wing? I love you. I love you.

[confuseuniverse]

they have been saying agatha is sweet on lilia

[child-of-the-danube]

This was the most beautiful episode of a series I've seen in ages. I am amazed and absolutely heartbroken 💔💔

I knew my girl was on her way out, but her end was beyond beautiful. Having lived a life that was never your own, nothing you did or said changed what you saw, but your end being your own choice is pure poetry. Everyone else on the road had their power taken or blocked by something outside their control but Lilia's power was painful to the point that she decided to take it away herself. Feeling so powerless that you decide to MAKE yourself actually powerless to avoid any more hurt is such a gut wrenchingly hard decision. But imagine how terrifying spending half of your time unsure of where you are, if things are really happening or if you're just seeing something must have been. And on top of that, all people ever saw you as is a herald of death, or worse, they didn't see you at all. Nobody was there to share her fears and doubts, and neither to share any happiness that could have been. She was her own obstacle and what does she decide to do when clarity and confidence have finally returned to her? The one thing she was never able to do in centuries - save the ones she loves. And she does it by sacrificing herself.

And Death knew her. Rio knew who Lilia was from the start cause she watched her from the shadows. She watched her grow and learn and become a witch and most of all - survive. Keeping their true meeting for when it was time to stop running...

I'm going to cry myself to sleep tonight

And if you want to cry yourself to sleep tonight too (some more), go listen to Patti Lupone singing Stars and imagine it is Lilia...

[charmstrangebeauty]

Patti Motherfucking LuPone

[introverted-bard]

Fact: The first 6 episodes of Agatha all Along have an IMDb score ranging from 7.1/10 - 8.2/10 and Death’s Hand in Mine (episode 7) has a 9.2/10

Fact: Given that information, the 46K people who voted generally agree that this is the best episode in season one.

Opinion: I thought episode 7 was phenomenal, I enjoyed it the most and I wish that the previous episodes were as well written as the final 3.

Are people not allowed to have opinions anymore??? I said this on tik tok and people lost their minds 💀 As a queer woman and comic Wiccan fan I genuinely liked the show and found it fun… I just think that there was a jump in writing quality in the last 3 episodes 🤷‍♀️

[dreaminginthedeepsouth]

“When I would tell students to look at people, I knew it was hard for them to remember. They were young and starting their lives. They were going to see things and dating and having adventures. Fine, I would tell them, but look at everything. In every situation, including those in which you have a part. Actors need to be—and usually become—so sensitive to emotions that they can tell when someone is lying. To them or to others. A sort of extrasensory perception arises, and I’ve seen people on the bus or on the street, and I almost feel that I know just what they’re thinking and going through. I remember going to see Patti LuPone in The Woods. [A play by David Mamet that was done at Second Stage in 1982, where Marian saw it.] I had worked with Patti so much, and I had so much respect for her, and even as I felt I could see how she applied so much to her part, I was still not prepared for the effect it had on me.

Patti has an ability to allow us to feel that we have witnessed an emotional autopsy on her. She is unafraid to just expose herself, and in that play she was both angry and distorted by this emotion, and then resplendent in her love and joy. I felt at one point that I was witnessing her having a real orgasm on that stage, and perhaps I was witnessing her memory of pure ecstasy, which she pushed out from her being. I have always loved how Patti looks, but there was a moment in that play in which she became resplendent. It was like she had a dozen light bulbs inside of her, and they all switched on at the same time. I’m not going to ask Patti what she was thinking, what she was applying, but I will never forget that performance."

--Marian Seldes on Patti LuPone

(Follies of God)

[voiced-and-animated-by]

Today's gender is voiced by Cherami Leigh and animated by White Fox

[doctor-who-war-doctor]

Babe wake up its time for my annual complain about how the 2021 broadway production of Company starring Katrina Lenk and Patti LuPone never had a proshot or cast recording.

[waugh-bao]

“But it was Beatrice, Patti’s mum, who was the key to my acceptance. She was always for me, and I had great times with her later on.”

Keith Richards, Life (2010)

[justinspoliticalcorner]

Joan McCarter at Daily Kos:

A group of women Democratic senators introduced a repeal of the 1873 Comstock Act Thursday, citing the threat of the Heritage Foundation’s Project 2025, a blueprint for the next Republican president. This archaic law needs to go, and talking about it—and the GOP’s plans—is an excellent way to get the word out to voters about Republicans’ radical agenda.

The Comstock Act banned the mailing of contraceptives, “lewd” writings, and any “instrument, substance, drug, medicine, or thing” that could be used in an abortion. It’s been more or less superseded by the Supreme Court and new laws in the past century and a half, but it remains on the books. Like a dormant volcano, it sits waiting for a shift in the political ground to erupt. Patty Murray of Washington, one of the co-sponsors, talked about the threat in a press conference Tuesday.  “Donald Trump and his allies are planning a detailed road map, they’ve given it out, to rip away a woman’s right to choose in every single state in America,” she said. Lead sponsor of the bill, Tina Smith of Minnesota, told The Washington Post that there is  “a very clear, well-organized plan afoot by the MAGA Republicans to use Comstock as a tool to ban medication abortion, and potentially all abortions.” “My job is to take that tool away,” Smith added.

The shift was presaged by the focus of Supreme Court Justices Clarence Thomas and Samuel Alito in their arguments in Food and Drug Administration v. Alliance for Hippocratic Medicine, in which the court unanimously preserved access to the abortion pill. The ruling wasn’t on the merits of the FDA’s decision to expand access to the drug, but rather on a technicality of whether the physicians’ group bringing the challenge could sufficiently claim that they were harmed by it. In that case, Thomas and Alito all but told future plaintiffs how to bring back this challenge: by invoking the Comstock Act. They specifically asked the attorneys arguing the case of the FDA’s pandemic-era decision—made permanent in 2023—to use the Comstock Act in their challenges.

Good to see the Senate Democrats take action to propose the repeal of the odious Comstock Act (even if the Republicans block it like usual). #RepealComstock

[rotteneldritchhorror]

I've created too many overly detailed headcanons about Barry's life outside of Rafe

Like full family history-- he has a huge family but it's mostly dudes, his dad and brothers and uncles are all cunts and super bigoted, when he came out as bi they called him a sissy and shipped him to the military to "man the fuck up", the enviroment was so fucking toxically masculine- his mom was just trying her best, teaching him and his older sister (who he loves) to take care of themselves, teaching them spanish so she could speak to them in private, etc. Literally the only people in his family he still actively chooses to speak to out of care rather than obligation is his mom, his older sister, and a pair of aunts.

He doesnt have many close friends, but his best friend is a queer sex worker who he met on the job, likes to take care of her, gives her a place to stay when she needs it, gives her money when she asks for it, gives her her drugs for free when she needs to wind down. They talk shit, she's the only person he gets to sufficiantly ramble to about Rafe, she gives him advice- its very sweet. (Rafe is so violently jealous of this woman, he needs to be kept at a 15 foot distance and Barry has to explain 20 times over that theyve never slept together and that they're just friends and that shes ABSOLUTELY not a threat cause hes not even close to her type lol. Also the three of them trip together once and Rafe takes his first hallucinagen with this random lady and his boyfriend lol, but after it he finally accepts that shes not a threat)

He has like... a deep need to take care of people? Which mostly funnels into taking care of Rafe, but he'll take any oppurtunity to take care of people he thinks deserves it (mostly... women- this man has such a soft spot for women, especially older women, he'll do anything to help em out, take care of em, whatever they need- can you tell he was a mamas boy?)

When he was younger (like early 20s) he dated a woman in her 40s and tbh- mightve been one of his best relationships before Rafe. A little boring for him, but he keeps in contact with her to check in at times (don't tell Rafe.)

He keeps in contact with a couple of the guys he was stationed with in the military, but he's only really close with one, unsurprisingly a gay guy who *ahem* was a regular for him when they were stationed together, and he gives him free weed and shrooms for the shit being in the army left him with.

This man's tiny friend group is just radicalised queers and his sister lol

[cyberspookymonth]

I think this was shown before, but what is it like getting possessed by moloch? From what I remember it wasn’t really… pleasant

NOT GOOD. You know Ennard from Fnaf? It's that but kind of worse. Moloch wasn't actually made to possess, but being trapped in an attic for several years gives you ideas.. Ooh, and the reason why it hasn't escaped yet is because its wires are tangled, lol. If it does manage to 'possess' you, it's not a pleasant process. If you haven't blacked out from pain then I would compare it to having snakes under your skin and rocks in your face.

A visual, which I will put under a read more for y'all's sakes. (Blood is pink because. It felt right for a cyber au lol.)

[astraeasatelier]

ACT4 - 人生はお菓子の家 / Life is a House of Sweets (Opening)

The "opening" song of Dramatica Act 4: Witch and Gingerbread House.

The title provided here is unofficial.

There may be mistakes in my hearing as there are no official lyrics yet.

Deicy: A story that was never foretold Has been set into motion Gretel/Hansel: if we merely pass each other by, it won't come to an end Our hearts have already decided Patty: Now, the curtain rises, on this play called life Arc: This carefully crafted journey reveals itself to me, And today and I understand All: Where I must head

Hansel: While searching, Gretel: While being guided, Deicy: Towards "something" that can make our true desires come true Lao: Surely, if you can grab ahold of your dreams, It'll be delicious All: life is a house of sweets, you see So all together Let's build it Deicy: Now, Lao: Today, too All: All together

[luzzarm]

"The Dean Martins, Jerry Lewises, Tony Curtis, Janet Leigh at Jerry's birthday party. Stills from home movie take-off on 'Sunset Boulevard'"

1951

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PHOTOPLAY MAGAZINE - June 1951:

Party Pranks: Have to tell you about the hilarious birthday party that Jerry's cute wife Patti gave for him. The reason it was so rib-splitting was because, a few nights before, Jerry and Dean, plus Janet Leigh, Tony Curtis, song-writer Mack Davis and a few chums had produced, acted, directed and generally "messed up" their version of a burlesque of "Sunset Boulevard". The Martin-Lewis film is titled "Fairfax Avenue" (that's not one of the Hollywood's swankier streets) and on this particular evening, after dinner, the film was flashed on the family screen for the forty guests. We just wish we had space to go into details about how funny a picture it was. Actually, this isn't the first one the boys had made. But maybe someday you'll see them in theaters. And you'll be surprised how many big stars (aside from Janet and Tony who just love "working" in them) have participated in the fun.

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