#POC in history

[the960writers]

David M. Perry and Matthew Gabriele:

What connects the problem with these games and the designers behind them (and many other medieval-ish fantasy) is not just a misunderstanding of the European Middle Ages but also a deeper idea about the ways peoples and places actually work. Historically speaking, peoples were just not sealed off from each other. A hermetically-sealed population with no contact with the broader world is an anomaly. And even in places when peoples were less likely to move, things and ideas did.

[mysharona1987]

Happy Independence Day!

[smoov-criminal]

i just rbed a post about something similar but. i need my white disabled to folks to be more aware of the privileges they have when navigating the healthcare system. every bit of medical ableism one can experience can be made even worse by being a poc. some of us can't threaten to report a doctor to the ethics board, or refuse care from healthcare workers who aren't masking, without jeopardizing our access to care in general or even our physical safety. we are more likely to be seen as drug seeking, or marked as noncompliant, or experience medical abuse and neglect. that's not to say these things don't happen to white disabled people, but i just think it's important to recognize how dangerous receiving medical care can be for disabled poc specifically. please keep this in mind when giving advice on navigating healthcare.

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[belle-keys]

The Ultimate Dark Academia Book Recommendation Guide Ever

The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.

Dark Academia staples:

The Secret History by Donna Tartt

If We Were Villains by M.L. Rio

Dead Poets Society by Nancy H. Kleinbaum

Vita Nostra by Maryna Dyachenko

Dark academia litfic or contemporary:

Bunny by Mona Awad

The Idiot by Elif Batuman

These Violent Delights by Micah Nemerever

White Ivy by Susie Yang

The Cloisters by Katy Hays

Never Let Me Go by Kazuo Ishiguro

The Lake of Dead Languages by Carol Goodman

A Separate Peace by John Knowles

Black Chalk by Christopher J. Yates

Attribution by Linda Moore

Dark academia thrillers or horror:

In My Dreams I Hold a Knife by Ashley Winstead

The Maidens by Alex Michaelides

Ghosts of Harvard by Francesca Serritella

Catherine House by Elisabeth Thomas

Plain Bad Heroines by Emily M. Danforth

They Never Learn by Layne Fargo

The It Girl by Ruth Ware

Never Saw Me Coming by Vera Kurian

Dark academia fantasy/sci-fi:

Babel: An Arcane History by R.F. Kuang

The Atlas Six by Olivie Blake

Ninth House by Leigh Bardugo

A Lesson in Vengeance by Victoria Lee

The Starless Sea by Erin Morgenstern

Vicious by V.E. Schwab

A Discovery of Witches by Deborah Harkness

The Betrayals by Bridget Collins

Dark academia romance:

Gothikana by RuNyx

Alone With You in the Ether by Olivie Blake

Dark academia YA or MG:

Truly Devious by Maureen Johnson

A Deadly Education by Naomi Novik

Ace of Spades by Faridah Àbíké-Íyímídé

The Raven Boys by Maggie Stiefvater

Legendborn by Tracy Deonn

Crave by Tracy Wolff

Wilder Girls by Rory Power

The Harry Potter series by J.K. Rowling

Dark academia miscellaneous:

My Dark Vanessa by Kate Elizabeth Russell

Disorientation by Elaine Hsieh Chou

Alphabet of Thorn by Patricia A. McKillip

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[writingwithcolor]

It wouldn’t be historically accurate for my story to include BIPOC!

This is an argument often made about European-style fantasy media like Game of Thrones, Lord of the Rings, and Disney’s Frozen. Audiences, often white, assume that due to the majority-white setting, adding any visible number of BIPOC to the story would be unrealistic.

What these critics fail to realize is that BIPOC do in fact live, and have lived, in these settings, and records of BIPOC presence in places assumed to be majority-white have been buried, written out, or not taught due to white supremacist and/or colonial bias in the field of history. There are historical European settings that were far more diverse than is often portrayed. Consider:

The Moorish Empire exerted an extensive influence over life and culture in Southern Europe from Spain from 711 to 1492

The Ottomans were heavily involved in European affairs up until the treaty of Karlowitz in 1699, but still considered a part of Europe even through the 19th century

The sheer size of the Roman Empire ensured the continued movement of people from various backgrounds within the Mediterranean well until the end of the Byzantine Empire.

“Historical accuracy” should not be used as an excuse for media to be exclusively white in its casting. While there are places which are or were predominantly white, there will always be factors like global trade and immigration that bring multiculturalism to their doors.

And even if the presence of a certain demographic is unrealistic for a certain setting? Consider that we’ve accepted far worse inaccuracies in historical fiction in the name of artistic license. Consider that our understanding of human history is, and will always be, incomplete.

Further Reading:

Historically Diverse London, “Historical Accuracy,” and Creator Accountability

Making a Black Pride and Prejudice Resonate

---

This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you're new to Writing With Color and/or want more writing resources, check it out!

-Writing With Color

[that-butch-archivist]

"Lesbian Rights March, September 1995, People's Republic of China" by Ann Meredith

source: The Wild Good: Lesbian Photographs & Writings on Love, edited by Beatrix Gates

[blkmagicwoahman]

Congratulations to the Final 3 in the Women's 100m 🏃🏾‍♀️

Julien Alfred

10.72 🥇🇱🇨

Julien Alfred makes history by winning St. Lucia’s first-ever Olympic medal, clocking a lifetime best of 10.72

Sha'Carri Richardson

10.87🥈🇺🇲

Mellissa Jefferson

10.92 🥉🇺🇸

💜💜💜 CONGRATS LADIES 💜💜💜

[lionofchaeronea]

African Holding a Horse at the Edge of a Sea, Alfred de Dreux (1810-1860)

[queercodedangel]

Some Lugones posting because she's pretty underrated 🧡

[mysharona1987]

Lady, you are literally admitting to a war crime on tv.

[firelise]

Alfre Woodard on Crooklyn (1994) for R29:

“To my knowledge, we hadn’t seen a Black family that was just presented as we are in life, as human beings,” Woodard said. “I get told in Belgium by white Belgians ‘I love Crooklyn, it reminds me of growing up.’ Which is what happens when you tell a story from a specific point of view, you don’t have to mention race. You didn’t get up this morning like ‘I’m a black woman that wants a cup of coffee.’ You just want a cup of coffee. It was us as we are. Just us being fabulous, complex, funny, delightful, and making ends meet. And seeing, even within that story, that we’re not monolithic...The specificity is what makes it universal. Diversity is not the point; showing reality is the point.”

[yourdailyqueer]

Lucy Diggs Slowe (deceased)

Gender: Female

Sexuality: Lesbian

DOB: 4 July 1885 

RIP: 21 October 1937

Ethnicity: African American

Occupation: Former prof tennis player, professor, activist

Note of firsts: First Black woman to serve as Dean of Women at any American university. Won the national title of the American Tennis Association's first tournament in 1917, the first African-American woman to win a major sports title. First person from her school to attend Howard University.

[fluffytimearts]

Happy black history month ya'll!!!

[luxus-aeterna]

from La Soirée D'orée.