#Or any other big drama

[oldtvandcomics]

Can we, like, bring back storytelling that is completely 100% plot-driven? Relationship drama is fun - sometimes. Other times, it is absolutely the wrong thing to do. I wish the villains going up against the superhero weren’t always so personal. I wish we could have a relationship at the heart of the story that is not challenged. Just give the heroes fun problems to solve.

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[shinjaeha]

thinking about how gyu ho was quite literally the light and love of young's life. how when they first meet, he's the one that presses that bottle to his mouth and asks if he's okay when young gets knocked down. how he travels all that way to young's apartment just to put his curtains up for him when he sees how the light bothers him when he sleeps. how he's the metaphorical ray of sunlight on young's face coming through the gap in those very curtains when he's counting all his moles.

how he's always smoothing out the crease between young's eyebrows when he's worried, like he's trying to smooth away his troubles. how his acceptance of kylie is so easy and simple bc he knows that it's something that young has opened up and trusted him with. something that he's never told another soul about, and it's understandably something painful for young to be so vulnerable about. how he tells young that he's still the same person with or without kylie. everything about gyu ho is a balm. the way he soothes and reassures. the way he loves.

that scene when they're kissing in the club for the last time encapsulates the very essence of their relationship imo. young doubting and constantly asking what happens if they argue again once they're back home, and gyu ho answering him so easily and honestly with "then we'll make up!" over and over again bc it really IS that simple for him. simple in a way that it's not for young who is never able to get past the doubt and insecurity of it all.

[ingravinoveritas]

You know the way David wears the same sweaters over and over and holds onto clothes and other things he loves, things that mean something to him, over the years? Seeing the video of him at the Macbeth stage door tonight, that's how it feels like he is holding on to Aziraphale and Crowley and Good Omens...

[sukirichi]

PLEASE STOP COPYING FICS ‼️

I am by no means gatekeeping concepts or tropes. We all know that it’s normal to see the same tropes or AUs be used differently, and that is not plagiarism. However, I recently found a fic that was oddly similar to my old (and discontinued) Gojo x Reader series, Reckless. The CEO! Gojo is nothing new, and neither is an accidental pregnancy trope. The only reason I am concerned is because this Gojo series I found has the exact same themes as Reckless that consists of: a playboy CEO Gojo with a very notorious reputation, a poor reader who is an employee and asset to the company (someone who works closely with Gojo), reader getting knocked up from a one night stand with Gojo, reader with a seemingly dead/absent mother yet still in contact with her father, Gojo with a very traditional family who does not like reader, and Gojo with an ex he struggles to let go of - which are all elements of Reckless.

The first chapter of that Gojo fic is also eerily similar to my first chapter with the same flow of: YN finding out she’s pregnant and her friend being there for her, Gojo saying he’ll take responsibility because ‘they both made the baby’, YN having to move in with Gojo to take care of the baby, and both of them coming to a mutual agreement that their ‘relationship’ will be purely for the baby’s benefit. The flow of events and specific details about the characters’ backgrounds are too similar to mine.

Again, I am not gatekeeping concepts, just as how I’ve had other writers ask me if they could write their own stories or takes based off of the NAOYA’S TROPHY WIFE COLLECTION or the BONTEN HUSBANDS EXCLUSIVE, and I’m fine with that. I’m even happy people are inspired by what I write. But being inspired is completely different from taking someone’s story and posting it as yours. Please trust your own creativity and skills in writing. You can write amazing stories and have people love them without having to steal from others.

It’s sad to say this is not the first time I, and other writers, have been plagiarized. It’s even more upsetting to know that a friend of mine who has also written a Gojo series (that I’m sure you all know and dearly love) experiences the same issues with the same person. The fact that this is happening to many writers out there is disheartening. We work hard and pour a lot of love in the stories we create. None of us are getting paid for this, and we simply want to share our passions with others. So please, let us be kinder with one another and show love and support the right way. If you love a fic, you give feedback and rb/comment + show support to the writer. You don’t steal their ideas and play it off as your own because you liked it.

[clownsuu]

Holy cow there’re a lot and I really do mean A LOT of Welcome Home AUs, and more coming too. Not saying it’s a bad thing, but it makes sense considering WH doesn’t have a lot to work with so it leaves tons of room for fans to play around with. I just hope it doesn’t get outta hand like what happened to Undertale with its AUs.

People are free to have creative liberty on what aus they wanna make- like you said there is very little canon content to munch on so people will pull a “fine I’ll do it myself” JCHFHDHU-

I personally don’t mind it as well, but I do enjoy the aus where they purposely change Wally’s height just to make him more simp-able LMAOO

[hotasfahrenheit]

My Dear Gangster Oppa [Episode 3]

[bahoreal]

i think we also gotta say props to iqiyi for broadcasting all that as a chinese streaming service... wetv literally never came through it's still not available on wetv but iqiyi said fuck it we're having an ancient chinese bl <3

[hellofeternity]

ORV transcends language | how ORV is kind to readers (1.1k words)

the difficulties in analyzing text are already numerous without a language barrier, the way one word can mean 5 things and when you put it in a sentence suddenly it can mean 50 things and put that sentence in a paragraph? go further and put that paragraph in a page? construct a whole world around it, weave it into the fabric, and suddenly you are painting with words.

ORV is a daunting text, it calls and references so many mythos world wide, greek, roman, indian, chinese, japanese, it plays with meaning and intent and uses gaps in our knowledge like weapons, making us extrapolate our own meaning between the sentences, it is a tome of knowledge when it comes to histories and philosophies it feels at times like I will never understand all these things inside it.

One of the difficulties of reading a translated text is that when we analyze a text the authorial intent weighs very heavily in our minds, sure we can immerse ourselves in the world but once we start picking apart at the threads we hit a wall pretty soon when we start asking ourselves "what did the author mean by this?" however in a translated text there is an obvious gap, a game of telephone, did the translator actually capture the authors intent? or are we just reading the translators perception? sadly I don't know korean, and I cant say I have the drive to learn it, as such I know there will forever be a side of ORV that I will never be privy to - however I am bilingual and had the pleasure of reading two translated versions of ORV, an English translation and an Arabic translation, I didn't finish reading the said Arabic translation but a couple things stood out to me when I briefly did ORV is very kind to readers, following along in other stories can seem confusing at times, the pacing might be too fast and you might miss some details in a characters actions, the wording might be too vague and ah damn 20 pages later you realize you don't actually know why the characters are doing what they are doing. A big writing adage that you will see a lot is "show dont tell" and it holds merit, but ORV doesn't subscribe to it, because ORV shows AND tells. ORV built a world around readers and reading, and it makes sure that there is clarity every step of the way on what is happening, first by starting out as a homage to the isekai genre, and not deviating too much at the start, making the readers feel at home in a worldview they are familiar with, systems, leveling, videos games etc, and when it starts deviating it explains things with clarity that no matter how bad the translation is you understand the general intent, and secondly by being VERY blatant about the names of things and having a built in "story" system that is built on common story tropes and names the themes for you! take for example "unbroken faith" and "Blade of faith" both of these are two translated versions of dokja's sword. I will never know which one is closer to the original authorial intent, but I can tell you something, dokja's sword is symbolism to the faith he is wielding. (CH386 vague spoilers) or the entirety of "the great war of saints and demons" being about the concept of good and evil fighting and how kimcom aren't just above being good and evil, they are both. By using story tropes that we are familiar with to explain the complexity of situations in a simple forms you no longer have to worry about losing you readers understandings through language barriers. Every story in the world in every language knows what good vs evil is, every language has the words to explain them. and therein lies the beauty of ORV. But of course this isn't to say translations don't matter, it does speak to the strength of an original texts clarity when it accounts for the big things by making them simplified, but when we get down to the nitty gritty it starts to lose form take for example

"Tell me, you fool. If I continue to regress, will I ever get to meet you again?"

this person here has a great write up explaining the translators thoughts behind this specific line

but it has spawned a lot of debate in the English speaking fandom, as to the strength of its translation, I remember when I first saw someone claiming that its a mistranslation and "you fool" isn't part of the original, my first thought was "and so?" I do not mean to be dismissive to the original text, but I do not exist in a space where I can appreciate it in the original korean, I do not exist in a worldview where I can understand the historical implications of a lot of the characters, and even when I try to research it in English sadly the resources do not exist yet and its even more laughable to think of finding these things in Arabic. (Goryeos first sword doesn't have an English wikipedia page as a clear example) a lot of people have issues with the most popular English fantranslation of ORV - and I can understand why, being bilingual I have a lot of opinions on how a lot of things SHOULD be translated most of the time, and have done my own translation work but as I sit and think about this popular translation I cant help but just feel love for it, it might be lacking to some, it might be inaccurate at times to others, but its just enough for me to paint the gaps in the text with my perceptions, the words used are tied to my affections the Arabic translation of ORV is clunky, it is messy, it doesn't have as much grace as the English translation of ORV does, the words barely string together cohesively, but it has enough clarity, enough intent, and enough love for its readers, to catch their hearts, their attention and their energy

and so I want this to be the first post on this blog because, the author is dead here, not because I buried them, but because the tower of babel fell down a long time ago, and all we have is rubble and each other. a lot of the analysis on this blog will try to be respectful to the korean original wherever it can, however my words will be coming from an anglosphere perspective, and build on other English reader's perceptions of a text translation that a decent amount of people don't think is adequate, but just like ORV is kind to us, we can be kind back, I will quote the most popular version because its what connects us together, and while the authors intent might be lost, we can share our own meanings with each other, and build our own intent from the rubble.

[skunkes]

the way I've been raised has shown itself in a recent awful experience I had and the realization won't leave me because I'm not sure what to do about it.

I don't like feeling anger/upset and it's rare for me to feel it anyway but it's led to me being unable to tell what's worth getting upset over anymore. If my wants upset somebody, then, well, maybe I shouldn't have them? What is so serious that I need it to go completely my way...? What desires am I allowed to have. It's not that serious, it's okay if not, you can't always get what you want....

every time I feel Upset I am later wracked with guilt because it wasn't a big deal and I was just being selfish... What IS a big deal then? How can I tell? Its admittedly never a big deal... But I keep being upset. And stepped on....

[just-barrow]

I'm not actively in the 911 fandom and I haven't watched s8 yet but I've read about what's happened and I'm so sad. realizing Lou had a recurring role in it is literally why I started watching the show in the first place (I knew him from SWAT), and to read about how he's been treated by so-called 'fans' followed by the writers pulling this shit...you deserve so much better babes

[mariocki]

The Nesting (Massacre Mansion, 1981)

"It may come as a surprise to you that a physicist could even contemplate the existence of paranormal phenomena."

"But you admit to the possibility."

"I admit the possibility of the unknown. I admit that science is only beginning to understand its own discoveries. But I do not believe in evil spirits or painted phantoms in windows."

[choccorin]

i don't think i'll have a new friend group this school year . . .

[angel---eater]

oof theres this new person in one of the servers im in who keeps trying to... idk, bait people?? probably not actively bait people. they keep putting little feelers out to initiate ship bashing and shipwar behavior in a 'you agree with me right? cause everyone knows this [insert really historically popular fandom ship] is groooooss lol' kind of way. and the only reason im thinking abt this is because this servers first rule, like literally right at the top of the rules channel, is 'no ship bashing under no circumstances for any ship', point blank period. this is a if you dont have anything nice to say dont say it kinda space for everyones peace of mind. its a lil piece of escapism in a lil dedicated ship server. so im sittin here like okay. aight dude. youre looking to get angry about something that doesnt matter with new people to get the blood pumpin. i feel that. but theres a time and place 😭😭😭do that shit with your friends ur yelling in the wrong fandom echochamber..... this one is full of love and peace.....

[salty-software-engineer]

Man I just finished Babel and I was excited to read discussions online because there's so much going on in it with so many little things and just....angry white people. Everywhere. Truly a dead dove moment.

[is-the-owl-video-cute]

https://www.tumblr.com/hotvampireadjacent/731711141796085760

Is Kaiju Tegu ok? People get so bad with Tegu care

I’ve never cared for tegu so I don’t have enough information to comment on if something is or is not safe for them other than “please don’t leave groceries where your reptiles can reach them because reptiles don’t always choose edible to reptiles items” since that’s just a general rule of keeping any animal free-roaming in your home.

I haven’t kept up with that blog since they decided to tone police me in a very rude and condescending comment so I don’t really have much to say on the person or the lizard here.