#Non-Destructive Analysis

[gauricmi]

Advantages of Raman Spectroscopy for Nanomaterial Characterization

Raman Spectroscopy is a powerful analytical technique that offers numerous advantages for the characterization of nanomaterials. Its ability to provide detailed structural and chemical information at the nanoscale makes it invaluable for studying the properties and behaviors of nanomaterials in various applications.

High Sensitivity and Specificity: Raman Spectroscopy exhibits high sensitivity and specificity in detecting and identifying nanomaterials. It can distinguish between different types of nanomaterials based on their unique vibrational spectra, even in complex mixtures or matrices.

Non-Destructive Analysis: One of the key advantages of Raman Spectroscopy for nanomaterial characterization is its non-destructive nature. Unlike some characterization techniques that require sample preparation or alteration, Raman Spectroscopy allows for direct analysis of nanomaterials without damaging or altering their properties.

Get More Insights On This Topic: Raman Spectroscopy

[marketresearchreportinsight]

Non-destructive Testing Market Strategy Analysis Report by 2030

The global non-destructive testing market size was valued at USD 20,019.5 million in 2023 and is expected to register a compound annual growth rate (CAGR) of 7.9% from 2023 to 2030. The growing manufacturing activities across the developing and the developed nations is estimated to drive the market over the forecast period. Furthermore, the increasing technological innovations pace have enable…

[integratedndesolution]

Integrated NDE Solution in Pune: Pioneering Positive Material Identification for Quality Control and Safety Compliance

In the modern industrial landscape, ensuring the integrity and composition of materials is crucial for maintaining quality control and safety compliance. Positive Material Identification (PMI) is an essential non-destructive method used to verify the chemical composition of materials. Integrated NDE Solution in Pune offers comprehensive PMI services, utilizing advanced technologies such as X-Ray Fluorescence (XRF) analyzers and Optical Emission Spectroscopy (OES). This article delves into the intricacies of PMI, its benefits, and the cutting-edge services provided by Integrated NDE Solution.

Understanding Positive Material Identification

Positive Material Identification (PMI) is a non-destructive testing method used to verify the alloy composition of materials. PMI ensures that the materials used in manufacturing processes meet the specified chemical composition, thereby maintaining product quality and safety standards. This verification process is crucial for industries where material composition directly impacts performance, reliability, and safety, such as aerospace, oil and gas, power generation, and pharmaceuticals.

Importance of Positive Material Identification

Quality Control: Ensures that materials conform to the required specifications, maintaining the integrity and quality of the final product.

Safety Compliance: Verifies that materials meet industry safety standards, reducing the risk of failures and accidents.

Material Verification: Confirms the correct alloy composition of materials, preventing mix-ups and ensuring proper material usage.

Regulatory Compliance: Helps industries adhere to stringent regulatory requirements and standards.

Cost Savings: Prevents costly material failures and recalls by ensuring the correct material is used from the start.

How Positive Material Identification Works

Positive Material Identification is typically conducted using two main technologies: X-Ray Fluorescence (XRF) and Optical Emission Spectroscopy (OES).

X-Ray Fluorescence (XRF) Analyzers

XRF analyzers use X-rays to excite the atoms in a sample, causing them to emit secondary (fluorescent) X-rays. These fluorescent X-rays are characteristic of the elements present in the sample, allowing for a semi-quantitative chemical analysis. The key steps in the XRF process are:

Preparation: The surface of the material is cleaned to ensure accurate readings.

Excitation: The XRF device directs X-rays at the material, exciting the atoms within the sample.

Detection: The device detects the emitted fluorescent X-rays and measures their energy levels.

Analysis: The energy levels correspond to specific elements, allowing for the identification of the material's composition.

Optical Emission Spectroscopy (OES)

OES involves exciting the atoms in a sample using a high-energy spark or arc, causing them to emit light. The emitted light is then analyzed to determine the material's composition. The key steps in the OES process are:

Preparation: The surface of the material is cleaned and sometimes ground to create a flat, uniform surface.

Excitation: The OES device generates a spark or arc that excites the atoms in the material.

Detection: The emitted light is collected and passed through a spectrometer.

Analysis: The spectrometer measures the wavelengths of the emitted light, which correspond to specific elements, allowing for precise material identification.

Benefits of Positive Material Identification

Non-Destructive: PMI does not damage or alter the material being tested.

Accurate: Provides precise and reliable identification of alloy composition.

Quick and Efficient: Delivers immediate results, enabling rapid decision-making.

Versatile: Applicable to a wide range of materials, including metals and alloys.

Portable: PMI equipment is often portable, allowing for on-site testing.

Integrated NDE Solution in Pune: Leaders in Positive Material Identification

Integrated NDE Solution in Pune is a leader in non-destructive testing, offering a broad spectrum of services, including Positive Material Identification. Their expertise, state-of-the-art equipment, and commitment to quality make them a trusted partner for industries requiring reliable material verification.

Comprehensive NDT Services Offered

Positive Material Identification (PMI)

Remote Visual Inspection (RVI)

Magnetic Particle Inspection (MPI)

Ultrasonic Testing (UT)

Radiographic Testing (RT)

Liquid Penetrant Testing (LPT)

Eddy Current Testing (ECT)

Portable Hardness Testing

Ferrite Testing

Industries Served

Integrated NDE Solution in Pune caters to a diverse array of industries, including:

Aerospace: Ensuring the safety and reliability of aircraft components.

Automotive: Inspecting critical parts to prevent failures.

Construction: Verifying the integrity of structural components.

Oil and Gas: Ensuring the reliability of pipelines and equipment.

Power Generation: Maintaining the integrity of infrastructure components.

Pharmaceuticals: Verifying the composition of materials used in drug manufacturing.

Positive Material Identification in Action

Case Study: Oil and Gas Pipeline Inspection

In the oil and gas industry, the reliability of pipelines is crucial. Integrated NDE Solution was approached by a leading oil and gas company to conduct PMI on pipeline materials. Using advanced XRF analyzers, the team verified the alloy composition of the pipeline materials, ensuring they met the specified standards for corrosion resistance and mechanical strength. The inspection helped prevent potential failures and ensured the safety and reliability of the pipeline network.

Case Study: Aerospace Component Verification

A major aerospace manufacturer required PMI for critical components used in aircraft engines. Integrated NDE Solution employed both XRF and OES technologies to verify the alloy composition of the components. The precise identification confirmed that the materials met the stringent specifications required for aerospace applications, ensuring the safety and performance of the aircraft engines.

Advanced Positive Material Identification Equipment

Integrated NDE Solution in Pune utilizes the latest PMI equipment to ensure the highest level of accuracy and reliability in their inspections. Some of the advanced equipment includes:

Handheld XRF Analyzers: Portable devices that provide rapid, on-site analysis of alloy composition.

Stationary XRF Analyzers: High-precision instruments used for detailed laboratory analysis.

Mobile OES Units: Portable units that offer precise material identification in the field.

Stationary OES Systems: Advanced systems used for comprehensive laboratory analysis of materials.

The Role of Certified Technicians

The effectiveness of Positive Material Identification largely depends on the expertise of the technicians conducting the tests. Integrated NDE Solution in Pune employs certified technicians who undergo rigorous training and continuous professional development. Their skills and knowledge ensure that clients receive the highest quality of service.

Commitment to Quality and Safety

Integrated NDE Solution in Pune is dedicated to maintaining the highest standards of quality and safety. They adhere to international standards and best practices, ensuring that all inspections are performed with utmost precision and reliability. This commitment to excellence has earned them a stellar reputation in the industry.

Customer-Centric Approach

At Integrated NDE Solution in Pune, customer satisfaction is a top priority. They work closely with clients to understand their specific needs and tailor their services accordingly. Whether it’s a small-scale inspection or a large industrial project, they provide personalized solutions that meet the highest standards of quality and reliability.

Why Choose Integrated NDE Solution in Pune?

Expertise: Extensive experience and technical know-how in NDT services.

Technology: Utilization of the latest and most advanced testing equipment.

Quality: Commitment to providing accurate and reliable results.

Customer Service: Focus on building long-term relationships through excellent service.

Compliance: Adherence to all relevant industry standards and regulations.

Conclusion

In industries where precision and reliability are non-negotiable, Integrated NDE Solution in Pune stands out as a leader in non-destructive testing, particularly in Positive Material Identification. Their dedication to quality, use of advanced technology, and customer-centric approach make them the go-to choice for businesses across various sectors. By partnering with Integrated NDE Solution, companies can ensure the integrity and safety of their materials and components, safeguarding their operations and reputation.

Integrated NDE Solution in Pune continues to set the standard for excellence in non-destructive inspection. Their expertise in Positive Material Identification and other NDT services is pivotal in industries where safety and reliability are crucial. As technology advances and industries evolve, Integrated NDE Solution remains at the forefront, offering unparalleled service and support to their clients.

In conclusion, for businesses seeking the highest standards in Positive Material Identification, alloy composition verification, and comprehensive NDT services, Integrated NDE Solution in Pune is the trusted partner that delivers results. Their innovative approach, advanced technology, and unwavering commitment to quality ensure that every inspection meets the stringent requirements of today’s demanding industrial environments.

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[metamatar]

In 2005, the tellingly named studio After Stone wall Productions released a film titled Dangerous Living: Coming Out in the Developing World. Featuring interviews with various LGBT activists from different countries outside the West, spliced up and lumped together haphazardly, the film delivers the following overarching messages: that it is not safe to be queer in the "developing world," that what queer spaces do exist in the "developing world" are to be found in certain metropolises: Cairo, Kuala Lumpur, Calcutta, Rio de Janeiro—and that these sites trace their genealogy to the Stonewall riots. Furthermore, according to the film, queerness/gayness and sometimes transness (when it is acknowledged) were invented in the West. Epistemic breaking points such as the Stone wall riots and canonized locales such as San Francisco and Greenwich Village are the originating points of this innovation against the backdrop of a timeless, pervasive heterosexism. This cosmopolitan gayness/queerness then "spreads" from the metropole to the periphery, forming a web from city to city This coincides with Jack Halberstam's (excruciatingly white) analysis in his book In a Queer Time and Place: the idea of "metronorma tivity" that "the rural is made to function as a closet for urban sexualities in most accounts of rural queer migration" and that "the metronormative narrative maps a story of migration onto the coming-out narrative" (2005, 36-37). We can extend Halberstam's analysis further and see the ways that the closet/rural/(post)colony as well as out/urban/metropole get col lapsed onto each other—the queer is always pulled closer to the heart of capital.

The overarching savior narrative occurs towards the end of the film, when each interviewee, in clips spliced together, tells his or her story of emigrating to the West. After a particularly heart-wrenching story of Ashraf Zanati's departure from Egypt, the narrator comments that "Ashraf Zanati left Egypt. Ashraf had become part of a planetary minority." Although the film purports to care about the status of queers in the "developing world," it actually forms a wounded attachment that fetishizes displacement and bifurcates the queer from his or her society. This narration of non-Western countries as inherently unsafe for queer subjects produces the very displacement it describes, in a manner similar to the ways nine teenthcentury colonial archaeology laid the foundations for Zionism and the dispossession of Arab Jews. Writing about the European "discovery" and destruction of the Cairo Geniza—a building that had housed pieces of paper documenting centuries of jewish Egyptian history—Shohat (2006) shows us that the discursive/ archival dislocation of Egyptian Jews by the forces of European/Ashkenazi colonialism anticipated the later dislocation of Egyptian Jews. This dislocation would form part of the backbone of Zionist historiography's production of a "morbidly selective 'tracing the dots' from pogrom to pogrom." The fetishization of queer displacement, as projected by Dangerous Living, performs a similar historical flip to the one Shohat documents: "If at the time of the 'Geniza discovery' Egyptian Jews were still seen as part of the colonized Arab world, with the partition of Palestine, Arab-Jews, in a historical shift, suddenly became simply 'Jews'" (Shohat 2006, 205). Through various colonial practices, there was a discursive bifurcation between the "Arab" and the "Jew"; in the case of case of Dangerous Living there is a similar bifurcation between the "Egyptian" and the "Queer."

Papantonopoulou, Saffo. “‘Even a Freak Like You Would Be Safe in Tel Aviv’: Transgender Subjects, Wounded Attachments, and the Zionist Economy of Gratitude.��� Women’s Studies Quarterly, vol. 42, no. 1/2, 2014, pp. 278–93. JSTOR, http://www.jstor.org/stable/24364930. Accessed 11 Nov. 2024.

[baldudiable]

moon signs observations

aries moon : the most impulsive and impatient aries placement there is. they usually are very open when it comes to their emotions, even the destructive ones. they aren’t afraid of confronting people, even if they are somehow less powerful than the person they are facing. the child of the zodiac has strong feelings that are hard to contain, but as they grow they learn to tame them and communicate them in a non-violent way. they are ambitious and self-starting. the blessing that comes with aries moon is that its natives aren’t really afraid of failure. hell, they don’t even consider it. whenever the feeling of desire for a goal or a person arises, they quickly go after it. it’s only after having tried that they wonder whether the experience was worth it or not. 

taurus moon : taurus moon is all about being present with one's emotions. it’s hard to get them to change their mind about something or to get them out of a rut, because they want their feelings to be processed organically. they know that the easiest way to do that is to just take their time. they don't like being rushed through anything. to other people, it might look like stubbornness, but it’s just a need that taurus moons have. since the moon is exalted in taurus, it's paramount for them to savor experiences, even negative ones. it just feels natural to be able to feel both the good and the bad. the downside to this moon is that it can make you addicted to pleasure, which makes sense since it is venus-ruled. these moons usually have at least one attachment to something that isn’t necessarily healthy. they know what gives them pleasure, and they intend to delight in it. 

gemini moon : these moons are moody. you never know what you’re gonna get with them. they are either going to be extremely talkative, nonchalant and funny or they might decide that it’s their serious, deep and probing side that they want to show this time. they love meeting people and getting to know them, but at some point they might be feeling insecure and decide to be silent instead. gemini is mutable, and the moon is all about how you deal with emotions. when the moon is in gemini, the way you feel and the way you react is constantly changing. you might expect them to always be detached because of their airy quality but that is far from the truth. mercury rules gemini, which is about the way one communicates. it’s hard for these natives to hide how they are feeling because their words — or the absence of them — always gives them away. the other noticeable thing about this moon is its indecisiveness. it’s even worse than libra. with their big imagination, gemini moons see all the possibilities that come with their choices, which makes it difficult for them to make one and to stick to it. their stance changes according to the way they are feeling at any given moment.

cancer moon : cancer moons are the most protective with their emotions. they don’t talk about their feelings as openly as other placements. they might be open about their experiences but it’s only through analysis that you understand how they are actually feeling. with the moon being at home in cancer, these natives are a lot more sensitive than other placements. when I think about this placement, I cannot help but notice how avoidant it is. these moons are simply too scared of facing their feelings because of fear of drowning themselves & others in them. cancer, who is represented by the crab — an animal that crawls into its shell when threatened — knows how vulnerable it is and simply refuses to let people know about it. maybe cancer moons' sensitiveness wasn’t welcomed or encouraged in the past and they now feel like they have to put on a happy front all the time, but what is certain is that they are not unfeeling.

leo moon : leo moons have no boundaries when it comes to expressing their thoughts or emotions. sometimes, they will tell their whole life story to people they barely know just because they feel like it. they cannot hide the things that make them who they are because they place a lot of pride in them. it’s logical these moons are always shedding a light on their inner world since it's ruled by the sun. the downside that comes with this configuration is that they sometimes pretend to be more confident and capable than they actually are. they refuse to accept that they have flaws and that there things about them that need to be improved. these moons become boastful and arrogant when they feel threatened. they can of course become as great as they pretend to be, but only once they have accepted that they aren’t perfect and that there is room for refinement.

virgo moon : virgo moons always end up placing other people’s needs above their own. it’s very hard for them to say no to people even when they have a lot on their plate. being of service gives them a sense of satisfaction, but also leads them to forget about their own needs and responsibilities. although they want to have time or energy to take care about themselves, they hate feeling unhelpful. these moons have to learn about balance, otherwise they're always going to feel unsatisfied. virgo moons cannot help but see the negative in any person or situation. instead of appreciating them as they are, they think about how they can be perfected. they end up losing that precious thing because they weren’t able to see how beautiful it was. when that happens, it’s usually too late for them to get it back. they then blame and criticize themselves for taking it for granted, and the cycle goes on. 

libra moon : these moons were brought up to always consider how their actions affect other people. maybe their assertiveness and independence were dismissed and they were encouraged to comply to others’ desires instead of their own. in any case, they try hard to please other people and make them feel at ease. it’s really important for these moons to have people they can give their love to. they usually come from families where affection was freely given and ressources equally shared. they are die-hard romantics. they are often involved in unsatisfying relationships as they are scared of being on their own. being alone and not having romantic feelings for someone makes them feel lonely and insecure. libra is all about balance; this moons need to have another person it feels it can relate to.

scorpio moon : scorpio moons love hard. so much so that they are blind to the pain that they are enduring at the hands of others. what’s often said about them is that they are unforgiving, which is true to a certain extent. but it actually takes them a long time before realizing that they are getting poor treatment from someone and finally deciding to call it quits. once they do though, they leave that person behind as if they had never existed. more than most people, scorpio moons are aware of the darkness that exists in all of us, as they have been exposed to it from a young age. their often traumatic childhoods have made them more empathetic and understanding. but these very qualities often lead them to endure even more trauma. what these moons need to realize is that it’s not their job to change or save other people, they have to do the work themselves. they have to realize that they don’t have to stick around to see if a toxic person is gonna get better, because they might not. they should withdraw when encountering these kinds of individuals if they don’t want to lose themselves again in the process of loving them . 

sagittarius moon : for sagittarius moon, home is where the heart is. these people are always on the move. they don’t remain in the same place, relationship or job for long. when they feel like there is nothing more to learn from it, they leave. what’s most important for these moons is to grow. staying in the same position and not being stimulated makes them feel stagnant and restricted. but going after new experiences all the time can also lead them to feel unstable. since it’s hard for them to commit they might not have a lot of people around them that they feel they can rely on. but even if there aren’t many people close to them, they can always make it in life; they are usually skilled in many things that can bring them success. 

capricorn moon : it’s hard getting to know these moons. they don’t just let anyone into their hearts. they usually had to grow up early and take on many responsibilities. maybe they were the eldest and had to take care of their siblings or their caregivers were just very demanding and harsh with them. in any case, their seriousness and drive to accomplish usually follow them into adulthood. they put a lot of pressure onto themselves to become successful. since the moon is in detriment in capricorn, it’s harder for them to feel open, vulnerable or at peace. they usually distract themselves from these unproductive emotions by staying busy and working. the good thing about this placement is that they are very determined and focused which grant them the ability to become masters at any skill. 

aquarius moon : these moons are profoundly curious. they like getting to know people and forming deep relationships with them. as the sign of fellowship, they have an important need to connect with other people. for them, friends are like family. what's often said about them is that they are detached and don’t seem to feel anything. to me, it just seems that they react rationally to most situations and need time to process what it means to them emotionally. like gemini moons, they have the ability to talk about their feelings without getting overwhelmed by them. it is true that they can be avoidant when it comes to romantic attachment though. whenever someone suitable approaches them, these moons reject them because that person doesn't quite fit their ideals. but these ideals often are just an excuse to prevent them from actually being vulnerable and giving someone else the power to hurt them. 

pisces moon : like scorpio moons, pisces moons are compassionate to a fault. they are sensitive and love being able to lend a listening ear to those who need it. but what often happens is that people grow dependent on their selfless energy. and since these moons have a hard time establishing boundaries, they give more and more of their themselves until they are exhausted emotionally. they then disappear for long periods of time in order to recharge. it’s hard for these natives to realize that they are being taken advantage of which pushes them to stay in unhealthy dynamics for longer than they’re supposed to. at some point these just decide to leave these relationships without expressing their frustration because they don't like confrontation. people with this placement can be also self-destructive. their emotions are so powerful that they try to escape them in any way that they can: through substances, sex, or television. these watery moons need a creative outlet to express what they are feeling inside unless they wanna get lost in their addictions. 

[lych33dragoncookie]

Only the masterpieces that survive the fiercest flames earn their place in history.

(Analysis post)

Alright, they absolutely cooked this update. Like, undeniably so. I was admittedly not that huge of a fan of the last 2 beast yeast chapters we got; they had really good ideas, and Mystic Flour is a wonderful character, but... Dark Cacao hasn't really been done enough with for it to feel like it had the amount of weight it could have, and it really doesn't feel like much about him actually changed at all. Combine that with a complete lack of interesting dynamics and you have a lot of very good and genuinely pretty well thought out story concepts with extensive cultural research, executed in a way that feels more like a traditional old-school story that weakens the attachment the audience feels to the components of said story.

Here, though? I have no complaints so far. It was absolutely wild in fact, to the point where I don't think it's gonna happen again (nor am I entirely sure it should ever happen again). This was back to back, non-stop, smack to the face one after the other. The moment the first point of conflict came up, it was just shit happening left and right; even in the mandatory moment of rest where we chill out for a bit, it's revealed that hey, these sandstorms? Yeah the sand is actually ashes. It's the remains of all the people that live here. Whether they died off on their own or were killed by someone else.

And if that wasn't enough, very shortly after;

... It's fucking crack.

So, people die and kill each other here very frequently, and not only are their remains visibly on display, their ashes also become sandstorms that make it near impossible to navigate the land; on top of being something that people snort like cocaine to become more energetic and aggressive.

We started fucking wild, dude. This whole thing is pulling no punches.

Though, I do wanna note; I really, really enjoyed the interactions between Smoked Cheese and Golden Cheese. It shows not only how forgiving she is, but how these two have known each other for an incredibly long time, and know each other well. They're incredibly comfortable around each other, despite it all, and despite how brazen and Very Much Not Strategic the queen here can be. I really, really enjoyed them.

Always fun to see a recovering villain do things for good, but in their own unique way that's still not exactly heroic but definitely effective and, at times, very gratifying.

Though I enjoyed all this, there's one thing I wanna talk about above all else.

The star of the show. Note that every single part was enjoyable, of course, and he wouldn't be half as interesting without Golden Cheese Cookie to serve as a parallel, but they've cooked up something special here.

So far, Burning Spice's extent of onscreen appearance is very, very short, but... I don't think I need to tell you that he's already made an impact and a half.

Christ, that's violent. With the sound effects and everything too, god damn. But, I'd be lying if I said this wasn't a pretty superficial source of judgement for this character. It's very very telling of what kind of person he is now, what he's all about, what he's willing to do, what he likes doing, but...

More than anyone else in recent memory, the devil is in the details. So let's look at those details.

Nothing too much so far, other than how much he absolutely loves destruction, but there's already a trend; namely on "Nothing lasts forever. It's as simple as that", "In the end, everything becomes dust.", and "You, too, shall see that destruction is the only way.". There seems to be an infatuation with the natural process of everything fading away, turning to dust and dying out. An entirely honest one, believing that there is just about nothing else to life. These will be important to keep in mind.

Here, we see a bit of his current relationship with his own immortality. He doesn't seem to mind the idea of losing it, finding something that may eventually take him down, but he still takes great pride in it. These lines, in text, seem somewhat miserable (and trust me, they definitely are), but the voicework in just about every language conveys that they are said in a more neutral, even potentially proudly manner. Again, not much on their own, but...

Here's where we get into the fun part.

This. This is the crux of their character. At the start, him and Golden Cheese cookie were more or less the same. Benevolent royalty, close and personal with their subjects. Beloved, and loving.

And then, they lost it all.

One way or another, their kingdoms were lost, reduced to almost nothing. They were overcome by grief, desperate, unable to cope with their loss. One tried to latch on as hard as possible. Preserve what she could, blindly, replacing the harsh truth of reality with an idealized, constructed world, where no one would ever have to know pain ever again. She shut herself off, and retreated in the safety and peace of a false reality. She would rather have lied to both herself and all her subjects than face reality. And eventually, she had to learn to move on. Let herself and her kingdom heal more naturally, facing reality. The other, meanwhile, was desperate to let go. He detached himself, trying to move past the pain of loss. But, of course, he couldn't force it to happen. No one can. And so with the grief of losing that which he held dear, continuing to be faced with the reality that nothing is forever, over and over, while he endured, the world slowly turning to ash around them again and again... It's no wonder something in there eventually cracked.

What will it take to destroy me. Nothing is forever, and yet, I am.

Nothing is forever. And yet, I am.

With time, misery turned to mania, and in an attempt to overcome their grief, they embraced it, in the worst way possible. A coping mechanism gone horrendously wrong. That destruction, that loss, the inevitability of death... It's not painful, no. It doesn't have to be. It can be thrilling. Exhilarating. A new reason to live. If all you care about turns to dust anyways, if that's really the only logical destination... Why not have some fun with it? Why not embody that inevitable, unstoppable force? Why not become what you fear, so you no longer have to be afraid anymore?

... You know, at least that's what I think is going on here. The next chapter could contradict this reading, but... From what all we have right now, it seems like Golden Cheese and Burning Spice are two completely different paths for the exact same type of pain. They are, in a way, the same, but diverge in almost complete opposite ways where it counts.

Spice is genuinely equal parts absolutely terrifying and absolutely miserable; a balance that is incredibly hard to strike in writing, but always absolutely fascinating and wonderful to observe when it happens. I have to say, the more I found out about them, the more I couldn't keep my eyes off everything they have going on.

I'm loving every little bit of this update. Mad props to the devs for cooking something up here that I am genuinely incredibly invested in, almost to the same degree as White Lily and Dark Enchantress. Banger update. Absolute S tier material.

TL;DR: Burning Spice is terrifying, miserable, and ridiculously cool. Everything about this update was an absolute merciless flurry of consecutive gut-punches. And I loved every second of it.

... Now we sit and wait for Shadow Milk's release next year.

[huginsmemory]

Thinking about how deliberately colour coded the touden siblings are to the winged lion. Like they have gold eyes and blond hair, directly correlating themselves to the winged lion by colour scheme... And when they both become monstrous, they BOTH are represented with feathers around their neck and chest areas; as the red dragon has no feathers but chimera Falin DOES is interesting as it points to something specific to Falin... only to be repeated when Laios shifts and has the same feathers in the exact same area suggesting it's something unique to the Toudens. I mean whether that really has merit is obtuse really, but if we're going for the winged lion representation angle it makes sense. Interestingly, Marcille also has blonde hair but she has green eyes; not so obviously tied to the winged lion, even if she ends up becoming the dungeon master.

And I wonder if it's a representation within the touden siblings at how by the end they represent/become the lion. Laios is very clear; by consuming the winged lion, he 'becomes one' with the lion, in the most base sense of what you eat you literally are made of... and also in how incredibly horny the panel is. And then quite literally his result of eating the winged lion he's doomed to forever feel hungry and never feel sated; the same thing the winged lion represents, desire without end. He becomes in a way, the winged lion, a human representative of him, after his body also quite literally becoming the human representative of the winged lion, when the winged lion walks around in his own skin. The two of them are foils; both driven by the desire to consume, one a monster and with a desire to consume chiefly humans, while for the other a human the desire to consume monsters, and they in the end swap places; the human becoming a monster and a monster becoming a human, each granting each other their forms. They become in that way instrinsically twisted, and the tables turn on the Lion as the Lion instead of feasting on Laios becomes the one feasted on instead in the same way the Lion normally feasts; again, Laios becoming the lion. Of course, the lion represents more than just un-ending desire, chiefly the portion which talks about the issue of capitalism unchecked desire and consumption. But I think in a way, perhaps that's what is also being hinted too; the way within a community people can help check other peoples desires or help people have desires as is seen in the end with both Marcille and Mithrun. A non-destructive representation of the winged lion one might say. Also, one may say he also becomes the true 'lord of the dungeon' as the winged lion ceases to exist, Laios now ruling instead, taking the winged lions place.

In regards to Falin there's perhaps less obvious or deliberate foiling in comparison, but I think she still by the end in a way represents the winged lion. Chiefly, I think, by her in the first place, being alive; the black magic that brought her back is exactly what invited the winged lion to their world in the first place; without the winged lions existence through the tapping into outside reality, Falin would not be alive. In much the same way, her flesh was created from the red dragon, a creation of the dungeon, and so winged lion. She's only alive in the beginning because of the winged lion, so she represents in a way that no other person does in the manga the winged lion; not a prey of the winged lion, but a creation, or something saved through the winged lion. It's also interesting to see that what she retains is her feathers (even if they're white, not gold) once she's again revived.... squints suspiciously.

Anyways I think there's probably also a lot more coherent things that can be pulled from this analysis but I'm just rambling on about it tbh...I need to reread the manga...

[greensun]

THE BIG QSMPSTUCK LOREDUMP AKA: I finally get to do all the lorebabble I wanted to do.

EDIT (11/1/2023): THIS VERSION IS NOW OUT OF DATE AND DOES NOT INCLUDE THE PEOPLE IN THE ICE CUBES. I AM CURRENTLY REWORKING PARTS OF THIS BUT MOST SHOULD STAY THE SAME FOR THE NEW POSTS SANS BAGHERA, KAMETO, AND DANTDM'S CLASSPECTS! LOOK FORWARD TO UPDATED POSTS IN THE FUTURE.

SOME NOTES: 1. I have a very specific version of qsmpstuck going on with my art I make that I made with a group of friends (thanks Slimercord!) 2. There are other people who made other classpects and takes on QSMP characters that are more character based, mine is not that case, it looks at how QSMP as a whole would work as a full sburb session, and balancing how many people would be on each aspect or class to carry that motif of Homestuck's balancing/equal duality theme. This means I am looking at and using Classpects as a narrative & plot device, not necessarily a personality test like how someone would classpect a real person (This is how the Extended Zodiac works, and why I choose to ignore it for character classpecting. It works great for classpecting real life people though, so by all means you can use the EZ for you and your friends!). 3. AND WITH THAT! It means two people per aspect and and class, with the exception of space and time having three people, and knights and heirs having three people. 4. FAIR WARNING: IF YOU HAVE NEVER READ HOMESTUCK, THERE IS LOTS OF DEATH IN IT, WITH LOTS OF RESURRECTIONS. I WILL BE DISCUSSING DEATH IN A VERY JOKING MANNER HERE! 5. For posterity in case things change in the future: This post was made August 2nd 2023, after the French were added, and right before the Election arc finished. I'm sure if I came back to this after QSMP is over my classpecting would be different. (Updated August 20, 2023)

I'll add this again at the bottom but if you want more of my notes and thought processes or just more qsmpstuck in general here's the link to my tag for all qsmpstuck on this blog, and here's the link to all qsmpstuck on my regular mcyt blog. (my regular blog includes other people's qsmpstuck takes & reblogs however! But every classpect analysis I reblogged in there w/ an anonymous ask sent to the OP was me on anon lol)

HERE WE GO! The big ol google doc sheet I had to make for this. Every note on that godtier order list is how we decided the character would godtier, and we still aren't even technically done! I have so much information built up for this AU I am not sure I could include all of it in this post.

CLASSPECTS

Anyway, in terms of classpects, the way we went about deciding was 1. Finding symbolic meanings we felt fit the characters best 2. If the classpect was funny and had a fun double entendre to the character 3. If we really struggled, we went and picked up Dahni Witch of Light's classpect analyses and found which class fit a character best within an aspect we had a vague idea of. I find Dahni's analyses to be the best at classpecting non-homestuck characters with, because they give enough leeway in interpretation and are somewhat broad, while still applying as a fictional character's story arc, rather than solely a personality test. We also basically ignored most classpect's assigned "role" concept thingy, they were too nebulous in meaning to help much, with the only ones we kept being Sylphs are the passive creation class with Maids as the active creation class, and then Bards are passive destruction, Princes are active destruction.

AND NOW BACK TO THE CUBES YOU CARE ABOUT: As stated before, we did lay it out so we (mostly) only had two per aspect and class, to get that true fan session balancing spirit. Space/time and knight/heir are the only ones with three members. Here's how the outfits look!

My favorites here & their reasonings are: - Etoiles: Sylph of Blood - We all agreed him getting a classpect that is at least somewhat silly would be fitting, but all immediately came to the conclusion that he would hands down be a blood player. From his love of fighting, and the way he goes about befriending everyone he meets to help them, he's just so blood player. To balance out our initial silly classpecting idea, we made him a Sylph! It fits, like, really well! He creates friendship, he helps people, like. What more could you want from a classpect for him. - Mariana: Maid of Doom - I sent these two asks to this other person about this and liked their reasonings lol. - Spreen: Prince of Breath - Look I'm a Spreengirl I think he would play a great active destruction class and he takes away other's freedom (in minecraft). He kills people. He's just so Prince to me. It's really funny. - BBH: Knight of Life - Do you know how funny it is to take a guy who's whole thing is that he's like entirely black and red themed and put him in the burlap sack outfit. Also Knight & Space player frog breeding combo. He's working with Foolish on those frogs. - Foolish: Page of Space - This guy is the ultimate builder of all time ever. He was hands down the easiest to look at and go Oh he is THE space player here. - Fit: Prince of Space - Y'know 2b2t and hacked clients and griefing people? Prince of Space. Plus since he's a space player, soooo - Philza: Knight of Rage - Another great Space & Knight combo. This guy is such a hater on QSMP (positive) he doubts easily distrusts whenever necessary. Such a rage player. - Missa: Bard of Time - Missa is really failgirl I know quite a few people haven't like... watched much of his MC stuff. However you should check out when he had to be placed in a box to fish by himself so he wouldn't die a third time in Minecraft Extremo. He's a perfect Bard, and then he does music. Great set up for a Time player. Wouldn't want it any other way. - Antoine: Seer of Void - truly. Truly. A guy I looked at for two minutes and immediately knew what classpect he needed. That scene where he just like lightly questioned Cellbit after he escaped the federation and it made Cellbit so nervous he started just saying things that made him look way more nervous than necessary? Core Antoine moment for me. The fact he has a basement filled with so much writing on every candidate? The fact he hides his true face so much? We don't even know what's going on there? Void Player. Seer. So fitting it's beautiful to me. - Felps: Maid of Breath - Look, breath is THE aspect of freedom and doing what you want at your own pace. I think I would be committing a cardinal sin if I DIDN'T make Felps a breath player. - Tazercraft: Witch of Doom & Page of Time - They get to do a fucked up glitch timeloop. With these two classpects they can literally do whatever they want forever. Witch of Doom is a classpect that you give to a character if you know they can rip everything to shreds, have fun doing it, but wouldn't (usually) use it to actively hurt people out of true malice (for no reason) (a witch can DEFINITELY respond negatively if push comes to shove). Page of Time is so funny as a classpect also. Just like... Look up what the Page godtier outfit looks like. You'll see what I mean... And why Pac is a page. - Rubius: Waste of Breath - This classpect sounds really mean, sorry. I promise I like Rubius. He's supposed to be a stand in for what the Hussie author insert was in Homestuck, opposing Doc Scratch and fighting him. Hussie was a Waste of Space, I wanted to keep the pun with waste here. Breath worked the best. The federation has a Lord of Blood ability to counter him. Neither of these two count for the main classpect total.

One day I might post a copy of the google sheet and link it for more in-depth reasonings for every character, but like... almost everyone had reasonings like this where we spent waaay too long analyzing everyone LMAO. This is getting long as is, so I'll cut off classpecting here.

DREAMING MOONS

I am about to say something that will make people either really mad or really happy. There is no canon true definition of what assigns you a dreaming moon in Homestuck's text. The only thing we can glean from canon about which moon you get is that Prospit humans make their bed in the morning, and Derse humans don't. Needless to say, this doesn't help when you want to individually give each person a dreaming moon, but it IS great news for me: it makes assigning dreaming moons based on dividing the cast in half really, really easy. That is how it worked for the troll session, it was cut in half with teams, and then assigned based on red team vs blue team. So that is what I did here. All of the English speakers were given Prospit, and all of the Hispanic side were given Derse. This has lore relevance. We'll get back to it in a moment.

Also for note, the Federation is Prospit, with Dersite carapacians being a more nebulous identity against the Federation. Hispanic side was given Derse because they just seem more like Derse guys. Plus the whole Time on Derse/Space on Prospit theme going on in original HS canon is something I kinda wanted to go along with.

Quackity was given dual dreamer, with one of his dreamselves being ElQuackity, hence why he isn't listed. To balance this, we had to make another dual dreamer, and figured handing it to Kameto, who basically is permanently lost in the void, would be a good balance.

The French and Brazilian sessions were assigned using the "well this character would make sense here" method.

Server/Client Orders & Session Chains

If anyone needs a brief refresher, a client is the person you get into a sburb session, and a server is the person gets you into the session. Everyone is a client and a server to someone different. (tl;dr John was Rose's client, Rose was John's Server.) THAT BEING SAID! It means the loop for sessions close once you're all connected to both a client and a server. There are three separate sessions here, and one of them is a mobius double reacharound.

For clarity, the arrows mean: Client <- Server

The Original session, the mobius double reacharound, is the Spanish-English session. The order is

Quackity <- Mariana <- Spreen <- Roier <- Missa <- Vegetta <- Maxo <- Luzu (<- BBH)

BBH <- Foolish <- Slimecicle <- Jaiden <- DanTDM <- Fit <- Philza <- Wilbur (<- Quackity)

Because of the nature of a Mobius Double Reacharound, it means BBH and Quackity enter the session first, by technicality. The first person in a session is also the person who does the ectobiology. Unlike the troll session which only had Karkat as the ectobiologist, if Q!Quackity were the sole ectobiologist, no clones would be made and everyone would be stuck in a paradox, so I think it's funnier if BBH and Q had to work together on Ectobiology. I find their dynamic hilarious. Anyway, Luzu and Wilbur had to be the last in their respective chains, because no one else would be able to enter.

The next chain is the Brazilian closed Session, which is

Forever <- Mike <- Pac <- Felps <- Cellbit (<- Forever)

As previously mentioned, Pac e Mike (uou uou) have very good classpects to make up for the fact they have no space player. I'll come back to this.

The final chain is the French closed session. It goes

Baghera <- Antoine <- Etoiles <- AyPierre <- Kameto (<- Baghera)

They have balanced moons! They have a space player! They have a seer even! Both light and void! However, in missing a time player, they are forever doomed to fail the session.

LANDS OF PLANETS AND PARTNERS

Now I can finally explain actual lore. My apologies for making you read about 1000 words before this.

The Hispanic-English session is glitched. There is not a planet for each person. They have to share planets with a person from the opposite dreaming moon, generating lands that are a combination of two different aspects entirely. The planetary pairings for this prime session are the same pairings used for the initial egg pairings.

I really love designing lands for Sburb AUs it's my favorite thing in the world. The first one is the Land of Acid and Alcohol, Slimecicle (Heir of Heart) and Mariana's (Maid of Doom) land. Its oceans are acid and gasoline, and then covered in bottles that are a Russian roulette of alcoholic beverages, and then Molotov cocktails! The second is the Land of Steam and Dreams, Roier (Witch of Blood) and Jaiden's (Seer of Hope) land. It's filled with buildings built in an industrial revolution style architecture, playing on how people could believe in social mobility and "making it" in that time period, while also being reliant on heavy metallic machinery! I have a lot of fun conceptualizing lands.

The session's glitches don't stop at the planetary pairings on their own however, and it continues when Luzu attempts to enter the session. The session glitches from him being BBH's client, where it refuses to match pairings if they're connected directly, as the game would be unable to generate the gates above each player's house, it would simply loop back to connecting with the same Land. Luzu ends up being paired onto Quackity's land because of this, because the Game still detects him as having a dreamself on the opposite moon, even if he technically has both.

This causes BBH and Wilbur's land to glitch, and they end up paired together (as a bit of a nod back to how BBH and Wilbur were initially intended to be paired, before admins just made a new egg for Wilbur). We'll get back to this in a bit.

Some other lands from the AH session I enjoy are - The Land of Lush Forests and Iridescent Lakes, also known as LOLFAIL, BBH and Wilbur's land, which is a double Life player land, so the oceans are filled with gemstones and the land is covered in the most dense forest imaginable. It has the most difficult underlings spawn on it compared to any other land in the Anglo-Hispanic session. - The Land of Frogs and Typhoons, Spreen and Fit's land, which every space player is guaranteed frogs as part of their land, combined with Spreen being a breath player, it is a constant hurricane with frogs in it. They do not work on trying to calm the storm. They just start killing the frogs. There are so many frogs. The frogs are constantly flying at anyone who enters the land. Fit's slogan is FTF. Thank you to crow qsmp-yaoi for saying this idea because it truly brings me to tears every time I think about them being hit by those frogs flying at Mach 10. - The Land of Synapses and Static, Maxo and DanTDM's land. It's a darkened land, caused by Maxo's void, and then covered in a blanket of constant fog so thick a lighthouse can barely cut through it. The land also has mimicking noises to make familiar sounds to any player that steps on it, caused by Dan's Mind. It is an overbearingly lonely land. One where you understand what it truly feels like to be alone. One where you can lose someone as soon as you take your eyes off of them. Maxo last saw Dan on this land. No one else has seen him since.

I'm going to stop myself here, but I might come back and draw some more Land illustrations for these, haha.

Denizeggs

With the planetary partners, you might have seen this coming. Each planet in the combined session is missing a Denizen. Instead, what each player finds at the heart of the land is a little egg they need to help raise. They all find eggs at different points, however. Some people find their egg before they godtier, some find them afterward.

All of the eggs correspond to the land of their respective parents, however Luzu joins into the session too late to ever meet Tilin, second to last of the chain, she's already dead by that point.

And then the final major glitch in starting this session, when Wilbur joins as the final member of the chain, and enters, the only land open is BBH's land. Due to the nature of Sburb already knowing how things would end, it was always going to be this way, and there was no other option on who's planet he would join. The game glitches again, and detecting a second Prospit player, spawns in a new Denizen: Tallulah.

The eggs generally follow how they were in QSMP proper. Some of them die early. Some of them don't. Juanaflippa is as tragic as she is in canon. Two dads who are just bad at raising a child and it would have never worked out. Slime still kills Tilin by accident. Spreen doesn't care about Ramon, ditched him etc you know how it goes. The eggs are partially a planet quest too, so it's best if the eggs do live here.

Also in the glitches with this, there's a lack of consorts on any of the combined planets. There are a few, but not really as common as canon proper would have.

BRAZIL! 🇧🇷

The Brazil Session is a closed session between the five Brazilians. One of the requirements to complete Sburb is that you need a Space player (required to have forge in order to complete the final genesis frog & launch it into creating a new universe) and a Time player (required to keep the session in the proper timeline). The Brazilians have a time player (Pac), so they're halfway there!

There's some hiccups along the way. Mostly just Cellbit accidentally killing Felps and having to sprite him so Mike could make him a robot body to live in, but same old same old etc. Pac and Mike also kill each other by accident, but some other stuff happens there.

They still don't have the main aspect to actually continue the session, realize this, and also have a guy with one of the most conceptually powerful classpects to exist in terms of being able to glitch a game and save everyone. They manage to contact the primary session, reaching out to two grieving parents who are desperate to do anything to revive their daughter, one of whom is also a very powerful Doom player.

Brazilian Lands (brief edition)! - Land of Vultures and Culture, Forever's land, is a Hope land based around having Forever work to help save consorts who are hiding beneath intense structures and live in very isolate communities from each other. There's also massive megafauna in the skies that are always trying to kill them. - Land of Electronics and Experiments, Mike's land, is a pretty typical doom land, based around Chume labs, and has a constant lightning storm overhead - Land of Dancefloors and Dollhouses, Pac's land, is a combination of a land quest he has to get through, and a typical time land. All time lands have a clockwork or a music theme, I think him having a hot pink land that's massive amounts of dollhouse rooms attached to each other he has to make it through is just a fun concept. - Land of Cloud and Sky, Felps's world, is just a land with everything high in the sky. His whole quest is about him harnessing his ability to go with the flow to connect his consorts together. This is hard when he's sprited himself after dying upon entering due to Cellbit fucking up and accidentally killing him, and living in a robot body built by Mike. Aradia style. - Land of Searchlight and Bone, Cellbit's world, is a giant panopticon style prison. With so many bones, both decorating the prison, and filling the prison cells. His final moment is when he gets to the office of the panopticon, and it is his quest bed. He has a whole ordeal over it.

RICARLYSON! So these guys have regular consorts and Denizens, Richarlyson spawns in the heart of Skaia, and gives the quest for the other five guys to raise him.

Pac (Page of Time) has the ability to manipulate time as he wants once he realizes his abilities. Mike (Witch of Doom) can rip a hole in the universe so big it saves all of the players and sets them smack in the middle of another session, especially a previously contacted session with the connection being a Maid of Doom. With a time player land as well, they get a scratch construct on the Land of Dancefloors and Dollhouses, setting up their ability to scratch their session and set loose a whole new universe where theirs once stood.

French

The French session has probably the most normal planets of everything going on here, what really starts their journey going awry is that they have no time player.

Antoine, being a Seer of Void, can see something is going wrong. He makes contact with people outside of their session in an attempt to restore things to balance. He goes off into the veil and contacts the horrorterrors, and sets up a connection between two Doom players who seem they both desperately need it.

While he's doing that, the rest of the French proceed to have the most normal Sburb session out of anyone. Etoiles is having a great time on his planet. Aypierre gets a genesis tadpole. Kameto has two backup lives.

French Planets (Brief Edition) - Land of Apples and Airplanes, Baghera's land! It's probably the nicest land of anyone's. There are many jokes about how she doesn't get why everyone keeps complaining about their lands being horrible until she reaches theirs. - Land of Sham and Soil, Antoine's land, it's a dark land with tall dirt towers that make it impossible to see where you step. You'd need to be someone who could find where you're going in the pitch dark to even survive here. - Land of Bonds and Breakouts, Etoiles's land, is a land of a giant maze dungeon labyrinth. It's a nightmare for everyone but him. He loves it. - Land of Bogs and Frogs, AyPierre's land, is a land with frogs in a very thick swamp. I'll be honest i Just need to cook on this one some more. - Land of Hidden Leaves and War, Kameto's land, is a Naruto joke.

POMME! Is like Richas she's in the middle of Skaia. An easter egg if you will.

The French session is brought into the primary session when Antoine manages to contact with everyone else fully, rather than quietly watch from the outside. Etoiles and Baghera lose their original selves, and are their dreamselves when the universes collide in, and were unable to godtier, due to not knowing about the quest slabs.

GODTIERING! & the rest of the chronological story

THIS is the order of the godtiers from the beginning of the Spanish-English session. Anyone in the other sessions who godtier before their universe collide event has a red numeral to keep them distinct. I feel pretty strongly almost everyone would godtier here, they're all characters based on gamers. Sburb au works exceptionally well when you know everyone's gaming style.

Also, yeah I have notes listed on each godtier order for how each person dies. Like it's that detailed atp.

Spreen has the highest kill count out of everyone on purpose. I think he'd be down to cut his friends down knowing they'd be revived immortal afterward. As well as, the federation is Prospit in this scenario, they want everyone to godtier. I think him playing to what they want out of him feels his style. Anyway, he sprites his own dreamself due to ElQuackity messing with timeloops. To make his living player self trust him, Spreensprite convinces him to godtier Roier first. It is himself he's talking to, after all. Roier becomes the first godtier in any universe, and not out of his own volition. After seeing it really did work with Roier, Spreen godtiers himself. He gets li'l bear ears ala Jade getting doggy ears with her dreamself sprited, he threw in a Rubius cubito to his kernelsprite first. I like the bear ears I'm biased .3. q!Spreen being really fun in a Sburb concept is why I got hooked on this au after all.

After the first lore is repeated, BBH godtiers himself by decapitating himself with a sendificator to fuck with Foolish. He's kinda bitter about getting beige clothes. He befriends the midnight crew at least. This is before he has Dapper. He finds out about godtiering from Roier by accident and then is like. Oh I have the BEST idea.

Vegetta is killed by Spreen by request, wanting to be stronger to protect Leo, and then Spreen godtiers Missa in order to use his time powers on Derse to throw his dreamself at the kernelsprite, locking the time loop. Anyway, Missa is essentially locked in a tower on Derse's moon after this, now permanently in his Dreamself's body, who hadn't awoken prior. Fit realizes people are walking around in weird clothes, hears about it vaguely from BBH, sends a text to Spreen who'd been ghosting him, and goes like. Hey man. Wanna kill me? And gets his first reply in months.

Phil is attacked by an overpowered monster and almost dies, and Missa manages to get the message to Fit that this is happening through time shenanigans, and Fit manages to get him to his questbed before he fully dies and loses his dreamself. Phil is not happy about this and could not be angrier. He doesn't blame Fit though it's like a self anger thing.

THE BRAZILIAN CASCADE HAPPENS! PEOPLE DIE. By which I mean Slimecicle and Mariana work together to try to help the Brazilians into the session in a bid at saving Juanaflippa, hoping one of them have the ability to revive her. Slimecicle is murdered in the crypts of Prospit by Quackity in a duel, where he cuts off Quackity's arm in exchange for Quackity cutting down his life. Truly one of those luck moments where Charlie dies on his questslab. Mariana is murdered at the same time by Spreen, who is now fully working under orders from the Federation.

Pre-cascade, Pac and Mike both godtier, because they stumble into a stable timeloop, by Mike accidentally glitching Pac's questslab into throwing it at him and killing him. He godtiers with this. Now, as a fully godtiered page of time, they make it to Mike's questbed, and godtier!Mike nudges Pac's slab at Past!Mike to pick up and throw when fucking around with powers.

Felps godtiers in the cascade along with Mariana and Slimecicle, they leave behind Derse and its moon, and they both get destroyed. Where his body sleeping on the quest slab godtiers. Aradia style. Except... as a Maid of Breath, his robot sprite body doesn't explode. He just sort of... exists in both. When one falls asleep the other wakes up. The rest of the Brazilian session just assumes the Cascade fucked with his robot body's energy sources. He kind of just figures each side is a weird dream he keeps having.

Cellbit is staunchly anti-godtier, while Forever wants someone he trusts to godtier him. Cellbit refuses to godtier Forever, and causes a major fight between them. Then Spreen murders Cellbit into his godtier under orders from the Federation, which is preceded by a long Scooby-doo-esque chase, where BBH sees them both, and decides to follow. BBH is a fully godtiered Knight of Life here, he has resurrection powers for other players, and Spreen is functionally immortal as well. BBH 100% catches up to him after he kills Cellbit, and proceeds to put Spreen in a torment nexus of dying and undeath. Thus ends the Killing Spree(n).

AND THEN THE FRENCH CASCADE HAPPENS! The final session connects, and Baghera sacrifices herself to make it happen. After they make it in, they learn about Quest slabs, and there's a whole thing with Etoiles dramatically getting her to her questslab before she fully dies. Etoiles then proceeds to go kill himself on the questslab immediately after. Felps is also hanging out with the French, they found him hanging out in the void and take him with them. They lose Kameto in the void however, nobody's really sure where he went.

Pre-French Cascade, Antoine is the only French player to godtier, and no one will explain how it happened. It seems like no one really knows, but Etoiles keeps saying more fantastical descriptions every time someone asks. He's never taken his seer hood off of his face.

Back in the order of the godtiers, Forever befriends Baghera, and eventually her and Etoiles and Cellbit help him godtier. It's a whole event. Richas is having a blast.

Bobby dies, and Jaiden decides to godtier in order to get into the Federation's good graces, as well as out of guilt of feeling that if she were stronger and godtiered she could have saved him. Roier godtiers her.

AyPierre is godtiered in a tragic accident with one of his many machines. Etoiles helps pull him to his quest bed. He's a Thief of Space he has fun with it.

Foolish is the second to last person to godtier, and he is godtiered by Pomme by accident. He wanted his godtier to be as cool as possible, and somehow managed to not godtier by this point. It's just very him. He's down with the page pants.

Quackity is the final member to godtier. BBH kills ElQ at one end of the universe with the aid of Maximus. Slimecicle kills the regular QQ in one final duel.

At the end of the universe, the only people left alive and able to contact the rest of the sessions to never godtier are Wilbur and Maxo.

DanTDM disappears on the Land of Synapses and Static, never to be seen again, along with Turnip following soon after.

Luzu finds a glitch and is absorbed by it not long after he enters.

Nobody is really sure if Kameto godtiered or not.

MISCELLANEOUS NOTES

We're currently working on figuring out sprites for everyone, so hey! I might come back and add an update on that, but this post is so long my computer is lagging. I have a gaming laptop. It shouldn't be doing that. Here's some stuff on the sprites we do have + some misc notes.

Cellbit's flashlightkind is like how Kanaya's lipstick works. It's a chainsaw.

Spreen has Spreensprite, BBH has Skeppysprite, Missa has a sprite that is a mysterious skull sprited twice called Skullskullsprite, and Roier has his dog with a spiderman called Dogmansprite, and Jaiden has Arisprite, who's Miku & Ari combined :D (thanks icarus!)

It is 5 am as I finish typing this and queue it. I think I started typing this at 5 pm yesterday. Feel free to comment any thoughts you have or play around in this au! Also feel free to @ me if you do, either on my main mcyt blog (@etoilesbienne), or here!

qsmpstuck tag on my art blog / qsmpstuck tag on my regular mcyt talk blog

[dailyanarchistposts]

In last EF! Journal (Yule, 1990), Chris Manes responds to the question "Why are you a misanthrope?" by saying "Why aren't you one?" After all, humans have a 10,000 year history of massacres, wars, ecocide, holocaust, etc., so the burden of proof is on us non-misanthropes.

I would like to respond to Manes' challenge, and my answer has nothing to do with humanism, anthropocentrism, or the belief that humans are a "higher" life form. Unlike Murray Bookchin, I reject that claim from the git-go. I believe in biocentrism, and think that all life forms are equal. I agree that human population is totally out of control. And I am as appalled as any misanthrope at the havoc that humans have wreaked on the natural world.

But I disagree with Manes' conclusion that the problem is "humankind." You cannot blame the destruction of the earth on, for example, the Quiche tribes of Guatemala or the Penan of Malaysia. These people have lived in harmony with the earth for 10,000 years. The only way you could identify the earth's destroyers as "humankind" would be to exempt such people from the category of "human." Otherwise you would have to admit that it is not humans-as-a-species, but the way certain humans live, that is destroying the earth.

Manes briefly acknowledges that these ecologically sound human cultures exist, but he dismisses them as trivial because "the fact is most of the world now mimics our dissolute ways." This statement completely ignores the manner in which "most of the world" was forced to abandon their indigenous cultures or be destroyed. You cannot equate the slave and the slave-master. Only after massacres, torture, ecocide and other unspeakable brutality did the peoples of the world acquiesce to the conquering hordes with their culture of greed and destruction.

Technocratic man, with his linear view of the world, tends to see tribal societies as earlier, less evolved forms of his own society, rather than as alternative, simultaneously existing methods of living on the earth. The presumption is that, given time, these cultures would somehow be corrupted like ours. But there is no evidence whatsoever that these ancient civilizations would have changed without our violent intervention. So it is not humans, but industrial-technocratic societies, that are destroying the earth.

In the same manner that misanthropy blames all humans for the crimes of the industrial/technocratic society, so does it blame all humans for the crimes of men. The list of atrocities for which Manes condemns the human race—massacres, wars, ecocide, holocaust—are not the work of women. Of course a few women can be found and paraded out who participate in the male power structure. But by and large, throughout history, wars and atrocities have been the territory of men. And the societies that engage in them have been run by men, in the interest of men, and against the interests of women. By categorizing as "human" traits which are actually male, misanthropes are being androcentric (male-centered) instead of biocentric (life-centered) as they claim to be. Vandana Sheeva of the Chipko movement in India put it best. She said the problem is not humans. It is white, technocratic men who are destroying the earth.

So misanthropy is not a form of humility, as Chris Manes says. It is a form of arrogance. By blaming the entire human species for the crimes of white, technocratic men, Manes conveniently avoids any real analysis of who is responsible for the death of the planet. Not surprisingly, Manes himself is a member of the group that most benefits from our consumptive society—privileged white urban men.

If the purpose of philosophy is just to play mind games, then misanthropy can be seen as provocative or enticing. But if the purpose of philosophy is to help us analyze the crisis we are in so that we can try to find solutions, misanthropy fails. It preserves the status quo by refusing to distinguish between oppressor and oppressed. It goes against one of the basic instincts of all life forms, preservation of the species. And, without contributing anything of value to an analysis of the problem, it alienates us from the people we need to work with to bring about change—people whose ideas are grounded in reality and experience, not in college textbooks.

[covn]

Tree of Void Emanation

The void of non-being emanates existence through a generative process and pattern which produces systems of increasing complexity and representative power. At the twelfth emanation we reach what is likely a limit of usefulness in balance with complexity.

Each emanation builds contains and is connected to the previous emanations. The term “sphere” is used as is common in platonic and qabalistic systems as an to reference the formative principles of each emanation. The term “path” describes the connections between the spheres.

Each sphere is counted in two ways, once by sequence starting from zero and again by prime number starting from one. Zero and one represent the identity functions of addition and multiplication. Each subsequent is then given its own sigil which is produced from merging the numeric sigils of its sequence and prime. The pronunciations of the spheres are similarly generated by combining the pronunciations of these numbers.

From this numeric skeleton the story of manifestation is developed upon it both as structured metaphor and ontological framework. Exploration of this framework reveals formulas and techniques for relating to and manipulating reality through the arts of magick.

Chaos 0⋮1 - nĕsh-hĭn - /nɛʃ.hɪn/

Existence emerges spontaneously and without reason from Void. Existence requires no reason. As the Void has no quality whatsoever it is in no way restricted making it the root generative force. This is the fundamental nature of existence. It is spontaneous and without purpose or design. All possibilities assert themselves into being at once, each becoming a “one”, a unity of existence unto itself while retaining nothing in itself.

Process 1⋮2 - hĕzh-ēsh - /hɛʒ.iʃ/

That which asserts itself into being does not exhaust possibility. Every aspect of being is incomplete, retaining its relation to void while constraining and permitting that which may follow. Each emmanation leaves space for the next emmanation so that the process may continue. All connection is made possible by what is left undetermined and reality is never fully manifest.

Pattern 2⋮3 - ēs-ŭzh - /is.ʌʒ/

As the process of manifestation proceeds the shape of the unmanifest spaces influences that which may follow. This causes patterns to arise that unify the discrete units of being. Though each is completely free and separate, they are also manifest as a unified pattern. It is precisely because of incompleteness that these units are able to also become a new unity.

Form 3⋮5 - ŭm-o͞os - /ʌm.us/

Within pattern there emerge forms defined by the pattern and yet independent within it. For example, 5 & 7 are a twin prime pair as they are both prime with a difference of 2. Other twin primes pairs include 11 & 13, 17 & 19, 29 & 31. All prime pairs greater than 3 & 5 have the property of having their sum being evenly divisible by 12. This form of a “prime pair” is well known in mathematics but primeness, divisibility, and addition were not in any way defined in order to produce this form. Number emanates the form of the prime pair. Likewise we may take nearly any game and learn its rules rather quickly, but to learn a strategy is an entirely different matter. Games like Chess or Go give rise to whole vocabularies for naming forms within them. Though the rules teach us how to play, one must become familiar with these forms to play well.

Change 4⋮7 - ăou-chăz - /aʊ̯.t͡ʃæz/

Manifestation may stop at Form to make a complete but static world. The universe of number is a perfect example of static manifestation. Alternately manifestation may remain forever in flux, manifesting and collapsing back into the unmanifest. This gives rise to time and change. Further manifestation takes on a destructive aspect as forms that were can now also cease to be. We move up a level in our analysis to describe types of change and change itself becomes a new type of form. The mathematically inclined may find it useful to meditate on the relationship of a mathematical function and its derivative.

Self 5⋮11 - o͞or-fĕm - /uɹ.fɛm/

In the flow of change through time forms emerge which influence change in order to sustain themselves. These forms are agents of change. Like the first cellular organisms self-organizing around volcanic vents on the ocean floor in the chemical soup of the earth’s ancient oceans. The basic aspect of these agents is homeostasis. These agents direct change to create a dynamic constant. As these agents guide change we may now call this activity Will. In the fullness of emanation we come to identify one of these agents with the self.

Sense 6⋮13 - jŏth-tŏi - /d͡ʒɑθ.tɔɪ/

Agents may be blind actors, no more than a self-catalyzing reaction, or the agent may develop the capability of sensing and reacting to its environment. Sense is the essential element of the encounter of that which is beyond the self. It is the beginning of external self-organization that leads to external manifestation. It is an echo of Process yielded through the incompleteness of the agent.

Thought 7⋮17 - chō-kou - /t͡ʃoʊ.kaʊ̯/

If what is sensed leaves its mark upon the agent then we find the seed for the emergence of representational systems. The agent can now experience itself in time, forming memories, and gains the ability to not just change behavior based on current circumstance but also based on past learning. These internal marks can then be sensed and manipulated and so give rise to symbol, language, and communication.

Desire 8⋮19 - ät-thĕl - /ɑt.θɛl/

Having formed memory the agent now is able to experience the external as something to be sought after or avoided. Want and fear and all the aspects of emotional attachment emerge. Desire attaches the agent to the external and so opens a channel for the external to truly manifest. It is attachment to the world that makes the world. We regard this as a positive development, an overcoming of the limited solipsistic self through desire.

Object 9⋮23 - ĕ-pĕp - /ɛ.pɛp/

Through desire the agent manifests the objectively real. The external is truly manifest beyond whatever sense, thoughts, or desires the agent may hold regarding it, so completing the self-overcoming of the agent. The objective binds the agent while also making possible the emergence of the next level of agency within objective reality. The agent has surrendered its naive omnipotence in its embrace of a new greater level of being in which it only has marginal and indirect power in exchange for a greater state of being.

Subject 10⋮29 - vŭ-sōb - /vʌ.soʊb/

The manifestation of objective reality allows the agent to itself become a manifest object. By surrendering itself into objectivity and becoming limited the agent is able to enter into a space where it can come into authentic contact with other agents manifest as other subjects. Each aspect of the agent obtains and is constrained by a physical correlation. For us humans, this is our brains. Every thought, sense element, and desire is within our brains and is lost to us with disruption of this fragile tissue.

Kia 11⋮31 - fĕ-shĕr - /fɛ.ʃɛɹ/

Kia is the void which remains within manifestation. In the twelfth tree all has manifested and yet Nothing remains. This Nothing is experienced as consciousness, free will, and ecstasy. More than that, Kia is the basis of having any experience whatsoever. All of the aspects of manifestation through the agent can carry on quite well without any conscious experience or free choice within it. In dreamless sleep and in normal waking when on auto-pilot Kia retreats. Kia manifests as the absurd, wonder, the presence of the undefined and unknown. Kia can arise in quiet contemplation, ecstatic overload, and in many ways that open the fundamental questions of being.

[thetwilightroadtonightfall]

It’s the end of May, which means I’m sad and insane about the khux finale again

lol just kidding, I’m ALWAYS sad about the khux finale!

anyway, here’s a ramble analysis-esque thing about how the most tragic trio of all time has hurt me

The Ephemer and Skuld fight is so much more excruciating when you remember that for literally the entire game, all they wanted was for Player to be safe, even if it meant breaking rules and hiding things from them.

Eph and Skuld saved Player from the keyblade war even though they weren’t a Dandelion, and realistically should’ve been left behind to meet their fate like all the other non-Dandelions. Instead, they chose to take Player to the new world and spare them from the trauma of the war, carrying the burden of those memories in their stead.

You have to remember that Eph and Skuld were also on the battlefield during the war, or at least during the tail end of it. They never talk about it on screen, but even if they were only there for a short time, seeing all that destruction, and all those wielders dying on the battlefield when they were basically given a free pass to escape it all, had to have been insanely horrific for both of them.

And then seeing Player, their friend, on the brink of dying, is enough to shake the two of them to their core, and go against their initial beliefs. Eph believed that it would be better for everyone to remember the past, for the future’s sake. And Skuld believed in doing what was right, even if it meant unveiling the ugly truths no one wanted to hear.

The cutscene where they’re talking to Chirithy about hiding the truth is so poignant to me because while Skuld and Eph do feel bad about withholding stuff from Player, after seeing the literal end of the world and them on the brink of death, they’ve agreed that it’s the lesser evil, that it’s worth doing. They keep Player close enough to watch over them. They keep them busy with new jobs, and happy with new friends, blissfully unaware of what they had to endure. Because as selfish as it is, lying to Player is miles better than seeing them in pain. Than seeing them die.

BUT here’s the thing: Eph and Skuld never considered that Player would feel the exact same way about them. That Player would be willing to lie to their faces and “go against what they believe”, turning into the very enemy they were trained to defeat, for their sake. It’s an ironic twist, and the smartest thing Player has ever done, preying on Eph and Skuld’s worst fear in order to ensure they truly fight for themselves and make it out safely, instead of pulling the self sacrifice play they were intending. Player literally used an uno reverse card on them and it worked.

The three of them lied and changed to protect each other, and neither party ever found out the truth in the end. They trusted one another with their lives, and trusted themselves to do what was right on each other’s behalf. And damn, did they do it. khux ends with these three friends beating the shit out of each other, their lives crumbling underneath the weight of how much they care about each other, and as far as we know, they never see each other again. At least not for another several centuries, give or take.

god. Just. god. What the hell did Nomura inject into these three and why am I still crying about it 3 years later???

[mulders-too-large-shirt]

s2 episode 7 thoughts

hmm. hmm. that is the sound if me pondering what i just watched.

(i understand that this episode was an analysis into mulder's self-destructive behaviors when faced with overwhelming grief, but. that does not mean i enjoyed vampire hookup time)

well. we shall start from the top!

i read that it was an episode about vampires which i thought was a weird narrative choice because. hello. scully still gone??? but then i remembered that i too ignored the main quest in skyrim to hunt some vampires and that i had no place to judge

(granted, my main quest wasn't finding scully though. might have given that a bit more priority than saving the whole world. because she IS my whole world)

we open with a guy that looks like joe biden meeting with an attractive young woman. they're making out in a hot tub and we just know someone is gonna get slurped upon. and woe, it be upon us! double vampire attack.

back in DC, mulder gets his old office back! it's covered in plastic. he takes some of it off. he adjusts his calendar from may to november, so we see how much time he and scully had been assigned to other tasks, which also has me wondering how she managed to get a new house that quick.

(also, this calendar is... scantily clad women posing next to tools such as hammers and saws. was this allowed? was this acceptable? was it normal? were the 90's a lawless wasteland and mulder an irreparable freak?)

well. scully is an x file now, and he puts her glasses and id into an evidence bag and closes the filing cabinet which was sooooo evil. but he can't bring himself to put her necklace away. oh man. oh he's gotta have it in case he finds her. he has to hold her close. i'm Fine this is Fine.

so. he goes out to california to deal with the joe biden looking fellow being murdered. and he is not wanted on the crime scene. we know this because someone greets him by saying "nobody called the bureau" and he says "well, they should have" and lifts up the tape to let himself in. because one thing about him is that he's gonna let himself into a place he isn't wanted.

he sees the writing of a bible verse in blood on the wall and says something about their grasp of biblical knowledge being "feeble and literal" and i was like okayyy need to have a theological discussion with him

he then scares the other guy who originally wanted to kick him out by reciting a LARGE amount of facts related to similar cases and it's very much giving photographic memory. got me thinking, have we ever seen this man forget something? (directions don't count. they're confusing. but everything else sticks in that man's brain)

he just needs one thing: a phone book. which he uses to call a blood bank and ask about a new guy. who must be the vampire who did this!

so he rolls up to the blood bank and i'm over here struggling because i do Not Do Blood, and i knew at this point this was gonna be a tough watch, but i didn't anticipate the non-blood related reasons why this would be true

anyway he's sniffing around the blood bank and he hears some slurping and wouldn't you know, this dude is tearing into a bag of the red stuff like it's a capri sun. somehow he gets him into custody, where the dude refuses to talk because the lights are on, and mulder comes in with a lamp he put a red filter over, because he was prepared for vampire interrogation.

the vampire is going on about how what he did isn't murder because it's not like animals hunting prey is murder which is. not the greatest approach in terms of legal defense. mulder tells the guard that the guy is delusional and it's best to play along, and he believed this to be true... until he, quite literally, burned to a crisp in the sunlight. and died.

he's talking to the coroner and rattling off a bunch of vampire facts and says he didn't believe in vampires which is so funny to me because like. why is that where you draw the line, my friend. not at bigfoot and definitely not at aliens. but man. vampires are just too out there for spooky mulder. until now!

the coroner has a very funny line: "you are really upsetting me... on several levels" which seems to be the general effect fox mulder has on people. and also because i felt the same way about his dumbass actions during this episode.

coroner finds a stamp on the dead body's hand, which seems to come from a nightclub. so naturally our fbi agent ends up there.

you often see posts saying that "(insert character here) should be at the club". i fear that this is not the case for fox mulder, but it's possible that it's his suit and tie that are throwing me off. he just doesn't seem like he belongs there. i ask myself, where should he be instead? perhaps some sort of star wars convention would suit him better. a book signing with some author he likes. idk, an interior decorating festival. not here.

i shall use my verbatim words to walk you through the next scene:

"pause. he's talking to a woman who was looking into a compact without a mirror. so. vampire suspect. and now why are they getting so close together. and getting a drink. okay now they're leaving to a new spot together? AFTER she admits to vampirism"

(here she did some stuff that required me to look away from my screen due to my Weak Constitution. but also it would have felt necessary to look away anyway because it was getting... charged)

she tries to get him to... suck on her finger... but he won't do it because aids. which is fair. i think that's a smart move, actually. it's just that getting flirty with a vampire he knows was involved with a ton of killings was such a stupid move, i don't know why it's now the braincells start to kick in.

that kills the vibe, though, so she gets another guy to take his place and things escalate.

mulder pulls in at a restaurant called ra. nice! the sun god! and he is... through a window, witnessing some more slurping action. he seems to want to intervene and save this poor soul being feasted upon...

but the poor soul is no poor soul at all! he comes out and decks mulder, and delivers this line with stunning conviction: "i don't know who you are, freak, but we're two consenting adults" and with this, he is forced to flee.

and yeah. it made me laugh. my expectations for the genre were subverted. he signed up for that shit! what he did not sign up for, however, was the next part, where he was killed by the other vampires.

cut to investigating the crime scene. mulder has brought along a forensic dentist, which is a job i had no idea you could go into. he needs to see about those bites, which are very human.

next they go to vampire woman's house. it's a very nice place. mulder... opens her oven. and sees a loaf of bread in there. and i'm thinking, man, i hope this doesn't go where i think it's going. baked goods... ovens... i never want a vampire pregnancy arc. but he cracks open the loaf and something red spills out and somehow, this to him means that she is gone and isn't coming back. he can read the signs of the bread. so add that to his resume. what did the bread tell you, my liege?

he seems to have stayed in her house, however, because he's there when she's back, and says he knows she was using the bread as a charm to ward off evil. because apparently that's an eastern european thing, blood bread to warn off evil. sound off if any eastern europeans in the chat wanna confirm or deny.

anyway. he's IN this woman he thinks is a vampire's HOUSE? what the hell. mulder seriously i need you to stop and think. like you should have stopped and done some thinking a while ago. honestly i'm not mad i'm just disappointed. and he's like "i want to save you come with me before they kill you" ohhh big tough man needs to save her huh. make him feel good inside. huh. certainly no ulterior motive here...

she's monologing about her horrible childhood and how sweet blood tastes. um girl. don't lie to him like that. i have busted my lip open before that stuff does NOT taste sweet and dangerous. it's like a penny with rust that you found in a parking lot.

it seems her vampiric origin story, if to be believed, is that things simply got too kinky. which is a new take on the genre.

(it's also about being caught in an abusive relationship and the damage that inflicts, but it seems abusive boyfriend came into vampirism at his kinky parties and things escalated from there. which. well. it blew the eyebrows clean off my head, to be fair)

at this point we see that he is WEARING SCULLY'S NECKLACE? he says something like "it's from someone i lost" and she says that she "hopes he finds her"

i did not like the undertones here and certainly not the overtones. because i knew where this was going. he was shaving in her bathroom. and let me tell you something: there is only ever a shaving scene in media because the writer needs a way to get some blood out of someone's body and into the real world. and man. i knew it was coming.

but what i didn't see coming was her SHAVING HIM??? girl. i am uncomfy. and she does, of course, cut him, and then they kiss. aggressively. terribly aggressively. can anyone answer what was going on in a satisfactory manner?

but the gag is: the original vampire- who burnt to a crisp in the jail cell, and was the abusive ex she spoke of- HE'S WATCHING THEM THROUGH THE WINDOW!

he breaks in and taunts the vampire woman about how he had to "wait for her to finish" and i was like cool. thank you SO much for that mental image i'm super happy with it. i definitely don't feel like i need a shower. but then he's going on about how he can't be killed.

here, at the tail end of the episode, we learn the rules of vampirism in this world: a vampire cannot be killed by a non-vampire. and a non-vampire BECOMES a vampire by consuming the blood of a believer and also taking a life. it is only here we realize that this woman is not an actual vampire yet, she just appropriates their culture by drinking blood unnecessarily.

mulder's still sleeping in her bed and she's like "you need to leave" and she stabs the wall to make her evil ex think she's killing him. but when they go to break out, mulder ties him up quite handily and he gets in the car to escape with vampire woman. until ANOTHER vampire woman jumps on the hood of their car. and main vampire woman knocks her out for a bit by running into her with said car, which is super effective.

mulder's leaving the place in shambles, his shirt still unbuttoned, wandering down the side of the hill. back at the house, now that we know the vampire rules, main vampire woman says she can finally kill the evil vampire ex. and he's like how!! you haven't had the blood of a believer or taken a life. so. she licks the blood off her hands (unclear if it's hers or mulders tbh) and says she'll take her own life. and drops a match after pouring gasoline.

so. that brings that to an end. and shabby looking mulder sits on a hill as he learns all four in the house died.

the episode ends with him playing with scully's necklace. which i don't even sort of feel like unpacking right now but maybe another time.

probably not, though, because i just didn't like this episode. and yeah, a lot of it comes down to me not wanting to see mulder hook up with people who aren't scully. can you blame me? is it so wrong to have preferences in this world?

but also, narrative wise- do you honestly see the guy fucking off to cali while scully's still missing to deal with an unrelated problem instead of devoting every hour of his life to finding her, like we saw him do in the last episode? you expect me to think he just puts it off for a lil while? the guy who, just last episode, pulled his gun on the ski lift operator to get to the top where she might be a little faster, and then choked his one and only suspect out of fury? you're thinking this is the guy that's gonna go soak up some west coast rays?

and yeah, he was obviously not himself through the episode- very cold and analytical- but c'mon. we all want to bang a vampire. he's not special. i just personally wouldn't do that if my friend were gone. like how is that gonna help the situation. be so for real. time and place!

and also the whole only learning the rules of being a vampire about 5 minutes before they need it to be plot relevant. that annoyed me too.

overall, mulder, like i said, i'm not mad, just disappointed.

let me know what you thought on this episode- i try to not be a hater, but i also understand that hating in small doses can be good for the soul. if it's a widely beloathed episode i'll feel better in my judgement as i join a long tradition of haters who have come before me.

[leportraitducadavre]

My interpretation of Itachi's character is fairly contrasting with yours. I pose my arguments against your analysis. I hope I would get a lead unto having an unbiased opinion.

Itachi's position in here between was a rock and a hard place. Having witnessed horrors of wars he chose to the stop war. It wasn't the best decision but even still he accomplished many things.

A new Forth Great Ninja war was prevented. Uchihas plan wasn't to reform the government it was to take control of them. Their desires were clearly reflected in their demands. While half of them was about freedom, the rest was only to control village. This, along with Obito's plan for revenge and war, will definitely start a war.

Madara, with the pact, was foiled for more than seven years long enough for the strong Shinobis like Naruto and Sasuke to grow up and defeat him.

Sasuke's life was saved. Itachi would go at all lengths to protect his brother. Afterall, its only obvious he would be over-protective of Sasuke since both loved each other a lot(as siblings).

The Uchiha's reputation were saved. Imagine what would have happened to the Uchihas after the war. The people were already suspicious of the Uchihas and now we will have never ending persecution and would be branded as traitors, doesn't matter if the coup won or lost. The coup wasn't about reforming anyway.

People in the village got to be safe too.

And despite all these he still regretted a lot enough that he wanted the person he adored the most to kill him. Also, no one here is trying to justify his action. A justification and a reason has a clear distinction. Just because there was a reason it doesn't make the acts were justified. He himself acknowledged that. The writer didn't try to justify nor did Itachi himself. People like, Hashirama and Naruto, appreciated the role he played and praised him as a Shinobi.(being seen as a villan while protecting the people isn't easy, btw). They weren't justifying or glorifying his actions in any instance.

He wasn't an absolute nationalist. He he was an idealist. His motivations most cases(especially while making big decisions)were to 'not beget war' and 'maintain peace'. Doesn't matter if Uchihas managed to control the village it still starts war, death, destruction and countless losses which is exactly what Itachi hated from when he was 4. He also wanted to reform the village by becoming a Hokage. He wanted to wiped out the entire ninja system since ninjas were the ones who were used as a weapon for the Diamoyo start constant wars. The Leaf was sort of obnoxious in the time of Tobirama and Hiruzen's regime. But even still, the Hokages were good and passionate and also the people were innocent.

A new Forth Great Ninja war was prevented. Uchihas plan wasn't to reform the government it was to take control of them. Their desires were clearly reflected in their demands. While half of them was about freedom, the rest was only to control village. This, along with Obito's plan for revenge and war, will definitely start a war.

How do you even know it was prevented? Shisui stating that hidden villages will take advantage of Konoha’s civil war to invade was just a fear that was actually constantly proven wrong throughout the series; when Suna invaded and Konoha was destroyed (forcing it to send their most powerful shinobi out of the village to collect money) no other village took advantage of the situation, not even Kumo or Iwa, two of the big five that were not struggling politically or militarily as Suna, Kiri and Konoha were. Kumogakure even tried to kidnap Hinata while in the middle of signing a peace treaty, yet they did nothing against the Hyüga clan nor the village during one of their most vulnerable state.

Furthermore, you mean to tell me that a civil war (I am using that notion generously because Konoha is a military state with a non-civilian population, specifically trained for combat) destabilizes the military and economic power of a city, yet the complete disappearance overnight of one of the village's founding and most powerful clans does nothing to its structure? Other villages wouldn’t see the absence of Sharingan-wielders as an enticing opportunity to strike? Do you mean to tell me that a village was left without police to control it overnight (and their job is considered super important by detractors), yet the city did not succumb to chaos?

Their desires were clearly reflected in their demands.

What were their demands? Enlighten me.

While half of them was about freedom, the rest was only to control village.

Where do you get this information from? There’s nothing of the sort stated in the manga.

This, along with Obito's plan for revenge and war, will definitely start a war.

Obito’s plan needed the annihilation of the Sharingan-wielders as he didn’t want anyone capable of obtaining the Mangekyou to jeopardize his plan to control the ten-tails, Itachi killing the Uchiha literally allowed Obito to start the war!! 

Madara, with the pact, was foiled for more than seven years long enough for the strong Shinobis like Naruto and Sasuke to grow up and defeat him.

… what? This doesn’t make any sense and has nothing to do with Itachi… you mean to tell me that Itachi killing his clan made Sasuke as powerful as he is? Because Sasuke has always been powerful and has always been Indra’s transmigrant, and as I’ve said, Obito wouldn’t have been able to initiate the war (or at least would’ve been incredibly difficult for him) with the Uchiha clan still alive!

Sasuke's life was saved. Itachi would go at all lengths to protect his brother. Afterall, its only obvious he would be over-protective of Sasuke since both loved each other a lot(as siblings).

An eight-year-old was tortured mentally by his brother through Tsukuyomi by watching his clan and parents get killed over and over again, was left to live alone in a compound destroyed by his brother’s actions, having to clean his parents’ own blood and fend for himself –but at least he’s alive… the circumstances and solitude in which he grew is abysmal, traumatic, negligent and inhumane, but we don’t care as much about children’s safety as we do children being just alive.

There were other children in that compound, children that knew nothing of and participated not in the coup to which Itachi didn’t extend the same kindness he did his brother.

The Uchiha's reputation were saved. Imagine what would have happened to the Uchihas after the war. The people were already suspicious of the Uchihas and now we will have never ending persecution and would be branded as traitors, doesn't matter if the coup won or lost. The coup wasn't about reforming anyway.

What “reputation”? The Uchiha were always constructed under a negative light within Tobirama’s system, you lot keep saying they were saved from being seen as detractors when there’s not a single panel that states they were planning to change the system as a whole (rather take down the current government, which is not the same).

Furthermore, to think that they cared about the rest of the population's mindset regarding them is so incredibly simplistic I have to laugh at it –they’re the strongest clan in the village, without Uchiha, there’d have been no village in the first place, and they were already aware of the unfavorable perspective in which they were regarded by others, nothing in itself would’ve changed.

The Uchiha being seen as loyal to the village helped no one but the current system as it is, as they’re seen as a government without opposition, it wasn’t about maintaining the Uchiha’s honor, but keeping the fragile credit of the structure and those in power -if Uchiha died in their own terms, then other clans will know about the clan’s discomfort with the current mindset, and those that feel uncomfortable with it might find a group that validates such sentiments:

Kakashi admits to being uncomfortable with the way he's viewed by the system, he even uses plural when referring to ninja ("we ninja") -meaning there's a communal uneasiness with the whole situation.

The fact that the government silenced detractors (Uchiha) by killing them will only deepen further the general shinobi population's discomfort, which is why is imperative to silence the truth.

[On another note, why do you keep using "honor" as an excuse to execute an entire compound of people? The entire clan was decimated and the whole "honor" of the family rested as another responsibility Sasuke had to endure all by himself thanks to "Itachi's love" -they were left with no honor as Sasuke was forced to restore it! Furthermore, they're all dead! What is "honor" gonna do for them? For the massacred innocents at least? They did nothing wrong and were killed regardless, their honorable nature wasn't even being questioned!]

People in the village got to be safe too.

Safe of what? When was it stated they were going to fight against those who weren’t in power? The problem is they rebelling against those they deem their oppressors but not the government refusing to renounce their power in order to keep the “population they hold so dear” safe? They are both willing to kill innocents (so I guess some people in the village weren’t safe, but in your book, they don’t matter as much), and use the rest of the military population to strike against Uchiha (which is also, never actually stated!). The idea of a “within war” was never confirmed as the Uchiha had no chance to strike, no one is to say they weren’t trying to take power through force yet quietly, no one is to know what was their actual plan as that was never brought to light!

The Uchiha are wrong for wanting to take the power but the government isn't wrong for wanting to keep it, the Uchiha are wrong for their methods to seek authority but not the government for defending the status quo. Uchiha having power would mean annihilation, somehow, despite them being against just their oppressors, not Konoha as a whole; while the government seeks to protect the village despite massacring an entire and most important portion of their militia and one of the founders' clans.

And despite all these he still regretted a lot enough that he wanted the person he adored the most to kill him. 

He regretted nothing, he wanted Sasuke to kill him in order to both give him an objective and to distract him from finding out Konoha’s involvement in the Uchiha Massacre, shouldering the entire responsibility of their demisse.

Also, no one here is trying to justify his action. 

But you are, you wrote point after point why he had to kill his clan.

A justification and a reason has a clear distinction.

What distinction? You need to expand on the notions you think are relevant to you own argument. 

Just because there was a reason it doesn't make the acts were justified. He himself acknowledged that. The writer didn't try to justify nor did Itachi himself. People like, Hashirama and Naruto, appreciated the role he played and praised him as a Shinobi.(being seen as a villan while protecting the people isn't easy, btw). They weren't justifying or glorifying his actions in any instance.

What are you even writing? I’m being honest with that question, claiming to have a reason to kill his clan is used as a justification for his actions! I can’t believe I have to explain that to you. He never said he had no justification (their coup was treated as such over and over, everyone took advantage of them wanting to coup in order to both order the massacre and carry it out!!).

How on earth can you write “People like Hashirama and Naruto appreciated the role he played and praised him as a shinobi but they never justified him”, so are they praising him or not? Them positively reinforcing Itachi and praising him for “his sacrifice” (you see, not only he is perceived as a villain, he is a villain, he killed an entire kin -again, innocents included, in order to maintain specific people in power) is justifying his actions under the notion of the “greater good for the village”. 

He wasn't an absolute nationalist.

He did everything for Konoha! He even claimed himself to be “Itachi of the Leaf!” What are you even talking about?

He he was an idealist. His motivations most cases(especially while making big decisions)were to 'not beget war' and 'maintain peace'. 

Yet his actions concluded in Obito being able to control the Ten Tails with almost no real opposition as the only other Sharingan-wielder was Sasuke.

Doesn't matter if Uchihas managed to control the village it still starts war, death, destruction and countless losses which is exactly what Itachi hated from when he was 4. 

How do you know? Do you have an entirely new manga written by Kishimoto about what would’ve happened had the Uchiha taken over the village? Itachi hated Uchiha since he was four because they brought “war, death and destruction” but not Konoha that actually provoked such wars, deaths, and destruction, what an intelligent boy! 

You have to be a troll because, man, “unbiased opinion” my ass. Also, did you just come to my blog with arguments coming from Itachi Shinden? The story not written by Kishimoto?

He also wanted to reform the village by becoming a Hokage. He wanted to wiped out the entire ninja system since ninjas were the ones who were used as a weapon for the Diamoyo start constant wars. 

Funny, under Hiruzen’s regime he would’ve never become Hokage, furthermore, when did he even hinted to want to become Hokage?? Never in the entire manga. Also, the Daimyo did little to nothing when it came to wars, those were all the Kage’s responsibilities! Dear Lord, did you at least read Team 10’s Arc? Asuma’s background literally explains how the Shugonin Jūnishi fought each other because six of them wanted the entire military power of the Land of Fire to be managed by the Daimyo alone while the rest, Asuma included, defended the Hokage’s existence. 

The Leaf was sort of obnoxious in the time of Tobirama and Hiruzen's regime. But even still, the Hokages were good and passionate and also the people were innocent.

Which people were innocent? The children and non-Sharingan wielders that knew nothing of the coup and were massacred regardless? How can you write “the Hokages were good” while they literally ordered the mass killing of people they swore to protect? How can you use “obnoxious” and “good” to describe the same two people?!

Gosh, the fact that you lot (Itachi stans) don’t comprehend that his involvement in the massacre of his own people alongside the protagonist’s endorsement of state-sanctioned genocide, makes the annihilation of an entire portion of a village a plausible option to handle internal disagreements is disastrous.

Committing genocide against the village’s own people sets a dangerous precedent where future governments can see and use such slaughter as a conceivable, even necessary, tool at their disposal whenever they feel threatened, making any clan vulnerable to the decisions of its government and guaranteeing the silence of possible detractors or even the censorship of constructive criticism of the political, military, economic and cultural system.

Jesus.

[jamiethebee]

(In which I spiral down a rabbit hole with Midoriya that has little to do with @codenamesazanka 's original post that started this (x).  FYI I sorta separated Deku/Izuku to indicate Deku as the hero and Izuku as the person outside of heroics.)

I started thinking about this post again (see the link above) and how Deku doesn’t really understand that non-perfect or sanitized victims exist AND still need to be saved and not by destruction. (The "maybe killing someone does save them" thing is a great way to assuage guilt but it's a stupid copout.)  Deku (hero) and more importantly Izuku (person) doesn’t really understand that though because he WAS a “perfect” victim.  Midoriya stayed quiet and inconspicuous and didn’t make a fuss about the bullying or discrimination he faced, he just kept his head down and hoped that something would change without any real effort on his part.  And if he had died as a result from the bullying he would’ve been hailed as an unfortunate victim (of who? or what? Don’t worry - isn’t his death so tragic? oh well now on to our next news story -), so any critique of society and the individuals who reinforce the status quo don’t actually have to do anything.  I know there’s more nuance here and lot of cultural things happening with this all but I’m not gonna dig into that right now.

Moving on!  Quite frankly the boy didn’t live long enough to get out of his childish mindset and get some “righteous" anger at the wrongdoings and failings of society.  All Might came along when he was still starry eyed and hopeful to lift Midoriya out of the trajectory of his life and Izuku never had any time to get to the point where he comes to terms with the hurt caused society’s rejection of his self and get angry about it.  As such, he can’t understand the league.  It probably doesn’t even occur to him that he's missing that understanding because for him it worked out - he got the attention and support to be able to escape the circumstances of his birth/quirklessness and to leave the box (deku) that society shoved him in. Twice and Toga never had that support – they both lived how they needed to in order to survive in a world not meant for them until they broke down.  (Maybe that's why Vigilante Deku AUs were so popular back in the day - they speedran Midoriya past the hopeful kid stage and to a point where a lot of the fanbase was in their own lives - seeing the issues in the world and wanting to affect change.)

Izuku, for all that he claims to want to connect to the villains, hasn’t given enough thought or empathy to understand how continuing to live a life where you don’t fit in with society can be deeply hurtful as well as the emotional repercussions of having unchangeable parts about yourself be reviled.  This isn’t to say Izuku had it easy -  of course Izuku went through hardships but.... there’s a big difference between living through stuff as a kid and finding a way out of it vs living through that, growing up, maturing, and in turn looking critically at society.  But I can’t bring myself to fault Midoriya for those exact reasons because he's just a kid. He doesn’t have the perspective to see outside of himself – at least not for the villains.  Because that seems to be too far of a stretch for him?  But Todoroki was close enough to Izuku’s mindset for him to help back in the sports festival arc.  I also acknowledge that he's a teenager and IS capable of critical thinking, but from what we've seen, his schools have never actually made the students examine the world they live in - which is a different skill from quirk analysis or historical or literary analysis or the various writing exercises that students go through. 

(Believe me – you can have the brightest kid but, most of the time, unless you point out the shortcomings of their mindsets, it won’t occur to them to look further.  (Not necessarily assuming that they’re wrong, but rather that their consideration of life is not as expansive as it should be. Especially for a kid wanting to be the greatest hero and save everyone.)  For example: many abled bodied people don’t realize how inaccessible places can be until someone brings it up to them or they find themselves in that situation (like a temporary crutch or wheelchair).  It’s through no fault of the able bodied person that they weren’t aware enough to consider it in the first place, but what they do once they realize physical accessibility is an issue, is on them.)  Back to the point – hero society never calls attention to it’s own shortcomings despite the proof quite obviously existing and the people within society don’t seem to spare much thought either. The adults who have seen more of these instances are then of course more culpable in this than the kids who haven't.

So, Midoriya was also failed by society (cough all might cough) as well, but he chose the hero path - to save people. We see him starting to consider the deeper issues in his talk with Uraraka, and the few times he “tries” to talk to various villains shows that he is aware enough of underlying issues - which makes it his duty as a hero to do something about it.  In that way, he is at fault. He chose a profession to devote his life to that should require this of him.  And through his hero work, Midoriya has seen the problems in society and yet he’s chosen to turn away from them (and by problems/them I’m referring to the villains “too far gone to save” and the issues they represent). 

(Sorry Midoriya, but considering we’re nearing the end and you haven’t shown any growth in this area….. I am faulting you for metaphorically pushing your head in the sand.  I do want to be wrong though.  I really want the kid to prove me wrong.)

And he’s able to turn away from them guilt free, in part, because he’s gotten the proverbial thumbs up by his classmates that it’s ok and that they’ll just be better and be model minority heroes and that will fix the problem! Because they’re positive representation!  Or something?  If you can put your mind to it that will fix things! Just try harder! Again, very idealistic but they are kids, so it comes with the territory.  (Horikoshi didn’t have to make them unquestionably right in that approach though.  Toga and Uraraka coming together for the win! The Shoji and Spinner match up not so much.)

Overall, there’s something about how Deku still fit into society's boxes in an acceptable way and never truly faced what existing outside of "acceptability" was like.  Don’t get me wrong it’s tough to live in the mha world as a quirkless person and of course it has its problems and restrictions, but that’s still a box that society provides for, even if the society in question doesn’t like it. 

And I'm not saying that Izuku had to live through a terrible life to understand the villains!  Just that, he has the capacity to look outside himself and be empathetic, but the application of it is lacking, despite knowing there’s problems, despite having LIVED with some of those problems. Extrapolate, boy!!!! You don't need empathy to reach out to others but the whole compassionate/kind Midoriya thing has been touted since the beginning! So I want to see it!

(Not sure how much sense this will make to people, but there’s a maturity that comes about with either time or certain circumstances that can be hard to grasp unless you’ve lived through it.  And quite frankly, Midoriya hasn’t. He went from a perfect/acceptable victim to the top tier of society (heroes).)

(Basically: Midoriya never **matured in the restrictive environment he grew up in and can't emotionally connect with the league who did, because of that. Instead he seems to have internalized the "if they were better" or "if they were truly good" then there wouldn't be a problem because just look at his classmater!, so villains being villains is their own fault and no one else is culpable.)

**centers on the idea that someone starts off as hopeful in regards to their discriminated position in life and over time matures to understand how society supports that discrimination and come to terms with the hurt that it's caused them personally (and in this case to fight back against it)

also, if you made it this far, i'm just having a fun time reading codenamesazanka's posts about the latest chapters

[drdemonprince]

I read your newsletter about "transmisandry" today. I'm a trans man and I generally agree with what you said. However, I was wondering how you would classify a particular experience of mine and other trans men I know irl or have seen online.

In short, I find that in some queer spaces, masculine and/or "binary" (meaning, not non-binary) trans men are treated as outsiders and enemies. I imagine some straight-passing queer cis men experience similar.

This prejudice against masculinity has nothing to do with us being trans, and is in no way oppressive, but it seems to me that some people have a hatred/disgust/discomfort/etc. with masculine men, especially if we are proud of our manhood. I sometimes feel excluded in queer or progressive spaces, and like I have to change myself to fit into others' idea of "acceptable" manhood.

I think this tends to emotionally affect trans men in particular because being a man is generally hard-won and joyful for us. Have you experienced prejudice in queer spaces, especially trans spaces, for being transmasculine? And while I don't believe there exists systemic misandry, is this not a form of misandry, just interpersonal?

Thanks, I really appreciate your work.

Hi there, thank you for great question. What you are describing is certainly a very real and troubling dynamic within both queer and feminist spaces, and it's put me off for a very long time. I have sometimes referred to this as "playful 'misandry' feminism", always with "misandry" in quotes because, as we've already established, it's not a real locus of systemic oppression. I have also sometimes in the past likened it to "Men's Tears Coffee Mug" feminism in its performative, self-congratulatory, typically white feminist stance.*

*in the Koa Beck sense of the term. Someone who is not white can be a white feminist.

I was always put off by performative man-hating jokes and the exclusion of men within feminist spaces because, well, I was one, and because it nearly always played out in transmisogynistic ways that were transparent to me, and because I was a major ride-or-die for men who were victims of sexual violence yet were frequently excluded from survivors' spaces (again, because I was one, even before I realized that I was).

There are a lot of troubling effects that happen when feminist women make a big performance out of finding all men to be disgusting and evil and frequently express disinterest in men's feelings or suffering (which used to be way more common in my estimation, around the early 2010's or so it seemed to peak). I was driven away from feminist spaces as a young closeted trans man because I could see such spaces were not for me or for any of the other men that I cared about and needed support. On the inverse side of things, I have spoken to many trans men who said that "playful "misandry"" feminism actively made it harder for them to realize that they were guys. Men were seen as the enemy and inherently evil and destructive and so they felt absolutely disgusting about the possibility of being a man, or feared transitioning would get them seen as a betrayer of the feminist movement.

As you rightly note, it is not just trans guys who get excluded by such dynamics. Cis men who are genuinely avowed feminists can be driven away by such forces, which is especially upsetting in the case of sexual assault survivors and queer men. Trans women and TMA enbies are excluded from feminist and women's spaces because they supposedly "look like" men to these types, and their own feelings of superficial safety rank above the actual data on who is the most at risk structurally (which is trans women). Butches are regarded in some spaces as too aggressive or unacceptably masculine because of it. And people's analysis of gender oppression just overall sucks when they buy into "playful misandry" style feminism because they go around saying shit like "femme people are oppressed by masc folks." what the hell does that mean. Does a cis, gender conforming feminine woman have less structural power than a butch lesbian? I don't think so.

It seems to me that the big problem here is that "playful misandry" feminism is rooted in a deep deep misunderstanding of the structural nature of oppression. Sexism isn't caused by patriarchy and capitalism, it's caused by "men" and so hating men and excluding them is what will fix things. Men as individuals are responsible for sexism and so women should be as detached from them and unsupportive of them as possible. This logic leads to a TERFy place really quickly, and yes, it also really really damages trans men.

My opinion is that it's best to critique this problem as the political failure that it is: a misunderstanding of sexism as individualistic rather than systemic. That's the core issue from which all the problems flow -- from rampant transmisogyny to the exclusion of cis male sexual assault survivors to the feelings of alienation of trans men. Yes sometimes naming the performative nature of "man hating" jokes and the like is helpful because people recognize instantly what that dynamic is when they hear it. But the "misandry" itself is not the core problem -- it's the shitty gender politics and white feminism.

Does that make sense? To be clear, I think it's something trans men get to talk about. I talk about it from my positionality quite a lot really. I don't think "misandry" is ultimately the helpful or clarifying way to name it, but I will sometimes throw around that term with a TON of qualifiers if I'm discussing the specific interpersonal dynamic of women saying that men are evil rapists innately or whatever. But really discussing the broader gender politics failure that leads to those little shitty comments and looks is almost always more helpful. If trans guys and cis guys are feeling excluded from a space due to these dynamics it's almost always the case that trans women, TMA enbies, butch women, and lots of women of color are too.