#No sound no nothing

[copepods]

mcyt artists get praise for making beautiful character designs out of ugly minecraft skins but i think animators and pmv makers need to also be praised for making very emotional works of art while using crunchy ass shitty stream audio

[chewysgummies]

Okay yeah no- Bye👋😭

[the-crooked-library]

my absolute favourite devil's minion dynamic, ft: my last night's text conversation with my husband

[aimseytv]

im not suffering with depression, it’s suffering with ME!

[llamagoddessofficial]

Nightmare: you amuse me, human. i'm going to make you mine.

You: Like. Like as a partner, or as a pet?

Nightmare: yes.

[yuukirita]

He's doing hand talk :'D Cute and Sad.

[charliewrites99]

The reason why I first thought Goncharov was real, wasn't because of the cast or the poster or the extensive cinematography analysis...It was because the posts that waxed poetic about the homoerotic subtext were higher on the trending page than those that actually explained the plot.

[starfilledsea]

trying to describe black sails to people is my personal sisyphean task. “it’s a pirate show” bad. “it’s functionally a prequel to treasure island but also it’s not at all” bad again, and also confusing. “it’s about pirates trying to destroy western civilization” mostly only true of the second half of the show and also doesn’t fully capture what i love about it. “it’s a pirate show about the power of stories, how civilization uses shame to keep people in line and turns them into monsters, and the power of queer rage. it’s got some of the best acting, writing, everything of any show i’ve ever seen.” the most accurate, but way too long and makes me sound pretentious and insane. send help i just want to talk about my favorite show.

[charcoaldustonmyfingers]

Sick Days 3

[ 1 - 2 - 3 ]

The unfortunate thing about getting sick in a big family is that when one person falls, the rest follow like dominoes.

My poor brother… he was always the one to get sick right after me. He’d always insist blame on whoever was sick first and grumble about it when we checked on him lol

Also you bet that if Donnie lost his voice his brothers would absolutely be teasing him about it. Someone would be all like “I feel a close kinship with frogs, we’re both amphibians” and he’d be seething in the corner typing furiously about the differences between reptiles and amphibians but no one would open their phone.

[lotus-pear]

the dialogue choices in this game should be more diabolical

[batcavescolony]

New Camper #1: hi, we're new.

New Camper #2: yeah, we were told to-

Mr D: MY SONS! HOW ARE YOU? Do you have wine?

Chiron: he's not actually your father, he just wants wine.

Castor(new camper #2):oh

Pollux(new camper #1):so who is our-

Mr D: ...so funny story *waves hand*

Purple grapes symbol🍇: *appears over Castor and Pollux's heads*

Mr D: so about that wine?

[spocksocksrock]

what

[the-holy-ghosted]

god i miss when this artist posted (<- is the artist)

[fictionadventurer]

I love libraries.

I'm browsing the WWI shelves (as you do) and notice a very old book about the war. I glance at the first pages that talk about how one day the war will be over and we'll look at this place and not see any signs of the battlefield.

Then it hits me. And I check the publishing date.

This book was printed before the war's end. Not written. Printed. The physical object was created in 1918, while the war in question was raging and the end was as yet uncertain.

Now I'm standing on the other side of the apocalypse, with this physical link to that era in my hands. I'm living proof that the war did end and life did go on and we can all look at the end of the world as a long-ago memory.

Reading old books is cool enough, connecting our minds and hearts through the ideas of people who lived long ago, but there's something extra profound about holding a copy of the book that comes from the time that it was written. It's a physical link between the past and the present connecting me to those long-ago people. A piece of the past come into the future that gives me the chance to almost take the hand of some long-ago reader, to hold something they could have held, connecting not just mentally but physically to their era, a moment of connection across more than a century.

Excuse me while I go weep.

[nagitosstolenhand]

i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.

i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?

and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.

the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.

deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.

deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.

people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.

[xxcrystalinerose]

Supergiant is absolutely COOKING with their characterizations of Nemesis and Moros.

It's deliciously ironic how the embodiment of divine retribution, meter of justice and avenger of evil, is in possession of grade-school-rivalry level of pettiness against Melinoë. Unfairly taking out her frustrations on Mel (about something that can't be helped wrt. Mel's birthright too!). Regularly steals her lunch money so she can buy more stuff from Big Bro Charon. Forced into the passive position of standing guard at the Crossroads, preventing her from doing what she does best: actively punishing evil. Not to mention the hilarious occasional "I punch you once and I give you stuff. This is definitely a fair exchange" encounters.

On the other hand, the official Bearer of Bad News™, who sometimes engineered horrifying deaths because he and Sisters Dearest get bored on the job, feared and hated by all mortals, is an unfailingly polite, nice guy who doesn't know how to deal with niceties because barely anyone has ever been nice to him (even the Fates bully him sometimes). Receives one (1) gift and instantly suffers critical damage, afflicted with "Down Atrocious" status effect. Sometimes weirdly optimistic and willing to make the best of his time in the Crossroads, to the point of asking Hecate herself to teach him witch stuff.

TL;DR I love Nem and Moros very much and they have ruined my life. Good fucking food, Supergiant writers.