#Natural extracts
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#Essential Oils#Volatile Oils#Aromatherapy#Natural Extracts#Plant Oils#Fragrance Oils#Therapeutic Oils#Essential Oil Benefits#Aromatic Compounds#Herbal Oils
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#Nanotechnology#Plant based green synthesis silver nanoparticles#Green synthesis#Natural extracts#Plant metabolites#Antimicrobial
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SSCPL Herbals Skin Lightening Face Wash | Brighten Your Skin Naturally
Discover SSCPL Herbals Skin Lightening Face Wash, a gentle yet effective solution for hyperpigmentation and dark spots. Infused with natural extracts and vitamins, this face wash promotes even skin tone and radiance. Visit www.sscplherbals.com for more information.
#SSCPL Herbals#skin lightening face wash#hyperpigmentation#dark spots#uneven skin tone#natural extracts#vitamins#skincare routine#radiant complexion
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A3 Lemon Skin Cleanser – 260 ml
#Lemon cleanser#Clear skin#Radiant complexion#Refreshing skincare#Gentle cleansing#Natural extracts#Brightening properties#Revitalizing formula#Nourishing skincare#Hydrating cleanser#Citrus fragrance#Healthy glow#Daily skincare#Rejuvenation#Fresh and revitalized#Essential moisture#Unclog pores#Skincare routine#Luminous appearance#Supple skin.
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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#for those wondering yes this post is influenced by hoyoverse but whatever. its genericized okay#i find it very interesting how split this poll is! I'm dividing gravity/time into 2 equal sections though because i honestly fucked up w tht#given 11-12 options the avg perfect split should be around 8 and 9% each.#didn't expect nature and electricity to be so popular#or vanilla extract tbh
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MILK
#MILK#art#girl#body#picture#color#digital art#nature#fantasy#city#i am drinking your milkshake#mommy milkers#mickey milkovich#egg#whole milk#sugar#ground cinnamon#vanilla extract#bananas
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Round 5 because my polls have gotten lots of love...
I want to give folks the chance to vote for their faves once again (or for the first time if you missed it the first go round)! As always, if you wanna give some love to a meme I didn't put on the poll, let me know and I might do another!
#sorry about your boyfriend#your boyfriend#ea nasir#color theory meme#spiders georg#none pizza with left beef#lord foog the 2st#out of touch thursday#neil banging out the tunes#neil the rat#gandalf big naturals#vanilla extract
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#Nanotechnology#Plant based green synthesis silver nanoparticles#Green synthesis#Natural extracts#Plant metabolites#Antimicrobial
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𝒪𝒷𝓋𝒾𝑜𝓊𝓈𝓁𝓎 𝒹𝑜𝒸𝓉𝑜𝓇, 𝓎𝑜𝓊'𝓋𝑒 𝓃𝑒𝓋𝑒𝓇 𝒷𝑒𝑒𝓃 𝒶 𝓉𝒽𝒾𝓇𝓉𝑒𝑒𝓃 𝓎𝑒𝒶𝓇𝓈 𝑜𝓁𝒹 𝑔𝒾𝓇𝓁 ♡ 𓏲 𓂃⋆
#angel dust#girlblogging#lizzy grant#cherry blossom#lana del ray aka lizzy grant#lana del rey#lana is god#this is what makes us girls#tumblr girls#the virgin suicides#playground love#sofia coppola#lisbon sisters#cecilia lisbon#lisbon girls#nature#vanilla extract#777#vanilla girl#pure vanilla cookie
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Refresh your skincare routine
A3 Lemon Skin Cleanser – 260 ml.
Key Features of A3 Lemon Skin Cleanser:
Gentle and Effective Cleansing: The A3 Cleanser delicately removes impurities, dirt, and excess oil from your skin, unclogging pores and preventing breakouts. Experience a thorough cleanse without stripping away essential moisture.
Brightening and Revitalizing: Enriched with the natural extracts of lemon, this cleanser helps to brighten your complexion, giving your skin a healthy and radiant glow. Experience the rejuvenating effects of lemon and unveil a more luminous appearance.
Nourishing and Hydrating: Along with its cleansing properties, the Cleanser also provides nourishment and hydration to your skin.
Refreshing Citrus Fragrance: Indulge in the uplifting aroma of citrus with every use. The refreshing scent of lemon in this cleanser adds an invigorating touch to your skincare routine, awakening your senses and leaving you feeling refreshed.
#Lemon cleanser#Clear skin#Radiant complexion#Refreshing skincare#Gentle cleansing#Natural extracts#Brightening properties#Revitalizing formula#Nourishing skincare#Hydrating cleanser#Citrus fragrance#Healthy glow#Daily skincare#Rejuvenation#Fresh and revitalized#Essential moisture#Unclog pores#Skincare routine#Luminous appearance#Supple skin.
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Ecologies of Imperialism in Algeria, by Brock Cutler, begins with an account of food poisoning in nineteenth-century French Algeria. A deep rural crisis of drought and famine in the late 1860s had reduced the amount of fuelwood coming into the city of Algiers, leading one baker to use construction debris shipped to the colony from Paris to fire his bread oven in early 1869. The lead paint on that metropolitan rubble, product of Baron Haussmann’s transformation of the French capital, became a toxic element in the bread that sickened settlers in the colony. The author [...] treats this small episode as a microcosm of the divides, the unruly circulations, and the nonhuman actants and processes that characterized the early decades of colonial rule in Algeria, which the French invaded in 1830.
These divisions and circulations include those between metropole and colony, between modern and not modern, between person and environment, between human and nonhuman, and across the colonial frontier with Tunisia. [...]
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The first [of three major narrative veins in Cutler's study involves] [...] bread [...], the consumption of wheat grown on the Mediterranean plains of Algeria [...]. The toxic bread affair of 1869, however, was a reminder that the distance between metropole and colony was not so great. [...] The second vein examines the production of new ecosystem relations [...]. [T]he violence of decades of uneven conquest and the confiscation, appropriation, and enclosure of land and its reorientation toward regional and international [European] markets between 1830 and 1870 thoroughly destabilized rural Algerian life. This fragility turned lethal in the final years of the 1860s, when a series of environmental crises - locust plagues and drought - caused widespread famine and ultimately the deaths of up to eight hundred thousand Algerians. [...] The emptied land and cheap labor that were outcomes of the environmental crises enabled [France] to complete the capitalist transformation of rural Algeria [...]. Another outcome of the environmental crisis was an increase in the number of rural Algerians migrating to cities, where they were perceived as both a threat to public order and a reservoir of potential labor energy. [...]
[D]ivisionary logics, including the line between city and countryside and the modern gendered subject, were being performed, produced, and reproduced in the context of environmental crisis.
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[Another] major element [in Cutler's scholarship] [...] is an exploration of the complex politics of policing French Algeria’s eastern border with Tunisia, in the era before French colonial rule began in the latter polity in 1881. [...] [T]his border, officially demarcated in 1846, was only integrated into local ecosystem relations over the course of subsequent decades. Repeated performance of sovereignty through patrols and taxation of pastoral communities that lived and worked in the frontier commons instantiated the border, but the border region remained resistant to the forms of modern statecraft, such as standardization, bureaucratization, and written transactions, that French authorities preferred. [...] [Cutler] draws on intentionally “mundane” examples to show how they were critical to the steady reproduction of a modern imperial border (p. 47). [...] [A specific] episode of transborder [dispute] [...] in 1869 [...] became a referndum within the settler community on the virtues of military rule and a reminder for that [European] community of [supposed] indigenous incompatability with modernity. [...]
[T]he various divisions illuminated by the story - between modern and not, between inside and outside, and between European and Algerian - were performances staged at various times and places, not eternal features of the society or landscape. The repetition of “divisionary logics,” in the author’s telling, were at the heart of French colonial modernity (p. 149). [...]
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[T]horough reading of the French colonial archive, from official sources as well as memoirs, newspapers, and periodicals [...], [t]he first two narrative threads, on bread and disaster, demonstrate the significance of moments of crisis [...] in actually changing the course of history [...] [and] longer-term [...] ecological transformations. The other thread, however, examines how the mundane performance of modern sovereign power and its divisionary logics, over time, made real or even naturalized the new imperial frontier between Algeria and Tunisia. Both [...] society-wide crises or the steady performance of the mundane logics of power [...].
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All text above by: Jackson Perry. "Review of Cutler, Brock. Ecologies of Imperialism in Algeria". H-Environment, H-Net Reviews. April 2024. Published online at: h-net.org/reviews/showrev.php?id=59842. [Text within brackets added by me for clarity. Bold emphasis and some paragraph breaks/contractions added by me.]
#on here ive previously shared and recommended article excerpts from cutler on borders frontiers and performance of power#he has cited some interesting examples of french official correspondence plotting to cut down forest and enclose land#while officials were explicitly discussing the importance of repetition and performance to slowly naturalize national borders#so that they could introduce idea of property and establish monopoly on force to justify their resource extraction#he cites many sources and if youre into frontiers borderlands etc check out his articles maybe#bunch of fascinating little anecdotes and stories about french officers and also local algerian disobedience and subversion#ruralurban divide and gender performance that subjects had to partake in to remain either legible or illegibile to french#ecology#abolition#landscape#multispecies#imperial#temporal#carceral geography#tidalectics#intimacies of four continents#ecologies
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Remember Us
#ffxiv#dawntrail#dawntrail spoilers#7.0 spoilers#gpose#kitali moonblade#first pose with crimes back weeeeee#naturally it's something angsty lmao#i had to be clever with the angles bc her eyes aren't back yet and that's the most noticeable thing rn#but her hair is long and her thighs are thick so that's good enough for now#facial bones one day we will be friends again but holy fuck#anyways i know i'm not the only one who was thinking of amaurot when they went through living memory#but there was a good amount of juice here for my daughter who has issues with grief and letting go#but also who understands that things are meant to die#wish we could have had some way to like. extract a list of people who were in all the terminals before we shut them down.
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The new big thing in Morocco is Sabra, or more often referred to as cactus silk. You can’t scroll for too long on an a social media hashtag for Morocco before seeing a pillow or rug made out of sabra. From small shops all the way up to massive companies like Restoration Hardware, everyone is scrambling to pull together their product lines.
Sabra products are incredibly popular because they embody the imagination of what people perceive Morocco to be. Simply look up descriptions of sabra product and foreign sellers via their Instagram account who dote wistfully about divorced or widowed nomadic Berber women who search the expanse of the Saharan desert for the finest cactus. And then when the perfect cactus is found under a hot Moroccan sun, the Instagrammers continue, the women undertake the painstaking work of extracting vegan fiber thread by thread only before dyeing it using hand crushed natural dyes via Indigo mud cloth techniques. Beautiful.
At a certain point though when it starts to seem that not only is such a popular product the embodiment of Morocco but also every artisan technique ever known to humankind all available in pillow form for less than $50 USD including shipping on Etsy, you gotta wonder: is any of this even true?
[...]
While in the town, we met with nearly 100 weavers of sabra product and distributors of sabra. The distributors, primarily the most well known, were all incredibly frank in that sabra had never been produced in Morocco and that their businesses started importing rayon fibers because it was shiny, relatively cheap and sold well. We were surprised that they spoke so honestly, but they said it was the first time someone had asked them such specific questions.
We have since tested the fiber and have confirmed that it is in fact rayon. Further, we’ve extensively tested contemporary and traditional techniques to extract the fiber learning from techniques used on similar fibers in Algeria, Mexico and the Philippines. So far all have failed. It’s not even clear if sabra fiber could even be used for basic rope. As a result, we can definitively conclude that sabra as of today is not real, and it’s story just as manufactured as the rayon that it is.
-"The truth about Moroccan sabra: everything you ever wanted to know about the mythical cactus silk agave fiber"
#worth noting that the writers of this article are ALSO selling a product--namely these same pillows in 'bamboo'#whether that's bamboo rayon (made from cellulose chemically extracted from bamboo)#or natural bambo fiber (made from retting or other mechnical processes done to bamboo) is not clear#they do however claim to tell you what they are paying their artisans#Morocco#readings
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