#NEVER clarify NEVER give any context

[the-faultofdaedalus]

listen. tahiti good.

[brittlebutch]

honestly Adaine is so good at clarifying/directing Ayda socially that it begins to circle back to a dynamic of like, Ayda saying "i don't know or understand these rules" and Adaine responding "have no fear, I've been carefully studying and manually interfacing with these for years, I will explain:" in a way that to me is so autism4autism

[mask131]

The truth about Medusa and her rape... Mythology breakdown time!

With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.

Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.

Most specifically the question: Was Medusa raped?

Step 1: Yes, but no.

The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.

Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.

Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.

The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.

Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.

But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)

But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.

Step 2: So… no rape?

Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.

The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.

As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.

So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.

So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.

Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!

Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.

Step 3: The missing link

Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…

Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.

The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.

But what was the reason behind this change?

Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).

“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.

[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]

And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.

CONCLUSION

Here is the simplified chronology of how Medusa’s evolution went.

A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.

B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.

C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.

[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]

EDIT:

For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.

Before the 5th century BCE: Medusa is a full-on monster

From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.

Post 2nd century BCE: Medusa is now a human with snake hair, and just that

[maccreadysbaby]

Writing Tips; Dialogue

Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!

In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.

Now, let’s hop into making it lively, shall we?

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1) PUNCTUATION

Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.

Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.

Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!

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2) ITALICS

Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.

Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.

Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)

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3) DIALOGUE TAGS

Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.

Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.

Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)

Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”

Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)

The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”

Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.

Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”

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4) DESCRIPTION

Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!

Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”

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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.

Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!

If you have any writing tip requests, drop them in my inbox!

[atlaculture]

Hi! Do you have any thoughts on tea ceremonies in the Avatar universe or do you have any resources about tea ceremonies? It’s a massive rabbit hole and I can’t find a concise video on the social meanings (and admittedly long history) or an audiobook. (Is it silly that most of my info comes from anime and analysis of the Tale of Genji?)

Tea ceremony is definitely a field of study that is both expansive and deep. Unfortunately, it's not something I'm very knowledgeable about. I guess you could say it's not my cup of tea.

The best I can do is give you some general guidelines and details regarding tea ceremony:

Firstly, lets establish what tea ceremony is and isn't. We'll go with Wikipedia's definition: "Tea ceremony is a ritualized practice of making and serving tea (茶 cha) in East Asia practiced in the Sinosphere."

Other cultures (Mongolia, Tibet, etc.) also have very rich tea cultures as well, but it seems the emphasis in those cultures is on the context and ritual behind the serving of tea to someone, rather than the tea making process itself. I would distinguish these rituals as being more like tea rites. For the record, I just coined the term tea rite off the top of my head, and am making this distinction to narrow the research that needs to be done here. ^_^;;;

To clarify further, I would also say that wedding tea ceremony is really more an example of a tea rite than a tea ceremony, despite the name. Wedding tea ceremonies place emphasis on showing respect towards the parents, with tea-serving being the ritual that shows this appreciation. The focus is not so much on the brewing of the tea.

Tea ceremony traditions vary by nation and region. I would advise to pick a specific area's tea ceremony when integrating these practices into your story.

Chinese tea ceremony is known as gongfu cha (功夫茶) or "skillfully making tea". It's a sophisticated way of brewing and appreciating tea. This Wikipedia article details the steps of Chinese tea ceremony really well. It even details what materials should be used for all the tea accessories.

The Japanese tea ceremony Wikipedia article is also quite detailed. Compared to Chinese tea ceremony, Japanese tea ceremony seems to have a stronger religious/spiritual connotation, as it's very influenced by Zen Buddhism and Shintoism. There's more emphasis on what type of clothing should be worn and where the ceremony should be performed. Japanese tea ceremony is also unique for its use of "thick tea", powdered tea leaves brewed with a low ratio of water (matcha tea).

Last but not least, the Korean tea ceremony Wiki article. It doesn't seem to be as formal as Japanese tea ceremony, but it does seem to have a stronger religious connotation than Chinese gongfu cha, as many of the traditions developed in the Korean temples.

This video and its YouTube channel are great insights into the world of Chinese tea culture.

Also! Teapets are common in Chinese tea ceremony and they're really cute! You're supposed to pour tea over them for good luck ("feeding them") and they can be used to test the temperature of the tea.

As for how it could relate to ATLA, you could have the Earth Kingdom practice Chinese-style tea ceremony and the Fire Nation practice Japanese-style or Korean-style.

Air Nomads don't have tea ceremonies, per se, but Tibetan "tea rites" as I defined above.

The Water Tribe views tea more pragmatically, treating it as an herbal remedy.

So this is just my very surface-level, cursory knowledge of East Asian tea ceremony. I hope this post provides a bit more direction in your research journey. ^_^;

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[hannieehaee]

finding out you're pregnant - pu

hhu, vu, pu

content: mentions of pregnancy, mentions of marriage, established relationship, initial negative reactions, fluffy outcome for all of them.

wc: 480

a/n: for context, the original prompt was what their reaction would be if they had a bad reaction to it at first and then tried to fix things 😭 personally i dont think any of them would make u feel anything but reassured at being pregnant specially considering their ages lol

masterlist

jun -

he'd be in such immense shock he would have no idea how to react, standing completely still for a long while before giving you a very frustrating reaction such as yelping in shock or just asking 'what?' he'd immediately regret not giving you a better reaction, but he wouldn't be able to get over the shock, causing you to storm away either in annoyance or hurt.

he'd snap out of it eventually, stammering as he followed after you and begging for forgiveness. he'd be so over the moon about it upon processing it, thinking back to his younger brother and how much he loved watching him growing up. he'd be sooo happy to know he'd get to raise a child with you.

soonyoung -

he's a little slow to process things sometimes lol so he'd probably be too in his mind to realize what you said, asking you to repeat yourself multiple times and eventually driving you to frustration. you'd think he was acting obtuse on purpose, when in reality he was far too shocked by the news.

it'd take him a little while for the news to settle and for the happiness from the news to really show. would have to gruel and apologize to you endlessly, feeling horrible for not having had a better reaction for you. literally cries when the news settle, far too happy at knowing you're carrying his child.

minghao -

i genuinely cannot imagine him ever having any type of negative reaction or being too caught off guard by it, but if that were to happen, i think you'd have to have told him in a blunt way that had him maybe bothered by how casual you were about it. maybe that would cause him to be far too shocked by the news to react properly, making you think that he might not be really happy about it.

he'd never let it go too far without clarifying how happy he was, making sure you were happy about it too. would maybe even cry from happiness at the thought of starting a family with you and thinking about what itd be like to see a child of his own grow up with the two of you.

chan -

maybe he'd make some comment about how soon this all was since he's still so young, but i dont think he'd mean it in a negative way, but more so in a shocked way. would have an 'oh shit' moment when he realized he mightve fucked up by not reacting properly, realizing that you must be under so much stress/nerves at the news yourself.

would slap himself over and over at not being a good boyfriend and being comforting about it. would apologize endlessly and reassure you that he was so happy with it all. that if he ever envisioned himself having a baby, it was with you.

[darth-jess]

GalaxyCon 2024: Meeting Hayden Christensen

I have never been someone who cares about famous people. To clarify: I care about them as human beings, like in a very general sense, the way I'd care about any other person I've never met before. I also don't really care to know much about the personal lives of my favorite famous people. For me, at least, knowing things about them can change the way I look at the characters they play, the music they write, or the art they make. And personally, I like to view these things in my own context, not within someone else's.

Because of this, I have never really become obsessed with any particular famous person. I've become obsessed with their art– their portrayal of a character, their music, their writing, etc… but never with the actual person. Why would I? I've never met them before, I don't know them, I don't know what they're like as real people.

So I never really understood those fangirls who scream or faint or start sobbing when they get to meet the Jonas Brothers or Taylor Swift. I totally did not get it.

Then, I got to meet Hayden Christensen this past weekend at GalaxyCon.

And let me tell you, emotional fangirls, I get it now.

I have never been to a con before, this was my first one ever and honestly I don't think any future con I go to will top this one.

I knew going into it I was going to be a little nervous. After all, even though (as I stated before) I don't really care about the actors who play my favorite characters, I can absolutely appreciate how much their acting affected me, how much the role they played on screen changed my own life, as well as their skill as an artist.

And because Anakin Skywalker has been my favorite character in all fiction since I was 6 years old– and has not changed since then– I was very excited. The only favorite characters I had before Anakin were Darth Vader (when I found out they were the same my 4-year-old brain nearly exploded) and Ariel from The Little Mermaid. I was 3 when The Phantom Menace came out, give me a break.

Anyway.

Waiting in line for the photo op on Saturday gave me so much excited anxiety, I felt light headed and a little sick to my stomach– and the entire time my husband was kind of making fun of me (not in a mean way, mind you, he was making me laugh). I kept telling him, "I'm too nervous, I want to go home!" – which wasn't true, but for some reason I kept saying it.

The photo op was super quick, I remember Hayden saying something nice, like "Nice to meet you" or something like that (or maybe I said that?). I only had time to hand Hayden the Anakin Skywalker replica lightsaber I'd gotten the day before and ask him to hold it! I think he said something else, but I literally don't remember because I sort of blacked out.

I barely remember taking the picture.

Then, later in the day, we waited in line for two hours (it was worth it) to get his autograph and the entire time I was trying to stay calm because I was worried that when we got to him I would just stare at him blankly, unable to say anything.

The line was soooo long, and he was sort of blocked off behind these curtains– I think the curtains are there as much for him as they are for the fans. I imagine if he could've seen how long the line was, he would've wished for Anakin's robotic arm to do all those autographs. I would have, for sure.

When we were ushered through the curtains I could literally feel every single beat of my heart, I could hear it in my brain. I felt lightheaded again, and I turned to my husband and said, "I think my heart is going to explode."

Something I noticed as we got closer was that even though he looked kind of tired, he was still nice to every single person in line and made every interaction special. I have no idea how many autographs he'd already done that day– hundreds at least– and he was still trying to talk to everyone who'd come to see him.

Finally, we got to Hayden and he looked me right in the eyes (and like holy aslkdfj that gaze is intense– NICE, but intense) and he said something like, "How are you today?"

And I said, "I'm good, how are you? It's so nice to meet you!"

I have no idea what he said after that because my heart was beating SO LOUD, but he said something nice in response.

And then I finally remembered what I wanted to tell him, so I said, "Anakin was always my favorite character."

He smiled real big while he was signing our poster, and he said, "Thank you, that means a lot to me!"

I wanted to say more, like:

"How much of yourself do you feel like you put into Anakin's character?" – This is something I'm always curious about, because as a writer I feel like I put so much of myself into my writing.

Or:

"I hope we get to see you in more Star Wars projects!"

Or even just:

"I'm so happy you're getting the recognition you deserve."

But I was honestly lucky I'd been able to speak at all, and at this point, nothing else was coming out. And I was slightly worried that if I spoke again I'd say something weird or not make any sense at all.

So my husband took over, and he held up the photo we'd taken earlier from the photo op and said, "Thanks for making me look like the third wheel!"

And Hayden laughed– he actually laughed– and made some kind of joking reply but I sort of blacked out there too because I was so embarrassed!

Finally, my husband said what I'd really wanted to say, "We're just really happy to see you finally getting the recognition you deserve."

And Hayden smiled and nodded, and said, "Really, thank you guys so much, that means a lot."

And then he shook our hands and said it was nice to meet us, and it was time to go. We walked out, and I had tears in my eyes, my heart was still racing, and my whole body was shaking. I turned to my husband as I held onto his arm and I said, "I literally can't feel my legs."

Moral of the story: Hayden Christensen is literally so nice to his fans, so if you ever get the opportunity to meet him, I highly recommend it. He's not going to remember the interaction, but I guarantee you will for the rest of your life.

Also, don't judge fangirls for getting emotional.

[sharkboywrites]

My perspective on Curly as a victim of abuse

Tw for abuse (physical and sexual)

Hey mouthwashing fandom, so this is kind of a hard topic for me to tackle, but recently with seeing people’s opinions in the fandom on Curly as a character, I want to put in my own two cents as a victim of abuse.

I want to clarify before I start that I am not a victim of sexual abuse specifically. The abuse I faced was physical that bordered on sexual, but I was never sexually assaulted. That’s why this analysis isn’t about the sexual assault aspects of Anya’s abuse, like her relationship with Jimmy, but rather on the aftermath of the abuse on how the people she trusted (specifically Curly) interact with Jimmy after they know.

For context so people can understand my situation: I was in a very physically abusive friendship that bordered on sexual abuse in my freshman year of high school. Now, through my sophomore to senior year, I was forced to be in the same school as this person. In the same classes, in the same clubs, in the same events, and the same friend group as my abuser.

This is why I relate to Anya so heavily. I understand being forced to stay in situations with the person who abused you and being around people who either don’t know or do know and haven’t done anything/hold them accountable.

Now onto the main topic of my rant: Curly. So far from what I’ve seen, Curly is a hot topic for debate on the morality of his character. Anya confided to Curly about the abuse, and Curly, as far as we can see, didn’t do much. This makes it really easy for people to point fingers at Curly and call him an awful person and say that he is just as bad as Jimmy.

This is where I disagree. I don’t think Curly is a bad person.

Again, I understand the pain of having people do nothing. I have watched people I confided in about the abuse I face completely ignore what I have said and continue to be friends with them. I have had people say that I was lying. I have had people defend them right to my face because “They look like they’re getting better” or “But they seem like such a good partner to their (current) girlfriend!”

I get how frustrating that is. I understand the level of hurt that brings and how unsafe that can make someone feel. But once again, this is something the fandom immediately jumps on Curly for without really looking any further into it.

The thing is, these are people I know at school. These are people who can actively control their situations. These people can stop talking to them, stop giving them rides, etc. to stop interacting with them.

This is not the case for Curly and Jimmy. The most obvious thing being: they’re literally on a ship in space. They are all in a confined space and forced to be together for months on end. On top of that, Jimmy is a very unstable person, and Curly probably knows that. A lot of people like to characterize Curly as the “Oh, but he’s my friend, he wouldn’t do that” guy, but that’s not what happened. He listened to Anya, and while he definitely been more empathetic and done a bit more, he still didn’t deny it.

I personally feel like Curly specifically not denying it means he knows that Jimmy did it, and that he knows Jimmy is a bad person.

All of these are faults of Curly’s. He let someone he knew onto was dangerous onto the ship, and when he did something bad, he didn’t do enough to help despite being the captain.

But one thing we do know is that Jimmy is a manipulator. He will manipulate or threaten anyone to get what he wants. First off, we don’t know if Jimmy manipulated Curly to give him the job in the first place, which could have very much happened. Second, he was seen manipulating Curly AGAIN in the psych evaluation scene, the birthday party scene, and near the end of the game when Curly confronts him after talking with Anya.

Every single thing Curly falls short on is a direct effect of Jimmy’s manipulation in the first place. Yes, he absolutely could have done more in both situations, but Jimmy manipulated into him into letting him off easy.

On top of being manipulated by Jimmy, there wasn’t much Curly could do. He can’t just throw Jimmy out into space and he couldn’t let Anya have the gun because he can’t have his crew killing each other obviously (even if Jimmy is a threat).

The only critique I have of Curly at this point is doing more to protect Anya. He could have made a better effort to keep Anya safe from Jimmy and really put his foot down when confronting him.

Although again with all of this, it just boils down to Jimmy. If manipulation doesn’t work with Jimmy, then he uses threats or brute force. Curly probably knows that Jimmy is unstable, and probably didn’t know what he would do if he had been firm with him or done literally anything that could be seen as against him, evidence being the birthday scene. Everything that happened and everything Curly fell flat on was becuase of Jimmy’s manipulation and unpredictability tendencies, so really, it’s not 100% his fault.

Tldr; While Curly could have done a little more and should be critiqued, all of the stuff he falls flat on is because of Jimmy just like everything else in the story, so people should stop treating him like he’s a bad person or could keep Jimmy in control because he was a victim too.

[destinysbounty]

A lot of people wonder why Zane's sixth sense became less prominent over time, and a number of theories have been thrown around without the fandom ever really reaching a consensus on the matter. So allow me to throw even more gas on the fire by adding my own speculations into the mix!

Looking at the timeline, Zane's sixth sense began to decline shortly after being rebuilt. Of course he did still experience visions for a short while thereafter - the vision of the titanium dragon being an iconic example of this - but then his premonitions gradually became a scarcity over time, to such a point that Jay straight up didn't believe him when he had that vision in s11.

So why did that happen? To answer that question, we first need to talk about Pixal.

In the season 4 episode "Versus", Pixal states that she is fascinated by Zane's ability to dream, and has "always wondered what that's like." Implying that at this point in the series, she wasn't able to dream.

However, her dream sequence in season 11 "A Cold Goodbye" demonstrates that at some point between s4 and s11, she eventually developed the ability to do so.

(Side note: it makes a a little bit emo how Pixal used to think dreams were an amazing thing that she longed to experience - but when we finally see her doing so, she has a nightmare instead.)

Within the context of canon itself, Pixal's dream in this episode is the only instance throughout the series of a nindroid having a non-prophetic dream.

...or is it?

Let's take a closer look at that dream, shall we? Most importantly, the part where Zane slips from her grasp.

Pixal is holding onto him, but she loses her grip and he falls into some sort of vortex/tunnel of light and cloud. And yes, of course, my Pixane-loving heart is aching at the sight of this - but pay close attention to the appearance of the vortex itself.

Look familiar? No? I'll give you a clue.

Yeah, you're seeing that right. The vortex from Pixal's dream is uncannily similar to the Never Realm portal that opens up at the end of that same episode.

For those of you who haven't seen s11 in a while, allow me to clarify exactly why that's so remarkable: Pixal had this dream before they opened the portal, before they even knew Zane was actually alive. Somehow, within her dreams, Pixal managed to construct a replica of the Never Realm portal without even knowing it existed.

Like, really sit and think on that for a minute. Pixal had a dream in which Zane falls into a strange vortex that just so happens to look like the portal to the Never Realm. Y'know, the same portal Zane got blasted through just an episode prior. Without Pixal herself being aware that this had happened to him.

Do I think it's a coincidence that Pixal's dream just happened to represent Zane's true fate with an eerie level of accuracy - that he hadn't died, but instead been lost in a portal to another realm? You're certainly welcome to think so, but I sure don't.

So here's what I think happened: in season 4, Zane placed Pixal's neural drive into his processor. From that point on until season 7, they effectively shared a brain. Maybe the experience of sharing the same mind for such an extended period of time caused them to inadvertently...share Zane's sixth sense as well . Maybe it slowly began to split between them. Zane's ability would slowly decline over time as portions of it bled into Pixal - while Pixal slowly developed the ability to "dream", unaware of exactly what that ability entailed.

This would explain a number of things:

Why Zane's premonitions become much more scarce from s4 onward.

Why Pixal is suddenly able to have dreams in s11 when she wasn't able to before - and why that dream is so uncannily prophetic.

Why the Scroll reacted to Pixal. Given the fact that it didn't react to Kai, we can assume it doesn't do anything when someone without any kind of power holds it. which suggests that Pixal has some kind of power (be it prophetic or otherwise).

(Of course, that last point is dependent on the validity of certain interpretations of how spinjitzu, forbidden spinjitzu, and elemental power work within canon. And yes, you can rest assured I have theories for that too. But I'm still fine-tuning the kinks to that theory, so don't ask me to explain just yet.)

If this is true, I highly doubt anyone has realized that this premonition-sharing happened at all. Zane probably just assumes his decline in prophetic ability was caused by the spiritual damage he sustained in his fight with the Overlord (which is another viable theory), and Pixal simply assumes that her newfound ability to dream is a result of her developing humanity. Meanwhile the rest of the team is none the wiser.

[crooked-wasteland]

An SA Survivor's Reading of Stolitz

I don't believe that creators should be confined to telling one type of story. The beauty of fiction is to explore worlds, emotions and scenarios that are by definition unreal. It gives a safe space to interact with extremes that we would never necessarily wish to experience in our real lives with the ultimate safeword of no longer engaging with the material.

That being said, as creators, there is an ethical awareness that must be maintained in order to tell stories of things like trauma and abuse. Being alone in a cabin in the woods with a killer, that scenario is not a pervasive subculture in our society. Whereas cases of child abuse, sexual and domestic abuse are not only real, but common. And the complexities of psychological damage that perseveres long after the traumatic events are necessary aspects to telling these stories.

If you are not consciously aware and attentive to the lasting impact these events have, you run up against the horrific possibility of retraumatizing an individual unprepared for the callous invalidation of their experience.

No one should ever be shamed for engaging with media that depicts trauma they themselves may have experienced. For many, engaging in the fiction of it is a way of processing and validating their experience. Frankly saying, if you wish to write about trauma at all, you should be writing for that audience in specific. Otherwise you are simply exploiting the horrors that real people live through and struggle with every day for some cheap drama at the risk of triggering someone whose story you are inadvertently telling.

And much like most therapy speak, the term Triggered has become appropriated and misused to the point of losing all meaning in the lexicon. According to the University of North Carolina, "A trigger is a stimulus that elicits a reaction. In the context of mental illness, "trigger" is often used to mean something that brings on or worsens symptoms. This often happens to people with a history of trauma or who are recovering from mental illness, self-harm, addiction, and/or eating disorders."

The university breaks down the types of triggers as well and gives examples as to what those subcategories mean. I highly recommend that even if you are not the sort to follow up on references, I do recommend going over the article. It offers coping suggestions as well for those who are at risk of becoming triggered and helps refocus the sense of control back to the individual.

With that said, this is where I came across the inspiration for this essay. I completely removed all information for this user because the last thing someone needs when expressing how the misappropriation of abuse triggers them is how it is their fault for being triggered. These are the original tweets this response was in reference to.

As such, I feel the empathetic need to write this essay as a sympathetic reading to this person and others who have experienced SA who find that Stolitz resonates in an undesirable and even harmful way. I think this person deserves to feel seen.

To make the argument that the relationship between Stolas and Blitz isn't fundamentally abusive requires an author-intent reading of the series. It necessitates massive leaps to fill in gaping plot holes that never clarify the story Medrano is intending to tell. This is plainly just a reading of the series as is with all the context that has been physically, actually, shown in the series and that alone.

Throughout the series, Blitz is depicted as emotionally volatile and unpredictable with low self-esteem and crippling loneliness. He is constantly hounding his employees through sexual harassment from a sense of envy over their loving relationship, and infantalizes his twenty-two year old adopted daughter through an abusive dynamic where she ranges from rude to outrightly cruel while he consistently sacrifices any personal boundaries and self-respect.

The relationship between Loona and Blitz in specific feels like a masochistic self-hatred on Blitz's part where he allows himself to be used and abused by a parasitic family member to feel wanted, showing a pure desperation to be desired by someone in any way. Loona is verbally and physically abusive to her adopted father, using terms of endearment like "Dad" as a tactic to control Blitz's behavior, rewarding him when he does something for her benefit and taking it away when she deems him embarrassing or unwanted.

Blitz's tie to Stolas in the main story comes when he is called in a vulnerable time. Hiding from Martha who is hunting him down, he explicitly tells Stolas that now is not a good time to call. Stolas, who has a visual of Blitz's situation, ignores all of it. He is unconcerned about the danger Blitz is in, instead viewing Blitz solely as a sexual object as he offers the trade of the book for sex.

Stolas is more knowledgeable of Blitz's situation than even Blitz is aware of. He not only is told that the current moment is not a good time, and Blitz's tense tone portrays a sense of anxiety, but he can physically see Blitz. It exists entirely within reason that he chose this specific moment to call while he knew Blitz was in a difficult position, using the tension to leverage a quick response that would get Stolas his way without needing to intimidate Blitz himself. Using the threat of a third party to pressure compliance from Blitz.

Come Loo Loo Land, the interactions between Blitz and Stolas are simply outright hostile. Blitz actively does not want to have a sexual encounter with Stolas and is even so untrusting of the Goetia that he is repeatedly asserting the boundary that he is not at all interested in sex, which Stolas explicitly mocks by being openly sexually suggestive to him. Everything Stolas has to say to Blitz is steeped in objectified sexuality as Blitz asserts his person, dehumanizing him to the point that Blitz is first and foremost an object of gratification. Even to the point of neglecting and humiliating his daughter, Stolas uses the excuse of spending time with her as a means of leering on Blitz.

In this episode we see Blitz has a history of being overlooked and unappreciated. His act in Loo Loo Land went nowhere and we see the first hints of his failed performance career. Over the course of the series, this hint towards a crippling lack of self esteem masked by an extroverted exterior is reinforced.

In Harvest Moon, Blitz is genuinely flustered when given recognition by Striker. He is quick to devalue his relationship with Stolas because there genuinely isn't a relationship at this point.

After having gone missing for two episodes, Stolas returns, being slightly less sexual and slightly more affectionate. It is a sudden recharacterization, but it is only for this scene. The rest of the episode once again shows how Stolas values Blitz physically in a sexualized manner and claims Blitz through the use of a pet name he repeatedly requests not to be called. In the opening scene, Blitz vocalizes that he "doesn't mind" their arrangement for the book, which could be taken at face value in regards to the first season. He does have the option to reject the agreement at any time and return the book in the context of this episode. It's why, despite still being an abuse of power dynamics overall, the relationship itself doesn't tip over into abuse. Blitz has the same amount of autonomy as Stolas at this time, before the context of season two, he has just as much power to end the agreement.

With the addition of The Circus, this retroactively is a situation of placating one's abuser. Blitz assuring Stolas that he doesn't mind the sex would be a way of asserting Stolas' complete control over the relationship and that Blitz isn't necessarily threatening the status quo by his question.

They don't actually know anything about each other, they aren't friends and don't spend time together outside of their forced meetings. Blitz doesn't know anything about Stolas and questioning the need Stolas has for his book could very well be read as a means of interrogating the agreement as a whole and figuring out why this was the arrangement.

(The argument that Blitz had any opportunity to negotiate things comes from an audience bias. It is probably the dumbest thing I have ever seen put into writing. Blitz doesn't know that he has any leverage in the relationship at all. He doesn't actually know Stolas has any feelings for him. That's kind of the whole point of the hot and cold romance slant that Medrano is trying to replicate.)

This is because the book is not the reason the relationship exists.

Blitz does not instigate sexual conduct, Stolas does by leading Blitz into a private room and locking them both inside with the impression Blitz would have sex with him. Blitz has no choice in the location or the isolation. He was caught trying to illegally break into the home for the explicit purpose of stealing the book. He was caught and is effectively at Stolas' mercy in every sense of the word. Not only is he still alive due to Stolas' whimsy, but if he tries to escape now after being shown this grace he could risk having the guards hunt him down and the second time will most likely not be so kind.

He literally does not know Stolas. They met for a day as a playdate and Blitz spent the whole time manipulating Stolas into facilitating his own robbery. There is no trust between them, there isn't even a relationship. While the doe-eyed pink vignette animated around Blitz shows that Stolas has an attraction to him, Blitz is entirely in the dark about this. Stolas' behavior is merely unpredictable and precarious from his position and limited knowledge.

(And even when placed in the context of their single day together, Blitz is still objectified by Stolas immediately, and Blitz is repulsed and forced to interact, just like when they are adults.)

(Just another side note, the argument that because someone decides to do something must mean they are not afraid is just asinine. Generally speaking, most people who commit crimes are in a state of fight or flight, it is more akin to gambling your actual life. Its a rewards and risks assessment, not a case of being sociopathically unafraid.)

It isn't until Stolas dramatically announces his desire for sex that Blitz realizes he has something that can be used to distract the Prince while he steals the book. And that's the issue with the argument that Blitz is the one willingly escalating the situation: it's not sincere. Throughout the entire sequence, Blitz isn't once sincerely interested in Stolas. He leans into the pretense to gain control of the situation, of which, might I remind you, he has had zero control over up to this point. Not only is he not interested in Stolas, but this is a bid for control from the position of helplessness. This way he is not relying on Stolas' unpredictable behavior, he is reclaiming power in the dynamic by playing into Stolas' desire.

("But Stolas says nevermind and Blitz keeps going!!"

Yeah, because he needs to maintain control of the situation. This is what power dynamics actually look like; there is a two-way push and pull. The only way he has any power is through the lens of sexuality. He needs to keep Stolas interested in him to keep his position. But throughout the scene, he is explicitly depicted as being put off by Stolas. In fact the entire reason he ties Stolas up is because he was becoming too into the act. He is shown to not be sensually performing bondage, he is trying to remove a problem.

And side-side note, I know I said I wouldn't lean into Medrano's intention or explicit dictation on how she demands her show be interpreted, but she was the one who said that The Circus and Loo Loo Land are connected in the timeline and Blitz's hostility in Loo Loo Land reads far more like a man who feels used and taken advantage of. So even the argument that Blitz was an enthusiastic participant is disproven by Medrano's own metacommentary and character interactions.)

And ultimately, it all boils down to that last moment scene. Between willingly having sex with Stolas when he is tied up or the book, Blitz makes for the door to leave. He doesn’t willingly engage in sex with Stolas. Either you can read the scene as a form of pity sex, which in the context of Medrano’s timeline and Loo Loo Land, shows Blitz was not enamored with the encounter or you have to read this as being manipulatively pressured into it. There is no way to argue Blitz has any leverage in the situation and no grounds to argue that it was mutually enjoyed.

That doesn’t even start to cover the fact that all the way to Ozzie’s, Blitz is repulsed by Stolas. When calling, he openly shows that this is something he would rather not be doing. He doesn’t have feelings for Stolas and despite just using the man who is using him, just having to deal with Stolas is distressing for him.

This is not an equal or fair relationship dynamic. It is not a mutual relationship. This is a relationship of self-preservation and coercion. And the fact is, it could have worked with very small changes to The Circus. Having the dynamic be actually mutual would have been a great start, but just properly addressing the actual dynamic and having Stolas take ownership of what he's done, and validating the fact that coercion is sexual abuse. Because out of all the sweeping changes, retcons and inconsistencies, the one aspect that has persevered throughout the show is just how trapped Blitz feels.

In Truth Seekers, Blitz’s hallucination is contradictory in its attempt to be visceral, and that is not inherently a problem. Trying to be abstract, it is normal for people to experience contradictory emotions over something. It makes sense in that way, but it needs reinforcement in the expanded narrative to tell it's story. As such I am just going to give my reading on the sequence based on my narrative and state it as fact.

The clown costume shows that Blitz sees himself as a joke, feeding into his low self-worth that no matter what he does, he is always the clown being laughed at. The murky wasteland is a reflection of his life. Devoid of anything bright or good, it is populated by dead trees and the ground is a quicksand like sludge, showing how he devours the good and extinguishes it in his own life. He kills his own happiness. Moxxie exists as a critical voice Blitz hears, telling him how stupid and awful he is to everyone around him. Blitz rejects his own self-criticism, reaffirming his self destructive victim mentality that appears when faced with the consequences of his own actions.

It's when the characters of Fizzarolli, Verosika and Striker appear that Blitz gives his regrets, insecurities and resentments voice, poorly impersonating the voices of those who saw the real him. Striker mocking Blitz’s need for companionship, how he lies to himself constantly and presents himself as independent and assured when really he sees himself as needy and pathetic.

Fizzarolli adds to it, pointing out Blitz’s failures to make it on his own, however this portion of the series should probably be considered non-canon as the newest episodes established that Fizzarolli and Blitz have not had any contact with each other since the accident. The more important line Fizzarolli says “You're going to die alone”, have been written out of the show. There would have been no time or place for Fizz to have ever spoken this to Blitz.

Then there is Verosika, who brings up Blitz’s self destructive tendencies, showing Blitz’s own abusive behaviors towards characters like Moxxie. It also suggests an explanation to why Blitz tolerates Loona, because her constant rejection of him contradicts his reactionary need to push others away, as well as feeds his self-flagillation.

It is when he endeavors to flee the reflections of the worst parts of himself that he runs into Stolas. Perched atop a pristine staircase of gold, being fanned by two silhouettes of Blitz. This shows the power imbalance in every way. Blitz doesn't even walk up the stairs, but crawls. Himself just a faceless accessory to Stolas’ desires, but everything he has intrinsically tied to the power Stolas' exerts over him. This is shown explicitly by the chains around his hands and neck, Stolas' reeling him in as he bears a grimace of reluctance. It is the most explicit representation of being trapped between two bad decisions. Either he is just the joke, the failure, the asshole, the stupid piece of shit, or he is the pet, the object, the toy. Stolas mentioning Blitz being "afraid to love" is less a suggestion that Blitz has any feelings for Stolas, but instead his psyche convincing himself that the relationship is not so exploitive. That he is not being dehumanized and abused, but on some messed up level he is being wanted and desired, which is better than the wastes below.

Maybe one could say that Blitz is being elevated out of his situation for how the feathers removed the costume and sludge, essentially wiping him clean of his worst self, providing a sense of safety. But he only has this opportunity because of Stolas, and it isn't free as shown by the feathers also becoming the chains binding him. Because at the end of the day, Stolas isn't the prize at the end of the climb to self actualization, the stairs belonged to him in the first place. To escape the horror-filled wasteland below, Blitz has to play by the rules of the owner of the stairs.

And ultimately, that isn't a story that is off-limits.

The Stolas apologist argument is why the depiction of this dynamic is triggering and harmful, not the fact that it exists in the media. Just owning the scenario and having Stolas acknowledge that he has sexually abused Blitz would have gone a long way. Instead, Medrano and the fandom have insistently represented this victim-blaming interpretation where Blitz is responsible for his own abuse. And that will never be okay. This goes all the way back to my "Not All Victims are Survivors" post. Blitz is the victim in this and his bad behaviour and own abusive actions directly correspond to the fact that he is a victim with a victim mindset. He actively lives in the middle of his abuse and has formed maladaptive strategies through manipulation, harassment, verbal abuse, and self harm. These do not remove his victim status. There is no such thing as a "Perfect Victim". And he should not have to be any sort of way in order to have that experience validated. And the issue that is at the heart of this show is that the narrative and the fanbase require a victim to be framed as delicate and hapless to circumstance with a soft and gentle personality to be a victim. To come out of abuse aggressive and harsh with sharp edges is framed as being less valid. But this outcome is normal and it's a difficult battle to work on oneself to feel safe again. It's absolutely a story worth telling.

But you first have to be interested in telling a story.

[asmogorna]

Okay so there’s this ww artist on ig called like tooth lilys or something and he’s always causing drama in the ww fandom and he mouthed off about your art and now heaps of insta ww fans are like talking about you :| free publicity?

ahhhh so thats whats happening .. lmao thats crazy

i checked out their story, and i sure doooo love how they leave some things out when talking about both situations that they mentioned to make me look worse ..

ok so

warning, yap session incoming

the "will wood in a (miku) binder" thing happened back in fall 2023 when i was still semi new to the fandom and didnt know a lot of things. so tho i to this day i dont think it was that big of a deal, i wouldnt do it today

it was an artwork made for shits and giggles, the context of which i have explained here before. i never meant to imply that will wood is trans and i certainly dont "headcanon" him as that. my curse is that even when joking around i tend to try and make my art look good, so i get why people thought it was unironic. and i know that it sounds like a lame ass excuse, but it legit didnt cross my mind that people would think i drew will wood as a trans guy or smth. legit my only thought process was "funny haha internet thing" + "my favorite thing" = "good idea"

now the usage of his real name is something i am genuinely sorry for, but it was an accident and a genuine mistake on my part. i remember seeing someone mention it casually in some comment section, and assuming that it was ok, since i didnt know he was in any way against it. (i also thought that it was the same name that he used in "the real will wood" in that one section cus it sounded a bit similar).

when i was informed about the fact that he doesnt want it spread around i deleted the post right away and apologized, so bringing it up like something i did on purpose and out of malicious intent is a tad bit .. misfitting, if you can use that word

now the hot topic of the day: my waywood art

i have said this before and i will say this again, how i feel about rpf is solely based off how the people involved feel about it

to clarify: i never drew anything inappropriate or even suggestive with them, the "worst" thing is 2 simple sketches of them smoochin. or. this.

idk if this is what they were referring to when talking about me drawing will wood and gerard way "making out" (specifically. because i think "making out" implies to be more sexual stuff than small kisses). and if so, then it once again feels like blowing things out of proportion

and now the point i want you to get: will wood wouldnt give a flying fuck

like i said earlier, i never drew anything inappropriate, because that would actually cross will's existent and real boundaries. you know, the ones that he stated

im not making some conspiracy theories about him being gay, like some people seem to imply in their inbox messages to me

im not sending a whole ass smut fanfiction to litwtc gmail or something, i dont bother him in instagram dms asking if he wants to fuck gerard way, im not shipping him with people who he actually knows personally and has to look in the eyes of from time to time

im not doing anything that he would actually care about

him and chris have joked about him being attracted to gerard before, and though im not saying that you can joke about everything theyve ever joked about, i feel like in our case its clear that will clearly doesnt care about the implications ? (i generally believe that ww fans would get their panties twisted about less things if more of them listened to what these 2 talk about so calmly on litwtc but i digress)

if he saw that some random teenager on tumblr is drawing him and gerard way (gasp of horror) holding hands, he'd laugh at it max and then move on with his day

people are treating the whole situation like i posted pictures of him from when he was a kid or leaked patreon content or drew him fully naked or anything else that, you know, would actually affect him in one way or another

what im doing is innocent fun which isnt even likely to reach either of them. will wood very rarely checks tumblr and, once again, i genuinely dont believe he would care. and gerard way aint got no internet + he doesnt care x 2

it is weird but rn this is what brings me the most joy, even if its silly to say. both will wood and gerard way mean a lot to me and putting them in situations together makes me happy. i am but a child full of fun whimsy

i wont be posting any more explicitly romantic art to avoid more drama, and i also wont be responding to all the anon messages i received because there are like .. too many of them. an overwhelming amount i'd say. sorry about that

i really didnt mean to cause such a fuss, and i understand why some people might be uncomfortable with what i do

i fully understand why you would dislike my waywood hyperfixation shenanigans, and i dont have a problem w you over that, but treating me like pure evil because of a thing so insignificant is just.. overdoing it

once again, i will be toning it down, but it really isnt the end of the world if i dare to draw will wood and gerard way being a tad bit gay (which is, i apparently need to mention, not me actually saying that will wood the alternative musician is a homosexual gay who is in a genuine for real actual real gay homosexual relationship with gerard fucking way the lead singer of my chemical romance. i think speculating on other people's sexuality and gender identity is boooo tomato tomato tomato)

sorry for the rant and sorry to all who were disappointed by my lack of remorse. come back in a couple years when i turn 18 and stop having fun and artistic freedom

thank you for your attention and i hope i at least cleared some things up to those who werent w me throughout every event where i get involved in fandom drama

bye bye

[ponyextulparlog]

//OKAY OKAY guess who played How Fish Is Made (and the dlc). yeah that's right. this may be one of the funkiest ways i've seen someone advertise their game not gonna lie. anywayss about my thoughts on it;; I love how it gives more context to Jimmy/Curly's weird relationship they have going on. esp the scene with the isopod and in the dlc where Curly actually makes an appearance. "I ate his tongue and we've been coworkers ever since!" Jimmy acts exactly like a parasite. He latches onto people and takes what he can get, even if it ruins them in the end, just to benefit himself. But a parasite can't do that without a host, because it's the only method it can keep itself alive. it's a disgustingly co-dependent relationship, one can't be without the other. It also clarifies even further to us when Curly in the dlc mentions being the one that brought him in, which implies he directly influenced in Jimmy being hired by the company. "Quick buck, just a few trips" (to keep it short). these two are destroying each other and despite so they are inseparable. in a bad bad way. hell i dare even go as far as saying the DLC is in Jimmy's pov considering we are an amalgamate mass that keeps consuming. it's never enough. I also think that the big fish before the endings of the first game also may be a metaphor to Swansea?? i picked up on the way it speaks and they definitely sound similar. I'm not sure about the others but if yall have any ideas on it do tell. this may be a stretch of mine but the Do fish feel pain? in the musical sequence may also be on par with the I hope this hurts in MW. And the raw meat twitching this is definitely about Curly. okay now for theory timeee back to the isopod thing. Jimmy manipulated Curly to bring him closer, so after being fucked in life (probably by his own choices) he could continue his parasitic cycle. as host, Curly fails to notice this until he is unable to take it any longer. He victimized himself to appear small and break down Curly's walls. Earn his sympathy so he could attack, appear as friendly as possible- at first, at least. and it worked WAY TOO WELL. Curly's a good man, everyone's dependable guy. of course he'd help him. it was way too easy of an opportunity to miss and Jimmy knew. ANYWAYS i could say more but i shall spare yall of my incessant yapping. just know that i WILL make fanart about this (how the fuck do you draw an isopod??)

[soulprompts]

THE SURPRISING HERO ( A PROMPT LIST! )

hello my beloveds!!! an absolutely incredible nonnie sent in a request for prompts based on the idea of someone becoming a vital part of saving the world through unanticipated events, and i hope i managed to achieve what they wanted in this list! basically i got a tonne of inspiration from comic book movies and the more fantastical vibes of high fantasy franchises, and i was going to make these more amusing, but i think there's something so hard-hitting about the concept of being thrust into greatness and heroism when you feel you aren't ready for it! anyway! enjoy, and as always: DO NOT ADD TO OR EDIT THIS LIST, AND DO NOT CLAIM AS YOUR OWN!

FROM THE UNEXPECTED HERO:

“ i’m not supposed to be here. i’m not like the rest of you; i’m not special, or blessed, or gifted. i’m just… me. “

“ you’ve got to be joking! i can’t save the world! i’m just an ordinary person! “

“ it’s funny. all these years, i’ve wanted so badly to see the world. now… i think i’ve never wanted anything so much as to go back home. “

“ so that’s it, then? i’m just supposed to sacrifice everything to save the world, all because some ancient prophecy says so? “

“ i still can’t quite believe we were doing laundry yesterday. now our biggest chore is traveling across the world to save it. “

“ i miss home. i miss how safe and boring and fine it all was. i never would’ve wanted adventures if i thought they’d be as scary and dangerous as this. “

“ they’re right to be angry, you know. everyone has a purpose here; i’m only joining you all because of some insane twist of fate. “

“ surprised? don’t worry, so was i. i don’t think it’s a normal occurrence for people like me to be part of massive quests like this. “

“ look. i’m not the chosen one, alright? i don’t want any part in any prophecy or ancient dictation. i just want to live an ordinary, safe, boring life. “

“ you think i don’t acknowledge what’s happening?! every mistake i make has costs, and those costs are often the lives of innocent people! “

“ you know, last year my idea of a grand adventure was going up the mountains for a picnic with my friends. funny how fast things change, isn’t it? “

“ i’m not a hero! i don’t know how to fight! heroes are special and unique and trained, and i’m none of those things. “

“ everyone looks at me like i’ve got the answers, but i don’t. i was just in the wrong place at the wrong time. “

“ you ever stop to question the solidity of this prophecy? because if the wording is that vague that it could name me as the savior of the world, then maybe we ought to revise it. “

“ this is stupid! putting the fate of the universe on some million-year-old prophecy! “

“ i’m not what you think i am. i’m not a hero. i’m sorry, i know you want me to be one, but… i’m just not. “

“ so you’re telling me, because i happened to overhear some weird out of context conversation, that the safety of the world relies entirely on me? “

“ don’t you see how daft this whole thing is?! i’ve got to save the world now because i happened to take a wrong turn on my way home! “

“ why can’t i just give you guys what i found, and you can go and rescue the world yourselves? “

“ i want to clarify that i’m not a coward. okay? i’m not running away from this. but i’m not exactly save-the-world material. so thank you for the opportunity, but… i think i’ll stay at home. “

TO THE UNEXPECTED HERO:

“ i get it, you know. it’s a huge responsibility for someone who’s only just realized what’s at stake. “

“ the others think i’m utterly mad for even considering you for this task. but the fact is, you’re the only person i genuinely believe to be capable of fixing this mess. “

“ would you like to know the mark of a true hero? it’s courage. not an absence of fear, not an ignorance of it, but rather, the choice to persevere in spite of it. you’re still here. that makes you one of the bravest people on the planet. “

“ don’t let anyone else tell you what you are and aren’t capable of. everything happens for a reason, and it wasn’t dumb luck that put you in our path. “

“ i don’t believe in prophecies, personally. i think the universe is far too chaotic for them to survive thousands of years. but i do believe that you being here is not a coincidence. “

“ fate only accounts for part of what happens in our lives. the rest of it is all choices. and despite how scared and inexperienced you are… you’ve chosen to stay. that tells me an awful lot about you. “

“ how selfish can you be?! running away from this destiny, this task! the world will fall into darkness if you don’t step up, and here you are, hiding from your fate like a coward! “

“ you need to learn to ignore the opinions of others if you’re going to stand a chance at doing this. this is the cost of being a hero. people will judge, not based on truth, but on a limited perspective. “

“ don’t be stupid. we’re not special or talented either; i was trained from childhood, i can fight men twice my size, but that’s not the mark of a hero. “

“ if you like, i could teach you how to fight? you may find it useful. even if it’s just to comfort yourself against these ridiculous self-doubts. “

“ heroes aren’t always massive muscle types. the inventor of new defense measures against attacks, or someone who discovered a cure for a disease, or perhaps someone clever enough to use new fuel sources in the winter… heroism isn’t always found in warzones, you know. “

“ fine. don’t do it for the fate of the world. do it for your family. your friends. do it for the ones you’ll return to once we settle this for good. save this world, not for the world itself, but for the ones you love, so that they may live on. “

“ you should know some things. most people, if you somehow perform outside of the very specific expectations they have for you, will be very quick and harsh in their judgment. it’s not something one can avoid. but you can learn to rise above those critics. remember. they don’t know the real you. “

" fear is normal. okay? we all fear things. the real killer is when you try to fight that fear. you're no lesser a hero for fearing things. expect it. accept it. embrace it. and once it's with you, work with it to fight even more. "

" you keep saying you're not a hero. tell me. what exactly is it that you believe a hero to be? "

" people make the error of assuming heroes to be golden, flawless, immaculate in both thought and strategy. it's never the case. heroes are the most flawed of all. that's what makes us admire them so. "

[voidedaurora]

Apologies for the ask about the 🍉 thing.

If you have a story to say you should say it, the group who made the document thought it was important to make it public. Maybe you can reach out to them if you need help. It’s never too late to share your story if you believe the person deserves to be called out.

She’s already known for lying. And she never addressed a lot of the things in the document. Like those multiple false grooming allegations. Just remember that there’s no backing out once you have it out to the public. Once on the internet always on the internet.

Hope you’re ok. Don’t be intimidated because of fans. They don’t know what you’ve gone through. You have a support group who already set the ground for you. Good luck with what you choose.

Not specifically replying to this ask but Im going to use this to say a bit of what I need to say. Follow up to my last post, Mel has made it clear that she is not going to talk to me, one of her friends dmed me (one of the two I mentioned prior) trying to get me to vc with all 3 of them to get "closure" and talk about things, this was only prompted by the fact I am now speaking out about this (clearly just trying to save face), I stayed silent for nearly 3 months giving her time to come and talk to me and it was honestly the last nail in the coffin for her to clearly only give a shit now that I'm speaking about it. So I'm done, I'm not going to keep any of her shit to myself anymore, I know I shouldn't have been keeping them to myself to begin with and I completely accept anyone who is upset at me for not speaking up sooner. Quickly, I will say that some of this I cannot provide solid proof for, you will all have to take some of this with a side of salt / use context to come to your own conclusions, but I still think its important to mention because I know what I saw and experienced, It is up to you whether you believe what I have to say or not Aswell, Some of this obviously could be wrong as she has refused to clear things up privately but I believe them to be true since I experienced what I experienced :/. I do not condone Harassment, witch-hunting, threats, attack anyone involved, or anything else of the sort You obviously may be honest about your feelings on the matter but have your morals about you when doing so. People that did not consent to being mentioned here will be censored when possible I will be reffering to Quartelz as Mel in this, just felt I'd clarify TW: S/A, Coercion, Grooming(?), General Toxicity, etc.

Firstly, To everyone who supports Mel after the google doc she "made" I've got some unfortunate news to share, She did not write that doc. Mel had quite a few of her friends at the time essentially write the entire document for her, I was one of those people. To clarify, we were not forced but since we all wanted the best for her and for her to be able to move on from it all so we all helped her. The apologies ESPECIALLY she did not write nor mean, She has stated many times to me personally that everyone did not deserve an apology, I will provide some screenshots backing up these claims below Others writing the doc/Proof I can edit the original doc (the public document was moved into a fresh file because I suggested it)

Proof of Mel being an unapologetic asshole about the whole thing (sorry for the rudeness) Her saying "how to write an apology I don't mean" which Is pretty self explanatory, Included more context of the convo so she cant scream at me for not, AS you can see I was very insistent on her writing the apology because I did think they all deserved one, aswell me saying "I'd write it for her but that'd "I would literally write the apology for u but that'd be bad" Which is bad on my end 100% especially because I went through with that, I accept full responsibility for that and I am sorry, you all deserved better

More apology stuff bruhh

(so sorry archi I know you are mentioned here alot but I need you for proof, If anyone attacks you I am so so sorry) Admitting the apology wasn't written by her directly + re-stating she didn't mean the apology a million times and not taking any accountability

Bonus SS of talking with one of her friends at the time about our frustrations of helping her with the doc only for her not to work on it I think that's enough proof she didn't mean a lick of that doc and didn't even write it herself, I do NOT have proof that I specifically wrote the apologies but before the doc was sent out to the public I practically rewrote entire areas to make her sound more genuine aswell fixed the entire thing up, then I had her go over it and edit it to "sound like her" Time for the next part which is one of the more serious topics within this whole thing, I initially was NOT going to bring this to the public or mention it at all since its fairly private but after thinking on it really hard ,and the fact this will never have any closure Clover and I have decided to let you all know about it, I am sure she's going to be quite upset this is public now but she shouldn't have done any of it in the first place. TW:// S/A and Coercion I don't really know how to approach talking about this but around the 30th of march 2023 (before and after) Clover, Mel, And I had all gotten pretty close as friends, This eventually evolved into us having sexual interactions with each other as a group twice. At the time we had all had lengthy conversations making sure everyone was ok with it, the whole consent protocol and such. Edit: for the record, our age differences at the time were me: 16 (10/16/2006) Clover: 17 (3/03/2006) Mel: 17 (8/30/2005) This is relevant because a while back (I am not sure when) Mel had admitted to me one day that she had only slept with Clover to do things with me. I know for a fact she will deny this. This obviously horrified me and clover both because we were under the impression it was a mutual thing between all of us, I'm sure Clover feels violated, used, and a sleuth of other things, I feel absolutely terrible about the entire thing because I was the one who had helped her feel comfortable with the whole thing in the first place and convinced her it was something mutual, and to have Mel later on admit it was not and she just wanted an excuse to do shit with me is absolutely disgusting. Clover and I are both extremely damaged from this and neither of us ever got an apology for this and probably never will, not one that she means at least, shes already proven she doesn't feel remorse for anything she does. You'd think the person that allegedly got assaulted herself and had dealt with homewrecking related things herself wouldn't do something like this but here we are. (Just clarification this was a 3 way, sorry to have to blatantly state it but I didn't want any confusion. Aswell I'd like to state for the record that the interactions happened twice total) I will not be sharing proof of any of this as it would include sharing sensitive information/conversations I don't think any of us would be comfortable being public, You may take this as you will but Clover and I both are living proof of this happening and I just hope you'll take our word for this one as it was already obvious Mel had a thing for me to literally everyone around us, I genuinely do not think I need proof to prove that part alone. There was another section I was going to add explaining another situation but I do not have enough proof gathered to speak on it at the moment so I'll keep it at these two for now. I initially wasn't going to make a big post like this but I wanted to get the stuff I know 100% out there (aswell wanted to get some of the worst out of the way :/) There is absolutely MORE I could/want to talk about but I simply do not have the context/proof to make a proper statement on it at the moment, maybe in the future I will.

also, if any of ya'll need more proof of stuff I CAN dig but I think I got it all covered? That's it for now, She's either going to deny everything, have her friends to defend her, flee the internet, or retaliate. Have a good day ya'll, I am done staying quiet for her also I'm so so sorry if this isn't written well in certain parts, I don't really know how to make stuff like this

[pigeonpeach]

How they would react to you being tied up

Suggestive but silly

Cw: nothing explicit but heavily mentioned. Fmab reader

Characters: Jean, Beidou, Shenhe, Diluc

Jean

“A-are you sure that’s comfortable for you?” She said a bit concerned. While she loved your body she was worried the ropes dug too deeply. “Well.. lisa recommended I try it for you. And I may or may not have done it wrong.” You say, trying not to let in that you’re genuinely tangled in this failed attempt of seduction. She gives up trying to untie it and simply procures a small knife to gently release you. You sigh in relief once the tension and tightness is gone.

“Next time have someone else do this for you. Please my love, I don’t want you get yourself hurt.” She kissed your back as she untangled the now limp ropes off your body. “I still like my present though. I just prefer if its not damaged.” She says teasingly.

“Hey! I didn’t mean ro.” You say defensively.

“I know I know. Are you still in the mood to…”

“Of course! I prepared all this! We’re not letting it go to waste!”

“Of course dear. Lets retry that then shall we? I’ll tie you myself more simply.” Jean smiled a bit more mischievously, all while your back was turned.

Beidou

She shakes her head, a amused smile on her face. “These ropes are NOT for skin dear. It could easily damage you. If you want to do that kind of play we cannot use this rope.” You sulk in embarrassment.

“I had to make do.” You said. She clicked her tongue in disagreement.

“If you really want more suitable binds i could just take that shirt of yours instead. Roll it up and tie your hands together. When we’re back on shore we can get proper handcuffs but for now that can do.” She suggests. That idea is really hot. “Or i could just take your hands pin them above your head?” She offers again. Your mind short circuiting at the though.

“Yes. All of them.” You said. She chuckled,

“You truly are insatiable my love. I love it.” She grinned as she took your hands, firmly grasping them. “Lets not waste any time then.”

Shenhe

“You mean to say you tied yourself up… on purpose?” She said confused. You nod embrassed. “For what reason? There isn’t any enemies nearby… is there.” The mere thought of such led you to know her polearm was ready just in case.

“No no no… you see its a form of role play… powerplay you know. Some people find it thrilling to have their partner at their mercy in this context.” You explain.

“I don’t think its a good idea to play with such impulses with me. My red ropes don’t retain all my impulses.” She says. “I fear that if I indulge them too much I’ll become to used to it..” you sigh as you put the ropes away.

“I understand. I should’ve asked you first I’m sorry love.” You apologize.

“I never said i didn’t like it…” she said. You blushed processing her words. “Let me clarify, I don’t like the idea of you being bound by rope because I’d rather it be me doing it myself. If I saw you bound by rope it makes me feel too… monstrous. I don’t want it to feel like you’re a sacrifice to me.” She explains. You nod.

“So you would be down to restrain me.. just with yourself instead of any ropes?”

“Indeed.”

“Well then should we get started?” You say nervously pulling on your bra strap, letting it snap against your skin. You barely blinked before she was ontop of you, your hands above your hand, pinned roughly.

Diluc

The second he saw you in bed, posed like a damsel, arms and legs tied with that look in your eyes he stopped as he taken aback. You squirm teasingly as he takes in the sight.

“Oh my you’re full of surprises tonight.” He says as a smile forms on his face. You smiled as he turned you over onto your back. “I’d rather hold you down myself though- oh.” He noticed your hands seemed too tightly wound, a slight purple tint to them. He quickly tore the ropes off to your surprise.

“He-oh… OWWW.” You shouted as the feeling in your hands returned leaving you feeling excruciating pain all the sudden as your hands had fallen asleep.

“Sorry to ruin our fun. I don’t want you to lose your hands.” He said a bit worried. He held your hands out to inspect them, his arousal forgotten as he felt his protectiveness take over.

“No no I understand. I really shouldn’t have tied it myself. I should’ve settled on handcuffs.” You sighed.

“Once you’ve recovered I could retie it myself. Or maybe its better if I just pin you down myself.” He said.

“It was supposed to be for you so I guess you should just go with what you want.” You said, shaking your hands trying to rid the needle like sensations stinging in your hands.

“Well.. I still appreciate the get up..” he said eyeing your body.

“This is my normal night gown, you’re just far too easily aroused. I could probably wear a potato sack and you would find it attractive.” You teased. He smiled brushing hair out of your face.

“It’s because you’re the one wearing it. Do you feel better now?” He asked. You felt a little bit better.

“Yes now lets get to it! I didn’t prepare all this for nothing.” You practically jumped ontop of him. He smiled.

“I love when you smile like that.” He said with a dumb smile on his face.

“Stop being sappy I’m trying to turn you on!” You exclaim playful.

[cpericardium]

So! I've gotten a host of messages and asks regarding recent disk horse and I wanted to address them as a collective.

I know I have anon asks off, I won't share your URLs, but I do want to thank you for asking and clarifying some of the frankly vile things people have been saying about me, my girlfriend, and friends. I value those of you who offered your words of support, and didn't jump to believe screenshots taken out of context and lies written with the utmost confidence and none of the facts. I am a little tired of having my morals questioned and my views conflated with every single person I associate with, but there it goes.

tumblr user cpericardium suspiciously silent on the subject of Gaza: does this mean you support ethnic cleansing???

My reticence when it comes to posting about topics like I/P is because:

-This is a fandom blog intended for lighter topics, except maybe the occasional vent about life stuff, which I usually hide under a cut. I don't have sideblogs. They seem tough to maintain and I don't post nearly enough to justify it. If I were to make one it would be for another fandom or maybe just the freakier bugs. I simply prefer my social media experience to be stress-free.

-Anti-slacktivism. It's a documented thing: posting about an issue makes you feel like you're doing something, you get that little shot of dopamine, so you don't actually go out and do something that effects meaningful change. I'm trying to do less of that. I'm good with the friends and people I follow who choose to post about it and this is a strictly personal belief, but when I engage in activism, it is offline or it is a donation. You're not going to hear about it.

But don't you reblog lgbt and women's rights posts?

Yeah, and that's usually when I want to save a post for one reason or another (e.g. to talk about with someone on discord later). The bottom line is that the main purpose of my blog is not to post political takes or to spread awareness of anything. It is just a collection of my interests (fan stuff, bugs) and hopefully a way to share those interests with like-minded people.

I will state my views clearly for the record: I support Palestine. The ongoing genocide is heartbreaking and so is the violence against protestors. Additionally, I am against antisemitism and the harassment of Jewish people in the name of supporting Palestine. This shouldn't even need to be said.

Is your girlfriend a Zionist?

No.

Does she support Zionists?

No.

Wasn't she in the military?

Yes, years ago.

But the military is evil?

It is. She's extremely hardcore anti-war and anti-military, does not believe the US should even have an army, and actively PMs strangers on reddit to try to convince them to not make the same mistake. If they're dead set anyway, she gives them detailed advice on how to survive. Because she actually cares about the human cost of war, not the social clout gained from shunning or sneering at people who make wrongheaded choices. I have seen her doing this, seen her seeking to understand their reasons for joining so she can systematically explain—from personal experience!—why they're not going to get any of that out of the army. It is a hell of a lot more effective than bitching them out or writing callout posts or starting whisper campaigns about them. She cannot delete those years of her life no matter how much she regrets them. There is only forward. I think we can all agree on that.

But what about all those things she said. "I regret nothing, I have no qualms, VA nipple money etc."

Well you have to understand that while of generally upright character, she is a bit of a scamp. She believes she fundamentally should not have to explain herself to randos who do not know her, who have never, not once, interacted with her, who are clearly digging for dirt and will twist anything she says no matter how banal. People see what they want to see and they look for evidence to reinforce their preconceptions; they'll go so far as to make alts to join servers, cherry-pick screencaps, crop them, and conveniently fill in the rest of the narrative for curious onlookers. So she decided to exaggerate and amplify and twirl her mustache like a supervillain. Give them a show, as it were.

To be clear, I'm not sold on this strat because it makes her look cartoonishly evil to people who can't understand sarcasm and hyperbole. But her friends and I are aware of her actual beliefs from actually talking with her for more than one (1) second instead of immediately believing two mysteriously cropped screencaps from a thirdhand source, and also aware that she did not in fact do those things people imagine she did. And isn't that what matters? Real-life harm? Do you even care?

Re: screenshots/so-called proof from shakertwelve & lakesbian's "callouts"

Girlfriend addresses them here. I will also note they have spread lies about me and other people before.