#Mario movie leak

[pianokantzart]

So… apparently a storyboard drawing for the mario bros movie sequel has already been leaked. 💀 (I saw it on the twitter account @cartoonupdates if you want to see it. allegedly it’s been leaked by a reputable leaker who also leaked some accurate storyboards for the sonic 3 movie and knuckles show but idk I haven’t looked that much into it.)

OH!!!!

[auroraknux]

There's another way that a death/1-up scenario could go, which would also help the 1-up not seem like it came entirely out of nowhere:

So, Mario gets knocked off of Rainbow Road by the blue shell koopa, like people were theorizing before. He sees some kind of vision or something with another Lumalee (maybe even hinting at Rosalina's existence). The Lumalee turns into a 1-up, and Mario uses it to come back to life.

Later, in Bowser's castle, Luigi gets killed. The Lumalee from the prison also turns into a 1-up, and Mario uses it to revive Luigi. They hug and stuff.

Idk if this makes any sense, I haven't slept lol. (I also haven't played Galaxy since I was a kid so idk if I got the lore about Lumalees right.)

Man I can't wait to be disappointed when no one actually dies in this movie LMAO

[galactic-glamour-girl-posts]

LEAKED - Rosalina and another Luma's designs for The Super Mario Bros. Movie 2!

[hedgypipes]

It’s kinda ironic how Nintendo Decided to work with Sony On the Zelda movie, especially before that and the production of Illumination’s Mario Movie, they were reportedly working with Sony Pictures Animation To Create A Mario Movie but was cancelled due to unknown reasons with something thinking it was because of the Sony Leak of 2014.

[eggydev]

i just want to know the backlash that's gunna happen once people find out that the mario movie is a musical

[illdothehotvoice]

I'm being enabled MAYBE expect Turnabout Trainwreck in the coming days no promises though

[roscolate]

AHHH THIS IS SO GOOD 🤩😍

Got to do an amazing art collab with the one and only @jell-o101 !!! Check her out she’s so talented!!

I did the lineart and she did the color

[katlyntheartist]

A redraw of that not-confirmed-storyboard leak for Mario Movie 2 that was taken down.

[nai418]

Punch-Out!! In the Super Mario Bros. Movie

Since I’m ill and this fandom has nothing I tried to find all of the Punchy cameos in the SMB movie (Even the leaked images from the concept art, lmao) and I’m not sure if anyone has posted these already but I want these guys on my blog so yea.

This is gonna be a long post so just open the cut for the rest of the images (PS. A lot of these are going to be in terrible quality so look at them from afar if you want)

So first of all, the Punch-Out!! Pizzeria! I would eat here in a heartbeat (Also I just noticed the continuity error with the bicycle, weird)

On the same wall of the entrance door is supposedly Mac’s stuff, or maybe replicas? There are also framed photos of (bottom left to right) I’m gonna assume Aran for some reason, Doc Louis, Bull (Seemingly his “Does anyone else dare to challenge me!?” pose), Sandman who’s above him, Disco beside “Mac’s gloves,” Little Mac himself, the one in the small yellow frame I can’t make out but beside the clock is Don.

Mac, Mac and Doc, and an article of Mac (The header reads “Little Mac,” and the little photo down there is Bear Hugger.)

Portrait of Doc biking.

The one and only Glass Joe :) He’s super cute in this photo

Title Defense Joe, you can tell by the headgear

Lil Mac and Joe staring each other down lol. The referee is here as well but he looks somewhat younger?

Should be TD Kaiser

Kaiser and Disco in color! (Wow look at that quality.)

Kaiser and Don fighting…

Unfortunately I couldn’t find any Hippo photos as iconic as he is :/

Piston and Bull in a match, it’s hard to make out the second one but Hondo seems to be struggling there

Bear!

I couldn’t find any Tiger portraits either

Don frames! He looks really cool in the second one, I love his smug face (Punch Out fans (me) will say this and it’s the blurriest shit ever.)

Of course we have Aran looking as devious as ever. What even is the stance in the first one

I can only assume it’s Soda in the second image that Mac is fighting because the opponent is pretty tall and looks Pretty Bald, but I can’t say because I don’t think that’s a speedo he’s wearing…?

No Macho images! I’m surprised, you’d think he’d be hogging up the cameras. If he went to this place he’d be pissed there’s not a big fancy portrait of himself.

And Sandman! Looks less bulky in the last image but that’s definitely him. He looks pretty happy?

And lastly these three which I can’t make out who’s in them for the life of me:

The first one looks like Mac fighting… someone, but who else is shorter than him?

I’m pretty bummed about the one on the very bottom it looks like there’s about 4 people (I think Kaiser is one of them, the second to the left seems to have a mustache and his contender haircut) but it’s really blurry so I can’t make it out ~_~

[pianokantzart]

Me being completely normal about a not-even-confirmed storyboard leak.

[sundeers]

Luigi you good???

Some interesting Mario Movie behind the scenes stuff I've come across :)

First, this storyboard of the upcoming second film, reportedly during the opening of the film

And here are a couple pieces of concept art found on Twitter that I thought were interesting

[auroraknux]

This just popped up in my recommended:

So now we have a tiny bit more footage of the separation scene, this time in HD.

(Also found the two source videos: https://youtu.be/yRYbyZDgqDQ, https://youtu.be/Zckqbbo-u2s)

[girlgenius1111]

no one speaks to you like that

r deals with a cruel coach at the world cup. misa makes it better. feat. the girls finding out that their friends are together.

The door slammed shut behind him, and you exhaled a deep breath, collapsing back onto the bed. You'd never been more unhappy to have your own room than at that moment.

You'd stepped out of the bathroom post shower, just barely throwing on clothes, when you'd heard a knock at your door. You were hoping it was Misa, but when the door opened to reveal Vilda on the other side, you felt your heart sink. He had his characteristic scowl on his face as he stepped past you.

The following 15 minutes were what could only be categorized as verbal abuse. He went after everything; your skills, how hard you were trying, how fast you were, how you were "clearly not" following the meal plan he arbitrarily changed whenever he felt like it. You stood, completely still, looking just over his shoulder, taking it. You wouldn't argue, that never ended well. You didn't let yourself cry either, because he never appreciated tears. Instead, you let the words wash over you, and dug your nails into your palm.

You thought of Misa the whole time. How if she heard what he was saying she'd probably do something to get herself more than benched this time; maybe sent home. The last time Vilda had gone after you like this, he had made the mistake of doing it in view of Misa, who completely lost it at him. Now, she was unlikely to play the rest of the tournament, and Vilda seemed to enjoy screaming at you more than anyone else.

No one knew about the two of you, even if Vilda suspected. No one else had witnessed her reaction to his cruel words directed at you; everyone just knew she'd argued with him, and she would be riding the bench no matter how far we got. The division within the team was stark, and although Misa was a Real Madrid player, she mostly hung out with the Barcelona girls; with you. You'd gotten together a few months ago, and decided to keep it to yourselves, not wanting to deal with her club teammates finding another reason to dislike her.

When Vilda finished, you just wanted Misa. You wanted to wrap yourself up in her strong arms, bury your whole body in her larger one. You never felt safer than when Misa held you tightly to her. You knew that you should probably find Alexia or Irene and tell them what happened, but you didn't want to make a big deal out of it. You pulled out your phone, intending to see if Misa was alone, so you could go to her. You needed to get out of this room; the scent of Vilda's aftershave hung in the room like a fog, and it felt like it was suffocating you.

-Are you by yourself?

-Yes. Do you need me?

You could practically see the smirk lighting up the goalkeepers face as you read her response; you did need her, just not in the way she was implying.

-Can I come up? Vilda just left.

The little bubble that let you know she was typing appeared and disappeared a few times, before her reply came through.

-Dick. Yes, of course, please come up.

With that, you slipped your phone into your pocket, grabbing your room key, and headed out the door. You yanked your hood up, trying to hide the tears leaking out of your eyes. You walked down the hall, trying to keep yourself from crying until you got to Misa's room.

You heard voices coming from the direction of the elevator you were headed too, unmistakably those of Alexia and Jenni. Fuck. You had nowhere to go, and as soon as they saw you, they wouldn't let you out of their sight until you told them what was wrong. You had no choice but to keep walking towards them, turning the corner, hoping they'd be too wrapped up in conversation to notice you.

"Y/n!! We're gonna watch a movie in Mario and Ale's room, come with," Jenni called the minute she spotted you. You didn't know how to say no, so you said nothing, trying to walk past them.

"Hey, what's wrong?" Alexia asked, putting a hand on your shoulder to stop your movements. Again, you didn't say anything, continuing to stare at the ground. A gentle hand came to tug your hood off your head, before lifting your chin up. Your watery eyes met the older girls.

"What happened?" Jenni questioned, looking overly protective even though she didn't know what happened. She kept her hand under your chin, not allowing you to drop your gaze again.

"Nothing, I'm fine, I'm just going to hangout with Ona," you lied, trying to shake off their hands.

"What happened," Alexia asked, in a firmer voice. It wasn't mean, or harsh, but it still reminded you of the verbal lashing you'd just endured, and more tears were flooding your eyes before you could stop them.

"Vilda," you started, before a sob escaped your lips.

"Fucking hell," Jenni swore, pulling you tightly against her. "What did he say?"

"Come on, bring her to my room," Alexia said quietly, looking furious, realizing you weren't going to respond. Jenni maneuvered you down the hall, never letting go, through the door to Alexia's room, before pushing you to sit down on the edge of her bed. You wanted to pull your phone out and tell Misa that you'd been intercepted, but you couldn't do that without arising suspicion. Also, you couldn't really see clearly through the tears blurring your vision.

Alexia spoke a few words to Mariona, who looked equally as murderous as the other 2 girls, and you knew you needed to pull it together and make sure none of them did something stupid. They were all older than you, and were quite protective. It wouldn't be the first time they clashed with Vilda over him mistreating younger players, but with the semifinals coming up, you knew you couldn't risk anyone else getting benched.

The problem was that you were only getting more worked up, even as Jenni wrapped an arm around your shoulders, and began talking quietly in your ear.

"Whatever he said isn't true, I promise. You're an important member of this team, and you haven't done anything wrong," she told you.

You nodded, but the tears wouldn't stop. The embarrassment you felt was only making you cry harder. Alexia took a seat on the other side of you, placing a hand on your back.

"Jenni's right, you haven't done any-" her words were cut off by a frantic knock at the door. You knew who it was, even as the other girls exchanged confused looks. Mariona went to answer it, as Jenni and Alexia looked curiously after her.

No sooner had Mariona opened the door, than Misa's panicked voice was filling the room.

"Have you seen y/n? She texted me that Vilda..." She trailed off as Mariona stepped to the side, revealing your shaking form sitting in between your captains. The other girls watched as Misa's face melted from one of panic into one of pure adoration; one they'd never seen on her face before.

"Y/n, baby," she said, seemingly forgetting that you weren't alone. Your teammates exchanged looks, Mariona and Jenni mouthing “baby??” at each other, as Misa crossed the room, tugging you out from under the arms of Jenni and Alexia, pulling you into hers. They were just as surprised to see you wrap your arms around Misa, clutching tightly to her sweatshirt. Your tears immediately slowed as Misa held you tight, the feel of her around you calming you down instantly.

"I'll kill him," Misa said through clenched teeth, addressing no one in particular.

"Easy there, why don't you tell us what the hell is going on before you go kill him," Jenni said, glaring at Misa. Your Barca teammates had clearly connected the dots, and did not appreciate that you were clearly keeping a secret from them. Misa made to let go of you, make this more of a conversation had with you, rather than one spoken over your head, but you only tightened your grip on her, shaking your head into her chest. Her attention was, again, solely on you as she pulled you over to the other bed, tucking you under one arm as she sat down.

Misa was still gazing at you, fingers scratching lightly at your scalp as you emerged from her chest, wiping harshly at your face. Her hands pushed yours out of the way, ridding your face of tears much more gently than you had been doing. The simple gesture was so sweet, so intimate, and Alexia cleared her throat, drawing both of yours attention back to her.

"Well? How long has this been going on?" She asked, voice no longer the soft tone she had been using with you, instead replaced by what can only be described as her authoritative voice. Misa retreated to the rather quiet version of herself that most people experienced, and you spoke up. Still, her arm remained protectively wrapped around you and no one missed the way you leaned into her unconsciously.

"Since May,"

"And you didn't think you should maybe tell us that you were in a relationship with someone on the team? A relationship that appears to be pretty important to you?" Jenni asked. Her jaw was clenched, but she didn't look like mad Jenni, she looked like sad Jenni. You realized the three of them were not necessarily angry, but hurt that you'd kept this from them. You paused, unsure how to respond to that. In truth, Misa had asked to keep it to yourselves, but you didn't want to throw her under the bus. She had no such reservations.

"I asked her to not tell you guys. I didn't want anyone to know anything until I figured out how serious y/n was about me. And by the time I figured that out, we were at camp, and I didn't want to give my club teammates another reason to be... the way they are with me."

The other girls stared at the pair of you, somewhat stunned at the vulnerability just shown by Misa in admitting all of that. She was a reserved person, a private person, someone much happier to help her friends than allow them in at all.

"Well... that makes sense," Alexia said decisively. "We won't tell anyone."

Misa nodded once, a small smile gracing her lips, before she turned to look down at you.

"What did Vilda say?" She asked, eyeing you carefully. In response, you just shrugged, refusing to make eye contact. You absolutely did not want to discuss what he'd said in front of the rest of your teammates; you trusted them, but the things he had said were humiliating. Misa seemed to pick up on this, as did Alexia, as they quickly made eye contact, and Misa stood, pulling you with her.

"Let's go back to my room, yeah?" She asked quietly, and you smiled gratefully at her. Mariona and Jenni both voiced their disapproval at that idea.

"I have like 15 more questions for the two of you," Jenni protested.

"Yeah, what are we supposed to do, just let you go back to Misa's room all alone? We have a game tomorrow, girls." Mariona said teasingly.

"Alright, let them go." Alexia said, hiding a smirk at Mariona's comment. It really hadn't been that funny, but the way you and Misa immediately blushed, and looked anywhere but at your friends was amusing.

You and Misa walked out of the room, ignoring the suggestive jokes that Jenni and Mariona were making. You walked in complete silence to the elevator and up to Misa's room. You'd broken apart the minute you'd exited the room, and Misa longed to take your hand. Now that you were away from your friends and their teasing, it seemed the weight of whatever Vilda had said to you was settling back on top of you.

You allowed Misa to pull you into her room, nudging you to sit on the bed, as she took a seat next to you. You were distracted, caught up in your own head, only looking up at her worried brown eyes when she said your name softly.

"Are you okay?" She asked, feeling like she probably knew the answer. You shook your head slightly, leaning to lean more against the brunette. "Tell me what he said," she requested, and you sighed.

"More of the usual. I'm not playing hard enough, I'm not fast enough, not good enough," you paused. You looked up at your girlfriend, not sure if you should continue and tell her the worst part. She smiled encouragingly, a smile you only saw on her face when it was just the two of you. "He told me I need to start following the meal plan better, because 'it's clear' that I'm not," you finished quietly.

Misa's hands clenched into fists once again, knowing exactly how those words would effect you. She, more than anyone, knew that you struggled with keeping your habits around eating and working out healthy, and not letting them become obsessive. The goalkeeper reigned in her anger, though, realizing that it was clearly not what you needed from her.

She lifted your chin with one of her large hands, her touch gentler than you thought possible. "He's wrong, baby. You're having an incredible tournament. We're as far as we are partially because of you," she said earnestly.

"And yes, you aren't following his stupid meal plans, because he isn't a dietician, and you need to be careful with how you keep track of what you're putting in your body. You're doing what you need to do to stay healthy, and that is what's important."

You were still looking at her with so much doubt, as though you desperately wanted to believe her, but weren't sure if you could. Deciding that maybe words had taken her as far as they could, she leaned in, pressing her lips to yours, hard, in what she hoped was a reassuring way. You met her with enthusiasm, relaxing into the kiss as your mouths moved in sync with each other.

After a few moments, she pulled back pressing her forehead to yours. You looked slightly dazed, and Misa bit back a smirk at the effect she had on you.

"You are beautiful" she whispered, "you are strong, and you are fueling your body in the way you need to, in order to do your job. And I am so proud of you."

Misa often shocked you with how gentle, how kind and soft she could be. She put on such a hard exterior, all harsh frowns and flexed muscles on the pitch. Off the pitch, she was only slightly less intimidating, opting often to remain quiet and listen, her hard expression only wavering when she was around people she was comfortable with.

She was so different when you were alone with her though, the severe expression that normally rested on her face melting away to soft lips that pressed gentle kisses to your forehead, and wide eyes that looked at you with so much love.

It hadn't started off that way; it had started as passionate, rough hookups. Slowly though, you wore her down. She couldn't get enough of you, and she eventually stopped trying to.

She was enamored with you, and you with her. Privately, she felt that you made her a better person, a kinder person. You felt like she had a unique ability to make you laugh when nothing seemed funny, and hold you together when you felt like you were minutes from falling apart. Like right now. She knew exactly what to say, what to tell you.

"I'll say something to him," she said quietly, and you pushed her off of you, sitting up.

"No, Misa, you can't," you argued. She looked determined, a familiar smoldering look on her face, one she got when she was getting ready to save a penalty.

"Baby, he can't speak to you in that way," she began.

"No!" you responded, almost shouting. She looked at you in surprise, startled to see an incredibly panicked expression on your face.

"Calm down, y/n-"

"No, you can't say something to him. Promise me you won't. Please," you interrupted, almost begging.

"Why? I'm already benched what else could he do?" she wondered.

"He could send you home, Misa. And if you left, I couldn't... I couldn't do this, not without you," you responded, looking at her desperately. Misa brought you back into her arms before responding, holding you tight.

"Alright, baby. I won't say anything. I'm not going anywhere, and you don't have to do this without me," she promised.

"Thank you," you murmured. The goalkeeper smiled at you softly, rubbing your cheek gently with her thumb. You still looked nervous, still upset, biting the inside of your cheek like you were thinking hard. She waited patiently, content to sit in silence until you were ready to say what was on your mind.

"I'm sorry they found out. I just kind of freaked out when I ran into them, and I wanted to find you but they were in the hall..."

"Don't worry about that. I don't care that they found out. I don't care if everyone knows i'm with you. I just care that you're okay," she told you. "Anyway, now that Jenni has probably told the entire team, I can stay in here tonight with you."

You leaned closer against her, more relieved at her saying she'd stay than you'd like to admit.

"But you have a big game tomorrow, and you need to rest. What can I do to get you to sleep?" she asked, knowing you were likely too anxious to be able to sleep right away. Again, you marveled at how well she knew you.

"Hmm," you said, scooting down the bed and rolling onto your stomach. Misa was looking at you adoringly, and you grabbed one of her hands, placing it on your back. She laughed in response, beginning to run her nails lightly up and down. You sighed happily, and she scooted down too, kissing just above your eyebrow, before resting her head on the pillow, continuing her motions. You were drifting off, but still, the thoughts of Vilda and what he'd said to you still bounced around in your head.

"Do you think he'll yell at me again?" you asked groggily, blinking your eyes open just enough to see the girl opposite you.

"No. I won't let him," she responded, sounding completely sure. You nodded, shutting your eyes again. You believed her, inexplicably. Her tone was so confident, and more than that, you trusted her. More than you'd ever trusted anyone before. You fell asleep easily, feeling completely protected with the strong girl next to you, watching as you drifted off.

-----

[mostlysignssomeportents]

Privacy first

The internet is embroiled in a vicious polycrisis: child safety, surveillance, discrimination, disinformation, polarization, monopoly, journalism collapse – not only have we failed to agree on what to do about these, there's not even a consensus that all of these are problems.

But in a new whitepaper, my EFF colleagues Corynne McSherry, Mario Trujillo, Cindy Cohn and Thorin Klosowski advance an exciting proposal that slices cleanly through this Gordian knot, which they call "Privacy First":

https://www.eff.org/wp/privacy-first-better-way-address-online-harms

Here's the "Privacy First" pitch: whatever is going on with all of the problems of the internet, all of these problems are made worse by commercial surveillance.

Worried your kid is being made miserable through targeted ads? No surveillance, no targeting.

Worried your uncle was turned into a Qanon by targeted disinformation? No surveillance, no targeting. Worried that racialized people are being targeted for discriminatory hiring or lending by algorithms? No surveillance, no targeting.

Worried that nation-state actors are exploiting surveillance data to attack elections, politicians, or civil servants? No surveillance, no surveillance data.

Worried that AI is being trained on your personal data? No surveillance, no training data.

Worried that the news is being killed by monopolists who exploit the advantage conferred by surveillance ads to cream 51% off every ad-dollar? No surveillance, no surveillance ads.

Worried that social media giants maintain their monopolies by filling up commercial moats with surveillance data? No surveillance, no surveillance moat.

The fact that commercial surveillance hurts so many groups of people in so many ways is terrible, of course, but it's also an amazing opportunity. Thus far, the individual constituencies for, say, saving the news or protecting kids have not been sufficient to change the way these big platforms work. But when you add up all the groups whose most urgent cause would be significantly improved by comprehensive federal privacy law, vigorously enforced, you get an unstoppable coalition.

America is decades behind on privacy. The last really big, broadly applicable privacy law we passed was a law banning video-store clerks from leaking your porn-rental habits to the press (Congress was worried about their own rental histories after a Supreme Court nominee's movie habits were published in the Washington City Paper):

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

In the decades since, we've gotten laws that poke around the edges of privacy, like HIPAA (for health) and COPPA (data on under-13s). Both laws are riddled with loopholes and neither is vigorously enforced:

https://pluralistic.net/2023/04/09/how-to-make-a-child-safe-tiktok/

Privacy First starts with the idea of passing a fit-for-purpose, 21st century privacy law with real enforcement teeth (a private right of action, which lets contingency lawyers sue on your behalf for a share of the winnings):

https://www.eff.org/deeplinks/2022/07/americans-deserve-more-current-american-data-privacy-protection-act

Here's what should be in that law:

A ban on surveillance advertising:

https://www.eff.org/deeplinks/2022/03/ban-online-behavioral-advertising

Data minimization: a prohibition on collecting or processing your data beyond what is strictly necessary to deliver the service you're seeking.

Strong opt-in: None of the consent theater click-throughs we suffer through today. If you don't give informed, voluntary, specific opt-in consent, the service can't collect your data. Ignoring a cookie click-through is not consent, so you can just bypass popups and know you won't be spied on.

No preemption. The commercial surveillance industry hates strong state privacy laws like the Illinois biometrics law, and they are hoping that a federal law will pre-empt all those state laws. Federal privacy law should be the floor on privacy nationwide – not the ceiling:

https://www.eff.org/deeplinks/2022/07/federal-preemption-state-privacy-law-hurts-everyone

No arbitration. Your right to sue for violations of your privacy shouldn't be waivable in a clickthrough agreement:

https://www.eff.org/deeplinks/2022/04/stop-forced-arbitration-data-privacy-legislation

No "pay for privacy." Privacy is not a luxury good. Everyone deserves privacy, and the people who can least afford to buy private alternatives are most vulnerable to privacy abuses:

https://www.eff.org/deeplinks/2020/10/why-getting-paid-your-data-bad-deal

No tricks. Getting "consent" with confusing UIs and tiny fine print doesn't count:

https://www.eff.org/deeplinks/2019/02/designing-welcome-mats-invite-user-privacy-0

A Privacy First approach doesn't merely help all the people harmed by surveillance, it also prevents the collateral damage that today's leading proposals create. For example, laws requiring services to force their users to prove their age ("to protect the kids") are a privacy nightmare. They're also unconstitutional and keep getting struck down.

A better way to improve the kid safety of the internet is to ban surveillance. A surveillance ban doesn't have the foreseeable abuses of a law like KOSA (the Kids Online Safety Act), like bans on information about trans healthcare, medication abortions, or banned books:

https://www.eff.org/deeplinks/2023/05/kids-online-safety-act-still-huge-danger-our-rights-online

When it comes to the news, banning surveillance advertising would pave the way for a shift to contextual ads (ads based on what you're looking at, not who you are). That switch would change the balance of power between news organizations and tech platforms – no media company will ever know as much about their readers as Google or Facebook do, but no tech company will ever know as much about a news outlet's content as the publisher does:

https://www.eff.org/deeplinks/2023/05/save-news-we-must-ban-surveillance-advertising

This is a much better approach than the profit-sharing arrangements that are being trialed in Australia, Canada and France (these are sometimes called "News Bargaining Codes" or "Link Taxes"). Funding the news by guaranteeing it a share of Big Tech's profits makes the news into partisans for that profit – not the Big Tech watchdogs we need them to be. When Torstar, Canada's largest news publisher, struck a profit-sharing deal with Google, they killed their longrunning, excellent investigative "Defanging Big Tech" series.

A privacy law would also protect access to healthcare, especially in the post-Roe era, when Big Tech surveillance data is being used to target people who visit abortion clinics or secure medication abortions. It would end the practice of employers forcing workers to wear health-monitoring gadget. This is characterized as a "voluntary" way to get a "discount" on health insurance – but in practice, it's a way of punishing workers who refuse to let their bosses know about their sleep, fertility, and movements.

A privacy law would protect marginalized people from all kinds of digital discrimination, from unfair hiring to unfair lending to unfair renting. The commercial surveillance industry shovels endless quantities of our personal information into the furnaces that fuel these practices. A privacy law shuts off the fuel supply:

https://www.eff.org/deeplinks/2023/04/digital-privacy-legislation-civil-rights-legislation

There are plenty of ways that AI will make our lives worse, but copyright won't fix it. For issues of labor exploitation (especially by creative workers), the answer lies in labor law:

https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/

And for many of AI's other harms, a muscular privacy law would starve AI of some of its most potentially toxic training data:

https://www.businessinsider.com/tech-updated-terms-to-use-customer-data-to-train-ai-2023-9

Meanwhile, if you're worried about foreign governments targeting Americans – officials, military, or just plain folks – a privacy law would cut off one of their most prolific and damaging source of information. All those lawmakers trying to ban Tiktok because it's a surveillance tool? What about banning surveillance, instead?

Monopolies and surveillance go together like peanut butter and chocolate. Some of the biggest tech empires were built on mountains of nonconsensually harvested private data – and they use that data to defend their monopolies. Legal privacy guarantees are a necessary precursor to data portability and interoperability:

https://www.eff.org/wp/interoperability-and-privacy

Once we are guaranteed a right to privacy, lawmakers and regulators can order tech giants to tear down their walled gardens, rather than relying on tech companies to (selectively) defend our privacy:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

The point here isn't that privacy fixes all the internet's woes. The policy is "privacy first," not "just privacy." When it comes to making a new, good internet, there's plenty of room for labor law, civil rights legislation, antitrust, and other legal regimes. But privacy has the biggest constituency, gets us the most bang for the buck, and has the fewest harmful side-effects. It's a policy we can all agree on, even if we don't agree on much else. It's a coalition in potentia that would be unstoppable in reality. Privacy first! Then – everything else!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[kirbybecomesastarwarrior]

10. What's an AU that would be interesting to explore with your OC?

Needless I went off the rails with this one! LMAO

This became an excuse to draw Celarthur/Merthur content in different scenarios & and outfits. And I had too much fun with the designs of each one.

Sun King & Moon Queen AU:

Basically, I was watching Lego Monkey Kid and this happened! I really wanted to do something that really got the essence of the show. If you watch the show you can really tell I kinda (or a lot) based it around the Lady Bone Demon & Sun Wukong. And of course some classic Chinese folklore...

It is a total rom-com scenario, with the Moon Queen betrothed to the Sun King... they but heads at first then slowly but surely fall in love.

Sleeping Beauty/ Fairy Tale AU:

This one was really made for young Sir Arthur & Celestine... I couldn't help it guys it was such a classic movie. Malfience icon (she's definitely be Morgan in this Au).

Especially when I was looking for dancing references I kept looking at the sleeping beauty reference dance sequence the most. (for a project to be revealed later still a secret) So I had to give a shoutout to that of course, love how it turned out!

Super Paper Mario Au:

I think this one is my favorite one I always got emotional for Count Bleck & Tippi's backstory. Their love story is quite similar to theirs....they just fit the characters so well.

In all honesty, if Sir Arthur didn't have Meta to ground him... then he definitely would have become like "Count Bleck." Oh but just like Tippi Celestine would still love and forgive Arthur anyways.

~

And here is an Au relevant to the plot of KBASW... I did wanna draw out more scenarios relevant to the plot of KBASW but then they kept leaking out to spoiler-ish territory.

Next Scenario Happy Ending Route. (Basically, Celestine & Arthur are running the GSA and this is a daily occurrence~)

They still have to wait for...(Kirby is lost for a while and is found by Meta and of course baby imprints on him and he's still Meta's) They become this obnoxiously flirty-loving couple... MK's seen this since he was a kid so he's desensitized. They do get work done I promise ~ (LMAO)

@kirbyoctournament

Keep reading for spoiler content/ Special thanks

~

This is where Celestine finds a cure for her " broken warp star" situation. They basically gave Gala the same isolation treatment (because he was supposed to be the galaxy's savior~). But Celty (secretly visits him as often as she can to ensure he isn't lonely.

After this time Celestine finds Meta in the Fountain of Dreams (before anyone could find him). The Ancients were so preoccupied with Gala that they weren't even montioring the fountain.

Basically, no one knew that Meta Knight was born but Celestine & Arthur. He's raised in secret at the temple. (They make a cute little family together ~) And Celestine would set up secret little play dates for the both of them.

A few years passed and then BOOM!

They manage to catch Icarus in his crimes for "forcibly creating another astral from Void." (Kirby was always going to be made but he came out too early due to Icarus' involvement.)

Morpho still takes his life but they manage to trace it back to Uther... The people are now questioning the Acients in their decisions and soon fall out of power due to the controversy. To save face they crystalize Sir Uther... (HA) but that doesn't help them at all~

It was during this time that Celestine properly revealed herself as Merlyn... WHAT!? Another blunder blew up in their faces...and the people immediately began to rally behind her. The popularity of her good deeds as Merlyn is what gets her into the seat of power.

Leaving Celestine in charge of the GSA (finally left in the right hands!) And of course, she takes Arthur with her as her right-hand man and well I think the GSA would become more of a light-hearted place after that.

(Morgan leaves, she doesn't fit into this hippie-dippy-happy place but she's not evil per se... she kinda just travels around as she pleases and she does find her happiness being a wanderer.)

Nightmare is still a problem but Nightmare Enterprise is never created, so it's not as widespread. So it's managed and the galaxy is thriving under Celestine's control. And of course, Arthur & Celestine confess their feeling for each other yada yada yada....

And of course, Kirby defeats Nightmare and that's it~

Despite this happy ending Meta Knight never meets Jecra & Garlude as a result of this. Along with Kirby never going to Dreamland or meeting everyone; Fumu, the cappies, no nothing. And the need for Star Allies no longer exists.

~

More content on these two to come and guys let me know which Au scenario you like more (reblog, leave a comment... maybe I'll expand on it more fun content to come)

I also wanted to thank everyone for getting me through round two I hope you all continue the support for next week's voting poll ROUND THREE!

Thank you for riding this wave with me!

Hope you all have a wonderful day!

@lulu-chaos-incarnation I just also wanted to thank you for being such a loyal fan. I really appreciate you I know I went a little crazy on the AUs but I hope you enjoyed it nonetheless! :D

[legobiwan]

Okay, ever since the concept art of the Mario Brothers movie got leaked on Reddit, I've been wanting to make this post. And I think now is the time. Gird your loins friends. I am about to overanalyze the hell out of thirty seconds and one concept art of a movie.

A Room of Their Own: An (Over)Analysis

To start with, I want to justify this whole treatise by comparing the concept art of Mario and Luigi's room with what we get in the movie.

Concept Art

Movie

These match up incredibly well. There are a few poster swaps on Mario's wall, the generic baseball team versus an obvious reference to the Mets (a point I'll talk about in a moment); Beastie Boys for the fish person poster (and it's bugging the hell out of me, because the green guy is wildly jogging my memory and I can't quite place it). Luigi's side of the room also gets slightly rearranged, although the objects are mostly the same, minus the swap of the anime mecha figure for an art mannequin.

Now that we've established continuity, let's talk about why we're exploring this in the first place.

I love analyzing people's living spaces in media. They tell such an intimate story about who a person is, what they value, what they're hiding, and so on. And the snippets we get of Mario and Luigi's room, both through the movie and the concept art, say so much about them and (arguably) connect in some measure back to the games and even the cartoons of my youth. So, let's dive in, shall we?

Mario

In both the concept art and the movie, a couple of themes emerge from Mario's side of the room.

Plumbing

It's obvious that Mario's passion is plumbing. There are pipes sticking out from under his bed, pipes stacked in the corner, books on plumbing stacked on his desk, along with all kinds of other related paraphernalia. Regardless of Spike or his father, Mario seems genuinely into plumbing as his vocation (remember, he was the one who was the driving force behind that commercial). Keep this in mind for when we talk about Luigi, because there's a divergence there.

Sports

We know from the movie and general lore that Mario is quite athletic, and seems to enjoys sports. Here, we see posters for baseball and what is presumably the New York City marathon (at least in the movie still); we see a football helmet and some small trophies that one might assume are related to his own sports activities. Is he the absolute, number one winner in all of Brooklyn? Unlikely, given his insecurities about always being "small," about wanting to amount to something. This being said, it's obvious he has some prowess and accomplishment in the world of sporting, perhaps on a high school level. And the whole parkour scene shows that he trains, keeps himself in shape for this type of thing. (As an aside, can you blame Luigi for not being able to keep up? Forget the knees, he's hauling a 15-20 pound bag of plumbing equipment with him! Give the guy a break).

Anyway, this is all unsurprising for our hero archetype. The marathon poster - grit and determination. Baseball and football - all-American sports. Central casting, call one wannabe hero. (Remember, what people showcase in their rooms is generally what is important to them, what they value).

There is a small wrench thrown in here, however (ha! a pun!) And that would be the foam finger featured in the concept art which is a very familiar orange and blue. And that along with the baseball figurine and posters - which have similar coloring and iconography of the intersecting "NY" - lead me to believe that Mario is a Mets fan.

Now, I need make a small digression here to explain why this is important to his character.

The Mets are the long-suffering little brother to the perennially-successful New York Yankees (booooooo). They still hold the modern era record for most losses in a season (their inaugural year, 1962, where they went 40-120). Over the decades, they have been plagued by inept ownership, catastrophic end-of-season collapses, and bizarre events that can only be categorized as "LOLMets." (This Reddit thread is a particularly entertaining history of the franchise's tragi-comic moments).

And aside from being a lifelong masochist fan of this team, I think it's important to bring this up in terms of Mario's character because he sees himself as the underdog while in Brooklyn; as little, as constantly underachieving. It's extremely fitting for Mario's movie depiction that he roots for the eternal underperformer, for a team that has historically been supported by the more blue-collar areas of New York, a fanbase which suffers year after year and yet always comes back for more.

Mess

This is actually my favorite part of Mario's section. Canonically, Mario is a kind of a slob. In both the concept art and movie stills, we see plumbing bits and parts strewn all over the place, pipes shoved underneath the bed, pipes stacked in the corner, half-finished projects and tools running amok his desk. (Note, he's not dirty, just disorganized).

And the thing, this isn't the first time we've seen evidence of this. Luigi, on two separate occasions, either complains about or encounters his brother's habits in the Luigi's Mansion series. (Although the first quote below could be more of a commentary on Luigi's persnickety-ness rather than Mario's laundry habits).

(seriously, Mario. Just how many pizzas did you need?)

There's something...I don't know, endearing or somehow fitting that the titular hero of the Mushroom Kingdom is a domestic disaster. Almost as if whatever energies he can muster are focused solely on hero-ing and plumbing and anything else just...falls by the wayside. (Understandable. There's only so much all of us in our lives have energy for. You have to prioritize). Still, it sets up this contrast between the front Mario puts up and how he's received by the Mushroom Kingdom and who he really is, which he definitely reserves for a select few closest to him, the prime candidate being his brother.

And speaking of that brother...

Luigi

It's unfortunate that we don't get as many quality shots of Luigi's side of the room in the movie, but from what can see, the concept art is pretty consistent with the film.

And I'm being adamant about the consistency of the concept art and the movie, due to the fact we get so little Luigi screen time and yet his room tells us so much about him.

Science

We've got a tech-mech boy here, my friends. Note the somewhat advanced microscope perched on the headboard, the calendar of the motorcycle, the schematic of the racing car, the little jet-rocket ship. Note, in the concept art, the mecha sat prominently on top shelf.

Now, what does this tell us? (Aside from the fact Luigi is a total nerd, which we knew already).

Firstly, Luigi is very into motor vehicles, science (fiction), and possibly robots. That he possibly has some interest in engineering and robotics. This may sound familiar.

Yes, the Super Mario Brothers movie, by intent or not, kept Luigi's mechanical engineering interests intact. (There's a whole other post in here where I could provide further proof of this outside of SPM. I suggest watching the SMB 3 cartoon episode, "Mind Your Mummy" which not only wildly showcases Luigi's engineering skills, but is pretty hilarious).

But I digress.

Here's the interesting contrast. Mario is obvious about his passion for plumbing. Luigi, although canonically more reserved, does take the effort to highlight what is important to him in his room - namely his interest in science and engineering (and photography, which we'll talk about in a minute).

It makes you wonder...Luigi is not a confrontational sort. He goes along with what Mario does because he loves his brother and perhaps he either doesn't know what he wants or is afraid to express it. I personally doubt Luigi's true passion lies in plumbing, from what we see here. It's a means to end.

Now, whether Luigi disavowed engineering due to finances, low self-esteem, family pressures, or if he just wasn't ready to declare who he was...we don't know (I would posit it's some tasty combination of all of the above). But I do feel like it's fair to say Luigi is along for the ride at this point. He loves his brother, is possibly a little too dependent on him. It's not like he's bitter about it (well, on the surface. The Mr. L persona raises some interesting questions) - he's just doing what Mario does because...that's what he's always done. Luigi hasn't found his true footing yet. (You can even look at the fact he carries the toolbag throughout the movie as a kind of metaphorical weight of Mario's interests and goals over his - which, I realize, for a Mario property, is a reeeeeaaaaal stretch. But since I'm overanalyzing three stills from an animated movie about video game plumbers, I might as well go for the gold).

The other aspect of Luigi's interest in fast cars, fast bikes, and fast rockets is how that contrasts with his reserved nature. Luigi is, supposedly, the scaredy cat, the one who won't take risks. And yet what we see fascinating him the most are chunks of metal being hurled through time and space at ridiculous speeds. Wish fulfillment? Or maybe another side of Luigi that even Mario doesn't always get to see.

We also see two ribbons pinned to the wall near the sciency/tech items. Most likely, this had to do with academic achievement I would bet good coins that these achievements were in STEM. Again, Luigi is showcasing this, meaning it's important to him.

In this context, him gravitating towards E. Gadd and his experiments is wholly in-character, despite Luigi's (understandable) anxiety about dealing with undead (but does he say no? Much like his rocket cars, there's a kind hidden recklessness to his character). Mr. L and his robot obsession (and skill) make perfect sense. Luigi's probably been looking for that kind of outlet for quite some time. I can pretty firmly state that the engineering aspect of Mr. L was not brainwashing and it makes you wonder if the other facets of Luigi's personality that rise to surface during that whole episode were planted or there already, just suppressed.

Cleanliness is Next to Godliness

Luigi is just a bit of a neat freak. We see this in the hat-cleaning episode referenced above, in the way his side of the room is somewhat meticulous in its organization (in contrast to his brother). He also has a few hilarious quotes in the original Luigi's Mansion that are worth including here that really highlight this side of his personality:

Now that I look at it-- it's full of moth holes! Yecch!" "So much dust! This will never pass the white-glove test!" "Well, they sure did pile odds and ends everywhere… Filthy." "I should probably give that a quick vacuuming…" "Oh, what's this?! Just how I like it… Nice and clean!" "Do Boos wash their faces?"

And what I find interesting about this tendency toward order is how it relates to Luigi's anxiety. I would argue that part of his clean streak is an attempt at controlling his environment, a way to counter that ever-present anxiety. It also seems fitting for the engineer to be far more fastidious about things being just so. Yes, it's a bit of a stereotype - a trope, if you will - but one that might have some teeth in this situation. After all, if you're building race cars that go ridiculous miles per hour, there's no room for error. I think the contrast between the two brothers - Mario's outside world is consistently on the edge of chaos while Luigi's inside world is the one on the precipice - is fascinating.

Sports

Now, it's not like Luigi has zero athletic ability (despite his complaints). We see a tennis racket in his room and a dartboard. He helped Mario beat up Bowser with zero training montage. It's just that Luigi seems to gravitate towards athletic endeavors that require more pinpoint accuracy (not that baseball and football don't, but it's a little different in my mind) and that avoid almost all risk of physical collision. Again, those interests are not what we think of as "stereotypical" of the big hero. And Luigi is a hero, but in a very different way than his brother.

Camera

I don't have too much to say about this one, but I think it's delightful that Luigi owns and uses an old-school camera. We can actually see two black-and-white photos pinned to his wall in the concept art, showing us Luigi's more artistic side, which is kind of neat (and let's not forget the movie subs in an art mannequin for the mecha, which only strengthens this notion of art interest. Maybe he's into the notion cybernetics? It's possible). I suppose I could read into camera thing as an observer vs. participant dynamic (Luigi behind the lens observing while Mario is always in the action), but I wouldn't make an argument any more in-depth, and even that statement is a bit of a leap in a document chock-full of leaps.

Conclusion

If you're expecting a thesis out of this, I'm sorry to disappoint - I don't really have one. I suppose this whole rundown is more of a literature review than anything else, but what I do want to stress is what can be read from the objects in the room and their placement. I can't and won't pretend to know the intentions of the artists here. It's very possible there was far less thought put into the design and layout of these rooms than the long treatise I have just given over to it. This being said, because there is a fair amount of consistency between the concept art and the movie and because there is a fair amount of subtle character moments throughout the film (which have been broken down by other intrepid Tumblr friends), I might lean towards the notion that these design choices do have some degree of intent in subconsciously shaping how we, the viewer, read the brothers.

(And yeah, maybe I just wanted an excuse to pin more evidence onto my "Luigi wanted to be a mechanical engineer and is actually really skilled at robotics and other science" conspiracy thread bulletin board :D