#MK critical

[amazingdeadfish]

It's the Spookie Month

[starii-lins]

this is them right

[tristinai]

I told myself I'd write today. So I did. Just...not the thing I was expecting to write lol.

Cue rant under the cut:

I think the general problem with reboots, and why you don't see many reboots taking large departures from the original, is that there is this fear of pissing off the fan base by doing something too "new". The best example I can think of is when the Ghostbusters made that all-woman team in a reboot and that movie was dragged all over the internet/Hollywood/etc before anyone gave it a chance. I'm not sure if that was the pivotal point within Hollywood entertainment that reboots began taking less risks when retelling their stories but there seems to be this fear of becoming too controversial or doing things too different whenever a property is rebooted. We notice this not only in film but in TV, Games, Comics, etc. The prevailing attitude seems to be low risk = high reward and the studios releasing this rebooted content trust that few changes and high nostalgia in a product brings in a higher return than taking beloved characters and moving them in new directions.

Honestly, I am kind of surprised that MK1 has as many changes as it does and that's why I like the game so much (going on 130h of playtime right now because Invasions is so addictive >.>). It's one of the few rebooted things I've seen/played that felt like it was trying new stuff with a lot of beloved characters. But I would definitely argue that while there have been some controversies (people seem pretty unhappy with Hanzo and Kuai Liang in the new timeline and not just the shippers), the changes in MK1 still feel very "safe". Switching the champion from Liu Kang to Raiden, the two characters whose friendship/relationship has dominated previous games, is literally just giving them the exact same dynamic they have always had but reversed. It's basically the same package but with different color wrapping paper. Controversial take: NRS should have worked the story so you could pick Raiden, Kung Lao, Johnny, or Kenshi as your champion and each would add a slight variation to the main story (but not a significant change, maybe just give each character different lines/scenes in the following scenes). Player choice would have been nice and it would have encouraged people to replay those chapters. Plus, it would have been neat to see how each champion reacted to their role: would Kung Lao have been more arrogant? Would Johnny have used his title to double-down on his flirting? Would Kenshi have tried to use his champion title to try and reclaim Sento from Johnny? The variation would have been nice and if done well, players would get to play the champion they connect most with and completionists would have gone back to replay these chapters multiple times to unlock more items/view more cut scenes.

Plus, even if NRS wanted only 1 champion, the ending of MK11 Aftermath suggested that Kung Lao was going to be champion. I think even the start of MK1, where Kung Lao's arrogantwith Raiden, could have set up a more interesting arc for Kung Lao as champion. His role in the game could have been learning humility by the end of it and instead, we have Raiden who…doesn't really get character growth in his role as champion. Raiden starts as humble and ends as humble and while his Towers ending hints at the anger that previous versions of him struggled with, we don't see it in the main story. Maybe Raiden learns to be more confident and trust in his abilities? I'm really blanking on it right now since I haven't played the story in months but I still feel that Kung Lao had a better setup for growing into the role of earthrealm champion.

Regarding other changes they could have gone with, is there seriously no man in the MK universe whose doing it for the D? Nearly every male character got a glow up in MK1 and they're all just standing around, surrounded by all that man pretty, like, "We're all straight. Every one of us. No gay thoughts, only hetero feelings". Not even Mileena and Tanya is new as they are canon in MK11 (Tower ending). It's just wild to me that in a male-dominated roster when we know that gay/bi men make up a few percent of the world's population, you don't have ONE queer male. Johnny throws some flirty lines at male characters in his intros so maybe he's the closest NRS will go to the taboo and forbidden not-hetero male character, but it's like for every hint of queerness Johnny oozes, he's also got 10+ lines reaffirming he's all about the ladies XD

To wrap up, I think the risk factor of changing characters/story arcs too much and allowing queer males anywhere within a fighting game is why even with these reboots and opportunities to do something different, NRS will stick to the status quo as much as possible. MK1 offers some interesting departures from the way characters were depicted in previous games but NRS knows enough about their preferred straight, male gaming audience to deliver to what caters to that demographic. I think the comparison with BG3 is interesting because that's a game where it feels almost like you're playing the game wrong if you don't flirt with the queer options in a playthrough. But ultimately, these are two different demographics of gamers. Plus, Larion studios knew who their community was (us weirdos who play tabletop games on a Saturday night instead of hitting the nightclubs/bars) and delivered a player-choice driven experience, which should allow players to explore who they are through the game's protagonist. NRS is more about delivering a testosterone-driven male power fantasy with brutal combat, sexy ladies, and beefed up men (why do straight guys like this????) in a fighting game. If you're queer and playing MK games, NRS might throw a nod in your direction with a cute Johnny quip or a blink-and-you'll-miss-it Taleena moment but they ultimately don't give a shit what their queer fans want since we are outnumbered by loud, obnoxious, pissed off men screaming WOKE and threatening boycotts any time any of us queers get a bit of recognition in media.

I am sorry this is so long ^^;;;

MK1 is such a bizarre experience bc on one hand some characters have benefited a lot from the "universe reset" (Baraka, Reptile, even arguably Shao who is less than a muahahaha conquer villain but someone who actually seems to care about his realm?). Others kind of raise interesting questions, like Shang Tsung : is he doomed to be bad or can he be good for a change? (In the story he choses to become a snake-oil salesman before joining the imperial family + there is an Union of Light Shang Tsung so him being good is a thing that could happen).

But then, instead of using that full reset NRS just leaves some things the same? Like. It's a reset. In 2023/2023. That was the perfect moment for implementing some (maybe not lots) changes. Perhaps starting making Johnny canonically bi? Just a small ripple towards a bigger change? Instead of getting stuck in same old ways?

YOW EXACTLY

Things i loved about Mk1 change:

Mileena and Kitana sibling relationship

Rain's character design

Tanya and Mileena!!!!

Sindel being badass empress and outworld thriving in peace under her reign

Baraka and Syzoth on the good side!!

Kenshi's yakuza past

Geras and Liu Kang's friendship! Liu Kang actually treating Geras as his equal 🥺 and Geras being so loyal to him 😫😭

Shang Tsung's zitsy behavior

Lin Kuei brothers 🥺

What i hate:

Hanzo being a kid and essentially everything about him being handed to Kuai Liang

Kung Lao being the second best again

Raiden and Kitana romance

Mileena and Tanya having the barest screen time

Controversial opinionated rant down below

I hated that they essentially just switched Liu Kang and Raiden's places. I started MK1 right after MK11 that i was furious to see Raiden chosen as the champion (IT SHOULD HAVE BEEN MY BOY KUNG LAO LET HIM SHINE ISTG) and then flirting with Kitana with Liu Kang's exact line (I hope we meet again under different circumstances)??? Tf??

I understand that some plot elements are too good to change but character romances? Don't replace one side of the pairing, then try to serve it to the audience again! Reboot should give us more variety of character designs, stories, dynamics, and relationships. Give us the genderbent, queer, poc characters BC YOU'RE NOT EVEN SACRIFICING ANYTHING when we literally have infinite alternative timelines you can recall classics from. For example, we have our human Raiden and old man titan Raiden. We can do variety. I wanna see female Fujin, i wanna see Scorpion Harumi and fighter Suchin, i want actual deserved queer representation in Kung Jin, and i. wanna. see. canon Johnshi!

My hypothesis is that NRS is gonna bring in mk children through dimensional travel so that they don't need to age up our current characters. I'm saying this to push my point further that we don't need to repeat romance plotlines (dont come at me. I have bais just as you have bais for ur fav old pairings)

Listen, i loved Sonya and Johnny in previous games, her and Cassie were a huge part of Johnny's character arc, but since Johnny is already maturing by the end of mk1, i don't see a point in Cageblade anymore (very controversial but it's my blog so i will yap as much as i want) We are not erasing anything by possibly making Johnny queer. Johnny and Sonya can be married in different timeline and Cassie is still their child. If anything, we are enriching the character, expanding the universe. Really, I don't wanna buy the exact same game story in different graphics. I don't want to see Suchin die again just to serve Kenshi and Takeda's dynamic.

And don't even get me started again on heteronormality of the game. We have 6 realms that have diverse variety of biological and sociological configurations AND YOU'RE TELLING ME THEY ARE ALL HETEROSEXUAL?? NRS is a fucking pussy for not having enough queer representation. They think they can give us vague "blink, you will miss it" moments and move on. There are so many high selling good games with good lgbtq characters. Literal 2023's the game of the year, BG3 is so fucking gay that it's off to space and you're telling me that NRS is just going 🥺👉👈 but our fans 🥺👉👈

Anyways, NRS can eat shit and Johnshi for the president 🤘

[itsabouttimex2]

MK and Mei’s Friendship

Wukong and Macaque’s Fallout

Mei isn’t the next “warrior”, and she would 100% beat your ass for implying she’s like Macaque

I’m going to preface this for anyone who might want to leave early- I personally dislike this theory!

Because to me, it isn’t a theory- it’s just wrong.

And usually it’s so wrong that it shatters the reality of MK’s and Mei’s character for the sake of forcing them into little “Sun Wukong” and “Macaque” shaped balls.

And so often it starts with demonizing MK/Wukong.

I see, so often, this portrayed in two ways:

1. MK loses his mind and becomes a vicious monster that must be collared and restrained for the good of all around him.

2. MK becomes obsessed with power and fighting, thus driving Mei away.

And both of these are done in an attempt to “link” the kids with the monkeys.

MK-Wukong and Mei-Macaque

We don’t really need to talk about the first two- most of the show is about MK interacting with the Monkey King and learned to handle his legacy and foes- we’d be here all day.

But, what sort of interactions do Mei and Macaque share? Well, for Mei, it’s:

1. Being a victim of his violent and murderous actions

2. Being extremely close to his other frequent victims

3. Bafflingly having no negative opinions on the man who led an assault on her people’s palace, tried to murder her friends, and forced Tang to unleash the Samadhi Fire, nearly killing her in the process.

4. Being a weaker character for her lack of hostile dynamic with someone who has hurt her again and again and again

5. Having a worthless “team-up” with Macaque without the show ever having her address what he’s done to her and her loved ones

6. Weaken her character by taking away characteristics like “willing to call people out” and “gets violent when people try to hurt the ones she loves” for the sake of a boring and short “team-up”.

…yeah, thats not a great list.

Already, Mei’s non-violent interactions with Macaque leave a lot to be desired- and don’t hint to anything even close to her being a “successor” to his story like MK is to Wukong.

Back to those two first bullet points, now, right under the read more.

Sun Wukong and MK are not; and never have been, “mindless monsters”, in spite of MK’s destructiveness in his monkey form- it is explicitly made clear that he’s in control of himself.

“There’s nothing “mindless” about this.”

And he was right. MK is completely awake and aware in his monkey form, with full mental faculties. He’s verbally capable of shredding Azure and decrying his crimes in an efficient fashion, all while kicking him around.

MK wasn’t “going insane”- he was having fun.

(That’s a rant for another day, though)

Nor did Sun Wukong solely drive Macaque away.

The crux of Wukong and Macaque’s fallout is clearly displayed in the show, in the fourth season of Monkie Kid- it started from a single fucking argument.

Now, I’d like to preface again: this is the first point that I see many, oh so many theorizers, artists, writers, etc- get wrong.

SUN WUKONG IS NOT THE “BAD GUY” IN THIS SCENE.

THEY ARE BOTH AT FAULT.

Sun Wukong is trapped. For attempting to overthrow the Jade Emperor, he is sentenced to FIVE HUNDRED YEARS trapped under a mountain.

Let me elaborate for anyone who doesn’t sympathize.

For the next five hundred years, Sun Wukong will be 75% immobile and alone under a nearly lightless mountain. There will be no noise, no stimulation, and no company. He will suffer in silence, and he will suffer alone.

But you know who ISN’T being punished for an attempt to overthrow the Jade Emperor?

Macaque.

Now, this is funny. Wukong leads a six strong band of brothers against the forces of the Celestial Realm, but only ONE of them faces consequences for the rebellion- himself.

Even five hundred years later when Wukong is set free and traveling with his fellow pilgrims…

No one else has faced consequences for the rebellion. All five of Wukong’s “brothers” (Azure Lion, Peng, Demon Bull King, Yellowtusk, and yes, Macaque) get away scot-free to continue their plans and schemes.

I would be pissed. You would be pissed. There is not ONE SINGLE PERSON in this world that would NOT be pissed about how blatantly unfair this is.

Especially not after spending five hundred years nearly immobile under a dark and lonely mountain.

So, even before all, here and now, under that mountain, before five long and lonely centuries have passed, faced with the current injustice of his predicament-

Wukong lashes out and blames Macaque.

No. Fucking. Shit.

All of us (none of us are saints, do not try to say otherwise) would have snapped in anger.

All of us would have been angry. Each and every last one.

Mostly immobile and imprisoned alone to take the blame of six guilty men, Wukong lashes out at the nearest person.

And what does Macaque do, when blamed one single time for something that is mutually the fault of six men, including himself?

He lies and runs away.

No the fuck you didn’t.

Macaque nudges the idea. He implies the idea. He hints, quietly and softly.

“You’re really going through with this?” Is not him shutting down the idea of fighting the Celestial Realm.

It’s him being a coward and trying to dance around the issue without a direct confrontation.

Not even once does Macaque say: “We shouldn’t fight the Jade Emperor.”

Macaque directly LIES to present himself as being the better person during this fight.

MACAQUE IS FUCKING LYING TO HIS BEST FRIEND’S FACE TO MAKE HIMSELF LOOK BETTER, THEN RUNS AWAY AND NEVER COMES BACK DESPITE HAVING FIVE HUNDRED YEARS TO DO SO.

(But because it’s their ‘pewfect pwecious Maccy’, the fandom blindly ate this blatant dogshit lie up and took it at face value. Y’all don’t deserve unreliable narrators and mature themes go watch cocomelon/s)

The moment something goes wrong, what do these two do?

Blame each other to absolve themselves of sin, and then one runs away and chooses to never come back.

This was fucked up and toxic from the start- Macaque was a cowardly little bitch, and Wukong was a power-hungry idiot.

And both of these dumbasses have ZERO communication skills.

You know who doesn’t fall into those categories? OUR KIDDOS.

Mei and MK fight too- as soon as the first season.

And what does Mei do when her best friend accidentally wrecks her bike and nearly costs her a race that was EXTREMELY important to her?

She forgives him almost the moment he apologizes, and he immediately works on making it up to her.

Well, hold on a minute! That doesn’t sound like, I don’t know…

Lying to make yourself look better, throwing the blame around instead of accepting it, and running away for five entire centuries?

Huh. It’s almost like, maybe, instead of being built on one-sided adoration and tenuous “brotherhood”, Mei and MK see each other as, of all things-!

Equals. Friends. Partners.

Mei will NEVER abandon her best friend. Nothing could make her. Even when facing down lethal odds, her first response will ALWAYS be to run to him.

Even if she has to be forcibly dragged away, screaming and in tears, Mei will always fight to stay by MK’s side.

Nothing in the world could tear them apart. Not a petty fight. Not a presumed death. Not demons or celestials. Not an inky scroll of eternity inscribed with the past.

There is ONE circumstance in which she runs away from him-

When she’s overwhelmed by the Samadhi Fire and terrified of hurting the person she loves most with a

DEMONIC FIRE FUSED TO HER BODY THAT COULD EASILY BE USED TO DESTROY THE ENTIRE PLANET

then, and only then… does Mei run.

That is what it takes to drive her and MK apart. Not an argument. Not a game of flinging blame. Not a mishap or a tumble.

But fear for his life.

She runs away because, even if she wants to stay- Mei loves him.

And she loves him too much to think of putting her own life and desires before his.

Mei and MK are not the “hero and the warrior”.

This is not MK and Mei. And it never will be.

This is Macaque and Wukong, two people driven apart by boldness that was brashness and cleverness that was cowardice. This is a tale of adoration and anger and heartbreak and betrayal.

This is not MK and Mei. And it never will be.

Because they love each other too much to ever be “the hero and the warrior”.

And they’re all the better for it.

[nightmarebunnyking]

Question for the lmk fandom

What flaws do you think the show has in writing, etc+ ?

[fanficlerontheroof]

[xxplastic-cubexx]

bro the feminine wiles aren’t even a joke like. im with that anon who thought hellfire gala charles was a woman when they first saw him bc same, that design is insaaaane (/pos). how could u not think that when u see it lmfao. idk whose choice it was to give him a corset but the hourglass figure + female coded jawline combo do not lie. i saw it on pinterest and i was like ohhh don’t lie to me i know an anime girl when i see one- WAIT PROFESSOR X????

and that’s not even to mention movieverse charles ofc. we’ve all seen james mcavoy and his big sparkly kawaii anime eyes, i shouldn’t have to say it. charles xavier is never beating the allegations, i fear

gonna need this ask hung in the louvre i fear

[ryin-silverfish]

LMK S5 Fix-it: the Four Divine Beasts

My feeling on LMK S5 has stayed pretty consistent after first watching the Chinese dub: "nice character moments, but what even is this worldbuilding?"

And personally, the Four Divine Beasts/Guardians/Symbols are the biggest symptom of S5's worldbuilding problem.

Namely, they feel more like plot devices that are just there to die and cough up the Color Stones, and as a result, 4/5 of the "Find the Color Stone" plotline felt like a worse version of S3 and the Samadhi Rings, but with even less flavor.

Now, I'm aware of the 11-minute episode constraint, as well as the pressure the studio change might have created that contributed to the overall feeling of rushed-ness.

However, my criticism here is about the writing and worldbuilding, not the animation quality——things that, in my humble and uneducated opinion, could have been done a lot better even if we were sticking to the "Find the McGuffins" plotline.

Thus, this post. As always: very lengthy, very Chinese-mythos inspired.

Four Guardians & Five Phases

A brief Google Search on the Four Symbols, aka Sixiang, will tell you this: the Azure Dragon, White Tiger, Vermillion Bird and Black Tortoise are divine beasts in Chinese mythology that watch over the four directions, each associated with a color and one of the Five Phases.

(An old post of mine briefly talked about their origins as personifications of four big constellations that occupy a quadrant of the sky each, and their relations to the 28 Lunar Mansions)

And S5 certainly paid homage to their elemental associations, however brief and surface-level it is.

The Vermillion Bird's ability to use fire and its flaming temple is the most notable example, but this screenshot of the seal that appeared at the temple entrances also shows five symbols:

From middle left, going in the clockwise direction, these appear to be the characters for Wood, Water, Fire, Earth and Metal in Oracle Bone/Bronze Script.

Which begs the question...why would you spend so much effort on the tiny visual details, yet not show most of their elemental association through the narrative itself?

Like, suppose you are a foreign audience that knows nothing about Chinese culture and legends, who have just finished watching S5, and I ask you "What elemental powers do each of the Four Symbols have?"

Apart from Vermillion Bird = Fire (the obvious one) and the Black Tortoise = maybe Earth (which is not mythos-accurate, btw), can you honestly answer it, based only on what the show has given you?

Which leads me to my biggest gripe: their random-as-hell placement.

Even the Samadhi Rings have a map, however vague it is, but with the Color Stones, the gang basically just wandered all over the place in the hope of eventually running into one of the divine beasts——and they did, somehow!

Like, I'm not asking the writers for an entire mini-arc that's just them piecing the clues together. But will it be too much to let SWK or Tang make an off-hand comment like this?

"Well, legends said that the Four Symbols watch over the four directions and their respective elements. So if we wanna find them, we just gotta go real far in these directions, toward places with the most of that... elemental stuff! Right?"

And that brings me to the actual fix-it part. The Vermillion Bird can stay where she is, but the placement of the other three should also logically follow their elemental associations.

Oh, and though there's limited space for their characterization, they should at least get some individual characterization apart from "wise ancient guardians".

Xuanwu, Black Tortoise of the North

The fact that Xuanwu, or rather, it's snake half, can transform into stone at will might lead you to believe that its element is Earth.

Well...no, not traditionally; the Black Tortoise and the North correspond to Water in the Five Phases system, and I'm gonna both stick to that and build my fix-it off this foundation.

Instead of cosplaying a stone statue in the middle of nowhere, Xuanwu is gonna be residing on one of the islands in the North Sea, where dark tides and huge snow storms rage endlessly under the sunless sky.

So Sandy, being the water travel specialist, is gonna head out there on his boat. Mei would go to her great x N granduncle, Ao Guang's place, to see if he has any clues on, well, this big blue dragon that's also of the East.

Pigsy and Tang would head west, classic JTTW style, towards the mythical Mt. Kunlun where Queen Mother of the West resides (based on one of Tang's books that said the White Tiger was her emissary), while SWK performs an all-round search everywhere on his somersault cloud.

Which leaves MK: his dilemma is not about some random divergence in the road, but which of his friends to follow. Like, what if he goes with one person, and something bad happen to the others in the meantime?

In the end, even though he reluctantly goes with Sandy, he is still constantly distracted by his worries about everyone else, which segments nicely into the meditation training of S5E3.

But since they are doing it on a boat, there can be an external storm to go with the internal storm, causing further distractions for MK and also forcing them to seek shelter on the nearest island.

An island that, strangely, seems to be coated in a thin layer of ice. It isn't just the earth that's frosted over: all the plants, a few unfortunate multi-headed (???) seabirds, and a snake have also turned into ice statues...

Wait, snake? How does a reptile survive this far out in the north?

They have a bigger concern, however. The ice is slowly but steadily spreading, over the beaches and the surrounding seawater, and if they don't finish the search soon, the ice might get too thick for the boat to break.

So MK dashed off to do a grid-by grid search, then circled back to the place with all the frozen statues...and found the snake missing.

Cue, peak paranoia moment, and going on a wild-goose chase for the missing snake that might or might not be an ice-wielding demon waiting to ambush them.

In fact, the snake almost seems to be taunting them, seeing how they run into several "frozen snake statues" that turned out to be made of actual, solid ice. Sandy keeps reminding him to stop and think, while MK finds it harder and harder to put the lessons to practice.

By following the trail of ice statues, however, they eventually arrived on a little island in the middle of a frozen lake, where the real snake——the one half of Xuanwu lay coiling around the Blue Color Stone.

Just when MK is about to dash out and grab it, the snake comes to life with a hiss, and they barely dodged the ice spikes rising up from underneath their feet.

"Begone, foul spawn of Hundun! Return to thy conniving master, ilk of the Floodbringer, before I freeze every single drop of thy tainted blood!" "Um, I-I think you've mistaken me for someone else? I'm the Monkie Kid, and I'm here to collect your Color Stone so I can save the world——" "Doth thee mistake me for a fool, too?" The snake bore its fangs, rising its head high up into the air. "I can feel the flames of dear Lingguang on you, murderer, ripped straight out of its rightful owner's chest! She would not have perished without a fight, nor shalt I!" "Enough, Zhiming."

The tiny island itself begins to shake, revealing the other half of Xuanwu, the Black Tortoise itself. The snake still manages to half-encast Sandy in ice, before the Black Tortoise traps it inside a ball of flowing water.

She briefly apologized for her twin's hostility——whereas the strain of keeping the world together affects her body in the form of visible cracks, her other half has not been in his right mind ever since the Vermillion Bird's fall, living in the distant past and rarely able to perceive the present.

(The whole conversation is punctuated by the snake's psychic screeches in the background, which alternates between accusing her of betrayal and stating she must have fallen victim to the "poisonous blood of the enemy".)

Which makes the upcoming trial even more necessary. No, it's not "mercy-kill her twin". Yet. MK needs to prove his ability to control his body and mind, that his psyche will not break like her other half here under the tremendous pressure.

Thus, the trial of meditation. And he needs to act fast, for she cannot hold the snake back for long, as made evident by the slowly creeping ice inside and outside his watery prison.

"If you are truly worthy, then vanquish your fears, and stand before us in your true form. Brandish Lingguang's stone, so that we may be released from our watch in the long night."

MK succeeded, like he did in canon, with a small difference: his mastery of the monkey form is required for, and enables the limited usage of the stone's power.

So, holding the Red Color Stone, he unleashes a wave of fiery light that melts away the ice on Sandy and finally brings the snake back to his senses...somewhat.

He only managed to say the Vermillion Bird's name in a wistful voice, exclaiming "How I missed thy warm flames!" before melting into a puddle of water.

The other half of Xuanwu soon followed after giving him the stone, disintegrating into a mass of snowflakes that is swept away by the wind, but not before dropping one last bit of foreshadowing:

"Trust not the Floodbringer's Emissary."

(Sidenote: I think it'll be neat if the Four Symbols refer to each other using their IRL Daoist titles. Vermillion Bird - Lingguang, Black Tortoise & Snake - Zhiming, Azure Dragon - Mengzhang, White Tiger - Jianbing)

Azure Dragon & White Tiger

...And I thought Xuanwu's placement was random.

No, seriously, why is there a random music festival that just happens to be Azure Dragon and White Tiger themed that just happens to be near the actual place the two divine beasts are at?

To stay within the show's time constraint, I will not be giving White Tiger his individually themed placement, and instead try to come up with something that is appropriate for the pair as a whole.

Since Azure Dragon's associated element is Wood, it makes sense for him to have plant powers. Namely, whereever the divine beast resides, floras and faunas will flourish, no matter how out of place with the local geography and climate.

Once Mei learned that from Ao Guang, theoretically, it becomes quite the easy find: the mythical oasis city in western China, one that shows up multiple times in historical travel records yet has never been found by archeologists.

And the reason will soon become clear, as Tang and Pigsy make the drive from one desert city to another on their way to Mt. Kunlun (joined by Mei after she returned from the Samadhi Fire side-arc).

Namely, it's like a magical version of the famous Peach Blossom Spring of Chinese literature: an entire city that has been glamored over by the power of the divine beasts, occupied by people whose way of life hasn't changed since the Tang dynasty.

But as the guardians' powers fade, so does the illusion that veils it from the outside world, and the elemental magic that sustains this paradise.

Instead of a music festival, the gang finally discover the city that, according to the locals, has appeared out of thin air a few days ago, while it is in the middle of an archaic ritual procession.

The atmosphere is a lot more solemn, and it isn't hard to see why. Not only has the illusion vanished, exposing them to a profoundly alien world, the foliage of the oasis are growing and dying in rapid succession, clogging the streets with fallen leaves and yellowed petals.

An opera play is going on atop a nearby stage. It sings of a teal-robed immortal who rescued the refugees of a long-forgotten war, who turned desert into fertile soil with the help of a mighty divine general, concealing their existence from the greed and malice of the outside world.

The people in the procession knelt down and pleaded to the immortal for aid, to not abandon them in their hour of need. And their prayers are, indeed, answered, just not by the divine beasts in person.

The 14 Lunar Mansions that belong to the Azure Dragon and White Tiger descended from the sky, summoned by their masters, though they seemed to have been given different orders.

Namely, the Azure Dragon 7 spread out to guard all the major city gates, letting no one enter or leave, while the White Tiger 7 are ordered to round up all the residents and start setting up a teleportation formation.

Soon afterwards, Nezha arrived in the midst of the chaos. He is just as clueless as to what was going on as the Monkie Kid gang, but the moment he caught sight of SWK and friends, he's after them in hot pursuit.

Meanwhile, Li Jing is not happy about the Lunar Mansions suddenly acting without his orders, and commanded them to stand down or be arrested for insubordination.

"With all due respect, Devaraja Li——" Before the Moon Fox Star could finish her sentence, another stellar beast stepped forth, his tiger tail swishing behind him. "Who the hell do you think you are?"

Results: most of the Azure Dragon 7 get sucked into his pagoda, but while they were fighting, the White Tiger 7's formation activated, teleporting the majority of the city residents to god knows where.

While shit was hitting the fan, Tang hurriedly teleported the gang away, right into the sanctuary of the divine beasts——an underground temple.

"It's over, Mengzhang. Now that the Harbinger is on our doorsteps, and your pet mortals are safe at the cost of our loyal warriors, will you finally rest easy?" "Not...yet. There are still...stragglers, left behind." "Stragglers you have doomed yourself! Their fate is sealed the moment you cast your mirage over their ancestors and create this little utopia, frozen in time." The cracks on the tiger's body widened. A thick layer of condensation began forming on the metal reliefs, as if the very walls of the temple were weeping. "I should have never agreed to stay and help." "Yet you...still did. And I'm so glad you are here."

Yep, in this fix-it, I decide to use the Azure Dragon & White Tiger for some thematic parallels, with them basically repeating Nvwa and the Pillar of Heaven on a smaller scale.

The former created a garden city in the middle of the desert, while the latter uses his power to provide the water source that sustains the city (because Metal births Water).

As the end approaches, however, they are faced with the problem of ensuring the city residents' safety, since, upon their death, the entire oasis will revert to a desert overnight.

The White Tiger feels like there's no point in trying anything, since their death means the Harbinger will fulfill his destiny soon and give the world a reboot.

But the Azure Dragon insists on channeling his power into the land until the very last possible moment, so that the people's last memories will be a mundane, peaceful one.

Besides, they know very well that Fate and Destiny are no longer ironclad, when the very laws of reality are breaking down. How, then, can he be sure that the cycle will end and the world will be reforged as Nvwa intended, seeing that its premature beginning is already an outlier?

After a long argument, they had reached an uneasy compromise. Thus, the chaotic arrival of the Lunar Mansions and the hurried evacuation of the residents.

"You will understand, won't you, Harbinger?" The dragon looked into his eyes. "Even if you know it's selfish and futile, that you can't keep them safe forever, you are still going to give your all, just so their happy days will last a little longer..." "It is easy for Brother Jianbing to say, let go, face your end with honor. For Metal is the clashes of blades, the unforgiving axe of executioners." "I? This old fool just saw lives. Of men and women, children and elderly folks. And I cannot stand by and watch them wither."

MK nodded quietly, feeling Mei's worried, "are you not telling me something" glance on the back of his head. He reached out a hand, and the two divine beasts press their foreheads together.

The dragon faded away in a rain of falling leaves and petals, and when the Purple Color Stone hit the ground, nothing remains of the tiger but a thin layer of silvery, metallic sand on the floor.

Appendix: Inside the Pagoda

The fix-it is mostly over at this point, so the following is just me adding some additional worldbuilding and foreshadowing to MK's solution in E10, to make the whole "giving powers to everyone" thing a little less out of left field.

In the previous section, it was mentioned that a bunch of Lunar Mansions end up inside Li Jing's pagoda too. And when MK and friends run across them, they are in a pretty bad state.

Namely, the same cracks they see on the divine beasts are now appearing on the Lunar Mansions' bodies too.

"Isn't it obvious? Our masters are no more, so we now bear the brunt of the weight that was once on their shoulders..." "And are on our way of being crushed to a pancake." "Very tactful, aren't you?" The one-horned man sighed. "But yes. Lord Mengzhang is a stellar beast too——the greatest of all. He is a constellation, while we are merely the stars that make up the dragon's body, embued with a tiny fraction of his power." "And when the very sky of the East has fallen..." "How can the stars remain unscathed?"

After that, they basically exit the scene to fade away offscreen. But the information they revealed plants the seed of an idea in MK: specifically, that the Color Stones' power (and burden) can be shared between multiple individuals, like what happened at the end of E10.

Also, tiny fix: instead of MK learning the circlet spell outta nowhere, he's gonna tap into the power of the Color Stones during his fight with SWK, just like he did during Xuanwu's trial, to buy enough time to make his sacrifice.

[retrokid616]

imodna fans

me

[shaylai]

LMK S4 Episode 8 but portrayed as that one Trolls meme

[luckthebard]

Absolutely cackling at Travis using his Official Character Voice to seriously deliver the “Do you know what happens when X gets struck by lightening?” line.

He is a man of the people.

[astronnova]

[nightmarerodent]

Cop: Ma’am, you can’t be here.

Frost: I just need to get something I left behind real quick.

Cop: This is an active crime scene.

Frost: Yes, a crime scene that I made.

[itsabouttimex2]

LMK Season Five Memes

1. Be a shitty and unpleasant person who hurts innocent people

2. Make things worse for the hero at every twist and turn

3. Repeat steps 1 and 2 throughout the entire season

4. The world is now about to fucking end

5. Do one nice thing for the protags

6. You are now magically redeemed and forgiven by everyone!

[nightmarebunnyking]

To the lmk fandom

Lmk criticism questions.

What do you guys dislike about s5?

Do you like how they handle wukong and macaque?

Do you like the message? And themes? Of this season?

Do you like macaque redemption Arc as it currently is?

What did you think the season failed?,pacing?story?

Do you like mk Arc?

Do you like how it handles the Chinese mythology and goddess of creation?

[raniamich]

Find someone to look at you the way Noshir Dalal looks at Sam Riegel